Items where division is "Divisions > Division of Arts and Humanities > School of Arts"

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Janet McCabe (2001) Addicted to distractions : imagined female spectator-participants and the early German popular cinema as discourse, 1910-1919. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86252) (KAR id:86252)

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Abbasian, K (2021) How Iran’s Revolutionary Guards is Changing the Landscape of Iranian Cinema. Newlines Magazine, . (KAR id:89221)

Abbasian, K (2017) The Iran-Iraq War as Seen in Iranian Films. In: The Iran Society Lecture Series, 16 Feb 2017, London, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88911)

Abbasian, K (2015) Nations and Nomads: Critical Perspectives on State Power. In: Critical Theories and World Politics seminars, 7 May 2015, University of Oxford, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88913)

Abbasian, Kaveh (2019) Chronicle of Triumph: Iranian National Identity and Revolutionary Shi'ism in Morteza Avini's Sacred Defence Documentaries. Doctor of Philosophy (PhD) thesis, University of Roehampton. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88898)

Abbasian, Kaveh (2021) Crafting ‘Art of Persia’: Debates on National and Religious Identity in Contemporary Iran. Ajam Media Collective, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88882)

Abbasian, Kaveh (2019) Damascus Time: the resurgence of Iranian ‘Sacred Defence’ Cinema. The Middle East in London, 15 (2). ISSN 1743-7598. (KAR id:88869)

Abbasian, Kaveh (2019) Illuminationist Cinema: The Rise of an Islamic Film Theory. In: Film Philosophy Conference, 9-11 July 2019, University of Brighton, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88899)

Abbasian, Kaveh (2023) Illuminationist cinema: How Islamic mysticism inspired Morteza Avini’s Sacred Defence documentaries of the Iran-Iraq War (1980-1988) and his attempt at constructing a Film Theory. Alphaville: Journal of Film and Screen Media, (22). pp. 5-23. ISSN 2009-4078. (doi:10.33178/alpha.25.01) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88905)

Abbasian, Kaveh (2017) The Iran Iraq War and the Sacred Defence Cinema. Journal of the Iran Society, 2 (16). pp. 34-40. (KAR id:88885)

Abbasian, Kaveh (2021) No Friend but the Camera: Kurdish Cinema as a Site of Collective Consciousness. In: Radical Film at the Dawn of a New Society. K-Verlag. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88907)

Abbasian, Kaveh (2021) Refugee Filmmaking: Finding Agency Through the Lens. In: Construction of the Real. Intellect, UK. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88901)

Abbasian, Kaveh (2021) The Role of Modern Audio-Visual Media in the Construction of Iranian National Identity. The Role of Modern Audio-Visual Media in the Construction of Iranian National Identity, 1 . pp. 29-52. ISSN 2748-5641. (KAR id:88883)

Abbasian, Kaveh (2016) Shi’i Islam and Iranian National Identity in Morteza Avini’s War Documentaries. In: Culture and Cultural Production in Iran: Past and Present-Conference, 17-19 June 2016, University of St Andrews, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88906)

Abbasian, Kaveh, Thornton, Edward (2016) Stasis and the State: The Role of Nomadic Forces in the Thought of Deleuze and Guattari and the Formation of Iranian National Identity. Logios Journal, 1 . (KAR id:88886)

Adler, Gerald (2013) Energising the Building Edge: Siegfried Ebeling, Bauhaus Bioconstructivist. In: Morrow, Ruth and Abdelmonem, Mohamed Gamal, eds. Peripheries: Edge Conditions in Architecture. Critiques: Critical Studies in Architectural Humanities, 8 . Routledge, Abingdon. ISBN 978-0-415-64029-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40204)

Adler, Gerald (2012) Little Boxes. In: Adler, Gerald and Brittain-Catlin, Timothy and Fontana-Giusti, Gordana, eds. Scale : Imagination, Perception and Practice in Architecture. Critiques: Critical Studies in Architectural Humanities . Routledge, Abingdon, pp. 182-193. ISBN 978-0-415-68711-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40203)

Adler, Gerald (2012) Twentieth Century Architects: Robert Maguire & Keith Murray. RIBA Publishing (20th Century Architects Series), 212 pp. ISBN 978-1-85946-165-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40202)

Agbaje, Bola (2009) Troppo Lontano! Performance type: Live play Tramedautore Festival, September 2009, Piccolo Teatro, Teatro d'Europa, Milano. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31494)

Ainsworth, Adam, Double, Oliver, Peacock, Louise (2017) Editorial. Theatre, Dance and Performance Training, 8 (2). pp. 125-128. ISSN 1944-3927. E-ISSN 1944-3919. (doi:10.1080/19443927.2017.1326736) (KAR id:62372)

Al-Tawil, Muhannad (2017) The Importance of Sufi Traditions to Jerzy Grotowski's Practice. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:67459)

Allain, Paul and Tyabji, Khalid, eds. (2015) Acting with Grotowski: Theatre as a Field for Experiencing Life. Routledge, Abingdon, Oxfordshire, 250 pp. ISBN 978-0-415-74829-2. E-ISBN 978-1-315-75100-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59937)

Allain, Paul (2002) After Grotowski. Total Theatre, 14 (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2387)

Allain, Paul (2002) After Grotowski - the next Generation. New Theatre Quarterly, 28 (1). pp. 59-66. ISSN 0-521-01314-3. (doi:10.1017/s0266464x02000155) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2375)

Allain, Paul (2012) Andrei Droznin's Physical Actor Training. Routledge Tay;or and Francis DVD and Booklet. 0415682975 (ISBN). (doi:0415682975 (ISBN)) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31001)

Allain, Paul (2015) The Archive. Contemporary Theatre Review, 25 (1). pp. 32-35. ISSN 1048-6801. (doi:10.1080/10486801.2015.992233) (KAR id:47724)

Allain, Paul (2008) British Grotowski Project. Three year AHRC funded practical and theoretical project with multiple outcomes. Project. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40776)

Allain, Paul (2000) The Cambridge Companion To Chekhov. Cambridge University Press ISBN 0-521-58917-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2361)

Allain, Paul (1995) Coming Home: The New Ecology of The Gardzienice Theatre Association of Poland. Drama Review, 39 (1). pp. 93-121. (doi:10.2307/1146405) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2373)

Allain, Paul (2007) Destarsi Con One Breath Left. In: The Workcenter of Jerzy Grotowski and Thomas Richards Visioni. Bulzoni. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2366)

Allain, Paul (2008) Destarsi con One breath left. In: Opere e sentieri. Vol. 3: Testimonianze e riflessioni sull'arte come veicolo. Bulzoni, pp. 129-140. ISBN 978-88-7870-296-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13000)

Allain, Paul (2024) Digital perspectives for actor training. Tekstualia, 1 (76). pp. 177-192. ISSN 2299-9906. (doi:10.5604/01.3001.0054.4482) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:105504)

Allain, Paul (2009) Dust: Grotowski's Last performance. Dust, 21st September- 2nd November, National Theatre, Olivier Foyer. 45 B + W photos. (KAR id:31849)

Allain, Paul (2023) Filming process: Questions and considerations. Theatre, Dance and Performance Training, . ISSN 1944-3927. E-ISSN 1944-3919. (doi:10.1080/19443927.2023.2166577) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:99450)

Allain, Paul (1998) Gardzienice Polish Theatre in Transition. Harwood Academic Press ISBN 90-5702-105-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2360)

Allain, Paul (2002) The Gardzienice Theatre Association. In: Acting (Re)Considered (2nd ed.). Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2364)

Allain, Paul (1993) Gardzienice in the Suzuki Empire. Polityka, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2381)

Allain, Paul (2002) Gardzienice's Performance of Otherness. In: Studies in Language, Literature and Cultural Mythology in Poland: Investigating The Other. Edwin Mellen Press, pp. 99-114. ISBN 0-7734-7054-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2362)

Allain, Paul (1992) Gardzienice: At the Cultural Crossroads. New Theatre Quarterly, . ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2372)

Allain, Paul (1989) Gardzienice: a Practical Account. Music Theatre Dance Journal, (1). pp. 29-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2371)

Allain, Paul (2007) Goat Theatre Macbeth. Contemporary Theatre Review, 17 (2). pp. 255-258. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2376)

Allain, Paul (1999) The Grammar Of The Feet. Total Theatre, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2386)

Allain, Paul, ed. (2018) The Great European Stage Directors Volume 5: Grotowski, Brook, Barba. First. The Great European Stage Directors, 5 . Bloomsbury, Methuen Drama, London, UK, 246 pp. ISBN 978-1-4742-5416-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:68531)

Allain, Paul, ed. (2010) Grotowski and Company. Icarus Publishing Enterprise, Malta, Holstebro, Wroclaw, 330 pp. ISBN 978-83-61835-12-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31028)

Allain, Paul, ed. (2009) Grotowski's Empty Room. Encounters . Seagull Books, Calcutta, 233 pp. ISBN 978-1-906497-23-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31853)

Allain, Paul, ed. (2009) Grotowski's Empty Room: A Challenge to the Theatre. Enactments . University of Chicago Press, 224 pp. ISBN 978-1-906497-23-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20887)

Allain, Paul (2005) Grotowski’s ghosts. Contemporary Theatre Review, . pp. 46-59. ISSN 1048 6801. (doi:10.1080/1048680042000334331) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1142)

Allain, Paul (2004) The Intercultural Training of Tadashi Suzuki. Rome, Training/Dino Audino Editore pp 138-143. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2389)

Allain, Paul (1999) Interview with Piotr Borowski: Artistic Director of Studium Teatralne, Warsaw. CUNY, New York, Slavic and East European Performance PP15-23. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2369)

Allain, Paul (2002) Japanese theatre and the international stage. Review of: Japanese theatre and the international stage by UNSPECIFIED. New Theatre Quarterly, 18 (70). p. 197. ISSN 0266-464X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2400)

Allain, Paul (1991) A Love Letter from Britain. Teatr, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2383)

Allain, Paul (2007) Macbeth. Review of: Macbeth by Kozla, P. and Wielga, K.. Didaskalia, 7 . p. 89. ISSN 1233-0477. (doi:10.1007/978-1-137-09253-3_9) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2390)

Allain, Paul (1991) Modesty and Vigour. Plays and Players, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2384)

Allain, Paul (1994) Movement Directing. Total Theatre, 6 (4). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2382)

Allain, Paul (2006) The Nature And Culture Of Performance. In: A Performance Cosmology: testimony from the Future, Evidence of. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2365)

Allain, Paul (2000) New sites for Shakespeare: Theatre, the audience, and Asia. Review of: New sites for Shakespeare: Theatre, the audience, and Asia by UNSPECIFIED. New Theatre Quarterly, 16 (64). pp. 391-392. ISSN 0266-464X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2398)

Allain, Paul (1999) Obituary of Jerzy Grotowski. The Independent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2367)

Allain, Paul (2010) On Ensembles. In: Ensemble Theatre, 16th September 2010, University of Huddersfield. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25516)

Allain, Paul (1990) On the Border of Europe and Asia. Zycie Warszawa, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2379)

Allain, Paul (2019) Physical actor training 2.0: new digital horizons. Theatre, Dance and Performance Training, 10 (2). pp. 169-186. ISSN 1944-3927. (doi:10.1080/19443927.2019.1609074) (KAR id:75962)

Allain, Paul (2010) Piotr Borowski and Poland's Studium Teatralne: Where Process becomes Performance. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge Taylor and Francis, Oxon, pp. 165-184. ISBN 978-0-415-46251-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31029)

Allain, Paul (1992) 'Polishing up on the Classics'. The Stage, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2380)

Allain, Paul (1991) Rep Paralysed by Spending Cuts. The Stage, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2385)

Allain, Paul (2010) Review about Tadeusz Kantor. Review of: Review about Tadeusz Kantor by UNSPECIFIED. New Theatre Quarterly, 26 (103). p. 301. ISSN 0266-464X. (doi:10.1017/S0266464X10000552) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2394)

Allain, Paul (2008) Review of Jerzy Grotowski by James Slowiak and Jairo Cuesta and Etienne Decroux, by Thomas Leabhart. Review of: Jerzy Grotowski by James Slowiak and Jairo Cuesta and Etienne Decroux, by Thomas Leabhart by Slowiak, James and Cuesta, Jairo and Leabhart, Thomas. Contemporary Theatre Review, 18 (1). pp. 115-117. ISSN 1048-6801. (doi:10.1080/10486800701775517) (KAR id:2407)

Allain, Paul (2004) Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present. Review of: Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present by Meyer-Dinkgrafe, Daniel. New Theatre Quarterly, 20 (1). p. 95. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2402)

Allain, Paul (2002) Review of Dymphna's Callery's Through the Body. Review of: Review of Dymphna's Callery's Through the Body by Callery, Dymphna. New Theatre Quarterly, 18 (4). 0-0. ISSN 0 521-52405-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2401)

Allain, Paul (2004) Review of Edward Braun, A Concise History of Polish Theater from the Eleventh to the Twentieth Centuries, Lampeter: Edwin Mellen Press, 2003. Review of: Review of Edward Braun, A Concise History of Polish Theater from the Eleventh to the Twentieth Centuries, Lampeter: Edwin Mellen Press, 2003 by Braun, Edward. Theatre Research International, . pp. 84-85. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2403)

Allain, Paul (1989) Review of Gardzienice's Avvakum. Review of: Gardzienice's Avvakum by UNSPECIFIED. Event South West Magazine, . 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2391)

Allain, Paul (1997) Review of Harold B. Segel "Pinocchio's progeny". Review of: Harold B. Segel "Pinocchio's progeny" by UNSPECIFIED. New Theatre Quarterly, 13 (49). pp. 95-96. ISSN 0266-464X. (doi:10.1017/S0266464X00010939) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2395)

Allain, Paul (2005) Review of Hidden Territories, Wlodzimierz Staniewski with Alison Hodge. Theatre Research International, . 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2405)

Allain, Paul (1998) Review of Kathleen M. Cioffi "Alternative theatre in Poland 1954-1989". Review of: Kathleen M. Cioffi "Alternative theatre in Poland 1954-1989" by UNSPECIFIED. New Theatre Quarterly, 8 (55). pp. 292-293. ISSN 0266-464X. (doi:10.1017/S0266464X00012276) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2397)

Allain, Paul (2007) Review of Krzysztof Miklaszewski, Encounters with Kantor. Review of: Krzysztof Miklaszewski, Encounters with Kantor by Miklaszewski, Krzysztof. Contemporary Theatre Review, 17 (1). pp. 115-116. ISSN 1048 6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2406)

Allain, Paul (1997) Review of Michael Huxley and Noel Witts,eds. "Twentieth century performance reader". Review of: Michael Huxley and Noel Witts,eds. "Twentieth century performance reader" by UNSPECIFIED. New Theatre Quarterly, 13 (52). p. 399. ISSN 0266-464X. (doi:10.1017/S0266464X00011623) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2396)

Allain, Paul (2001) Review of Modern Czech Theatre. Review of: Review of Modern Czech Theatre by UNSPECIFIED. New Theatre Quarterly, 17 (3). 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2399)

Allain, Paul (2005) Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Chinese Theories of Theater and Performance from Confucius to the Present. Review of: Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Chinese Theories of Theater and Performance from Confucius to the Present by Leiter, Samuel and Chunfang Fei, Faye. New Theatre Quarterly, 21 (2). p. 199. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2404)

Allain, Paul (1990) Review of two performances by Scena Plastyczna of Lublin. Review of: Review of two performances by Scena Plastyczna of Lublin by UNSPECIFIED. Performance Research, . 0-0. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2392)

Allain, Paul (2006) Routledge companion to Theatre and Performance. Routledge, 244 pp. ISBN 0-415-25721-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1134)

Allain, Paul (2000) Suzuki Training- an introductory file. Arts Archives, The Fifth Series, Exeter CD-ROM and Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2370)

Allain, Paul (1998) Suzuki Training: An Update. Drama Review, 42 (1). pp. 66-89. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2374)

Allain, Paul (2002) ‘Sztuka bezruchu’, (‘The art of stillness’- edited extracts from the book of this name). Didaskalia Gazeta Teatralne, Didaskalia Gazeta Teatralne pp62-67. (doi:1233-9477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2388)

Allain, Paul (2009) The Theatre Practice of Tadashi Suzuki A CRITICAL STUDY WITH DVD EXAMPLES. A&C Black Publishers Ltd, 224 pp. ISBN 978-1-4081-1643-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20888)

Allain, Paul (1990) Theatre in Poland. Performance Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2378)

Allain, Paul (2016) Thick Description/Thin Lines: Writing about process in Contemporary Performance. Contemporary Theatre Review, 26 (4). pp. 485-495. ISSN 1048-6801. (doi:10.1080/10486801.2016.1216409) (KAR id:57466)

Allain, Paul (1990) Two articles on contemporary Polish theatre. Plays International, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2377)

Allain, Paul and Ziolkowski, Grzegorz, eds. (2014) Voices from Within. Grotowski's Polish Collaborators. Routledge Taylor and Francis, London, 170 pp. ISBN 978-1-910203-02-6. (KAR id:31888)

Allain, Paul (2006) Waking with one breath left. In: Attisani, Antonio, ed. Tracing Roads Across. EU funded. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1127)

Allain, Paul (2013) Ways of Hearing. In: Wisniewski, Tomasz, ed. A Between Almanach for the Year 2013. Maski Press, Gdansk/Sopot, 2013. ISBN 978-83-64088-13-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40187)

Banu, Georges and Ziolkowski, Grzegorz and Allain, Paul, eds. (2009) With Grotowski. Theatre is Just a Form. Grotowski Institute, 120 pp. ISBN 978-83-923635-9-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14720)

Allain, Paul (2002) The art of stillness - The theatre practice of Tadashi Suzuki. Palgrave, 214 pp. ISBN 0-413-76960-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1131)

Allain, Paul, Barbe, F.A. (2009) On the Shoulders of Tradition, East and West: a Conversation between Paul Allain and Frances Barbe. Studies in Theatre and Performance, 29 (2). pp. 149-159. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22313)

Allain, Paul, Bennett-Worth, Stacie Lee (2018) Turning back to Training. Performance Research, 23 (4/5). pp. 240-241. ISSN 1352-8165. (doi:10.1080/13528165.2018.1524672) (KAR id:68872)

Allain, Paul and Camilleri, Frank (2018) Physical Actor Training - an online A-Z. Bloomsbury, Methuen Drama films online. 10.5040/9790000000082.01. (doi:10.5040/9790000000082.01) (KAR id:68542)

Allain, Paul and Campo, Giuliano (2009) Jerzy Grotowski: Theatre and Beyond. An Exhibition. Jerzy Grotowski: Theatre and Beyond. An Exhibition, Aberystwyth, the Centre for Performance Research, 21st-27th September 2009 • Canterbury, British Grotowski Project, University of Kent, 8th-19th June, 2009 • London, Battersea Arts Centre 24th June - 7th July., London, Canterbury and Aberystwyth. Drawings, photos, set, costumes, props, original materials from a performance. (KAR id:31889)

Allain, Paul, Ziolkowski, Grzegorz (2005) Polish Theatre After 1989: Beyond Borders. Contemporary Theatre Review, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2216)

Allain, Paul, Ziółkowski, Grzegorz (2022) Interview with Adrian Lester: taekwondo and actor training. Theatre, Dance and Performance Training, 13 (3). pp. 375-382. ISSN 1944-3927. (doi:10.1080/19443927.2022.2114781) (KAR id:97146)

Allen, Aaron S. and Dawe, Kevin (2015) Ecomusicologies. In: Allen, Aaron S. and Dawe, Kevin, eds. Current Directions in Ecomusicology: Music, Nature, Environment. Routledge. ISBN 978-1-138-80458-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46929)

Allen, Richard, May, Shaun (2015) Encountering Anthropomorphism: Editorial. Performance Research, 20 (2). pp. 1-3. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49201)

Amirkhani, Jordan Haleh (2015) 'I am Failure's Success': Francis Picabia and the Enactment of Refusal. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.48374) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:48374)

Anderson, Graham (1999) Lucian's dialogues: Performance, nature, and techniques of humor. Classical Review, 49 (1). pp. 32-33. ISSN 0009-840X. (doi:10.1093/cr/49.1.32) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17016)

Anderson, Graham (1999) Symmachus, 'Lettres', vol III, Books-VI-VIII. Classical Review, 49 (2). p. 578. ISSN 0009-840X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17014)

Anderson, Michael (1999) The Cambridge companion to Greek tragedy. Review of: Reviews The Cambridge Companion to Greek Tragedy. Edited by P. E. Easterling. Cambridge: Cambridge University Press, 1997. Pp. xvii + 392 + illus. by Easterling, P.E.. Theatre Research International, 24 (1). pp. 109-110. ISSN 0307-8833. (doi:10.2307/1088137) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17020)

Anderson, Michael (1999) Classical Greek theatre: New views of an old subject. Review of: Classical Greek Theatre: New Views Of an Old Subject. By Clifford Ashby. Iowa City: University of Iowa Press, 1999. Pp. xix + 191 + illus. by Ashby, Clifford. Theatre Research International, 24 (3). p. 293. ISSN 0307-8833. (doi:10.1017/S0307883300019179) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17018)

Anderson, Michael (1995) Dying Acts -Death in Ancient Greek and Modern Irish Tragic Drama - Macintosh,F. Review of: Dying Acts: Death in Ancient Greek and Modern Irish Tragic Drama. By Fiona Macintosh. Cork: Cork University Press, 1994. Pp. xx + 212. by Macintosh, Fiona. Theatre Research International, 20 (3). p. 282. ISSN 0307-8833. (doi:10.1017/S0307883300008725) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19671)

Anderson, Michael (1996) Greek tragic theatre- Rehm,R. Review of: Greek tragic theatre by Rehm, Rush. Theatre Research International, 21 (1). p. 79. ISSN 0307-8833. (doi:10.1017/S0307883300012736) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18788)

Anderson, Michael (1995) The Law of Writ and the Liberty + Elizabethan Theatre and the Commedian-Dellarte. Theatre Research International, 20 (3). pp. 189-199. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19670)

Anderson, Michael (1994) A Short Introduction to the Greek Theater - Ley,G. Review of: A Short Introduction to the Greek Theater. By Graham Ley. Chicago and London: The University of Chicago Press, 1991. Pp. xiv + 104. by Lev, Graham. Theatre Research International, 19 (3). pp. 267-268. ISSN 0307-8833. (doi:10.1017/S0307883300006672) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20359)

Ang, Gey Pin (2017) Sourcing Within: A Reflexive Investigation of a Creative Path. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:61616)

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Anscomb, Claire Rebecca (2019) On the Significance of Automaticity in Image-Making Practices. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:76754)

Antal Mavity, Imola (2008) From tradition to modernism: British landscape painting in the postwar period. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94175) (KAR id:94175)

Appadu, Balraj L., Strange, Philip G., Lambert, David G. (1994) Does Propofol Interact with D-2 Dopamine-Receptors. Anesthesia and Analgesia, 79 (6). pp. 1191-1192. ISSN 0003-2999. (doi:10.1213/00000539-199412000-00026) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20360)

Atkins, Stephen (2020) Crosspoints: An integrative acting system. Experimental Wing Publishing, London, 390 pp. ISBN 978-1-8381256-0-8. E-ISBN 978-1-8381256-1-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:87041)

Atkins, Stephen (2021) Crosspoints: Toward an Integrative Framework for Actor training, Rehearsal and Performance. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.86757) (KAR id:86757)

Aziz, S.M., Waller, Winston A.J. (1994) Testing Differential Split-Level CMOS Circuits. IEE Proceedings: Circuits, Devices and Systems, 141 (6). pp. 451-456. ISSN 1350-2409. (doi:10.1049/ip-cds:19941524) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20366)

B

Bacon, Julie Louise (2013) Archival recollecting: the unstable realm of the visible. In: Gade, Rune and Borgreen, Gundhild, eds. Performing Archives/Archives of Performance. University of Copenhagen and Museum Tuscelanum Press, Copenhagen. ISBN 978-87-635-3750-6. (KAR id:31646)

Bacon, Julie Louise, ed. (2008) Arkive City. Interface, Locus+ Archive, Belfast, Newcastle upon Tyne, 219 pp. ISBN 978-1-899377-30-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31580)

Bacon, Julie Louise (2012) Liquid Archive: On Ambivalence. Other. Monash University Museum of Art, Melbourne, Australia (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31586)

Bacon, Julie Louise (2012) The Possibility of Impossible Dialogues. Desert Equinox, 1-23 September 2012, Broken Hill, Australia. Land Art. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31584)

Bacon, Julie Louise (2012) Signal. In: Signal, 30 October - 02 November 2012, Quebec. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31565)

Baker, Jean Napier (2000) Theatre in the provinces in the late eighteenth and early nineteenth centuries : with special reference to Sarah Baker in Kent. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86174) (KAR id:86174)

Baldwin, Christopher John (2018) Citizen-Centred Dramaturgy And The Flow Quartet - European Capital of Culture, Wroclaw 2016, Poland. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:71711)

Bann, Stephen (1994) History and its Images - Art and the International of the Past - HASKELL,F. Oxford Art Journal, 17 (1). pp. 98-102. ISSN 0142-6540. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20370)

Bann, Stephen (1995) The Landscape Approach of Lassus,Bernard .2. Journal of Garden History, 15 (2). pp. 67-106. ISSN 0144-5170. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19684)

Bann, Stephen (1998) A grand design: The art of the Victoria and Albert Museum. Burlington Magazine, 140 (1139). pp. 153-154. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17569)

Barbe, F.A. (2006) Chimaera. Chimaera, 2006-2006, UK Tour. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1155)

Barbe, F.A. (2010) Deep Training and the Portfolio Approach. In: TaPRA, 9th-11th September 2010, University of Glamorgan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25348)

Barbe, F.A. (2003) Fine bone china. Fine Bone China, March 2003-September 2003, UK Tour. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1149)

Barbe, F.A. (2009) From Studio To Stage. DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23494)

Barbe, F.A. (2003) Palpitation. Performance type: Other Palpitation, September 2003-September 2003, London/University of Kent, Canterbury. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1153)

Barbe, F.A. (2007) The Sensation of Butoh and Suzuki. In: SUNY, May 2007, Brockport, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9172)

Barbe, F.A. (2008) Swampsong. Performance type: Other . Solo dance work. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9171)

Barbe, F.A. (2006) The way of Butoh and contemporary choreography. University of Kent DVD, text. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1144)

Bardos, Bence (2023) Frogs and ogres: transformation, reuse and creativity in meme culture. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.103266) (KAR id:103266)

Barkhin, Andrei, Lodder, Christina (2016) Ilia Golosov’s Work of the 1930s and the Soviet Version of Art Deco. Art in Translation, 8 (2). pp. 221-241. ISSN 1756-1310. (doi:10.1080/17561310.2016.1216054) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75236)

Barnard, Clio H. (2010) The Arbor. Artangel Media Feature film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40773)

Barnard, Clio H. (2006) Dark Glass. Mobile Phone Film - 8 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2219)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Curzon Cinema Soho. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11949)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Tate Modern. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13161)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Bristol Encounters Film Festival. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13162)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, May 2007, Site Gallery Sheffield. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13163)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, February 2007, Ikon Gallery Birmingham. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13164)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, July 2007, Galway Arts Festival. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13165)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, September 2007, Media Art Friesland Netherlands. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13166)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, October 2007, Cinema Lux, Normandy, France. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13167)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, November 2007, Museo Reina Sofia, Madrid. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13168)

Barnard, Clio H. (2008) Dark Glass. Dark Glass, February 2008, Museum of Modern Art, New York. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13169)

Barnard, Clio H. (2017) Dark River. Theatre release data. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64065)

Barnard, Clio H. (2006) Dartford Crossing. Film. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1109)

Barnard, Clio H. (2006) Erith. DVD. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1107)

Barnard, Clio H. (2007) Exchange. Arts Council /Film Council Moving Image Initiative. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13174)

Barnard, Clio H. (2007) Exhibition Catalogue - Clio Barnard, Road Race:Dark Glass. Other. Herbert Read Gallery, Canterbury (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13171)

Barnard, Clio H. (2002) Flood. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1104)

Barnard, Clio H. (2001) Lambeth Marsh. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1103)

Barnard, Clio H. (2008) Plotlands - a site specific performance work incorporating film. , Friday 4 July 2008, Whitstable Biennale. Mixed. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40774)

Barnard, Clio H. (2008) Random Acts of Intimacy. Random Acts of Intimacy, January 2008, ICA Short Film Festival, Institute of Contemporary Arts. Number of pieces: 1. 16mm. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13172)

Barnard, Clio H. (2008) Random Acts of Intimacy. Random Acts of Intimacy, April 2008, Britspotting, British Irish Film Festival, Berlin. Number of pieces: 1. 16mm. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13173)

Barnard, Clio H. (2004) Road race. Hopscotch Films Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1105)

Barnard, Clio H. (2006) Solo Show - Exhibition of Road Race and Dark Glass. Solo Exhibition - Road Race and Dark Glass, October-November 2006, Herbert Read Gallery, Canterbury. Number of pieces: 2. screen film/video installation Super 16mm and DV, Single screen multiplatform /download/ video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13170)

Barratt, Daniel Henry (2004) The paradox of fiction revisited: a cognitive approach to understanding (cinematic) emotion. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86340) (KAR id:86340)

Baugh, Christopher (2000) English court theatre 1558-1642. Theatre Research International, 25 (1). pp. 87-88. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16099)

Baugh, Christopher (1999) Enter the whole army: A pictorial study of Shakespearean stagings, 1576-1616. Theatre Research International, 24 (3). pp. 293-294. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17061)

Baugh, Christopher (2003) Our divine Shakespeare, fitly illustrated – staging Shakespeare, 1660-1900. In: Martineau, Jane, ed. Shakespeare in Art. Ferrara & London: Merrell, pp. 29-39. ISBN 1-85894-229-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1110)

Baugh, Christopher (2006) Scenography and technology, 1737-1843. In: Moody, Jane and O'Quinn, Daniel, eds. The Cambridge Companion to British Theatre 1737-1843. Cambridge University Press. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1115)

Baugh, Christopher (2004) Stage Design from Loutherbourg to Poel. In: Donohue, Joseph, ed. The Cambridge History of British Theatre, vol. II. Cambridge University Press, pp. 309-330. ISBN 0-521-65068-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1112)

Baugh, Christopher (2005) Theatre, Performance and Technology: the Development of Scenography in the Twentieth Century. Palgrave Macmillan, 272 pp. ISBN 1 4039 1696. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1114)

Baugh, Christopher (1996) The stage designs of Inigo Jones: The European context - Peacock,J. Review of: The stage designs of Inigo Jones: The European context by Peacock, John. Theatre Research International, 21 (2). pp. 175-176. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18812)

Baxter, Iain and Chodzko, Adam (2013) IAIN BAXTER& / Adam Chodzko: Two person exhibition. IAIN BAXTER& / Adam Chodzko, 11/07/2013 - 11/08/2013, Raven Row, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47273)

Beadle-Brown, Julie, Richardson, Lisa, Wilkinson, David T., Shaughnessy, Nicola, Trimingham, Melissa, Leigh, Jennifer S, Whelton, Beckie, Himmerich, J (2014) Imagining Autism: impact of a drama based intervention on the social communicative and imaginative behaviour of children with autism. In: Journal of Applied Research in Intellectual Disabilities. 27 (4). p. 343. Wiley-Blackwell (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47565)

Beadle-Brown, Julie, Wilkinson, David T., Richardson, Lisa, Shaughnessy, Nicola, Trimingham, Melissa, Leigh, Jennifer S, Whelton, Beckie, Himmerich, Julian (2018) Imagining Autism: Feasibility of a Drama-Based Intervention on the Social, Communicative and Imaginative behaviour of Children with Autism. Autism: International Journal of Research and Practice, 22 (8). pp. 915-927. ISSN 1362-3613. E-ISSN 1461-7005. (doi:10.1177/1362361317710797) (KAR id:61589)

Behrens, Electa (2012) Vocal action: from training towards performance. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94204) (KAR id:94204)

Bettinson, Gary (2006) The cinema of Wong Kar-wai: style, form and narrative meaning. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94207) (KAR id:94207)

Blackburn, John and Thomas, Ben D. H. and Hopkinson, Martin (2012) John Blackburn: And God Cryed, Studio 3 Gallery, 24 September - 14 December 2012. John Blackburn: And God Cryed, 24 September - 14 December 2012, Studio 3 Gallery, Jarman Building, School of Arts, Canterbury.. Exhibition with exhibition catalogue. ISBN 978-1-902671-79-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31495)

Blanchet, Robert, Vaage, Margrethe Bruun (2012) Don, Peggy, and Other Fictional Friends? Engaging with Characters in Television Series. Projections, 6 (2). pp. 18-41. ISSN 1934-9688. E-ISSN 1934-9696. (doi:10.3167/proj.2012.060203) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56202)

Boenisch, Peter M (2012) Acts of Spectating: The Dramaturgy of the Audience's Experience in Contemporary Theatre. Critical Stages, 8 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40569)

Boenisch, Peter M (2006) Aesthetic art to aisthetic act. Theatre, media, intermedial performance. In: Kattenbelt, Chiel and Chapple, Freda, eds. Intermediality in Theatre and Performance. Amsterdam: Rodopi, pp. 103-116. ISBN 90-420-1629-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1165)

Boenisch, Peter M (2004) Alienating Realities. Hygiene Heute and the Politics of Sonic Conspiracy. 3xT Tidsskrift for teori og teater, (15 & 1). pp. 40-49. ISSN 0807-6316. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2472)

Boenisch, Peter M (2001) "Alienation" and "Theater als Medium der Moderne? ". In: Theater als Paradigma der Moderne. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2635)

Boenisch, Peter M (2002) Archaeology/Alienation in Contemporary Performance. In: Fédération Internationale du Recherche Théâtrale. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2632)

Boenisch, Peter M (1999) The Body and Beyond. Theatre Semiotics in the Age of Virtual Reality. In: 5th Performance Studies Conference 1999 "Here Be Drag-ons". . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2639)

Boenisch, Peter M (2009) Book Review No Beauty for Me There Were Human Life is Rare: On Jan Lauwers’ Theatrework with Needcompany. Review of: No Beauty for Me There Were Human Life is Rare: On Jan Lauwers’ Theatrework with Needcompany by Stalpaert, Christel and Le Roy, Frederick and Bousset, Sigrid. Contemporary Theatre Review, 19 (1). pp. 115-116. ISSN ISSN 1048-6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25361)

Boenisch, Peter M (2007) Book Review: Mary Luckhurst, Dramaturgy: A Revolution in Theatre. Review of: Dramaturgy: A Revolution in Theatre by Luckhurst, Mary. Theatre Research International, 32 (2). p. 207. ISSN 0307-8833. (doi:10.1017/S0307883307002945) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2468)

Boenisch, Peter M (2005) Book Review: Simon Shepherd and Mick Wallis, “Drama/ Theatre/ Performance”,. Review of: “Drama/ Theatre/ Performance” by Shepherd, Simon and Wallis, Mick. Theatre Research International, 30 (3). pp. 306-307. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2471)

Boenisch, Peter M (2009) Co-convenor, with Una Bauer, Working Group Directors/Collectives. In: TaPRA Conference 2009, 5th-7th September 2009, Plymouth, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25377)

