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Number of items at this level: 2678.

A

Abbasian, K (2021) How Iran’s Revolutionary Guards is Changing the Landscape of Iranian Cinema. Newlines Magazine, . (KAR id:89221)
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Abbasian, K (2017) The Iran-Iraq War as Seen in Iranian Films. In: The Iran Society Lecture Series, 16 Feb 2017, London, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88911)

Abbasian, K (2015) Nations and Nomads: Critical Perspectives on State Power. In: Critical Theories and World Politics seminars, 7 May 2015, University of Oxford, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88913)

Abbasian, Kaveh (2019) Chronicle of Triumph: Iranian National Identity and Revolutionary Shi'ism in Morteza Avini's Sacred Defence Documentaries. Doctor of Philosophy (PhD) thesis, University of Roehampton. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88898)

Abbasian, Kaveh (2021) Crafting ‘Art of Persia’: Debates on National and Religious Identity in Contemporary Iran. Ajam Media Collective, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88882)

Abbasian, Kaveh (2019) Damascus Time: the resurgence of Iranian ‘Sacred Defence’ Cinema. The Middle East in London, 15 (2). ISSN 1743-7598. (KAR id:88869)
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Abbasian, Kaveh (2019) Illuminationist Cinema: The Rise of an Islamic Film Theory. In: Film Philosophy Conference, 9-11 July 2019, University of Brighton, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88899)

Abbasian, Kaveh (2021) Illuminationist cinema: How Islamic mysticism inspired Morteza Avini’s Sacred Defence documentaries of the Iran-Iraq War (1980-1988) and his attempt at constructing a Film Theory. Alphaville: Journal of Film and Screen Media, (22). ISSN 2009-4078. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88905)

Abbasian, Kaveh (2017) The Iran Iraq War and the Sacred Defence Cinema. Journal of the Iran Society, 2 (16). pp. 34-40. (KAR id:88885)
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Abbasian, Kaveh (2021) No Friend but the Camera: Kurdish Cinema as a Site of Collective Consciousness. In: Radical Film at the Dawn of a New Society. K-Verlag. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88907)

Abbasian, Kaveh (2021) Refugee Filmmaking: Finding Agency Through the Lens. In: Construction of the Real. Intellect, UK. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88901)

Abbasian, Kaveh (2021) The Role of Modern Audio-Visual Media in the Construction of Iranian National Identity. The Role of Modern Audio-Visual Media in the Construction of Iranian National Identity, 1 . pp. 29-52. ISSN 2748-5641. (KAR id:88883)
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Abbasian, Kaveh (2016) Shi’i Islam and Iranian National Identity in Morteza Avini’s War Documentaries. In: Culture and Cultural Production in Iran: Past and Present-Conference, 17-19 June 2016, University of St Andrews, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88906)

Abbasian, Kaveh, Thornton, Edward (2016) Stasis and the State: The Role of Nomadic Forces in the Thought of Deleuze and Guattari and the Formation of Iranian National Identity. Logios Journal, 1 . (KAR id:88886)
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Adler, Gerald (2013) Energising the Building Edge: Siegfried Ebeling, Bauhaus Bioconstructivist. In: Morrow, Ruth and Abdelmonem, Mohamed Gamal, eds. Peripheries: Edge Conditions in Architecture. Critiques: Critical Studies in Architectural Humanities, 8 . Routledge, Abingdon. ISBN 978-0-415-64029-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40204)

Adler, Gerald (2012) Little Boxes. In: Adler, Gerald and Brittain-Catlin, Timothy and Fontana-Giusti, Gordana, eds. Scale : Imagination, Perception and Practice in Architecture. Critiques: Critical Studies in Architectural Humanities . Routledge, Abingdon, pp. 182-193. ISBN 978-0-415-68711-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40203)

Adler, Gerald (2012) Twentieth Century Architects: Robert Maguire & Keith Murray. RIBA Publishing (20th Century Architects Series), 212 pp. ISBN 978-1-85946-165-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40202)

Agbaje, Bola (2009) Troppo Lontano! Performance type: Live play Tramedautore Festival, September 2009, Piccolo Teatro, Teatro d'Europa, Milano. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31494)

Ainsworth, Adam, Double, Oliver, Peacock, Louise (2017) Editorial. Theatre, Dance and Performance Training, 8 (2). pp. 125-128. ISSN 1944-3927. E-ISSN 1944-3919. (doi:10.1080/19443927.2017.1326736) (KAR id:62372)
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Al-Tawil, Muhannad (2017) The Importance of Sufi Traditions to Jerzy Grotowski's Practice. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:67459)
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Allain, Paul and Tyabji, Khalid, eds. (2015) Acting with Grotowski: Theatre as a Field for Experiencing Life. Routledge, Abingdon, Oxfordshire, 250 pp. ISBN 978-0-415-74829-2. E-ISBN 978-1-315-75100-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59937)

Allain, Paul (2002) After Grotowski. Total Theatre, 14 (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2387)

Allain, Paul (2002) After Grotowski - the next Generation. New Theatre Quarterly, 28 (1). pp. 59-66. ISSN 0-521-01314-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2375)

Allain, Paul (2012) Andrei Droznin's Physical Actor Training. Routledge Tay;or and Francis DVD and Booklet. 0415682975 (ISBN). (doi:0415682975 (ISBN)) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31001)

Allain, Paul (2015) The Archive. Contemporary Theatre Review, 25 (1). pp. 32-35. ISSN 1048-6801. (doi:10.1080/10486801.2015.992233) (KAR id:47724)
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Allain, Paul (2008) British Grotowski Project. Three year AHRC funded practical and theoretical project with multiple outcomes. Project. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40776)

Allain, Paul (2000) The Cambridge Companion To Chekhov. Cambridge University Press ISBN 0-521-58917-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2361)

Allain, Paul (1995) Coming Home: The New Ecology of The Gardzienice Theatre Association of Poland. Drama Review, 39 (1). pp. 93-121. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2373)

Allain, Paul (2007) Destarsi Con One Breath Left. In: The Workcenter of Jerzy Grotowski and Thomas Richards Visioni. Bulzoni. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2366)

Allain, Paul (2008) Destarsi con One breath left. In: Opere e sentieri. Vol. 3: Testimonianze e riflessioni sull'arte come veicolo. Bulzoni, pp. 129-140. ISBN 978-88-7870-296-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13000)

Allain, Paul (2009) Dust: Grotowski's Last performance. Dust, 21st September- 2nd November, National Theatre, Olivier Foyer. 45 B + W photos. (KAR id:31849)
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Allain, Paul (1998) Gardzienice Polish Theatre in Transition. Harwood Academic Press ISBN 90-5702-105-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2360)

Allain, Paul (2002) The Gardzienice Theatre Association. In: Acting (Re)Considered (2nd ed.). Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2364)

Allain, Paul (1993) Gardzienice in the Suzuki Empire. Polityka, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2381)

Allain, Paul (2002) Gardzienice's Performance of Otherness. In: Studies in Language, Literature and Cultural Mythology in Poland: Investigating The Other. Edwin Mellen Press, pp. 99-114. ISBN 0-7734-7054-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2362)

Allain, Paul (1992) Gardzienice: At the Cultural Crossroads. New Theatre Quarterly, . ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2372)

Allain, Paul (1989) Gardzienice: a Practical Account. Music Theatre Dance Journal, (1). pp. 29-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2371)

Allain, Paul (2007) Goat Theatre Macbeth. Contemporary Theatre Review, 17 (2). pp. 255-258. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2376)

Allain, Paul (1999) The Grammar Of The Feet. Total Theatre, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2386)

Allain, Paul, ed. (2018) The Great European Stage Directors Volume 5: Grotowski, Brook, Barba. The Great European Stage Directors, 5 . Bloomsbury, Methuen Drama, London, UK, 246 pp. ISBN 978-1-4742-5416-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:68531)
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Allain, Paul, ed. (2010) Grotowski and Company. Icarus Publishing Enterprise, Malta, Holstebro, Wroclaw, 330 pp. ISBN 978-83-61835-12-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31028)

Allain, Paul, ed. (2009) Grotowski's Empty Room. Encounters . Seagull Books, Calcutta, 233 pp. ISBN 978-1-906497-23-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31853)

Allain, Paul, ed. (2009) Grotowski's Empty Room: A Challenge to the Theatre. Enactments . University of Chicago Press, 224 pp. ISBN 978-1-906497-23-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20887)

Allain, Paul (2005) Grotowski’s ghosts. Contemporary Theatre Review, . pp. 46-59. ISSN 1048 6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1142)

Allain, Paul (2004) The Intercultural Training of Tadashi Suzuki. Rome, Training/Dino Audino Editore pp 138-143. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2389)

Allain, Paul (1999) Interview with Piotr Borowski: Artistic Director of Studium Teatralne, Warsaw. CUNY, New York, Slavic and East European Performance PP15-23. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2369)

Allain, Paul (2002) Japanese theatre and the international stage. Review of: Japanese theatre and the international stage by UNSPECIFIED. New Theatre Quarterly, 18 (70). p. 197. ISSN 0266-464X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2400)

Allain, Paul (1991) A Love Letter from Britain. Teatr, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2383)

Allain, Paul (2007) Macbeth. Review of: Macbeth by Kozla, P. and Wielga, K.. Didaskalia, 7 . p. 89. ISSN 1233-0477. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2390)

Allain, Paul (1991) Modesty and Vigour. Plays and Players, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2384)

Allain, Paul (1994) Movement Directing. Total Theatre, 6 (4). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2382)

Allain, Paul (2006) The Nature And Culture Of Performance. In: A Performance Cosmology: testimony from the Future, Evidence of. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2365)

Allain, Paul (2000) New sites for Shakespeare: Theatre, the audience, and Asia. Review of: New sites for Shakespeare: Theatre, the audience, and Asia by UNSPECIFIED. New Theatre Quarterly, 16 (64). pp. 391-392. ISSN 0266-464X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2398)

Allain, Paul (1999) Obituary of Jerzy Grotowski. The Independent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2367)

Allain, Paul (2010) On Ensembles. In: Ensemble Theatre, 16th September 2010, University of Huddersfield. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25516)

Allain, Paul (1990) On the Border of Europe and Asia. Zycie Warszawa, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2379)

Allain, Paul (2019) Physical actor training 2.0: new digital horizons. Theatre, Dance and Performance Training, 10 (2). pp. 169-186. ISSN 1944-3927. (doi:10.1080/19443927.2019.1609074) (KAR id:75962)
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Allain, Paul (2010) Piotr Borowski and Poland's Studium Teatralne: Where Process becomes Performance. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge Taylor and Francis, Oxon, pp. 165-184. ISBN 978-0-415-46251-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31029)

Allain, Paul (1992) 'Polishing up on the Classics'. The Stage, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2380)

Allain, Paul (1991) Rep Paralysed by Spending Cuts. The Stage, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2385)

Allain, Paul (2010) Review about Tadeusz Kantor. Review of: Review about Tadeusz Kantor by UNSPECIFIED. New Theatre Quarterly, 26 (103). p. 301. ISSN 0266-464X. (doi:10.1017/S0266464X10000552) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2394)

Allain, Paul (2008) Review of Jerzy Grotowski by James Slowiak and Jairo Cuesta and Etienne Decroux, by Thomas Leabhart. Review of: Jerzy Grotowski by James Slowiak and Jairo Cuesta and Etienne Decroux, by Thomas Leabhart by Slowiak, James and Cuesta, Jairo and Leabhart, Thomas. Contemporary Theatre Review, 18 (1). pp. 115-117. ISSN 1048-6801. (doi:10.1080/10486800701775517) (KAR id:2407)
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Allain, Paul (2004) Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present. Review of: Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present by Meyer-Dinkgrafe, Daniel. New Theatre Quarterly, 20 (1). p. 95. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2402)

Allain, Paul (2002) Review of Dymphna's Callery's Through the Body. Review of: Review of Dymphna's Callery's Through the Body by Callery, Dymphna. New Theatre Quarterly, 18 (4). 0-0. ISSN 0 521-52405-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2401)

Allain, Paul (2004) Review of Edward Braun, A Concise History of Polish Theater from the Eleventh to the Twentieth Centuries, Lampeter: Edwin Mellen Press, 2003. Review of: Review of Edward Braun, A Concise History of Polish Theater from the Eleventh to the Twentieth Centuries, Lampeter: Edwin Mellen Press, 2003 by Braun, Edward. Theatre Research International, . pp. 84-85. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2403)

Allain, Paul (1989) Review of Gardzienice's Avvakum. Review of: Gardzienice's Avvakum by UNSPECIFIED. Event South West Magazine, . 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2391)

Allain, Paul (1997) Review of Harold B. Segel "Pinocchio's progeny". Review of: Harold B. Segel "Pinocchio's progeny" by UNSPECIFIED. New Theatre Quarterly, 13 (49). pp. 95-96. ISSN 0266-464X. (doi:10.1017/S0266464X00010939) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2395)

Allain, Paul (2005) Review of Hidden Territories, Wlodzimierz Staniewski with Alison Hodge. Theatre Research International, . 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2405)

Allain, Paul (1998) Review of Kathleen M. Cioffi "Alternative theatre in Poland 1954-1989". Review of: Kathleen M. Cioffi "Alternative theatre in Poland 1954-1989" by UNSPECIFIED. New Theatre Quarterly, 8 (55). pp. 292-293. ISSN 0266-464X. (doi:10.1017/S0266464X00012276) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2397)

Allain, Paul (2007) Review of Krzysztof Miklaszewski, Encounters with Kantor. Review of: Krzysztof Miklaszewski, Encounters with Kantor by Miklaszewski, Krzysztof. Contemporary Theatre Review, 17 (1). pp. 115-116. ISSN 1048 6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2406)

Allain, Paul (1997) Review of Michael Huxley and Noel Witts,eds. "Twentieth century performance reader". Review of: Michael Huxley and Noel Witts,eds. "Twentieth century performance reader" by UNSPECIFIED. New Theatre Quarterly, 13 (52). p. 399. ISSN 0266-464X. (doi:10.1017/S0266464X00011623) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2396)

Allain, Paul (2001) Review of Modern Czech Theatre. Review of: Review of Modern Czech Theatre by UNSPECIFIED. New Theatre Quarterly, 17 (3). 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2399)

Allain, Paul (2005) Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Chinese Theories of Theater and Performance from Confucius to the Present. Review of: Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Chinese Theories of Theater and Performance from Confucius to the Present by Leiter, Samuel and Chunfang Fei, Faye. New Theatre Quarterly, 21 (2). p. 199. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2404)

Allain, Paul (1990) Review of two performances by Scena Plastyczna of Lublin. Review of: Review of two performances by Scena Plastyczna of Lublin by UNSPECIFIED. Performance Research, . 0-0. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2392)

Allain, Paul (2006) Routledge companion to Theatre and Performance. Routledge, 244 pp. ISBN 0-415-25721-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1134)

Allain, Paul (2000) Suzuki Training- an introductory file. Arts Archives, The Fifth Series, Exeter CD-ROM and Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2370)

Allain, Paul (1998) Suzuki Training: An Update. Drama Review, 42 (1). pp. 66-89. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2374)

Allain, Paul (2002) ‘Sztuka bezruchu’, (‘The art of stillness’- edited extracts from the book of this name). Didaskalia Gazeta Teatralne, Didaskalia Gazeta Teatralne pp62-67. (doi:1233-9477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2388)

Allain, Paul (2009) The Theatre Practice of Tadashi Suzuki A CRITICAL STUDY WITH DVD EXAMPLES. A&C Black Publishers Ltd, 224 pp. ISBN 978-1-4081-1643-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20888)

Allain, Paul (1990) Theatre in Poland. Performance Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2378)

Allain, Paul (2016) Thick Description/Thin Lines: Writing about process in Contemporary Performance. Contemporary Theatre Review, 26 (4). pp. 485-495. ISSN 1048-6801. (doi:10.1080/10486801.2016.1216409) (KAR id:57466)
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Allain, Paul (1990) Two articles on contemporary Polish theatre. Plays International, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2377)

Allain, Paul and Ziolkowski, Grzegorz, eds. (2014) Voices from Within. Grotowski's Polish Collaborators. Routledge Taylor and Francis, London, 170 pp. ISBN 978-1-910203-02-6. (KAR id:31888)
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Allain, Paul (2006) Waking with one breath left. In: Attisani, Antonio, ed. Tracing Roads Across. EU funded. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1127)

Allain, Paul (2013) Ways of Hearing. In: Wisniewski, Tomasz, ed. A Between Almanach for the Year 2013. Maski Press, Gdansk/Sopot, 2013. ISBN 978-83-64088-13-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40187)

Banu, Georges and Ziolkowski, Grzegorz and Allain, Paul, eds. (2009) With Grotowski. Theatre is Just a Form. Grotowski Institute, 120 pp. ISBN 978-83-923635-9-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14720)

Allain, Paul (2002) The art of stillness - The theatre practice of Tadashi Suzuki. Palgrave, 214 pp. ISBN 0-413-76960-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1131)

Allain, Paul, Barbe, F.A. (2009) On the Shoulders of Tradition, East and West: a Conversation between Paul Allain and Frances Barbe. Studies in Theatre and Performance, 29 (2). pp. 149-159. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22313)

Allain, Paul, Bennett-Worth, Stacie Lee (2018) Turning back to Training. Performance Research, 23 (4/5). pp. 240-241. ISSN 1352-8165. (doi:10.1080/13528165.2018.1524672) (KAR id:68872)
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Allain, Paul and Camilleri, Frank (2018) Physical Actor Training - an online A-Z. Bloomsbury, Methuen Drama films online. 10.5040/9790000000082.01. (doi:10.5040/9790000000082.01) (KAR id:68542)
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Allain, Paul and Campo, Giuliano (2009) Jerzy Grotowski: Theatre and Beyond. An Exhibition. Jerzy Grotowski: Theatre and Beyond. An Exhibition, Aberystwyth, the Centre for Performance Research, 21st-27th September 2009 • Canterbury, British Grotowski Project, University of Kent, 8th-19th June, 2009 • London, Battersea Arts Centre 24th June - 7th July., London, Canterbury and Aberystwyth. Drawings, photos, set, costumes, props, original materials from a performance. (KAR id:31889)
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Allain, Paul, Ziolkowski, Grzegorz (2005) Polish Theatre After 1989: Beyond Borders. Contemporary Theatre Review, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2216)

Allen, Aaron S. and Dawe, Kevin (2015) Ecomusicologies. In: Allen, Aaron S. and Dawe, Kevin, eds. Current Directions in Ecomusicology: Music, Nature, Environment. Routledge. ISBN 978-1-138-80458-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46929)

Allen, Richard, May, Shaun (2015) Encountering Anthropomorphism: Editorial. Performance Research, 20 (2). pp. 1-3. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49201)

Amirkhani, Jordan Haleh (2015) 'I am Failure's Success': Francis Picabia and the Enactment of Refusal. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:48374)
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Anderson, Graham (1999) Lucian's dialogues: Performance, nature, and techniques of humor. Classical Review, 49 (1). pp. 32-33. ISSN 0009-840X. (doi:10.1093/cr/49.1.32) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17016)

Anderson, Graham (1999) Symmachus, 'Lettres', vol III, Books-VI-VIII. Classical Review, 49 (2). p. 578. ISSN 0009-840X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17014)

Anderson, Michael (1999) The Cambridge companion to Greek tragedy. Review of: Reviews The Cambridge Companion to Greek Tragedy. Edited by P. E. Easterling. Cambridge: Cambridge University Press, 1997. Pp. xvii + 392 + illus. by Easterling, P.E.. Theatre Research International, 24 (1). pp. 109-110. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17020)

Anderson, Michael (1999) Classical Greek theatre: New views of an old subject. Review of: Classical Greek Theatre: New Views Of an Old Subject. By Clifford Ashby. Iowa City: University of Iowa Press, 1999. Pp. xix + 191 + illus. by Ashby, Clifford. Theatre Research International, 24 (3). p. 293. ISSN 0307-8833. (doi:10.1017/S0307883300019179) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17018)

Anderson, Michael (1995) Dying Acts -Death in Ancient Greek and Modern Irish Tragic Drama - Macintosh,F. Review of: Dying Acts: Death in Ancient Greek and Modern Irish Tragic Drama. By Fiona Macintosh. Cork: Cork University Press, 1994. Pp. xx + 212. by Macintosh, Fiona. Theatre Research International, 20 (3). p. 282. ISSN 0307-8833. (doi:10.1017/S0307883300008725) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19671)

Anderson, Michael (1996) Greek tragic theatre- Rehm,R. Review of: Greek tragic theatre by Rehm, Rush. Theatre Research International, 21 (1). p. 79. ISSN 0307-8833. (doi:10.1017/S0307883300012736) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18788)

Anderson, Michael (1995) The Law of Writ and the Liberty + Elizabethan Theatre and the Commedian-Dellarte. Theatre Research International, 20 (3). pp. 189-199. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19670)

Anderson, Michael (1994) A Short Introduction to the Greek Theater - Ley,G. Review of: A Short Introduction to the Greek Theater. By Graham Ley. Chicago and London: The University of Chicago Press, 1991. Pp. xiv + 104. by Lev, Graham. Theatre Research International, 19 (3). pp. 267-268. ISSN 0307-8833. (doi:10.1017/S0307883300006672) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20359)

Ang, Gey Pin (2017) Sourcing Within: A Reflexive Investigation of a Creative Path. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:61616)
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Anscomb, Claire Rebecca (2019) On the Significance of Automaticity in Image-Making Practices. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:76754)
[thumbnail of 22Claire Anscomb Thesis 2019.pdf]

Appadu, Balraj L., Strange, Philip G., Lambert, David G. (1994) Does Propofol Interact with D-2 Dopamine-Receptors. Anesthesia and Analgesia, 79 (6). pp. 1191-1192. ISSN 0003-2999. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20360)

Atkins, Stephen (2020) Crosspoints: An integrative acting system. Experimental Wing Publishing, London, 390 pp. ISBN 978-1-83812-560-8. E-ISBN 978-1-83812-561-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:87041)
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Atkins, Stephen (2021) Crosspoints: Toward an Integrative Framework for Actor training, Rehearsal and Performance. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.86757) (KAR id:86757)
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Aziz, S.M., Waller, Winston A.J. (1994) Testing Differential Split-Level CMOS Circuits. IEE Proceedings: Circuits, Devices and Systems, 141 (6). pp. 451-456. ISSN 1350-2409. (doi:10.1049/ip-cds:19941524) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20366)

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Bacon, Julie Louise (2013) Archival recollecting: the unstable realm of the visible. In: Gade, Rune and Borgreen, Gundhild, eds. Performing Archives/Archives of Performance. University of Copenhagen and Museum Tuscelanum Press, Copenhagen. ISBN 978-87-635-3750-6. (KAR id:31646)
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Bacon, Julie Louise, ed. (2008) Arkive City. Interface, Locus+ Archive, Belfast, Newcastle upon Tyne, 219 pp. ISBN 978-1-899377-30-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31580)
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Bacon, Julie Louise (2012) Liquid Archive: On Ambivalence. Other. Monash University Museum of Art, Melbourne, Australia (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31586)
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Bacon, Julie Louise (2012) The Possibility of Impossible Dialogues. Desert Equinox, 1-23 September 2012, Broken Hill, Australia. Land Art. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31584)

Bacon, Julie Louise (2012) Signal. In: Signal, 30 October - 02 November 2012, Quebec. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31565)
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Baldwin, Christopher John (2018) Citizen-Centred Dramaturgy And The Flow Quartet - European Capital of Culture, Wroclaw 2016, Poland. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:71711)
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Bann, Stephen (1994) History and its Images - Art and the International of the Past - HASKELL,F. Oxford Art Journal, 17 (1). pp. 98-102. ISSN 0142-6540. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20370)

Bann, Stephen (1995) The Landscape Approach of Lassus,Bernard .2. Journal of Garden History, 15 (2). pp. 67-106. ISSN 0144-5170. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19684)

Bann, Stephen (1998) A grand design: The art of the Victoria and Albert Museum. Burlington Magazine, 140 (1139). pp. 153-154. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17569)

Barbe, F.A. (2006) Chimaera. Chimaera, 2006-2006, UK Tour. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1155)

Barbe, F.A. (2010) Deep Training and the Portfolio Approach. In: TaPRA, 9th-11th September 2010, University of Glamorgan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25348)

Barbe, F.A. (2003) Fine bone china. Fine Bone China, March 2003-September 2003, UK Tour. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1149)

Barbe, F.A. (2009) From Studio To Stage. DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23494)

Barbe, F.A. (2003) Palpitation. Performance type: Other Palpitation, September 2003-September 2003, London/University of Kent, Canterbury. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1153)

Barbe, F.A. (2007) The Sensation of Butoh and Suzuki. In: SUNY, May 2007, Brockport, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9172)

Barbe, F.A. (2008) Swampsong. Performance type: Other . Solo dance work. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9171)

Barbe, F.A. (2006) The way of Butoh and contemporary choreography. University of Kent DVD, text. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1144)

Barkhin, Andrei, Lodder, Christina (2016) Ilia Golosov’s Work of the 1930s and the Soviet Version of Art Deco. Art in Translation, 8 (2). pp. 221-241. ISSN 1756-1310. (doi:10.1080/17561310.2016.1216054) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75236)

Barnard, Clio H. (2010) The Arbor. Artangel Media Feature film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40773)

Barnard, Clio H. (2006) Dark Glass. Mobile Phone Film - 8 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2219)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Curzon Cinema Soho. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11949)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Tate Modern. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13161)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Bristol Encounters Film Festival. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13162)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, May 2007, Site Gallery Sheffield. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13163)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, February 2007, Ikon Gallery Birmingham. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13164)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, July 2007, Galway Arts Festival. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13165)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, September 2007, Media Art Friesland Netherlands. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13166)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, October 2007, Cinema Lux, Normandy, France. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13167)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, November 2007, Museo Reina Sofia, Madrid. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13168)

Barnard, Clio H. (2008) Dark Glass. Dark Glass, February 2008, Museum of Modern Art, New York. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13169)

Barnard, Clio H. (2017) Dark River. Theatre release data. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64065)

Barnard, Clio H. (2006) Dartford Crossing. Film. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1109)

Barnard, Clio H. (2006) Erith. DVD. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1107)

Barnard, Clio H. (2007) Exchange. Arts Council /Film Council Moving Image Initiative. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13174)

Barnard, Clio H. (2007) Exhibition Catalogue - Clio Barnard, Road Race:Dark Glass. Other. Herbert Read Gallery, Canterbury (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13171)

Barnard, Clio H. (2002) Flood. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1104)

Barnard, Clio H. (2001) Lambeth Marsh. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1103)

Barnard, Clio H. (2008) Plotlands - a site specific performance work incorporating film. , Friday 4 July 2008, Whitstable Biennale. Mixed. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40774)

Barnard, Clio H. (2008) Random Acts of Intimacy. Random Acts of Intimacy, January 2008, ICA Short Film Festival, Institute of Contemporary Arts. Number of pieces: 1. 16mm. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13172)

Barnard, Clio H. (2008) Random Acts of Intimacy. Random Acts of Intimacy, April 2008, Britspotting, British Irish Film Festival, Berlin. Number of pieces: 1. 16mm. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13173)

Barnard, Clio H. (2004) Road race. Hopscotch Films Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1105)

Barnard, Clio H. (2006) Solo Show - Exhibition of Road Race and Dark Glass. Solo Exhibition - Road Race and Dark Glass, October-November 2006, Herbert Read Gallery, Canterbury. Number of pieces: 2. screen film/video installation Super 16mm and DV, Single screen multiplatform /download/ video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13170)