Boenisch, Peter M (1999) Contributions to Dictionnaire de la Danse. In: Le Moal, Philippe, ed. Dictionnaire de la Danse. Larousse. ISBN 2-03-511318-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2492)

Boenisch, Peter M (2000) Contributions to Lexikon der Kultur der Gegenwart,. In: Schnell, Ralf, ed. Lexikon der Kultur der Gegenwart. Stuttgart: Metzler. ISBN 3-476-01622-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2491)

Boenisch, Peter M (2010) Curator of Panel “Dramaturgy Abroad and Back: Transnational Reflections on a modern Western theatre paradigm” and Introductory Paper “Dramaturgic Research in Theatre Studies: Exploring Potentials and Methodologies”. In: IFTR World Congress 2010 “Cultures of Modernity”, 25th-31st July 2010, Munich. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25368)

Boenisch, Peter M (2009) Curator “Re/Placing Shakespeare: On Ivo van Hove’s Roman Tragedies” (Symposium). In: Re/Placing Shakespeare: On Ivo van Hove’s Roman Tragedies Symposium, 21st November 2009, Barbican, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25370)

Boenisch, Peter M (2006) Decreation Inc. William Forsythe’s exploration of ‘behaviour without intention’. In: Symposium "The Changing Body in Training and Performance". . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2626)

Boenisch, Peter M (2007) Decreation inc.: William Forsythe’s equations of bodies before the name. Contemporary Theatre Review, 17 (1). pp. 15-27. ISSN 1048-6801. (doi:10.1080/10486800601095982) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1157)

Boenisch, Peter M (2002) Der Darsteller auf der Bühne: Klangkörper <> Zeichenkörper. Zur Problematik der Korporealität (nicht nur) im Musiktheater. In: Bayerdörfer, Hans-Peter, ed. Stimmen - Töne - Klänge. Tübingen. Gunter Narr, pp. 139-152. ISBN 3-8233-5230-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2480)

Boenisch, Peter M (2002) Der Körper als Zeichen!? In: Klein, Gabriele and Zipprich, Christa, eds. Tanz.Theorie.Text. Jahrbuch Tanzforschung 12. Münster u.a.: Lit, pp. 383-395. ISBN 3-8258-5901-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2485)

Boenisch, Peter M (2002) Der Körper als Zeichen!? Zur Analyse von Körper- und Bewegungsdarstellungen. Fanzdrama, 62 (1). pp. 18-21. ISSN 0932-8688. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2484)

Boenisch, Peter M (2006) Deutsches Theater according to Michael Thalheimer: A Postcard from Berlin. In: Tapra Theatre and Performance Research Association. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2624)

Boenisch, Peter M (2000) Die Entdeckung der Korporealität (nicht nur) im Musiktheater. In: 5. Kongress der Gesellschaft für Theaterwissenschaft. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2636)

Boenisch, Peter M (1998) Die Idee vom Körper als Tastatur. Mimekunst, Kunst der Stille: Vor 100 Jahren wurde der Theatermeister Etienne Decroux geboren. Süddeutsche Zeitung/SZ am Wochenende, (18-19). ISSN 0174-4917. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2493)

Boenisch, Peter M (2010) Dramaturgy as Relational Process: On the Act of Spectating. In: 10. Kongress der Gesellschaft für Theaterwissenschaft “Theater & Subjektkonstitution”, 28th-31st October 2010, University of Mainz. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25364)

Boenisch, Peter M (1999) ElectrONic Bodies, Movement, and Meaning in the works of DV8 Physical Theatre. In: Dance Theatre: An International Investigation. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2638)

Boenisch, Peter M (2003) ElectrONic bodies. Corpo-realities in contemporary dance performance. Moving Bodies. Performance Research, 8 (4). 33 -41. ISSN 0-415-32133-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1159)

Boenisch, Peter M (2004) Ent-Körpern, Ent-Schreiben, Ent-Schöpfen. Wie sich die Tanztheorie von Forsythe's 'Decreation' zur Dekonstruktion der Diskurse über das Ballett verleiten ließ. BalletTanz, . pp. 56-61. ISSN 3617559948. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2473)

Boenisch, Peter M (1998) Etienne Decroux' Körpertheater und die Theaterästhetik der Neunziger Jahre. In: 4. Kongress der Gesellschaft für Theaterwissenschaft. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2640)

Boenisch, Peter M (2008) Exposing The Classics: Michael Thalheimer’s Regie beyond the Text. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (doi:10.1080/10486800701741477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2464)

Boenisch, Peter M (2010) Frank Castorf and the Berlin Volksbühne: The Humiliated and Insulted (2001). In: Bay--Cheng, Sarah and Kattenbelt, Chiel and Lavender, Andy and Nelson, Robin, eds. Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, 187,196-202. ISBN 978-90-8964-255-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25358)

Boenisch, Peter M (2008) Guest Lecture, 'Theater-Politik und Bühnen-Business: Hinter den Kulissen der englischen 'theatre industry' - Strukturen und Modelle jenseits der Subventionskultur'. In: • Guest Lecture, 'Theater-Politik und Bühnen-Business: Hinter den Kulissen der englischen 'theatre industry' - Strukturen und Modelle jenseits der Subventionskultur', 17th December 2008, Ludwig-Maximilians-Universität München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25383)

Boenisch, Peter M (2008) 'How to do things with Text: Text-Regie als Mise-en-Sens'. In: Conference 'Orbis Pictus - Theatrum Mundi', 25th October 2008, University of Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25384)

Boenisch, Peter M (1997) I doubt not I, but she will stoop in time: Frauenfiguren in Tamburlaine und The Spanish Tragedy. ZAA. Zeitschrift für Anglistik und Amerikanistik, XLV . pp. 325-338. ISSN 0044-2305. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2494)

Boenisch, Peter M (2003) In\Between.Realities. In: Working Group Meeting "Theatre and Intermediality", CSSD London. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2630)

Boenisch, Peter M (2009) Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf. In: Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf, 5th October 2009, Institut Schauspiel, Universität für Musik und darstellende Kunst, Graz/Austria. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25373)

Boenisch, Peter M (2006) Intermediality and the Classics: Updating the “old media” of theatre. In: 15th World Congress International Federation of Theatre Research. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2625)

Boenisch, Peter M (2000) Intermediality in Contemporary Theatre. In: Fédération Internationale du Recherche Théâtrale. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2637)

Boenisch, Peter M (2009) Invited Lecture, Critical Encounters 3: Encountering the Intermedial. In: Critical Encounters 3: Encountering the Intermedial, 9th May 2009, Tramway, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25379)

Boenisch, Peter M (2008) Invited Panel Member, Conference ‘Theatre Studies Today and Tomorrow’. In: Theatre Studies Today and Tomorrow, 12th March 2008, University of Surrey. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25385)

Boenisch, Peter M (2009) Invited Panel contribution "Visions of Dance Studies". In: Tanzkongress, 8th November 2009, Hamburg. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25372)

Boenisch, Peter M (2009) Invited Research Seminar, ‘(Re-)Devising Classics in Contemporary Theatre’. In: (Re-)Devising Classics in Contemporary Theatre, 6th May 2009, University of Lancaster. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25380)

Boenisch, Peter M (2009) Keynote, Symposium 'Mapping Performance: Intercultural Spaces, Negotiable Boundaries'. In: 'Mapping Performance: Intercultural Spaces, Negotiable Boundaries Symposium, 3rd June 2009, Royal Holloway. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25378)

Boenisch, Peter M (2004) Komik ist Konsumterror. 20 Jahre gegen das genussvolle Einverständnis: Forced Entertainment 1984 - 2004. In: Kongress "Komik - Ästhetik, Theorien, Vermittlungsstrategien", 7th International Congress of the German Society for Theatre Studies. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2628)

Boenisch, Peter M (2005) Komik und Konsumzwang: Zwischen Jux und Jucken – Komische Gesten bei Forced Entertainment. Maske und Kothurn. Vierteljahresschrift zur Theater-, Film- und Medienwissenschaft, 51 (4). pp. 335-345. ISSN 3-205-77434-5. (doi:10.7767/muk.2005.51.4.339) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2470)

Boenisch, Peter M Make World: Archaeology as Alienation in Contemporary Performance. . Projekte/Kirchner Internet Article. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2486)

Boenisch, Peter M (2006) Mediation Unfinished. Choreographing Intermediality in Contemporary Dance Performance. In: Kattenbelt, Chiel and Chapple, Freda, eds. Intermediality in Theatre and Performance, Amsterdam and New York. Rodopi, pp. 151-166. ISBN 90-420-1629-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2469)

Boenisch, Peter M (2007) Multisensuality and Postdramatic Mise-en-Scène: The ro:theater's Proust-Project. In: Suguiera, Malgorzata and Borowski, Matuesz, eds. Fictional Realities/Real Fictions: Contemporary Theatre in Search of a New Mimetic Paradigm. Cambridge Scholars Publishing, pp. 121-134. ISBN 978-1-84718-138-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2466)

Boenisch, Peter M (2008) Other People Live: Rimini Protokoll and their Theatre of Experts - an interview. Contemporary Theatre Review, 18 (1). pp. 107-113. ISSN 1477-2264. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2465)

Boenisch, Peter M (2009) Panelist, Plenary Discussion ‚Jacques Rancière Study Day. In: Royal Holloway/TAPRA Working Group ‘Performance, Identity, Community’, 28th February 2009, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25382)

Boenisch, Peter M (2005) Postdramatic Mise-en-scène: The ro:theater’s Proust-Project. In: IFTR-Conference “Fictional/Real in Contemporary Theatre”. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2627)

Boenisch, Peter M (2003) Realität - Fiktion - Alienation. Hygiene Heute und die Politik der Grenzverschiebung im Performancetheater. In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds. Theater ohne Grenzen. München: Utz, pp. 456-464. ISBN 3-8316-0237-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2476)

Boenisch, Peter M (2009) Research Seminar, Forschungsprojekt SaM Sound and Movement. In: Forschungsprojekt SaM Sound and Movement, 16th March 2009, Institut für Theaterwissenschaft, LMU München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25381)

Boenisch, Peter M (2004) See and be SCENE: Reflecting the Presentation and Perception of Restoration Theatre. In: "The Long Restoration: Leviathan to Licensing Act", Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2629)

Boenisch, Peter M (2013) Spectres of Subjectivity: On the Fetish of Identity in (Post-) Postdramatic Choreography. In: Jurs-Munby, Karen and Carroll, Jerome and Giles, Steve, eds. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. First. Bloomsbury Methuen Drama, London / New Delhi / New York / Sydney. ISBN 978-1-4081-8486-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40570)

Boenisch, Peter M (2001) Synthesized Dreams Of Moving Men: ElectrONic Bodies, Movement, and Meaning in the works of DV8 Physical Theatre. In: Dance Theater: An International Investigation. Proceedings of the MoMentUm I Conference, Manchester 2001. . pp. 122-127. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2488)

Boenisch, Peter M (2007) Tanz als Körper-Zeichen: Zur Methodik der Theater-Tanz-Semiotik. In: Klein, Gabriele and Brandstetter, Gabriele, eds. Bewegung in Übertragung, Bielefeld. Transcript, pp. 29-45. ISBN 3-89942-558-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2467)

Boenisch, Peter M (2002) Tanz als Leben, oder: Die Erotik des Balanceakts auf der Nabelschnur. Das expressive Ballett-Theater des Jirí Kylián. In: Staatsballett, Bayerisches, ed. Porträt Jirí Kylián. München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2478)

Boenisch, Peter M (2000) Tanztheorie und Sprechtheater. Perspektiven der Analyse von Körperzeichen im zeitgenössischen Theater. In: Jeschke, Claudia and Bayerdörfer, Hans-Peter, eds. Bewegung im Blick. Berlin: Vorwerk 8. Theatralia, Documenta Choreologica, pp. 16-29. ISBN 3-930916-22-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2490)

Boenisch, Peter M (2003) Theater als Medium der Moderne? Zum Verhältnis von Medientechnologien und Bühne im 20. Jahrhundert. In: Balme, Christopher and Fischer-Lichte, Erika and Gratzel, Stephan, eds. Theater als Paradigma der Moderne? Positionen zwischen historischer Avantgarde und Medienzeitalter. Mainzer Forschungen zu Drama und Theater 28. Tübingen: Francke 2003, pp. 447-456. ISBN 3-7720-2796-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2475)

Boenisch, Peter M (2002) Theater der Sensationen. In: 6. Kongress der Gesellschaft für Theaterwissenschaft. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2631)

Boenisch, Peter M (2004) Theater der Sensationen. Performance als Wahrnehmungs-Labor. In: Matzke, Annemarie and Kurzenberger, Hajo, eds. TheorieTheaterPraxis. Berlin: Theater der Zeit, pp. 261-268. ISBN 3-934344-29-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2474)

Boenisch, Peter M (2001) Theatre and Media Studies: Bridging the Gap. In: Working Group Session "Theatre and Intermediality". . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2633)

Boenisch, Peter M (2010) Thomas Ostermeier: mission neo(n)realism and a theatre of actors and authors. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge, pp. 339-359. ISBN 978-0-415-46251-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25360)

Boenisch, Peter M (2010) Towards a Theatre of Encounter and Experience: Reflexive Dramaturgies and Classic Texts. Contemporary Theatre Review, 20 (2). pp. 162-172. (doi:10.1080/10486801003682369) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24946)

Boenisch, Peter M (2001) Training Intelligence: Give Us Dance Academies! Ballett International - Tanz Aktuell, (8-9). pp. 52-53. ISSN 0947-0484. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2489)

Boenisch, Peter M (2001) Transforming Performance in the Internet Culture. In: Fédération Internationale du Recherche Théâtrale. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2634)

Boenisch, Peter M (2010) Zeitläufte: Zur Choreografie und Wahrnehmung von Zeitlichkeit im Tanztheater der Gegenwart. In: Symposium “TIME CODES: Zeichen der Flüchtigkeit – Zeichen der Zeit”, DANCE 2010-Festival, 8th November 2010, Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25363)

Boenisch, Peter M (2003) coMEDIA electrONica. Performing intermediality in contemporary theatre. Theatre Research International, 28 (1). pp. 34-45. ISSN 0307-8833. (doi:10.1017/s0307883303000130) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2477)

Boenisch, Peter M (2002) körPERformance 1.0. Theorie und analyse von Körper- und Bewegungsdarstellungen im zeitgenössischen theater. München: ePodium ISBN 3-9807394-6-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1163)

Boenisch, Peter M (2009) The naked tragedy of being human: Recent productions of Shakespeare in German Theatre. In: 2009 British Shakespeare Association conference, 13th September 2009, King's College London and the Globe Theatre. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25374)

Boenisch, Peter M (2002) www dot theatre dot. Alice Croft, or: Transforming Performance in the Internet Culture. Body, Space and Technology, 2 (2). ISSN 1470-9120. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2479)

Boenisch, Peter M. (2015) Directing Scenes & Senses: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester, 256 pp. ISBN 978-0-7190-9719-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51637)

Boenisch, Peter M. (2016) The Theatre Of Thomas Ostermeier. First edition. Routledge, Abingdon and New York, 262 pp. ISBN 978-1-138-91447-6. E-ISBN 978-1-315-69081-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59745)

Boenisch, Peter M. (2014) What happened to our Nation of Culture? Staging the theatre of the Other Germany. In: Holdsworth, Nadine, ed. Theatre and National Identity: Re-Imagining Conceptions of Nation. Routledge Advances in Theatre & Performance Studies . Routledge, Abingdon, Oxfordshire, pp. 145-162. ISBN 978-0-415-82299-2. E-ISBN 978-0-203-36621-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60017)

Boenisch, Peter M. (2014) Who’s watching? Me! – Theatrality, the Žižekian Subject and Spectatorship. In: Chow, Broderick and Mangold, Alex, eds. Žižek & Performance. 1. Performance Philosophy . Palgrave Macmillan, Basingstoke and New York, pp. 48-60. ISBN 978-1-137-41090-0. E-ISBN 978-1-137-40319-3. (doi:10.1057/9781137403193) (KAR id:54561)

Boenisch, Peter M. (2017) An actor, but in life: Spectatorial consciousness and materialist theatre. In: Fisher, Tony and Katsouraki, Eve, eds. Performing Antagonism: Theatre, Performance & Radical Democracy. Performance Philosophy . Palgrave Macmillan UK, London, UK. ISBN 978-1-349-95099-7. E-ISBN 978-1-349-95100-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60019)

Boenisch, Peter M and Balme, Christopher (2001) Re-Play. Wiederholung der Welt - Welten der Wiederholung im zeitgenössischen britischen Drama. In: Felix, Jurgen and Kiefer, Bernd and Marschall, Susanne and Stiglegger, Marcus, eds. Die Wiederholung. Marburg: Schüren, pp. 269-284. ISBN 3-89472-334-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2487)

Boenisch, Peter M, Orozco, Lourdes (2010) Editorial: Border Collisions - Contemporary Flemish Theatre. Contemporary Theatre Review, 20 (4). pp. 397-404. ISSN 1048-6801. (doi:10.1080/10486801.2010.505763) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25357)

Boenisch, Peter M, Orozco, Lourdes (2010) Working Group “Directing & Dramaturgy”. In: TapRA 2010 Conference, 9th-11th September 2010, University of Glamorgan. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25366)

Boenisch, Peter M and Stalpaert, Christel (2010) Jan Fabres Affirmationsfalle: Von der (Un-) Möglichkeit politischen Theaters im Zeitalter der Toleranz. In: Forschungszentrum, Sound and Movement, ed. Spielart Festival Reloaded. Henschel, Berlin, pp. 62-88. ISBN 978-3-89487-661-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25359)

Bolaki, Stella (2014) The Cultural Work of Disability and Illness Memoirs: Schizophrenia as Collaborative Life Narrative. In: Bolt, David, ed. Changing Social Attitudes to Disability: Perspectives from Historical, Cultural, and Educational Studies. Routledge, London, pp. 89-98. ISBN 978-0-415-73249-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44300)

Bolsover, Nicola (2015) Costume and Cross-Dressing in Stand-up Comedy. Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:52927)

Bonello Rutter Giappone, Krista (2018) The Punk Turn in Comedy: Masks of Anarchy. First. Palgrave Studies in Comedy . Palgrave MacMillan, 265 pp. ISBN 978-3-030-10275-3. E-ISBN 978-3-319-72841-4. (doi:10.1007/978-3-319-72841-4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:95347)

Bonello Rutter Giappone, Krista (2012) The masks of anarchy : a theoretical study of the intersections between punk and alternative comedy. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86511) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:86511)

+2 more...

Borge, Steffan, Smith, Murray, Vaage, Margrethe Bruun (2015) The Aesthetics of Football. Sport, Ethics and Philosophy, 9 (2). pp. 93-96. ISSN 1751-1321. E-ISSN 1751-133X. (doi:10.1080/17511321.2015.1048822) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61926)

Borge, Steffen, Morgan, William J., Smith, Murray, Weatherson, Brian (2022) Book symposium. Steffen Borge, The philosophy of football. Sport, Ethics and Philosophy, 16 (3). pp. 333-396. ISSN 1751-1321. (doi:10.1080/17511321.2021.1974531) (KAR id:104531)

Bortolotti, Alessandro, Conti, Alice, Romagnoli, Angelo, Sacco, Pier Luigi (2024) Imagination vs. routines: festive time, weekly time, and the predictive brain. Frontiers in Human Neuroscience, 18 . Article Number 1357354. E-ISSN 1662-5161. (doi:10.3389/fnhum.2024.1357354) (KAR id:105911)

Bowern, Sandra (2019) Theatre and theatricality in the work of David Hockney, 1961-1978. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:76453)

Bowman, Howard, Jones, William, Pincham, Hannah, Fleming, Steve, Cleeremans, Axel, Smith, Murray (2022) Modelling the simultaneous encoding/serial experience theory of the perceptual moment: a blink of meta-experience. Neuroscience of Consciousness, 2022 (1). ISSN 2057-2107. (doi:10.1093/nc/niac003) (KAR id:104569)

Branca, Bernardino (2019) The Edgar Wind Archive at the Bodleian Library, Oxford. In: SAS Centre for Memory Studies: Memory and Archives Seminar, 12 November 2019, Senate House, University College London. (Unpublished) (KAR id:81450)

Branca, Bernardino (2019) Edgar Wind Filosofo delle Immagini:La Biografia Intellettuale di un Discepolo di Aby Warburg. First. Filosofie . Mimesis Edizioni, Milano, Italy, 374 pp. ISBN 978-88-575-5634-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74385)

Branch, Boyd, Efstratiou, Christos, Mirowski, Piotr, Mathewson, Kory, Allain, Paul (2021) Tele-Immersive Improv: Effects of Immersive Visualisations on Rehearsing and Performing Theatre Online. In: CHI '21: Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems. . ACM ISBN 978-1-4503-8096-6. (doi:10.1145/3411764.3445310) (KAR id:87284)

Brauns, David (2024) Videology: A journey into the archive of obsolete video through media archaeology. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.105831) (KAR id:105831)

Breel, Astrid (2017) Conducting creative agency: the aesthetics and ethics of participatory performance. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:64138)

Briggs, Joe Bob, Hoberman, J., Love, D., Lucas, T., Sconce, J., Stanfield, Peter (2008) Cult Film: A Critical Symposium. Cineaste, 34 (1). pp. 43-50. ISSN 0009-7004. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14845)

Brooks, Helen E. M. (2020) Remembering the War on the British Stage: From Resistance to Reconstruction. In: Verpoest, Luc and Engelen, Leen and Heynickx, Rajesh and Schmidt, Jan and Uyttenhove, Pieter and Verstraete, Pieter, eds. Revival after the Great War: Rebuild, Remember, Repair, Reform. First edition. University of Leuven Press, Leuven, pp. 164-177. ISBN 978-94-6270-250-9. (KAR id:85483)

Brooks, Helen E.M. (2015) Actresses, Gender and the Eighteenth-Century Stage : Playing Women. Palgrave, Houndmills, Basingstoke, Hampshire, 201 pp. ISBN 978-1-137-48621-9. E-ISBN 978-1-137-48622-6. (doi:10.1057/9781137486226) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50465)

Brooks, Helen E.M. (2020) ‘Are there any more recruits?’ - British theatre and the recruitment drive, 1914–1915. First World War Studies, 10 (2-3). pp. 207-224. ISSN 1947-5020. (doi:10.1080/19475020.2020.1774913) (KAR id:82318)

Brooks, Helen E.M. (2018) British Theatre and the Great War 1914-1919: New Perspectives. Review of: British Theatre and the Great War 1914–1919: New Perspectives by Maunder, Andrew. Nineteenth Century Theatre and Film, 45 (2). pp. 270-276. ISSN 1748-3727. E-ISSN 2048-2906. (doi:10.1177/1748372718792085) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73672)

Brooks, Helen E.M. (2016) Collaboration and Co-production: an example of a partnership between the University of Kent and Theatre Royal, Brighton. In: In Good Company: Working with Partners (APAC Annual Conference), 07 Nov 2016, The Lowry, Salford. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65364)

Brooks, Helen E.M. (2014) The Divided Heart of the Actress: Late Eighteenth-Century Actresses and the Cult of Maternity. In: Engel, Laura and McGirr, Elaine. M., eds. Stage Mothers: Women, Work and the Theatre, 1660-1830. First Edition. Transits: Literature, Thought & Culture, 1650–1850 . University Press Copublishing Division / Bucknell University Press. ISBN 978-1-61148-603-2. E-ISBN 978-1-61148-604-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50464)

Brooks, Helen E.M. (2011) Early eighteenth-century performance historiography: Problems and possibilities. Studies in Theatre and Performance, 31 (1). pp. 33-45. (doi:10.1386/stap.31.1.33_1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:29667)

Brooks, Helen E.M. (2012) Eighteenth-Century British Actresses and Strategies for Image Making Columbus. Review of: Eighteenth-Century British Actresses and Strategies for Image MakingColumbus by UNSPECIFIED. New Theatre Quarterly, 28 (2). pp. 206-207. ISSN 0266-464X. E-ISSN 1474-0613. (doi:10.1017/S0266464X1200036X) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65351)

Day, Gary and Lynch, Jack and Brooks, Helen E.M. and Latimer, Bonnie and Morrissey, Lee and Rounce, Adam and Schurer, Norbert and Smallwood, Philip and Vilmar, Christopher, eds. (2015) The Encyclopedia of British Literature: 1660 - 1789. Wiley Blackwell, 1528 pp. ISBN 978-1-4443-3020-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64409)

Brooks, Helen E.M. (2013) FRANCESCA SAGGINI. Laura Kopp (trans.). Backstage in the Novel: Frances Burney and the Theater Arts. Review of: Backstage in the Novel: Frances Burney and the Theater Arts by UNSPECIFIED. Review of English Studies, 65 (269). pp. 361-363. ISSN 0034-6551. E-ISSN 1471-6968. (doi:10.1093/res/hgt067) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65345)

Brooks, Helen E.M. (2017) Great War Theatre. online. Located at: www.greatwartheatre.org.uk. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65369)

Brooks, Helen E.M. (2022) The Horror of the Great War on the London Stage: The Grand Guignol Season of 1915. In: Conti, Meredith and Wetmore, Kevin J., eds. Theatre and the Macabre. Horror Studies . University of Wales Press, Cardiff, pp. 29-44. ISBN 978-1-78683-845-2. (KAR id:91703)

Brooks, Helen E.M. (2018) Horror on the London Stage: The Grand Guignol Season of 1915. In: Languages and the First World War, 10 Sept 2018, Europe House. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73666)

Brooks, Helen E.M. (2018) The Horrors of War: Extreme violence on the Great War British Stage. In: Dramaturgies of War: Institutional Dramaturgy, Politics, and Conflict in the 19th and 20th Centuries, 25-26 January 2018, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73670)

Brooks, Helen E.M. (2014) 'It was just like that out there': Wartime Representation of the Trenches. In: TaPRA Conference 2014, 03-05 Sep 2014, Egham, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65366)

Brooks, Helen E.M. (2018) Keeping the War Alive: British Theatre of the 1920s. In: Theatre and Performance Research Association Conference 2018, 5-7 Sept 2018, Aberystwyth. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73668)

Brooks, Helen E.M. (2011) The Later Seventeenth Century. Review of: Drama by UNSPECIFIED. The Year's Work in English Studies, 88 (1). pp. 590-610. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65354)

Brooks, Helen E.M. (2011) The Later Seventeenth Century. Review of: Drama by UNSPECIFIED. The Year's Work in English Studies, 91 (1). pp. 587-597. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65355)

Brooks, Helen E.M. (2011) The Later Seventeenth Century. Review of: Drama by UNSPECIFIED. The Year's Work in English Studies, 90 (1). pp. 544-551. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65356)

Brooks, Helen E.M. (2011) The Later Seventeenth Century. Review of: Drama by UNSPECIFIED. The Year's Work in English Studies, 89 (1). pp. 542-554. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65357)

Brooks, Helen E.M. (2017) Mobilising the Home Front: British Theatre in 1916. In: The Fictional First World War, 6-9 Apr 2017, University of Aberdeen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65361)

Brooks, Helen E.M. (2011) Negotiating Marriage and Professional Autonomy in the Careers of Eighteenth-Century Actresses. Eighteenth-Century Life, 35 (2). pp. 39-75. ISSN 0098-2601. (doi:10.1215/00982601-1214090) (KAR id:29674)

Brooks, Helen E.M. (2017) Not just 'A Little Bit of Fluff': British Theatre during the Great War. In: Civilian Experiences of War Symposium, 09 Jul 2017, Open University, Milton Keynes. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65367)

Brooks, Helen E.M. (2012) 'One entire nation of actors and actresses' - Reconsidering the Relationship of Public and Private Theatricals. Nineteenth-Century Theatre and Film, . ISSN 1748-3727. (KAR id:29676)

Brooks, Helen E.M. (2018) Peace and the Theatre: British Theatre after the Great War. In: Revival after the Great War: Repair, Rebuild, Remember, 8-9 May 2018, Leuven. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73669)

Brooks, Helen E.M. (2017) Recovering First World War Theatre: A Community Research Project. In: UNSPECIFIED, 16 Mar 2017, Royal Academy of Dramatic Art, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65371)

Brooks, Helen E.M. (2013) Review of Transgressive Theatricality, Romanticism, and Mary Wollstonecraft Farnham. Review of: Transgressive Theatricality, Romanticism, and Mary Wollstonecraft Farnham by Plummer Crafton, Lisa. New Theatre Quarterly, 29 (3). p. 302. ISSN 0266-464X. E-ISSN 1474-0613. (doi:10.1017/S0266464X13000481) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65343)

Brooks, Helen E.M. (2011) Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater. Review of: Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater by Nussbaum, Felicity. Theatre Research International, 36 (2). pp. 180-181. ISSN 0307-8833. E-ISSN 1474-0672. (doi:10.1017/S030788331100006X) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65352)

Brooks, Helen E.M. (2017) Sex and Sexuality. In: Balme, Christopher B. and Davis, Tracy C., eds. A Cultural History of Theatre. Bloomsbury. ISBN 978-1-4725-8584-4. (KAR id:64411)

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Brooks, Helen E.M. (2016) Sexual Suspects Roundtable. In: Actress as Author, 09-10 Jul 2015, Chawton House. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65363)

Brooks, Helen E.M. (2015) Spies and Brutes: The Representation of Germans as Villains on the British Stage Between 1914 and 1918. In: A Symposium on Villains, 21 May 2015, University of Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65365)

Brooks, Helen E.M. (2017) Staging Jutland. In: Jutland and After: The First World War at Sea from War to Peace 1916-1919, 31 May - 2 Jun 2017, National Museum of the Royal Naval, Portsmouth. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65359)

Brooks, Helen E.M. (2017) Staging the Great War in the British Theatre between 1914 and 1918. In: War Through Other Stuff, 22-24 Feb 2017, University of Edinburgh. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65360)

Brooks, Helen E.M. (2018) Theatre History and Historiography: Ethics, Evidence and Truth. Edited by Claire Cochrane and Jo Robinson. Review of: Theatre History and Historiography: Ethics, Evidence and Truth. by UNSPECIFIED. Theatre Research International, 42 (3). pp. 352-353. ISSN 0307-8833. E-ISSN 1474-0672. (doi:10.1017/S0307883317000657) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65347)

Brooks, Helen E.M. (2010) The Theatre and Victorian Visual Culture. Review of: The Theatre and Victorian Visual Culture by Heinrich, Anselm and Newey, Katherine and Richards, Jeffrey. Theatre Research International, 36 (1). pp. 90-91. ISSN 0307-8833. E-ISSN 1474-0672. (doi:10.1017/S0307883310000842) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65353)

Brooks, Helen E.M. (2017) Theatres of War: New insights into wartime theatre production through the Recovering First World War Theatre project. In: TaPRA Conference, 2017, 30 Aug - 01 Sep 2017, University of Salford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65358)

Brooks, Helen E.M. (2014) Theorizing the Woman Performer. In: Swindells, Julia and Taylor, David Francis, eds. The Oxford Handbook of the Georgian Theatre 1737-1832. First Edition. Oxford University Press. ISBN 978-0-19-960030-4. (doi:10.1093/oxfordhb/9780199600304.013.038) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31606)

Brooks, Helen E.M. (2016) ‘Torture, murder and bestial lust': German Villains on the British stage in 1915. In: 'Pack up your Troubles': Performance Cultures of the First World War, 27-29 Apri 2016, University of Kent. (Unpublished) (KAR id:65362)

Brooks, Helen E.M. (2016) Torture, murder and bestial lust: German villains on the British stage in 1915. In: Pack up your Troubles: Performance Cultures of the First World War, 27-29 April 2016, University of Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:92140)

Brooks, Helen E.M. (2016) Undertaking Cultural History Projects with Partners and Publics: Methods and Approaches. In: UNSPECIFIED, 01 Dec 2016, Leuven, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65370)

Brooks, Helen E.M. (2009) Women and Theatre Management in the Eighteenth Century. In: Engel, L., ed. The Public's Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Cambridge Scholars Publishing, pp. 73-97. ISBN 978-1-4438-0173-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:29675)

Brooks, Helen E.M. (2011) Women's Romantic Theatre and Drama: History, Agency and Performativity. Review of: Women's Romantic Theatre and Drama: History, Agency and Performativity by UNSPECIFIED. New Theatre Quarterly, 27 (1). pp. 90-91. ISSN 0266-464X. E-ISSN 1474-0613. (doi:10.1017/S0266464X11000108) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65350)

Brooks, Helen E.M. (2008) 'Your sincere friend and humble servant': Evidence of managerial aspirations in Susannah Cibber's letters. Studies in Theatre and Performance, 28 (2). pp. 147-159. (doi:10.1386/stap.28.2.147_1) (KAR id:29673)

Brooks, Helen E.M., Brayshaw, Karen (2019) Hands on History. Archiving Theatre History. In: Association of Performing Arts Collections annual conference, 1 July 2019, V&A Museum, London. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:92138)

Brooks, Helen E.M. and Connelly, Mark L. (2017) The St. Barnabas Hostels’ Pilgrimage, 1923. Performance type: Live play Ypres 100, 28 - 31 Jul 2017, Passchendaele Memorial Museum, Belgium. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65342)

Brooks, Helen E.M. and Connelly, Mark L. (2022) Walking with Ghosts. Folkestone Harbour Arm Station, 11-14 Nov 2022, Folkestone. Live Performance. (KAR id:99589)

Brooks, Helen E.M. and Double, Oliver (2022) Beyond the Binary: Performing Gender Then and Now. Beyond the Binary: Performing Gender Then and Now, 29 September 2022 - 5 May 2023, UK, Canterbury, Oxford, Liverpool, Brighton, Bristol. Live, Film, Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:101754)

Brooks, Helen E.M. and Hanna, Emma (2019) 'A Night in the West End, 1914-1918': A Lecture-Concert. Performance type: Musical event A Night in the West End, 1914-1918: A Lecture-Concert, 27 April 2019, Westgate Hall, Canterbury. Script. (KAR id:73664)

Brown, David W R (2020) Faces Places: Cognition, Culture, and the Human Face in Narrative Cinema. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.85887) (KAR id:85887)

Brown, Maria Florence (2004) Seeing through light : a selective history of architectural stained glass. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94240) (KAR id:94240)

Brydon, Lavinia (2016) Book Review: A History of 1970s Experimental Film: Britain’s Decade of Diversity by Patti Gaal-Holmes. Review of: A History of 1970s Experimental Film: Britain’s Decade of Diversity by Gaal-Holmes, Patti. Journal of Media Practice, 17 (1). pp. 121-122. ISSN 1468-2753. E-ISSN 2040-0926. (doi:10.1080/14682753.2016.1160657) (KAR id:55843)

Brydon, Lavinia (2013) Book Review: Screen Dynamics: Mapping the Borders of Cinema ed. by Gertrud Koch, Volker Pantenburg, Simon Rothöhler. Review of: Screen Dynamics: Mapping the Borders of Cinema by Koch, Gertrude and Pantenburg, Volker and Rothöhler, Simon. NECSUS: European Journal of Media Studies, 2 (1). pp. 262-267. ISSN 2215-1222. E-ISSN 2213-0217. (doi:10.5117/NECSUS2013.1.BRYD) (KAR id:49167)

Brydon, Lavinia (2012) Brief Encounter: The Girl Chewing Gum. Short Film Studies, 2 (2). pp. 155-158. ISSN 2042-7824. (doi:10.1386/sfs.2.2.155_1) (KAR id:50299)