Baugh, Christopher (2000) English court theatre 1558-1642. Theatre Research International, 25 (1). pp. 87-88. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16099)

Baugh, Christopher (1999) Enter the whole army: A pictorial study of Shakespearean stagings, 1576-1616. Theatre Research International, 24 (3). pp. 293-294. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17061)

Baugh, Christopher (2003) Our divine Shakespeare, fitly illustrated – staging Shakespeare, 1660-1900. In: Martineau, Jane, ed. Shakespeare in Art. Ferrara & London: Merrell, pp. 29-39. ISBN 1-85894-229-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1110)

Baugh, Christopher (2006) Scenography and technology, 1737-1843. In: Moody, Jane and O'Quinn, Daniel, eds. The Cambridge Companion to British Theatre 1737-1843. Cambridge University Press. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1115)

Baugh, Christopher (2004) Stage Design from Loutherbourg to Poel. In: Donohue, Joseph, ed. The Cambridge History of British Theatre, vol. II. Cambridge University Press, pp. 309-330. ISBN 0-521-65068-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1112)

Baugh, Christopher (2005) Theatre, Performance and Technology: the Development of Scenography in the Twentieth Century. Palgrave Macmillan, 272 pp. ISBN 1 4039 1696. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1114)

Baugh, Christopher (1996) The stage designs of Inigo Jones: The European context - Peacock,J. Review of: The stage designs of Inigo Jones: The European context by Peacock, John. Theatre Research International, 21 (2). pp. 175-176. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18812)

Baxter, Iain and Chodzko, Adam (2013) IAIN BAXTER& / Adam Chodzko: Two person exhibition. IAIN BAXTER& / Adam Chodzko, 11/07/2013 - 11/08/2013, Raven Row, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47273)

Beadle-Brown, Julie, Richardson, Lisa, Wilkinson, David T., Shaughnessy, Nicola, Trimingham, Melissa, Leigh, Jennifer S, Whelton, Beckie, Himmerich, J (2014) Imagining Autism: impact of a drama based intervention on the social communicative and imaginative behaviour of children with autism. In: Journal of Applied Research in Intellectual Disabilities. 27 (4). p. 343. Wiley-Blackwell (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47565)

Beadle-Brown, Julie, Wilkinson, David T., Richardson, Lisa, Shaughnessy, Nicola, Trimingham, Melissa, Leigh, Jennifer S, Whelton, Beckie, Himmerich, Julian (2018) Imagining Autism: Feasibility of a Drama-Based Intervention on the Social, Communicative and Imaginative behaviour of Children with Autism. Autism: International Journal of Research and Practice, 22 (8). pp. 915-927. ISSN 1362-3613. E-ISSN 1461-7005. (doi:10.1177/1362361317710797) (KAR id:61589)
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Blackburn, John and Thomas, Ben D. H. and Hopkinson, Martin (2012) John Blackburn: And God Cryed, Studio 3 Gallery, 24 September - 14 December 2012. John Blackburn: And God Cryed, 24 September - 14 December 2012, Studio 3 Gallery, Jarman Building, School of Arts, Canterbury.. Exhibition with exhibition catalogue. ISBN 978-1-902671-79-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31495)

Blanchet, Robert, Vaage, Margrethe Bruun (2012) Don, Peggy, and Other Fictional Friends? Engaging with Characters in Television Series. Projections, 6 (2). pp. 18-41. ISSN 1934-9688. E-ISSN 1934-9696. (doi:10.3167/proj.2012.060203) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56202)

Boenisch, Peter M (2012) Acts of Spectating: The Dramaturgy of the Audience's Experience in Contemporary Theatre. Critical Stages, 8 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40569)

Boenisch, Peter M (2006) Aesthetic art to aisthetic act. Theatre, media, intermedial performance. In: Kattenbelt, Chiel and Chapple, Freda, eds. Intermediality in Theatre and Performance. Amsterdam: Rodopi, pp. 103-116. ISBN 90-420-1629-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1165)

Boenisch, Peter M (2004) Alienating Realities. Hygiene Heute and the Politics of Sonic Conspiracy. 3xT Tidsskrift for teori og teater, (15 & 1). pp. 40-49. ISSN 0807-6316. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2472)

Boenisch, Peter M (2001) "Alienation" and "Theater als Medium der Moderne? ". In: Theater als Paradigma der Moderne. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2635)

Boenisch, Peter M (2002) Archaeology/Alienation in Contemporary Performance. In: Fédération Internationale du Recherche Théâtrale. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2632)

Boenisch, Peter M (1999) The Body and Beyond. Theatre Semiotics in the Age of Virtual Reality. In: 5th Performance Studies Conference 1999 "Here Be Drag-ons". . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2639)

Boenisch, Peter M (2009) Book Review No Beauty for Me There Were Human Life is Rare: On Jan Lauwers’ Theatrework with Needcompany. Review of: No Beauty for Me There Were Human Life is Rare: On Jan Lauwers’ Theatrework with Needcompany by Stalpaert, Christel and Le Roy, Frederick and Bousset, Sigrid. Contemporary Theatre Review, 19 (1). pp. 115-116. ISSN ISSN 1048-6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25361)

Boenisch, Peter M (2007) Book Review: Mary Luckhurst, Dramaturgy: A Revolution in Theatre. Review of: Dramaturgy: A Revolution in Theatre by Luckhurst, Mary. Theatre Research International, 32 (2). p. 207. ISSN 0307-8833. (doi:10.1017/S0307883307002945) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2468)

Boenisch, Peter M (2005) Book Review: Simon Shepherd and Mick Wallis, “Drama/ Theatre/ Performance”,. Review of: “Drama/ Theatre/ Performance” by Shepherd, Simon and Wallis, Mick. Theatre Research International, 30 (3). pp. 306-307. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2471)

Boenisch, Peter M (2009) Co-convenor, with Una Bauer, Working Group Directors/Collectives. In: TaPRA Conference 2009, 5th-7th September 2009, Plymouth, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25377)

Boenisch, Peter M (1999) Contributions to Dictionnaire de la Danse. In: Le Moal, Philippe, ed. Dictionnaire de la Danse. Larousse. ISBN 2-03-511318-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2492)

Boenisch, Peter M (2000) Contributions to Lexikon der Kultur der Gegenwart,. In: Schnell, Ralf, ed. Lexikon der Kultur der Gegenwart. Stuttgart: Metzler. ISBN 3-476-01622-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2491)

Boenisch, Peter M (2010) Curator of Panel “Dramaturgy Abroad and Back: Transnational Reflections on a modern Western theatre paradigm” and Introductory Paper “Dramaturgic Research in Theatre Studies: Exploring Potentials and Methodologies”. In: IFTR World Congress 2010 “Cultures of Modernity”, 25th-31st July 2010, Munich. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25368)

Boenisch, Peter M (2009) Curator “Re/Placing Shakespeare: On Ivo van Hove’s Roman Tragedies” (Symposium). In: Re/Placing Shakespeare: On Ivo van Hove’s Roman Tragedies Symposium, 21st November 2009, Barbican, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25370)

Boenisch, Peter M (2006) Decreation Inc. William Forsythe’s exploration of ‘behaviour without intention’. In: Symposium "The Changing Body in Training and Performance". . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2626)

Boenisch, Peter M (2007) Decreation inc.: William Forsythe’s equations of bodies before the name. Contemporary Theatre Review, 17 (1). pp. 15-27. ISSN 1048-6801. (doi:10.1080/10486800601095982) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1157)

Boenisch, Peter M (2002) Der Darsteller auf der Bühne: Klangkörper <> Zeichenkörper. Zur Problematik der Korporealität (nicht nur) im Musiktheater. In: Bayerdörfer, Hans-Peter, ed. Stimmen - Töne - Klänge. Tübingen. Gunter Narr, pp. 139-152. ISBN 3-8233-5230-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2480)

Boenisch, Peter M (2002) Der Körper als Zeichen!? In: Klein, Gabriele and Zipprich, Christa, eds. Tanz.Theorie.Text. Jahrbuch Tanzforschung 12. Münster u.a.: Lit, pp. 383-395. ISBN 3-8258-5901-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2485)

Boenisch, Peter M (2002) Der Körper als Zeichen!? Zur Analyse von Körper- und Bewegungsdarstellungen. Fanzdrama, 62 (1). pp. 18-21. ISSN 0932-8688. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2484)

Boenisch, Peter M (2006) Deutsches Theater according to Michael Thalheimer: A Postcard from Berlin. In: Tapra Theatre and Performance Research Association. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2624)

Boenisch, Peter M (2000) Die Entdeckung der Korporealität (nicht nur) im Musiktheater. In: 5. Kongress der Gesellschaft für Theaterwissenschaft. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2636)

Boenisch, Peter M (1998) Die Idee vom Körper als Tastatur. Mimekunst, Kunst der Stille: Vor 100 Jahren wurde der Theatermeister Etienne Decroux geboren. Süddeutsche Zeitung/SZ am Wochenende, (18-19). ISSN 0174-4917. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2493)

Boenisch, Peter M (2010) Dramaturgy as Relational Process: On the Act of Spectating. In: 10. Kongress der Gesellschaft für Theaterwissenschaft “Theater & Subjektkonstitution”, 28th-31st October 2010, University of Mainz. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25364)

Boenisch, Peter M (1999) ElectrONic Bodies, Movement, and Meaning in the works of DV8 Physical Theatre. In: Dance Theatre: An International Investigation. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2638)

Boenisch, Peter M (2003) ElectrONic bodies. Corpo-realities in contemporary dance performance. Moving Bodies. Performance Research, 8 (4). 33 -41. ISSN 0-415-32133-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1159)

Boenisch, Peter M (2004) Ent-Körpern, Ent-Schreiben, Ent-Schöpfen. Wie sich die Tanztheorie von Forsythe's 'Decreation' zur Dekonstruktion der Diskurse über das Ballett verleiten ließ. BalletTanz, . pp. 56-61. ISSN 3617559948. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2473)

Boenisch, Peter M (1998) Etienne Decroux' Körpertheater und die Theaterästhetik der Neunziger Jahre. In: 4. Kongress der Gesellschaft für Theaterwissenschaft. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2640)

Boenisch, Peter M (2008) Exploring the Classics: Michael Thalheimer's Regie beyond the Text 1. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (doi:10.1080/10486800701741477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40568)

Boenisch, Peter M (2008) Exposing The Classics: Michael Thalheimer’s Regie beyond the Text. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (doi:10.1080/10486800701741477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2464)

Boenisch, Peter M (2010) Frank Castorf and the Berlin Volksbühne: The Humiliated and Insulted (2001). In: Bay--Cheng, Sarah and Kattenbelt, Chiel and Lavender, Andy and Nelson, Robin, eds. Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, 187,196-202. ISBN 978-90-8964-255-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25358)

Boenisch, Peter M (2008) Guest Lecture, 'Theater-Politik und Bühnen-Business: Hinter den Kulissen der englischen 'theatre industry' - Strukturen und Modelle jenseits der Subventionskultur'. In: • Guest Lecture, 'Theater-Politik und Bühnen-Business: Hinter den Kulissen der englischen 'theatre industry' - Strukturen und Modelle jenseits der Subventionskultur', 17th December 2008, Ludwig-Maximilians-Universität München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25383)

Boenisch, Peter M (2008) 'How to do things with Text: Text-Regie als Mise-en-Sens'. In: Conference 'Orbis Pictus - Theatrum Mundi', 25th October 2008, University of Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25384)

Boenisch, Peter M (1997) I doubt not I, but she will stoop in time: Frauenfiguren in Tamburlaine und The Spanish Tragedy. ZAA. Zeitschrift für Anglistik und Amerikanistik, XLV . pp. 325-338. ISSN 0044-2305. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2494)

Boenisch, Peter M (2003) In\Between.Realities. In: Working Group Meeting "Theatre and Intermediality", CSSD London. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2630)

Boenisch, Peter M (2009) Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf. In: Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf, 5th October 2009, Institut Schauspiel, Universität für Musik und darstellende Kunst, Graz/Austria. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25373)

Boenisch, Peter M (2006) Intermediality and the Classics: Updating the “old media” of theatre. In: 15th World Congress International Federation of Theatre Research. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2625)

Boenisch, Peter M (2000) Intermediality in Contemporary Theatre. In: Fédération Internationale du Recherche Théâtrale. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2637)

Boenisch, Peter M (2009) Invited Lecture, Critical Encounters 3: Encountering the Intermedial. In: Critical Encounters 3: Encountering the Intermedial, 9th May 2009, Tramway, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25379)

Boenisch, Peter M (2008) Invited Panel Member, Conference ‘Theatre Studies Today and Tomorrow’. In: Theatre Studies Today and Tomorrow, 12th March 2008, University of Surrey. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25385)

Boenisch, Peter M (2009) Invited Panel contribution "Visions of Dance Studies". In: Tanzkongress, 8th November 2009, Hamburg. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25372)

Boenisch, Peter M (2009) Invited Research Seminar, ‘(Re-)Devising Classics in Contemporary Theatre’. In: (Re-)Devising Classics in Contemporary Theatre, 6th May 2009, University of Lancaster. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25380)

Boenisch, Peter M (2009) Keynote, Symposium 'Mapping Performance: Intercultural Spaces, Negotiable Boundaries'. In: 'Mapping Performance: Intercultural Spaces, Negotiable Boundaries Symposium, 3rd June 2009, Royal Holloway. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25378)

Boenisch, Peter M (2004) Komik ist Konsumterror. 20 Jahre gegen das genussvolle Einverständnis: Forced Entertainment 1984 - 2004. In: Kongress "Komik - Ästhetik, Theorien, Vermittlungsstrategien", 7th International Congress of the German Society for Theatre Studies. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2628)

Boenisch, Peter M (2005) Komik und Konsumzwang: Zwischen Jux und Jucken – Komische Gesten bei Forced Entertainment. Maske und Kothurn. Vierteljahresschrift zur Theater-, Film- und Medienwissenschaft, 51 (4). pp. 335-345. ISSN 3-205-77434-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2470)

Boenisch, Peter M Make World: Archaeology as Alienation in Contemporary Performance. . Projekte/Kirchner Internet Article. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2486)

Boenisch, Peter M (2006) Mediation Unfinished. Choreographing Intermediality in Contemporary Dance Performance. In: Kattenbelt, Chiel and Chapple, Freda, eds. Intermediality in Theatre and Performance, Amsterdam and New York. Rodopi, pp. 151-166. ISBN 90-420-1629-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2469)

Boenisch, Peter M (2007) Multisensuality and Postdramatic Mise-en-Scène: The ro:theater's Proust-Project. In: Suguiera, Malgorzata and Borowski, Matuesz, eds. Fictional Realities/Real Fictions: Contemporary Theatre in Search of a New Mimetic Paradigm. Cambridge Scholars Publishing, pp. 121-134. ISBN 978-1-84718-138-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2466)

Boenisch, Peter M (2008) Other People Live: Rimini Protokoll and their Theatre of Experts - an interview. Contemporary Theatre Review, 18 (1). pp. 107-113. ISSN 1477-2264. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2465)

Boenisch, Peter M (2009) Panelist, Plenary Discussion ‚Jacques Rancière Study Day. In: Royal Holloway/TAPRA Working Group ‘Performance, Identity, Community’, 28th February 2009, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25382)

Boenisch, Peter M (2005) Postdramatic Mise-en-scène: The ro:theater’s Proust-Project. In: IFTR-Conference “Fictional/Real in Contemporary Theatre”. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2627)

Boenisch, Peter M (2003) Realität - Fiktion - Alienation. Hygiene Heute und die Politik der Grenzverschiebung im Performancetheater. In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds. Theater ohne Grenzen. München: Utz, pp. 456-464. ISBN 3-8316-0237-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2476)

Boenisch, Peter M (2009) Research Seminar, Forschungsprojekt SaM Sound and Movement. In: Forschungsprojekt SaM Sound and Movement, 16th March 2009, Institut für Theaterwissenschaft, LMU München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25381)

Boenisch, Peter M (2004) See and be SCENE: Reflecting the Presentation and Perception of Restoration Theatre. In: "The Long Restoration: Leviathan to Licensing Act", Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2629)

Boenisch, Peter M (2013) Spectres of Subjectivity: On the Fetish of Identity in (Post-) Postdramatic Choreography. In: Jurs-Munby, Karen and Carroll, Jerome and Giles, Steve, eds. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Bloomsbury Methuen Drama, London / New Delhi / New York / Sydney. ISBN 978-1-4081-8486-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40570)

Boenisch, Peter M (2001) Synthesized Dreams Of Moving Men: ElectrONic Bodies, Movement, and Meaning in the works of DV8 Physical Theatre. In: Dance Theater: An International Investigation. Proceedings of the MoMentUm I Conference, Manchester 2001. . pp. 122-127. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2488)

Boenisch, Peter M (2007) Tanz als Körper-Zeichen: Zur Methodik der Theater-Tanz-Semiotik. In: Klein, Gabriele and Brandstetter, Gabriele, eds. Bewegung in Übertragung, Bielefeld. Transcript, pp. 29-45. ISBN 3-89942-558-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2467)

Boenisch, Peter M (2002) Tanz als Leben, oder: Die Erotik des Balanceakts auf der Nabelschnur. Das expressive Ballett-Theater des Jirí Kylián. In: Staatsballett, Bayerisches, ed. Porträt Jirí Kylián. München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2478)

Boenisch, Peter M (2000) Tanztheorie und Sprechtheater. Perspektiven der Analyse von Körperzeichen im zeitgenössischen Theater. In: Jeschke, Claudia and Bayerdörfer, Hans-Peter, eds. Bewegung im Blick. Berlin: Vorwerk 8. Theatralia, Documenta Choreologica, pp. 16-29. ISBN 3-930916-22-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2490)

Boenisch, Peter M (2003) Theater als Medium der Moderne? Zum Verhältnis von Medientechnologien und Bühne im 20. Jahrhundert. In: Balme, Christopher and Fischer-Lichte, Erika and Gratzel, Stephan, eds. Theater als Paradigma der Moderne? Positionen zwischen historischer Avantgarde und Medienzeitalter. Mainzer Forschungen zu Drama und Theater 28. Tübingen: Francke 2003, pp. 447-456. ISBN 3-7720-2796-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2475)

Boenisch, Peter M (2002) Theater der Sensationen. In: 6. Kongress der Gesellschaft für Theaterwissenschaft. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2631)

Boenisch, Peter M (2004) Theater der Sensationen. Performance als Wahrnehmungs-Labor. In: Matzke, Annemarie and Kurzenberger, Hajo, eds. TheorieTheaterPraxis. Berlin: Theater der Zeit, pp. 261-268. ISBN 3-934344-29-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2474)

Boenisch, Peter M (2001) Theatre and Media Studies: Bridging the Gap. In: Working Group Session "Theatre and Intermediality". . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2633)

Boenisch, Peter M (2010) Thomas Ostermeier: mission neo(n)realism and a theatre of actors and authors. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge, pp. 339-359. ISBN 978-0-415-46251-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25360)

Boenisch, Peter M (2010) Towards a Theatre of Encounter and Experience: Reflexive Dramaturgies and Classic Texts. Contemporary Theatre Review, 20 (2). pp. 162-172. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24946)

Boenisch, Peter M (2001) Training Intelligence: Give Us Dance Academies! Ballett International - Tanz Aktuell, (8-9). pp. 52-53. ISSN 0947-0484. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2489)

Boenisch, Peter M (2001) Transforming Performance in the Internet Culture. In: Fédération Internationale du Recherche Théâtrale. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2634)

Boenisch, Peter M (2010) Zeitläufte: Zur Choreografie und Wahrnehmung von Zeitlichkeit im Tanztheater der Gegenwart. In: Symposium “TIME CODES: Zeichen der Flüchtigkeit – Zeichen der Zeit”, DANCE 2010-Festival, 8th November 2010, Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25363)

Boenisch, Peter M (2003) coMEDIA electrONica. Performing intermediality in contemporary theatre. Theatre Research International, 28 (1). pp. 34-45. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2477)

Boenisch, Peter M (2002) körPERformance 1.0. Theorie und analyse von Körper- und Bewegungsdarstellungen im zeitgenössischen theater. München: ePodium ISBN 3-9807394-6-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1163)

Boenisch, Peter M (2009) The naked tragedy of being human: Recent productions of Shakespeare in German Theatre. In: 2009 British Shakespeare Association conference, 13th September 2009, King's College London and the Globe Theatre. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25374)

Boenisch, Peter M (2002) www dot theatre dot. Alice Croft, or: Transforming Performance in the Internet Culture. Body, Space and Technology, 2 (2). ISSN 1470-9120. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2479)

Boenisch, Peter M. (2015) Directing Scenes & Senses: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester, 256 pp. ISBN 978-0-7190-9719-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51637)

Boenisch, Peter M. (2016) The Theatre Of Thomas Ostermeier. Routledge, Abingdon and New York, 262 pp. ISBN 978-1-138-91447-6. E-ISBN 978-1-315-69081-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59745)
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Boenisch, Peter M. (2014) What happened to our Nation of Culture? Staging the theatre of the Other Germany. In: Holdsworth, Nadine, ed. Theatre and National Identity: Re-Imagining Conceptions of Nation. Routledge Advances in Theatre & Performance Studies . Routledge, Abingdon, Oxfordshire, pp. 145-162. ISBN 978-0-415-82299-2. E-ISBN 978-0-203-36621-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60017)

Boenisch, Peter M. (2014) Who’s watching? Me! – Theatrality, the Žižekian Subject and Spectatorship. In: Chow, Broderick and Mangold, Alex, eds. Žižek & Performance. Performance Philosophy . Palgrave Macmillan, Basingstoke and New York, pp. 48-60. ISBN 978-1-137-41090-0. E-ISBN 978-1-137-40319-3. (doi:10.1057/9781137403193) (KAR id:54561)
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Boenisch, Peter M. (2017) An actor, but in life: Spectatorial consciousness and materialist theatre. In: Fisher, Tony and Katsouraki, Eve, eds. Performing Antagonism: Theatre, Performance & Radical Democracy. Performance Philosophy . Palgrave Macmillan UK, London, UK. ISBN 978-1-349-95099-7. E-ISBN 978-1-349-95100-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60019)

Boenisch, Peter M and Balme, Christopher (2001) Re-Play. Wiederholung der Welt - Welten der Wiederholung im zeitgenössischen britischen Drama. In: Felix, Jurgen and Kiefer, Bernd and Marschall, Susanne and Stiglegger, Marcus, eds. Die Wiederholung. Marburg: Schüren, pp. 269-284. ISBN 3-89472-334-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2487)

Boenisch, Peter M, Orozco, Lourdes (2010) Editorial: Border Collisions - Contemporary Flemish Theatre. Contemporary Theatre Review, 20 (4). pp. 397-404. ISSN 1048-6801. (doi:10.1080/10486801.2010.505763) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25357)

Boenisch, Peter M, Orozco, Lourdes (2010) Working Group “Directing & Dramaturgy”. In: TapRA 2010 Conference, 9th-11th September 2010, University of Glamorgan. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25366)

Boenisch, Peter M and Stalpaert, Christel (2010) Jan Fabres Affirmationsfalle: Von der (Un-) Möglichkeit politischen Theaters im Zeitalter der Toleranz. In: Forschungszentrum, Sound and Movement, ed. Spielart Festival Reloaded. Henschel, Berlin, pp. 62-88. ISBN 978-3-89487-661-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25359)

Bolaki, Stella (2014) The Cultural Work of Disability and Illness Memoirs: Schizophrenia as Collaborative Life Narrative. In: Bolt, David, ed. Changing Social Attitudes to Disability: Perspectives from Historical, Cultural, and Educational Studies. Routledge, London, pp. 89-98. ISBN 978-0-415-73249-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44300)

Bolsover, Nicola (2015) Costume and Cross-Dressing in Stand-up Comedy. Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:52927)
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Borge, Steffan, Smith, Murray, Vaage, Margrethe Bruun (2015) The Aesthetics of Football. Sport, Ethics and Philosophy, 9 (2). pp. 93-96. ISSN 1751-1321. E-ISSN 1751-133X. (doi:10.1080/17511321.2015.1048822) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61926)

Bowern, Sandra (2019) Theatre and theatricality in the work of David Hockney, 1961-1978. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:76453)
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Branca, Bernardino (2019) The Edgar Wind Archive at the Bodleian Library, Oxford. In: SAS Centre for Memory Studies: Memory and Archives Seminar, 12 November 2019, Senate House, University College London. (Unpublished) (KAR id:81450)
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Branca, Bernardino (2019) Edgar Wind Filosofo delle Immagini:La Biografia Intellettuale di un Discepolo di Aby Warburg. Filosofie . Mimesis Edizioni, Milano, Italy, 374 pp. ISBN 978-88-575-5634-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74385)

Branch, Boyd, Efstratiou, Christos, Mirowski, Piotr, Mathewson, Kory, Allain, Paul (2021) Tele-Immersive Improv: Effects of Immersive Visualisations on Rehearsing and Performing Theatre Online. In: CHI '21: Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems. . ACM ISBN 978-1-4503-8096-6. (doi:10.1145/3411764.3445310) (KAR id:87284)
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Breel, Astrid (2017) Conducting creative agency: the aesthetics and ethics of participatory performance. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:64138)
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Briggs, Joe Bob, Hoberman, J., Love, D., Lucas, T., Sconce, J., Stanfield, Peter (2008) Cult Film: A Critical Symposium. Cineaste, 34 (1). pp. 43-50. ISSN 0009-7004. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14845)

Brooks, Helen E. M. (2020) Remembering the War on the British Stage: From Resistance to Reconstruction. In: Verpoest, Luc and Engelen, Leen and Heynickx, Rajesh and Schmidt, Jan and Uyttenhove, Pieter and Verstraete, Pieter, eds. Revival after the Great War: Rebuild, Remember, Repair, Reform. University of Leuven Press, Leuven, pp. 164-177. ISBN 978-94-6270-250-9. (KAR id:85483)
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Brooks, Helen E.M. (2015) Actresses, Gender and the Eighteenth-Century Stage : Playing Women. Palgrave, Houndmills, Basingstoke, Hampshire, 201 pp. ISBN 978-1-137-48621-9. E-ISBN 978-1-137-48622-6. (doi:10.1057/9781137486226) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50465)

Brooks, Helen E.M. (2020) ‘Are there any more recruits?’ - British theatre and the recruitment drive, 1914–1915. First World War Studies, 10 (2-3). pp. 207-224. ISSN 1947-5020. (doi:10.1080/19475020.2020.1774913) (KAR id:82318)
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Brooks, Helen E.M. (2018) British Theatre and the Great War 1914-1919: New Perspectives. Review of: British Theatre and the Great War 1914–1919: New Perspectives by Maunder, Andrew. Nineteenth Century Theatre and Film, 45 (2). pp. 270-276. ISSN 1748-3727. E-ISSN 2048-2906. (doi:10.1177/1748372718792085) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73672)

Brooks, Helen E.M. (2016) Collaboration and Co-production: an example of a partnership between the University of Kent and Theatre Royal, Brighton. In: In Good Company: Working with Partners (APAC Annual Conference), 07 Nov 2016, The Lowry, Salford. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65364)

Brooks, Helen E.M. (2014) The Divided Heart of the Actress: Late Eighteenth-Century Actresses and the Cult of Maternity. In: Engel, Laura and McGirr, Elaine. M., eds. Stage Mothers: Women, Work and the Theatre, 1660-1830. Transits: Literature, Thought & Culture, 1650–1850 . University Press Copublishing Division / Bucknell University Press. ISBN 978-1-61148-603-2. E-ISBN 978-1-61148-604-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50464)

Brooks, Helen E.M. (2011) Early eighteenth-century performance historiography: Problems and possibilities. Studies in Theatre and Performance, 31 (1). pp. 33-45. (doi:10.1386/stap.31.1.33_1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:29667)
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Brooks, Helen E.M. (2012) Eighteenth-Century British Actresses and Strategies for Image Making Columbus. Review of: Eighteenth-Century British Actresses and Strategies for Image MakingColumbus by UNSPECIFIED. New Theatre Quarterly, 28 (2). pp. 206-207. ISSN 0266-464X. E-ISSN 1474-0613. (doi:10.1017/S0266464X1200036X) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65351)

Day, Gary and Lynch, Jack and Brooks, Helen E.M. and Latimer, Bonnie and Morrissey, Lee and Rounce, Adam and Schurer, Norbert and Smallwood, Philip and Vilmar, Christopher, eds. (2015) The Encyclopedia of British Literature: 1660 - 1789. Wiley Blackwell, 1528 pp. ISBN 978-1-4443-3020-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64409)

Brooks, Helen E.M. (2013) FRANCESCA SAGGINI. Laura Kopp (trans.). Backstage in the Novel: Frances Burney and the Theater Arts. Review of: Backstage in the Novel: Frances Burney and the Theater Arts by UNSPECIFIED. Review of English Studies, 65 (269). pp. 361-363. ISSN 0034-6551. E-ISSN 1471-6968. (doi:10.1093/res/hgt067) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65345)

Brooks, Helen E.M. (2017) Great War Theatre. online. Located at: www.greatwartheatre.org.uk. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65369)

Brooks, Helen E.M. (2018) Horror on the London Stage: The Grand Guignol Season of 1915. In: Languages and the First World War, 10 Sept 2018, Europe House. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73666)

Brooks, Helen E.M. (2018) The Horrors of War: Extreme violence on the Great War British Stage. In: Dramaturgies of War: Institutional Dramaturgy, Politics, and Conflict in the 19th and 20th Centuries, 25-26 January 2018, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73670)

Brooks, Helen E.M. (2014) 'It was just like that out there': Wartime Representation of the Trenches. In: TaPRA Conference 2014, 03-05 Sep 2014, Egham, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65366)

Brooks, Helen E.M. (2018) Keeping the War Alive: British Theatre of the 1920s. In: Theatre and Performance Research Association Conference 2018, 5-7 Sept 2018, Aberystwyth. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73668)

Brooks, Helen E.M. (2011) The Later Seventeenth Century. Review of: Drama by UNSPECIFIED. The Year's Work in English Studies, 88 (1). pp. 590-610. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65354)

Brooks, Helen E.M. (2011) The Later Seventeenth Century. Review of: Drama by UNSPECIFIED. The Year's Work in English Studies, 91 (1). pp. 587-597. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65355)

Brooks, Helen E.M. (2011) The Later Seventeenth Century. Review of: Drama by UNSPECIFIED. The Year's Work in English Studies, 90 (1). pp. 544-551. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65356)

Brooks, Helen E.M. (2011) The Later Seventeenth Century. Review of: Drama by UNSPECIFIED. The Year's Work in English Studies, 89 (1). pp. 542-554. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65357)

Brooks, Helen E.M. (2017) Mobilising the Home Front: British Theatre in 1916. In: The Fictional First World War, 6-9 Apr 2017, University of Aberdeen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65361)

Brooks, Helen E.M. (2011) Negotiating Marriage and Professional Autonomy in the Careers of Eighteenth-Century Actresses. Eighteenth-Century Life, 35 (2). pp. 39-75. ISSN 0098-2601. (doi:10.1215/00982601-1214090) (KAR id:29674)
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Brooks, Helen E.M. (2017) Not just 'A Little Bit of Fluff': British Theatre during the Great War. In: Civilian Experiences of War Symposium, 09 Jul 2017, Open University, Milton Keynes. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65367)

Brooks, Helen E.M. (2012) 'One entire nation of actors and actresses' - Reconsidering the Relationship of Public and Private Theatricals. Nineteenth-Century Theatre and Film, . ISSN 1748-3727. (KAR id:29676)
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Brooks, Helen E.M. (2018) Peace and the Theatre: British Theatre after the Great War. In: Revival after the Great War: Repair, Rebuild, Remember, 8-9 May 2018, Leuven. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73669)

Brooks, Helen E.M. (2017) Recovering First World War Theatre: A Community Research Project. In: UNSPECIFIED, 16 Mar 2017, Royal Academy of Dramatic Art, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65371)

Brooks, Helen E.M. (2013) Review of Transgressive Theatricality, Romanticism, and Mary Wollstonecraft Farnham. Review of: Transgressive Theatricality, Romanticism, and Mary Wollstonecraft Farnham by Plummer Crafton, Lisa. New Theatre Quarterly, 29 (3). p. 302. ISSN 0266-464X. E-ISSN 1474-0613. (doi:10.1017/S0266464X13000481) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65343)

Brooks, Helen E.M. (2011) Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater. Review of: Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater by Nussbaum, Felicity. Theatre Research International, 36 (2). pp. 180-181. ISSN 0307-8833. E-ISSN 1474-0672. (doi:10.1017/S030788331100006X) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65352)

Brooks, Helen E.M. (2017) Sex and Sexuality. In: Balme, Christopher B. and Davis, Tracy C., eds. A Cultural History of Theatre. Bloomsbury. ISBN 978-1-4725-8584-4. (KAR id:64411)
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Brooks, Helen E.M. (2016) Sexual Suspects Roundtable. In: Actress as Author, 09-10 Jul 2015, Chawton House. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65363)

Brooks, Helen E.M. (2015) Spies and Brutes: The Representation of Germans as Villains on the British Stage Between 1914 and 1918. In: A Symposium on Villains, 21 May 2015, University of Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65365)

Brooks, Helen E.M. (2017) Staging Jutland. In: Jutland and After: The First World War at Sea from War to Peace 1916-1919, 31 May - 2 Jun 2017, National Museum of the Royal Naval, Portsmouth. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65359)

Brooks, Helen E.M. (2017) Staging the Great War in the British Theatre between 1914 and 1918. In: War Through Other Stuff, 22-24 Feb 2017, University of Edinburgh. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65360)

Brooks, Helen E.M. (2018) Theatre History and Historiography: Ethics, Evidence and Truth. Edited by Claire Cochrane and Jo Robinson. Review of: Theatre History and Historiography: Ethics, Evidence and Truth. by UNSPECIFIED. Theatre Research International, 42 (3). pp. 352-353. ISSN 0307-8833. E-ISSN 1474-0672. (doi:10.1017/S0307883317000657) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65347)

Brooks, Helen E.M. (2010) The Theatre and Victorian Visual Culture. Review of: The Theatre and Victorian Visual Culture by Heinrich, Anselm and Newey, Katherine and Richards, Jeffrey. Theatre Research International, 36 (1). pp. 90-91. ISSN 0307-8833. E-ISSN 1474-0672. (doi:10.1017/S0307883310000842) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65353)

Brooks, Helen E.M. (2017) Theatres of War: New insights into wartime theatre production through the Recovering First World War Theatre project. In: TaPRA Conference, 2017, 30 Aug - 01 Sep 2017, University of Salford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65358)

Brooks, Helen E.M. (2014) Theorizing the Woman Performer. In: Swindells, Julia and Taylor, David Francis, eds. The Oxford Handbook of the Georgian Theatre 1737-1832. Oxford University Press. ISBN 978-0-19-960030-4. (doi:10.1093/oxfordhb/9780199600304.013.038) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31606)
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Brooks, Helen E.M. (2016) ‘Torture, murder and bestial lust': German Villains on the British stage in 1915. In: 'Pack up your Troubles': Performance Cultures of the First World War, 27-29 Apri 2016, University of Kent. (Unpublished) (KAR id:65362)
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Brooks, Helen E.M. (2016) Undertaking Cultural History Projects with Partners and Publics: Methods and Approaches. In: UNSPECIFIED, 01 Dec 2016, Leuven, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65370)

Brooks, Helen E.M. (2009) Women and Theatre Management in the Eighteenth Century. In: Engel, L., ed. The Public's Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Cambridge Scholars Publishing, pp. 73-97. ISBN 978-1-4438-0173-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:29675)

Brooks, Helen E.M. (2011) Women's Romantic Theatre and Drama: History, Agency and Performativity. Review of: Women's Romantic Theatre and Drama: History, Agency and Performativity by UNSPECIFIED. New Theatre Quarterly, 27 (1). pp. 90-91. ISSN 0266-464X. E-ISSN 1474-0613. (doi:10.1017/S0266464X11000108) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65350)

Brooks, Helen E.M. (2008) 'Your sincere friend and humble servant': Evidence of managerial aspirations in Susannah Cibber's letters. Studies in Theatre and Performance, 28 (2). pp. 147-159. (doi:10.1386/stap.28.2.147_1) (KAR id:29673)
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Brooks, Helen E.M. and Connelly, Mark L. (2017) The St. Barnabas Hostels’ Pilgrimage, 1923. Performance type: Live play Ypres 100, 28 - 31 Jul 2017, Passchendaele Memorial Museum, Belgium. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65342)

Brooks, Helen E.M. and Hanna, Emma (2019) 'A Night in the West End, 1914-1918': A Lecture-Concert. Performance type: Musical event A Night in the West End, 1914-1918: A Lecture-Concert, 27 April 2019, Westgate Hall, Canterbury. Script. (KAR id:73664)
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Brown, David W R (2020) Faces Places: Cognition, Culture, and the Human Face in Narrative Cinema. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.85887) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:85887)
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Brydon, Lavinia (2016) Book Review: A History of 1970s Experimental Film: Britain’s Decade of Diversity by Patti Gaal-Holmes. Review of: A History of 1970s Experimental Film: Britain’s Decade of Diversity by Gaal-Holmes, Patti. Journal of Media Practice, 17 (1). pp. 121-122. ISSN 1468-2753. E-ISSN 2040-0926. (doi:10.1080/14682753.2016.1160657) (KAR id:55843)
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Brydon, Lavinia (2013) Book Review: Screen Dynamics: Mapping the Borders of Cinema ed. by Gertrud Koch, Volker Pantenburg, Simon Rothöhler. Review of: Screen Dynamics: Mapping the Borders of Cinema by Koch, Gertrude and Pantenburg, Volker and Rothöhler, Simon. NECSUS: European Journal of Media Studies, 2 (1). pp. 262-267. ISSN 2215-1222. E-ISSN 2213-0217. (doi:10.5117/NECSUS2013.1.BRYD) (KAR id:49167)
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Brydon, Lavinia (2012) Brief Encounter: The Girl Chewing Gum. Short Film Studies, 2 (2). pp. 155-158. ISSN 2042-7824. (doi:10.1386/sfs.2.2.155_1) (KAR id:50299)
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Brydon, Lavinia (2021) From Rivers to Reservoirs: Swimmer as Psychogeographic Cinema. Short Film Studies, 11 (2). ISSN 2042-7824. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:88266)
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Brydon, Lavinia (2016) From a Jukebox Photograph to a Music Video: Media Technologies and the Popular Culture Heritage of a British Pleasure Pier. In: NECS Annual Conference, 28-30 July 2016, Potsdam, Germany. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56814)

Brydon, Lavinia (2017) Garden of England: Sites of Production and Pilgrimage. In: Locating Imagination: Popular Culture, Tourism and Belonging, 5-7 April 2017, Rotterdam, The Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61371)

Brydon, Lavinia (2014) Navigations and Negotiations: Examining the (Post)Colonial Landscape of The Assam Garden. Journal of British Cinema and Television, 11 (2-3). pp. 172-188. ISSN 1743-4521. (doi:10.3366/jbctv.2014.0202) (KAR id:50294)
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Brydon, Lavinia (2013) The Nostalgic Gardens of Derek Jarman’s England. Dandelion, 4 (2). pp. 1-15. (KAR id:50297)
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Brydon, Lavinia (2015) Shelagh Delaney (1938-2011). In: Nelmes, Jill and Selbo, Jule, eds. Women Screenwriters: An International Guide. Palgrave Macmillan, pp. 650-658. ISBN 978-1-137-31237-2. (doi:10.1057/9781137312372) (KAR id:55841)
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Brydon, Lavinia (2019) Storytelling, Exhibition Spaces and Site-Specific Screenings. In: NECS Annual Conference, 13-15 June 2019, Gdansk, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74461)

Brydon, Lavinia and Burger, Bibi and Rice, Louis (2021) Practicing Flânerie: Imagined and Applied Walking Strategies in Pretoria/Tshwane, South Africa. In: Paplas, Mary-laura and Comfort, Kelly, eds. New Directions in Flânerie: Global Perspectives for the Twenty-First Century. Routledge. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88554)

Brydon, Lavinia, Handyside, Fiona (2020) Difficult Women: Fame, Film, Feminism and Fury. Film Studies, 22 . pp. 1-10. ISSN 1469-0314. E-ISSN 2054-2496. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:79774)

Brydon, Lavinia and Jenzen, Olu (2016) Exhibition Review: Pierdom by Simon Roberts. Review of: Pierdom by Roberts, Simon. NECSUS: European Journal of Media Studies, 5 (2). pp. 217-228. ISSN 2213-0217. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59446)

Brydon, Lavinia and Jenzen, Olu (2018) Pop(-up)ular Culture at the Seaside: The British Pleasure Pier as Screening Space. In: Atkinson, Sarah and Kennedy, Helen W., eds. Live Cinema: Cultures, Economies, Aesthetics. Bloomsbury, London, pp. 43-59. ISBN 978-1-5013-2483-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59766)

Brydon, Lavinia, Jenzen, Olu, Nourse, Nicholas (2019) 'Our Pier': Leisure activities and local communities at the British seaside. Leisure/Loisir, 43 (2). pp. 205-228. ISSN 1492-7713. E-ISSN 2151-2221. (doi:10.1080/14927713.2019.1613171) (KAR id:70961)
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Brydon, Lavinia, Stead, Lisa (2016) Chilham on Screen: Location Shooting and Community Memory. In: MeCCSA Annual Conference, 6-8 Jan 2016, Canterbury Christ Church University, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60535)

Brydon, Lavinia, Stead, Lisa (2017) The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities. SERIES - International Journal of TV serial narratives, 3 (1). pp. 101-114. ISSN 2421-454X. (doi:10.6092/issn.2421-454X/7149) (KAR id:60534)
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Brydon, Lavinia, Topp, Dominic (2021) A Town and Gown Cinema: Developing Audiences at the Gulbenkian, Canterbury. In: Beyond the Multiplex, March 2021, Glasgow, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88267)

Burger, Bibi, Khosi, Motlatsi, Brydon, Lavinia (2020) A Review-Reflection on African Feminisms 2019: Theorising from the Epicentres of Our Agency, Wits University, Johannesburg, South Africa. Film Studies, 22 . pp. 65-75. ISSN 1469-0314. E-ISSN 2054-2496. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:79244)

Burridge, Stephanie A. (1997) The impact of Aboriginal dance on twentieth century Australian choreography with a practical and creative study. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.85976) (KAR id:85976)
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Camilleri, Frank (2008) Collective Improvisation: The Practice and Vision of Ingemar Lindh. TDR - The Drama Review, 52 (4). pp. 82-97. ISSN 1054-2043. (doi:10.1162/dram.2008.52.4.82) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:14657)
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Camilleri, Frank (2006) Dramaturgy of a Performance Process. Icarus Performance Project, Malta, 72 pp. ISBN 99932-0-418-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20302)

Camilleri, Frank (2008) Exploring the Liminal: Engaging the Space between Training and Performance Process. In: Wooding, Bruce, ed. International Theatre Movement Conference: At the Moscow Art Theatre School. Central School of Speech and Drama, London, pp. 27-30. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20308)

Camilleri, Frank (2008) Hospitality and the Ethics of Improvisation in the Work of Ingemar Lindh. New Theatre Quarterly, 24 (3). pp. 246-259. ISSN 0266-464X. E-ISSN 1474-0613. (doi:10.1017/S0266464X08000304) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:20307)
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Camilleri, Frank (2003) ‘I can still feel his eyes on me’, an interview by Elzbieta Stelmaszczyk. Pogranicza, 42 . pp. 29-43. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20309)

Camilleri, Frank (2011) Of Crossroads and Undercurrents: Ingemar Lindh's Practice of Collective Improvisation and Jerzy Grotowski. New Theatre Quarterly, 27 (4). pp. 299-312. ISSN 0266-464X. (doi:10.1017/S0266464X11000637) (KAR id:30483)
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Camilleri, Frank (2009) Of Pounds of Flesh and Trojan Horses: Performer Training in the Twenty-first Century. Performance Research, 14 (2). pp. 26-34. ISSN 1352-8165. (KAR id:23281)
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Camilleri, Frank (2010) Tekhn? Sessions: investigating dynamic aliveness in the actor's work. Theatre, Dance & Performance Training, 1 (2). pp. 157-171. (doi:10.1080/19443927.2010.504999) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:25779)
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Camilleri, Frank (2008) 'To Push the Actor-Training to its Extreme': Training Process in Ingemar Lindh's Practice of Collective Improvisation. Contemporary Theatre Review, 18 (4). pp. 425-441. ISSN 1048-6801. (doi:10.1080/10486800802379474) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:14864)
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Camilleri, Frank, Schranz, John J (1996) Id-Descartes: Identity of a Dramaturgy. GHE, Malta (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20305)

Can, N., Kazanci, N., Townsend, P.D., Chadwick, Alan V. (1994) Cathodoluminescence Emission-Spectra of ND-Doped CAF2. Physica Status Solidi A, 146 (2). pp. 843-852. ISSN 0031-8965. (doi:10.1002/pssa.2211460230) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20416)

Cardinal, Roger (1995) The Collages of Schwitters,Kurt - Tradition and Innovation - Dietrich,D. Art Bulletin, 77 (2). pp. 336-337. ISSN 0004-3079. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19741)

Cardinal, Roger (1992) THE DOUBLE CIPHER - ENCOUNTER BETWEEN WORD AND IMAGE IN BONNEFOY, TARDIEU AND MICHAUX - WILLIAMS,AV. French Studies, 46 (2). pp. 229-230. ISSN 0016-1128. (doi:10.1093/fs/XLVI.2.229-b) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23243)

Cardinal, Roger (1996) Duchamp: Passim : A Marchel Duchamp Anthology - Hill,A. Review of: Duchamp: Passim : A Marchel Duchamp Anthology by Hill, Anthony. Burlington Magazine, 138 (1117). p. 261. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18863)

Cardinal, Roger (1992) KAHLO,FRIDA - TORMENT AND TRIUMPH IN HER LIFE AND ART - DRUCKER,M. Times Literary Supplement, (4663). p. 15. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23241)

Cardinal, Roger (1992) Manipulator Supreme. Review of: Dali by Etherington-Smith, Meredith. Times Literary Supplement, (4681). p. 15. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23238)

Cardinal, Roger (1992) Martyr to Her Art. Review of: Frida Kahlo: The Paintings; and Frida Kahlo: Torment and Triumph in Her Life and Art by UNSPECIFIED. Times Literary Supplement, (4663). p. 15. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23240)

Cardinal, Roger (1992) Mental Manipulator. Review of: Alberto Savinio (exhibition at Accademia Italiana Delle Arti) by UNSPECIFIED. Times Literary Supplement, (4638). p. 19. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23245)

Cardinal, Roger (1994) Rosso,Medardo. Burlington Magazine, 136 (1094). pp. 329-330. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20420)

Cardinal, Roger (1992) TEXTUAL SPACES - THE POETRY OF REVERDY,PIERRE - ROTHWELL,A. French Studies, 46 (3). pp. 357-358. ISSN 0016-1128. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23239)

Cardinal, Roger (1999) The hidden goddess: Isis in the work of Victor Hugo. French Studies, 53 (3). pp. 341-342. ISSN 0016-1128. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17189)

Cardwell, Sarah E. (2003) About time: theorizing adaptation, temporality, and tense. Literature Film Quarterly, 31 (2). pp. 82-92. ISSN 0090-4260. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1169)

Cardwell, Sarah E. (2002) Adaptation revisited: television and the classic novel. Manchester University Press, 232 pp. ISBN 0-7190-6045-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1167)

Cardwell, Sarah E. (2005) Andrew Davies. Manchester University Press, 227 pp. ISBN 0-7190-6491-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1168)

Cardwell, Sarah E. (2007) Is Quality Television Any Good? Generic Distinctions, Evaluations and the Troubling Matter of Critical Judgement. In: McCabe, Janet and Akass, Kim, eds. Quality TV: Contemporary American Television and Beyond. IB Tauris, pp. 19-34. ISBN 978-1-84511-511-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2220)

Cardwell, Sarah E. (2015) J. L. Carr. In: Scribner's British Writers Supplement. Gale University Press, pp. 51-67. ISBN 978-0-684-32508-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54622)

Cardwell, Sarah E. (2013) Magnus Mills. In: Scribner's British Writers Supplement. Gale University Press, pp. 171-187. ISBN 978-1-4144-9610-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54621)

Cardwell, Sarah E. (2014) Persuaded? The impact of changing production contexts on three adaptations of 'Persuasion'. In: British Television Drama: Past, Present and Future. Palgrave Macmillan, Basingstoke, pp. 84-97. ISBN 978-1-137-32757-4. E-ISBN 978-1-137-32758-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54624)
[thumbnail of Cardwell, Persuasion, author submitted final version, 2014.pdf]

Cardwell, Sarah E. F. (2015) A Sense of Proportion: Aspect Ratio and the Framing of Television Space. Critical Studies in Television, 10 (3). pp. 83-100. ISSN 1749-6020. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54623)
[thumbnail of Critical Studies in Television-2015-Cardwell-83-100.pdf]

Cardwell, Sarah E. F. (2014) Television Amongst Friends: Medium, Art, Media. Critical Studies in Television, 9 (3). pp. 6-21. ISSN 1749-6020. E-ISSN 1749-6039. (doi:10.7227/CST.9.3.2) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:51443)
[thumbnail of Cardwell, Television Amongst Friends.pdf]

Cardwell, Sarah E. F. (2013) Television aesthetics: Stylistic analysis and beyond. In: Television Aesthetics and Style. Bloomsbury, London & New York, pp. 23-44. ISBN 978-1-4411-5751-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54620)
[thumbnail of Sarah Cardwell, Stylistic Analysis and beyond, in TV Aesthetics and Style, 2013.pdf]

Carpov, Victor, Lodder, Christina (2016) Typology and Ideology: Moisei Ginzburg Revisited. Art in Translation, 8 (2). pp. 169-193. ISSN 1756-1310. (doi:10.1080/17561310.2016.1216048) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75238)

Carver, Gavin P. (2002) Carnival. In: Donnell, Alison, ed. Companion to Black British Culture. Routledge, pp. 65-67. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9419)

Carver, Gavin P. (1996) Computer Aided Scenography: some observations on procedures and concepts. Studies in Theatre Production, (14). pp. 20-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9416)

Carver, Gavin P. (2001) Computer visualisation for the theatre. Focal Press ISBN 0-240-51617-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1171)

Carver, Gavin P. (2001) John Fox. In: Bull, John, ed. Dictionary of Literary Biography Vol 245 British and Irish Dramatists Since World War II. London: Bruccoli Clark Layman, pp. 157-166. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1268)

Carver, Gavin P. (1995) Light the Night, the theory and practice of a community celebration. Studies in Theatre Production, 12 (1). pp. 82-98. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9418)

Carver, Gavin P. (2000) A Midsummer Night’s Dream. A Midsummer Night’s Dream, June 2000, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9421)

Carver, Gavin P. (2000) The effervescent Carnival: Performance, context, and mediation at Notting-Hill. New Theatre Quarterly, 16 (61). pp. 34-49. ISSN 0266-464X. (doi:10.1017/S0266464X00013440) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16244)

Carver, Gavin P. and Baugh, Christopher and Fergusson, C (1998) Exhibition of digital reconstructions of Adolphe Appia's speculative designs for the Ring Cycle (Wagner). World Congress of the International Federation of Theatre Research, 1998, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9423)

Carver, Gavin P. and Beardon, C (2003) New visions in performance. In: Carver, Gavin P., ed. New Visions in Performance. Swets & Zeitlinger, pp. 167-182. ISBN 90-265-1966-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1173)

Carver, Gavin P. and Presdee, Mike (2000) The Carnival of Crime. In: Presdee, Mike, ed. Cultural Criminology and the Carnival of Crime. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9414)

Castoro, Manila (2016) The decisive moment and the moment in between: Kairos, Tyche and the play of street photography. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:60420)
[thumbnail of 61Manila Castoro - PhD Thesis - History and Philosophy of Art.pdf]

Cavallo, Francesca Laura (2019) Rehearsing Disaster Pre-Enactment Between Reality and Fiction. In: Czirak, Adam and Nikoleit, Sophie and Oberkrome, Friederike and Straub, Verena and Walter-Jochum, Robert and Wetzels, Michael, eds. Performance zwischen den Zeiten: Reenactments und Preenactments in Kunst und Wissenschaft. Transcript Theater . transcript Verlag, Germany, 179 -198. ISBN 978-3-8376-4602-3. E-ISBN 978-3-8394-4602-7. (doi:10.14361/9783839446027-012) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:84679)
[thumbnail of Reharsing Disasters. F.CAVALLO.pdf]

Cavallo, Francesca Laura (2020) Sensing it Coming: Regarding the Aesthetics of Risk. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:84691)
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Chodzko, Adam (1997) 3 wege zum see: Group exhibition. 3 wege zum see, 1997, Künstlerhaus Klagenfurt, Austria. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47437)

Chodzko, Adam, ed. (2007) Adam Chodzko. Museo d'Arte Moderna di Bologna and Skira, 125 pp. ISBN 978-88-6130-566-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12986)

Chodzko, Adam (2007) Aernout Mik File Note. Other. Camden Arts Centre, ISBN: 1900470683 (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12987)

Chodzko, Adam (2011) Again, A Time Machine. Again, A Time Machine: Make the Living Look Dead, 16 September to 9 October 2011, Spike Island, Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47309)

Chodzko, Adam (2009) Altogether Elsewhere: Group Exhibition. Altogether Elsewhere, October 16–19, 2009, Zoo Art Fair, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47323)

Chodzko, Adam (2010) Apocalypse Now: Krowswork Group Exhibition. Apocalypse Now, 2010, Hot Springs Documentary Festival, Oakland, California. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47314)

Chodzko, Adam (2014) Around: Group Exhibition Time Travel and the Interzone City, Sci-Fi: Days of Fear and Wonder. BFI,Southbank,London. October - November 2014. Around, BFI Southbank, London. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47259)

Chodzko, Adam (2014) Art Moves: Ghost. Performance type: Live play , 20 - 21 September 2014, Olympic Park, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47580)

Chodzko, Adam (2009) Artworks (for sale in exchange for visitors ideas). Artworks (for sale in exchange for visitors ideas), 29 May – 16 August 2009, Wilkinson Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47325)

Chodzko, Adam (2013) Assembly: A survey of recent artists’ film and video in Britain 2008–2013. Assembly: A survey of recent artists’ film and video in Britain 2008–2013, Saturday 23 November 2013 – Saturday 15 March 2014, Tate Britain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47269)

Chodzko, Adam (1997) At one remove: Group Exhibition. At one remove, 1997, Henry Moore Institute, Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47446)

Chodzko, Adam (2010) BLOOD TEARS FAITH DOUBT: Historical & Contemporary encounters. BLOOD TEARS FAITH DOUBT, 17 June – 18 July 2010, Courtauld Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47315)

Chodzko, Adam (2003) Bad Behaviour: Group Exhibition. Bad Behaviour, 7 November 2003 - 27 February 2005, Longside Gallery, Yorkshire Sculpture Park. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47375)