Brydon, Lavinia (2024) The Eco-activist Action Heroine in Woman at War (Benedikt Erlingsson, 2018): The ‘Mountain Woman’ and her Sister(s)-in-Arms. In: Pheasant-Kelly, F. and Van Raalte, C., eds. Action Heroines of the Twenty-First Century: Sisters-in-Arms. Edinburgh University Press, Edinburgh, UK. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:107271)

Brydon, Lavinia (2021) From Rivers to Reservoirs: Swimmer as Psychogeographic Cinema. Short Film Studies, 11 (2). pp. 153-160. ISSN 2042-7824. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:88266)

Brydon, Lavinia (2016) From a Jukebox Photograph to a Music Video: Media Technologies and the Popular Culture Heritage of a British Pleasure Pier. In: NECS Annual Conference, 28-30 July 2016, Potsdam, Germany. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56814)

Brydon, Lavinia (2017) Garden of England: Sites of Production and Pilgrimage. In: Locating Imagination: Popular Culture, Tourism and Belonging, 5-7 April 2017, Rotterdam, The Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61371)

Brydon, Lavinia (2014) Navigations and Negotiations: Examining the (Post)Colonial Landscape of The Assam Garden. Journal of British Cinema and Television, 11 (2-3). pp. 172-188. ISSN 1743-4521. (doi:10.3366/jbctv.2014.0202) (KAR id:50294)

Brydon, Lavinia (2013) The Nostalgic Gardens of Derek Jarman’s England. Dandelion, 4 (2). pp. 1-15. (doi:10.16995/ddl.288) (KAR id:50297)

Brydon, Lavinia (2015) Shelagh Delaney (1938-2011). In: Nelmes, Jill and Selbo, Jule, eds. Women Screenwriters: An International Guide. Palgrave Macmillan, pp. 650-658. ISBN 978-1-137-31237-2. (doi:10.1057/9781137312372) (KAR id:55841)

Brydon, Lavinia (2019) Storytelling, Exhibition Spaces and Site-Specific Screenings. In: NECS Annual Conference, 13-15 June 2019, Gdansk, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74461)

Brydon, Lavinia and Burger, Bibi and Rice, Louis (2021) Practicing Flânerie: Imagined and Applied Walking Strategies in Pretoria/Tshwane, South Africa. In: Paplas, Mary-laura and Comfort, Kelly, eds. New Directions in Flânerie: Global Perspectives for the Twenty-First Century. Routledge, pp. 236-264. ISBN 978-0-367-75948-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88554)

Brydon, Lavinia, Handyside, Fiona (2020) Editorial: Difficult Women: Fame, Film, Feminism and Fury. Film Studies, 22 . pp. 1-10. ISSN 1469-0314. E-ISSN 2054-2496. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:79774)

Brydon, Lavinia and Jenzen, Olu (2016) Exhibition Review: Pierdom by Simon Roberts. Review of: Pierdom by Roberts, Simon. NECSUS: European Journal of Media Studies, 5 (2). pp. 217-228. ISSN 2213-0217. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59446)

Brydon, Lavinia and Jenzen, Olu (2018) Pop(-up)ular Culture at the Seaside: The British Pleasure Pier as Screening Space. In: Atkinson, Sarah and Kennedy, Helen W., eds. Live Cinema: Cultures, Economies, Aesthetics. First edition. Bloomsbury, London, pp. 43-59. ISBN 978-1-5013-2483-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59766)

Brydon, Lavinia, Jenzen, Olu, Nourse, Nicholas (2019) 'Our Pier': Leisure activities and local communities at the British seaside. Leisure/Loisir, 43 (2). pp. 205-228. ISSN 1492-7713. E-ISSN 2151-2221. (doi:10.1080/14927713.2019.1613171) (KAR id:70961)

Brydon, Lavinia, KaNtshingana, Sanele, Schupp, Janina (2024) Introduction: Screen Media and ‘Middling Cities’ – Questioning Hierarchies, Dominant Narratives and Negative Associations. Mediapolis: A Journal of Cities and Culture, 9 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:107450)

Brydon, Lavinia, Pastor-Gonzalez, Victoria (2021) Collaborative futures / Futuros en colaboración. NECSUS: European Journal of Media Studies, 10 (2). E-ISSN 2213-0217. (KAR id:92348)

Brydon, Lavinia, Stead, Lisa (2016) Chilham on Screen: Location Shooting and Community Memory. In: MeCCSA Annual Conference, 6-8 Jan 2016, Canterbury Christ Church University, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60535)

Brydon, Lavinia, Stead, Lisa (2017) The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities. SERIES - International Journal of TV serial narratives, 3 (1). pp. 101-114. ISSN 2421-454X. (doi:10.6092/issn.2421-454X/7149) (KAR id:60534)

Burger, Bibi, Khosi, Motlatsi, Brydon, Lavinia (2020) A Review-Reflection on African Feminisms 2019: Theorising from the Epicentres of Our Agency, Wits University, Johannesburg, South Africa. Film Studies, 22 . pp. 65-75. ISSN 1469-0314. E-ISSN 2054-2496. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:79244)

Burridge, Stephanie A. (1997) The impact of Aboriginal dance on twentieth century Australian choreography with a practical and creative study. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.85976) (KAR id:85976)

Bustin, Wayne (2023) Understanding Zenga as Painting-Meditation. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.102712) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:102712)

Butchins, Richard (2024) Who's story is it anyway? Some considerations on disability from an aesthetic and narrative perspective of lived experience. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.106192) (KAR id:106192)

Butterworth, Joanne (2002) Dance artist practitioners: an integrated model for the learning and teaching of choreography in the tertiary sector. Doctor of Philosophy (PhD) thesis, University of Kent; London Contemporary Dance School. (doi:10.22024/UniKent/01.02.86050) (KAR id:86050)

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Camilleri, Frank (2008) Collective Improvisation: The Practice and Vision of Ingemar Lindh. TDR - The Drama Review, 52 (4). pp. 82-97. ISSN 1054-2043. (doi:10.1162/dram.2008.52.4.82) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:14657)

Camilleri, Frank (2006) Dramaturgy of a Performance Process. Icarus Performance Project, Malta, 72 pp. ISBN 99932-0-418-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20302)

Camilleri, Frank (2008) Exploring the Liminal: Engaging the Space between Training and Performance Process. In: Wooding, Bruce, ed. International Theatre Movement Conference: At the Moscow Art Theatre School. Central School of Speech and Drama, London, pp. 27-30. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20308)

Camilleri, Frank (2008) Hospitality and the Ethics of Improvisation in the Work of Ingemar Lindh. New Theatre Quarterly, 24 (3). pp. 246-259. ISSN 0266-464X. E-ISSN 1474-0613. (doi:10.1017/S0266464X08000304) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:20307)

Camilleri, Frank (2003) ‘I can still feel his eyes on me’, an interview by Elzbieta Stelmaszczyk. Pogranicza, 42 . pp. 29-43. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20309)

Camilleri, Frank (2011) Of Crossroads and Undercurrents: Ingemar Lindh's Practice of Collective Improvisation and Jerzy Grotowski. New Theatre Quarterly, 27 (4). pp. 299-312. ISSN 0266-464X. (doi:10.1017/S0266464X11000637) (KAR id:30483)

Camilleri, Frank (2009) Of Pounds of Flesh and Trojan Horses: Performer Training in the Twenty-first Century. Performance Research, 14 (2). pp. 26-34. ISSN 1352-8165. (doi:10.1080/13528160903319232) (KAR id:23281)

Camilleri, Frank (2010) Tekhn? Sessions: investigating dynamic aliveness in the actor's work. Theatre, Dance & Performance Training, 1 (2). pp. 157-171. (doi:10.1080/19443927.2010.504999) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:25779)

Camilleri, Frank (2008) 'To Push the Actor-Training to its Extreme': Training Process in Ingemar Lindh's Practice of Collective Improvisation. Contemporary Theatre Review, 18 (4). pp. 425-441. ISSN 1048-6801. (doi:10.1080/10486800802379474) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:14864)

Camilleri, Frank, Schranz, John J (1996) Id-Descartes: Identity of a Dramaturgy. GHE, Malta (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20305)

Can, N., Kazanci, N., Townsend, P.D., Chadwick, Alan V. (1994) Cathodoluminescence Emission-Spectra of ND-Doped CAF2. Physica Status Solidi A, 146 (2). pp. 843-852. ISSN 0031-8965. (doi:10.1002/pssa.2211460230) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20416)

Cardinal, Roger (1995) The Collages of Schwitters,Kurt - Tradition and Innovation - Dietrich,D. Art Bulletin, 77 (2). pp. 336-337. ISSN 0004-3079. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19741)

Cardinal, Roger (1992) THE DOUBLE CIPHER - ENCOUNTER BETWEEN WORD AND IMAGE IN BONNEFOY, TARDIEU AND MICHAUX - WILLIAMS,AV. French Studies, 46 (2). pp. 229-230. ISSN 0016-1128. (doi:10.1093/fs/XLVI.2.229-b) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23243)

Cardinal, Roger (1996) Duchamp: Passim : A Marchel Duchamp Anthology - Hill,A. Review of: Duchamp: Passim : A Marchel Duchamp Anthology by Hill, Anthony. Burlington Magazine, 138 (1117). p. 261. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18863)

Cardinal, Roger (1992) KAHLO,FRIDA - TORMENT AND TRIUMPH IN HER LIFE AND ART - DRUCKER,M. Times Literary Supplement, (4663). p. 15. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23241)

Cardinal, Roger (1992) Manipulator Supreme. Review of: Dali by Etherington-Smith, Meredith. Times Literary Supplement, (4681). p. 15. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23238)

Cardinal, Roger (1992) Martyr to Her Art. Review of: Frida Kahlo: The Paintings; and Frida Kahlo: Torment and Triumph in Her Life and Art by UNSPECIFIED. Times Literary Supplement, (4663). p. 15. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23240)

Cardinal, Roger (1992) Mental Manipulator. Review of: Alberto Savinio (exhibition at Accademia Italiana Delle Arti) by UNSPECIFIED. Times Literary Supplement, (4638). p. 19. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23245)

Cardinal, Roger (1994) Rosso,Medardo. Burlington Magazine, 136 (1094). pp. 329-330. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20420)

Cardinal, Roger (1992) TEXTUAL SPACES - THE POETRY OF REVERDY,PIERRE - ROTHWELL,A. French Studies, 46 (3). pp. 357-358. ISSN 0016-1128. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23239)

Cardinal, Roger (1999) The hidden goddess: Isis in the work of Victor Hugo. French Studies, 53 (3). pp. 341-342. ISSN 0016-1128. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17189)

Cardwell, Sarah E. (2003) About time: theorizing adaptation, temporality, and tense. Literature Film Quarterly, 31 (2). pp. 82-92. ISSN 0090-4260. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1169)

Cardwell, Sarah E. (2002) Adaptation revisited: television and the classic novel. Manchester University Press, 232 pp. ISBN 0-7190-6045-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1167)

Cardwell, Sarah E. (2005) Andrew Davies. Manchester University Press, 227 pp. ISBN 0-7190-6491-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1168)

Cardwell, Sarah E. (2007) Is Quality Television Any Good? Generic Distinctions, Evaluations and the Troubling Matter of Critical Judgement. In: McCabe, Janet and Akass, Kim, eds. Quality TV: Contemporary American Television and Beyond. IB Tauris, pp. 19-34. ISBN 978-1-84511-511-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2220)

Cardwell, Sarah E. (2015) J. L. Carr. In: Scribner's British Writers Supplement. First international edition. Gale University Press, pp. 51-67. ISBN 978-0-684-32508-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54622)

Cardwell, Sarah E. (2013) Magnus Mills. In: Scribner's British Writers Supplement. First international edition. Gale University Press, pp. 171-187. ISBN 978-1-4144-9610-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54621)

Cardwell, Sarah E. (2014) Persuaded? The impact of changing production contexts on three adaptations of 'Persuasion'. In: British Television Drama: Past, Present and Future. 2nd edition. Palgrave Macmillan, Basingstoke, pp. 84-97. ISBN 978-1-137-32757-4. E-ISBN 978-1-137-32758-1. (doi:10.1057/9781137327581_9) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54624)

Cardwell, Sarah E. F. (2015) A Sense of Proportion: Aspect Ratio and the Framing of Television Space. Critical Studies in Television, 10 (3). pp. 83-100. ISSN 1749-6020. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54623)

Cardwell, Sarah E. F. (2014) Television Amongst Friends: Medium, Art, Media. Critical Studies in Television, 9 (3). pp. 6-21. ISSN 1749-6020. E-ISSN 1749-6039. (doi:10.7227/CST.9.3.2) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:51443)

Cardwell, Sarah E. F. (2013) Television aesthetics: Stylistic analysis and beyond. In: Television Aesthetics and Style. First international edition. Bloomsbury, London & New York, pp. 23-44. ISBN 978-1-4411-5751-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54620)

Carpov, Victor, Lodder, Christina (2016) Typology and Ideology: Moisei Ginzburg Revisited. Art in Translation, 8 (2). pp. 169-193. ISSN 1756-1310. (doi:10.1080/17561310.2016.1216048) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75238)

Carver, Gavin P. (2002) Carnival. In: Donnell, Alison, ed. Companion to Black British Culture. Routledge, pp. 65-67. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9419)

Carver, Gavin P. (1996) Computer Aided Scenography: some observations on procedures and concepts. Studies in Theatre Production, (14). pp. 20-33. (doi:10.1080/13575341.1996.10806936) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9416)

Carver, Gavin P. (2001) Computer visualisation for the theatre. Focal Press ISBN 0-240-51617-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1171)

Carver, Gavin P. (2001) John Fox. In: Bull, John, ed. Dictionary of Literary Biography Vol 245 British and Irish Dramatists Since World War II. London: Bruccoli Clark Layman, pp. 157-166. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1268)

Carver, Gavin P. (1995) Light the Night, the theory and practice of a community celebration. Studies in Theatre Production, 12 (1). pp. 82-98. (doi:10.1080/13575341.1995.10806912) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9418)

Carver, Gavin P. (2000) A Midsummer Night’s Dream. A Midsummer Night’s Dream, June 2000, University of Kent. (doi:10.1007/978-1-137-12246-9_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9421)

Carver, Gavin P. (2000) The effervescent Carnival: Performance, context, and mediation at Notting-Hill. New Theatre Quarterly, 16 (61). pp. 34-49. ISSN 0266-464X. (doi:10.1017/S0266464X00013440) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16244)

Carver, Gavin P. and Baugh, Christopher and Fergusson, C (1998) Exhibition of digital reconstructions of Adolphe Appia's speculative designs for the Ring Cycle (Wagner). World Congress of the International Federation of Theatre Research, 1998, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9423)

Carver, Gavin P. and Beardon, C (2003) New visions in performance. In: Carver, Gavin P., ed. New Visions in Performance. Swets & Zeitlinger, pp. 167-182. ISBN 90-265-1966-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1173)

Carver, Gavin P. and Presdee, Mike (2000) The Carnival of Crime. In: Presdee, Mike, ed. Cultural Criminology and the Carnival of Crime. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9414)

Castoro, Manila (2016) The decisive moment and the moment in between: Kairos, Tyche and the play of street photography. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.60420) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:60420)

Cavallo, Francesca Laura (2019) Rehearsing Disaster Pre-Enactment Between Reality and Fiction. In: Czirak, Adam and Nikoleit, Sophie and Oberkrome, Friederike and Straub, Verena and Walter-Jochum, Robert and Wetzels, Michael, eds. Performance zwischen den Zeiten: Reenactments und Preenactments in Kunst und Wissenschaft. Transcript Theater . transcript Verlag, Germany, 179 -198. ISBN 978-3-8376-4602-3. E-ISBN 978-3-8394-4602-7. (doi:10.14361/9783839446027-012) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:84679)

Cavallo, Francesca Laura (2020) Sensing it Coming: Regarding the Aesthetics of Risk. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:84691)

Chan, Kim-Mui Eileen (2007) Recent Hong Kong cinema and the generic role of film noir in relation to the politics of identity and difference. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86463) (KAR id:86463)

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Charalambous, Charalambos (2012) The truth-machine: continuity and the ontology of the moving image of cinema. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86497) (KAR id:86497)

Chatziiosifidis, Stelios (2012) Tracing the idea in Schoenberg's Violin Concerto: an interpretation through performance practice, analysis and recording analysis. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.100518) (KAR id:100518)

Chirapiwat, Natcha (2023) 'Play Up the Asianness': A history of East and Southeast Asian stereotypes in Western comedy and how contemporary ESEA stand-up comedians engage with them. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.100838) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:100838)

Chodzko, Adam (1997) 3 wege zum see: Group exhibition. 3 wege zum see, 1997, Künstlerhaus Klagenfurt, Austria. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47437)

Chodzko, Adam, ed. (2007) Adam Chodzko. Museo d'Arte Moderna di Bologna and Skira, 125 pp. ISBN 978-88-6130-566-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12986)

Chodzko, Adam (2007) Aernout Mik File Note. Other. Camden Arts Centre, ISBN: 1900470683 (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12987)

Chodzko, Adam (2011) Again, A Time Machine. Again, A Time Machine: Make the Living Look Dead, 16 September to 9 October 2011, Spike Island, Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47309)

Chodzko, Adam (2009) Altogether Elsewhere: Group Exhibition. Altogether Elsewhere, October 16–19, 2009, Zoo Art Fair, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47323)

Chodzko, Adam (2010) Apocalypse Now: Krowswork Group Exhibition. Apocalypse Now, 2010, Hot Springs Documentary Festival, Oakland, California. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47314)

Chodzko, Adam (2014) Around: Group Exhibition Time Travel and the Interzone City, Sci-Fi: Days of Fear and Wonder. BFI,Southbank,London. October - November 2014. Around, BFI Southbank, London. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47259)

Chodzko, Adam (2014) Art Moves: Ghost. Performance type: Live play , 20 - 21 September 2014, Olympic Park, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47580)

Chodzko, Adam (2009) Artworks (for sale in exchange for visitors ideas). Artworks (for sale in exchange for visitors ideas), 29 May – 16 August 2009, Wilkinson Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47325)

Chodzko, Adam (2013) Assembly: A survey of recent artists’ film and video in Britain 2008–2013. Assembly: A survey of recent artists’ film and video in Britain 2008–2013, Saturday 23 November 2013 – Saturday 15 March 2014, Tate Britain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47269)

Chodzko, Adam (1997) At one remove: Group Exhibition. At one remove, 1997, Henry Moore Institute, Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47446)

Chodzko, Adam (2010) BLOOD TEARS FAITH DOUBT: Historical & Contemporary encounters. BLOOD TEARS FAITH DOUBT, 17 June – 18 July 2010, Courtauld Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47315)

Chodzko, Adam (2003) Bad Behaviour: Group Exhibition. Bad Behaviour, 7 November 2003 - 27 February 2005, Longside Gallery, Yorkshire Sculpture Park. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47375)

Chodzko, Adam (2013) Because…Schwitters in Britain Group exhibition Examining the late work of Kurt Schwitters. Schwitters in Britain, 30 January – 12 May 2013, Tate Britain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47281)

Chodzko, Adam (2003) Better Scenery. Billboards and photographs. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2223)

Chodzko, Adam (2002) Better Scenery: Solo Exhibition. , Plains Art Museum, Fargo, North Dakota. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47121)

Chodzko, Adam (2007) Beyond The Country - Group Exhibition. Beyond The Country, 26th October 2007 - 3rd February 2008, Glucksman Gallery, Cork. Number of pieces: 1. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12985)

Chodzko, Adam (2007) Breaking Step - Group Exhibition. Breaking Step, 24th March - 10th June 2007, Museum of Contemporary Art, Belgrade. Number of pieces: 10. Mixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12983)

Chodzko, Adam (2001) Bright Paradise: Exotic History and Sublime Artifice Group Exhibition. Bright Paradise: Exotic History and Sublime Artifice, 3 March - 4 June 2001, 1st Auckland Triennial, Auckland Art Gallery, New Zealand. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47388)

Chodzko, Adam (1996) Brilliant: Group Exhibition. Brilliant, 1996, Contemporary Art Museum, Houston, Texas. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47447)

Chodzko, Adam (2005) British Art Show 6: Group Exhibition. British Art Show 6, 24 Sept 2005 - 8 Jan 2006, Baltic, Newcastle, touring to Manchester, Nottingham and Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47359)

Chodzko, Adam (1996) British Waves: Group Exhibition. British Waves, Rome. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47450)

Chodzko, Adam (2003) Cell-a. Single-screen slide projection of 81 x 35mm B&W images. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2222)

Chodzko, Adam (2010) Cinecity: Brighton Festival Group Exhibition. Cinecity, 18th November - 5th December, Brighton festival. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47313)

Chodzko, Adam (1991) City Racing: Group Exhibition. , City racing, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47548)

Chodzko, Adam (2005) Dance of the Seven Veils: Group Exhibition. Dance of the Seven Veils, 2005, Cooper Gallery, University of Dundee. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47348)

Chodzko, Adam (2009) The Dark Monarch: Magic and modernity in British art Group Exhibition. The Dark Monarch, 9 October. 2009-10 January 2010, Tate St Ives touring to Towner Gallery, Eastbourne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47324)

Chodzko, Adam (2004) Design for a Carnival: Solo Exhibition. , Els Hanappe Underground, Athens. Greece. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47118)

Chodzko, Adam (2005) Displacements: British Art 1900–2005 Group Exhibition. Displacements: British Art 1900–2005,, 2005, Tate Britain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47356)

Chodzko, Adam (2000) Dreammachines: Group Exhibition "Night Visions". Dreammachines, Dundee Centre for Contemporary Art, touring to Mappin Gallery, Sheffield; Camden Art Centre, London; Glyn Vivian Art Gallery, Swansea. Video Projection. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47393)

Chodzko, Adam (2012) ESQUIVALIENCE:Hole,2007 Group Exhibition Mistaken Presence. ESQUIVALIENCE, 29 Jun 2012 – 13 Aug 2012, GreyFrairs, Lincoln. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47284)

Chodzko, Adam (2003) Electric Earth the State Russian Museum, St Petersburg: British Council curated Group Exhibition. Electric Earth, 2003, the State Russian Museum, St Petersburg, touring Russia, and Lithuania. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47371)

Chodzko, Adam (2009) English Lounge: A Group Show of British Contemporary Art Group exhibition. English Lounge, 16 March 2009 -26 April /2009, Tang Contemporary Art, Beijing. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47330)

Chodzko, Adam (2008) Fact or Friction: Group Exhibition. Fact or Friction, 2008, Vox Populi, Philadelphia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47357)

Chodzko, Adam (2006) Fire: Group Exhibition. Fire, 2006, Galleria Franco Noero, Turin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47343)

Chodzko, Adam (2009) For the Straight Way is Lost. For the Straight Way is Lost, 13 June – 4 October 2009, Athens Biennale, Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47327)

Chodzko, Adam (2000) Found Wanting: Group Exhibition. Found Wanting, 2000, Contemporary Art Galleries Atlanta. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47394)

Chodzko, Adam (2010) Future Fictions: Group Exhibitions. Future Fictions, 2010, Latitude Contemporary Art, Latitude Festival. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47358)

Chodzko, Adam (2007) Gallery Exchange - Group Exhibition. Gallery Exchange, 22nd September - 20th October 2007, Neue Alte Brücke, Frankfurt. Number of pieces: 1. Mixed Media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12984)

Chodzko, Adam (2010) The Gathering: Group Exhibition. The Gathering, 4 March – 18 April 2010, Longside Gallery, Yorkshire Sculpture Park. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47317)

Chodzko, Adam (2005) General Ideas: Group Exhibition. General Ideas, 2005, CCA Wattis Institute for Contemporary Arts, San Francisco. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47360)

Chodzko, Adam (2012) Getting it Wrong: Group Exhibition. Getting it Wrong, 2012, Weisses Haus, Vienna. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47302)

Chodzko, Adam (2013) Ghost: Art in Romney Marsh, an annual visual arts festival Group Exhibition. Ghost, 20-21, 27-28 September 4-5 11-12 October 2014, Romney Marsh, Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47271)

Chodzko, Adam (2013) Ghost: The Urgency of Rivers and the Role of Contemporary Art. Performance type: Other , 8 – 12 January 2013, Peninsula Arts Gallery at Plymouth University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47599)

Chodzko, Adam (2009) Gone To Earth:Born Again Pagan Group Exhibition. Gone To Earth, 2nd May - 27th June 2009, Isis gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47326)

Chodzko, Adam (2010) Here, There and Everywhere: Group Exhibition. Here, There and Everywhere, 2010, Towner Gallery, Eastbourne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47320)

Chodzko, Adam (2007) Hole & M-path. Installation/Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2224)

Chodzko, Adam (2004) How would you light heaven?: Group Show, Solo Exhibition. , Carlier Gebauer, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47117)

Chodzko, Adam (2012) IN THE BELLY OF THE WHALE (ACT III) Group Exhibition. IN THE BELLY OF THE WHALE (ACT III), 2nd March - 17th June 2012, Montehermoso, Vitoria-Gasteiz, Spain. Vinyl Record. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47303)

Chodzko, Adam (2003) In Good Form: Group Exhibition. In Good Form, 27 June – 19 October 2003, Longside Gallery, Yorkshire Sculpture Park. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47373)

Chodzko, Adam (2003) Independence: Group Exhibition. Independence, South London Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47376)

Chodzko, Adam (1992) Instructions Received: Group Exhibition. , Gio Marconi, Milan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47494)

Chodzko, Adam (1997) It Always Jumps Back and Finds its Own Way: Group Exhibition. It Always Jumps Back and Finds its Own Way, Stichting de Appel, Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47428)

Chodzko, Adam (2009) Journeys With No Return. Journeys With No Return, 2009, Akbank, Istanbul Biennale. still images. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47318)

Chodzko, Adam (2010) Journeys With No Return, Second Tour. Journeys With No Return, 2010, A-Foundation, London & Galerie Kurt-Kurt, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47319)

Chodzko, Adam (2014) Knots: Group Exhibition. Knots, 01/12/2014 - 07/12/2014, Les Rencontres Internationales, Paris. Experimental fiction. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47258)

Chodzko, Adam (2010) Kraftwerk Religion: Über Gott und die Menschen Group Exhibition. Kraftwerk Religion, 2. 10. 2010 - 5. 6, 2011, Deutsches Hygiene-Museum, Dresden. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47321)

Chodzko, Adam (2013) LOOP 2013:Knots: Group Exhibition. Loop 2013, 5,6,7th June 2013, Barcelona. single screen video with sounds, 10'. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47276)

Chodzko, Adam (2005) Le Voyage Intérieur: Group Exhibition. Le Voyage Intérieur, 16 Nov 2005 - 5 march 2006, Espace EDF Electra, Paris, France. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47363)

Chodzko, Adam (2014) Leaping the Fence: Group Exhibition. Leaping the Fence,, Hestercombe, Somerset. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47265)

Chodzko, Adam (2013) Life in Film: Frieze. Frieze, (158). pp. 62-63. ISSN 0962-0672. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47133)

Chodzko, Adam (2003) Life is Beautiful: Group Exhibition. Life is Beautiful, 2003, Laing Art Gallery, Newcastle upon Tyne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47378)

Chodzko, Adam (2001) Limbo Land. DVD Installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2221)

Chodzko, Adam (2002) Limbo Land and A Place for 'The End': Solo Exhibition. , Arizona State University Art Museum, Tempe, Arizona. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47122)

Chodzko, Adam (2001) 'Limbo Land': Solo Exhibition. 'Limbo Land', 24/11/2001 - 22/12/2001, Els Hanappe Underground, Athens. DVD and sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47249)

Chodzko, Adam (2001) Liquor: Group Exhibition. Liquor, 2001, Trafo Galeria, Budapest. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47390)

Chodzko, Adam (2011) Loophole to Happiness: Group Exhibition. Loophole to Happiness, 25. 5. 2011 – 7. 8. 2011, Museum of Contemporary Art, Lodz, & Futura Centre for Contemporary Art, Prague & AMT Projects. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47311)

Chodzko, Adam (2007) MAMbo - Solo Exhibition. MAMbo - Solo Exhibition, December 2007 - February 2008, Museo d’Arte Moderna di Bologna, Bologna. Number of pieces: 3. Mixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12982)

Chodzko, Adam (2011) Made in Britain. Made in Britain, 2011, touring exhibition created in partnership with the Sichuan Provincial Museum, Xi'an Art Museum, Hong Kong Heritage Museum and Suzhou Museum.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47301)

Chodzko, Adam (2008) Martian Museum of Terrestrial Art. Martian Museum of Terrestrial Art, 6 March 2008 - 18 May 2008, Barbican Art Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47331)

Chodzko, Adam (2003) Micro/Macro: British Art 1996–2002 Group Exhibition British Council curated. , 2003, Mucsarnok Kunsthalle, Budapest. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47372)

Chodzko, Adam (2005) Monuments for the USA: Group exhibition. Monuments for the USA, April 07, 2005 to May 21, 2005, CCA Wattis Institute for Contemporary Arts, San Francisco and White Columns, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47349)

Chodzko, Adam (2013) More Than I Dare Think About: Works With Paper Group exhibition. More than I dare to think about - works with paper, 26-07-2013 - 07/09/2013, Marlborough Contemporary, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47272)

Chodzko, Adam (2005) Moving Home: Six Artists, Six Rooms Group Exhibition. Moving Home: Six Artists, Six Rooms,, 2005, Towner Art Gallery, Eastbourne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47364)

Chodzko, Adam (2002) Networks: Group Exhibition. Networks, 2002, Chapter Art Centre, Cardiff and touring to Fruitmarket Gallery, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47383)

Chodzko, Adam (2012) Night Shift: MADE IN BRITAIN. Made in Britain – Contemporary Art from the British Council Collection 1980 – 2010, 15 Feb 12 - 22 Apr 12 , 01 Jun 12 - 05 Aug 12, Benaki Museum, Athens, touring to Albanian National Gallery of Arts, Tirana. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47310)

Chodzko, Adam (1999) Nightvision: Solo Exhibition. , Ikon Gallery, Birmingham. PHotography, Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47253)

Chodzko, Adam (2004) Off the Beaten Track: Group Exhibition. Off the Beaten Track, 13 March - 16 May 2004, Longside Gallery, Yorkshire Sculpture Park. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47366)

Chodzko, Adam (1993) Okay Behaviour: Group Exhibition. , 303 Gallery, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47491)

Chodzko, Adam (2002) On a Clear Day: Group Exhibition. , Sophienholm, Lyngby-Taarbæk, Denmark. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47382)

Chodzko, Adam (2009) PLOT/09. PLOT/09 This World & Nearer Ones, 2009, Governors Island, New York, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47329)

Chodzko, Adam (2005) Pasolini e noi. Pasolini e noi, December 15, 2005 - February 12, 2006, Archivio di Stato in the Royal Palace, Turin and the Istituto Nazionale Per La Grafica, Rome. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47365)

Chodzko, Adam (2012) People and Places: The Pickers(2009)Group exhibition. The Pickers (2009), 2012-2014, The Beaney, House of Art and Knowledge, Canterbury, Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47285)

Chodzko, Adam (2014) Performance as Sculpture: Group Exhibition. Performance as Sculpture, March 19. March 23, 2014, Uovo festival, Milan. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47263)

Chodzko, Adam (2013) The Pickers: Group Exhibition. The Pickers, 16 May to 12 June 2013, Marlborough Gallery, Barcelona. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47275)

Chodzko, Adam (2010) Pier Paolo Pasolini. Pier Paolo Pasolini: We Are All In Danger, 3 November – 1 December 2010, Australian Cinémathèque at the Gallery of Modern Art in Brisbane. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47322)

Chodzko, Adam (2002) Plan for a Spell: Solo Exhibition. , Fabrica, Brighton. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47119)

Chodzko, Adam (2006) Please close the gate. Please close the gate, 2006, New Art Centre, Roche Court, Wiltshire. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47339)

Chodzko, Adam (2008) Print the Legend: The Myth of the West Group Exhibition. Print the Legend, 1 March – 4 May 2008, Fruitmarket Gallery, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47333)

Chodzko, Adam (2014) Private Utopia: Contemporary Art from the British Council Collection. Private Utopia, Tokyo Station Gallery touring to Itami City Museum of Art, Kochi Museum of Art, and Okayama Museum of Art. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47267)

Chodzko, Adam (2011) The Profane Myth. The Profane Myth - The Mining Institute, 20 October - 22 November 2011, Newcastle upon Tyne. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47307)

Chodzko, Adam (2008) Proxigean Tide. Proxigean Tide, 24/5/08-21/9/08, Tate St Ives. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4626)

Chodzko, Adam (2008) Pyramid. Folkestone Triennial ‘Tales of Time and Space’, 14/6/08-14/9/08, Folkestone. Video Installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4628)

Chodzko, Adam (2000) Reunion: Salò: Solo Exhibition. , 18/1/2000 - 19/2/2000, Accademia Britannica, Roma. video, photography and installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47251)

Chodzko, Adam (2014) Rising. Rising, National Maritime Museum. atmospheric audio work. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47256)

Chodzko, Adam (2013) Rising: The Future of the Race. Performance type: Video/Film (documentary) , Newcastle. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47598)

Chodzko, Adam (2004) Romantic Detachment: Group Exhibition. Romantic Detachment, 2004, PS1, NY, touring to Chapter Art Gallery, Cardiff. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47369)

Chodzko, Adam (2013) Room for Laarni, Image Moderator: Solo Exhibitions. , Marlborough Contemporary, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47105)

Chodzko, Adam (2005) Seeing God: Group Exhibition. Seeing God, 2005, Museum of Fine Arts of Thurgau, Kartause Ittingen, Warth, Switzerland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47362)

Chodzko, Adam (2013) Shortcuts & Digressions: untitled teenage stile (1992): Contemporary Sculpture from the Arts Council Collection Group exhibition: Contemporary Sculpture from the Arts Council Collection Group exhibition. Shortcuts & Digressions: Contemporary Sculpture from the Arts Council Collection, 11 May – 8 September 2013, Norwich Castle Museum and Art Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47280)

Chodzko, Adam (2005) Showcase: Group Exhibition. Showcase, 2005, City Art Centre, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47346)

Chodzko, Adam (1999) Sleuth: Group Exhibition. Sleuth, 1999, ffotogallery, Cardiff. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47404)

Chodzko, Adam (2001) Solo Exhibition. , 20/09/2001 - 10/11/2001, Galleria Franco Noero, Turin Italy. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47250)

Chodzko, Adam (1999) Solo Exhibition. , 16 Apr - 16 May 1999, Galleria Franco Noero, Turin, Italy. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47252)

Chodzko, Adam (1998) Solo Exhibition. , 1998, Viewpoint Gallery, Salford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47254)

Chodzko, Adam (2007) Solo Exhibition. Solo Exhibition, 26th January - 4th March 2007, Signal, Malmö, Sweden. Number of pieces: 4. Mixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12980)

Chodzko, Adam (1998) Solo Exhibition: Gallery II, University of Bradford. , 5th - 29th May 1998, Gallery II, University of Bradford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47231)

Chodzko, Adam (1996) Solo Exhibition: Lotta Hammer Gallery. , 1996, Lotta Hammer, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47255)