Chodzko, Adam (2013) Because…Schwitters in Britain Group exhibition Examining the late work of Kurt Schwitters. Schwitters in Britain, 30 January – 12 May 2013, Tate Britain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47281)

Chodzko, Adam (2003) Better Scenery. Billboards and photographs. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2223)

Chodzko, Adam (2002) Better Scenery: Solo Exhibition. , Plains Art Museum, Fargo, North Dakota. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47121)

Chodzko, Adam (2007) Beyond The Country - Group Exhibition. Beyond The Country, 26th October 2007 - 3rd February 2008, Glucksman Gallery, Cork. Number of pieces: 1. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12985)

Chodzko, Adam (2007) Breaking Step - Group Exhibition. Breaking Step, 24th March - 10th June 2007, Museum of Contemporary Art, Belgrade. Number of pieces: 10. Mixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12983)

Chodzko, Adam (2001) Bright Paradise: Exotic History and Sublime Artifice Group Exhibition. Bright Paradise: Exotic History and Sublime Artifice, 3 March - 4 June 2001, 1st Auckland Triennial, Auckland Art Gallery, New Zealand. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47388)

Chodzko, Adam (1996) Brilliant: Group Exhibition. Brilliant, 1996, Contemporary Art Museum, Houston, Texas. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47447)

Chodzko, Adam (2005) British Art Show 6: Group Exhibition. British Art Show 6, 24 Sept 2005 - 8 Jan 2006, Baltic, Newcastle, touring to Manchester, Nottingham and Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47359)

Chodzko, Adam (1996) British Waves: Group Exhibition. British Waves, Rome. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47450)

Chodzko, Adam (2003) Cell-a. Single-screen slide projection of 81 x 35mm B&W images. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2222)

Chodzko, Adam (2010) Cinecity: Brighton Festival Group Exhibition. Cinecity, 18th November - 5th December, Brighton festival. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47313)

Chodzko, Adam (1991) City Racing: Group Exhibition. , City racing, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47548)

Chodzko, Adam (2005) Dance of the Seven Veils: Group Exhibition. Dance of the Seven Veils, 2005, Cooper Gallery, University of Dundee. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47348)

Chodzko, Adam (2009) The Dark Monarch: Magic and modernity in British art Group Exhibition. The Dark Monarch, 9 October. 2009-10 January 2010, Tate St Ives touring to Towner Gallery, Eastbourne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47324)

Chodzko, Adam (2004) Design for a Carnival: Solo Exhibition. , Els Hanappe Underground, Athens. Greece. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47118)

Chodzko, Adam (2005) Displacements: British Art 1900–2005 Group Exhibition. Displacements: British Art 1900–2005,, 2005, Tate Britain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47356)

Chodzko, Adam (2000) Dreammachines: Group Exhibition "Night Visions". Dreammachines, Dundee Centre for Contemporary Art, touring to Mappin Gallery, Sheffield; Camden Art Centre, London; Glyn Vivian Art Gallery, Swansea. Video Projection. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47393)

Chodzko, Adam (2012) ESQUIVALIENCE:Hole,2007 Group Exhibition Mistaken Presence. ESQUIVALIENCE, 29 Jun 2012 – 13 Aug 2012, GreyFrairs, Lincoln. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47284)

Chodzko, Adam (2003) Electric Earth the State Russian Museum, St Petersburg: British Council curated Group Exhibition. Electric Earth, 2003, the State Russian Museum, St Petersburg, touring Russia, and Lithuania. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47371)

Chodzko, Adam (2009) English Lounge: A Group Show of British Contemporary Art Group exhibition. English Lounge, 16 March 2009 -26 April /2009, Tang Contemporary Art, Beijing. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47330)

Chodzko, Adam (2008) Fact or Friction: Group Exhibition. Fact or Friction, 2008, Vox Populi, Philadelphia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47357)

Chodzko, Adam (2006) Fire: Group Exhibition. Fire, 2006, Galleria Franco Noero, Turin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47343)

Chodzko, Adam (2009) For the Straight Way is Lost. For the Straight Way is Lost, 13 June – 4 October 2009, Athens Biennale, Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47327)

Chodzko, Adam (2000) Found Wanting: Group Exhibition. Found Wanting, 2000, Contemporary Art Galleries Atlanta. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47394)

Chodzko, Adam (2010) Future Fictions: Group Exhibitions. Future Fictions, 2010, Latitude Contemporary Art, Latitude Festival. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47358)

Chodzko, Adam (2007) Gallery Exchange - Group Exhibition. Gallery Exchange, 22nd September - 20th October 2007, Neue Alte Brücke, Frankfurt. Number of pieces: 1. Mixed Media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12984)

Chodzko, Adam (2010) The Gathering: Group Exhibition. The Gathering, 4 March – 18 April 2010, Longside Gallery, Yorkshire Sculpture Park. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47317)

Chodzko, Adam (2005) General Ideas: Group Exhibition. General Ideas, 2005, CCA Wattis Institute for Contemporary Arts, San Francisco. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47360)

Chodzko, Adam (2012) Getting it Wrong: Group Exhibition. Getting it Wrong, 2012, Weisses Haus, Vienna. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47302)

Chodzko, Adam (2013) Ghost: Art in Romney Marsh, an annual visual arts festival Group Exhibition. Ghost, 20-21, 27-28 September 4-5 11-12 October 2014, Romney Marsh, Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47271)

Chodzko, Adam (2013) Ghost: The Urgency of Rivers and the Role of Contemporary Art. Performance type: Other , 8 – 12 January 2013, Peninsula Arts Gallery at Plymouth University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47599)

Chodzko, Adam (2009) Gone To Earth:Born Again Pagan Group Exhibition. Gone To Earth, 2nd May - 27th June 2009, Isis gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47326)

Chodzko, Adam (2010) Here, There and Everywhere: Group Exhibition. Here, There and Everywhere, 2010, Towner Gallery, Eastbourne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47320)

Chodzko, Adam (2007) Hole & M-path. Installation/Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2224)

Chodzko, Adam (2004) How would you light heaven?: Group Show, Solo Exhibition. , Carlier Gebauer, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47117)

Chodzko, Adam (2012) IN THE BELLY OF THE WHALE (ACT III) Group Exhibition. IN THE BELLY OF THE WHALE (ACT III), 2nd March - 17th June 2012, Montehermoso, Vitoria-Gasteiz, Spain. Vinyl Record. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47303)

Chodzko, Adam (2003) In Good Form: Group Exhibition. In Good Form, 27 June – 19 October 2003, Longside Gallery, Yorkshire Sculpture Park. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47373)

Chodzko, Adam (2003) Independence: Group Exhibition. Independence, South London Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47376)

Chodzko, Adam (1992) Instructions Received: Group Exhibition. , Gio Marconi, Milan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47494)

Chodzko, Adam (1997) It Always Jumps Back and Finds its Own Way: Group Exhibition. It Always Jumps Back and Finds its Own Way, Stichting de Appel, Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47428)

Chodzko, Adam (2009) Journeys With No Return. Journeys With No Return, 2009, Akbank, Istanbul Biennale. still images. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47318)

Chodzko, Adam (2010) Journeys With No Return, Second Tour. Journeys With No Return, 2010, A-Foundation, London & Galerie Kurt-Kurt, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47319)

Chodzko, Adam (2014) Knots: Group Exhibition. Knots, 01/12/2014 - 07/12/2014, Les Rencontres Internationales, Paris. Experimental fiction. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47258)

Chodzko, Adam (2010) Kraftwerk Religion: Über Gott und die Menschen Group Exhibition. Kraftwerk Religion, 2. 10. 2010 - 5. 6, 2011, Deutsches Hygiene-Museum, Dresden. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47321)

Chodzko, Adam (2013) LOOP 2013:Knots: Group Exhibition. Loop 2013, 5,6,7th June 2013, Barcelona. single screen video with sounds, 10'. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47276)

Chodzko, Adam (2005) Le Voyage Intérieur: Group Exhibition. Le Voyage Intérieur, 16 Nov 2005 - 5 march 2006, Espace EDF Electra, Paris, France. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47363)

Chodzko, Adam (2014) Leaping the Fence: Group Exhibition. Leaping the Fence,, Hestercombe, Somerset. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47265)

Chodzko, Adam (2013) Life in Film: Frieze. Frieze, (158). pp. 62-63. ISSN 0962-0672. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47133)

Chodzko, Adam (2003) Life is Beautiful: Group Exhibition. Life is Beautiful, 2003, Laing Art Gallery, Newcastle upon Tyne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47378)

Chodzko, Adam (2001) Limbo Land. DVD Installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2221)

Chodzko, Adam (2002) Limbo Land and A Place for 'The End': Solo Exhibition. , Arizona State University Art Museum, Tempe, Arizona. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47122)

Chodzko, Adam (2001) 'Limbo Land': Solo Exhibition. 'Limbo Land', 24/11/2001 - 22/12/2001, Els Hanappe Underground, Athens. DVD and sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47249)

Chodzko, Adam (2001) Liquor: Group Exhibition. Liquor, 2001, Trafo Galeria, Budapest. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47390)

Chodzko, Adam (2011) Loophole to Happiness: Group Exhibition. Loophole to Happiness, 25. 5. 2011 – 7. 8. 2011, Museum of Contemporary Art, Lodz, & Futura Centre for Contemporary Art, Prague & AMT Projects. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47311)

Chodzko, Adam (2007) MAMbo - Solo Exhibition. MAMbo - Solo Exhibition, December 2007 - February 2008, Museo d’Arte Moderna di Bologna, Bologna. Number of pieces: 3. Mixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12982)

Chodzko, Adam (2011) Made in Britain. Made in Britain, 2011, touring exhibition created in partnership with the Sichuan Provincial Museum, Xi'an Art Museum, Hong Kong Heritage Museum and Suzhou Museum.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47301)

Chodzko, Adam (2008) Martian Museum of Terrestrial Art. Martian Museum of Terrestrial Art, 6 March 2008 - 18 May 2008, Barbican Art Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47331)

Chodzko, Adam (2003) Micro/Macro: British Art 1996–2002 Group Exhibition British Council curated. , 2003, Mucsarnok Kunsthalle, Budapest. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47372)

Chodzko, Adam (2005) Monuments for the USA: Group exhibition. Monuments for the USA, April 07, 2005 to May 21, 2005, CCA Wattis Institute for Contemporary Arts, San Francisco and White Columns, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47349)

Chodzko, Adam (2013) More Than I Dare Think About: Works With Paper Group exhibition. More than I dare to think about - works with paper, 26-07-2013 - 07/09/2013, Marlborough Contemporary, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47272)

Chodzko, Adam (2005) Moving Home: Six Artists, Six Rooms Group Exhibition. Moving Home: Six Artists, Six Rooms,, 2005, Towner Art Gallery, Eastbourne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47364)

Chodzko, Adam (2002) Networks: Group Exhibition. Networks, 2002, Chapter Art Centre, Cardiff and touring to Fruitmarket Gallery, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47383)

Chodzko, Adam (2012) Night Shift: MADE IN BRITAIN. Made in Britain – Contemporary Art from the British Council Collection 1980 – 2010, 15 Feb 12 - 22 Apr 12 , 01 Jun 12 - 05 Aug 12, Benaki Museum, Athens, touring to Albanian National Gallery of Arts, Tirana. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47310)

Chodzko, Adam (1999) Nightvision: Solo Exhibition. , Ikon Gallery, Birmingham. PHotography, Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47253)

Chodzko, Adam (2004) Off the Beaten Track: Group Exhibition. Off the Beaten Track, 13 March - 16 May 2004, Longside Gallery, Yorkshire Sculpture Park. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47366)

Chodzko, Adam (1993) Okay Behaviour: Group Exhibition. , 303 Gallery, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47491)

Chodzko, Adam (2002) On a Clear Day: Group Exhibition. , Sophienholm, Lyngby-Taarbæk, Denmark. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47382)

Chodzko, Adam (2009) PLOT/09. PLOT/09 This World & Nearer Ones, 2009, Governors Island, New York, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47329)

Chodzko, Adam (2005) Pasolini e noi. Pasolini e noi, December 15, 2005 - February 12, 2006, Archivio di Stato in the Royal Palace, Turin and the Istituto Nazionale Per La Grafica, Rome. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47365)

Chodzko, Adam (2012) People and Places: The Pickers(2009)Group exhibition. The Pickers (2009), 2012-2014, The Beaney, House of Art and Knowledge, Canterbury, Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47285)

Chodzko, Adam (2014) Performance as Sculpture: Group Exhibition. Performance as Sculpture, March 19. March 23, 2014, Uovo festival, Milan. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47263)

Chodzko, Adam (2013) The Pickers: Group Exhibition. The Pickers, 16 May to 12 June 2013, Marlborough Gallery, Barcelona. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47275)

Chodzko, Adam (2010) Pier Paolo Pasolini. Pier Paolo Pasolini: We Are All In Danger, 3 November – 1 December 2010, Australian Cinémathèque at the Gallery of Modern Art in Brisbane. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47322)

Chodzko, Adam (2002) Plan for a Spell: Solo Exhibition. , Fabrica, Brighton. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47119)

Chodzko, Adam (2006) Please close the gate. Please close the gate, 2006, New Art Centre, Roche Court, Wiltshire. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47339)

Chodzko, Adam (2008) Print the Legend: The Myth of the West Group Exhibition. Print the Legend, 1 March – 4 May 2008, Fruitmarket Gallery, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47333)

Chodzko, Adam (2014) Private Utopia: Contemporary Art from the British Council Collection. Private Utopia, Tokyo Station Gallery touring to Itami City Museum of Art, Kochi Museum of Art, and Okayama Museum of Art. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47267)

Chodzko, Adam (2011) The Profane Myth. The Profane Myth - The Mining Institute, 20 October - 22 November 2011, Newcastle upon Tyne. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47307)

Chodzko, Adam (2008) Proxigean Tide. Proxigean Tide, 24/5/08-21/9/08, Tate St Ives. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4626)

Chodzko, Adam (2008) Pyramid. Folkestone Triennial ‘Tales of Time and Space’, 14/6/08-14/9/08, Folkestone. Video Installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4628)

Chodzko, Adam (2000) Reunion: Salò: Solo Exhibition. , 18/1/2000 - 19/2/2000, Accademia Britannica, Roma. video, photography and installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47251)

Chodzko, Adam (2014) Rising. Rising, National Maritime Museum. atmospheric audio work. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47256)

Chodzko, Adam (2013) Rising: The Future of the Race. Performance type: Video/Film (documentary) , Newcastle. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47598)

Chodzko, Adam (2004) Romantic Detachment: Group Exhibition. Romantic Detachment, 2004, PS1, NY, touring to Chapter Art Gallery, Cardiff. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47369)

Chodzko, Adam (2013) Room for Laarni, Image Moderator: Solo Exhibitions. , Marlborough Contemporary, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47105)

Chodzko, Adam (2005) Seeing God: Group Exhibition. Seeing God, 2005, Museum of Fine Arts of Thurgau, Kartause Ittingen, Warth, Switzerland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47362)

Chodzko, Adam (2013) Shortcuts & Digressions: untitled teenage stile (1992): Contemporary Sculpture from the Arts Council Collection Group exhibition: Contemporary Sculpture from the Arts Council Collection Group exhibition. Shortcuts & Digressions: Contemporary Sculpture from the Arts Council Collection, 11 May – 8 September 2013, Norwich Castle Museum and Art Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47280)

Chodzko, Adam (2005) Showcase: Group Exhibition. Showcase, 2005, City Art Centre, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47346)

Chodzko, Adam (1999) Sleuth: Group Exhibition. Sleuth, 1999, ffotogallery, Cardiff. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47404)

Chodzko, Adam (2007) Solo Exhibition. Solo Exhibition, 26th January - 4th March 2007, Signal, Malmö, Sweden. Number of pieces: 4. Mixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12980)

Chodzko, Adam (2001) Solo Exhibition. , 20/09/2001 - 10/11/2001, Galleria Franco Noero, Turin Italy. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47250)

Chodzko, Adam (1999) Solo Exhibition. , 16 Apr - 16 May 1999, Galleria Franco Noero, Turin, Italy. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47252)

Chodzko, Adam (1998) Solo Exhibition. , 1998, Viewpoint Gallery, Salford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47254)

Chodzko, Adam (1998) Solo Exhibition: Gallery II, University of Bradford. , 5th - 29th May 1998, Gallery II, University of Bradford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47231)

Chodzko, Adam (1996) Solo Exhibition: Lotta Hammer Gallery. , 1996, Lotta Hammer, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47255)

Chodzko, Adam (2011) Solo Exhibition: Neue Alte Brucke. , Frankfurt. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47114)

Chodzko, Adam (1998) Solo Exhibition: Northern Gallery of Contemporary Art, Sunderland. , Northern Gallery of Contemporary Art, Sunderland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47233)

Chodzko, Adam (2010) Solo Exhibition: SIAKOS.HANAPPE House of Art. , Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47115)

Chodzko, Adam (2014) Somewhat Abstract: Group Exhibition. Somewhat Abstract, 11 Apr 2014 - 28 Jun 2014, Nottingham Contemporary. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47262)

Chodzko, Adam (2001) Soon: Solo Exhibition. Soon, 7th September 2001 - 10th October 2001, Sandroni.Rey Gallery, Venice, California. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47132)

Chodzko, Adam (2014) Spare Room: Thinking City. Performance type: Video/Film (fiction) , 02 October 2014, 6.30pm, Liverpool Biennale, Liverpool. film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47579)

Chodzko, Adam (2003) Strangers to Ourselves: Solo Exhibition. , Herbert Read Gallery, KIAD, Canterbury. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47116)

Chodzko, Adam (2000) Tabley: Group Exhibition. Tabley, 2000, Tabley House, Cheshire. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47399)

Chodzko, Adam (2008) Tales of Time and Space: Group Exhibition. Tales of Time and Space, 14 June to 14 September 2008, Folkestone Triennial, Folkestone, Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47332)

Chodzko, Adam (2007) "Then" - Solo Exhibition. Then, 16th November 2007 - 13th January 2008, Dublin City Gallery The Hugh Lane and various sites across Dublin. Number of pieces: 4. Mixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12981)

Chodzko, Adam (2011) To Pay Respect to the Generosity of the Three-Minute Punk-Rock Song: Group Exhibition. To Pay Respect to the Generosity of the Three-Minute Punk-Rock Song, 19 Nov 2011 – 18 Dec 2011, Margate. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47306)

Chodzko, Adam (2004) Tonight: Group Exhibition. Tonight, 2004, Studio Voltaire, London, Sandroni.Rey, LA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47367)

Chodzko, Adam (2006) Unfinished Business: Group Exhibition. Unfinished Business, Museum of Contemporary Art, Belgrade. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47341)

Chodzko, Adam (2005) Video Spirit: Mysteries, Myths, Meditations & the Moving Image Group Exhibition. Video Spirit: Mysteries, Myths, Meditations & the Moving Image, 2005, Cheekwood, Nashville. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47361)

Chodzko, Adam (2009) Vlassis Caniaris: In Contrapunto Group Exhibition. Vlassis Caniaris, 13 May – 19 July 2009, ITYS, Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47328)

Chodzko, Adam (2000) Waiting: Group Exhibition. Waiting, 2000, Mjellby Konstgård, Sweden. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47397)

Chodzko, Adam (2010) Whitstable Biennale: Ghost, Echo and The Pickers. Whitstable Biennale, 19th June - 4th July 2010, Whitstable, Kent. video installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47316)

Chodzko, Adam (1998) Wrapped: Group Exhibition. Wrapped, Vestjælands Kunstmuseum, Sorø, Denmark. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47415)

Chodzko, Adam (2013) You'll see; next time it'll be different. , Benaki Museum Piraios Street Annexe, Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47106)

Chodzko, Adam (2002) cell-a 2006: Solo Exhibition. , Cubitt, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47120)

Chodzko, Adam (2013) ‘…how is it towards the east?’ Group exhibition. ‘…how is it towards the east?’, 01 May - 02 June 2013, Calvert 22 Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47283)

Chodzko, Adam (1998) A to Z: Group Exhibition. A to Z, 2nd April 1998 - 3rd May 1998, The Approach Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47413)

Chodzko, Adam and Antille, Emmanuelle and Antoni, Janine and Bassanini, Katia and Bonvicini, Monica and Flückiger, Edith and Gerosa, Gabriella and Walpen, Sibylla and Visser, Barbara and Oertli, Christoph and Küng, Max and Leutenegger, Zilla and Köppl, Zacek and Hofer, Susanne and Halter, Marianne (2001) Helle Nächte: Projections. Helle Nächte, 21/22 September 2001, Bottmingen, Baselland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47391)

Chodzko, Adam and Aranberri, Ibon and Buchannan, Roderck and García, Dora and Wood, John and Harrison, Paul (2014) Bergé Collection: 'A Place For the End'. Bergé Collection, 29/05/2014 - 10/06/2014, Real Círculo Artístico de Barcelona, Loop Festival, Barcelona. Video Art. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47261)

Chodzko, Adam and Atkinson, Ewan and Boyce, Sonia and Gordon, Leah and Griffith, marlon and Rime, Marie and Theuring, Corinna (2014) Alles Maskerade!Group Exhibition. Alles Maskerade!, 22/11/2014 - 22/02/2015, MEWO Kunsthalle, Memmingen, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47257)

Chodzko, Adam and Banner, Fiona and Chapman, Jake & Dinos and Dalziel, Matthew and Dean, Tacita and Wyn Evans, Cerith and Floyer, Ceal and Gidley, Tom and Gordon, Douglas and Gunning, Lucy and Hume, Gary and Irvine, Jaki and Scullion, Louise and Taylor-Wood, Sam and Wilson, Jane & Louise and Wright, Elizabeth (1995) General Release: Young British Artists Group Exhibition. , British Council selection for Venice Biennale, Scoula San Pasquale, Venice. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47454)

Chodzko, Adam and Beech, Dave and Cook, Maria and Creed, Martin and Doig, Peter and Higgs, Matthew and Lewin, Sivan and Stezaker, John (1995) Zombie Golf:Group Exhibition BANK. Zombie Golf, Bank, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47453)

Chodzko, Adam and Billingham, Richard and Curtis, Layla and Dawood, Shez and Day, Corinne and Golden, Pamela and Hunter, Tom and Kennard, Peter and Lewis, Andrew and Lucas, Sarah and Luxemburg, Rut Blees and Maybank, Hannah and Parr, Martin and Pollard, Ingrid and Starkey, Hannah and Stewart, Christopher and Shaw, George and Syed, Alia and Wallinger, Mark (2002) Location: UK Group Exhibition. Location: UK, 24 July - 7 September 2002, Gimpel Fils, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47380)

Chodzko, Adam and Bismuth, Pierre and Blondeel, Maria and de Boer, Manon and Bournigault, Rebecca and Curran, Michael and Emin, Tracey and García, Dora and Gonzalez-Foerster, Dominique and Gordon, Douglas and Grigely, Joseph and Huyghe, Pierre and Kool, Renee and Lamelas, David and Matthys, Kobe and van Riessen, Wouter and Wilson, Ian (1996) Perfect: Group Exhibition. Perfect, 03/07/96 - 03/08/96, Jan Mot and Oscar van den Boogaard, Brussels. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47449)

Chodzko, Adam and Bond, Henry and Declerq, Alain and Deutsch, David and Waha, Serge De and Doherty, Willie and Framis, Alicia and Lee, Hatty and Nicolson, Seamus and McCaslin, Matthew and Rickett, Sophy and Schneider, Stefanie (2001) Night on Earth: Group Exhibition. Night on Earth, Städtische Ausstellungshalle Am Hawerkamp, Münster. photographs and videoworks. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47389)

Chodzko, Adam and Bond, Terrence and Gidley, Thomas and Gordon, Douglas and Hammick, Magnus and Lewandowska, Marysia and Martin, Jason and Patterson, Simon (1993) Wonderful Life: Group Exhibition. Wonderful Life, 17 July – 16 October 1993, Lisson Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47492)

Chodzko, Adam and Bornstein, Jennifer and Buchanan, Roderick and Lorca-diCorcia, Philip and Laderman Ukeles, Mierle and Jaar, Alfredo (2000) FaceOn: Group Exhibition. Face On, 9 September - 28 October 2000, Site Gallery, Sheffield touring to Milton Keynes Gallery; Open Eye Gallery, Liverpool; Stills, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47400)

Chodzko, Adam and Bradley, Slater and Chan, Paul and Charlesworth, Sarah and Mehretu, Julie and Steen, Brent and Zmijewski, Artur (2006) Belief and Doubt: Group Exhibition. Belief and Doubt, 2006, The Aspen Art Museum, Colorado. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47344)

Chodzko, Adam and Buckingham, Matthew and Dean, Tacita and Boer, Manon de and Hugonnier, Marine and Newman, Hayley and Sandison, Charles and Sawyer, Mathew and Ohanian, Melik and Gordan, Douglas (2005) Documentary Creations: Group Exhibition. Documentary Creations, 26 Feb - 29 May 2005, Kunst Museum, Luzern, Switzerland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47347)

Chodzko, Adam and Carne, Sarah and Coley, Nathan and Curtis, Layla and Himid, Lubaina and Waring, Sarah (2002) Fabrications: New Art and Urban Memory Group Exhibition. Fabrications, 11 September - 2 November 2002, Cube Gallery, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47381)

Chodzko, Adam and Carvalho, Melanie and Housley, Paul and Donachie, Kaye and Harrison, Lucy (1999) The Poster Show. The Poster Show, 1999, Gavin Brown Enterprises, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47405)

Chodzko, Adam and Chapman, Jake & Dinos and Collishaw, Mat and Emin, Tracey and Harvey, Marcus and Hirst, Damien and Hume, Gary and Landy, Michael and Lane, Abigail and Lucas, Sarah and Mueck, Ron and Ofili, Chris and Patterson, Richard & Simon and Quinn, Marc and Rae, Fiona and Taylor-Wood, Sam and Turk, Gavin and Wearing, Gillian and Whiteread, Rachel (1997) Sensation: Group Exhibition. Sensation, 18 September – 28 December 1997, Royal Academy, London, touring to Museum für Gegenwart, Berlin; Brooklyn Museum of Art, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47438)

Chodzko, Adam and Coleman, James and de Boer, Anneke and Walker, Zoe and Dean, Tacita and Jan Ader, Bas and Boodtgaers, Marcel and Hill, Gary and Fishi, & Weiss (2000) Somewhere Near Vada: Group Exhibition. Somewhere Near Vada, Project Art Centre, Dublin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47395)

Chodzko, Adam and Coles, Sadie and Lloyd, Hilary and Dowson, Steven and Rothschild, Eva (2001) The seat with the clearest view,: Group Exhibition. The seat with the clearest view,, Grey Matter Contemporary Art, Sydney. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47387)

Chodzko, Adam and Cornford, & Cross and Macuga, Goshka and Parris, Janette and Roush, Paula (2004) Perfectly Placed: Group Exhibition 'Settlement'. Perfectly Placed, 6-29 August 2004, South London Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47368)

Chodzko, Adam and Cristea, Alan and Wilson, Keith and Dawson, Ian and Fletcher, Carroll (1999) Holding Court: Group Exhibition. Holding Court, 1999, Entwistle, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47403)

Chodzko, Adam and Dean, Mark and Sinclair, Ross and Gordon, Douglas and Fagen, Graham and Gussin, Graham and Buchannan, Roderck and Mackie, Christina and Weiler, Carl Von and Macleod, Kenny (2000) Black Box Recorder: Group Exhibition. Black Box Recorder, 15 July-20 September 2000., Museum Ludwig, Cologne, touring to Croatia, and the Czech Republic. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47398)

Chodzko, Adam and Dodds, Andrew and Large, Kelly and Van Harskamp, Nicoline (2012) Among Other Things: Group Exhibition. Among Other Things, 10 January – 10 February 2012, Camberwell Space, Camberwell College of Arts, london. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47305)

Chodzko, Adam and Douglas, Stan and Macgill, Elizabeth (2000) Places in Mind: Group Exhibition. Places in Mind, 2000, Ormeau Baths Gallery, Belfast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47402)

Chodzko, Adam and Eggebert, Anne (1994) Remote Control: Group Exhibition. Remote Control, Royal College of Art, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47457)

Chodzko, Adam and Egolf, Gretchen and Collar, Beth and Peake, Florence and Judd, Ben and Becker, Paul and Pedraglio, Francesco and Macbeth, Rory and Whittlesea, Ian and Birch, Rebecca and Smith, Rob (2014) Scene on a Navigable River. Performance type: Live play , 9 – 15 July 2014, Field Broadcast, Dedham Vale, Suffolk. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47581)

Chodzko, Adam and Eichhorn, Maria and Knowles, Eddy and Price, Elizabeth (2006) One Brief Moment: Group Exhibition. One Brief Moment, January 11 - February 18, 2006, Apexart, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47334)

Chodzko, Adam and Eide Einarsson, Eide and Fontaine, Claire and Gordon, Douglas (2012) Notes from Nowhere: Group Exhibition. Notes from Nowhere, 6th May – 3rd June 2012, Frome, Somerset. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47286)

Chodzko, Adam and Emin, Tracey and Shrigley, David and Starkey, Hannah (1998) Real Life: Group Exhibition. Real Life, Galleria S.A.L.E.S., Rome. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47414)

Chodzko, Adam and Feriancova, Petra and Halilaj, Petrit and Rui An, Ho and Lempert, Jochen and Maak, Flo and Marker, Chris and Meuris, Wesley and Murphy, Ciarán and Safavi, Vanessa and Schmid, Julia and Shiel, Sonia and van Beek, Ruth (2014) Fieldworks: Animal Habitats in Contemporary Art. Fieldworks, 1 August – 2 November 2014, Lewis Glucksman Gallery University College Cork. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47260)

Chodzko, Adam and Fox, Jason and Periton, Simon and Borland, Christine and Millar, Neil and Palacin, Mabel and Miller, Lee and Marshall, Darren (1996) 21 Days of Darkness: Group Exhibition. 21 Days of Darkness, Transmission Gallery, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47448)

Chodzko, Adam and Gearon, Tierney and Goldin, Nan and Gursky, Andreas and Sherman, Cindy (2001) I am a Camera: Group Exhibition. , Jan - Mar 2001, Saatchi Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47384)

Chodzko, Adam and Grasso, Laurent and Deshayes, Nicholas and Mackinnon, Lee and Mundt, Wilhelm (2006) From There. From There, 9 June – 22 July 2006, Bloomberg Space, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47340)

Chodzko, Adam and Gussin, Graham and Wilson, Jane & Louise and Starling, Simon and Hapaska, Siobhan and Murphy, Stephen and Dean, Tacita (1999) ARTIFICE: Group Exhibition. ARTIFICE, 24.6-11.10/1999, DESTE FOUNDATION, NEO PSYCHICO, ATHENS. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47396)

Chodzko, Adam and Hapaska, Siobhan and Roberts, Maggie and Lowe, Colin and Lloyd, Hilary and Higgs, Matthew (1993) Making People Disappear: Group Exhibition. Making People Disappear, Thursday 1 April 1993 to Sunday 25 April 1993, Cubitt Street Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47458)

Chodzko, Adam and Kötting, Andrew and Finer, Jem and Rudkin, David and Sinclair, Iain and Baker, Tom and Brownlow, Kevin and Sherwin, Guy and Thew, Anna and Rowe, Doc (2003) Visionary Landscapes: Group Exhibition Adam Chodzko's ' Plan for a Spell' installation. Visionary Landscapes, 23-25 May 2003, Cecil Sharp House, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47377)

Chodzko, Adam and Liversidge, Peter (2000) Better Scenery: Group Exhibition. Better Scenery, 2000, Pand Paulus Gallery, Schiedam, The Netherlands. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47401)

Chodzko, Adam and Lowe, B and Allington, E and Baseman, J and Billingham, R and Burge, C and Camrass, L and Coutts, M and Crisp, F and Currie, A and Glanville, T and Holmwood, S and Irvine, J and Stoner, T and Trangmar, S and Turnbull, A and Uglow, G and Wallinger, M and Wilding, A and Williamson, A and Wise, K (2006) Responding to Rome: British Artists in Rome 1995-2005. Responding to Rome, 18/01/2006 - 26/03/2006, estorick Collection, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47335)

Chodzko, Adam and McNab, Janice and Tellez, Javier and Yang, Jun and Walde, Martin and Kool, Renee and Billingham, Richard and Keller, Sam and Wood, Simon and Calle, Sophie and Leutenegger, Zilla (2002) Tabu. Tabu, Saturday, January 26, 2002 - Sunday, March 17, 2002, Kunsthaus Baselland, Switzerland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47379)

Chodzko, Adam and Monchaux, Cathy de (2001) Sacred and Profane: Group Exhibition. Sacred and Profane, 2001, Mappin Art Gallery, Sheffield. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47392)

Chodzko, Adam and Patterson, Simon (1994) High Fidelity: Group Exhibition. , Kohji Ogura Gallery, Nagoya; tour to Röntgen Kunst Institut, Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47456)

Chodzko, Adam and Whiteread, Rachel and Brown, Glenn and Wearing, Gillian and Gallaccio, Anya and Chapman, Jake & Dinos and Raho, Alessandro and Emin, Tracey and Collishaw, Mat and Hume, Gary and Fairhurst, Angus and Bond, Henry and Landy, Michael and Hirst, Damien and Pippen, Steven and Starr, Georgina and Taylor-Wood, Sam and Ofili, Chris and Lucas, Sarah and Gillick, Liam and Lane, Abigail (1995) Brilliant: Group Exhibition. , 22 October 1995 - 7 January 1996, Walker Arts Center, Minneapolis. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47455)

Chodzko, Adam and large, Kelly and Dodds, Andrew and Van Harskamp, Nicoline (2013) Among Other Things, Second Showing: Group Exhibition. Among Other Things, 2 – 31 January 2013, Ruskin Gallery, Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47282)

Choi, Jinhee (2003) All the Right Responses: Fiction Films and Warranted Emotions. British Journal of Aesthetics, 43 (1). pp. 308-321. ISSN 0007-0904. (doi:10.1093/bjaesthetics/43.3.308) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14649)

Choi, Jinhee (2008) Am I Your Sidekick? Contemporary Korean Gangster Cinema, ‘Beat’ and ‘Friend’. Post Script, 27 (3). pp. 116-131. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14637)

Choi, Jinhee (2006) Apperception on Display: Structural Films and Philosophy. In: Smith, Murray and Wartenberg, Thomas, eds. Thinking Through Cinema: Film as Philosophy. Blackwell, pp. 165-172. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14642)

Choi, Jinhee (2006) Apperception on Display: Structural Films and Philosophy. Journal of Aesthetics and Art Criticism, 64 (1). pp. 165-172. ISSN 0021-8529. (doi:10.1111/j.0021-8529.2006.00238.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14643)

Choi, Jinhee (2002) Chunhyang, Chunhyang, Chunhyang: Poetics of Im Kwon Taek. Asian Cinema, 13 (1). pp. 57-66. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14651)

Choi, Jinhee (2003) Fits and Startles: Cognitivism Revisited. Journal of Aesthetics and Art Criticism, 61 (2). pp. 149-157. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14650)

Choi, Jinhee (2004) Is the Balcony Closed? Philosophy of Film sans Film. Aesthetics Newsletter, 23 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14648)

Choi, Jinhee (2005) Leaving It up to the Imagination: POV shots and Imagining from Inside. Journal of Aesthetics and Art Criticism, 63 (1). pp. 17-25. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14646)

Choi, Jinhee (2005) National Cinema, the Very Idea. In: Choi, Jinhee and Carroll, Noel, eds. Philosophy of Film and Motion Pictures. Blackwell, pp. 310-319. ISBN 978-1-4051-2027-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14644)

Choi, Jinhee (2006) Naturalizing Hollywood: Against the Naturalistic Account of the Filmic Communication. Film Studies: An International Review, (8). pp. 149-153. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14641)

Choi, Jinhee (2004) Preface to The Cinema of Japan and Korea. In: Bowyer, Justin, ed. The Cinema of Japan and Korea. Wallflower Press. ISBN 978-1-904764-11-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14647)

Choi, Jinhee (2001) A Reply to Gregory Currie on Documentaries. Journal of Aesthetics and Art Criticism, 59 (3). pp. 317-319. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14652)

Choi, Jinhee (2008) Sentimentality and the Cinema of the Extreme. Jump Cut, (50). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14639)

Choi, Jinhee (2005) Shocking Corridors: Girls’ High School Horror Series and Female Sexuality. In: ACSS. . pp. 318-321. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14645)

Choi, Jinhee (2010) The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs. Wesleyan University Press, 260 pp. ISBN 978-0-8195-6939-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23602)

Choi, Jinhee and Frey, Mattias, eds. (2014) Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, 255 pp. ISBN 978-0-415-82125-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42193)

Choi, Jinhee and Frey, Mattias (2014) Introduction. In: Choi, Jinhee and Frey, Mattias, eds. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, pp. 1-14. ISBN 978-0-415-82125-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42202)

Christodoulou, Stylianos (2021) Ethnicity, masculinity, and the representation of Italian-American men in 70s Hollywood. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86507) (KAR id:86507)
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Church Gibson, Pamela and Jeffers McDonald, Tamar E. L. (2012) Costume and Adaptation. In: Cartmell, Deborah, ed. A Companion to Literature, Film and Adaptation. Blackwell Companions to Literature and Culture . Wiley-Blackwell, Oxford, pp. 295-311. ISBN 978-1-4443-3497-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31627)

Cinquegrani, Maurizio (2019) Agnafit. Anima Loci, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75520)

Cinquegrani, Maurizio (2010) The Cinematic Production of Iconic Spaces in Early Films of London. In: Koeck, Richard and Roberts, Les, eds. The City and the Moving Image: Urban Projections. Palgrave Macmillan, pp. 169-182. ISBN 978-0-230-24338-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31653)
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Cinquegrani, Maurizio (2017) The Cinematic Shtetl as a Site of Postmemory. In: Penz, Francois and Koeck, Richard, eds. Cinematic Urban Geographies. Screening Spaces . Palgrave Macmillan, London, UK, pp. 137-154. ISBN 978-1-137-46830-7. E-ISBN 978-1-137-46084-4. (doi:10.1057/978-1-137-46084-4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60020)

Cinquegrani, Maurizio (2021) De Varsovia a Treblinka: un viaje documental en el tiempo y en el espacio [From Warsaw to Treblinka: a documentary journey through time and space]. In: Migliucci, Dario and López-Rodríguez, Lucía, eds. El conflicto humano: orígenes, dinámicas, secuelas y resolución de los conflictos contemporaneous [Human conflict: origins, dynamics, consequences and resolution of contemporary conflicts]. Sanz y Torres, Madrid, Spain, pp. 133-155. ISBN 978-84-18316-11-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:87058)

Cinquegrani, Maurizio (2011) Empire and the City: Early Films of London. . Tate Britain Online article. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31650)

Cinquegrani, Maurizio (2018) The Holocaust and the Cinematic Landscapes of Postmemory in Lithuania, Hungary and Ukraine. In: Bayman, Louis and Pinazza, Natália, eds. Journeys on Screen: Theory, Ethics, Aesthetics. Edinburgh University Press, Edinburgh, UK, pp. 118-129. ISBN 978-1-4744-2183-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72653)

Cinquegrani, Maurizio (2018) Journey to Poland: Documentary Landscapes of the Holocaust. Edinburgh University Press, Edinburgh, UK, 201 pp. ISBN 978-1-4744-0357-3. E-ISBN 978-1-4744-0359-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:67661)

Cinquegrani, Maurizio (2018) Multidirectional Sites of Memory in Italian Holocaust Documentaries. Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2-3 . ISSN 2365-7758. E-ISSN 2365-7758. (doi:10.17892/app.2016.0003.132) (KAR id:72654)
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Cinquegrani, Maurizio (2009) The Nexus of the Empire: Early Actuality Films of London at the Turn of the Twentieth Century. Journal of British Cinema and Television, 6 (2). pp. 207-219. ISSN 1743-4521. (doi:10.3366/E1743452109000880) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31648)
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Cinquegrani, Maurizio (2014) Of Empire and the City: Remapping Early British Cinema. New Studies in European Cinema . Peter Lang, Bern, Switzerland, 319 pp. ISBN 978-3-0343-0823-6. E-ISBN 978-3-0353-9946-2. (doi:10.3726/978-3-0353-0585-2) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50335)

Cinquegrani, Maurizio (2018) О других кинопространствах: документальный фильм о Холокосте как коллекция [Of Other Cinematic Spaces: the Holocaust Documentary as a Collection]. In: Polyakova, Irina and Suvorova, Tatyana, eds. Коллекция в пространстве культуры [Collection in the Space of Culture]. Музей янтаря, Kaliningrad, Russia, pp. 17-26. E-ISBN 978-5-903920-49-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75988)

Cinquegrani, Maurizio (2014) Place, Time and Memory in Italian Cinema of the Great War. In: Löschnigg, Martin and Sokolowska-Paryz, Marzena, eds. The Great War in Post-Memory Literature and Film. De Gruyter, Berin, Germany, pp. 321-334. ISBN 978-3-11-036290-9. E-ISBN 978-3-11-036302-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56939)

Cinquegrani, Maurizio (2015) Shadows of Shadows: the Undead in Ingmar Bergman's Cinema. In: Leeder, Murray, ed. Cinematic Ghosts. Bloomsbury, pp. 129-142. ISBN 978-1-62892-216-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56938)

Cinquegrani, Maurizio (2006) Sjöström, Seastrom. Carteggi Hollywoodiani. In: Cinquegrani, Maurizio and Canosa, Michele, eds. La natura non indifferente Il cinema svedese di Victor Sjöström. Cineteca di Bologna, Bologna, Italy, pp. 63-70. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56956)

Cinquegrani, Maurizio (2006) Thinking Silent Cinema and Philology: The Case of Victor Sjöström’s The Strike. In: North-West Passage. Yearly Review of the Centre for Northern Performing Arts Studies . Turin University Press, pp. 105-128. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56959)

Cinquegrani, Maurizio (2010) Travel Cinematography and the Indian City: The Imperial Spectacle of Geography at the End of the Long Nineteenth Century. Nineteenth-Century Contexts, 32 (1). pp. 65-78. ISSN 0890-5495. (doi:10.1080/08905491003704053) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31644)
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Cinquegrani, Maurizio (2011) Tutto quello che è solido si dissolve nell’aria: scioperi persi, immagini perdute e ritrovate. In: Bursi, Giulio and Venturini, Simone, eds. Quel che Brucia Non Ritorna. Campanotto Editore, Udine, Italy, pp. 238-249. ISBN 8845612183. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56947)

Cinquegrani, Maurizio (2006) Victor Sjöström: Prima dell’età dell’oro. In: Cinquegrani, Maurizio and Canosa, Michele, eds. La Natura Non Indifferente: il Cinema Svedese di Victor Sjöström. Cineteca di Bologna, pp. 20-44. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56955)

Cinquegrani, Maurizio (2016) The cinematic city and the destruction of Lublin's Jews. Holocaust Studies: A Journal of Culture and History, 22 (2-3). pp. 244-255. ISSN 1750-4902. E-ISSN 2048-4887. (doi:10.1080/17504902.2016.1148872) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55953)

Cinquegrani, Maurizio (2011) ‘A fit of absence of mind’?: Empire and Urban Life. Early Popular Visual Culture, 9 (4). pp. 325-336. ISSN 1746-0654. (doi:10.1080/17460654.2011.621322) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31656)
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Cioffi, Angelo Emanuele (2017) Political Cinema: A Philosophical Investigation. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:62055)
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Cioffi, Angelo, Smith, Murray (2019) Aesthetics Naturalized: An Interview with Murray Smith. Debates in Aesthetics, 14 (1). ISSN 2514-6637. (KAR id:75146)
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Clayton, Alex (2007) The Body In Hollywood Slapstick. McFarland and Co, Inc, 237 pp. ISBN 978-0-7864-3063-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2226)

Clayton, Alex (2007) Music In The Style Of Jean Reoir. Cineaction, 66 . pp. 61-72. ISSN 0826-9866. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2225)

Cochrane, P. (1994) Future Networks. BT Technology Journal, 12 (2). pp. 9-13. ISSN 1358-3948. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20457)

Cochrane, P., Heatley, D.J.T. (1994) Reliability Aspects of Optical-Fiber and Networks. BT Technology Journal, 12 (2). pp. 77-92. ISSN 1358-3948. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20458)

Cochrane, P., Heckingbottom, R., Heatley, C. (1994) The Hidden Benefits of Optical Transparency. IEEE Communications Magazine, 32 (9). pp. 90-97. ISSN 0163-6804. (doi:10.1109/35.312851) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20459)

Collier, Richard J, Ntui, J.A (1994) In-Vivo Measurements of the Phase Constants of Transerse Mechnical Waves in a Human Tibia from 100-HZ TO 1000-HZ. Medical Engineering & Physics, 16 (5). pp. 379-383. ISSN 1350-4533. (doi:10.1016/1350-4533(90)90004-R) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20460)

Connolly, Stephen (2018) The Spatial Cinema: An Encounter between Lefebvre and the Moving Image. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:68457)
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Conyne, George R. (1992) Explaining American Politics - Williams,R. Journal of American Studies, 26 (2). p. 289. ISSN 0021-8758. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22527)

Conyne, George R. (1992) Public-Law and Democracy in the United-Kingdom and the United-States of America - Craig,P. Journal of American Studies, 26 (2). pp. 300-301. ISSN 0021-8758. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22528)

Cooper, Chloe and Walduck, Jackie (2020) Dissolve Liquid Muck. Southwark Park Galleries Item format: Digital print and music stream. (KAR id:84821)
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Cowie, Elizabeth (2006) ‘The Art of Paranoia’. In: Pajdic, Predrag and Pasolini, Antonio and Ryan, Paul, eds. Paranoia. Southend/Leeds/London, London, pp. 138-148. ISBN 139780955330902. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2991)

Cowie, Elizabeth (2003) Cinematic dream-work of Ingmar Bergman’s Wild Strawberries. In: Sabbadini, Andrea, ed. The Couch and the Silver Screen. Psychoanalytic Analytic Reflections on European Cinema. Brenner-Routledge, pp. 181-201. ISBN 1-58391-952-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1175)

Cowie, Elizabeth (2012) Citizenship, agency and subjectivity: art, documentary, and politics. Other. Manchester Univeristy Press, Manchester (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31729)

Cowie, Elizabeth (2010) Das Verhältnis von Unterhaltung und Erkenntnis. Schnitt, 58 (2). pp. 18-21. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26334)

Cowie, Elizabeth (1986) A Discussion of Coma. In: Brunsden, Charlotte, ed. Hollywood’s New Women. British Film Institute. ISBN 0857101558. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3010)

Cowie, Elizabeth (2011) Documentary Space, Place, and Landscape. Media Fields Journal, (3). pp. 1-21. ISSN 2159-7553. (KAR id:31626)
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Cowie, Elizabeth (2007) Documentary film as flashback and the 'real' of reality in the temporality of representation. In: Real Things: Matter, Materiality, Representation, 1880 to the Present Conference, 5th - 8th July 2007, University of York. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12965)

Cowie, Elizabeth (1997) Documenting Fictions. Continuum, Australian Journal of Media & Culture, 11 (1). pp. 54-66. ISSN 1030-4312. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3034)

Cowie, Elizabeth (2005) 'Dokumentarische Kunst: das Reale begehren, der Wirklichkeit eine Stimme geben' (‘Desiring the Real, Voicing Reality in Documentry Art'). In: Gludovatz, Karin, ed. Auf den Spuren des Realen Kunst und Dokumentarismus. Museum Moderner Kunst Stiftung Ludwig, Wien, pp. 15-41. ISBN 3-902490-05-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2993)

Cowie, Elizabeth (2001) The Enigma of the Message. Review of: Essays on Otherness by Laplanche, Jean. New Formations, (43). pp. 148-150. ISSN 0950-2378. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3043)

Cowie, Elizabeth (1999) Fantasia. In: Evans, Jessica and Hall, Stuart, eds. Visual Culture, The Reader. Sage, pp. 356-378. ISBN 0-7619-6247-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2999)

Cowie, Elizabeth (1975) ‘Feminist Film Criticism - a reply’. Screen, 16 (1). pp. 134-139. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3042)

Cowie, Elizabeth (2000) Figuracija/Razumevanje fetiöa. Filmsek Sveske, 2-3 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3011)

Cowie, Elizabeth (1995) Film - Zenska Tovarna Sanji. Vsebina, (23). pp. 46-80. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3036)

Cowie, Elizabeth (1993) Film Noir and Women. In: Copjec, Joan, ed. Shades of Noir. Verso, pp. 121-166. ISBN 0-86091-625-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3002)

Cowie, Elizabeth (1989) Film in teorija v osemdesetih letih. Ekran, 14 (5/6). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3037)

Cowie, Elizabeth (1993) From Fantasia. In: Easthope, Anthony, ed. Contemporary Film Theory. Longman, pp. 147-161. ISBN 0-582-09032-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3003)

Cowie, Elizabeth (1985) Het verschil in de film. Vrouwen in de films van Hawks. Het Tidschrift voor Vrouwen Studies, (24). ISSN 0167-8361. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3039)

Cowie, Elizabeth (2001) Identifizierung mit dem Realen - Spektakel der Realität. In: Angerer, Marie-Luise and Krips, H., eds. Der Andere Schauplatz Psychoanalyse - Kultur - Medien. Vienna: Turia + Kant, pp. 151-180. ISBN 3-85132-287-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2995)

Cowie, Elizabeth (1996) Images of Women and Filmic Identification. In: Dakovic, Nevena and Derman, Denis and Ross, Karen, eds. Gender & Media. Med-Campus Project no A126 Publications, pp. 35-60. ISBN 975-96120-0-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3001)

Cowie, Elizabeth (1981) Introduction to Mary Kelly’s Post-Partum Document. M/F, (5/6). pp. 115-123. ISSN 0141-948X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3040)

Cowie, Elizabeth (2009) Introduction to Post-Partum Document. In: Frascina, Francis, ed. Modern Art Culture: a reader. Routledge, London, pp. 303-311. ISBN 978-0-415-23151-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26339)

Cowie, Elizabeth (2010) ‘Mourning, Loss and Trauma, and the Ambiguities of Proper and Improper Desire in Exotica (1994)'. In: Brown, Tom and Walters, James, eds. Film Moments. Palgrave/British Film Institute, London, pp. 140-143. ISBN 978-1-84457-336-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26333)

Cowie, Elizabeth (2009) On Documentary Sounds and Images in the Gallery. Screen, 50 (1). pp. 124-134. ISSN 0036-9543. (doi:10.1093/screen/hjn076) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26337)

Cowie, Elizabeth (2005) On Rear Window. In: Rutsky, R.L. and Geiger, Jeffrey, eds. Film Analysis: A Reader. W. W. Norton & Company, pp. 475-493. ISBN 0-393-97983-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1176)

Cowie, Elizabeth (2000) Perceiving Memory and Tales of the Other: the work of Milica Tomic. Camera Austria, (72). pp. 14-16. ISSN 1015-1915. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3012)

Cowie, Elizabeth (1979) The Popular Film as Progressive Text - a discussion of Coma. M/F, (3). pp. 59-82. ISSN 0141-948X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3041)

Cowie, Elizabeth (1989) The Popular Film as a Progressive Text – a Discussion of Coma. In: Penley, Constance, ed. Feminism and Film Theory. Methuen. ISBN 0-415-90107-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3009)

Cowie, Elizabeth (1992) Pornography and Fantasy. In: Segal, Lynne and McIntosh, Mary, eds. Sex Exposed: Sexuality and the Pornography Debate. Virago, pp. 132-152. ISBN 1-85381-385-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3006)

Cowie, Elizabeth (2007) Possession, paranoia and the experience of art. In: Freud Museum Symposium: Observing Paranoia in Clinical Practice, Art and Anthropology, March 3rd, 10am - 5pm, 2007, Tavistock Clinic, London NW3. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12967)

Cowie, Elizabeth (1990) Psychoanalysis and Cinema: Film and Theory in the 1980's. In: Donald, James, ed. Psychoanalysis and Cultural Theory: Thresholds. Macmillan, pp. 104-138. ISBN 0-312-05232-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3008)

Cowie, Elizabeth (2007) Real time viewing of images of time past and present: documentary in the gallery 'becoming art'. In: Visible Evidence 14, 18th - 21st December 2007, Bochum, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12966)

Cowie, Elizabeth (2011) Recording Reality, desiring the real. Visible Evidence . University of Minnesota press, Minnesota, USA, 296 pp. ISBN 978-0-8166-4549-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31728)

Cowie, Elizabeth (1997) Representing the Woman: Psychoanalysis and Cinema. University of Minnesota Press, 397 pp. ISBN 033330576. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2987)

Cowie, Elizabeth (1980) Review article of The Song of the Shirt. Review of: The Song of the Shirt by Clayton, Sue and Curling, Jonathan. Camera Obscura, (5). pp. 87-97. ISSN 0270-5346. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3050)

Cowie, Elizabeth (1987) Review article on Mary Kelly’s Interim. Review of: Interim by Kelly, Mary. New Formations, (2). pp. 20-28. ISSN 0950-2378. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3048)

Cowie, Elizabeth (1990) Review of Psychoanalysis and Cinema. Review of: Psychoanalysis and Cinema by Kaplan, Anne E.. Times Higher Education Supplement, . 0-0. ISSN 0049-3929. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3045)

Cowie, Elizabeth (2012) Road Race. In: Corkish, Alan and Chell, Edward and Taylor, Andrew, eds. In the Company of Ghosts: The Poetics of the Motorway. Erbacce press, Liverpool, pp. 41-46. ISBN 978-1-907878-42-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31623)

Cowie, Elizabeth (1992) The Seductive Theories of Jean Laplanche: a new view of the drive, passivity and femininity. In: Stanton, Martin and Fletcher, John W. J., eds. Situating Laplanche. Institute of Contemporary Arts, pp. 121-136. ISBN 0-905263-68-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3005)

Cowie, Elizabeth (2005) Seeing and hearing for ourselves: the spectacle of reality in the Holocaust Documentary. In: Haggith, Toby and Newman, Joanna, eds. The Holocaust and the Moving Image: Film and Television Representations Since 1933. Wallflower Press, pp. 182-188. ISBN 1-904764-51-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2992)

Cowie, Elizabeth (1999) The Spectacle of Actuality. In: Gaines, Jane and Renov, Michael, eds. Collecting Visible Evidence. University of Minnesota Press, pp. 19-45. ISBN 0-8166-3135-2/3136-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2998)

Cowie, Elizabeth (1997) The Spectacle of Reality and Documentary Film. Documentary Box, (10). pp. 1-8. ISSN 1340-0832. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3035)

Cowie, Elizabeth (2007) Specters of the Real: Documentary Time and Art. Differences: A Journal of Feminist Cultural Studies, 18 (1). pp. 87-127. ISSN 1040-7391. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2227)