Chodzko, Adam (2011) Solo Exhibition: Neue Alte Brucke. , Frankfurt. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47114)

Chodzko, Adam (1998) Solo Exhibition: Northern Gallery of Contemporary Art, Sunderland. , Northern Gallery of Contemporary Art, Sunderland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47233)

Chodzko, Adam (2010) Solo Exhibition: SIAKOS.HANAPPE House of Art. , Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47115)

Chodzko, Adam (2014) Somewhat Abstract: Group Exhibition. Somewhat Abstract, 11 Apr 2014 - 28 Jun 2014, Nottingham Contemporary. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47262)

Chodzko, Adam (2001) Soon: Solo Exhibition. Soon, 7th September 2001 - 10th October 2001, Sandroni.Rey Gallery, Venice, California. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47132)

Chodzko, Adam (2014) Spare Room: Thinking City. Performance type: Video/Film (fiction) , 02 October 2014, 6.30pm, Liverpool Biennale, Liverpool. film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47579)

Chodzko, Adam (2003) Strangers to Ourselves: Solo Exhibition. , Herbert Read Gallery, KIAD, Canterbury. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47116)

Chodzko, Adam (2000) Tabley: Group Exhibition. Tabley, 2000, Tabley House, Cheshire. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47399)

Chodzko, Adam (2008) Tales of Time and Space: Group Exhibition. Tales of Time and Space, 14 June to 14 September 2008, Folkestone Triennial, Folkestone, Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47332)

Chodzko, Adam (2007) "Then" - Solo Exhibition. Then, 16th November 2007 - 13th January 2008, Dublin City Gallery The Hugh Lane and various sites across Dublin. Number of pieces: 4. Mixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12981)

Chodzko, Adam (2011) To Pay Respect to the Generosity of the Three-Minute Punk-Rock Song: Group Exhibition. To Pay Respect to the Generosity of the Three-Minute Punk-Rock Song, 19 Nov 2011 – 18 Dec 2011, Margate. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47306)

Chodzko, Adam (2004) Tonight: Group Exhibition. Tonight, 2004, Studio Voltaire, London, Sandroni.Rey, LA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47367)

Chodzko, Adam (2006) Unfinished Business: Group Exhibition. Unfinished Business, Museum of Contemporary Art, Belgrade. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47341)

Chodzko, Adam (2005) Video Spirit: Mysteries, Myths, Meditations & the Moving Image Group Exhibition. Video Spirit: Mysteries, Myths, Meditations & the Moving Image, 2005, Cheekwood, Nashville. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47361)

Chodzko, Adam (2009) Vlassis Caniaris: In Contrapunto Group Exhibition. Vlassis Caniaris, 13 May – 19 July 2009, ITYS, Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47328)

Chodzko, Adam (2000) Waiting: Group Exhibition. Waiting, 2000, Mjellby Konstgård, Sweden. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47397)

Chodzko, Adam (2010) Whitstable Biennale: Ghost, Echo and The Pickers. Whitstable Biennale, 19th June - 4th July 2010, Whitstable, Kent. video installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47316)

Chodzko, Adam (1998) Wrapped: Group Exhibition. Wrapped, Vestjælands Kunstmuseum, Sorø, Denmark. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47415)

Chodzko, Adam (2013) You'll see; next time it'll be different. , Benaki Museum Piraios Street Annexe, Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47106)

Chodzko, Adam (2002) cell-a 2006: Solo Exhibition. , Cubitt, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47120)

Chodzko, Adam (2013) ‘…how is it towards the east?’ Group exhibition. ‘…how is it towards the east?’, 01 May - 02 June 2013, Calvert 22 Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47283)

Chodzko, Adam (1998) A to Z: Group Exhibition. A to Z, 2nd April 1998 - 3rd May 1998, The Approach Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47413)

Chodzko, Adam and Antille, Emmanuelle and Antoni, Janine and Bassanini, Katia and Bonvicini, Monica and Flückiger, Edith and Gerosa, Gabriella and Walpen, Sibylla and Visser, Barbara and Oertli, Christoph and Küng, Max and Leutenegger, Zilla and Köppl, Zacek and Hofer, Susanne and Halter, Marianne (2001) Helle Nächte: Projections. Helle Nächte, 21/22 September 2001, Bottmingen, Baselland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47391)

Chodzko, Adam and Aranberri, Ibon and Buchannan, Roderck and García, Dora and Wood, John and Harrison, Paul (2014) Bergé Collection: 'A Place For the End'. Bergé Collection, 29/05/2014 - 10/06/2014, Real Círculo Artístico de Barcelona, Loop Festival, Barcelona. Video Art. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47261)

Chodzko, Adam and Atkinson, Ewan and Boyce, Sonia and Gordon, Leah and Griffith, marlon and Rime, Marie and Theuring, Corinna (2014) Alles Maskerade!Group Exhibition. Alles Maskerade!, 22/11/2014 - 22/02/2015, MEWO Kunsthalle, Memmingen, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47257)

Chodzko, Adam and Banner, Fiona and Chapman, Jake & Dinos and Dalziel, Matthew and Dean, Tacita and Wyn Evans, Cerith and Floyer, Ceal and Gidley, Tom and Gordon, Douglas and Gunning, Lucy and Hume, Gary and Irvine, Jaki and Scullion, Louise and Taylor-Wood, Sam and Wilson, Jane & Louise and Wright, Elizabeth (1995) General Release: Young British Artists Group Exhibition. , British Council selection for Venice Biennale, Scoula San Pasquale, Venice. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47454)

Chodzko, Adam and Beech, Dave and Cook, Maria and Creed, Martin and Doig, Peter and Higgs, Matthew and Lewin, Sivan and Stezaker, John (1995) Zombie Golf:Group Exhibition BANK. Zombie Golf, Bank, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47453)

Chodzko, Adam and Billingham, Richard and Curtis, Layla and Dawood, Shez and Day, Corinne and Golden, Pamela and Hunter, Tom and Kennard, Peter and Lewis, Andrew and Lucas, Sarah and Luxemburg, Rut Blees and Maybank, Hannah and Parr, Martin and Pollard, Ingrid and Starkey, Hannah and Stewart, Christopher and Shaw, George and Syed, Alia and Wallinger, Mark (2002) Location: UK Group Exhibition. Location: UK, 24 July - 7 September 2002, Gimpel Fils, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47380)

Chodzko, Adam and Bismuth, Pierre and Blondeel, Maria and de Boer, Manon and Bournigault, Rebecca and Curran, Michael and Emin, Tracey and García, Dora and Gonzalez-Foerster, Dominique and Gordon, Douglas and Grigely, Joseph and Huyghe, Pierre and Kool, Renee and Lamelas, David and Matthys, Kobe and van Riessen, Wouter and Wilson, Ian (1996) Perfect: Group Exhibition. Perfect, 03/07/96 - 03/08/96, Jan Mot and Oscar van den Boogaard, Brussels. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47449)

Chodzko, Adam and Bond, Henry and Declerq, Alain and Deutsch, David and Waha, Serge De and Doherty, Willie and Framis, Alicia and Lee, Hatty and Nicolson, Seamus and McCaslin, Matthew and Rickett, Sophy and Schneider, Stefanie (2001) Night on Earth: Group Exhibition. Night on Earth, Städtische Ausstellungshalle Am Hawerkamp, Münster. photographs and videoworks. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47389)

Chodzko, Adam and Bond, Terrence and Gidley, Thomas and Gordon, Douglas and Hammick, Magnus and Lewandowska, Marysia and Martin, Jason and Patterson, Simon (1993) Wonderful Life: Group Exhibition. Wonderful Life, 17 July – 16 October 1993, Lisson Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47492)

Chodzko, Adam and Bornstein, Jennifer and Buchanan, Roderick and Lorca-diCorcia, Philip and Laderman Ukeles, Mierle and Jaar, Alfredo (2000) FaceOn: Group Exhibition. Face On, 9 September - 28 October 2000, Site Gallery, Sheffield touring to Milton Keynes Gallery; Open Eye Gallery, Liverpool; Stills, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47400)

Chodzko, Adam and Bradley, Slater and Chan, Paul and Charlesworth, Sarah and Mehretu, Julie and Steen, Brent and Zmijewski, Artur (2006) Belief and Doubt: Group Exhibition. Belief and Doubt, 2006, The Aspen Art Museum, Colorado. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47344)

Chodzko, Adam and Buckingham, Matthew and Dean, Tacita and Boer, Manon de and Hugonnier, Marine and Newman, Hayley and Sandison, Charles and Sawyer, Mathew and Ohanian, Melik and Gordan, Douglas (2005) Documentary Creations: Group Exhibition. Documentary Creations, 26 Feb - 29 May 2005, Kunst Museum, Luzern, Switzerland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47347)

Chodzko, Adam and Carne, Sarah and Coley, Nathan and Curtis, Layla and Himid, Lubaina and Waring, Sarah (2002) Fabrications: New Art and Urban Memory Group Exhibition. Fabrications, 11 September - 2 November 2002, Cube Gallery, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47381)

Chodzko, Adam and Carvalho, Melanie and Housley, Paul and Donachie, Kaye and Harrison, Lucy (1999) The Poster Show. The Poster Show, 1999, Gavin Brown Enterprises, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47405)

Chodzko, Adam and Chapman, Jake & Dinos and Collishaw, Mat and Emin, Tracey and Harvey, Marcus and Hirst, Damien and Hume, Gary and Landy, Michael and Lane, Abigail and Lucas, Sarah and Mueck, Ron and Ofili, Chris and Patterson, Richard & Simon and Quinn, Marc and Rae, Fiona and Taylor-Wood, Sam and Turk, Gavin and Wearing, Gillian and Whiteread, Rachel (1997) Sensation: Group Exhibition. Sensation, 18 September – 28 December 1997, Royal Academy, London, touring to Museum für Gegenwart, Berlin; Brooklyn Museum of Art, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47438)

Chodzko, Adam and Coleman, James and de Boer, Anneke and Walker, Zoe and Dean, Tacita and Jan Ader, Bas and Boodtgaers, Marcel and Hill, Gary and Fishi, & Weiss (2000) Somewhere Near Vada: Group Exhibition. Somewhere Near Vada, Project Art Centre, Dublin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47395)

Chodzko, Adam and Coles, Sadie and Lloyd, Hilary and Dowson, Steven and Rothschild, Eva (2001) The seat with the clearest view,: Group Exhibition. The seat with the clearest view,, Grey Matter Contemporary Art, Sydney. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47387)

Chodzko, Adam and Cornford, & Cross and Macuga, Goshka and Parris, Janette and Roush, Paula (2004) Perfectly Placed: Group Exhibition 'Settlement'. Perfectly Placed, 6-29 August 2004, South London Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47368)

Chodzko, Adam and Cristea, Alan and Wilson, Keith and Dawson, Ian and Fletcher, Carroll (1999) Holding Court: Group Exhibition. Holding Court, 1999, Entwistle, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47403)

Chodzko, Adam and Dean, Mark and Sinclair, Ross and Gordon, Douglas and Fagen, Graham and Gussin, Graham and Buchannan, Roderck and Mackie, Christina and Weiler, Carl Von and Macleod, Kenny (2000) Black Box Recorder: Group Exhibition. Black Box Recorder, 15 July-20 September 2000., Museum Ludwig, Cologne, touring to Croatia, and the Czech Republic. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47398)

Chodzko, Adam and Dodds, Andrew and Large, Kelly and Van Harskamp, Nicoline (2012) Among Other Things: Group Exhibition. Among Other Things, 10 January – 10 February 2012, Camberwell Space, Camberwell College of Arts, london. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47305)

Chodzko, Adam and Douglas, Stan and Macgill, Elizabeth (2000) Places in Mind: Group Exhibition. Places in Mind, 2000, Ormeau Baths Gallery, Belfast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47402)

Chodzko, Adam and Eggebert, Anne (1994) Remote Control: Group Exhibition. Remote Control, Royal College of Art, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47457)

Chodzko, Adam and Egolf, Gretchen and Collar, Beth and Peake, Florence and Judd, Ben and Becker, Paul and Pedraglio, Francesco and Macbeth, Rory and Whittlesea, Ian and Birch, Rebecca and Smith, Rob (2014) Scene on a Navigable River. Performance type: Live play , 9 – 15 July 2014, Field Broadcast, Dedham Vale, Suffolk. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47581)

Chodzko, Adam and Eichhorn, Maria and Knowles, Eddy and Price, Elizabeth (2006) One Brief Moment: Group Exhibition. One Brief Moment, January 11 - February 18, 2006, Apexart, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47334)

Chodzko, Adam and Eide Einarsson, Eide and Fontaine, Claire and Gordon, Douglas (2012) Notes from Nowhere: Group Exhibition. Notes from Nowhere, 6th May – 3rd June 2012, Frome, Somerset. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47286)

Chodzko, Adam and Emin, Tracey and Shrigley, David and Starkey, Hannah (1998) Real Life: Group Exhibition. Real Life, Galleria S.A.L.E.S., Rome. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47414)

Chodzko, Adam and Feriancova, Petra and Halilaj, Petrit and Rui An, Ho and Lempert, Jochen and Maak, Flo and Marker, Chris and Meuris, Wesley and Murphy, Ciarán and Safavi, Vanessa and Schmid, Julia and Shiel, Sonia and van Beek, Ruth (2014) Fieldworks: Animal Habitats in Contemporary Art. Fieldworks, 1 August – 2 November 2014, Lewis Glucksman Gallery University College Cork. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47260)

Chodzko, Adam and Fox, Jason and Periton, Simon and Borland, Christine and Millar, Neil and Palacin, Mabel and Miller, Lee and Marshall, Darren (1996) 21 Days of Darkness: Group Exhibition. 21 Days of Darkness, Transmission Gallery, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47448)

Chodzko, Adam and Gearon, Tierney and Goldin, Nan and Gursky, Andreas and Sherman, Cindy (2001) I am a Camera: Group Exhibition. , Jan - Mar 2001, Saatchi Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47384)

Chodzko, Adam and Grasso, Laurent and Deshayes, Nicholas and Mackinnon, Lee and Mundt, Wilhelm (2006) From There. From There, 9 June – 22 July 2006, Bloomberg Space, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47340)

Chodzko, Adam and Gussin, Graham and Wilson, Jane & Louise and Starling, Simon and Hapaska, Siobhan and Murphy, Stephen and Dean, Tacita (1999) ARTIFICE: Group Exhibition. ARTIFICE, 24.6-11.10/1999, DESTE FOUNDATION, NEO PSYCHICO, ATHENS. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47396)

Chodzko, Adam and Hapaska, Siobhan and Roberts, Maggie and Lowe, Colin and Lloyd, Hilary and Higgs, Matthew (1993) Making People Disappear: Group Exhibition. Making People Disappear, Thursday 1 April 1993 to Sunday 25 April 1993, Cubitt Street Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47458)

Chodzko, Adam and Kötting, Andrew and Finer, Jem and Rudkin, David and Sinclair, Iain and Baker, Tom and Brownlow, Kevin and Sherwin, Guy and Thew, Anna and Rowe, Doc (2003) Visionary Landscapes: Group Exhibition Adam Chodzko's ' Plan for a Spell' installation. Visionary Landscapes, 23-25 May 2003, Cecil Sharp House, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47377)

Chodzko, Adam and Liversidge, Peter (2000) Better Scenery: Group Exhibition. Better Scenery, 2000, Pand Paulus Gallery, Schiedam, The Netherlands. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47401)

Chodzko, Adam and Lowe, B and Allington, E and Baseman, J and Billingham, R and Burge, C and Camrass, L and Coutts, M and Crisp, F and Currie, A and Glanville, T and Holmwood, S and Irvine, J and Stoner, T and Trangmar, S and Turnbull, A and Uglow, G and Wallinger, M and Wilding, A and Williamson, A and Wise, K (2006) Responding to Rome: British Artists in Rome 1995-2005. Responding to Rome, 18/01/2006 - 26/03/2006, estorick Collection, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47335)

Chodzko, Adam and McNab, Janice and Tellez, Javier and Yang, Jun and Walde, Martin and Kool, Renee and Billingham, Richard and Keller, Sam and Wood, Simon and Calle, Sophie and Leutenegger, Zilla (2002) Tabu. Tabu, Saturday, January 26, 2002 - Sunday, March 17, 2002, Kunsthaus Baselland, Switzerland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47379)

Chodzko, Adam and Monchaux, Cathy de (2001) Sacred and Profane: Group Exhibition. Sacred and Profane, 2001, Mappin Art Gallery, Sheffield. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47392)

Chodzko, Adam and Patterson, Simon (1994) High Fidelity: Group Exhibition. , Kohji Ogura Gallery, Nagoya; tour to Röntgen Kunst Institut, Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47456)

Chodzko, Adam and Whiteread, Rachel and Brown, Glenn and Wearing, Gillian and Gallaccio, Anya and Chapman, Jake & Dinos and Raho, Alessandro and Emin, Tracey and Collishaw, Mat and Hume, Gary and Fairhurst, Angus and Bond, Henry and Landy, Michael and Hirst, Damien and Pippen, Steven and Starr, Georgina and Taylor-Wood, Sam and Ofili, Chris and Lucas, Sarah and Gillick, Liam and Lane, Abigail (1995) Brilliant: Group Exhibition. , 22 October 1995 - 7 January 1996, Walker Arts Center, Minneapolis. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47455)

Chodzko, Adam and large, Kelly and Dodds, Andrew and Van Harskamp, Nicoline (2013) Among Other Things, Second Showing: Group Exhibition. Among Other Things, 2 – 31 January 2013, Ruskin Gallery, Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47282)

Choi, Jinhee (2003) All the Right Responses: Fiction Films and Warranted Emotions. British Journal of Aesthetics, 43 (1). pp. 308-321. ISSN 0007-0904. (doi:10.1093/bjaesthetics/43.3.308) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14649)

Choi, Jinhee (2008) Am I Your Sidekick? Contemporary Korean Gangster Cinema, ‘Beat’ and ‘Friend’. Post Script, 27 (3). pp. 116-131. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14637)

Choi, Jinhee (2006) Apperception on Display: Structural Films and Philosophy. In: Smith, Murray and Wartenberg, Thomas, eds. Thinking Through Cinema: Film as Philosophy. Blackwell, pp. 165-172. (doi:10.1111/j.0021-8529.2006.00238.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14642)

Choi, Jinhee (2006) Apperception on Display: Structural Films and Philosophy. Journal of Aesthetics and Art Criticism, 64 (1). pp. 165-172. ISSN 0021-8529. (doi:10.1111/j.0021-8529.2006.00238.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14643)

Choi, Jinhee (2002) Chunhyang, Chunhyang, Chunhyang: Poetics of Im Kwon Taek. Asian Cinema, 13 (1). pp. 57-66. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14651)

Choi, Jinhee (2003) Fits and Startles: Cognitivism Revisited. Journal of Aesthetics and Art Criticism, 61 (2). pp. 149-157. ISSN 0021-8529. (doi:10.1111/1540-6245.00102) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14650)

Choi, Jinhee (2004) Is the Balcony Closed? Philosophy of Film sans Film. Aesthetics Newsletter, 23 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14648)

Choi, Jinhee (2005) Leaving It up to the Imagination: POV shots and Imagining from Inside. Journal of Aesthetics and Art Criticism, 63 (1). pp. 17-25. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14646)

Choi, Jinhee (2005) National Cinema, the Very Idea. In: Choi, Jinhee and Carroll, Noel, eds. Philosophy of Film and Motion Pictures. Blackwell, pp. 310-319. ISBN 978-1-4051-2027-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14644)

Choi, Jinhee (2006) Naturalizing Hollywood: Against the Naturalistic Account of the Filmic Communication. Film Studies: An International Review, (8). pp. 149-153. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14641)

Choi, Jinhee (2004) Preface to The Cinema of Japan and Korea. In: Bowyer, Justin, ed. The Cinema of Japan and Korea. Wallflower Press. ISBN 978-1-904764-11-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14647)

Choi, Jinhee (2001) A Reply to Gregory Currie on Documentaries. Journal of Aesthetics and Art Criticism, 59 (3). pp. 317-319. ISSN 0021-8529. (doi:10.1111/1540-6245.00030) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14652)

Choi, Jinhee (2008) Sentimentality and the Cinema of the Extreme. Jump Cut, (50). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14639)

Choi, Jinhee (2005) Shocking Corridors: Girls’ High School Horror Series and Female Sexuality. In: ACSS. . pp. 318-321. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14645)

Choi, Jinhee (2010) The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs. Wesleyan University Press, 260 pp. ISBN 978-0-8195-6939-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23602)

Choi, Jinhee and Frey, Mattias, eds. (2014) Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, 255 pp. ISBN 978-0-415-82125-4. (doi:10.3167/proj.2014.080208) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42193)

Choi, Jinhee and Frey, Mattias (2014) Introduction. In: Choi, Jinhee and Frey, Mattias, eds. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, pp. 1-14. ISBN 978-0-415-82125-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42202)

Christodoulou, Stylianos (2021) Ethnicity, masculinity, and the representation of Italian-American men in 70s Hollywood. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86507) (KAR id:86507)

Church Gibson, Pamela and Jeffers McDonald, Tamar E. L. (2012) Costume and Adaptation. In: Cartmell, Deborah, ed. A Companion to Literature, Film and Adaptation. Blackwell Companions to Literature and Culture . Wiley-Blackwell, Oxford, pp. 295-311. ISBN 978-1-4443-3497-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31627)

Cinquegrani, Maurizio (2019) Agnafit. . Webpage. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75520)

Cinquegrani, Maurizio (2024) Aran Diary. The Poetry of Place, 19 Feb - 05 April 2024, Studio 3 Gallery, Canterbury, Kent. Streaming. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:105046)

Cinquegrani, Maurizio (2010) The Cinematic Production of Iconic Spaces in Early Films of London. In: Koeck, Richard and Roberts, Les, eds. The City and the Moving Image: Urban Projections. Palgrave Macmillan, pp. 169-182. ISBN 978-0-230-24338-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31653)

Cinquegrani, Maurizio (2017) The Cinematic Shtetl as a Site of Postmemory. In: Penz, Francois and Koeck, Richard, eds. Cinematic Urban Geographies. Screening Spaces . Palgrave Macmillan, London, UK, pp. 137-154. ISBN 978-1-137-46830-7. E-ISBN 978-1-137-46084-4. (doi:10.1057/978-1-137-46084-4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60020)

Cinquegrani, Maurizio (2021) De Varsovia a Treblinka: un viaje documental en el tiempo y en el espacio [From Warsaw to Treblinka: a documentary journey through time and space]. In: Migliucci, Dario and López-Rodríguez, Lucía, eds. El conflicto humano: orígenes, dinámicas, secuelas y resolución de los conflictos contemporaneous [Human conflict: origins, dynamics, consequences and resolution of contemporary conflicts]. Sanz y Torres, Madrid, Spain, pp. 133-155. ISBN 978-84-18316-11-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:87058)

Cinquegrani, Maurizio (2011) Empire and the City: Early Films of London. . Tate Britain Online article. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31650)

Cinquegrani, Maurizio (2022) Film, Host War Traces and Cold War Spaces. Edinburgh University Press, Edinburgh, UK, 216 pp. ISBN 978-1-4744-7519-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91730)

Cinquegrani, Maurizio (2018) The Holocaust and the Cinematic Landscapes of Postmemory in Lithuania, Hungary and Ukraine. In: Bayman, Louis and Pinazza, Natália, eds. Journeys on Screen: Theory, Ethics, Aesthetics. First Edition. Edinburgh University Press, Edinburgh, UK, pp. 118-129. ISBN 978-1-4744-2183-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72653)

Cinquegrani, Maurizio (2018) Journey to Poland: Documentary Landscapes of the Holocaust. First Edition. Edinburgh University Press, Edinburgh, UK, 201 pp. ISBN 978-1-4744-0357-3. E-ISBN 978-1-4744-0359-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:67661)

Cinquegrani, Maurizio (2018) Multidirectional Sites of Memory in Italian Holocaust Documentaries. Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2-3 . ISSN 2365-7758. E-ISSN 2365-7758. (doi:10.17892/app.2016.0003.132) (KAR id:72654)

Cinquegrani, Maurizio (2009) The Nexus of the Empire: Early Actuality Films of London at the Turn of the Twentieth Century. Journal of British Cinema and Television, 6 (2). pp. 207-219. ISSN 1743-4521. (doi:10.3366/E1743452109000880) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31648)

Cinquegrani, Maurizio (2014) Of Empire and the City: Remapping Early British Cinema. First Edition. New Studies in European Cinema . Peter Lang, Bern, Switzerland, 319 pp. ISBN 978-3-0343-0823-6. E-ISBN 978-3-0353-9946-2. (doi:10.3726/978-3-0353-0585-2) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50335)

Cinquegrani, Maurizio (2018) О других кинопространствах: документальный фильм о Холокосте как коллекция [Of Other Cinematic Spaces: the Holocaust Documentary as a Collection]. In: Polyakova, Irina and Suvorova, Tatyana, eds. Коллекция в пространстве культуры [Collection in the Space of Culture]. First edition. Музей янтаря, Kaliningrad, Russia, pp. 17-26. E-ISBN 978-5-903920-49-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75988)

Cinquegrani, Maurizio (2014) Place, Time and Memory in Italian Cinema of the Great War. In: Löschnigg, Martin and Sokolowska-Paryz, Marzena, eds. The Great War in Post-Memory Literature and Film. First Edition, Paperback, Ebook. De Gruyter, Berin, Germany, pp. 321-334. ISBN 978-3-11-036290-9. E-ISBN 978-3-11-036302-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56939)

Cinquegrani, Maurizio (2015) Shadows of Shadows: the Undead in Ingmar Bergman's Cinema. In: Leeder, Murray, ed. Cinematic Ghosts. First edition, Ebook edition. Bloomsbury, pp. 129-142. ISBN 978-1-62892-216-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56938)

Cinquegrani, Maurizio (2006) Sjöström, Seastrom. Carteggi Hollywoodiani. In: Cinquegrani, Maurizio and Canosa, Michele, eds. La natura non indifferente Il cinema svedese di Victor Sjöström. First Edition. Cineteca di Bologna, Bologna, Italy, pp. 63-70. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56956)

Cinquegrani, Maurizio (2006) Thinking Silent Cinema and Philology: The Case of Victor Sjöström’s The Strike. In: North-West Passage. Yearly Review of the Centre for Northern Performing Arts Studies . Turin University Press, pp. 105-128. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56959)

Cinquegrani, Maurizio (2010) Travel Cinematography and the Indian City: The Imperial Spectacle of Geography at the End of the Long Nineteenth Century. Nineteenth-Century Contexts, 32 (1). pp. 65-78. ISSN 0890-5495. (doi:10.1080/08905491003704053) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31644)

Cinquegrani, Maurizio (2011) Tutto quello che è solido si dissolve nell’aria: scioperi persi, immagini perdute e ritrovate. In: Bursi, Giulio and Venturini, Simone, eds. Quel che Brucia Non Ritorna. First Edition. Campanotto Editore, Udine, Italy, pp. 238-249. ISBN 8845612183. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56947)

Cinquegrani, Maurizio (2006) Victor Sjöström: Prima dell’età dell’oro. In: Cinquegrani, Maurizio and Canosa, Michele, eds. La Natura Non Indifferente: il Cinema Svedese di Victor Sjöström. First Edition. Cineteca di Bologna, pp. 20-44. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56955)

Cinquegrani, Maurizio (2016) The cinematic city and the destruction of Lublin's Jews. Holocaust Studies: A Journal of Culture and History, 22 (2-3). pp. 244-255. ISSN 1750-4902. E-ISSN 2048-4887. (doi:10.1080/17504902.2016.1148872) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55953)

Cinquegrani, Maurizio (2011) ‘A fit of absence of mind’?: Empire and Urban Life. Early Popular Visual Culture, 9 (4). pp. 325-336. ISSN 1746-0654. (doi:10.1080/17460654.2011.621322) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31656)

Cioffi, Angelo Emanuele (2017) Political Cinema: A Philosophical Investigation. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.62055) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:62055)

Cioffi, Angelo, Smith, Murray (2019) Aesthetics Naturalized: An Interview with Murray Smith. Debates in Aesthetics, 14 (1). ISSN 2514-6637. (KAR id:75146)

Claydon, E. Anna (2003) Masculinity and the sixties British film. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94273) (KAR id:94273)

Clayton, Alex (2007) The Body In Hollywood Slapstick. McFarland and Co, Inc, 237 pp. ISBN 978-0-7864-3063-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2226)

Clayton, Alex (2007) Music In The Style Of Jean Reoir. Cineaction, 66 . pp. 61-72. ISSN 0826-9866. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2225)

Cochrane, P. (1994) Future Networks. BT Technology Journal, 12 (2). pp. 9-13. ISSN 1358-3948. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20457)

Cochrane, P., Heatley, D.J.T. (1994) Reliability Aspects of Optical-Fiber and Networks. BT Technology Journal, 12 (2). pp. 77-92. ISSN 1358-3948. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20458)

Cochrane, P., Heckingbottom, R., Heatley, C. (1994) The Hidden Benefits of Optical Transparency. IEEE Communications Magazine, 32 (9). pp. 90-97. ISSN 0163-6804. (doi:10.1109/35.312851) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20459)

Coelho, Conrad, Menon, Shobha (2020) Online Dance Training in a Social Distancing Environment: Examining Preferences of Latin and Ballroom Dancers. Dance Education in Practice, 6 (4). pp. 23-29. ISSN 2373-4833. (doi:10.1080/23734833.2020.1831856) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:103641)

Collier, Richard J, Ntui, J.A (1994) In-Vivo Measurements of the Phase Constants of Transerse Mechnical Waves in a Human Tibia from 100-HZ TO 1000-HZ. Medical Engineering & Physics, 16 (5). pp. 379-383. ISSN 1350-4533. (doi:10.1016/1350-4533(90)90004-R) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20460)

Colombo, Marta (2024) Theatricality and the Endgames of Sculpture in the Work of Alik Cavaliere, 1960-1989. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.105438) (KAR id:105438)

Colthup, Heidi A. (2023) The Penny Arcade. New Writing: The International Journal for the Practice and Theory of Creative Writing, 21 (1). pp. 69-72. ISSN 1479-0726. E-ISSN 1943-3107. (doi:10.1080/14790726.2023.2277437) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:103629)

Connolly, Stephen (2018) The Spatial Cinema: An Encounter between Lefebvre and the Moving Image. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:68457)

Conyne, George R. (1992) Explaining American Politics - Williams,R. Journal of American Studies, 26 (2). p. 289. ISSN 0021-8758. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22527)

Conyne, George R. (1992) Public-Law and Democracy in the United-Kingdom and the United-States of America - Craig,P. Journal of American Studies, 26 (2). pp. 300-301. ISSN 0021-8758. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22528)

Cooper, Chloe and Walduck, Jackie (2020) Dissolve Liquid Muck. Southwark Park Galleries Item format: Digital print and music stream. (KAR id:84821)

Cowie, Elizabeth (2006) ‘The Art of Paranoia’. In: Pajdic, Predrag and Pasolini, Antonio and Ryan, Paul, eds. Paranoia. Southend/Leeds/London, London, pp. 138-148. ISBN 139780955330902. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2991)

Cowie, Elizabeth (2003) Cinematic dream-work of Ingmar Bergman’s Wild Strawberries. In: Sabbadini, Andrea, ed. The Couch and the Silver Screen. Psychoanalytic Analytic Reflections on European Cinema. Brenner-Routledge, pp. 181-201. ISBN 1-58391-952-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1175)

Cowie, Elizabeth (2012) Citizenship, agency and subjectivity: art, documentary, and politics. Other. Manchester Univeristy Press, Manchester (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31729)

Cowie, Elizabeth (2010) Das Verhältnis von Unterhaltung und Erkenntnis. Schnitt, 58 (2). pp. 18-21. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26334)

Cowie, Elizabeth (1986) A Discussion of Coma. In: Brunsden, Charlotte, ed. Hollywood’s New Women. British Film Institute. ISBN 0857101558. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3010)

Cowie, Elizabeth (2011) Documentary Space, Place, and Landscape. Media Fields Journal, (3). pp. 1-21. ISSN 2159-7553. (KAR id:31626)

Cowie, Elizabeth (2007) Documentary film as flashback and the 'real' of reality in the temporality of representation. In: Real Things: Matter, Materiality, Representation, 1880 to the Present Conference, 5th - 8th July 2007, University of York. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12965)

Cowie, Elizabeth (1997) Documenting Fictions. Continuum, Australian Journal of Media & Culture, 11 (1). pp. 54-66. ISSN 1030-4312. (doi:10.1080/10304319709359418) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3034)

Cowie, Elizabeth (2005) 'Dokumentarische Kunst: das Reale begehren, der Wirklichkeit eine Stimme geben' (‘Desiring the Real, Voicing Reality in Documentry Art'). In: Gludovatz, Karin, ed. Auf den Spuren des Realen Kunst und Dokumentarismus. Museum Moderner Kunst Stiftung Ludwig, Wien, pp. 15-41. ISBN 3-902490-05-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2993)

Cowie, Elizabeth (2001) The Enigma of the Message. Review of: Essays on Otherness by Laplanche, Jean. New Formations, (43). pp. 148-150. ISSN 0950-2378. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3043)

Cowie, Elizabeth (1999) Fantasia. In: Evans, Jessica and Hall, Stuart, eds. Visual Culture, The Reader. Sage, pp. 356-378. ISBN 0-7619-6247-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2999)

Cowie, Elizabeth (1975) ‘Feminist Film Criticism - a reply’. Screen, 16 (1). pp. 134-139. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3042)

Cowie, Elizabeth (2000) Figuracija/Razumevanje fetiöa. Filmsek Sveske, 2-3 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3011)

Cowie, Elizabeth (1995) Film - Zenska Tovarna Sanji. Vsebina, (23). pp. 46-80. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3036)

Cowie, Elizabeth (1993) Film Noir and Women. In: Copjec, Joan, ed. Shades of Noir. Verso, pp. 121-166. ISBN 0-86091-625-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3002)

Cowie, Elizabeth (1989) Film in teorija v osemdesetih letih. Ekran, 14 (5/6). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3037)

Cowie, Elizabeth (1993) From Fantasia. In: Easthope, Anthony, ed. Contemporary Film Theory. Longman, pp. 147-161. ISBN 0-582-09032-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3003)

Cowie, Elizabeth (1985) Het verschil in de film. Vrouwen in de films van Hawks. Het Tidschrift voor Vrouwen Studies, (24). ISSN 0167-8361. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3039)

Cowie, Elizabeth (2001) Identifizierung mit dem Realen - Spektakel der Realität. In: Angerer, Marie-Luise and Krips, H., eds. Der Andere Schauplatz Psychoanalyse - Kultur - Medien. Vienna: Turia + Kant, pp. 151-180. ISBN 3-85132-287-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2995)

Cowie, Elizabeth (1996) Images of Women and Filmic Identification. In: Dakovic, Nevena and Derman, Denis and Ross, Karen, eds. Gender & Media. Med-Campus Project no A126 Publications, pp. 35-60. ISBN 975-96120-0-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3001)

Cowie, Elizabeth (1981) Introduction to Mary Kelly’s Post-Partum Document. M/F, (5/6). pp. 115-123. ISSN 0141-948X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3040)

Cowie, Elizabeth (2009) Introduction to Post-Partum Document. In: Frascina, Francis, ed. Modern Art Culture: a reader. Routledge, London, pp. 303-311. ISBN 978-0-415-23151-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26339)

Cowie, Elizabeth (2010) ‘Mourning, Loss and Trauma, and the Ambiguities of Proper and Improper Desire in Exotica (1994)'. In: Brown, Tom and Walters, James, eds. Film Moments. Palgrave/British Film Institute, London, pp. 140-143. ISBN 978-1-84457-336-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26333)

Cowie, Elizabeth (2009) On Documentary Sounds and Images in the Gallery. Screen, 50 (1). pp. 124-134. ISSN 0036-9543. (doi:10.1093/screen/hjn076) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26337)

Cowie, Elizabeth (2005) On Rear Window. In: Rutsky, R.L. and Geiger, Jeffrey, eds. Film Analysis: A Reader. W. W. Norton & Company, pp. 475-493. ISBN 0-393-97983-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1176)

Cowie, Elizabeth (2000) Perceiving Memory and Tales of the Other: the work of Milica Tomic. Camera Austria, (72). pp. 14-16. ISSN 1015-1915. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3012)

Cowie, Elizabeth (1979) The Popular Film as Progressive Text - a discussion of Coma. M/F, (3). pp. 59-82. ISSN 0141-948X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3041)

Cowie, Elizabeth (1989) The Popular Film as a Progressive Text – a Discussion of Coma. In: Penley, Constance, ed. Feminism and Film Theory. Methuen. ISBN 0-415-90107-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3009)

Cowie, Elizabeth (1992) Pornography and Fantasy. In: Segal, Lynne and McIntosh, Mary, eds. Sex Exposed: Sexuality and the Pornography Debate. Virago, pp. 132-152. ISBN 1-85381-385-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3006)

Cowie, Elizabeth (2007) Possession, paranoia and the experience of art. In: Freud Museum Symposium: Observing Paranoia in Clinical Practice, Art and Anthropology, March 3rd, 10am - 5pm, 2007, Tavistock Clinic, London NW3. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12967)

Cowie, Elizabeth (1990) Psychoanalysis and Cinema: Film and Theory in the 1980's. In: Donald, James, ed. Psychoanalysis and Cultural Theory: Thresholds. Macmillan, pp. 104-138. ISBN 0-312-05232-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3008)

Cowie, Elizabeth (2007) Real time viewing of images of time past and present: documentary in the gallery 'becoming art'. In: Visible Evidence 14, 18th - 21st December 2007, Bochum, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12966)

Cowie, Elizabeth (2011) Recording Reality, desiring the real. Visible Evidence . University of Minnesota press, Minnesota, USA, 296 pp. ISBN 978-0-8166-4549-7. (doi:10.5749/minnesota/9780816645480.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31728)

Cowie, Elizabeth (1997) Representing the Woman: Psychoanalysis and Cinema. University of Minnesota Press, 397 pp. ISBN 033330576. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2987)

Cowie, Elizabeth (1980) Review article of The Song of the Shirt. Review of: The Song of the Shirt by Clayton, Sue and Curling, Jonathan. Camera Obscura, (5). pp. 87-97. ISSN 0270-5346. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3050)

Cowie, Elizabeth (1987) Review article on Mary Kelly’s Interim. Review of: Interim by Kelly, Mary. New Formations, (2). pp. 20-28. ISSN 0950-2378. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3048)

Cowie, Elizabeth (1990) Review of Psychoanalysis and Cinema. Review of: Psychoanalysis and Cinema by Kaplan, Anne E.. Times Higher Education Supplement, . 0-0. ISSN 0049-3929. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3045)

Cowie, Elizabeth (2012) Road Race. In: Corkish, Alan and Chell, Edward and Taylor, Andrew, eds. In the Company of Ghosts: The Poetics of the Motorway. Erbacce press, Liverpool, pp. 41-46. ISBN 978-1-907878-42-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31623)

Cowie, Elizabeth (1992) The Seductive Theories of Jean Laplanche: a new view of the drive, passivity and femininity. In: Stanton, Martin and Fletcher, John W. J., eds. Situating Laplanche. Institute of Contemporary Arts, pp. 121-136. ISBN 0-905263-68-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3005)

Cowie, Elizabeth (2005) Seeing and hearing for ourselves: the spectacle of reality in the Holocaust Documentary. In: Haggith, Toby and Newman, Joanna, eds. The Holocaust and the Moving Image: Film and Television Representations Since 1933. Wallflower Press, pp. 182-188. ISBN 1-904764-51-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2992)

Cowie, Elizabeth (1999) The Spectacle of Actuality. In: Gaines, Jane and Renov, Michael, eds. Collecting Visible Evidence. University of Minnesota Press, pp. 19-45. ISBN 0-8166-3135-2/3136-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2998)

Cowie, Elizabeth (1997) The Spectacle of Reality and Documentary Film. Documentary Box, (10). pp. 1-8. ISSN 1340-0832. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3035)

Cowie, Elizabeth (2007) Specters of the Real: Documentary Time and Art. Differences: A Journal of Feminist Cultural Studies, 18 (1). pp. 87-127. ISSN 1040-7391. (doi:10.1215/10407391-2006-024) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2227)

Cowie, Elizabeth (1998) Storytelling: classical Hollywood cinema and classical narrative. In: Neale, Steve and Smith, Murray, eds. Contemporary Hollywood Cinema. Routledge, pp. 178-190. ISBN 0-415-17010-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3000)

Cowie, Elizabeth (1986) Strategems of Identification. Oxford Literary Review, 8 (1/2). pp. 66-67. ISSN 0-9511080 0 X. (doi:10.3366/olr.1986.009) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3038)

Cowie, Elizabeth (2010) Thinking Differently: on theory now and documentary art. Differences: A Journal of Feminist Cultural Studies, 21 (1). pp. 178-193. ISSN 1040-7391. (doi:10.1215/10407391-2009-026) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26335)

Cowie, Elizabeth (2000) Traumatic Memories of Remembering and Forgetting. In: Rossington, Michael and Whitehead, Anne, eds. Between the Psyche and the Polis: Refiguring history in literature and theory. Ashgate Publishing, pp. 191-204. ISBN 0-7546-0228-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2997)

Cowie, Elizabeth (1995) A Tunisian Search for Independence - a review of The Silences of the Palace. Review of: The Silences of the Palace by Tlatli, Moufida. Women: A Cultural Review, 6 (1). pp. 124-128. ISSN 0957-4042. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3046)

Cowie, Elizabeth (2007) Ways of Seeing and Knowing: Documentary Film and the Surreal of Reality. In: Ten Brink, Joram, ed. Building Bridges: The Cinema of Jean Rouch. Wallflower Press, pp. 201-218. ISBN 978-1-905674-47-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2228)

Cowie, Elizabeth (2007) ‘What do you see? Would you like to move on to another image? Yes’. In: Barnard, Clio H., ed. Road Race and Dark Glass Catalogue. Herbert Read Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2990)

Cowie, Elizabeth (2001) Woman as Sign. In: Andjelkovic, Branislava, ed. Feminist Visual Theories. Belgrade: Cenre For Contemporary Arts. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2994)

Cowie, Elizabeth (1993) Women, Representation and the Image. In: Alvarado, Manuel and Buscombe, Edward and Collins, Richard, eds. The Screen Education Reader: Cinema, Television, Culture. Macmillan, pp. 48-60. ISBN 0-231-08111-1. (doi:10.1007/978-1-349-22426-5_4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3004)

Cowie, Elizabeth (2000) Working Images: the representations of documentary film. In: Pollock, Griselda and Mainz, Valerie, eds. Work and the Image II. Ashgate Press, pp. 173-192. ISBN 0-7546-0233-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2996)

Cowie, Elizabeth (1991) Zenska Seksualnost. In: Bahovec, Eva D., ed. Zenska Seksualnost - Freud & Lacan. Analecta, pp. 146-169. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3007)

Cowie, Elizabeth (2004) A commentary on Juan delGado’s video work, ‘Who are You Entertaining To?’. Aspect DVD Journal DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3051)

Cowie, Elizabeth (2015) The difference in figuring women now. Moving Image Review & Art Journal, 4 (1-2). pp. 46-61. ISSN 2045-6298. (doi:10.1386/miraj.4.1-2.46_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61757)

Cowie, Elizabeth (2003) The lived nightmare: trauma, anxiety, and the ethical aesthetics of horror. In: Schneider, Steven Jay and Shaw, Daniel, eds. Dark Thoughts: Philosophic Reflections on Cinematic Horror. Lanham, MD: Scarecrow Press, pp. 25-46. ISBN 0-8108-4792-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1174)

Cowie, Elizabeth (2014) The time of gesture in cinema and its ethics. Journal for Cultural Research, 19 (1). pp. 82-95. ISSN 1479-7585. E-ISSN 1740-1666. (doi:10.1080/14797585.2014.920181) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61756)

Cowie, Elizabeth and Adams, Parveen (1990) The Woman in Question. Cambridge/MIT Press/October Books, 383 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2988)

Cox, Paul A, Catlow, C. Richard A., Chadwick, Alan V. (1994) Exafs and Moleclar Modeling Studies of RB1-XBIXF1+2X. Journal of Materials Science, 29 (10). pp. 2725-2733. ISSN 0022-2461. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20486)

Cregan-Reid, Vybarr (2019) For the sake of our health, we need to kick the indoor habit. . Guardian News and Media Radio. ISSN 0261-3077. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81227)

Cregan-Reid, Vybarr (2019) What is the web doing to our bodies? . British Council Internet Radio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81228)

Creighton, Liam (2024) Mythical Middle England: A Quest to Capture Cinematic Imagery in Suburban Worcestershire Informed by Augé's Ethnography of the Near. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.105583) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:105583)

Creme, Phyllis (1994) The playing spectator: a study on the applicability of the theories of D.W. Winnicott to contemporary concepts of the viewer's relationship to film. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86273) (KAR id:86273)

Cunningham, Karen and Chodzko, Adam and Govender, Ravi (2013) MAP Screen: The Anthropology Effect Group Exhibition. MAP Screen | The Anthropology Effect, MAP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47274)

Curry, B (2015) Review of Sophy Smith. Review of: Hip-Hop Turntablism, Creativity and Collaboration by UNSPECIFIED. Popular Music, 34 (1). pp. 137-140. ISSN 0261-1430. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43179)

Cutugno, Carmela (2014) Intercultural Performance and Dialogue. From Richard Schechner Performance Studies Onwards. Doctor of Philosophy (PhD) thesis, University of Kent, University of Bologna. (KAR id:47431)

Czatkowska, Emilia (2022) The Call: a cinematic encounter with nonhuman animal characters and their worlds. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.96672) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:96672)

D

Davies, S.R, Cunningham, C.T., Little, L.T., Matheson, David N. (1992) A 210-280 Ghz Sis Heterodyne Receiver for the Maxwell,James,Clerk Telescope .1. Design and Performance. International Journal of Infrared and Millimeter Waves, 13 (5). pp. 647-658. ISSN 0195-9271. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22543)

Davis, Jill (1999) Goodnight ladies ... On the 'Explicit Body in Performance'. New Theatre Quarterly, 15 (58). pp. 183-187. ISSN 0266-464X. (doi:10.1017/S0266464X00012860) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17274)

Dawe, Kevin (2007) Arcadia Calling: Cretan Music and the Popular Imagination. Journal of Intercultural Studies, 28 (2). pp. 227-236. ISSN 0725-6868. (doi:10.1080/07256860701236633) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46930)

Dawe, Kevin (1998) Bandleaders in Crete: Musicians and Entrepreneurs in a Greek Island Economy: British Journal of Ethnomusicology. British Journal of Ethnomusicology, 7 . pp. 23-44. ISSN 3060708. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47135)

Dawe, Kevin (2012) The Cultural Study of Musical Instruments, 2nd Edition. In: Clayton, Martin and Herbert, Trevor and Middleton, Richard, eds. The Cultural Study of Music: A Critical Introduction. 2nd Edition. Routledge, London, pp. 195-205. ISBN 978-0-415-88191-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47155)

Dawe, Kevin (2003) The Cultural Study of Musical Instruments. In: Clayton, Martin and Herbert, Trevor and Middleton, Richard, eds. The Cultural Study of Music: A Critical Introduction. First. Routledge, pp. 274-283. ISBN 978-0-415-93845-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47149)

Allen, Aaron and Dawe, Kevin, eds. (2015) Current Directions in Ecomusicology: Music, Nature, Environment. Routledge, 256 pp. E-ISBN 978-1-138-80458-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46946)

Dawe, Kevin (1996) The Engendered lyra: Music, Poetry and Manhood in Crete: British Journal of Ethnomusicology. British Journal of Ethnomusicology, 5 . pp. 93-112. ISSN 3060868. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47134)

Dawe, Kevin (2013) Guitar Ethnographies: Performance,Technology and Material Culture. Ethnomusicology Forum: Special Issue, 22 (1). 0-0. ISSN 1741-1912. (doi:10.1080/17411912.2013.774158) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46943)

Dawe, Kevin (2013) Introduction to Guitar Ethnographies: Performance, Technology and Material Culture. Ethnomusicology Forum, 22 (1). pp. 1-25. ISSN 1741-1912. (doi:10.1080/17411912.2013.774158) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46938)

Dawe, Kevin (2004) Island Musicians: Making a living from music in Crete. In: Dawe, Kevin, ed. Island Musics. Bloomsbury 3PL, New York and London, pp. 65-76. ISBN 978-1-85973-797-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47150)

Dawe, Kevin (2003) Lyres and the Body Politic: Studying Musical Instruments in the Cretan Musical Landscape. Popular Music & Society, 26 (3). pp. 263-283. ISSN 0300-7766. (doi:10.1080/0300776032000116950) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47138)

Dawe, Kevin (2015) The Many Worlds of Popular Music: Ethnomusicological Approaches. In: Bennett, Andy and Waksman, steve, eds. The SAGE Handbook of Popular Music. SAGE Publications Ltd, pp. 15-32. ISBN 978-1-4462-1085-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47146)

Dawe, Kevin (2015) Materials Matter: Towards a Political Ecology of Musical Instrument Making. In: Allen, Aaron and Dawe, Kevin, eds. Current Directions in Ecomusicology. Routledge Research in Music . Routledge, Abingdon, UK. ISBN 978-1-138-80458-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72822)

Dawe, Kevin (1998) Minotaurs or musonauts?1 ‘World Music’ and Cretan Music: Popular Music. Popular Music, 18 (02). pp. 209-225. (doi:DOI: 10.1017/S0261143000009053) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47136)

Dawe, Kevin (2007) Music and Musicians in Crete: Performance and Ethnography in a Mediterranean Island Society. Europea: Ethnomusicologies & Modernities . Scarecrow Press, 200 pp. ISBN 9780810856738, 9780810860292. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46928)

Dawe, Kevin (2019) Musical Instruments as Material Culture: A Case Study of the Cretan Lyra. In: Anthropology, Music and Dance edited by Stephen Cottrell. Sean Kingston, London, UK. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46971)

Dawe, Kevin (2019) Musical instruments and world history: A case study of the guitar in the Republic of Turkey. In: Strohm, Reinhard, ed. The Music Road: Coherence and Diversity in Music from the Mediterranean to India. Proceedings of the British Academy . Oxford University Press, New York. ISBN 978-0-19-726656-4. (doi:10.5871/bacad/9780197266564.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72820)

Dawe, Kevin (2010) The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance. Ashgate Popular and Folk Music Series . Ashgate, 246 pp. ISBN 978-0-7546-6775-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46926)

Dawe, Kevin (2001) People, Objects, Meaning: Recent Work on the Study and Collection of Musical Instruments. The Galpin Society Journal, 54 . pp. 219-232. (doi:10.2307/842454) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47137)

Dawe, Kevin (2005) Performance on a Mediterranean Theme: Musicians and Masculinity in Crete. In: Cooper, David and Dawe, Kevin, eds. The Mediterranean in Music: Critical Perspectives, Common Concerns, Cultural Differences (Europea) (Europea: Ethnomusicologies & Modernities). Scarecrow Press, Chapter 12. ISBN 978-0-8108-5407-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47151)

Dawe, Kevin (2005) 'Power-geometry' in motion: space, place and gender in the lyra music of Crete. In: whiteley, Sheila and Bennett, Andy and Hawkins, Stan, eds. Music, Space and Place: Popular Music and Cultural Identity. second. Ashgate Publishing Limited, pp. 55-65. ISBN 978-0-7546-5574-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47152)

Dawe, Kevin (2011) Preface: We Are All Islanders Now. In: Baldacchino, Godfrey, ed. Island Songs: A Global Repertoire. Scarecrow Press, pp. 6-8. ISBN 0-8108-8177-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47148)

Dawe, Kevin (2007) Regional Voices in a national Soundscape: Balkan Music and Dance in Greece. In: Buchanan, Donna.A, ed. Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse (Europea: Ethnomusicologies and Modernities). Scarecrow Press, Lanham, maryland, pp. 175-192. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47153)

Dawe, Kevin (2000) Roots Music in the Global Village: Cretan Ways of Dealing with the World at Large. The World of Music, 42 (3). pp. 47-66. ISSN 41692765. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47144)

Dawe, Kevin (2005) Symbolic and Social Transformation in the Lute Cultures of Crete: Music, Technology and the Body in a Mediterranean Society. Yearbook for Traditional Music, 37 . pp. 58-68. ISSN 20464929. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47143)

Dawe, Kevin (2009) The Woven world: Unravelling the Mainstream and the Alternative in Greek Popular Music. In: Scott, Derek. B, ed. The Ashgate Research Companion to Popular Musicology. Ashgate, pp. 243-258. ISBN 978-0-7546-6476-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47154)

Dawe, Kevin, Cem Eroglu, Sinan (2013) The Guitar in Turkey: Erkan O?ur and the Istanbul Guitarscape. Ethnomusicology Forum, 22 (1). pp. 49-70. ISSN 1741-1912. (doi:10.1080/17411912.2013.774157) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46939)

Dawe, Kevin and Papadatos, John (2018) Popular Music in Crete: The Case of the Lyra-Laouto Ensemble. In: Tragaki, Dafni, ed. Made in Greece: Studies in Popular Music. Routledge, Abingdon. ISBN 978-1-138-81198-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47156)

De Perthuis, Karen, Findlay, Rosie (2019) How Fashion Travels: The Fashionable Ideal in the Age of Instagram. Fashion Theory, 23 (2). pp. 219-242. ISSN 1362-704X. (doi:10.1080/1362704X.2019.1567062) (KAR id:91314)

Deacy, Christopher and Vollmer, Ulrich, eds. (2011) Seeing Beyond Death: Images of the Afterlife in Theology and Film. Schüren Verlag, Marburg, 202 pp. ISBN 978-3-89472-742-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:29683)

Debaene, Aurélie Josephine (2022) The Aesthetics of Posing. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.94029) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:94029)

Declercq, Dieter (2015) Bart Pattyn,Media en Mentaliteit. Lannoo, 2014. ISBN 978-94-014-1289-6. Review of: Media en mentaliteit [Media and Mentality] by Pattyn, Bart. Critical Studies in Television: The International Journal of Television Studies, 10 (2). pp. 147-149. ISSN 1749-6020. E-ISSN 1749-6039. (doi:10.7227/CST.10.2.10) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75391)

Declercq, Dieter (2020) Bojack, animation and mental ill health. . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82034)

Declercq, Dieter (2018) Can we learn the truth from Lenny Bruce? A careful cognitivism about satire. In: Rutter Giappone, Krista Bonello and Francis, Fred and MacKenzie, Iain, eds. Comedy and Critical Thought : Laughter as Resistance. Rowman & Littlefield, 45 -64. ISBN 978-1-78660-406-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:75356)

Declercq, Dieter (2019) ‘Comedy and Mental Health: Future Directions’, Conference Review. Review of: Comedy and Mental Health: Future Directions (1 May 2019, University of Kent) by UNSPECIFIED. The Polyphony, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75388)

Declercq, Dieter (2018) A Definition of Satire (And Why a Definition Matters). The Journal of Aesthetics and Art Criticism, 76 (3). pp. 319-330. ISSN 0021-8529. (doi:10.1111/jaac.12563) (KAR id:68967)

Declercq, Dieter (2014) ‘Die mensen zijn de vijand!’ Het geweld van het neoliberale kapitalisme en de morele verantwoordelijkheden van de menswetenschappen. In: Van Coillie, Geert and Anckaert, Luc and Thoen, Paul, eds. Geweld Herdacht. Voorbij Oorlog en Vrede. Acco, pp. 177-194. ISBN 978-90-334-9805-3. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:75387)

Declercq, Dieter (2019) Drawing Truth Differently. Matt Bors' Fictional Satire and Non-Fictional Journalism. Imagetext. Interdisciplinary Comics Studies., 11 (1). ISSN 1549-6732. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:75641)

Declercq, Dieter (2011) Het vangen van de Road Runner. Beschouwingen bij Plato’s teleologisch project. Kleio. Tijdschrift voor oude talen en antieke cultuur, 40 . pp. 146-165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75386)

Declercq, Dieter (2020) How media can help your mental health during self-isolation. . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82035)

Declercq, Dieter (2018) Humour as Politics: The Political Aesthetics of Contemporary Comedy, by Nicholas Holm, London, Palgrave Macmillan, 2017, pp., £67.99 hardback), ISBN: 9783319509495. Review of: Humour as Politics: The Political Aesthetics of Contemporary Comedy, by Nicholas Holm, London, Palgrave Macmillan, 2017 by Holm, Nicholas. Comedy Studies, 9 (2). pp. 260-262. ISSN 2040-610X. E-ISSN 2040-6118. (doi:10.1080/2040610X.2018.1494353) (KAR id:75390)

Declercq, Dieter (2019) Humour as coping in the cartoons of Christine-Jane Wilson. In: Queering Graphic Medicine. Paradigms, Power and Practices, 11-13 Jul 2019, Brighton, Sussex, UK. (Unpublished) (KAR id:75393)

Declercq, Dieter (2020) Irony, Disruption, and Moral Imperfection. Ethical Theory and Moral Practice, . ISSN 1386-2820. E-ISSN 1572-8447. (doi:10.1007/s10677-020-10105-z) (KAR id:82080)

Declercq, Dieter (2021) Mobile Games and Netflix Binges: Why We Should Encourage Easy Entertainment in Hard Times. . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88065)

Declercq, Dieter (2017) A Philosophy of Satire. Critique, Entertainment, Therapy. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:64125)

Declercq, Dieter (2019) Satire and The Simpsons. Newton Talks Item format: Podcast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82529)

Declercq, Dieter (2021) Satire, Comedy and Mental Health. Coping with the Limits of Critique. Emerald (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82051)

Declercq, Dieter (2021) Staying connected is vital for mental health. . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:85856)

Declercq, Dieter (2020) Stories, Wellbeing, and Business: Finding Meaning in COVID-19 Disruption. Webinar. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82528)

Declercq, Dieter (2014) 'These people are the enemy!' The moral responsibilities of film and television history as part of the humanities. In: Mee, Laura and Walker, Johnny, eds. Cinema, Television, History : New Approaches. Cambridge Scholars Press, Cambridge, pp. 105-120. ISBN 978-1-4438-5379-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75357)

Declercq, Dieter (2018) What is satire? . Blog. (KAR id:75358)

Declercq, Dieter (2021) What satire can do for us. The Philosophers' Magazine, (92). pp. 40-47. ISSN 1354-814X. (KAR id:85857)

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Declercq, Dieter (2017) Where to From Here?: Four Conversations on Comedy and Aesthetics in Lewisburg, PA. Review of: The Ethics And Aesthetics Of Stand-Up Comedy (Bucknell University 5-8 April 2017) by UNSPECIFIED. American Society for Aesthetics Graduate E-Journal, 9 (2). E-ISSN 1946-1879. (KAR id:75389)

Declercq, Dieter (2013) The philosophical and ethical significance of humour. The Simpsons as humorous ethical truth-telling. Ethical Perspectives, 20 (2). pp. 271-298. ISSN 1370-0049. E-ISSN 1783-1431. (KAR id:75355)

Declercq, Dieter, El Khachab, Chihab (2021) Satire as Safety Valve: Moving Beyond a Mistaken Metaphor. Humor, . ISSN 0933-1719. E-ISSN 1613-3722. (doi:10.1515/humor-2021-0080) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:89688)

Declercq, Dieter, Kafle, Eshika, Peters, Jade, Raby, Sam, Chawner, Dave, Blease, James, Foye, Una (2024) “Finding light in the darkness”: exploring comedy as an intervention for eating disorder recovery. Mental Health Review Journal, . ISSN 1361-9322. E-ISSN 2042-8758. (KAR id:104537)

Declercq, Dieter, Sabroe, Ian (2021) What we took away from our Conversation with David Magnus and Alyssa Burgart. . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91911)

Declercq, Dieter, Sabroe, Ian (2021) What we took away from our Conversation with Lauren Barron. . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91910)

Declercq, Dieter, Sabroe, Ian (2021) What we took away from our Conversation with Rita Charon. . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91913)

Declercq, Dieter, Sabroe, Ian (2021) What we took away from our conversation with Dr Chris Millard. . University of Kent Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88544)

Declercq, Dieter, Sabroe, Ian (2021) What we took away from our conversation with Dr Esther L Jones. . University of Kent Blog. (KAR id:88532)

Declercq, Dieter, Sabroe, Ian (2021) What we took away from our conversation with Professor Nicola Shaughnessy. . University of Kent Blog. (KAR id:88531)

Declercq, Dieter and Sabroe, Ian and Barron, Lauren and Brown, David W R (2021) Bonus Conversations: Reflection on Season One of Conversations about Arts, Humanities and Health. Item format: Podcast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91919)

Declercq, Dieter, Sabroe, Ian, Brown, David (2022) Conversations about Arts, Humanities and Health. . The Polyphony Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:92998)

Declercq, Dieter and Sabroe, Ian and Brown, David W R (2021) Conversation with Paul Crawford. Item format: Podcast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91920)

Declercq, Dieter and Sabroe, Ian and Brown, David W R (2021) Conversation with Dieter Declercq and Ian Sabroe. Anchor FM Item format: Podcast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88522)

Declercq, Dieter and Sabroe, Ian and Brown, David W R (2021) Conversation with Dr Chris Millard. Anchor FM Item format: Podcast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88543)

Declercq, Dieter and Sabroe, Ian and Brown, David W R (2021) Conversation with Dr Esther L Jones. Anchor FM Item format: Podcast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88530)

Declercq, Dieter and Sabroe, Ian and Brown, David W R (2021) Conversation with Lauren Barron. Item format: Podcast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91914)

Declercq, Dieter and Sabroe, Ian and Brown, David W R (2021) Conversation with Prof Nicola Shaughnessy. Anchor FM Item format: Podcast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88523)

Declercq, Dieter and Sabroe, Ian and Brown, David W R (2021) Conversation with Rita Charon. Item format: Podcast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91918)

Declercq, Dieter and Waugh, Jo and Smith, Adam J (2021) Satire, Comedy & Mental Health. Anchor FM Item format: Podcast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88521)

Dennis, Krysta (2015) Globalizing McDonagh: The Playwright in Performance on the World Stage. Doctor of Philosophy (PhD) thesis, University of Kent, Universite de Paris 3 Sorbonne Nouvelle. (doi:10.22024/UniKent/01.02.54754) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54754)

Deprez, Eleen M. (2018) The Curated Exhibition: A Philosophical and Historical Analysis. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.103915) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:103915)

Deprez, Eleen, Maes, Hans R.V. (2016) Wat is een portret? Kunsttijdschrift Vlaanderen, (361). ISSN 1780-6461. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65251)

Derby, Moyra (2022) A cut in attention: reimagining attentional capacities for painting. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.97368) (KAR id:97368)

Dias Branco, Sergio (2010) Strung pieces: on the aesthetics of television fiction series. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86477) (KAR id:86477)

Dieter, Declercq (2016) Wink wink, nudge nudge? Visual indicators of communicative irony in comics. Postgraduate Journal of Aesthetics, . pp. 2-18. (KAR id:73069)

Dingwall-Jones, Christopher (2014) "Antic Dispositions?": The Representation of Madness in Modern British Theatre. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:48042)

Double, Oliver (2022) Alternative Comedy Timeline. In: Double, Oliver and Lockyer, Sharon, eds. Alternative Comedy Now and Then: Critical Perspectives. Palgrave Studies in Comedy . Palgrave Macmillan, London, UK, pp. 23-33. ISBN 978-3-030-97350-6. E-ISBN 978-3-030-97351-3. (doi:10.1007/978-3-030-97351-3_2) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97381)

Double, Oliver (2020) Alternative Comedy: 1979 and the Reinvention of British Stand-Up. First edition. Cultural Histories of Theatre and Performance . Bloomsbury, London, UK, 240 pp. ISBN 978-1-350-05280-2. E-ISBN 978-1-350-05281-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81083)

Double, Oliver (1996) Alternative comedy: from radicalism to commercialism. In: Merkin, Ros, ed. Popular Theatres? Liverpool John Moores University, Liverpool, pp. 127-139. ISBN 0-9527978-0-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44576)

Double, Oliver (2015) Break a Leg. Performance type: Other Break a Leg, 6 Dec 2015, Canterbury, UK. YouTube video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56961)

Double, Oliver (2012) Britain Had Talent: A History of Variety Theatre. Palgrave Macmillan, Houndsmills, basingstoke, Hampshire, 288 pp. ISBN 9780230284593 (hbk) 9780230284609 (pbk). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31710)

Double, Oliver (2000) Characterization in stand-up comedy: From Ted Ray to Billy Connolly, via Bertolt Brecht. New Theatre Quarterly, 16 (64). pp. 315-323. ISSN 0266-464X. (doi:10.1017/S0266464X00014068) (KAR id:16397)

Double, Oliver (2020) ‘Deliberately Shaped for Fun by the High Gods’: Little Tich, Size and Respectability in the Music Hall. In: Lee, Louise, ed. Victorian Comedy and Laughter: Conviviality, Jokes and Dissent. First edition. Palgrave Macmillan, London, UK, pp. 235-261. ISBN 978-1-137-57881-5. E-ISBN 978-1-137-57882-2. (doi:10.1057/978-1-137-57882-2_9) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82976)

Double, Oliver (2014) Getting the Joke (2nd edition)The Inner Workings of Stand-Up Comedy. 2nd edition. Bloomsbury, London and New York, 518 pp. ISBN 978-1-4081-7460-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43042)

Double, Oliver (2005) Getting the joke: The inner workings of stand-up comedy. London: Methuen, 320 pp. ISBN 0-413-77476-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1178)

Double, Oliver (2020) ‘If you laugh at something then I’ll potentially keep it’: the Praxis of Live Comedy. In: Peacock, Louise, ed. A Cultural History of Comedy. First edition. The Cultural Histories Series, 6 . Bloomsbury. ISBN 978-1-350-00082-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81680)

Double, Oliver (2022) 'Incapable of proper action': Boris Johnson as stand-up comedian. In: Mair, John and Beck, Andrew and Connew, Paul, eds. Boris Johnson: Media Creation, Media Clown, Media Casualty. First edition. Mair Golden Moments, United Kingdom, pp. 81-85. ISBN 979-8-8408-5605-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97266)

Double, Oliver (2017) Introduction: What is Popular Performance? In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Methuen Drama, London, UK; New York, USA, pp. 1-29. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81715)

Double, Oliver (2017) 'It Feels Like a Group of Friends Messing Around Onstage': Pappy's and Live Sketch Comedy. In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Methuen Drama, London, UK; New York, USA, pp. 247-268. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81716)

Double, Oliver (2007) Karl Valentin’s “Father and Son Discuss the War". Studies in Theatre and Performance, 27 (1). pp. 5-11. (doi:10.1386/stap.27.1.5_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2440)

Double, Oliver (1994) Laughing all the way to the bank? Alternative comedy in the provinces. New Theatre Quarterly, X (39). pp. 255-262. ISSN 0266-464X. (doi:10.1017/S0266464X00000555) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44571)

Double, Oliver (2012) Max Miller plays with Freud's obstacle: Innuendo and performance technique in variety comedy. Comedy Studies, 3 (1). pp. 93-104. ISSN 2040-610X. (doi:10.1386/cost.3.1.93_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31708)

Double, Oliver (2022) The Meccano Club: The Business of Alternative Comedy. In: Double, Oliver and Lockyer, Sharon, eds. Alternative Comedy Now and Then: Critical Perspectives. Palgrave Studies in Comedy . Palgrave Macmillan, London, UK, pp. 37-63. ISBN 978-3-030-97350-6. E-ISBN 978-3-030-97351-3. (doi:10.1007/978-3-030-97351-3_3) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97383)

Double, Oliver (2022) ‘My life fell apart. Are you happy now?’: an interview with Laura Lexx. Comedy Studies, 14 (1). pp. 133-140. ISSN 2040-610X. E-ISSN 2040-6118. (doi:10.1080/2040610X.2023.2149378) (KAR id:100581)

Double, Oliver (2010) Not the Definitive Version: an Interview with Ross Noble. Comedy Studies, 1 (1). pp. 5-19. ISSN 2040-610X. (doi:10.1386/cost.1.1.5/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24936)

Double, Oliver (2007) Punk rock as popular theatre. New Theatre Quarterly, 23 (1). pp. 35-48. ISSN 0266-464X. (doi:doi: 10.1017/S0266464X06000613) (KAR id:1182)

Double, Oliver (2007) Saint Pancreas. Performance type: Other Saint Pancreas, 3/11/06, Horsebridge Arts Centre, Whitstable. DVD and Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2229)

Double, Oliver (1997) Stand-Up! On Being a Comedian. Methuen Drama, London, 262 pp. ISBN 0-413-70320-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44579)

Double, Oliver (2017) ‘[T]his is eating your greens, this is doing your homework’: writing and rehearsing a full-length stand-up show. Comedy Studies, . pp. 137-153. ISSN 2040-610X. (doi:10.1080/2040610X.2017.1344477) (KAR id:62270)

Double, Oliver (2000) Teaching Stand-Up Comedy. A Mission: Impossible? Studies in Theatre and Performance, 20 (1). pp. 14-23. (doi:10.1080/14682761.2000.10807020) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20310)

Double, Oliver (2009) Teddy Brown and the Art of Performing for the British Variety Stage. New Theatre Quarterly, 25 (4). pp. 379-390. ISSN 0266-464X. (doi:10.1017/S0266464X09000669) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24938)

Double, Oliver (2017) Tragedy Plus Time: Transforming Life Experience into Stand-Up Comedy. New Theatre Quarterly, 33 (2). pp. 143-155. ISSN 0266-464X. (doi:10.1017/So266464X17000057) (KAR id:61550)

Double, Oliver (2015) What do you do?: Stand-up comedy versus the proper job. Ephemera: Theory & Politics in Organization, 15 (3). pp. 651-669. ISSN 2052-1499. E-ISSN 1473-2866. (KAR id:55434)

Double, Oliver (2018) The origin of the term stand-up comedy update. Comedy Studies, 9 (2). pp. 235-237. ISSN 2040-610X. (doi:10.1080/2040610X.2018.1428427) (KAR id:66675)

Double, Oliver (2017) The origin of the term ‘stand-up comedy’. Comedy Studies, 8 (1). pp. 106-109. ISSN 2040-610X. (doi:10.1080/2040610X.2017.1279912) (KAR id:60313)