Cowie, Elizabeth (1998) Storytelling: classical Hollywood cinema and classical narrative. In: Neale, Steve and Smith, Murray, eds. Contemporary Hollywood Cinema. Routledge, pp. 178-190. ISBN 0-415-17010-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3000)

Cowie, Elizabeth (1986) Strategems of Identification. Oxford Literary Review, 8 (1/2). pp. 66-67. ISSN 0-9511080 0 X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3038)

Cowie, Elizabeth (2010) Thinking Differently: on theory now and documentary art. Differences: A Journal of Feminist Cultural Studies, 21 (1). pp. 178-193. ISSN 1040-7391. (doi:10.1215/10407391-2009-026) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26335)

Cowie, Elizabeth (2000) Traumatic Memories of Remembering and Forgetting. In: Rossington, Michael and Whitehead, Anne, eds. Between the Psyche and the Polis: Refiguring history in literature and theory. Ashgate Publishing, pp. 191-204. ISBN 0-7546-0228-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2997)

Cowie, Elizabeth (1995) A Tunisian Search for Independence - a review of The Silences of the Palace. Review of: The Silences of the Palace by Tlatli, Moufida. Women: A Cultural Review, 6 (1). pp. 124-128. ISSN 0957-4042. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3046)

Cowie, Elizabeth (2007) Ways of Seeing and Knowing: Documentary Film and the Surreal of Reality. In: Ten Brink, Joram, ed. Building Bridges: The Cinema of Jean Rouch. Wallflower Press, pp. 201-218. ISBN 978-1-905674-47-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2228)

Cowie, Elizabeth (2007) ‘What do you see? Would you like to move on to another image? Yes’. In: Barnard, Clio H., ed. Road Race and Dark Glass Catalogue. Herbert Read Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2990)

Cowie, Elizabeth (2001) Woman as Sign. In: Andjelkovic, Branislava, ed. Feminist Visual Theories. Belgrade: Cenre For Contemporary Arts. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2994)

Cowie, Elizabeth (1993) Women, Representation and the Image. In: Alvarado, Manuel and Buscombe, Edward and Collins, Richard, eds. The Screen Education Reader: Cinema, Television, Culture. Macmillan, pp. 48-60. ISBN 0-231-08111-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3004)

Cowie, Elizabeth (2000) Working Images: the representations of documentary film. In: Pollock, Griselda and Mainz, Valerie, eds. Work and the Image II. Ashgate Press, pp. 173-192. ISBN 0-7546-0233-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2996)

Cowie, Elizabeth (1991) Zenska Seksualnost. In: Bahovec, Eva D., ed. Zenska Seksualnost - Freud & Lacan. Analecta, pp. 146-169. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3007)

Cowie, Elizabeth (2004) A commentary on Juan delGado’s video work, ‘Who are You Entertaining To?’. Aspect DVD Journal DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3051)

Cowie, Elizabeth (2015) The difference in figuring women now. Moving Image Review & Art Journal, 4 (1-2). pp. 46-61. ISSN 2045-6298. (doi:10.1386/miraj.4.1-2.46_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61757)

Cowie, Elizabeth (2003) The lived nightmare: trauma, anxiety, and the ethical aesthetics of horror. In: Schneider, Steven Jay and Shaw, Daniel, eds. Dark Thoughts: Philosophic Reflections on Cinematic Horror. Lanham, MD: Scarecrow Press, pp. 25-46. ISBN 0-8108-4792-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1174)

Cowie, Elizabeth (2014) The time of gesture in cinema and its ethics. Journal for Cultural Research, 19 (1). pp. 82-95. ISSN 1479-7585. E-ISSN 1740-1666. (doi:10.1080/14797585.2014.920181) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61756)

Cowie, Elizabeth and Adams, Parveen (1990) The Woman in Question. Cambridge/MIT Press/October Books, 383 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2988)

Cox, Paul A, Catlow, C. Richard A., Chadwick, Alan V. (1994) Exafs and Moleclar Modeling Studies of RB1-XBIXF1+2X. Journal of Materials Science, 29 (10). pp. 2725-2733. ISSN 0022-2461. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20486)

Cregan-Reid, Vybarr (2019) For the sake of our health, we need to kick the indoor habit. . Guardian News and Media Radio. ISSN 0261-3077. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81227)

Cregan-Reid, Vybarr (2019) What is the web doing to our bodies? . British Council Internet Radio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81228)

Cunningham, Karen and Chodzko, Adam and Govender, Ravi (2013) MAP Screen: The Anthropology Effect Group Exhibition. MAP Screen | The Anthropology Effect, MAP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47274)

Curry, B (2015) Review of Sophy Smith. Review of: Hip-Hop Turntablism, Creativity and Collaboration by UNSPECIFIED. Popular Music, 34 (1). pp. 137-140. ISSN 0261-1430. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43179)

Cutugno, Carmela (2014) Intercultural Performance and Dialogue. From Richard Schechner Performance Studies Onwards. Doctor of Philosophy (PhD) thesis, University of Kent, University of Bologna. (KAR id:47431)
[thumbnail of Carmela Cutugno_Joint PhD Thesis.pdf]
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Davies, S.R, Cunningham, C.T., Little, L.T., Matheson, David N. (1992) A 210-280 Ghz Sis Heterodyne Receiver for the Maxwell,James,Clerk Telescope .1. Design and Performance. International Journal of Infrared and Millimeter Waves, 13 (5). pp. 647-658. ISSN 0195-9271. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22543)

Davis, Jill (1999) Goodnight ladies ... On the 'Explicit Body in Performance'. New Theatre Quarterly, 15 (58). pp. 183-187. ISSN 0266-464X. (doi:10.1017/S0266464X00012860) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17274)

Dawe, Kevin (2007) Arcadia Calling: Cretan Music and the Popular Imagination. Journal of Intercultural Studies, 28 (2). pp. 227-236. ISSN 0725-6868. (doi:10.1080/07256860701236633) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46930)

Dawe, Kevin (1998) Bandleaders in Crete: Musicians and Entrepreneurs in a Greek Island Economy: British Journal of Ethnomusicology. British Journal of Ethnomusicology, 7 . pp. 23-44. ISSN 3060708. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47135)

Dawe, Kevin (2012) The Cultural Study of Musical Instruments, 2nd Edition. In: Clayton, Martin and Herbert, Trevor and Middleton, Richard, eds. The Cultural Study of Music: A Critical Introduction. Routledge, London, pp. 195-205. ISBN 978-0-415-88191-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47155)

Dawe, Kevin (2003) The Cultural Study of Musical Instruments. In: Clayton, Martin and Herbert, Trevor and Middleton, Richard, eds. The Cultural Study of Music: A Critical Introduction. Routledge, pp. 274-283. ISBN 978-0-415-93845-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47149)

Allen, Aaron and Dawe, Kevin, eds. (2015) Current Directions in Ecomusicology: Music, Nature, Environment. Routledge, 256 pp. E-ISBN 978-1-138-80458-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46946)

Dawe, Kevin (1996) The Engendered lyra: Music, Poetry and Manhood in Crete: British Journal of Ethnomusicology. British Journal of Ethnomusicology, 5 . pp. 93-112. ISSN 3060868. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47134)

Dawe, Kevin (2013) Guitar Ethnographies: Performance,Technology and Material Culture. Ethnomusicology Forum: Special Issue, 22 (1). 0-0. ISSN 1741-1912. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46943)

Dawe, Kevin (2013) Introduction to Guitar Ethnographies: Performance, Technology and Material Culture. Ethnomusicology Forum, 22 (1). pp. 1-25. ISSN 1741-1912. (doi:10.1080/17411912.2013.774158) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46938)

Dawe, Kevin (2004) Island Musicians: Making a living from music in Crete. In: Dawe, Kevin, ed. Island Musics. Bloomsbury 3PL, New York and London, pp. 65-76. ISBN 978-1-85973-797-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47150)

Dawe, Kevin (2003) Lyres and the Body Politic: Studying Musical Instruments in the Cretan Musical Landscape. Popular Music & Society, 26 (3). pp. 263-283. ISSN 0300-7766. (doi:10.1080/0300776032000116950) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47138)

Dawe, Kevin (2015) The Many Worlds of Popular Music: Ethnomusicological Approaches. In: Bennett, Andy and Waksman, steve, eds. The SAGE Handbook of Popular Music. SAGE Publications Ltd, pp. 15-32. ISBN 978-1-4462-1085-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47146)

Dawe, Kevin (2015) Materials Matter: Towards a Political Ecology of Musical Instrument Making. In: Allen, Aaron and Dawe, Kevin, eds. Current Directions in Ecomusicology. Routledge Research in Music . Routledge, Abingdon, UK. ISBN 978-1-138-80458-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72822)

Dawe, Kevin (1998) Minotaurs or musonauts?1 ‘World Music’ and Cretan Music: Popular Music. Popular Music, 18 (02). pp. 209-225. (doi:DOI: 10.1017/S0261143000009053) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47136)

Dawe, Kevin (2007) Music and Musicians in Crete: Performance and Ethnography in a Mediterranean Island Society. Europea: Ethnomusicologies & Modernities . Scarecrow Press, 200 pp. ISBN 9780810856738, 9780810860292. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46928)

Dawe, Kevin (2019) Musical Instruments as Material Culture: A Case Study of the Cretan Lyra. In: Anthropology, Music and Dance edited by Stephen Cottrell. Sean Kingston, London, UK. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46971)

Dawe, Kevin (2019) Musical instruments and world history: A case study of the guitar in the Republic of Turkey. In: Strohm, Reinhard, ed. The Music Road: Coherence and Diversity in Music from the Mediterranean to India. Proceedings of the British Academy . Oxford University Press, New York. ISBN 978-0-19-726656-4. (doi:10.5871/bacad/9780197266564.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72820)

Dawe, Kevin (2010) The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance. Ashgate Popular and Folk Music Series . Ashgate, 246 pp. ISBN 978-0-7546-6775-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46926)

Dawe, Kevin (2001) People, Objects, Meaning: Recent Work on the Study and Collection of Musical Instruments. The Galpin Society Journal, 54 . pp. 219-232. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47137)

Dawe, Kevin (2005) Performance on a Mediterranean Theme: Musicians and Masculinity in Crete. In: Cooper, David and Dawe, Kevin, eds. The Mediterranean in Music: Critical Perspectives, Common Concerns, Cultural Differences (Europea) (Europea: Ethnomusicologies & Modernities). Scarecrow Press, Chapter 12. ISBN 978-0-8108-5407-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47151)

Dawe, Kevin (2005) 'Power-geometry' in motion: space, place and gender in the lyra music of Crete. In: whiteley, Sheila and Bennett, Andy and Hawkins, Stan, eds. Music, Space and Place: Popular Music and Cultural Identity. Ashgate Publishing Limited, pp. 55-65. ISBN 978-0-7546-5574-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47152)

Dawe, Kevin (2011) Preface: We Are All Islanders Now. In: Baldacchino, Godfrey, ed. Island Songs: A Global Repertoire. Scarecrow Press, pp. 6-8. ISBN 0-8108-8177-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47148)

Dawe, Kevin (2007) Regional Voices in a national Soundscape: Balkan Music and Dance in Greece. In: Buchanan, Donna.A, ed. Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse (Europea: Ethnomusicologies and Modernities). Scarecrow Press, Lanham, maryland, pp. 175-192. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47153)

Dawe, Kevin (2000) Roots Music in the Global Village: Cretan Ways of Dealing with the World at Large. The World of Music, 42 (3). pp. 47-66. ISSN 41692765. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47144)

Dawe, Kevin (2005) Symbolic and Social Transformation in the Lute Cultures of Crete: Music, Technology and the Body in a Mediterranean Society. Yearbook for Traditional Music, 37 . pp. 58-68. ISSN 20464929. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47143)

Dawe, Kevin (2009) The Woven world: Unravelling the Mainstream and the Alternative in Greek Popular Music. In: Scott, Derek. B, ed. The Ashgate Research Companion to Popular Musicology. Ashgate, pp. 243-258. ISBN 978-0-7546-6476-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47154)

Dawe, Kevin, Cem Eroglu, Sinan (2013) The Guitar in Turkey: Erkan O?ur and the Istanbul Guitarscape. Ethnomusicology Forum, 22 (1). pp. 49-70. ISSN 1741-1912. (doi:10.1080/17411912.2013.774157) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46939)

Dawe, Kevin and Papadatos, John (2018) Popular Music in Crete: The Case of the Lyra-Laouto Ensemble. In: Tragaki, Dafni, ed. Made in Greece: Studies in Popular Music. Routledge, Abingdon. ISBN 978-1-138-81198-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47156)

Deacy, Christopher and Vollmer, Ulrich, eds. (2011) Seeing Beyond Death: Images of the Afterlife in Theology and Film. Schüren Verlag, Marburg, 202 pp. ISBN 978-3-89472-742-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:29683)
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Declercq, Dieter (2015) Bart Pattyn,Media en Mentaliteit. Lannoo, 2014. ISBN 978-94-014-1289-6. Review of: Media en mentaliteit [Media and Mentality] by Pattyn, Bart. Critical Studies in Television: The International Journal of Television Studies, 10 (2). pp. 147-149. ISSN 1749-6020. E-ISSN 1749-6039. (doi:10.7227/CST.10.2.10) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75391)

Declercq, Dieter (2020) Bojack, animation and mental ill health. . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82034)

Declercq, Dieter (2018) Can we learn the truth from Lenny Bruce? A careful cognitivism about satire. In: Rutter Giappone, Krista Bonello and Francis, Fred and MacKenzie, Iain, eds. Comedy and Critical Thought : Laughter as Resistance. Rowman & Littlefield, 45 -64. ISBN 978-1-78660-406-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:75356)
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Declercq, Dieter (2019) ‘Comedy and Mental Health: Future Directions’, Conference Review. Review of: Comedy and Mental Health: Future Directions (1 May 2019, University of Kent) by UNSPECIFIED. The Polyphony, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75388)

Declercq, Dieter (2018) A Definition of Satire (And Why a Definition Matters). The Journal of Aesthetics and Art Criticism, 76 (3). pp. 319-330. ISSN 0021-8529. (doi:10.1111/jaac.12563) (KAR id:68967)
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Declercq, Dieter (2014) ‘Die mensen zijn de vijand!’ Het geweld van het neoliberale kapitalisme en de morele verantwoordelijkheden van de menswetenschappen. In: Van Coillie, Geert and Anckaert, Luc and Thoen, Paul, eds. Geweld Herdacht. Voorbij Oorlog en Vrede. Acco, pp. 177-194. ISBN 978-90-334-9805-3. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:75387)
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Declercq, Dieter (2019) Drawing Truth Differently. Matt Bors' Fictional Satire and Non-Fictional Journalism. Imagetext. Interdisciplinary Comics Studies., 11 (1). ISSN 1549-6732. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:75641)
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Declercq, Dieter (2011) Het vangen van de Road Runner. Beschouwingen bij Plato’s teleologisch project. Kleio. Tijdschrift voor oude talen en antieke cultuur, 40 . pp. 146-165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75386)

Declercq, Dieter (2020) How media can help your mental health during self-isolation. . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82035)

Declercq, Dieter (2018) Humour as Politics: The Political Aesthetics of Contemporary Comedy, by Nicholas Holm, London, Palgrave Macmillan, 2017, pp., £67.99 hardback), ISBN: 9783319509495. Review of: Humour as Politics: The Political Aesthetics of Contemporary Comedy, by Nicholas Holm, London, Palgrave Macmillan, 2017 by Holm, Nicholas. Comedy Studies, 9 (2). pp. 260-262. ISSN 2040-610X. E-ISSN 2040-6118. (doi:10.1080/2040610X.2018.1494353) (KAR id:75390)
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Declercq, Dieter (2019) Humour as coping in the cartoons of Christine-Jane Wilson. In: Queering Graphic Medicine. Paradigms, Power and Practices, 11-13 Jul 2019, Brighton, Sussex, UK. (Unpublished) (KAR id:75393)
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Declercq, Dieter (2020) Irony, Disruption, and Moral Imperfection. Ethical Theory and Moral Practice, . ISSN 1386-2820. E-ISSN 1572-8447. (doi:10.1007/s10677-020-10105-z) (KAR id:82080)
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Declercq, Dieter (2021) Mobile Games and Netflix Binges: Why We Should Encourage Easy Entertainment in Hard Times. . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88065)

Declercq, Dieter (2017) A Philosophy of Satire. Critique, Entertainment, Therapy. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:64125)
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Declercq, Dieter (2019) Satire and The Simpsons. Newton Talks Item format: Podcast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82529)

Declercq, Dieter (2021) Satire, Comedy and Mental Health. Coping with the Limits of Critique. Emerald (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82051)

Declercq, Dieter (2021) Staying connected is vital for mental health. . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:85856)

Declercq, Dieter (2020) Stories, Wellbeing, and Business: Finding Meaning in COVID-19 Disruption. Webinar. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82528)

Declercq, Dieter (2014) 'These people are the enemy!' The moral responsibilities of film and television history as part of the humanities. In: Mee, Laura and Walker, Johnny, eds. Cinema, Television, History : New Approaches. Cambridge Scholars Press, Cambridge, pp. 105-120. ISBN 978-1-4438-5379-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75357)

Declercq, Dieter (2018) What is satire? . Blog. (KAR id:75358)
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Declercq, Dieter (2021) What satire can do for us. The Philosophers' Magazine, (92). pp. 40-47. ISSN 1354-814X. (KAR id:85857)
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Declercq, Dieter (2017) Where to From Here?: Four Conversations on Comedy and Aesthetics in Lewisburg, PA. Review of: The Ethics And Aesthetics Of Stand-Up Comedy (Bucknell University 5-8 April 2017) by UNSPECIFIED. American Society for Aesthetics Graduate E-Journal, 9 (2). E-ISSN 1946-1879. (KAR id:75389)
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Declercq, Dieter (2013) The philosophical and ethical significance of humour. The Simpsons as humorous ethical truth-telling. Ethical Perspectives, 20 (2). pp. 271-298. ISSN 1370-0049. E-ISSN 1783-1431. (KAR id:75355)
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Declercq, Dieter, El Khachab, Chihab (2021) Satire as Safety Valve: Moving Beyond a Mistaken Metaphor. Humor, . ISSN 0933-1719. E-ISSN 1613-3722. (doi:10.1515/humor-2021-0080) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:89688)
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Declercq, Dieter and Sabroe, Ian (2021) Conversation with Dieter Declercq and Ian Sabroe. Anchor FM Item format: Podcast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88522)

Declercq, Dieter and Sabroe, Ian (2021) In Conversation with Dr Esther L Jones. Anchor FM Item format: Podcast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88530)

Declercq, Dieter and Sabroe, Ian (2021) In Conversation with Prof Nicola Shaughnessy. Anchor FM Item format: Podcast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88523)

Declercq, Dieter and Sabroe, Ian (2021) In conversation with Dr Chris Millard. Anchor FM Item format: Podcast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88543)

Declercq, Dieter, Sabroe, Ian (2021) What we took away from our conversation with Dr Chris Millard. . University of Kent Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88544)

Declercq, Dieter, Sabroe, Ian (2021) What we took away from our conversation with Dr Esther L Jones. . University of Kent Blog. (KAR id:88532)
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Declercq, Dieter, Sabroe, Ian (2021) What we took away from our conversation with Professor Nicola Shaughnessy. . University of Kent Blog. (KAR id:88531)
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Declercq, Dieter and Waugh, Jo and Smith, Adam J (2021) Satire, Comedy & Mental Health. Anchor FM Item format: Podcast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88521)

Dennis, Krysta (2015) Globalizing McDonagh: The Playwright in Performance on the World Stage. Doctor of Philosophy (PhD) thesis, University of Kent, Universite de Paris 3 Sorbonne Nouvelle. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54754)
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Deprez, Eleen, Maes, Hans R.V. (2016) Wat is een portret? Kunsttijdschrift Vlaanderen, (361). ISSN 1780-6461. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65251)

Dieter, Declercq (2016) Wink wink, nudge nudge? Visual indicators of communicative irony in comics. Postgraduate Journal of Aesthetics, . pp. 2-18. (KAR id:73069)
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Dingwall-Jones, Christopher (2014) "Antic Dispositions?": The Representation of Madness in Modern British Theatre. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:48042)
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Double, Oliver (2020) Alternative Comedy: 1979 and the Reinvention of British Stand-Up. Cultural Histories of Theatre and Performance . Bloomsbury, London, UK, 240 pp. ISBN 978-1-350-05280-2. E-ISBN 978-1-350-05281-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81083)

Double, Oliver (1996) Alternative comedy: from radicalism to commercialism. In: Merkin, Ros, ed. Popular Theatres? Liverpool John Moores University, Liverpool, pp. 127-139. ISBN 0-9527978-0-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44576)

Double, Oliver (2015) Break a Leg. Performance type: Other Break a Leg, 6 Dec 2015, Canterbury, UK. YouTube video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56961)

Double, Oliver (2012) Britain Had Talent: A History of Variety Theatre. Palgrave Macmillan, Houndsmills, basingstoke, Hampshire, 288 pp. ISBN 9780230284593 (hbk) 9780230284609 (pbk). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31710)

Double, Oliver (2000) Characterization in stand-up comedy: From Ted Ray to Billy Connolly, via Bertolt Brecht. New Theatre Quarterly, 16 (64). pp. 315-323. ISSN 0266-464X. (doi:10.1017/S0266464X00014068) (KAR id:16397)
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Double, Oliver (2020) ‘Deliberately Shaped for Fun by the High Gods’: Little Tich, Size and Respectability in the Music Hall. In: Lee, Louise, ed. Victorian Comedy and Laughter: Conviviality, Jokes and Dissent. Palgrave Macmillan, London, UK, pp. 235-261. ISBN 978-1-137-57881-5. E-ISBN 978-1-137-57882-2. (doi:10.1057/978-1-137-57882-2_9) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82976)

Double, Oliver (2014) Getting the Joke (2nd edition)The Inner Workings of Stand-Up Comedy. Bloomsbury, London and New York, 518 pp. ISBN 978-1-4081-7460-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43042)

Double, Oliver (2005) Getting the joke: The inner workings of stand-up comedy. London: Methuen, 320 pp. ISBN 0-413-77476-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1178)

Double, Oliver (2020) ‘If you laugh at something then I’ll potentially keep it’: the Praxis of Live Comedy. In: Peacock, Louise, ed. A Cultural History of Comedy. The Cultural Histories Series, 6 . Bloomsbury. ISBN 978-1-350-00082-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81680)

Double, Oliver (2017) Introduction: What is Popular Performance? In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Methuen Drama, London, UK; New York, USA, pp. 1-29. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81715)

Double, Oliver (2017) 'It Feels Like a Group of Friends Messing Around Onstage': Pappy's and Live Sketch Comedy. In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Methuen Drama, London, UK; New York, USA, pp. 247-268. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81716)

Double, Oliver (2007) Karl Valentin’s “Father and Son Discuss the War". Studies in Theatre and Performance, 27 (1). pp. 5-11. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2440)

Double, Oliver (1994) Laughing all the way to the bank? Alternative comedy in the provinces. New Theatre Quarterly, X (39). pp. 255-262. ISSN 0266-464X. (doi:10.1017/S0266464X00000555) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44571)

Double, Oliver (2012) Max Miller plays with Freud's obstacle: Innuendo and performance technique in variety comedy. Comedy Studies, 3 (1). pp. 93-104. ISSN 2040-610X. (doi:10.1386/cost.3.1.93_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31708)

Double, Oliver (2010) Not the Definitive Version: an Interview with Ross Noble. Comedy Studies, 1 (1). pp. 5-19. ISSN 2040-610X. (doi:10.1386/cost.1.1.5/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24936)

Double, Oliver (2007) Punk rock as popular theatre. New Theatre Quarterly, 23 (1). pp. 35-48. ISSN 0266-464X. (doi:doi: 10.1017/S0266464X06000613) (KAR id:1182)
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Double, Oliver (2007) Saint Pancreas. Performance type: Other Saint Pancreas, 3/11/06, Horsebridge Arts Centre, Whitstable. DVD and Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2229)

Double, Oliver (1997) Stand-Up! On Being a Comedian. Methuen Drama, London, 262 pp. ISBN 0-413-70320-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44579)

Double, Oliver (2017) ‘[T]his is eating your greens, this is doing your homework’: writing and rehearsing a full-length stand-up show. Comedy Studies, . pp. 137-153. ISSN 2040-610X. (doi:10.1080/2040610X.2017.1344477) (KAR id:62270)
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Double, Oliver (2000) Teaching Stand-Up Comedy. A Mission: Impossible? Studies in Theatre and Performance, 20 (1). pp. 14-23. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20310)

Double, Oliver (2009) Teddy Brown and the Art of Performing for the British Variety Stage. New Theatre Quarterly, 25 (4). pp. 379-390. ISSN 0266-464X. (doi:10.1017/S0266464X09000669) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24938)

Double, Oliver (2017) Tragedy Plus Time: Transforming Life Experience into Stand-Up Comedy. New Theatre Quarterly, 33 (2). pp. 143-155. ISSN 0266-464X. (doi:10.1017/So266464X17000057) (KAR id:61550)
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Double, Oliver (2015) What do you do?: Stand-up comedy versus the proper job. Ephemera: Theory & Politics in Organization, 15 (3). pp. 651-669. ISSN 2052-1499. E-ISSN 1473-2866. (KAR id:55434)
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Double, Oliver (2018) The origin of the term stand-up comedy update. Comedy Studies, 9 (2). pp. 235-237. ISSN 2040-610X. (doi:10.1080/2040610X.2018.1428427) (KAR id:66675)
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Double, Oliver (2017) The origin of the term ‘stand-up comedy’. Comedy Studies, 8 (1). pp. 106-109. ISSN 2040-610X. (doi:10.1080/2040610X.2017.1279912) (KAR id:60313)
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Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. (2017) Popular Performance. Bloomsbury Methuen Drama, London, UK, 304 pp. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61549)

Double, Oliver and Wilson, Michael (2006) Brecht and cabaret. In: Thomson, Peter and Sacks, Glendyr, eds. Cambridge Companion to Brecht, 2nd Edition. Cambridge University Press. ISBN 978-0-521-67384-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1180)

Double, Oliver, Wilson, Michael (2008) '"I am a Poor, Skinny Man": Persona and physicality in the work of Karl Valentin'. Studies in Theatre and Performance, 28 (3). pp. 213-221. ISSN 1468-2761. (doi:10.1386/stap.28.3.213/1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31337)
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Double, Oliver, Wilson, Michael (2004) Karl Valentin's illogical subversion: stand-up comedy and the alienation effect. New Theatre Quarterly, XX (3). pp. 203-215. ISSN 0-521-60328-5. (KAR id:1179)
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Dukhan, Igor, Lodder, Christina (2016) Visual Geometry: El Lissitzky and the Establishment of Conceptions of Space–Time in Avant-garde Art. Art in Translation, 8 (2). pp. 194-220. ISSN 1756-1310. (doi:10.1080/17561310.2016.1216050) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75237)

Dunworth, F. (1993) Suffocating Mothers - Fantasies of Maternal Origins in Shakespeare Plays, 'Hamlet' to the 'Tempest' - Adelman, J. Theatre Research International, 18 (1). pp. 65-66. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22076)

Duska, Radosavljevic (2013) ‘Michael Boyd: The RSC Ensemble’ - Introduction. In: Britton, John, ed. Encountering Ensemble. Methuen Bloomsbury, pp. 147-149. ISBN 978-1-4081-5517-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36827)

E

Ellen, Roy F. (1994) Hunting the Pangolin. Man, 29 (1). pp. 181-182. ISSN 0025-1496. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20175)