Double, Oliver and Lockyer, Sharon (2022) Alternative Comedy Now and Then: An Introduction. In: Double, Oliver and Lockyer, Sharon, eds. Alternative Comedy Now and Then: Critical Perspectives. Palgrave Studies in Comedy . Palgrave Macmillan, London, UK, pp. 1-22. ISBN 978-3-030-97350-6. E-ISBN 978-3-030-97351-3. (doi:10.1007/978-3-030-97351-3_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97382)

Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. (2017) Popular Performance. Bloomsbury Methuen Drama, London, UK, 304 pp. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (doi:10.1080/14682761.2017.1363485) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61549)

Double, Oliver and Wilson, Michael (2006) Brecht and cabaret. In: Thomson, Peter and Sacks, Glendyr, eds. Cambridge Companion to Brecht, 2nd Edition. Cambridge University Press. ISBN 978-0-521-67384-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1180)

Double, Oliver, Wilson, Michael (2008) '"I am a Poor, Skinny Man": Persona and physicality in the work of Karl Valentin'. Studies in Theatre and Performance, 28 (3). pp. 213-221. ISSN 1468-2761. (doi:10.1386/stap.28.3.213/1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31337)

Double, Oliver, Wilson, Michael (2004) Karl Valentin's illogical subversion: stand-up comedy and the alienation effect. New Theatre Quarterly, XX (3). pp. 203-215. ISSN 0-521-60328-5. (KAR id:1179)

Double, Oliver and de la Tour, Andy and Barclay, Jim and Melville, Pauline and Allen, Tony (2022) Alternative Cabaret in Conversation. In: Double, Oliver and Lockyer, Sharon, eds. Alternative Comedy Now and Then: Critical Perspectives. Palgrave Studies in Comedy . Palgrave Macmillan, London, UK, pp. 137-162. ISBN 978-3-030-97350-6. E-ISBN 978-3-030-97351-3. (doi:10.1007/978-3-030-97351-3_7) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97384)

Dubourg, Edgar and Thouzeau, Valentin and Thomas, Beuchot and Bonard, Constant and Boyer, Pascal and Clasen, Mathias and Boon-Falleur, Melusine and Fiorio, Grégory and Fitouchi, Léo and Fisher, Maryanne L. and Gantman, Ana P. and Grant, Ania and Hye-Knudsen, Marc and Wylie, Jordan and Katiyar, Tanay and Kjeldgaard-Christiansen, Jens and Mercier, Marius and Mercier, Hugo and Morin, Olivier and Salmon, Catherine and Scrivner, Coltan and Sijilmassi, Amine and Singh, Manvir and Smith, Murray and Sobchuk, Oleg and Stubbersfield, Joseph Michael and Varnum, Michael E. W. and Verpooten, Jan and Zhong, Ying and Baumard, Nicolas (2024) The Cognitive Foundations of Fictional Stories. [Preprint] (doi:10.31219/osf.io/me6bz) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:104767)

Dukhan, Igor, Lodder, Christina (2016) Visual Geometry: El Lissitzky and the Establishment of Conceptions of Space–Time in Avant-garde Art. Art in Translation, 8 (2). pp. 194-220. ISSN 1756-1310. (doi:10.1080/17561310.2016.1216050) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75237)

Dunworth, F. (1993) Suffocating Mothers - Fantasies of Maternal Origins in Shakespeare Plays, 'Hamlet' to the 'Tempest' - Adelman, J. Theatre Research International, 18 (1). pp. 65-66. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22076)

Durden, Mark (1994) Photography and the book: from Fox Talbot to Christian Boltanski. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86071) (KAR id:86071)

Duska, Radosavljevic (2013) ‘Michael Boyd: The RSC Ensemble’ - Introduction. In: Britton, John, ed. Encountering Ensemble. Methuen Bloomsbury, pp. 147-149. ISBN 978-1-4081-5517-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36827)

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Easterbrook, Carolyn Louise (2004) American space, American place: Edward Hopper, painting and his personal vision of modern America. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94323) (KAR id:94323)

Eastwood, Caroline Louise (2024) Feeling sound: cinematic sound, subjective narration and embodiment. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.107217) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:107217)

Ellen, Roy F. (1994) Hunting the Pangolin. Man, 29 (1). pp. 181-182. ISSN 0025-1496. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20175)

Elsheikh, A.N.A., Langley, Richard J. (1992) General-Solution for a Multiport Network. Microwave and Optical Technology Letters, 5 (13). pp. 668-671. ISSN 0895-2477. (doi:10.1002/mop.4650051305) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22561)

Evelyn, Mary (1998) A framework for the studio teaching of professional contemporary dance students. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86101) (KAR id:86101)

Eyuboglu, S. (1991) The authorial text and postmodernism, hitchcock 'blackmail'. Screen, 32 (1). pp. 58-78. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22923)

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Farahar, Chloe (2022) Autistic identity, culture, community, and space for well-being. In: Milton, Damian and Ryan, Sara, eds. The Routledge International Handbook of Critical Autism Studies. First edition; International edition. Routledge, Oxon, UK, pp. 229-241. E-ISBN 978-1-003-05657-7. (doi:10.4324/9781003056577-23) (KAR id:101046)

Farinelli, Stefano (2022) Monumetal Grotesque. Michelangelism and Ornament in 16th-century Florence Through the Case Studies of Niccolò Tribolo and Silvio Cosini. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.95805) (KAR id:95805)

Faust, Maria, Schneider, Florian, Herdin, Thomas, Ji, Deqiang, Negro, Gianluigi, Zhou, Oscar Tianyang, Facanha, Maria Amalia Vargas, Nascimento, Ana Karina de Oliveira (2018) BRICS as Formation to Study Visual Online Communication? A Dialogue on Historical Origins, Perspectives on Theory and Future Directions. China Media Research, 14 (2). pp. 85-97. ISSN 1556-889X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97622)

Feistner, A.T.C, Price, Eluned C., Milliken, G.W. (1994) Preliminary Observations on Hand Preference for Tapping, Digit-Feeding and Food-Holding in Captive Aye-Ayes (Daubentonia madagascariensis). Folia Primatologica, 62 (1-3). pp. 136-141. ISSN 0015-5713. (doi:10.1159/000156770) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20185)

Filho, E.C.D.B.C., Fairhurst, Michael, Bisset, D.L. (1992) Analysis of Saturation Problem in Ram-Based Neural Networks. Electronics Letters, 28 (4). pp. 345-347. ISSN 0013-5194. (doi:10.1049/el:19920216) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22567)

Finburgh, Clare and Lavery, Carl, eds. (2011) Contemporary French Theatre and Performance. Palgrave, 244 pp. ISBN 978-0-230-30566-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61132)

Finburgh, Clare (2010) Croisements. In: Corvin, Michel, ed. Noëlle Renaude : Un atlas alphabétique. Éditions Théâtrales, Paris, pp. 136-138. ISBN 978-2-84260-326-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61250)

Finburgh, Clare (2014) Derrière l’écran : La Guerre à la télévision sur la scène anglaise. Théâtre/Public, 212 . pp. 99-108. ISSN 978-2-84260-660-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61142)

Finburgh, Clare (2011) “Display and Disguise in Michel Vinaver’s 11 septembre 2001”. In: Mathias, Manon and O'Sullivan, Maria and Vortsman, Ruth, eds. Essays in French Literature, Thought and Culture. Peter Lang, pp. 183-203. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61160)

Finburgh, Clare (2012) French Theatre ‘dans la merde’. Contemporary Theatre Review, 22 (2). p. 287. ISSN 1048-6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61156)

Finburgh, Clare (2010) Internal and External Dramaturgies: The French Context. Contemporary Theatre Review, 20 (2). pp. 203-213. ISSN 1048-6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61249)

Finburgh, Clare (2017) Introduction. In: Campbell, Chris, ed. The Oberon Anthology of Contemporary French Plays. Oberon. ISBN 978-1-78682-072-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61136)

Finburgh, Clare (2014) Jean Genet Eugène Ionesco, Michel Vinaver. In: Gale, Maggie and Deeney, John, eds. Fifty Contemporary and Modern Dramatists. Routledge, pp. 101-116. ISBN 978-0-415-63035-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61154)

Finburgh, Clare (2011) Jean Genet et le théâtre de l’‘ornement’. In: Laroche, Hadrien, ed. Pour Genet. Editions MEET. ISBN 978-2-911686-71-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61159)

Finburgh, Clare (2016) Jean Genet et l’art du comédien: Un jeu maladroit. In: Vannouvong, Agnès, ed. Genet et les arts. Les Presses du Réel, pp. 119-132. ISBN 978-2-84066-683-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61140)

Finburgh, Clare (2011) La Théâtralisation de l’attentat : la représentation du terrorisme dans le théâtre britannique contemporain. In: Douxami, Christine, ed. Théâtres politiques en mouvement. Les Cahiers de la MSHE, Besançon, pp. 17-27. ISBN 978-2-84867-394-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61247)

Finburgh, Clare (2010) La Vue d'ailleurs. In: Corvin, Michel, ed. Noëlle Renaude : Un atlas alphabétique. Éditions Théâtrales, Paris, pp. 162-163. ISBN 978-2-84260-326-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61251)

Finburgh, Clare (2011) Le théâtre britannique contemporain post-11 septembre 2001: du théâtre verbatim à l’allégorie. In: Lescot, David and Véray, Laurent, eds. Les mises en scène de la guerre au XXè siècle Théâtre et cinéma. Presses Universitaires de Paris Ouest, Paris, pp. 583-603. ISBN 2-84736-576-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61248)

Finburgh, Clare (2015) Mises en scène de l’événement historique: la Terreur dans le théâtre anglais contemporain. In: Courtet, Catherine and Besson, Mireille and Lavocat, Françoise and Viala, Alain, eds. Corps en scènes. CNRS, pp. 189-200. ISBN 978-2-271-08674-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61138)

Finburgh, Clare (2014) Press, Patrols and Power: The British Army in Recent UK Theatre. Double jeu - Figurations du pouvoir, . pp. 45-55. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61151)

Finburgh, Clare (2012) Quel est le rôle des Nègres de Genet à Londres en 2007 ? The Blacks Remixed au Theatre Royal Stratford East. In: Martin, Eden, ed. L'Héritage de Genet. Méthode !, pp. 91-98. ISBN 9782906591610. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61157)

Lavery, Carl and Finburgh, Clare, eds. (2015) Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. Methuen Drama Engage . Bloomsbury ISBN 978-1-4725-1320-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58955)

Finburgh, Clare (2014) Theatre’s Other: Event and Testimony in British Verbatim Plays. Sillages critiques, 18 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61139)

Finburgh, Clare (2017) Théâtres de violence : Les nouvelles écritures théâtrales britanniques. Théâtre/Public, 223 . pp. 31-64. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61137)

Finburgh, Clare (2010) Translating Contemporary French Theatre: How ‘Linguistic Translation’ becomes ‘Stage Translation’. In: Baines, Roger and Marinetti, Cristina and Perteguella, Manuela, eds. Staging and Performing Translation. Palgrave, Basingstoke, pp. 230-249. ISBN 978-0-230-22819-1. E-ISBN 978-0-230-29460-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61252)

Finburgh, Clare (2017) ‘Violence without Violence’: Spectacle, War and Lola Arias’s MINEFIELD (CAMPO MINADO). Theatre Research International, 42 (2). pp. 163-178. ISSN 0307-8833. (doi:10.1017/S0307883317000281) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61135)

Finburgh, Clare (2011) “‘Vérité’ ou ‘mensonge’ ? Le Théâtre politique en Grande-Bretagne post-11 septembre”. Mettre en scène l'événement - special issue of Agôn, online journal, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61158)

Finburgh, Clare (2017) Watching War on the Twenty-First Century Stage: Spectacles of Conflict. Methuen Drama Engage . Bloomsbury, 368 pp. ISBN 978-1-4725-9866-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61099)

Finburgh, Clare, Bradby, David (2012) Jean Genet. Routledge, 214 pp. ISBN 978-0-415-37506-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61097)

Finch, James (2016) The Art Criticism of David Sylvester. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:60419)

Findlay, Rosie (2011) At one remove from reality: Style bloggers and outfit posts. The Australasian Journal of Popular Culture, 1 (2). pp. 197-208. ISSN 2045-5852. (doi:10.1386/ajpc.1.2.197_1) (KAR id:95309)

Findlay, Rosie (2022) Fashion Media and Communication Open Access Resource List. . Self-published Google Sheet. (KAR id:95535)

Findlay, Rosie (2016) The Fashioned Body. Review of: The Fashioned Body by Entwistle, Joanne. Australian Feminist Studies, 31 (87). pp. 109-111. ISSN 0816-4649. (doi:10.1080/08164649.2016.1175055) (KAR id:97194)

Findlay, Rosie (2017) Personal Style Blogs: Appearances that Fascinate. First edition. Intellect Books, Bristol, UK, 185 pp. ISBN 978-1-78320-834-0. (KAR id:90163)

Findlay, Rosie (2022) Russh and the 'All-Australian' Girl? Feminist Theory, 23 (3). pp. 312-326. ISSN 1464-7001. (doi:10.1177/14647001221085911) (KAR id:95308)

Findlay, Rosie (2021) Sartorial Misdirection. In: Sartorial Society Season 4, Week 5, 25 November 2021, Online. (Unpublished) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:95313)

Findlay, Rosie (2015) The Short, Passionate, and Close-Knit History of Personal Style Blogs. Fashion Theory: The Journal of Dress, Body & Culture, 19 (2). pp. 157-178. ISSN 1362-704X. (doi:10.2752/175174115X14168357992319) (KAR id:95312)

Findlay, Rosie (2016) 'Such Stuff as Dreams are Made On': Encountering Clothes, Imagining Selves. Cultural Studies Review, 22 (1). pp. 78-94. ISSN 1837-8692. (doi:10.5130/csr.v22i1.4913) (KAR id:91313)

Findlay, Rosie (2018) "Things to be seen": Spectacle and the performance of brand in contemporary fashion shows. About Performance, 14/15 . pp. 105-119. ISSN 1324-6089. (doi:10.3316/informit.323796532560462) (KAR id:91933)

Findlay, Rosie (2019) "Trust Us, We're You": Aspirational Realness in the Digital Communication of Contemporary Fashion and Beauty Brands. Communication, Culture & Critique, 12 (4). pp. 553-569. ISSN 1753-9129. E-ISSN 1753-9137. (doi:10.1093/ccc/tcz047) (KAR id:90107)

Findlay, Rosie, Romagosa, Natalia (2018) Sartorial Remembrance: Exploring the Weave Between Costume, Memory, and the Performing Self. About Performance, 16 . pp. 129-146. ISSN 1324-6089. (KAR id:91315)

Fleming, Ann-Marie (2019) Hollywood Undead: The Posthumous Star as Commercial and Consumer Product. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:75518)

Flint-Nicol, Katerina (2018) Men, Manors and Monsters: The Hoodie Horror and the Cinema of Alterity. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:71783)

Forsyth, Maria, Truong, V.T, Smith, Mark E. (1994) Structural Characterization of Conducting Polypyrrole Using C-13Cross-Polarization Magic-Angel-Spining Solid-State Nuclear-Magnetic-Resonance Spectroscopy. Polymer, 35 (8). pp. 1593-1601. ISSN 0032-3861. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20190)

Foster, Annette (2022) 'Autistic [Neuro]Queer Pioneers' Using participatory autism research, performance, and visual art to articulate the experiences of late diagnosed autistic women (cis- and trans-) and non-binary people. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.95638) (KAR id:95638)

+2 more...

Fox, J. (1998) Battles and sites of love. The history of cinema and film in eastern Westphalia and Lippe. Review of: Battles and sites of love. The history of cinema and film in eastern Westphalia and Lippe by UNSPECIFIED. Historical Journal of Film, Radio and Television, 18 (1). pp. 142-143. ISSN 0143-9685. (doi:10.1080/01439689800260091) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17743)

Fox, J. (1998) A second life: German cinema's first decades. Review of: A second life: German cinema's first decades by UNSPECIFIED. Historical Journal of Film, Radio and Television, 18 (1). pp. 139-140. ISSN 0143-9685. (doi:10.1080/01439689800260091) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17742)

Freeman, Adam Ludford (2020) Essaying Place: Time and Landscape in the Essay Film. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:82613)

Fretwell, Paul (2008) Ghosts of King's Cross (2008) female voice and electroacoustic sound. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31753)

Fretwell, Paul (2015) King's Cross. Taukay Edizioni Musicali Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:83821)

Fretwell, Paul (2007) Wall of Stone (2007) Female voice and four percussionists with megaphones. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31751)

Fretwell, Paul (2008) from the cold (2008) female voice and electroacoustic sound. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31752)

Fretwell, Paul (2013) Étune No. 1. Item format: audio recording. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31830)

Fretwell, Paul and Field, Ambrose (2013) Northern Loop. Sargasso Records Item format: CD recording. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31827)

Frey, Mattias (2012) 23 July 1991: ZDF Broadcast of Ostkreuz Initiates Darker Reckoning with the Wende. In: Richardson, Michael and Kapczynski, Jennifer, eds. A New History of German Cinema. Camden House, Rochester, NY, pp. 512-517. ISBN 1-57113-490-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42201)

Frey, Mattias (2015) The Acoustic Conventions of Historical Films: Dialect in Requiem, Robin Hood and Beyond. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 20 June 2015, Lodz, Poland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64768)

Frey, Mattias (2014) Antares, Sex and International Distribution. In: Invited speaker, Picturing Austrian Cinema, 22 September 2014, Cambridge University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42233)

Frey, Mattias (2010) Art and Artifice: German Films at the 60th Berlin International Film Festival. Senses of Cinema, (55). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25351)

Frey, Mattias (2012) Arthouse Ethics and Provocation. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 23 June 2012, Lisbon. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42216)

Frey, Mattias (2018) The Authenticity Feeling: Language and Dialect in the Historical Film. Research in Film and History, 1 (1). ISSN 2627-5848. (KAR id:68971)

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Frey, Mattias (2014) Authentizität und Hörbarkeit im jüngsten deutschen Geschichtsfilm. In: Invited speaker, Film und Geschichte: Produktion und Erfahrung von Geschichte durch Bewegtbild und Ton, 8 May 2014, Universität Bremen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42231)

Frey, Mattias (2006) Benny's Video, Caché, and the Desubstantiated Image. In: Society of Cinema and Media Studies (SCMS) Annual Conference, 2 March 2006, Vancouver. (doi:10.1353/frm.2006.0011) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42251)

Frey, Mattias (2006) Benny’s Video, Caché, and the Desubstantiated Image. Framework: The Journal of Cinema and Media, 47 (2). pp. 30-36. ISSN 0306-7661. (doi:10.1353/frm.2006.0011) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20319)

Frey, Mattias (2008) Birth of a Nation in Sound and Colour: The Miracle of Bern (2003). In: Screen Studies Conference, 5 July 2008, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42247)

Frey, Mattias (2008) Birth of a Nation: The Miracle of Bern and Post-wall Germany's Cinema of Retro-flection. In: European Cinema Research Forum (ECRF), 12 July 2008, Institute of Technology, Dublin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42246)

Frey, Mattias (2004) Border Zones: The Films of Ulrich Seidl. Senses of Cinema, (32). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20323)

Frey, Mattias (2012) British Film Culture in the Course of Time: Liberal Criticism, Sight and Sound and the British Film Institute. In: British council, public lecture, 18 January 2012, Taipei. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42214)

Frey, Mattias (2010) A Cinema of Disturbance: The Films of Michael Haneke in Context, 2nd rev. ed. Senses of Cinema, 57 (57). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42195)

Frey, Mattias (2003) A Cinema of Disturbance: The Films of Michael Haneke in Context. Senses of Cinema, (28). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20324)

Frey, Mattias (2013) Contemporary Debates on Criticism and the Spectre of the Past: A View from the UK. In: Invited speaker, Critica della critica, 1 February 2013, Università di Bologna. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42223)

Frey, Mattias (2013) Cosmopolitanism, Exoticism and the 'Sandwich Process': The Programming and Discourse of Extreme Cinema at Film Festivals. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 21 June 2013, Prague. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42225)

Frey, Mattias (2014) Creating Synergies, Building Institutions: A Perspective from (German) Film Studies. In: Invited speaker, Models for German Studies in a New Millennium, 25 April 2014, Harvard University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42230)

Frey, Mattias (2016) The Crises of Film Criticism and the Promises of Film Studies. In: Invited Speaker, University of Edinburgh, Research Seminar, 22 November 2016, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64771)

Frey, Mattias (2013) The Critical Question: Sight and Sound’s Postwar Consolidation of Liberal Taste. Screen, 54 (2). pp. 194-217. ISSN 0036-9543. (doi:10.1093/screen/hjt002) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31294)

Frey, Mattias (2015) Critical Questions. In: Frey, Mattias and Sayad, Cecilia, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 1-20. ISBN 978-0-8135-7072-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42205)

Frey, Mattias (2015) Critical Questions, 2.0: Resolving the Digital-Era ‘Crisis’ of Film Criticism. In: Invited Speaker, University of Bristol, Research Seminar, 18 March 2015, Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64767)

Frey, Mattias (2008) Cultural Problems of Classical Film Theory: Béla Balázs, 'Universal Language' and the Birth of National Cinema. In: Research seminar, 4 December 2008, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42244)

Frey, Mattias (2010) Cultural Problems of Classical Film Theory: Béla Balázs, 'Universal Language' and the Birth of National Cinema. Screen, 51 (4). pp. 324-340. ISSN 0036-9543. (doi:10.1093/screen/hjq028) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30486)

Frey, Mattias (2014) Daniel Brühl and Nichts bereuen. In: German Screen Studies Network (GSSN) symposium: Translating Stars - German Cinema in Transnational Context, 11 September 2014, University of Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42232)

Frey, Mattias (2013) Der unbelehrbare Zuschauer. In: Invited speaker, 19. Bremer Filmsymposium, 20 January 2013, Universität Bremen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42222)

Frey, Mattias (2013) Disturbing Directors, Disturbed Programmers: The Rhetoric and Reception of Extreme Cinema. In: Screen Studies Annual Conference, 29 June 2013, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42226)

Frey, Mattias (2015) Editorial: Institutions and Agency (Part I). Film Studies, 13 (1). pp. 1-4. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.13.0001) (KAR id:57006)

Frey, Mattias (2016) Editorial: Institutions and Agency (Part II). Film Studies, 14 . pp. 1-4. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.14.0001) (KAR id:57008)

Frey, Mattias (2007) Einführung in die Film Theorie. In: Invited guest lecturer, ShortShots: Programmgestaltung und Planung eines Kurzfilmfestivals, 3 May 2007, Freie Universität Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42250)

Frey, Mattias (2011) Einführung in die Filmkritik. In: Invited series of masterclasses, 28 June - 1 July 2011, Universität Passau. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42213)

Frey, Mattias (2012) Einführung in die Filmkritik. In: Invited series of masterclasses, 2-6 July 2012, Universität Passau. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42217)

Frey, Mattias (2012) Einführung in die Filmkritik. In: Invited series of masterclasses, 9-13 July 2012, Goethe-Universität Frankfurt. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42218)

Frey, Mattias (2015) Ekel im Kino. In: Invited Speaker, 'Angustia', Deutsches Filmmuseum, Frankfurt, 23 January 2015, Deutsches Filmmuseum Frankfurt. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44721)

Frey, Mattias (2014) Ekel und Langeweile: Der unbelehrbare Zuschauer. In: Pauleit, Winfried and Rüffert, Christina and Schmid, Karl-Heinz and Tews, Alfred and Odorico, Stefano, eds. Filmerfahrung und Zuschauer: Zwischen Kino, Museum und sozialen Netzwerken. Bertz + Fischer, Berlin, pp. 48-62. ISBN 978-3-86505-229-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42204)

Frey, Mattias (2007) The End of Innocence: Scandinavian Films at the 30th Gothenburg International Film Festival. Review of: Scandinavian Films at the 30th Gothenburg International Film Festival by UNSPECIFIED. Senses of Cinema, 43 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20768)

Frey, Mattias (2020) The Ends of (German) Film Criticism: On Recurring Doomsday Scenarios and the New Algorithmic Culture. New German Critique, 47 (3). pp. 45-57. ISSN 0094-033X. (KAR id:89409)

Frey, Mattias (2017) The Eternal Return of the Crisis: Towards an Internationalist, Institutionalist Critical History. In: Invited Speaker, Dartmouth College, Conference: A Century of Filmkritik and Beyond, Hanover/NH, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64772)

Frey, Mattias (2014) The Ethics of Extreme Cinema. In: Choi, Jinhee and Frey, Mattias, eds. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, pp. 145-162. ISBN 978-0-415-82125-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42203)

Frey, Mattias (2011) The Ethics of Extreme Cinema. In: Cine-Ethics, 15 June 2011, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42211)

Frey, Mattias (2016) Extreme Cinema: The Transgressive Rhetoric of Today's Art Film Culture. Rutgers University Press, New Brunswick, NJ, 288 pp. ISBN 978-0-8135-7649-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42191)

Frey, Mattias (2017) Fassbinder and the Western: Whity (1971). In: BAFTSS conference, University of Bristol, Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64773)

Frey, Mattias (2017) Fassbinder, the art film and popular genre: Whity. In: Invited Masterclass, British Film Institute, BFI Fassbinder: The Many Faces of R. W. Fassbinder, 27 April 2017, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64774)

Frey, Mattias (2017) Fassbinder: Television Pioneer. In: Invited Speaker, British Film Institute, public lecture, 2 May 2017, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64775)

Frey, Mattias (2017) Fassbinder: The Formal Innovator. Sight and Sound, 27 (5). p. 28. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64751)

Frey, Mattias (2006) Fidelio: Love, Adaptation, and Eyes Wide Shut. Literature/Film Quarterly, 34 (1). pp. 39-45. ISSN 0090-4260. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20322)

Frey, Mattias (2012) Film Criticism as Crisis History. In: Cultural Criticism in the Digital Age, 7 June 2012, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42215)

Frey, Mattias (2017) Film Criticism in the Digital Age: Past, Present and Possible Futures. In: Invited Speaker, Universitet Gent, public lecture, 31 October 2017, Ghent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64776)

Frey, Mattias (2013) Filmkritik, with and without Italics: Kracauerism and Its Limits in Postwar German Film Criticism. New German Critique, 40 (3). pp. 85-110. ISSN 0094-033X. (doi:10.1215/0094033x-2325437) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31296)

Frey, Mattias (2010) From Crisis Structure to Schadenfreude: Emotional Underpinnings of the New Documentary. In: Society of Cinema and Media Studies Annual Conference, 18th March 2010, Los Angeles. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25356)

Frey, Mattias (2008) Gazing Lessons: German Films at the 58th Berlin International Film Festival. Review of: 58th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, 47 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20765)

Frey, Mattias (2010) Goodbye Germany: Emigration, Reality TV and Schadenfreude. Jump Cut, (52). ISSN 0146-5546. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25349)

Frey, Mattias (2009) Goodbye, Germany! Televisions of Emigration. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 25 June 2009, Lund. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42240)

Frey, Mattias (2012) Grand Finales: The International Forum of New Cinema at the 62nd Berlin International Film Festival. Senses of Cinema, 62 (62). n/a-n/a. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42209)

Frey, Mattias (2013) The Greatest of These Is Love: Ulrich Seidl's Paradise Trilogy. Artforum, 51 (10). pp. 149-150. ISSN 0004-3532. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42194)

Frey, Mattias (2007) Haneke and the Painterly. In: Invited speaker, Michael Haneke - A Cinema of Provocation, 26 October 2007, Boston University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42249)

Frey, Mattias (2007) In/Flux: German Films at the 57th Berlin International Film Festival. Review of: German Films at the 57th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, 43 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20767)

Frey, Mattias (2009) Insecure Times, Confident Localities: German Films at the 59th Berlin International Film Festival. Review of: 59th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, (50). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20763)

Frey, Mattias (2017) Institutional Roles in Using Film to Teach Difficult History: The Federal Agency for Civic Education and The Lives of Others. In: Stoddard, Jeremy and Marcus, Alan and Hicks, David, eds. Teaching Difficult History Through Film. Routledge, New York, pp. 89-105. ISBN 978-1-138-19077-1. E-ISBN 978-1-315-64087-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64749)

Frey, Mattias (2005) Interior Designs: London as Fashion(ed) Object in the 'Swinging London' Film. In: Designs for Living: Space and Place in the Cinema, 28 June 2005, Queen Mary, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42253)

Frey, Mattias (2019) The Internet Suggests: Film, Recommender Systems, and Cultural Mediation. Journal of Cinema and Media Studies, 59 (1). pp. 163-169. ISSN 0009-7101. E-ISSN 1527-2087. (doi:10.1353/cj.2019.0068) (KAR id:81284)

Frey, Mattias (2015) Kino der Extreme: Die transgressive Rhetorik der heutigen Autorenfilmkultur. In: Invited Speaker, Zentrum für Medien-, Kommunikations- und Informationsforschung, Universität Bremen, Research Seminar, 25 June 2015, Bremen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64770)

Frey, Mattias (2012) The Liberal Tradition of British Film Criticism: Sight and Sound, 'Restraint' and Realism. In: Invited speaker, research seminar, 15 November 2012, Waseda University Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42219)

Frey, Mattias (2009) The Limits of Spectatorship: Towards a Theory of Walking Out. In: Emergent Encounters in Film Theory, 21 March 2009, Kings College London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42242)

Frey, Mattias (2006) London à la Mod: Fashion, Genre, and Historical Space in Performance. Quarterly Review of Film and Video, 23 (4). pp. 369-376. ISSN 1050-9208. (doi:10.1080/10509200600910484) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20320)

Frey, Mattias (2021) MUBI and the Curation Model of Video on Demand. Palgrave Macmillan ISBN 978-3-030-80075-8. E-ISBN 978-3-030-80076-5. (doi:10.1007/978-3-030-80076-5) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:89815)

Frey, Mattias (2010) Medien aus filmwissenschaftlicher Sicht. In: Masterclasses, 29th June-2nd July 2010, Universitat Passau. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25352)

Frey, Mattias (2010) The Message and the Medium: Haneke's Film Theory and Digital Praxis. In: Price, Brian and Rhodes, John David, eds. On Michael Haneke. Wayne State University Press, Detroit, pp. 153-165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25350)

Frey, Mattias (2016) Netflix Crit in the Twenty-First Century. Film Criticism, 40 (1). ISSN 0163-5069. E-ISSN 2471-4364. (doi:10.3998/fc.13761232.0040.111) (KAR id:57007)

Frey, Mattias (2021) Netflix Recommends: Algorithms, Film Choice, and the History of Taste. First edition. University of California Press, 282 pp. ISBN 978-0-520-38204-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:89816)

Frey, Mattias (2015) The New Democracy? Rotten Tomatoes, Metacritic, Twitter, and IMDb. In: Frey, Mattias and Sayad, Cecilia, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 81-98. ISBN 978-0-8135-7072-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42206)

Frey, Mattias (2006) No(ir) Place to Go: Spatial Anxiety and Sartorial Intertextuality in Die Unberührbare. Cinema Journal, 45 (4). pp. 64-80. ISSN 0009-7101. (doi:10.1353/cj.2006.0044) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20318)

Frey, Mattias (2005) Noi(r) Place to Go: Historical Anxiety as Dramaturgical and Intertextual Space in Oskar Roehler's Die Unberührbare. In: Cinema Europe: Networks in Progress, 23 June 2005, Universiteit van Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42254)

Frey, Mattias (2009) The Pained Spectator. In: Images of Pain/Painful Images, 20 June 2009, Universitetet i Bergen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42241)

Frey, Mattias (2010) Paris' Threat to German Film Criticism: Denounce and Recycle. In: European Network for Cinema and Media Studies Annual Conference, 25th June 2010, Istanbul. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25354)

Frey, Mattias (2014) The Permanent Crisis of Film Criticism: The Anxiety of Authority. First Edition. Film Theory in Media History . Amsterdam University Press, Amsterdam, 195 pp. ISBN 978-90-8964-717-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42190)

Frey, Mattias (2010) A Persistent Allure: The Reception of Michael Haneke. In: Invited speaker, On Michael Haneke, 2nd June 2010, University of Sussex. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25355)

Frey, Mattias (2011) The Possibility of Desire in a Conformist World: The Cinema of Ulrich Seidl. In: Dassanowsky, Robert and Speck, Oliver, eds. New Austrian Film. Berghahn, New York, pp. 189-198. ISBN 1-84545-700-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42197)

Frey, Mattias (2006) “Postmodernism” and “Guy Maddin". In: Grant, Barry Keith, ed. Schirmer Encyclopedia of Film. Schirmer Press, Detroit, pp. 291-296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20315)

Frey, Mattias (2013) Postwall German Cinema: History, Film History, and Cinephilia. Film Europa . Berghahn, Oxford/New York, 206 pp. ISBN 978-0-85745-947-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31290)

Frey, Mattias (2008) Postwall Germany's Cinema of Retro-flection. In: Cultural Memory: Forgetting to Remember/Remembering to Forget, 11 September 2008, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42245)

Frey, Mattias (2011) Postwar British Film Criticism's Reaction to Cahiers du cinéma: Sight and Sound and the Establishment of Middlebrow Taste. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 25 June 2011, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42212)

Frey, Mattias (2005) Re-Connecting the Body 'in' to the Body 'of' Pasolini. In: Il testo in movimento: Themes and Techniques in Italian Film and Literature, 5 February 2005, Harvard University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42255)

Frey, Mattias (2004) Re-Connecting the Body 'in' to the Body 'of' Pasolini. In: Screen Media and Sexual Politics, 9 October 2004, Plymouth State University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42256)

Frey, Mattias (2006) Re-Connecting the Body ‘in’ to the Body ‘of’ Pasolini with Porcile. In: Hart, Kylo, ed. Film and Sexual Politics: A Critical Reader. Cambridge Scholars Press, Newcastle, pp. 128-134. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20321)

Frey, Mattias (2014) 'Real' Sex by 'Real' People: Realist Aesthetics and Celebrity Couples in the Marketing of Extreme Cinema. In: Society of Cinema and Media Studies (SCMS) Annual Conference, 21 March 2014, Seattle. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42229)

Frey, Mattias (2015) The Recalcitrant Discipline. Film Studies, 12 (1). 10 -18. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.12.0003) (KAR id:44745)

Frey, Mattias (2004) The Renaissance of New Austrian Film? The Example of Michael Haneke. In: German Projections, Foreign Reflections: Film, Narrative and the Creation of Historical Memory, 3 April 2004, University of Pennsylvania. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42257)

Frey, Mattias (2007) Review of Screening the Past: Memory and Nostalgia in Cinema. Review of: Screening the Past: Memory and Nostalgia in Cinema by Cook, Pam. Film International, 5 (5). pp. 87-89. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20766)

Frey, Mattias (2012) Review of: A Companion to Michael Haneke, ed. Roy Grundmann. Review of: A Companion to Michael Haneke by Grundmann, Roy. Historical Journal of Film, Radio and Television, 32 (1). pp. 127-129. ISSN 0143-9685. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42208)

Frey, Mattias (2006) Review of: Graeme Harper and Andrew Moor, eds., Signs of Life: Medicine and Cinema. Review of: Signs of Life: Medicine and Cinema by Harper, Graeme and Moor, Andrew. Film International, 4 (2). pp. 78-81. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20770)