Elsheikh, A.N.A., Langley, Richard J. (1992) General-Solution for a Multiport Network. Microwave and Optical Technology Letters, 5 (13). pp. 668-671. ISSN 0895-2477. (doi:10.1002/mop.4650051305) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22561)

Eyuboglu, S. (1991) The authorial text and postmodernism, hitchcock 'blackmail'. Screen, 32 (1). pp. 58-78. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22923)

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Feistner, A.T.C, Price, Eluned C., Milliken, G.W. (1994) Preliminary Observations on Hand Preference for Tapping, Digit-Feeding and Food-Holding in Captive Aye-Ayes (Daubentonia madagascariensis). Folia Primatologica, 62 (1-3). pp. 136-141. ISSN 0015-5713. (doi:10.1159/000156770) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20185)

Filho, E.C.D.B.C., Fairhurst, Michael, Bisset, D.L. (1992) Analysis of Saturation Problem in Ram-Based Neural Networks. Electronics Letters, 28 (4). pp. 345-347. ISSN 0013-5194. (doi:10.1049/el:19920216) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22567)

Finburgh, Clare and Lavery, Carl, eds. (2011) Contemporary French Theatre and Performance. Palgrave, 244 pp. ISBN 978-0-230-30566-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61132)

Finburgh, Clare (2010) Croisements. In: Corvin, Michel, ed. Noëlle Renaude : Un atlas alphabétique. Éditions Théâtrales, Paris, pp. 136-138. ISBN 978-2-84260-326-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61250)

Finburgh, Clare (2014) Derrière l’écran : La Guerre à la télévision sur la scène anglaise. Théâtre/Public, 212 . pp. 99-108. ISSN 978-2-84260-660-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61142)

Finburgh, Clare (2011) “Display and Disguise in Michel Vinaver’s 11 septembre 2001”. In: Mathias, Manon and O'Sullivan, Maria and Vortsman, Ruth, eds. Essays in French Literature, Thought and Culture. Peter Lang, pp. 183-203. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61160)

Finburgh, Clare (2012) French Theatre ‘dans la merde’. Contemporary Theatre Review, 22 (2). p. 287. ISSN 1048-6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61156)

Finburgh, Clare (2010) Internal and External Dramaturgies: The French Context. Contemporary Theatre Review, 20 (2). pp. 203-213. ISSN 1048-6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61249)

Finburgh, Clare (2017) Introduction. In: Campbell, Chris, ed. The Oberon Anthology of Contemporary French Plays. Oberon. ISBN 978-1-78682-072-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61136)

Finburgh, Clare (2014) Jean Genet Eugène Ionesco, Michel Vinaver. In: Gale, Maggie and Deeney, John, eds. Fifty Contemporary and Modern Dramatists. Routledge, pp. 101-116. ISBN 978-0-415-63035-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61154)

Finburgh, Clare (2011) Jean Genet et le théâtre de l’‘ornement’. In: Laroche, Hadrien, ed. Pour Genet. Editions MEET. ISBN 978-2-911686-71-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61159)

Finburgh, Clare (2016) Jean Genet et l’art du comédien: Un jeu maladroit. In: Vannouvong, Agnès, ed. Genet et les arts. Les Presses du Réel, pp. 119-132. ISBN 978-2-84066-683-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61140)

Finburgh, Clare (2011) La Théâtralisation de l’attentat : la représentation du terrorisme dans le théâtre britannique contemporain. In: Douxami, Christine, ed. Théâtres politiques en mouvement. Les Cahiers de la MSHE, Besançon, pp. 17-27. ISBN 978-2-84867-394-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61247)

Finburgh, Clare (2010) La Vue d'ailleurs. In: Corvin, Michel, ed. Noëlle Renaude : Un atlas alphabétique. Éditions Théâtrales, Paris, pp. 162-163. ISBN 978-2-84260-326-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61251)

Finburgh, Clare (2011) Le théâtre britannique contemporain post-11 septembre 2001: du théâtre verbatim à l’allégorie. In: Lescot, David and Véray, Laurent, eds. Les mises en scène de la guerre au XXè siècle Théâtre et cinéma. Presses Universitaires de Paris Ouest, Paris, pp. 583-603. ISBN 2-84736-576-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61248)

Finburgh, Clare (2015) Mises en scène de l’événement historique: la Terreur dans le théâtre anglais contemporain. In: Courtet, Catherine and Besson, Mireille and Lavocat, Françoise and Viala, Alain, eds. Corps en scènes. CNRS, pp. 189-200. ISBN 978-2-271-08674-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61138)

Finburgh, Clare (2014) Press, Patrols and Power: The British Army in Recent UK Theatre. Double jeu - Figurations du pouvoir, . pp. 45-55. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61151)

Finburgh, Clare (2012) Quel est le rôle des Nègres de Genet à Londres en 2007 ? The Blacks Remixed au Theatre Royal Stratford East. In: Martin, Eden, ed. L'Héritage de Genet. Méthode !, pp. 91-98. ISBN 9782906591610. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61157)

Lavery, Carl and Finburgh, Clare, eds. (2015) Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. Methuen Drama Engage . Bloomsbury ISBN 978-1-4725-1320-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58955)

Finburgh, Clare (2014) Theatre’s Other: Event and Testimony in British Verbatim Plays. Sillages critiques, 18 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61139)

Finburgh, Clare (2017) Théâtres de violence : Les nouvelles écritures théâtrales britanniques. Théâtre/Public, 223 . pp. 31-64. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61137)

Finburgh, Clare (2010) Translating Contemporary French Theatre: How ‘Linguistic Translation’ becomes ‘Stage Translation’. In: Baines, Roger and Marinetti, Cristina and Perteguella, Manuela, eds. Staging and Performing Translation. Palgrave, Basingstoke, pp. 230-249. ISBN 978-0-230-22819-1. E-ISBN 978-0-230-29460-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61252)

Finburgh, Clare (2017) ‘Violence without Violence’: Spectacle, War and Lola Arias’s MINEFIELD (CAMPO MINADO). Theatre Research International, 42 (2). pp. 163-178. ISSN 0307-8833. (doi:10.1017/S0307883317000281) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61135)

Finburgh, Clare (2011) “‘Vérité’ ou ‘mensonge’ ? Le Théâtre politique en Grande-Bretagne post-11 septembre”. Mettre en scène l'événement - special issue of Agôn, online journal, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61158)

Finburgh, Clare (2017) Watching War on the Twenty-First Century Stage: Spectacles of Conflict. Methuen Drama Engage . Bloomsbury, 368 pp. ISBN 978-1-4725-9866-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61099)

Finburgh, Clare, Bradby, David (2012) Jean Genet. Routledge, 214 pp. ISBN 978-0-415-37506-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61097)

Finch, James (2016) The Art Criticism of David Sylvester. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:60419)
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Findlay, Rosie (2017) Personal Style Blogs: Appearances that Fascinate. Intellect Books, Bristol, UK, 185 pp. ISBN 978-1-78320-834-0. (KAR id:90163)
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Fleming, Ann-Marie (2019) Hollywood Undead: The Posthumous Star as Commercial and Consumer Product. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:75518)
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Flint-Nicol, Katerina (2018) Men, Manors and Monsters: The Hoodie Horror and the Cinema of Alterity. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:71783)
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Forsyth, Maria, Truong, V.T, Smith, Mark E. (1994) Structural Characterization of Conducting Polypyrrole Using C-13Cross-Polarization Magic-Angel-Spining Solid-State Nuclear-Magnetic-Resonance Spectroscopy. Polymer, 35 (8). pp. 1593-1601. ISSN 0032-3861. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20190)

Fox, J. (1998) Battles and sites of love. The history of cinema and film in eastern Westphalia and Lippe. Review of: Battles and sites of love. The history of cinema and film in eastern Westphalia and Lippe by UNSPECIFIED. Historical Journal of Film, Radio and Television, 18 (1). pp. 142-143. ISSN 0143-9685. (doi:10.1080/01439689800260091) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17743)

Fox, J. (1998) A second life: German cinema's first decades. Review of: A second life: German cinema's first decades by UNSPECIFIED. Historical Journal of Film, Radio and Television, 18 (1). pp. 139-140. ISSN 0143-9685. (doi:10.1080/01439689800260091) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17742)

Freeman, Adam Ludford (2020) Essaying Place: Time and Landscape in the Essay Film. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:82613)
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Fretwell, Paul (2008) Ghosts of King's Cross (2008) female voice and electroacoustic sound. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31753)

Fretwell, Paul (2015) King's Cross. Taukay Edizioni Musicali Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:83821)

Fretwell, Paul (2007) Wall of Stone (2007) Female voice and four percussionists with megaphones. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31751)

Fretwell, Paul (2008) from the cold (2008) female voice and electroacoustic sound. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31752)

Fretwell, Paul (2013) Étune No. 1. Item format: audio recording. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31830)

Fretwell, Paul and Field, Ambrose (2013) Northern Loop. Sargasso Records Item format: CD recording. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31827)

Frey, Mattias (2012) 23 July 1991: ZDF Broadcast of Ostkreuz Initiates Darker Reckoning with the Wende. In: Richardson, Michael and Kapczynski, Jennifer, eds. A New History of German Cinema. Camden House, Rochester, NY, pp. 512-517. ISBN 1-57113-490-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42201)

Frey, Mattias (2015) The Acoustic Conventions of Historical Films: Dialect in Requiem, Robin Hood and Beyond. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 20 June 2015, Lodz, Poland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64768)

Frey, Mattias (2014) Antares, Sex and International Distribution. In: Invited speaker, Picturing Austrian Cinema, 22 September 2014, Cambridge University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42233)

Frey, Mattias (2010) Art and Artifice: German Films at the 60th Berlin International Film Festival. Senses of Cinema, (55). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25351)

Frey, Mattias (2012) Arthouse Ethics and Provocation. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 23 June 2012, Lisbon. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42216)

Frey, Mattias (2018) The Authenticity Feeling: Language and Dialect in the Historical Film. Research in Film and History, 1 (1). ISSN 2627-5848. (KAR id:68971)
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Frey, Mattias (2014) Authentizität und Hörbarkeit im jüngsten deutschen Geschichtsfilm. In: Invited speaker, Film und Geschichte: Produktion und Erfahrung von Geschichte durch Bewegtbild und Ton, 8 May 2014, Universität Bremen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42231)

Frey, Mattias (2006) Benny's Video, Caché, and the Desubstantiated Image. In: Society of Cinema and Media Studies (SCMS) Annual Conference, 2 March 2006, Vancouver. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42251)

Frey, Mattias (2006) Benny’s Video, Caché, and the Desubstantiated Image. Framework: The Journal of Cinema and Media, 47 (2). pp. 30-36. ISSN 0306-7661. (doi:10.1353/frm.2006.0011) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20319)

Frey, Mattias (2008) Birth of a Nation in Sound and Colour: The Miracle of Bern (2003). In: Screen Studies Conference, 5 July 2008, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42247)

Frey, Mattias (2008) Birth of a Nation: The Miracle of Bern and Post-wall Germany's Cinema of Retro-flection. In: European Cinema Research Forum (ECRF), 12 July 2008, Institute of Technology, Dublin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42246)

Frey, Mattias (2004) Border Zones: The Films of Ulrich Seidl. Senses of Cinema, (32). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20323)

Frey, Mattias (2012) British Film Culture in the Course of Time: Liberal Criticism, Sight and Sound and the British Film Institute. In: British council, public lecture, 18 January 2012, Taipei. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42214)

Frey, Mattias (2010) A Cinema of Disturbance: The Films of Michael Haneke in Context, 2nd rev. ed. Senses of Cinema, 57 (57). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42195)

Frey, Mattias (2003) A Cinema of Disturbance: The Films of Michael Haneke in Context. Senses of Cinema, (28). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20324)

Frey, Mattias (2013) Contemporary Debates on Criticism and the Spectre of the Past: A View from the UK. In: Invited speaker, Critica della critica, 1 February 2013, Università di Bologna. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42223)

Frey, Mattias (2013) Cosmopolitanism, Exoticism and the 'Sandwich Process': The Programming and Discourse of Extreme Cinema at Film Festivals. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 21 June 2013, Prague. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42225)

Frey, Mattias (2014) Creating Synergies, Building Institutions: A Perspective from (German) Film Studies. In: Invited speaker, Models for German Studies in a New Millennium, 25 April 2014, Harvard University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42230)

Frey, Mattias (2016) The Crises of Film Criticism and the Promises of Film Studies. In: Invited Speaker, University of Edinburgh, Research Seminar, 22 November 2016, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64771)

Frey, Mattias (2013) The Critical Question: Sight and Sound’s Postwar Consolidation of Liberal Taste. Screen, 54 (2). pp. 194-217. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31294)

Frey, Mattias (2015) Critical Questions. In: Frey, Mattias and Sayad, Cecilia, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 1-20. ISBN 978-0-8135-7072-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42205)

Frey, Mattias (2015) Critical Questions, 2.0: Resolving the Digital-Era ‘Crisis’ of Film Criticism. In: Invited Speaker, University of Bristol, Research Seminar, 18 March 2015, Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64767)

Frey, Mattias (2010) Cultural Problems of Classical Film Theory: Béla Balázs, 'Universal Language' and the Birth of National Cinema. Screen, 51 (4). pp. 324-340. ISSN 0036-9543. (doi:10.1093/screen/hjq028) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30486)

Frey, Mattias (2008) Cultural Problems of Classical Film Theory: Béla Balázs, 'Universal Language' and the Birth of National Cinema. In: Research seminar, 4 December 2008, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42244)

Frey, Mattias (2014) Daniel Brühl and Nichts bereuen. In: German Screen Studies Network (GSSN) symposium: Translating Stars - German Cinema in Transnational Context, 11 September 2014, University of Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42232)

Frey, Mattias (2013) Der unbelehrbare Zuschauer. In: Invited speaker, 19. Bremer Filmsymposium, 20 January 2013, Universität Bremen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42222)

Frey, Mattias (2013) Disturbing Directors, Disturbed Programmers: The Rhetoric and Reception of Extreme Cinema. In: Screen Studies Annual Conference, 29 June 2013, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42226)

Frey, Mattias (2015) Editorial: Institutions and Agency (Part I). Film Studies, 13 (1). pp. 1-4. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.13.0001) (KAR id:57006)
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Frey, Mattias (2016) Editorial: Institutions and Agency (Part II). Film Studies, 14 . pp. 1-4. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.14.0001) (KAR id:57008)
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Frey, Mattias (2007) Einführung in die Film Theorie. In: Invited guest lecturer, ShortShots: Programmgestaltung und Planung eines Kurzfilmfestivals, 3 May 2007, Freie Universität Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42250)

Frey, Mattias (2011) Einführung in die Filmkritik. In: Invited series of masterclasses, 28 June - 1 July 2011, Universität Passau. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42213)

Frey, Mattias (2012) Einführung in die Filmkritik. In: Invited series of masterclasses, 2-6 July 2012, Universität Passau. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42217)

Frey, Mattias (2012) Einführung in die Filmkritik. In: Invited series of masterclasses, 9-13 July 2012, Goethe-Universität Frankfurt. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42218)

Frey, Mattias (2015) Ekel im Kino. In: Invited Speaker, 'Angustia', Deutsches Filmmuseum, Frankfurt, 23 January 2015, Deutsches Filmmuseum Frankfurt. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44721)

Frey, Mattias (2014) Ekel und Langeweile: Der unbelehrbare Zuschauer. In: Pauleit, Winfried and Rüffert, Christina and Schmid, Karl-Heinz and Tews, Alfred and Odorico, Stefano, eds. Filmerfahrung und Zuschauer: Zwischen Kino, Museum und sozialen Netzwerken. Bertz + Fischer, Berlin, pp. 48-62. ISBN 978-3-86505-229-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42204)

Frey, Mattias (2007) The End of Innocence: Scandinavian Films at the 30th Gothenburg International Film Festival. Review of: Scandinavian Films at the 30th Gothenburg International Film Festival by UNSPECIFIED. Senses of Cinema, 43 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20768)

Frey, Mattias (2020) The Ends of (German) Film Criticism: On Recurring Doomsday Scenarios and the New Algorithmic Culture. New German Critique, 47 (3). pp. 45-57. ISSN 0094-033X. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:89409)
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Frey, Mattias (2017) The Eternal Return of the Crisis: Towards an Internationalist, Institutionalist Critical History. In: Invited Speaker, Dartmouth College, Conference: A Century of Filmkritik and Beyond, Hanover/NH, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64772)

Frey, Mattias (2014) The Ethics of Extreme Cinema. In: Choi, Jinhee and Frey, Mattias, eds. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, pp. 145-162. ISBN 978-0-415-82125-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42203)

Frey, Mattias (2011) The Ethics of Extreme Cinema. In: Cine-Ethics, 15 June 2011, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42211)

Frey, Mattias (2016) Extreme Cinema: The Transgressive Rhetoric of Today's Art Film Culture. Rutgers University Press, New Brunswick, NJ, 288 pp. ISBN 978-0-8135-7649-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42191)

Frey, Mattias (2017) Fassbinder and the Western: Whity (1971). In: BAFTSS conference, University of Bristol, Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64773)

Frey, Mattias (2017) Fassbinder, the art film and popular genre: Whity. In: Invited Masterclass, British Film Institute, BFI Fassbinder: The Many Faces of R. W. Fassbinder, 27 April 2017, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64774)

Frey, Mattias (2017) Fassbinder: Television Pioneer. In: Invited Speaker, British Film Institute, public lecture, 2 May 2017, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64775)

Frey, Mattias (2017) Fassbinder: The Formal Innovator. Sight and Sound, 27 (5). p. 28. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64751)

Frey, Mattias (2006) Fidelio: Love, Adaptation, and Eyes Wide Shut. Literature/Film Quarterly, 34 (1). pp. 39-45. ISSN 0090-4260. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20322)

Frey, Mattias (2012) Film Criticism as Crisis History. In: Cultural Criticism in the Digital Age, 7 June 2012, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42215)

Frey, Mattias (2017) Film Criticism in the Digital Age: Past, Present and Possible Futures. In: Invited Speaker, Universitet Gent, public lecture, 31 October 2017, Ghent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64776)

Frey, Mattias (2013) Filmkritik, with and without Italics: Kracauerism and Its Limits in Postwar German Film Criticism. New German Critique, 40 (3). pp. 85-110. ISSN 0094-033X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31296)

Frey, Mattias (2010) From Crisis Structure to Schadenfreude: Emotional Underpinnings of the New Documentary. In: Society of Cinema and Media Studies Annual Conference, 18th March 2010, Los Angeles. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25356)

Frey, Mattias (2008) Gazing Lessons: German Films at the 58th Berlin International Film Festival. Review of: 58th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, 47 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20765)

Frey, Mattias (2010) Goodbye Germany: Emigration, Reality TV and Schadenfreude. Jump Cut, (52). ISSN 0146-5546. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25349)

Frey, Mattias (2009) Goodbye, Germany! Televisions of Emigration. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 25 June 2009, Lund. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42240)

Frey, Mattias (2012) Grand Finales: The International Forum of New Cinema at the 62nd Berlin International Film Festival. Senses of Cinema, 62 (62). n/a-n/a. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42209)

Frey, Mattias (2013) The Greatest of These Is Love: Ulrich Seidl's Paradise Trilogy. Artforum, 51 (10). pp. 149-150. ISSN 0004-3532. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42194)

Frey, Mattias (2007) Haneke and the Painterly. In: Invited speaker, Michael Haneke - A Cinema of Provocation, 26 October 2007, Boston University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42249)

Frey, Mattias (2007) In/Flux: German Films at the 57th Berlin International Film Festival. Review of: German Films at the 57th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, 43 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20767)

Frey, Mattias (2009) Insecure Times, Confident Localities: German Films at the 59th Berlin International Film Festival. Review of: 59th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, (50). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20763)

Frey, Mattias (2017) Institutional Roles in Using Film to Teach Difficult History: The Federal Agency for Civic Education and The Lives of Others. In: Stoddard, Jeremy and Marcus, Alan and Hicks, David, eds. Teaching Difficult History Through Film. Routledge, New York, pp. 89-105. ISBN 978-1-138-19077-1. E-ISBN 978-1-315-64087-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64749)

Frey, Mattias (2005) Interior Designs: London as Fashion(ed) Object in the 'Swinging London' Film. In: Designs for Living: Space and Place in the Cinema, 28 June 2005, Queen Mary, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42253)

Frey, Mattias (2019) The Internet Suggests: Film, Recommender Systems, and Cultural Mediation. Journal of Cinema and Media Studies, 59 (1). pp. 163-169. ISSN 0009-7101. E-ISSN 1527-2087. (doi:10.1353/cj.2019.0068) (KAR id:81284)
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Frey, Mattias (2015) Kino der Extreme: Die transgressive Rhetorik der heutigen Autorenfilmkultur. In: Invited Speaker, Zentrum für Medien-, Kommunikations- und Informationsforschung, Universität Bremen, Research Seminar, 25 June 2015, Bremen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64770)

Frey, Mattias (2012) The Liberal Tradition of British Film Criticism: Sight and Sound, 'Restraint' and Realism. In: Invited speaker, research seminar, 15 November 2012, Waseda University Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42219)

Frey, Mattias (2009) The Limits of Spectatorship: Towards a Theory of Walking Out. In: Emergent Encounters in Film Theory, 21 March 2009, Kings College London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42242)

Frey, Mattias (2006) London à la Mod: Fashion, Genre, and Historical Space in Performance. Quarterly Review of Film and Video, 23 (4). pp. 369-376. ISSN 1050-9208. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20320)

Frey, Mattias (2021) MUBI and the Curation Model of Video on Demand. Palgrave Macmillan ISBN 978-3-030-80075-8. E-ISBN 978-3-030-80076-5. (doi:10.1007/978-3-030-80076-5) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:89815)

Frey, Mattias (2010) Medien aus filmwissenschaftlicher Sicht. In: Masterclasses, 29th June-2nd July 2010, Universitat Passau. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25352)

Frey, Mattias (2010) The Message and the Medium: Haneke's Film Theory and Digital Praxis. In: Price, Brian and Rhodes, John David, eds. On Michael Haneke. Wayne State University Press, Detroit, pp. 153-165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25350)

Frey, Mattias (2016) Netflix Crit in the Twenty-First Century. Film Criticism, 40 (1). ISSN 0163-5069. E-ISSN 2471-4364. (doi:10.3998/fc.13761232.0040.111) (KAR id:57007)
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Frey, Mattias (2021) Netflix Recommends: Algorithms, Film Choice, and the History of Taste. University of California Press ISBN 978-0-520-38204-6. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:89816)

Frey, Mattias (2015) The New Democracy? Rotten Tomatoes, Metacritic, Twitter, and IMDb. In: Frey, Mattias and Sayad, Cecilia, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 81-98. ISBN 978-0-8135-7072-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42206)

Frey, Mattias (2006) No(ir) Place to Go: Spatial Anxiety and Sartorial Intertextuality in Die Unberührbare. Cinema Journal, 45 (4). pp. 64-80. ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20318)

Frey, Mattias (2005) Noi(r) Place to Go: Historical Anxiety as Dramaturgical and Intertextual Space in Oskar Roehler's Die Unberührbare. In: Cinema Europe: Networks in Progress, 23 June 2005, Universiteit van Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42254)

Frey, Mattias (2009) The Pained Spectator. In: Images of Pain/Painful Images, 20 June 2009, Universitetet i Bergen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42241)

Frey, Mattias (2010) Paris' Threat to German Film Criticism: Denounce and Recycle. In: European Network for Cinema and Media Studies Annual Conference, 25th June 2010, Istanbul. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25354)

Frey, Mattias (2014) The Permanent Crisis of Film Criticism: The Anxiety of Authority. Film Theory in Media History . Amsterdam University Press, Amsterdam, 195 pp. ISBN 978-90-8964-717-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42190)

Frey, Mattias (2010) A Persistent Allure: The Reception of Michael Haneke. In: Invited speaker, On Michael Haneke, 2nd June 2010, University of Sussex. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25355)

Frey, Mattias (2011) The Possibility of Desire in a Conformist World: The Cinema of Ulrich Seidl. In: Dassanowsky, Robert and Speck, Oliver, eds. New Austrian Film. Berghahn, New York, pp. 189-198. ISBN 1-84545-700-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42197)

Frey, Mattias (2006) “Postmodernism” and “Guy Maddin". In: Grant, Barry Keith, ed. Schirmer Encyclopedia of Film. Schirmer Press, Detroit, pp. 291-296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20315)

Frey, Mattias (2013) Postwall German Cinema: History, Film History, and Cinephilia. Film Europa . Berghahn, Oxford/New York, 206 pp. ISBN 978-0-85745-947-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31290)

Frey, Mattias (2008) Postwall Germany's Cinema of Retro-flection. In: Cultural Memory: Forgetting to Remember/Remembering to Forget, 11 September 2008, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42245)

Frey, Mattias (2011) Postwar British Film Criticism's Reaction to Cahiers du cinéma: Sight and Sound and the Establishment of Middlebrow Taste. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 25 June 2011, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42212)

Frey, Mattias (2005) Re-Connecting the Body 'in' to the Body 'of' Pasolini. In: Il testo in movimento: Themes and Techniques in Italian Film and Literature, 5 February 2005, Harvard University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42255)

Frey, Mattias (2004) Re-Connecting the Body 'in' to the Body 'of' Pasolini. In: Screen Media and Sexual Politics, 9 October 2004, Plymouth State University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42256)

Frey, Mattias (2006) Re-Connecting the Body ‘in’ to the Body ‘of’ Pasolini with Porcile. In: Hart, Kylo, ed. Film and Sexual Politics: A Critical Reader. Cambridge Scholars Press, Newcastle, pp. 128-134. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20321)

Frey, Mattias (2014) 'Real' Sex by 'Real' People: Realist Aesthetics and Celebrity Couples in the Marketing of Extreme Cinema. In: Society of Cinema and Media Studies (SCMS) Annual Conference, 21 March 2014, Seattle. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42229)

Frey, Mattias (2015) The Recalcitrant Discipline. Film Studies, 12 (1). 10 -18. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.12.0003) (KAR id:44745)
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Frey, Mattias (2004) The Renaissance of New Austrian Film? The Example of Michael Haneke. In: German Projections, Foreign Reflections: Film, Narrative and the Creation of Historical Memory, 3 April 2004, University of Pennsylvania. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42257)

Frey, Mattias (2007) Review of Screening the Past: Memory and Nostalgia in Cinema. Review of: Screening the Past: Memory and Nostalgia in Cinema by Cook, Pam. Film International, 5 (5). pp. 87-89. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20766)

Frey, Mattias (2012) Review of: A Companion to Michael Haneke, ed. Roy Grundmann. Review of: A Companion to Michael Haneke by Grundmann, Roy. Historical Journal of Film, Radio and Television, 32 (1). pp. 127-129. ISSN 0143-9685. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42208)

Frey, Mattias (2006) Review of: Graeme Harper and Andrew Moor, eds., Signs of Life: Medicine and Cinema. Review of: Signs of Life: Medicine and Cinema by Harper, Graeme and Moor, Andrew. Film International, 4 (2). pp. 78-81. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20770)

Frey, Mattias (2008) Review of: Jörn Ahrens und Stephan Braese, Hg., Im Zauber der Zeichen: Beiträge zu einer Kulturgeschichte des Mediums. Review of: Im Zauber der Zeichen: Beiträge zu einer Kulturgeschichte des Mediums by Ahrens, Jorn and Braese, Stephan. MEDIENwissenschaft, (2). pp. 145-147. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20764)

Frey, Mattias (2007) Review of: Rosalind Galt, The New European Cinema: Redrawing the Map. Review of: The New European Cinema: Redrawing the Map by Galt, Rosalind. Film International, 5 (1). pp. 70-71. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20769)