Frey, Mattias (2008) Review of: Jörn Ahrens und Stephan Braese, Hg., Im Zauber der Zeichen: Beiträge zu einer Kulturgeschichte des Mediums. Review of: Im Zauber der Zeichen: Beiträge zu einer Kulturgeschichte des Mediums by Ahrens, Jorn and Braese, Stephan. MEDIENwissenschaft, (2). pp. 145-147. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20764)

Frey, Mattias (2007) Review of: Rosalind Galt, The New European Cinema: Redrawing the Map. Review of: The New European Cinema: Redrawing the Map by Galt, Rosalind. Film International, 5 (1). pp. 70-71. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20769)

Frey, Mattias (2012) The Role of Criticism in Britain Today. In: British Council, public lecture, 17 November 2012, Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42220)

Frey, Mattias (2013) The Role of Violence and Sex in Recent Austrian Cinema. In: Invited speaker, research seminar, 27 November 2013, Kings College London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42228)

Frey, Mattias (2010) Safe to Remember: the post-Wende Cinema of Retrospection. In: Invited Talk, 2nd November 2010, University of Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25353)

Frey, Mattias (2011) Searches for Identity: German Films at the 61st Berlin International Film Festival. Senses of Cinema, 58 (58). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42210)

Frey, Mattias (2004) Sebald's Cinémathèque: Theorizing Cinema in Sebald and Sebald with 'Cinema'. In: Approaching W. G. Sebald, 27 March 2004, Yale University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42258)

Frey, Mattias (2005) A Star in Our Stratosphere: Introductory Remarks to the Daniel Brühl Film Series. In: Daniel Brühl Film Series, 15 September 2005, Museum of Fine Arts, Boston. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42252)

Frey, Mattias (2006) Structuralism and Poststructuralism. In: Grant, Barry Keith, ed. Schirmer Encyclopedia of Film. Schirmer Press, Detroit, pp. 165-168. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20317)

Frey, Mattias (2012) Suburban Violence in German-Language Film. In: Invited speaker, Political Cultures/Cultural Politics of Germany in the 21st Century, 8 December 2012, University of Birmingham. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42221)

Frey, Mattias (2002) Supermodernity, Capital, and Narcissus: The French Connection to Michael Haneke’s Benny’s Video. Cinetext, . ISSN 1605-6035. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20325)

Frey, Mattias (2012) Supermodernity, Sick Eros and the Video Narcissus: Benny's Video in the Context of Theory and Time. In: McCann, Benjamin and Sorfa, David, eds. The Cinema of Michael Haneke: Europe Utopia. Wallflower, London, pp. 151-161. ISBN 1-906660-30-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42199)

Frey, Mattias (2006) Supermodernost, kapital i narcis: Francuska veza filma Bennyev Michaela Hanekea. Item format: Croatian National Radio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42259)

Frey, Mattias (2005) Supermodernost, kapital i narcis: Francuska veza filma Bennyev video Michaela Hanekea. Item format: Croation National Radio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42207)

Frey, Mattias (2014) Teoretyzowanie kina u Sebalda i Sebalda poprez kino. Konteksty, 68 (3-4). pp. 135-144. ISSN 1230-6142. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42200)

Frey, Mattias (2007) Theorizing Cinema in Sebald and Sebald with Cinema. In: Patt, Lise, ed. Searching for Sebald: Photography After W.G. Sebald. Los Angeles: Institute of Cultural Inquiry Press, Los Angeles, pp. 226-241. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20314)

Frey, Mattias (2012) Tuning Out, Turning In, Walking Off: The Spectator in Pain. In: Gronstad, Asbjorn and Gustafsson, Henrik, eds. Ethics and Images of Pain. Routledge, London, pp. 93-111. ISBN 0415893824. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42198)

Frey, Mattias (2006) Ukranian translation of Michael Haneke: A Cinema of Disturbance (2003). AZH, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42959)

Frey, Mattias (2008) A Universal Language Not Yet Understood: The Inscription of National Difference in Early Film Theory. In: Permanent Seminar on the History of Film Theory, 3 March 2008, Università degli studi di Udine. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42248)

Frey, Mattias (2019) Unstomachable: Irréversible (2002) and the Extreme Cinema Tradition. In: Baer, Nicholas and Hennefeld, Maggie and Horak, Laura and Iversen, Gunnar, eds. Unwatchable. Rutgers University Press, New Brunswick, New Jersey, USA. ISBN 978-0-8135-9959-5. E-ISBN 978-0-8135-9962-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64746)

Frey, Mattias (2017) VoD Services, Original Programming and the Deteriorating Window System: Netflix, Amazon, MUBI. In: Elements of Success: Rethinking Audience and Production Studies as Practice, Finnish Film Institute, 4 December 2017, Helsinki. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64777)

Frey, Mattias (2017) Who Owns History? Notes on Cultural Appropriation, Authenticity and the Historical Film. . The International Association for Media and History online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64752)

Frey, Mattias (2013) Why Is Cinema Violent? In: British Council, public lecture, 1 May 2013, Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42224)

Frey, Mattias (2013) Why the Arts Matter, or: The Role of Violence in Film and Media. In: Kaywon School of Art and Design, public lecture, 18 October 2013, Seoul. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42227)

Frey, Mattias (2018) A nova democracia?: Rotten Tomatoes, Metacritic, Twitter e IMDb. REBECA: Revista Brasileira de Estudos de Cinema e Audiovisual, 6 (2). pp. 343-374. ISSN 2316-9230. (doi:10.22475/rebeca.v6n2.495) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64745)

Frey, Mattias, Janssen, Sara (2018) Researching Sex and the Cinema in the #MeToo Age. Film Studies, 18 (1). pp. 1-13. ISSN 1469-0314. (doi:10.7227/FS.18.0001) (KAR id:68969)

Frey, Mattias and Sayad, Cecilia, eds. (2015) Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, 273 pp. ISBN 978-0-8135-7072-3. E-ISBN 978-0-8135-7364-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47968)

Friday, Jonathan (2002) Aesthetics and photography. Aldershot: Ashgate Press, 175 pp. ISBN 0-7546-0428-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1185)

Friday, Jonathan (2005) Andre Bazin’s ontology of film and the photographic image. Journal of Aesthetics and Art Criticism, 63 (4). pp. 339-350. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1186)

Friday, Jonathan (2007) The Art Seminar. In: Elkins, James, ed. Photographic Theory. Routledge, pp. 129-204. ISBN 0-415-97783-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6590)

Friday, Jonathan (2004) Art and Enlightenment: Aesthetics in the 18th Century. Imprint Academic, 212 pp. ISBN 0-907845-76-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6564)

Friday, Jonathan (2000) Demonic Curiosity and the Aesthetics of Documentary Photography. British Journal of Aesthetics, 40 (3). pp. 356-375. ISSN 0007-0904. (doi:10.1093/bjaesthetics/40.3.356) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6581)

Friday, Jonathan (2002) Demonic Curiosity and the Aesthetics of Documentary Photography. In: Rubene, Mara, ed. Homo Aestheticus. Tapals, pp. 245-266. ISBN 9984-720-00-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6583)

Friday, Jonathan (1997) Digital Imaging, Photographic Representation and Aesthetics. Ends and Means, 2 (2). pp. 7-11. ISSN 1472-5819. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6570)

Friday, Jonathan (1998) Hume’s Sceptical Standard of Taste. Journal of the History of Philosophy, 36 (4). pp. 545-566. ISSN 0022-5053. (doi:10.1353/hph.2008.0865) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6573)

Friday, Jonathan (1999) Looking at Nature Through Photographs. Journal of Aesthetic Education, 33 (1). pp. 25-35. ISSN 0021-8510. (doi:10.2307/3333733) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6576)

Friday, Jonathan (2004) Moral Equality and the Foundations of Liberal Moral Theory. Journal of Value Inquiry, 38 (1). pp. 61-74. ISSN 0022-5363. (doi:10.1023/B:INQU.0000040016.68565.83) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6567)

Friday, Jonathan (2004) Moral Theory and the Improvement of Moral Thought. Journal of Moral Education, 33 (1). pp. 23-33. ISSN 0305-7240. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6585)

Friday, Jonathan (2004) Photography and Art – Responses to questions set by Artis Svece. Res Publica, 2 . ISSN 1691-2004. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6588)

Friday, Jonathan (2001) Photography and the representation of vision. Journal of Aesthetics and Art Criticism, 59 (4). pp. 351-362. ISSN 0021-8529. (doi:10.1111/0021-8529.00037) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1189)

Friday, Jonathan (1999) Quem Tem Medo De Uma Sociedade On-line? Cadernos Da Escola Do Legislativo, . pp. 39-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6580)

Friday, Jonathan (2005) Stillness becoming: Reflections on Bazin, Barthes, and Photographic Stillness. In: Green, David and Lowry, Joanna, eds. Stillness and Time: Photography and the Moving Image. Brighton: Photoworks. ISBN 1-903796-18-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1190)

Friday, Jonathan (1996) Transparency and the Photographic Image. British Journal of Aesthetics, 36 (1). pp. 30-42. ISSN 0007-0904. (doi:10.1093/bjaesthetics/36.1.30) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6568)

Friday, Jonathan (1998) Who’s Afraid of an On-line Society? Ends and Means, 3 (2). pp. 2-7. ISSN 1472-5819. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6579)

Friend, Stacie, Nyhout, A., Smith, Murray, Ferguson, Heather J. (2024) Moral Understanding and Media: Meeting the Challenges of Interdisciplinary Research. Journal of Media Psychology, 36 (4). pp. 220-230. E-ISSN 1617-6383. (doi:10.1027/1864-1105/a000410) (KAR id:103144)

Fugard, Athol (2011) Il Guidatore del Treno. Performance type: Live play Tramedautore Festival, September 2011, Piccolo Teatro, Teatro d'Europa, Milan. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31497)

G

Garfield, Rachel (2009) A Particular Incoherence: the films of Vivienne Dick. In: O'Brian, Treasa, ed. Between Truth and Fiction: The Films of Vivienne Dick. Crawford Art Centre/Lux, London, pp. 39-48. ISBN 978-0-9548569-8-4. (KAR id:29388)

Geary, James Bernard (2017) A Defence of the Study of Visual Perception in Art. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:63885)

Giles, Kenneth W. (1997) The expectation of narrative in the photograph. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86025) (KAR id:86025)

Gilhooly, Jonathan (2010) Enchanted Objects: Agency in the Magic Act and Contemporary Art Practice. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94369) (KAR id:94369)

Gillespie, Tory (2019) Empathy and intimacy in stand-up comedy: how can the performer negotiate with an audience in order to encourage empathy and intimacy in stand-up comedy? Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:81735)

Gillick, Ambrose and Ivett, Lee, eds. (2018) Test Unit. Glasgow Urban Lab, dpr-barcelona, Glasgow, UK, 132 pp. ISBN 978-1-9996221-1-4. (KAR id:71690)

Gillick, Ambrose, Proctor, Robert (2016) The Architecture of Twentieth-Century Pilgrimage in Scotland. In: SCHA 2016 CONFERENCE, 29th October 2016, Edinburgh, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71710)

Goebbels, Heiner (2014) Aesthetic of Absence. Other. Routledge, London (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37423)

Goff, Moira (2000) Art and nature join'd : Hester Santlow and the development of dancing on the London stage, 1700-1737. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86199) (KAR id:86199)

Grant, Catherine A. (2000) Allegories of underdevelopment: Aesthetics and politics in modern Brazilian cinema. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16154)

Grant, Catherine A. (2008) Auteur machines? Auteurism and the DVD. In: Bennett, James and Brown, Tom, eds. Film and Television After DVD. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7819)

Grant, Catherine A. (2000) Based on a true story: Latin American history at the movies. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (doi:10.2307/1571474) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16153)

Grant, Catherine A. (2004) Home-Movies: The Curious Cinematic Collaboration of Anne-Marie Miéville and Jean-Luc Godard. In: Temple, Michael and Williams, James S and Witt, Michael, eds. For Ever Godard. London: Black Dog Publishing. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1118)

Grant, Catherine A. (2000) Intimista Transformations: María Luisa Bemberg's First Feature Films. In: King, John and Whittaker, Sheila and Bosch, Rosa, eds. The Films of María Luisa Bemberg: An Argentine Passion. Verso. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7925)

Grant, Catherine A. (2006) 'Introduction' in Screening World Cinema: A Screen Reader. In: Grant, Catherine A. and Kuhn, Annette, eds. Screening World Cinema: A Screen Reader. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7823)

Grant, Catherine A. (2002) 'La función de "los autores": la adaptación cinematográfica transnacional de El lugar sin límites'. Revista Iberoamericana, LXVIII (199). pp. 253-268. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7866)

Grant, Catherine A. (2000) Millennial debates - www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16155)

Grant, Catherine A. (2000) New Latin American cinema, Vol 1, Theory, practices and transcontinental articulation, Vol 2, Studies of national cinemas. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16151)

Grant, Catherine A. (2002) Recognizing Billy Budd in Beau Travail: epistemology and hermeneutics of an auteurist “free” adaptation. Screen, 43 (1). pp. 57-73. ISSN 1460-2474. (doi:10.1093/screen/43.1.57) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1117)

Grant, Catherine A. (2001) Secret Agents: Feminist Theories of Women’s Film Authorship. Feminist Theory, 2 (1). pp. 113-130. ISSN 1464-7001. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1120)

Grant, Catherine A. (2003) Still moving images: Photographs of the disappeared in films about the Dirty War in Argentina. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities: Intersections of Photography and Narrative. Albuquerque: University of New Mexico Press, pp. 63-86. ISBN 0-8263-2825-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1119)

Grant, Catherine A. (2000) Tropical multiculturalism: A comparative history of race in Brazilian cinema and culture. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16152)

Grant, Catherine A. (2000) www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7926)

Grant, Michael (1999) Bad girls and sick boys: Fantasies in contemporary art and culture. Review of: Bad girls and sick boys: Fantasies in contemporary art and culture by Kauffman, L.S. Sight and Sound, 9 (2). p. 30. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16812)

Grant, Michael (1998) Crimes of the future (David Cronenberg, 'Crash'). Screen, 39 (2). pp. 180-185. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17778)

Grant, Michael (1999) Early cinema in Russia and its cultural reception. Review of: Early cinema in Russia and its cultural reception by Tsivisn, Y. Sight and Sound, 9 (2). p. 32. ISSN 0037-4806. (doi:10.1080/03612759.1999.10528333) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16815)

Grant, Michael (1999) The Eisenstein reader. Review of: The Eisenstein reader by Taylor, R. Sight and Sound, 9 (2). p. 30. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16813)

Grant, Michael (1998) Fake, fact and fantasy: Children's interpretations of television reality. Sight and Sound, 8 (8). pp. 28-29. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17775)

Grant, Michael (1998) Meat is murder: An illustrated guide to cannibal culture. Review of: Meat is murder: An illustrated guide to cannibal culture by Mikita, Brottman. Sight and Sound, 8 (8). p. 29. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17777)

Grant, Michael (1998) Video critical: Children, the environment and media power. Review of: Video Critical: Children, the Environment and Media Power by Gauntlett, D.. Sight and Sound, 8 (8). pp. 28-29. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17776)

Grant, Michael (1999) The Western reader. Review of: The Western reader by Kitses, J. Sight and Sound, 9 (2). pp. 31-32. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16814)

Grant, Michael (1999) The erotic anime movie guide. Review of: The erotic anime movie guide by McCarthy, Helen and Clements, Jonathan. Sight and Sound, 9 (5). p. 33. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16811)

Grantley, Darryll (1994) The American Stage - Social and Economic-Issues for the Colonial Period to the Present - Engle,R, Miller,TL. Theatre Research International, 19 (1). p. 79. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20224)

Grantley, Darryll (1993) American drama of the 20th-Century - Berkowitz, GM. Notes and Queries, 40 (4). pp. 571-572. ISSN 0029-3970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22112)

Grantley, Darryll (1994) The Cambridge Guid to American Theater - Wilmeth, DB. Theatre Research International, 19 (3). pp. 285-286. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20223)

Grantley, Darryll (1996) ‘“The Ceremonialization of Secular Power in Medieval Scriptural and Hagiographical Drama’. In: Aspects of Medieval Drama. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2679)

Grantley, Darryll (2005) ‘Dramatic Representations of the Emerging Metropolis of London in the Sixteenth Century’. In: Medieval English Theatre Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2675)

Grantley, Darryll (1987) ‘Dramatizing Chaucer’. In: 22nd International Congress on Medieval Studies. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2683)

Grantley, Darryll (2004) English dramatic interludes 1300-1580: a reference guide. Cambridge University Press, 427 pp. ISBN 0-521-03591-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1201)

Grantley, Darryll (1997) Festive drama - Twycross,M. Review of: Festive Drama by Twycross, M. Theatre Research International, 22 (1). p. 74. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18073)

Grantley, Darryll (1989) ‘La Madeleine dans la Poésie et Prose d’Angleterre aux 16ième et 17ième Siècles’. In: Colloque International: Le Visage de la Madeleine dans la Littérature et la Critique en Europe entre 1450 et 1650. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2682)

Grantley, Darryll (1990) ‘Les Représentations de la Madeleine dans la Poésie et le Drame en Angleterre aux XVI et XVIIe Siècles’. In: Chocheyras, Jacques, ed. Visages de la Madeleine dans la Littérature Européenne (1500-1700). Univ Stendhal U.F.R. Lettres. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2651)

Grantley, Darryll (2008) London in Early Modern English Drama: Representing the Built Environment. Palgrave Macmillan ISBN 0-230-55429-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7645)

Grantley, Darryll (2008) London in English Drama 1500-1700. Cambridge University Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1206)

Grantley, Darryll (1995) ‘Marsha Norman’. In: Bloom, C., ed. American Drama. Macmillan. (doi:10.1007/978-1-349-24086-9_10) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2654)

Grantley, Darryll (1988) ‘Masques and Murderers: Dramatic Form and Ideology in Jacobean Revenge Tragedy and the Court Masque’. In: Bloom, C., ed. Jacobean Poetry and Prose. Macmillan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2650)

Grantley, Darryll (2006) Morality and Interlude Drama. In: Brown, Peter, ed. A Companion to Medieval English Literature and Culture c.1350-c.1500. Wiley, pp. 473-487. ISBN 978-0-631-21973-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1203)

Grantley, Darryll (1986) The National Theatre’s Production of The Mysteries: Some Observations. Theatre Notebook, 40 (2). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2672)

Grantley, Darryll (2003) ‘Perilous Childhood in the Tudor Interlude’. In: Shakespeare’s Children/Children’s Shakespeare. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2676)

Grantley, Darryll (1983) ‘Producing Miracles’. In: Neuss, P., ed. Aspects of Early English Drama. Brewer. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2649)

Grantley, Darryll (2003) Promise me my liberty: conventions of Roman Comedy and the representation of oppression and resistance in the Tudor Interlude July and Julian. EnterText, 3 (1). pp. 1-18. ISSN 1472 3085. (KAR id:1204)

Grantley, Darryll (1996) Records of early english drama - Shropshire - Somerset,JAB. Comparative Drama, 30 (2). pp. 282-285. ISSN 0010-4078. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19211)

Grantley, Darryll (2005) Review of Anne Lancashire London Civic Theatre: City Drama and Pageantry from Roman Times to 1558. Review of: London Civic Theatre: City Drama and Pageantry from Roman Times to 1558 by Lancashire, Anne. Early Theatre, 8 (1). pp. 122-125. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2723)

Grantley, Darryll (1986) Review of B. Dukore American Dramatists 1919-1945 and G Weales Odets: The Playwright. Review of: American Dramatists 1919-1945 and The Playwright by Dukore, B and Weales Odets, G. Speech and Drama, 35 (1). pp. 46-48. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2689)

Grantley, Darryll (1992) Review of C. Bigsby Arthur Miller and Company. Review of: Arthur Miller and Company by Bigsby, Christopher. New Theatre Quarterly, (30). p. 197. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2698)

Grantley, Darryll (1987) Review of C. Davidson (ed) The Saint Play in Medieval Europe. Review of: The Saint Play in Medieval Europe by Davidson, C. Comparitive Drama, 21 (3). pp. 295-297. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2694)

Grantley, Darryll (1998) Review of Christopher Bigsby (ed) The Cambridge Companion to Arthur Miller. Review of: The Cambridge Companion to Arthur Miller by Bigsby, Christopher. Theatre Research International, 23 (2). p. 188. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2719)

Grantley, Darryll (1992) Review of D. George Records of Early English Drama: Lancashire in The Early Drama. Review of: Records of Early English Drama: Lancashire in The Early Drama by George, David. Art and Music Review, 15 (1). 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2700)

Grantley, Darryll (1990) Review of D. Gilman (ed) Everyman and Company. Review of: Everyman and Company by Gilman, D. Comparitive Drama, 24 (4). pp. 367-370. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2697)

Grantley, Darryll (1994) Review of D. Wilmeth and T Miller (eds) The Cambridge Guide to American Theatre. Review of: The Cambridge Guide to American Theatre by Wilmeth, Don B. and Miller, Tice L.. Theatre Research International, 19 (3). pp. 285-286. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2704)

Grantley, Darryll (1993) Review of G. M. Berkowitz American Drama of the Twentieth Century. Review of: American Drama of the Twentieth Century by Berkowitz, G.M.. Notes and Queries, . pp. 571-572. ISSN 0029-3970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2701)

Grantley, Darryll (2002) Review of Ian McAdam The Irony of Identity: Self and Imagination in the Drama of Christopher Marlowe and Fred B. Tromly Playing With Desire: Christopher Marlowe and the Art of Tantalization. Review of: The Irony of Identity: Self and Imagination in the Drama of Christopher Marlowe and Playing With Desire: Christopher Marlowe and the Art of Tantalization by McAdam, Ian and Tromly, Fred B.. Yearbook of English Studies, (32). pp. 271-273. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2721)

Grantley, Darryll (1987) Review of J. Lahr The Orton Diaries. Review of: The Orton Diaries by Lahr, J. Speech and Drama, 36 (1). pp. 50-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2693)

Grantley, Darryll (1996) Review of J. Somerset Records of Early English Drama: Shropshire. Review of: Records of Early English Drama: Shropshire by Somerset, J. Alan B.. Comparitive Drama, 30 (2). pp. 282-285. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2706)

Grantley, Darryll (1988) Review of J. Wasson (ed) Records of Early English Drama: Devon. Review of: Records of Early English Drama: Devon by Wasson, J. Comparitive Drama, 21 (4). pp. 399-401. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2695)

Grantley, Darryll (1998) Review of James Stokes (ed) Records of Early English Drama: Somerset. Review of: Records of Early English Drama: Somerset by Stokes, James. Theatre Notebook, 23 (1). pp. 55-56. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2720)

Grantley, Darryll (2005) Review of Katie Normington Gender and Medieval Drama. Review of: Gender and Medieval Drama by Normington, Katie. Theatre Research International, 30 (3). pp. 298-299. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2722)

Grantley, Darryll (1996) Review of L. Muir The Biblical Drama of Medieval Europe. Review of: The Biblical Drama of Medieval Europe by Muir, Lynette R.. Theatre Research International, 21 (1). pp. 79-80. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2705)

Grantley, Darryll (2007) Review of Lucy Munro - The Children of the Queen’s Revels: A Jacobean Theatre Repertory. Review of: The Children of the Queen’s Revels: A Jacobean Theatre Repertory by Munro, Lucy. Shakespeare Studies, (35). pp. 292-296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2724)

Grantley, Darryll (1992) Review of M. Baer Theatre and Disorder in Late Georgian London. Review of: Theatre and Disorder in Late Georgian London by Baer, Marc. New Theatre Quarterly, (31). p. 91. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2699)

Grantley, Darryll (1997) Review of M. Twycross (ed) Festive Drama. Review of: Festive Drama by Twycross, M. Theatre Research International, 22 (1). p. 74. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2707)

Grantley, Darryll (1993) Review of P. Kolin (ed) Confronting Tennessee Williams’s ‘A Streetcar Named Desire’: Essays in Critical Pluralism. Review of: Confronting Tennessee Williams’s ‘A Streetcar Named Desire’: Essays in Critical Pluralism by Kolin, P. New Theatre Quarterly, (35). p. 301. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2702)

Grantley, Darryll (1984) Review of R M Lumiansky and D Mills The Chester Mystery Cycle: Essays and Documents. Review of: The Chester Mystery Cycle: Essays and Documents by Lumiansky, R.M. and Mills, David. Theatre Notebook, 38 (3). pp. 146-147. ISSN 0040-5523. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2687)

Grantley, Darryll (1986) Review of R. Beadle and P. King (eds) York Mystery Plays: A Selection in Modern Spelling. Review of: York Mystery Plays: A Selection in Modern Spelling by Beadle, Richard and King, Pamela M.. Studies in the Age of Chaucer, (8). pp. 164-166. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2690)

Grantley, Darryll (1988) Review of R. Boxhill Tennessee Williams and G McCarthy Edward Albee. Review of: Tennessee Williams and Edward Albee by Boxhill, R and McCarthy, G. Speech and Drama, 37 (1). pp. 57-58. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2696)

Grantley, Darryll (1994) Review of R. Engle and T. L. Miller (eds) The American Stage (Cambridge, C.U.P., 1993. Review of: The American Stage (Cambridge, C.U.P., 1993) by Engle, Ron and Miller, Tice L.. Theatre Research International, 19 (1). p. 79. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2703)

Grantley, Darryll (1986) Review of T. Parr (ed) Coriolanus, D Male (ed) Dr Faustus, D Devlin (ed) The Winter’s Tale, and P Ranger (ed) She Stoops to Conquer. Review of: Coriolanus, Dr Faustus, The Winter's Tale and She Stoops To Conquer by Parr, T and Male, D and Devlin, D and Ranger, P. Speech and Drama, 35 (1). pp. 32-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2692)

Grantley, Darryll (1995) ‘Richard Mulcaster: Education and the Elite Body’. In: Conference on Bodily Fictions. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2680)

Grantley, Darryll (2008) 'Saints and Miracles'. In: Beadle, Richard, ed. The Cambridge Companion to Medieval English Theatre. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2660)

Grantley, Darryll (1994) ‘Saints’ Plays’. In: Beadle, Richard, ed. The Cambridge Companion to Medieval English Theatre. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2652)

Grantley, Darryll (1985) Sam Shepard Fool for Love, Arthur Miller The American Clock, David Mamet American Buffalo and Marsha Norman ’night Mother. Review of: Fool for Love, The American Clock, American Buffalo and 'night Mother by Shepard, S and Miller, A and Mamet, D and Norman, M. Speech and Drama, 34 (2). pp. 67-69. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2688)

Grantley, Darryll (1996) ‘Schooling the Audience’. In: Shakespeare and Tudor Theatrical Traditions. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2678)

Grantley, Darryll (2006) ‘“Secret Conclaves”: Deviant Space in Sixteenth-Century Drama’. In: Queer People conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2674)

Grantley, Darryll (1984) The Source of the Digby Mary Magdalen. Notes and Queries, 31 (4). ISSN 0029-3970. (doi:10.1093/nq/31-4-457) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2670)

Grantley, Darryll (1997) ‘“To Swell a Progress”: Retainers, Subordinates and the Ceremonialisation of Secular Power in Medieval Scriptural and Hagiographical Drama’. European Medieval Drama, (1). (doi:10.1484/j.emd.2.301066) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2673)

Grantley, Darryll (2000) ‘The Upbringing of Youth in the Tudor Interlude’. In: Gender and Life Cycle in the Middle Ages. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2677)

Grantley, Darryll (1993) ‘"What meanes this shew?": Theatricalism, Camp and Subversion in Doctor Faustus and The Jew of Malta’. In: Conference on Christopher Marlowe and English Renaissance Culture. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2681)

Grantley, Darryll (1996) '“What meanes this shew”: Theatricalism, Camp and Subversion in Doctor Faustus and The Jew of Malta’. In: Grantley, Darryll and Robertson, Peter A., eds. Christopher Marlowe and English Renaissance Culture. Scolar. ISBN 1-85928-260-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2657)

Grantley, Darryll (1986) The Winter’s Tale and Early Religious Drama. Comparative Drama, 20 (1). (doi:10.1353/cdr.1986.0037) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2671)

Grantley, Darryll (1994) ‘The Winter’s Tale and Early Religious Drama’. In: Battenhouse, Roy W., ed. Shakespeare’s Christian Dimension. Indiana University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2655)

Grantley, Darryll (2000) Wit’s Pilgrimage: Drama and the Social Impact of Education in Early Modern England. Ashgate, 270 pp. ISBN 0-7546-0167-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2641)

Grantley, Darryll (1996) The biblical drama of medieval europe - Muir,LR. Theatre Research International, 21 (1). pp. 79-80. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19212)

Grantley, Darryll (2000) ‘“A bodie of presence”: Education and the elite body in the writings of Richard Mulcaster’. In: Grantley, Darryll and Taunton, Nina, eds. The Body in Late Medieval and Early Modern Culture. Ashgate. ISBN 0-7546-0115-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2658)

Grantley, Darryll (2007) The social geography of London in Restoration comedy. . University of Kent, School of Drama, Film and Visual Arts, 32 pp. (KAR id:2141)

Gravanis, Konstantinos (2021) Raphael’s Drawing of Countess Matilda and the Original Dado in the Stanza dell’Incendio. Master Drawings, 59 (3). pp. 321-344. ISSN 0025-5025. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:90683)

Gravanis, Konstantinos (2022) Sources, Functions and Meaning of Raphael's Imagery in the Vatican Stanze. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.94084) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:94084)

Green, Jonathan, Shaughnessy, Nicola (2023) Autistic phenomenology: past, present, and potential future. Frontiers in Psychology, 14 . Article Number 1287209. E-ISSN 1664-1078. (doi:10.3389/fpsyg.2023.1287209) (KAR id:104578)

Green, Nigel (2007) Photography and the representation of modernist architectural space: from the melancholy fragment to the colour of utopia. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86398) (KAR id:86398)

Greenaway, Peter (2009) Le Nozze di Cana. Performance type: Live play Veronese's The Wedding at Cana by Peter Greenaway, June to September 2009, San Giorgio Maggiore Refectory, Venice. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31498)

Greenaway, Peter and Laera, Margherita (2009) The Blue Planet. UNSPECIFIED. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31500)

Grief, Nick, Illingworth, Shona (2018) We need a new human right – to protect our freedom to live without threat from the skies. The Conversation, (online). online-online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84656)

Grieve, Jonathan (2017) The Efficacy of Symbolic Action Investigating the Creation and Effect of Symbolic Action on Performers and Audiences in the Performance, The Passion of Lady Vendredi. Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:61665)

+7 more...