Frey, Mattias (2012) The Role of Criticism in Britain Today. In: British Council, public lecture, 17 November 2012, Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42220)

Frey, Mattias (2013) The Role of Violence and Sex in Recent Austrian Cinema. In: Invited speaker, research seminar, 27 November 2013, Kings College London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42228)

Frey, Mattias (2010) Safe to Remember: the post-Wende Cinema of Retrospection. In: Invited Talk, 2nd November 2010, University of Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25353)

Frey, Mattias (2011) Searches for Identity: German Films at the 61st Berlin International Film Festival. Senses of Cinema, 58 (58). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42210)

Frey, Mattias (2004) Sebald's Cinémathèque: Theorizing Cinema in Sebald and Sebald with 'Cinema'. In: Approaching W. G. Sebald, 27 March 2004, Yale University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42258)

Frey, Mattias (2005) A Star in Our Stratosphere: Introductory Remarks to the Daniel Brühl Film Series. In: Daniel Brühl Film Series, 15 September 2005, Museum of Fine Arts, Boston. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42252)

Frey, Mattias (2006) Structuralism and Poststructuralism. In: Grant, Barry Keith, ed. Schirmer Encyclopedia of Film. Schirmer Press, Detroit, pp. 165-168. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20317)

Frey, Mattias (2012) Suburban Violence in German-Language Film. In: Invited speaker, Political Cultures/Cultural Politics of Germany in the 21st Century, 8 December 2012, University of Birmingham. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42221)

Frey, Mattias (2002) Supermodernity, Capital, and Narcissus: The French Connection to Michael Haneke’s Benny’s Video. Cinetext, . ISSN 1605-6035. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20325)

Frey, Mattias (2012) Supermodernity, Sick Eros and the Video Narcissus: Benny's Video in the Context of Theory and Time. In: McCann, Benjamin and Sorfa, David, eds. The Cinema of Michael Haneke: Europe Utopia. Wallflower, London, pp. 151-161. ISBN 1-906660-30-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42199)

Frey, Mattias (2006) Supermodernost, kapital i narcis: Francuska veza filma Bennyev Michaela Hanekea. Item format: Croatian National Radio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42259)

Frey, Mattias (2005) Supermodernost, kapital i narcis: Francuska veza filma Bennyev video Michaela Hanekea. Item format: Croation National Radio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42207)

Frey, Mattias (2014) Teoretyzowanie kina u Sebalda i Sebalda poprez kino. Konteksty, 68 (3-4). pp. 135-144. ISSN 1230-6142. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42200)

Frey, Mattias (2007) Theorizing Cinema in Sebald and Sebald with Cinema. In: Patt, Lise, ed. Searching for Sebald: Photography After W.G. Sebald. Los Angeles: Institute of Cultural Inquiry Press, Los Angeles, pp. 226-241. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20314)

Frey, Mattias (2012) Tuning Out, Turning In, Walking Off: The Spectator in Pain. In: Gronstad, Asbjorn and Gustafsson, Henrik, eds. Ethics and Images of Pain. Routledge, London, pp. 93-111. ISBN 0415893824. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42198)

Frey, Mattias (2006) Ukranian translation of Michael Haneke: A Cinema of Disturbance (2003). AZH, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42959)

Frey, Mattias (2008) A Universal Language Not Yet Understood: The Inscription of National Difference in Early Film Theory. In: Permanent Seminar on the History of Film Theory, 3 March 2008, Università degli studi di Udine. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42248)

Frey, Mattias (2019) Unstomachable: Irréversible (2002) and the Extreme Cinema Tradition. In: Baer, Nicholas and Hennefeld, Maggie and Horak, Laura and Iversen, Gunnar, eds. Unwatchable. Rutgers University Press, New Brunswick, New Jersey, USA. ISBN 978-0-8135-9959-5. E-ISBN 978-0-8135-9962-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64746)

Frey, Mattias (2017) VoD Services, Original Programming and the Deteriorating Window System: Netflix, Amazon, MUBI. In: Elements of Success: Rethinking Audience and Production Studies as Practice, Finnish Film Institute, 4 December 2017, Helsinki. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64777)

Frey, Mattias (2017) Who Owns History? Notes on Cultural Appropriation, Authenticity and the Historical Film. . The International Association for Media and History online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64752)

Frey, Mattias (2013) Why Is Cinema Violent? In: British Council, public lecture, 1 May 2013, Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42224)

Frey, Mattias (2013) Why the Arts Matter, or: The Role of Violence in Film and Media. In: Kaywon School of Art and Design, public lecture, 18 October 2013, Seoul. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42227)

Frey, Mattias (2018) A nova democracia?: Rotten Tomatoes, Metacritic, Twitter e IMDb. REBECA: Revista Brasileira de Estudos de Cinema e Audiovisual, 6 (2). pp. 343-374. ISSN 2316-9230. (doi:10.22475/rebeca.v6n2.495) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64745)
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Frey, Mattias, Janssen, Sara (2018) Researching Sex and the Cinema in the #MeToo Age. Film Studies, 18 (1). pp. 1-13. ISSN 1469-0314. (doi:10.7227/FS.18.0001) (KAR id:68969)
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Frey, Mattias and Sayad, Cecilia, eds. (2015) Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, 273 pp. ISBN 978-0-8135-7072-3. E-ISBN 978-0-8135-7364-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47968)

Friday, Jonathan (2002) Aesthetics and photography. Aldershot: Ashgate Press, 175 pp. ISBN 0-7546-0428-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1185)

Friday, Jonathan (2005) Andre Bazin’s ontology of film and the photographic image. Journal of Aesthetics and Art Criticism, 63 (4). pp. 339-350. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1186)

Friday, Jonathan (2007) The Art Seminar. In: Elkins, James, ed. Photographic Theory. Routledge, pp. 129-204. ISBN 0-415-97783-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6590)

Friday, Jonathan (2004) Art and Enlightenment: Aesthetics in the 18th Century. Imprint Academic, 212 pp. ISBN 0-907845-76-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6564)

Friday, Jonathan (2000) Demonic Curiosity and the Aesthetics of Documentary Photography. British Journal of Aesthetics, 40 (3). pp. 356-375. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6581)

Friday, Jonathan (2002) Demonic Curiosity and the Aesthetics of Documentary Photography. In: Rubene, Mara, ed. Homo Aestheticus. Tapals, pp. 245-266. ISBN 9984-720-00-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6583)

Friday, Jonathan (1997) Digital Imaging, Photographic Representation and Aesthetics. Ends and Means, 2 (2). pp. 7-11. ISSN 1472-5819. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6570)

Friday, Jonathan (1998) Hume’s Sceptical Standard of Taste. Journal of the History of Philosophy, 36 (4). pp. 545-566. ISSN 0022-5053. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6573)

Friday, Jonathan (1999) Looking at Nature Through Photographs. Journal of Aesthetic Education, 33 (1). pp. 25-35. ISSN 0021-8510. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6576)

Friday, Jonathan (2004) Moral Equality and the Foundations of Liberal Moral Theory. Journal of Value Inquiry, 38 (1). pp. 61-74. ISSN 0022-5363. (doi:10.1023/B:INQU.0000040016.68565.83) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6567)

Friday, Jonathan (2004) Moral Theory and the Improvement of Moral Thought. Journal of Moral Education, 33 (1). pp. 23-33. ISSN 0305-7240. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6585)

Friday, Jonathan (2004) Photography and Art – Responses to questions set by Artis Svece. Res Publica, 2 . ISSN 1691-2004. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6588)

Friday, Jonathan (2001) Photography and the representation of vision. Journal of Aesthetics and Art Criticism, 59 (4). pp. 351-362. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1189)

Friday, Jonathan (1999) Quem Tem Medo De Uma Sociedade On-line? Cadernos Da Escola Do Legislativo, . pp. 39-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6580)

Friday, Jonathan (2005) Stillness becoming: Reflections on Bazin, Barthes, and Photographic Stillness. In: Green, David and Lowry, Joanna, eds. Stillness and Time: Photography and the Moving Image. Brighton: Photoworks. ISBN 1-903796-18-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1190)

Friday, Jonathan (1996) Transparency and the Photographic Image. British Journal of Aesthetics, 36 (1). pp. 30-42. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6568)

Friday, Jonathan (1998) Who’s Afraid of an On-line Society? Ends and Means, 3 (2). pp. 2-7. ISSN 1472-5819. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6579)

Fugard, Athol (2011) Il Guidatore del Treno. Performance type: Live play Tramedautore Festival, September 2011, Piccolo Teatro, Teatro d'Europa, Milan. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31497)

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Garfield, Rachel (2009) A Particular Incoherence: the films of Vivienne Dick. In: O'Brian, Treasa, ed. Between Truth and Fiction: The Films of Vivienne Dick. Crawford Art Centre/Lux, London, pp. 39-48. ISBN 978-0-9548569-8-4. (KAR id:29388)
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Geary, James Bernard (2017) A Defence of the Study of Visual Perception in Art. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:63885)
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Giles, Kenneth W. (1997) The expectation of narrative in the photograph. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86025) (KAR id:86025)
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Gillespie, Tory (2019) Empathy and intimacy in stand-up comedy: how can the performer negotiate with an audience in order to encourage empathy and intimacy in stand-up comedy? Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:81735)
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Gillick, Ambrose and Ivett, Lee, eds. (2018) Test Unit. Glasgow Urban Lab, dpr-barcelona, Glasgow, UK, 132 pp. ISBN 978-1-9996221-1-4. (KAR id:71690)
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Gillick, Ambrose, Proctor, Robert (2016) The Architecture of Twentieth-Century Pilgrimage in Scotland. In: SCHA 2016 CONFERENCE, 29th October 2016, Edinburgh, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71710)

Goebbels, Heiner (2014) Aesthetic of Absence. Other. Routledge, London (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37423)

Grant, Catherine A. (2000) Allegories of underdevelopment: Aesthetics and politics in modern Brazilian cinema. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16154)

Grant, Catherine A. (2008) Auteur machines? Auteurism and the DVD. In: Bennett, James and Brown, Tom, eds. Film and Television After DVD. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7819)

Grant, Catherine A. (2000) Based on a true story: Latin American history at the movies. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16153)

Grant, Catherine A. (2004) Home-Movies: The Curious Cinematic Collaboration of Anne-Marie Miéville and Jean-Luc Godard. In: Temple, Michael and Williams, James S and Witt, Michael, eds. For Ever Godard. London: Black Dog Publishing. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1118)

Grant, Catherine A. (2000) Intimista Transformations: María Luisa Bemberg's First Feature Films. In: King, John and Whittaker, Sheila and Bosch, Rosa, eds. The Films of María Luisa Bemberg: An Argentine Passion. Verso. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7925)

Grant, Catherine A. (2006) 'Introduction' in Screening World Cinema: A Screen Reader. In: Grant, Catherine A. and Kuhn, Annette, eds. Screening World Cinema: A Screen Reader. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7823)

Grant, Catherine A. (2002) 'La función de "los autores": la adaptación cinematográfica transnacional de El lugar sin límites'. Revista Iberoamericana, LXVIII (199). pp. 253-268. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7866)

Grant, Catherine A. (2000) Millennial debates - www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16155)

Grant, Catherine A. (2000) New Latin American cinema, Vol 1, Theory, practices and transcontinental articulation, Vol 2, Studies of national cinemas. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16151)

Grant, Catherine A. (2002) Recognizing Billy Budd in Beau Travail: epistemology and hermeneutics of an auteurist “free” adaptation. Screen, 43 (1). pp. 57-73. ISSN 1460-2474. (doi:0036-9543) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1117)

Grant, Catherine A. (2001) Secret Agents: Feminist Theories of Women’s Film Authorship. Feminist Theory, 2 (1). pp. 113-130. ISSN 1464-7001. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1120)

Grant, Catherine A. (2003) Still moving images: Photographs of the disappeared in films about the Dirty War in Argentina. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities: Intersections of Photography and Narrative. Albuquerque: University of New Mexico Press, pp. 63-86. ISBN 0-8263-2825-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1119)

Grant, Catherine A. (2000) Tropical multiculturalism: A comparative history of race in Brazilian cinema and culture. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16152)

Grant, Catherine A. (2000) www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7926)

Grant, Michael (1999) Bad girls and sick boys: Fantasies in contemporary art and culture. Review of: Bad girls and sick boys: Fantasies in contemporary art and culture by Kauffman, L.S. Sight and Sound, 9 (2). p. 30. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16812)

Grant, Michael (1998) Crimes of the future (David Cronenberg, 'Crash'). Screen, 39 (2). pp. 180-185. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17778)

Grant, Michael (1999) Early cinema in Russia and its cultural reception. Review of: Early cinema in Russia and its cultural reception by Tsivisn, Y. Sight and Sound, 9 (2). p. 32. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16815)

Grant, Michael (1999) The Eisenstein reader. Review of: The Eisenstein reader by Taylor, R. Sight and Sound, 9 (2). p. 30. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16813)

Grant, Michael (1998) Fake, fact and fantasy: Children's interpretations of television reality. Sight and Sound, 8 (8). pp. 28-29. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17775)

Grant, Michael (1998) Meat is murder: An illustrated guide to cannibal culture. Review of: Meat is murder: An illustrated guide to cannibal culture by Mikita, Brottman. Sight and Sound, 8 (8). p. 29. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17777)

Grant, Michael (1998) Video critical: Children, the environment and media power. Review of: Video Critical: Children, the Environment and Media Power by Gauntlett, D.. Sight and Sound, 8 (8). pp. 28-29. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17776)

Grant, Michael (1999) The Western reader. Review of: The Western reader by Kitses, J. Sight and Sound, 9 (2). pp. 31-32. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16814)

Grant, Michael (1999) The erotic anime movie guide. Review of: The erotic anime movie guide by McCarthy, Helen and Clements, Jonathan. Sight and Sound, 9 (5). p. 33. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16811)

Grantley, Darryll (1994) The American Stage - Social and Economic-Issues for the Colonial Period to the Present - Engle,R, Miller,TL. Theatre Research International, 19 (1). p. 79. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20224)

Grantley, Darryll (1993) American drama of the 20th-Century - Berkowitz, GM. Notes and Queries, 40 (4). pp. 571-572. ISSN 0029-3970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22112)

Grantley, Darryll (1994) The Cambridge Guid to American Theater - Wilmeth, DB. Theatre Research International, 19 (3). pp. 285-286. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20223)

Grantley, Darryll (1996) ‘“The Ceremonialization of Secular Power in Medieval Scriptural and Hagiographical Drama’. In: Aspects of Medieval Drama. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2679)

Grantley, Darryll (2005) ‘Dramatic Representations of the Emerging Metropolis of London in the Sixteenth Century’. In: Medieval English Theatre Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2675)

Grantley, Darryll (1987) ‘Dramatizing Chaucer’. In: 22nd International Congress on Medieval Studies. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2683)

Grantley, Darryll (2004) English dramatic interludes 1300-1580: a reference guide. Cambridge University Press, 427 pp. ISBN 0-521-03591-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1201)

Grantley, Darryll (1997) Festive drama - Twycross,M. Review of: Festive Drama by Twycross, M. Theatre Research International, 22 (1). p. 74. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18073)

Grantley, Darryll (1989) ‘La Madeleine dans la Poésie et Prose d’Angleterre aux 16ième et 17ième Siècles’. In: Colloque International: Le Visage de la Madeleine dans la Littérature et la Critique en Europe entre 1450 et 1650. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2682)

Grantley, Darryll (1990) ‘Les Représentations de la Madeleine dans la Poésie et le Drame en Angleterre aux XVI et XVIIe Siècles’. In: Chocheyras, Jacques, ed. Visages de la Madeleine dans la Littérature Européenne (1500-1700). Univ Stendhal U.F.R. Lettres. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2651)

Grantley, Darryll (2008) London in Early Modern English Drama: Representing the Built Environment. Palgrave Macmillan ISBN 0-230-55429-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7645)

Grantley, Darryll (2008) London in English Drama 1500-1700. Cambridge University Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1206)

Grantley, Darryll (1995) ‘Marsha Norman’. In: Bloom, C., ed. American Drama. Macmillan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2654)

Grantley, Darryll (1988) ‘Masques and Murderers: Dramatic Form and Ideology in Jacobean Revenge Tragedy and the Court Masque’. In: Bloom, C., ed. Jacobean Poetry and Prose. Macmillan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2650)

Grantley, Darryll (2006) Morality and Interlude Drama. In: Brown, Peter, ed. A Companion to Medieval English Literature and Culture c.1350-c.1500. Wiley, pp. 473-487. ISBN 978-0-631-21973-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1203)

Grantley, Darryll (1986) The National Theatre’s Production of The Mysteries: Some Observations. Theatre Notebook, 40 (2). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2672)

Grantley, Darryll (2003) ‘Perilous Childhood in the Tudor Interlude’. In: Shakespeare’s Children/Children’s Shakespeare. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2676)

Grantley, Darryll (1983) ‘Producing Miracles’. In: Neuss, P., ed. Aspects of Early English Drama. Brewer. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2649)

Grantley, Darryll (2003) Promise me my liberty: conventions of Roman Comedy and the representation of oppression and resistance in the Tudor Interlude July and Julian. EnterText, 3 (1). pp. 1-18. ISSN 1472 3085. (KAR id:1204)
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Grantley, Darryll (1996) Records of early english drama - Shropshire - Somerset,JAB. Comparative Drama, 30 (2). pp. 282-285. ISSN 0010-4078. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19211)

Grantley, Darryll (2005) Review of Anne Lancashire London Civic Theatre: City Drama and Pageantry from Roman Times to 1558. Review of: London Civic Theatre: City Drama and Pageantry from Roman Times to 1558 by Lancashire, Anne. Early Theatre, 8 (1). pp. 122-125. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2723)

Grantley, Darryll (1986) Review of B. Dukore American Dramatists 1919-1945 and G Weales Odets: The Playwright. Review of: American Dramatists 1919-1945 and The Playwright by Dukore, B and Weales Odets, G. Speech and Drama, 35 (1). pp. 46-48. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2689)

Grantley, Darryll (1992) Review of C. Bigsby Arthur Miller and Company. Review of: Arthur Miller and Company by Bigsby, Christopher. New Theatre Quarterly, (30). p. 197. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2698)

Grantley, Darryll (1987) Review of C. Davidson (ed) The Saint Play in Medieval Europe. Review of: The Saint Play in Medieval Europe by Davidson, C. Comparitive Drama, 21 (3). pp. 295-297. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2694)

Grantley, Darryll (1998) Review of Christopher Bigsby (ed) The Cambridge Companion to Arthur Miller. Review of: The Cambridge Companion to Arthur Miller by Bigsby, Christopher. Theatre Research International, 23 (2). p. 188. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2719)

Grantley, Darryll (1992) Review of D. George Records of Early English Drama: Lancashire in The Early Drama. Review of: Records of Early English Drama: Lancashire in The Early Drama by George, David. Art and Music Review, 15 (1). 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2700)

Grantley, Darryll (1990) Review of D. Gilman (ed) Everyman and Company. Review of: Everyman and Company by Gilman, D. Comparitive Drama, 24 (4). pp. 367-370. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2697)

Grantley, Darryll (1994) Review of D. Wilmeth and T Miller (eds) The Cambridge Guide to American Theatre. Review of: The Cambridge Guide to American Theatre by Wilmeth, Don B. and Miller, Tice L.. Theatre Research International, 19 (3). pp. 285-286. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2704)

Grantley, Darryll (1993) Review of G. M. Berkowitz American Drama of the Twentieth Century. Review of: American Drama of the Twentieth Century by Berkowitz, G.M.. Notes and Queries, . pp. 571-572. ISSN 0029-3970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2701)

Grantley, Darryll (2002) Review of Ian McAdam The Irony of Identity: Self and Imagination in the Drama of Christopher Marlowe and Fred B. Tromly Playing With Desire: Christopher Marlowe and the Art of Tantalization. Review of: The Irony of Identity: Self and Imagination in the Drama of Christopher Marlowe and Playing With Desire: Christopher Marlowe and the Art of Tantalization by McAdam, Ian and Tromly, Fred B.. Yearbook of English Studies, (32). pp. 271-273. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2721)

Grantley, Darryll (1987) Review of J. Lahr The Orton Diaries. Review of: The Orton Diaries by Lahr, J. Speech and Drama, 36 (1). pp. 50-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2693)

Grantley, Darryll (1996) Review of J. Somerset Records of Early English Drama: Shropshire. Review of: Records of Early English Drama: Shropshire by Somerset, J. Alan B.. Comparitive Drama, 30 (2). pp. 282-285. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2706)

Grantley, Darryll (1988) Review of J. Wasson (ed) Records of Early English Drama: Devon. Review of: Records of Early English Drama: Devon by Wasson, J. Comparitive Drama, 21 (4). pp. 399-401. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2695)

Grantley, Darryll (1998) Review of James Stokes (ed) Records of Early English Drama: Somerset. Review of: Records of Early English Drama: Somerset by Stokes, James. Theatre Notebook, 23 (1). pp. 55-56. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2720)

Grantley, Darryll (2005) Review of Katie Normington Gender and Medieval Drama. Review of: Gender and Medieval Drama by Normington, Katie. Theatre Research International, 30 (3). pp. 298-299. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2722)

Grantley, Darryll (1996) Review of L. Muir The Biblical Drama of Medieval Europe. Review of: The Biblical Drama of Medieval Europe by Muir, Lynette R.. Theatre Research International, 21 (1). pp. 79-80. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2705)

Grantley, Darryll (2007) Review of Lucy Munro - The Children of the Queen’s Revels: A Jacobean Theatre Repertory. Review of: The Children of the Queen’s Revels: A Jacobean Theatre Repertory by Munro, Lucy. Shakespeare Studies, (35). pp. 292-296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2724)

Grantley, Darryll (1992) Review of M. Baer Theatre and Disorder in Late Georgian London. Review of: Theatre and Disorder in Late Georgian London by Baer, Marc. New Theatre Quarterly, (31). p. 91. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2699)

Grantley, Darryll (1997) Review of M. Twycross (ed) Festive Drama. Review of: Festive Drama by Twycross, M. Theatre Research International, 22 (1). p. 74. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2707)

Grantley, Darryll (1993) Review of P. Kolin (ed) Confronting Tennessee Williams’s ‘A Streetcar Named Desire’: Essays in Critical Pluralism. Review of: Confronting Tennessee Williams’s ‘A Streetcar Named Desire’: Essays in Critical Pluralism by Kolin, P. New Theatre Quarterly, (35). p. 301. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2702)

Grantley, Darryll (1984) Review of R M Lumiansky and D Mills The Chester Mystery Cycle: Essays and Documents. Review of: The Chester Mystery Cycle: Essays and Documents by Lumiansky, R.M. and Mills, David. Theatre Notebook, 38 (3). pp. 146-147. ISSN 0040-5523. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2687)

Grantley, Darryll (1986) Review of R. Beadle and P. King (eds) York Mystery Plays: A Selection in Modern Spelling. Review of: York Mystery Plays: A Selection in Modern Spelling by Beadle, Richard and King, Pamela M.. Studies in the Age of Chaucer, (8). pp. 164-166. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2690)

Grantley, Darryll (1988) Review of R. Boxhill Tennessee Williams and G McCarthy Edward Albee. Review of: Tennessee Williams and Edward Albee by Boxhill, R and McCarthy, G. Speech and Drama, 37 (1). pp. 57-58. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2696)

Grantley, Darryll (1994) Review of R. Engle and T. L. Miller (eds) The American Stage (Cambridge, C.U.P., 1993. Review of: The American Stage (Cambridge, C.U.P., 1993) by Engle, Ron and Miller, Tice L.. Theatre Research International, 19 (1). p. 79. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2703)

Grantley, Darryll (1986) Review of T. Parr (ed) Coriolanus, D Male (ed) Dr Faustus, D Devlin (ed) The Winter’s Tale, and P Ranger (ed) She Stoops to Conquer. Review of: Coriolanus, Dr Faustus, The Winter's Tale and She Stoops To Conquer by Parr, T and Male, D and Devlin, D and Ranger, P. Speech and Drama, 35 (1). pp. 32-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2692)

Grantley, Darryll (1995) ‘Richard Mulcaster: Education and the Elite Body’. In: Conference on Bodily Fictions. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2680)

Grantley, Darryll (2008) 'Saints and Miracles'. In: Beadle, Richard, ed. The Cambridge Companion to Medieval English Theatre. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2660)

Grantley, Darryll (1994) ‘Saints’ Plays’. In: Beadle, Richard, ed. The Cambridge Companion to Medieval English Theatre. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2652)

Grantley, Darryll (1985) Sam Shepard Fool for Love, Arthur Miller The American Clock, David Mamet American Buffalo and Marsha Norman ’night Mother. Review of: Fool for Love, The American Clock, American Buffalo and 'night Mother by Shepard, S and Miller, A and Mamet, D and Norman, M. Speech and Drama, 34 (2). pp. 67-69. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2688)

Grantley, Darryll (1996) ‘Schooling the Audience’. In: Shakespeare and Tudor Theatrical Traditions. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2678)

Grantley, Darryll (2006) ‘“Secret Conclaves”: Deviant Space in Sixteenth-Century Drama’. In: Queer People conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2674)

Grantley, Darryll (1984) The Source of the Digby Mary Magdalen. Notes and Queries, 31 (4). ISSN 0029-3970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2670)

Grantley, Darryll (1997) ‘“To Swell a Progress”: Retainers, Subordinates and the Ceremonialisation of Secular Power in Medieval Scriptural and Hagiographical Drama’. European Medieval Drama, (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2673)

Grantley, Darryll (2000) ‘The Upbringing of Youth in the Tudor Interlude’. In: Gender and Life Cycle in the Middle Ages. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2677)

Grantley, Darryll (1993) ‘"What meanes this shew?": Theatricalism, Camp and Subversion in Doctor Faustus and The Jew of Malta’. In: Conference on Christopher Marlowe and English Renaissance Culture. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2681)

Grantley, Darryll (1996) '“What meanes this shew”: Theatricalism, Camp and Subversion in Doctor Faustus and The Jew of Malta’. In: Grantley, Darryll and Robertson, Peter A., eds. Christopher Marlowe and English Renaissance Culture. Scolar. ISBN 1-85928-260-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2657)

Grantley, Darryll (1986) The Winter’s Tale and Early Religious Drama. Comparative Drama, 20 (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2671)

Grantley, Darryll (1994) ‘The Winter’s Tale and Early Religious Drama’. In: Battenhouse, Roy W., ed. Shakespeare’s Christian Dimension. Indiana University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2655)

Grantley, Darryll (2000) Wit’s Pilgrimage: Drama and the Social Impact of Education in Early Modern England. Ashgate, 270 pp. ISBN 0-7546-0167-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2641)

Grantley, Darryll (1996) The biblical drama of medieval europe - Muir,LR. Theatre Research International, 21 (1). pp. 79-80. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19212)

Grantley, Darryll (2000) ‘“A bodie of presence”: Education and the elite body in the writings of Richard Mulcaster’. In: Grantley, Darryll and Taunton, Nina, eds. The Body in Late Medieval and Early Modern Culture. Ashgate. ISBN 0-7546-0115-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2658)

Grantley, Darryll (2007) The social geography of London in Restoration comedy. . University of Kent, School of Drama, Film and Visual Arts, 32 pp. (KAR id:2141)
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Gravanis, Konstantinos (2021) Raphael’s Drawing of Countess Matilda and the Original Dado in the Stanza dell’Incendio. Master Drawings, 59 (3). pp. 321-344. ISSN 0025-5025. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:90683)