Grieveson, Lee (1999) African American films through 1959: A comprehensive illustrated filmography. Review of: African American films through 1959: A comprehensive illustrated filmography by Richards, Larry. Journal of American Studies, 33 (3). pp. 550-551. ISSN 0021-8758. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16822)

Grieveson, Lee (1999) America on film: Hollywood and American history. Review of: America on film: Hollywood and American history by Cameron, K.M.. Journal of American Studies, 33 (3). pp. 575-576. ISSN 0021-8758. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16823)

Grieveson, Lee (2000) America on film: Hollywood and American history. Journal of American Studies, 34 . pp. 316-317. ISSN 0021-8758. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16165)

Grieveson, Lee (1997) Policing the cinema: 'Traffic in Souls' at Ellis Island, 1913. Screen, 38 (2). pp. 149-171. ISSN 0036-9543. (doi:10.1093/screen/38.2.149) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18078)

Griffin, R.A., Sampson, David D. (1992) Multigigabit/S Demultiplexing in Optical Domain Using Coherence Properties of Pulse Trains from Multiple, Asynchronous Mode-Locked Lasers. Electronics Letters, 28 (13). pp. 1202-1203. ISSN 0013-5194. (doi:10.1049/el:19920759) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22588)

Griffin, R.A., Sampson, David D., Jackson, David A. (1992) Optical-Phase Coding for Code-Division Multiple Access Networks. IEEE Photonics Technology Letters, 4 (12). pp. 1401-1404. ISSN 1041-1135. (doi:10.1109/68.180590) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22487)

Griffiths, Richard A., Beebee, Trevor J.C. (1992) Decline and Fall of the Amphibians. New Scientist, 134 (1827). pp. 25-29. ISSN 0262-4079. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22592)

Grindle, Nicholas and Thomas, Ben D. H. (2017) Curating connections in the art history curriculum. In: Developing the Higher Education Curriculum: Research-based Education in Practice. UCL Press, pp. 106-117. ISBN 978-1-78735-089-2. E-ISBN 978-1-78735-090-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64375)

Guan, Zexu, Zhou, Oscar Tianyang (2024) Wanghong e-commerce in/as China’s economic transformation: A case study of beauty wanghong. Global Media and China, . ISSN 2059-4372. (doi:10.1177/20594364241278103) (KAR id:107106)

Guerin, Frances (2019) Aesthetic Spaces: The Place of Art in Film by Brigitte Peucker. Review of: Aesthetic Spaces: The Place of Film in Art by Peucker, Brigitte. Film Quarterly, 73 (1). pp. 107-109. ISSN 0015-1386. (doi:10.1525/fq.2019.73.1.107) (KAR id:76295)

Guerin, Frances (2017) The Ambiguity of Amateur Photography in Modern Warfare. New Literary History, 48 (1). pp. 53-74. ISSN 0028-6087. (doi:10.1353/nlh.2017.0002) (KAR id:61166)

Guerin, Frances (2018) Behind the Mask. In: Suto, Fanni, ed. Midnight Masquerade: A Masquerade Anthology. Fantasia Divinity, pp. 6-25. (KAR id:70868)

Guerin, Frances (2019) Caroline. . The Ekphrastic Review, 6 pp. Internet. (KAR id:74453)

Guerin, Frances (2018) Changing how we look at and think about the color grey. . online. (KAR id:70866)

Guerin, Frances (2023) Cinematic Portrait Painting: (Not) About Gerhard Richter. Forthcoming (Unpublished) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:73495)

Guerin, Frances (2014) The Corporealization of Memory in Christian Boltanski's Installations. In: Memoryscapes. Diaphanes, Zurich, pp. 157-177. ISBN 978-3-03734-662-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44341)

Guerin, Frances (2005) A Culture of light: cinema and technology in 1920s Germany. University of Minnesota Press, Minneapolis, 314 pp. ISBN 978-1-4529-0671-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1207)

Guerin, Frances (2003) Dazzled by the Light. Cinema Journal, 42 (4). pp. 98-115. ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45489)

Guerin, Frances (2012) Dislocations: videograms of a revolution and the search for images. In: Ginsberg, Terri and Mensch, Andrea, eds. A Companion to German Cinema. CNCZ - The Wiley-Blackwell Companions to National Cinemas . Wiley-Blackwell, New York, pp. 483-506. ISBN 978-1-4051-9436-5. (KAR id:1211)

Guerin, Frances (2013) En Grisaille nowadays. . Catalogue and exhibition blurb. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45712)

Guerin, Frances (1994) Enduring the Vagaries: The Viewer as Master and Slave in Pasolini's Salò,. Melbourne Journal of Politics, 22 (N/A). pp. 45-65. ISSN 0085-3224. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44338)

Guerin, Frances (2019) Even If She Had Been a Criminal. A Past Unwatched. In: Baer, Nicholas and Hennefeld, Maggie and Horak, Laura and Iversen, Gunnar, eds. Unwatchable. Rutgers University Press, New Jersey. ISBN 978-0-8135-9958-8. E-ISBN 978-0-8135-9960-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:71526)

Guerin, Frances (2004) Explorations of Light and Lighting in Und das Licht Erlosch (1914). In: Gaudreault, André, ed. The Cinema: A New Technology for the 20th Century. Payot, Lausanne, pp. 219-228. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45485)

Guerin, Frances (2014) FX Reflects (Blog). . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45698)

Guerin, Frances (2010) Film as an Archive for Photography: The Portraitist as Witness to the Holocaust. Screening the Past, (29). ISSN 1328-9756. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44287)

Guerin, Frances (2018) Four White Walls. Hecate Journal, 44 (1). pp. 191-195. ISSN 0311-4198. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:80446)

Guerin, Frances (2012) Frances Guerin on her book Through Amateur Eyes: Film and Photography in Nazi Germany: An Interview. . online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45713)

Guerin, Frances (2016) Friedrich Wilhelm Murnau. In: Gabbard, Krin, ed. Oxford Bibliographies in Cinema and Media Studies. Oxford Bibliographies . Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56571)

Guerin, Frances (2023) Fritz Lang’s cinema of interruption and the narrative of modernity. Screen, 64 (1). pp. 111-117. ISSN 0036-9543. (doi:10.1093/screen/hjad013) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:100731)

Guerin, Frances (2018) From Colgate University to the Central African Republic. . Indiana University Press online. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:70626)

Guerin, Frances (2012) A Generation Later and Still Unrepresentable? Fassbinder and the Red Army Fraction. In: A Companion to Rainer Werner Fassbinder. WBCF - Wiley-Blackwell Companions to Film Directors . Wiley-Blackwell, New York, pp. 441-460. ISBN 978-1-4051-9163-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31703)

Guerin, Frances (2007) The Gray Space Between: Gerhard Richter’s 18. Oktober 1977 (1989). In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, London, pp. 111-126. ISBN ISBN-13: 978-1905674206. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45716)

Guerin, Frances (2020) Grieving. In: Chakravarti, Jay, ed. Lockdown Literature: Anthology of Pandemic Literature. Culture Cult Press, Calcutta. ISBN 979-8-5838-6307-5. (KAR id:85409)

Guerin, Frances (2008) Infinite Rotations in a Finite Frame: A Tacita Dean Tryptich. Cinéma e Cie: International Film Studies Journal, N/A (8). pp. 119-134. ISSN 2035-5270. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43596)

Guerin, Frances (2017) Introduction: European Photography Today. Journal of European Studies, 47 (4). pp. 331-341. ISSN 0047-2441. (doi:10.1177/0047244117733893) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64153)

Guerin, Frances (2018) Invisibility Adores and Abhors a Photograph: Jane and Louise Wilson’s Moving Image Installations. Journal of Visual Art Practice, 17 (2-3). pp. 188-205. ISSN 1470-2029. (doi:10.1080/14702029.2018.1466453) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:55987)

Guerin, Frances (2022) Jacqueline Humphries. Lund Humphries, UK, 144 pp. ISBN 978-1-84822-472-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:78183)

Guerin, Frances (2009) Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema,. Review of: Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema, by UNSPECIFIED. Screening the Past, n/a (26). n/a-n/a. ISSN 1328-9756. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45499)

Guerin, Frances (2011) Locating Shadows: What’s inside William Kentridge’s Black Box? In: John David, Rhodes, ed. Taking Place: Location and the Moving Image. University of Minnesota Press, Minneapolis, pp. 233-253. ISBN 0-8166-6517-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44814)

Guerin, Frances (2014) Lotte Reiniger: in Women Film Pioneers Project. . Center for Digital Research and Scholarship online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45715)

Guerin, Frances (2006) McCormick and Guenther-Pal, eds, German Essays on Film (2004). Review of: McCormick and Guenther-Pal, eds, German Essays on Film (2004) by McCormick, Richard. Film-Philosophy, 10 (3). pp. 95-100. ISSN 1466-4615. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45500)

Guerin, Frances (2013) Memory through the Perpetrator's Lens: Witnessing via Images Taken by Wehrmacht Soldiers and Officers on the Eastern Front. In: Rhetoric, Remembrance, and Visual Form: Sighting Memory. Routledge, New York, pp. 163-179. ISBN 0-415-74416-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43416)

Guerin, Frances (2012) Obfuscations of the Visible: Creating Memory through not looking at Christian Boltanski’s Archives. Cinema e Cie: International Film Studies Journal, (9). pp. 279-284. ISSN 2035-5270. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45487)

Guerin, Frances, ed. (2015) On Not Looking:The Paradox of Contemporary Visual Culture. First Edition. Routledge Advances in Art and Visual Studies . Taylor & Francis Ltd, London, 274 pp. ISBN 978-1-138-82235-1. E-ISBN 978-1-315-74286-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45697)

Guerin, Frances (2003) Opposite or Complementary Conceptions? What do Rudolf Arnheim and Michel Chion have in Common? Cinema e Cie: International Film Studies Journal, 32 (2). pp. 129-140. ISSN 2035-5270. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45490)

Guerin, Frances (2015) Peripatetic Sculpture: The Exhaustion of Looking in the Presence of Richard Serra’s Promenade. In: Guerin, Frances, ed. On Not Looking: The Paradox of Contemporary Visual Culture. Routledge, New York, pp. 103-122. ISBN 978-1-138-82235-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45717)

Guerin, Frances (2006) The Perpetrator in Focus: Turn of the Century Holocaust Remembrance in "The Specialist". Law Text Culture, 10 . pp. 167-193. ISSN 1332-9060. (KAR id:43380)

Guerin, Frances (2009) Photographs that Forget: Contemporary Recyclings of the Hitler-Hoffmann Rednerposen. In: Plate, Liedeke and Smelik, Anneke, eds. Technologies of Memory in the Arts. Palgrave Macmillan, Basingstoke, pp. 150-165. ISBN 978-0-230-57567-7. E-ISBN 978-0-230-23956-2. (doi:10.1057/9780230239562_10) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43415)

Guerin, Frances (2017) Physically absent, visually present: Joachim Schumacher’s photographs of Germany’s Ruhr Valley. Journal of European Studies, 47 (4). pp. 392-410. ISSN 0047-2441. (doi:10.1177/0047244117733899) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64154)

Guerin, Frances (2011) The Placement of Shadows: What’s inside William Kentridge’s Black Box/Chambre Noire? In: Rhodes, John David and Gorfinkel, Elena, eds. Taking Place: Location and the Moving Image. University of Minnesota Press, Minneapolis, pp. 233-254. ISBN 978-0-8166-6517-4. (doi:10.5749/minnesota/9780816665167.003.0010) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31702)

Guerin, Frances (2021) The Politics of Jasper Johns’s Gray American Flags. In: Wagner, Anne and Marusek, Sarah, eds. Flags, Color, and the Legal Narrative: Public Memory, Identity, and Critique. Law and Visual Jurisprudence . Springer, pp. 621-636. ISBN 978-3-030-32864-1. E-ISBN 978-3-030-32865-8. (doi:10.1007/978-3-030-32865-8_29) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78184)

Guerin, Frances (2008) Radical Aspirations Historicized: The European Commitment to Political Documentary. In: Kolker, Robert, ed. The Oxford Handbook of Film and Media Studies. Oxford university Press, New York, pp. 114-151. ISBN 0-19-517596-4. (doi:10.1093/oxfordhb/9780195175967.013.0005) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44815)

Guerin, Frances (2021) Re-presenting Histories: Documentary Film and Architectural Ruins in Brutality in Stone. Alphaville: Journal of Film and Screen Media, (21). pp. 13-34. ISSN 2009-4078. (doi:10.33178/alpha.21.01) (KAR id:89671)

Guerin, Frances (2002) Reframing the Photographer and his Photographs: Photographer (1995). Film and History: An Interdisciplinary Journal of Film and Television Studies, 32 (1). pp. 43-54. ISSN 0360-3695. (doi:10.1353/flm.2002.0064) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43403)

Guerin, Frances (2016) The Revellation and Resistance of Amateur Images at War: Thessaloniki in the Byron Metos collection. In: Museum of Byzantine Culture, Thessaloniki, ed. Representations of the Nazi Occupation: Photography, History, Memory. First Edition. Museum of Byzantine Culture, Thessaloniki, Greece, pp. 62-80. ISBN 978-618-5251-02-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:55998)

Guerin, Frances (2015) Searching in Grey: Cy Twombly's Untitled Paintings. In: Wedekind, Gregor, ed. Die Farbe Grau. DeGruyter. (KAR id:44808)

Guerin, Frances (2011) Through Amateur Eyes: Film and Photography in Nazi Germany. University of Minnesota Press, Minneapolis, 352 pp. ISBN 978-0-8166-7006-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31701)

+1 more...

Guerin, Frances (2018) Time to Leave. . online. (KAR id:70628)

Guerin, Frances (2020) Touching the Past. . Internet publication. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:83285)

Guerin, Frances (2018) The Truth is Always Grey: A History of Modernist Painting. University of Minnesota Press, Minneapolis, United States, 347 pp. ISBN 978-1-5179-0045-8. E-ISBN 978-1-4529-5724-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44627)

Guerin, Frances (2019) Un autre temps, un autre lieu. Retour sur les sculptures de Richard Serra dans la vallée de la Ruhr. Faces, (76). pp. 45-72. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:78181)

Guerin, Frances (2021) Under Twilight. In: Ustarroz, César, ed. Found Footage and Collage Films. first edition. Found Footage Magazine, Spain, pp. 59-64. (KAR id:93623)

Guerin, Frances (2022) Unsettled in the Interstices: Elias Wessel's Die Summe Meiner Daten. In: Robinson, Carl, ed. Painting, Photograph, and the Digital: Crossing the Borders of the Mediums. Cambridge Scholars Publishing, Cambridge UK, pp. 273-291. ISBN 978-1-5275-8917-9. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:99825)

Guerin, Frances (2011) Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement. Review of: Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement by UNSPECIFIED. Holocaust Studies: A Journal of Culture and History, 17 (1). pp. 137-139. ISSN 1359-1371. E-ISSN 2048-4887. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45493)

Guerin, Frances (2003) Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002. Review of: Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002 by Hoffmann, Kay. The Moving Image: Association of Moving Image Archivists, 4 (2). pp. 123-126. ISSN 2167-8464. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45501)

Guerin, Frances (2019) What Giacometti's Obsession with the Color Gray Really Meant. . Zocalo Public Square, 5 pp. Internet. (KAR id:73494)

Guerin, Frances (2004) When Beginnings and Endings Distort the Past. In: Limina/le Soglie del Film. Lithostampa, Pasian di Prato, Udine, pp. 247-254. ISBN 978-88-8420-191-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44337)

Guerin, Frances (2015) While Not Looking: The Failure to See and to Know in Dr Mabuse der Spieler, and The Testament of Dr Mabuse. In: McElhaney, Joseph, ed. A Companion to Fritz Lang (Wiley Blackwell Companions to Film Directors). Wiley-Blackwell, New York, pp. 43-62. ISBN 978-0-470-67097-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44810)

Guerin, Frances (2004) The energy of disappearing: problems of recycling Nazi amateur film footage. Screening the Past, (17). 0-0. ISSN 1328-9756. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1208)

Guerin, Frances (2008) www.artslant.com. . online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45711)

Guerin, Frances (2008) www.francesguerin.com. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45710)

Guerin, Frances, Eisenberg, Daniel (2012) Archives and Images as Repositories of Time, Language, and Forms from the Past: A Conversation with Daniel Eisenberg. The Moving Image, 12 (1). pp. 112-118. ISSN 1542-4235. (doi:10.1353/mov.2012.0025) (KAR id:43438)

Guerin, Frances and Hallas, Roger (2007) Introduction to The Image and the Witness. In: The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, London. ISBN 978-1-905674-20-6. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43364)

Guerrini, Sebastian (2008) Designing Nationality: The production of image and identity by the Argentinean State. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86402) (KAR id:86402)

guerin, Frances (2003) Technological Adventures in German Cinema on Either Side of World War I. In: Pitassio, Francesco, ed. Film and its Multiples. Udine, Udine, pp. 147-153. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45486)

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Hahn, Catherine (2024) How to Do Social Research with Drawing. In: Coleman, R. and Jungnickel, K. and Puwar, N., eds. How to Do Social Research With. First edition. Goldsmiths Press, London, UK, pp. 99-110. ISBN 978-1-913380-42-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:95147)

Hahn, Catherine (2023) Reclaiming History in the British Museum Entranceway: Imperialism, Patronage and Female, Queer and Black Legacies. Rethinking History: The Journal of Theory and Practice, . ISSN 1364-2529. E-ISSN 1470-1154. (doi:10.1080/13642529.2023.2184966) (KAR id:100883)

Hall, Isla Lindsay (2022) Towards a methodology to mitigate the operation of implicit gender bias in theatre production: Three contemporary stagings of Julius Caesar. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.95681) (KAR id:95681)

Halliwell, K (1986) Photography and narrative : An investigation of serial imagery. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86257) (KAR id:86257)

Halsall, Kate and Dacey, Sarah and MacLeod, Duncan W M (2017) Performance with Trio SoundKarD. Performance type: Musical event Staging Sonic Spaces, 7-9 March 2017, Derry, Londonderry, Northern Ireland.. Concert. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60941)

Hammer, Martin (2015) 1965; Culture and Sculpture in Britain. In: Sculpture: 1965, 25-6 September 2015, Henry Moore Institute, Leeds. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55941)

Hammer, Martin (2012) ‘After Camden Town: Sickert’s Legacy since 1930’. The Camden Town Group in Context, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31533)

Hammer, Martin (2015) Ambivalence and Ambiguity: David Sylvester on Henry Moore. In: Henry Moore: Sculptural Process and Public Identity. Tate Research Publication. ISBN 978-1-84976-391-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50280)

Hammer, Martin (2005) Bacon and Sutherland : Patterns of Affinity in British Culture of the 1940s. The Paul Mellon Centre for Studies in British Art . Yale University Press, 296 pp. ISBN 978-0-300-10796-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55903)

Hammer, Martin (2009) Clearing away the Screens. In: Francis Bacon: Portraits and Heads. National Galleries of Scotland, Edinburgh, UK. ISBN 978-1-903278-66-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61345)

Hammer, Martin (2006) Clearing away the screens. In: Francis Bacon: Heads and Portraits. National Galleries of Scotland, Edinburgh, pp. 14-27. ISBN 978-1-903278-66-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56907)

Hammer, Martin (2012) Continuity and Contradiction in the Art of Francis Bacon. In: Arya, Rina, ed. Francis Bacon: Critical and Theoretical Perspectives. Pater Lang, pp. 121-168. ISBN 9783034308892 (pbk); 9783035303896 (eBook). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31368)

Hammer, Martin (2016) Crossing the border and closing the gap: David Hockney and abstraction. In: Generation Painting: Abstraction and British Art, 1955–65, 5 March 2016, Downing College, Cambridge. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55910)

Hammer, Martin (2017) David Hockney’s Early Etchings: Going Transatlantic and Being British. Tate Pepers, (27). ISSN 1753-9854. E-ISSN 1753-9854. (KAR id:61795)

Hammer, Martin (2015) David Hockney’s Tired Indians and Rocky Mountains. In: UNSPECIFIED, 16 March 2015, National Gallery of Scotland, Edinburgh. (Unpublished) (KAR id:55948)

Hammer, Martin (2016) Food for Artists: the exhibition as resource. In: Exhibiting Contemporary Art in Post-War Britain, 28-29th January 2016, Tate Britain. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55939)

Hammer, Martin (2010) Found in Translation: Chaim Soutine and English Art. Modernist Cultures, 5 (2). pp. 218-242. ISSN 1753-8629. (doi:10.3366/E2041102210000195) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31362)

Hammer, Martin (2012) Francis Bacon and Nazi Propaganda. Tate Publishing, 224 pp. ISBN 978-1-84976-073-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31360)

Hammer, Martin (2010) Francis Bacon and the Lefevre Gallery. Burlington Magazine, 152 (1286). pp. 307-312. ISSN 0007-6287. (KAR id:31537)

Hammer, Martin (2010) Francis Bacon. Dublin and Compton Verney (exhibition review). Review of: Francis Bacon: In Camera (exhibition) by UNSPECIFIED. Burlington Magazine, 152 (1282). pp. 59-61. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61351)

Hammer, Martin (2012) Francis Bacon: Back to Degas. Tate Papers, . (KAR id:31535)

Hammer, Martin (2012) Francis Bacon: Painting after Photography. In: British Art in the Cultural Field, 1939-69. Wiley-Blackwell, pp. 156-173. ISBN 978-1-118-27584-9. (doi:10.1111/j.1467-8365.2011.00890.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31364)

Hammer, Martin (2015) Francis Bacon’s ‘Crucifixion’: The presence of the Nazi past. In: UNSPECIFIED, 29 Oct 2015, Moderne Pinakothek, Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55947)

Hammer, Martin (2005) Graham Sutherland. Graham Sutherland, 2005, Dulwich Picture Gallery and Djanogly Gallery, University of Nottingham. exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55943)

Hammer, Martin (2005) Graham Sutherland: Landscapes, War Scenes, Portraits 1924-1950. Scala, 192 pp. ISBN 978-1-85759-404-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55907)

Hammer, Martin (2014) The Growth and Form of Artistic Responses to D’Arcy Thompson. In: D'Arcy Thompson's On Growth and Form. Essays on Sculpture . Henry Moore Institute, Leeds, pp. 14-29. ISBN 978-1-905462-45-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50200)

Hammer, Martin (2017) Hockney as Philosophical Painter. In: Stephens, Chris and Wilson, Andrew, eds. David Hockney. Tate Publishing, London, UK, pp. 208-213. ISBN 978-1-84976-443-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60480)

Hammer, Martin (2014) The Independent Group take on Francis Bacon. Visual Culture in Britain, 15 (1). pp. 69-89. ISSN 1471-4787. E-ISSN 1941-8361. (doi:10.1080/14714787.2014.870369) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41078)

Hammer, Martin (2016) Introduction. In: Currie, Ken and Hammer, Martin, eds. Ken Currie: Tragic Forms. Flowers Gallery, London. ISBN 978-1-906412-76-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61347)

Hammer, Martin (1999) The Irony of Egotism. In: John Coplans: A Self-Portrait 1984-99. Dean Gallery, Edinburgh, pp. 5-14. ISBN 978-0-903598-96-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56908)

Hammer, Martin (2013) Kenneth Clark and the Death of Painting. Tate Papers, (20). ISSN 1753-9854. (KAR id:50279)

Hammer, Martin (2013) Mainly Nourishment: Echoes of Sickert in the Work of Francis Bacon and Lucian Freud. Visual Culture in Britain, 14 (1). pp. 87-100. ISSN 1471-4787. (doi:10.1080/14714787.2013.750985) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:33184)

Hammer, Martin (2016) Making transatlantic sense of Hockney’s A Rake’s Progress. In: History of Art department research seminar, University of York, 11 Jan 2016, York. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55946)

Hammer, Martin (2015) My Generation: A Festival of British Art in the 1960s. , Kent. exhibitions. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55945)

Hammer, Martin (2007) The Naked Portrait 1900 to 2007. National Galleries of Scotland, Edinburgh, UK, 176 pp. ISBN 978-1-903278-95-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55908)

Hammer, Martin (2007) The Naked Portrait. The Naked Portrait, Scottish National Portrait Gallery and Compton Verney. exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55944)

Hammer, Martin (2017) Photographic sources and affinities in David Hockey's art of the 1960s. In: A Bigger Picture: New Approaches to David Hockney - Tate Britain and the Paul Mellon Centre, 5 May 2017, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61348)

Hammer, Martin (2019) Portraiture: Seeing-As and Seeing-In. In: Maes, Hans, ed. Portraits and Philosophy. First edition. Routledge Research in Aesthetics . Routledge, New York, pp. 239-255. ISBN 978-0-367-18940-2. E-ISBN 978-0-429-19937-0. (doi:10.4324/9780429199370) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80361)

Hammer, Martin (2020) The Realism of Gabo's 1920 Manifesto. In: Naum Gabo: Constructions for Real Life. Tate Publishing, London and St Ives, pp. 33-36. ISBN 978-1-84976-724-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80362)

Hammer, Martin (2013) Revisiting the art of Francis Bacon and his contemporaries. PhD based on Published Works thesis, University of Kent. (doi:10.22024/UniKent/01.02.86519) (KAR id:86519)

Hammer, Martin (2015) The Silent Kingdom of Panting: Sickert and Hopper. In: Walter Sickert: The Document and the Documentary, 4 Dec 2015, Paul Mellon Centre, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55940)

Hammer, Martin (2015) There is no such thing as British Art. British Art Studies, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55942)

Hammer, Martin (2017) The photographic source and artistic affinities of David Hockney’s ‘A bigger splash’. Burlington Magazine, 159 (1370). pp. 386-393. ISSN 0007-6287. E-ISSN 2044-9925. (KAR id:61342)

Hammer, Martin, Lodder, Christina (2000) Constructing Modernity: the Art and Career of Naum Gabo. Yale University Press, 528 pp. ISBN 978-0-300-07688-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55904)

Hammer, Martin and Lodder, Christina (2004) Dematerialising Sculpture: Methods and Motives. In: Barassi, Sebastiano, ed. Immaterial: Brancusi,Gabo,Moholy-Nagy. Kettle’s Yard, Cambridge. ISBN 978-1-904561-04-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61346)

Hammer, Martin, Lodder, Christina (2000) Gabo on Gabo: Texts and Interviews. Artists Bookworks, Forest Row, 295 pp. ISBN 978-0-946311-11-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55906)

Hammer, Martin, Stephens, Chris (2009) Seeing the story of one’s time: appropriations from Nazi photography in the work of Francis Bacon. Visual Culture in Britain, 10 (3). pp. 315-351. ISSN 1471-4787. (doi:10.1080/14714780903263890) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61344)

Hammer, Martin, Thomas, Ben D. H. (2015) My Generation: A Festival of British Art in the 1960s. University of Kent at Canterbury, GB, 60 pp. ISBN 978-1-902671-90-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50281)

Hankey, A.T. (1991) Riccobaldo-of-ferrara and giotto, an update. Journal of the Warburg and Courtauld Institutes, 54 . p. 244. ISSN 0075-4390. (doi:10.2307/751493) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22967)

Hann, Christopher H. (1992) Radical Functionalism - the Life and Work of Polanyi,Karl. Dialectical Anthropology, 17 (2). pp. 141-166. ISSN 0304-4092. (doi:10.1007/BF00258088) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22501)

Hanna, Keith, Daeche, Neil (1992) Dependent Types and Formal Synthesis. Philosophical Transactions of the Royal Society A: Mathematical, Physical & Engineering Sciences., 339 (1652). pp. 121-135. ISSN 0261-0523. (doi:10.1098/rsta.1992.0029) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22604)

Hansen, Pil, Vass, Freya (2021) Editorial: On Perception. Performance Research, 26 (3). pp. 1-8. ISSN 1352-8165. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:90019)

Hatton, Peter (2014) 51zero voyager: Film, Video and Digital Arts Festival Group exhibition. , 10 October 2014, POP Gallery and Outdoor Spaces Exhibition, Chatham, Kent.. Film, Video and Digital Arts. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47412)

Hatton, Peter (2008) Eventful Places. In: Eventful Places, 24th August 2008, Kent Architecture Centre, Faculty of Arts and Architecture, University of Brighton. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9473)

Hatton, Peter (2000) TEA. TEA, 2000, The Ferens Art Gallery, Hull. (doi:10.1002/0471238961.20050102011205.a01) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9429)

Hatton, Peter (2000) TEA. TEA, 2000, Burnley, Blackburn, Accrington. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9431)

Hatton, Peter (2000) TEA. TEA, 2000, National Museum of Labour History, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9433)

Hatton, Peter (2001) TEA. TEA, 2001, Piccadilly Gardens, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9435)

Hatton, Peter (2002) TEA. TEA, 2002, Manchester and St Petersburg. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9436)

Hatton, Peter (2003) TEA. TEA, 2003, Urbis, Manchester. (doi:10.1201/9780203911310.ch25) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9439)

Hatton, Peter TEA. TEA, April 2005, Platform Gallery, Vaasa, Finland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9443)

Hatton, Peter (2007) TEA. TEA, 2006/7, University of Missouri, St. Louis, USA and other international venues. (doi:10.1002/0471238961.20050102011205.a01.pub2) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9446)

Hatton, Peter (2006) TEA. TEA, January 2006, Barents Spektakel, Kirkenes, Norway. (doi:10.1093/litimag/8.2.284) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9447)

Hatton, Peter (2007) TEA. TEA, August 2007 - March 2008, Widnes Waterfront, Widnes Cheshire. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9466)

Hatton, Peter (2008) TEA. TEA, January 2008 - ongoing, Bluecoat Arts Centre, Liverpool. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9469)

Hatton, Peter (2008) TEA. TEA, 16th June - 22nd June 2008, Urbis, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9476)

Hatton, Peter (2004) TEA - Boat Trip: Nothing But Flowers Book and DVD. DVD and Book. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9441)

Hatton, Peter (2008) TEA on Intute. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9465)

Hatton, Peter (2005) e-space lab. e-space lab, June 2005, The RENEW Rooms, Liverpool. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9444)

Hatton, Peter (2006) e-space lab. e-space lab, 24th-27th February 2006, Z Museum, Shanghai & Out of the Bluecoat Space, Liverpool. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9450)

Hatton, Peter (2006) e-space lab. e-space lab, 5th September - 5th November 2006, 6th Shanghai Biennale. Salon Vogue, Citic Square, Shanghai. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9452)

Hatton, Peter (2008) e-space lab. e-space lab, 5th March 2008, Fact, Liverpool. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9472)

Hatton, Peter (2008) e-space lab. e-space lab, July 2008, Bluecoat Arts Centre, Liverpool. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9477)

Hatton, Peter, Courtenay, Philip, Hadfield, Peter, Kearney, Jonathan (2006) E Space Lab Projects. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2232)

Hatton, Peter and Lyon, Dawn and Carabelli, Giulia and Pilling, Lynn and Murray, Val (2014) Imagine Sheppey: Fast Forward. Tea Video & Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45505)

Hatton, Peter and Murray, Val and Pilling, Lynn (2009) Bluecoat Arts Centre Heritage Trail. Interactive Digital Archive and Heritage Trail. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31689)

Hatton, Peter and Murray, Val and Pilling, Lynn (2009) Brown Fields Blue Skies. a) Brown Field Blue Skies - Residency & Performances b) Brown Field Blue Skies Exhibition, a) August 2007 - March 2008 b) March 4th to 12th June 2009, a) Widnes Waterfront Development Site, Widnes, Cheshire b) ICIA (Institute of Contemporary Interdisciplinary Arts), University of Bath. Performance, Video, Website Intervention and Exhibition. (KAR id:31685)

Hatton, Peter and Murray, Val and Pilling, Lynn (2010) Spinning A Yarn. Spinning A Yarn, 15th October to 12th December 2010, Whitworth Art Gallery (Manchester University), Platt Hall Gallery of Costume (Manchester City Art Gallery) and Royal Mills. Installation, Video and Artist's Book. (KAR id:31651)

Hatton, Peter and Murray, Val and Pilling, Lynn (2003) TEA - Boat Trip: Nothing But Flowers. TEA - Boat Trip: Nothing But Flowers, 14/10/03 - 2/8/06, The Lowry Centre. Number of pieces: 3. Live Event, Exhibition and DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2231)

Hatton, Peter and Murray, Val and Pilling, Lynn and Lyon, Dawn and Crow, Graham and Hurkett, Jenny (2011) Living & Working on Sheppey/ Back and Forth on High Street Blue Town. Live Event, website and video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31660)

Hayter, Peter M., Kirkby, N.F., Spier, R.E. (1992) Relationship Between Hybridoma Growth and Monoclonal-Antibody Production. Enzyme and Microbial Technology, 14 (6). pp. 454-461. ISSN 0141-0229. (doi:10.1016/0141-0229(92)90137-D) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22510)

Heller, Sabine (2018) The creative and technical contribution of female and male below-the-line practitioners to the collaborative process in the American 3D animation feature film industry: a production studies approach. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:73247)

Helliwell, Alice Courtney (2023) Art-ificial: The Philosophy of AI Art. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.105246) (KAR id:105246)

Hemingway, Bernard Anthony (1994) Intuition and certitude: abstract painting considered as a language. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94409) (KAR id:94409)

Hendrickse, Jan (2023) Towards Respiratory Aesthetics: a Situated Model of Compositional Practice. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.100886) (KAR id:100886)

Henry, Tom F. K. (2012) Archive. Italian Renaissance Documents Site. web publication. Located at: http://archive.casanovaumbria.eu. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31667)

Henry, Tom F. K. (2012) ‘“Gli gettò addosso il suo mantello”’ and ‘La casa di Luca Signorelli’, in ed. F. De Chirico, V. Garibaldi, T. Henry and F.F. Mancini, Luca Signorelli, exh. cat., Perugia (Galleria Nazionale), Orvieto (Museo dell’Opera del Duomo) and Città di Castello (Pinacoteca), 2012, pp. 143-151 (and cats. 8, 24, 26-29, 39, 53, 86 and 95-97). Silvana, Milan, 358 pp. ISBN no ISBN copy deposited at HPA. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31669)

Henry, Tom F. K. (2016) Italian Renaissance Documents Site. internet publication/database. Located at: http://irds-project.org/. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:79832)

Henry, Tom F. K. (2012) The Life and Art of Luca Signorelli. Yale University Press, New Haven & London, 352 pp. ISBN 978-0-300-17926-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31666)

Henry, Tom F. K., Joannides, Paul, González Mozo, Ana, Martín, Bruno (2012) Late Raphael. Museo Nacional del Prado and Musee du Louvre, Madrid and Paris, 382 pp. ISBN 978-84-8480-237-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31668)

Herbert, Ruth (2019) Absorption and Openness to Experience : an Everyday Tale of Traits, States and Consciousness Transformation with Music. In: Herbert, Ruth and Clarke, David and Clarke, Eric, eds. Music and Consciousness II. First edition. Oxford University Press, Oxford, UK, 233 to 253. ISBN 978-0-19-880435-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61607)

Herbert, Ruth (2005) Adults only: How understanding student & teacher presumptions can speed up the learning process. Music Teacher Magazine, 84 (9). (KAR id:77508)

Herbert, Ruth (2002) After Death (Evgenii Bauer, music performed by Triptych). British Film Institute Item format: DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77536)

Herbert, Ruth (2012) Conceptualising the Subjective Experience of Listening to Music in Everyday Life. In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77503)

Herbert, Ruth (2011) Consciousness and everyday Music Listening: Trancing, Dissociation and Absorption. In: Clarke, David and Clarke, Eric, eds. Music and Consciousness:Philosophical, Psychological and Cultural Perspectives. OUP, pp. 295-308. ISBN 978-0-19-955379-2. (doi:10.1093/acprof:oso/9780199553792.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53400)

Herbert, Ruth (2014) DISSOCIATION. In: Thompson, William Forde, ed. Music in the Social and Behavioral Sciences: An Encyclopedia. SAGE, pp. 337-339. ISBN 978-1-4522-8303-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53401)

Herbert, Ruth (2011) Everyday Listening: Absorption, Dissociation and Trancing. Ashgate, 244 pp. ISBN 978-1-4094-2125-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53399)

Herbert, Ruth (2017) Everyday Trancing and Musical Daydreams. In: Entrancement: Tales of Earth and Heaven. First edition. University of Wales Press, Cardiff. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61609)

Herbert, Ruth (2022) Everyday Trancing, Creativity and 4E Cognition. In: Academy O/Modernt Lecture Series, 18 March 2022, Stockholm, Sweden. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97915)

Herbert, Ruth (2019) In the Dark: Audience Experience of Music Events when Sight is Restricted or Absent. In: Audience Research in the Arts, 3-5 July 2019, Sheffield. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97566)

Herbert, Ruth (2006) Listen Up! Different ways of listening (or not) to music. Music Teacher Magazine, 85 (6). (KAR id:77506)

Herbert, Ruth (2004) Mind your Language: How the right choice of words can improve communication and results. Music Teacher Magazine, 83 (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77539)

Herbert, Ruth (2012) Modes of Music Listening and Modes of Subjectivity in Everyday Life. Journal of Sonic Studies, 2 (1). pp. 1-24. ISSN 2212-6252. E-ISSN 2212-6252. (KAR id:53397)

Herbert, Ruth (2017) Multimodales Musikhören und Milton Ericksons ›gewöhnliche Alltagstrance‹. In: Geschichte und Gegenwart des musikalischen Hörens: Diskurse – Geschichte(n) – Poetiken. First edition. Rombach Verlag KG, Freiberg/Berlin/Wien, 133 -152. ISBN 978-3-7930-9878-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61604)

Herbert, Ruth and Clarke, David and Clarke, Eric, eds. (2019) Music and Consciousness 2: Worlds, Practices, Modalities. First edition. Oxford University Press, UK ISBN 978-0-19-880435-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:63966)

Herbert, Ruth (2013) Music and Dissociation: Experiences without valence? 'Observing' self and 'absent' self. In: 3rd International Conference on Music & Emotion : Jyväskylä, June 11-15, 2013, programme, abstracts, proceedings. 3rd International Conference on Music & Emotion (ICME3). . pp. 238-243. Department of Music, University of Jyväskylä, Finnish Centre of Excellence in Interdisciplinary Music Research, Finland ISBN 978-951-39-5250-1. (KAR id:73702)

Herbert, Ruth (2014) Music and Me. Teach Primary Magazine, 4 (8). pp. 110-111. (KAR id:77462)

Herbert, Ruth (2022) Musical Daydreaming and Kinds of Consciousness. In: Kussner, M. and Taruffi, L. and Floridou, G., eds. Music and Mental Imagery. First edition. SEMPRE Studies in the Psychology of Music . Routledge, London UK. ISBN 978-0-367-35216-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77339)

Herbert, Ruth (2012) Musical and Non-Musical Involvement in Daily Life: The Case of Absorption. Musicae Scientiae, 16 (1). pp. 41-66. ISSN 1029-8649. (doi:10.1177/1029864911423161) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53359)

Herbert, Ruth (2001) Oscar Wilde's Lady Windermere's Fan. British Film Institute Publications Item format: VHS. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77537)

Herbert, Ruth (2022) Participation and Playing A/Part. In: Proceedings of the 13th Conference on Interdisciplinary Musicology, CIM22 'Participation'. . (KAR id:96850)

Herbert, Ruth (2005) Practice makes Perfect: Techniques that can lead to improved motivation. Music Teacher Magazine, 84 (2). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77538)

Herbert, Ruth (2012) Private Lives. https://www.rhinegold.co.uk/rhinegold-publishing/magazines/music-teacher/, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77504)

Herbert, Ruth (2021) Psychological Characteristics of Subjective Experiences of Popular Music in Everyday Life. In: Listening to (Mainstream) Popular Music in 2021: Sounds and Practices, 11-12 June 2021, Innsbruck, Austria. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:89823)

Herbert, Ruth (2011) Reconsidering Music and Trance: Cross-cultural Differences and Crossdisciplinary Perspectives. Ethnomusicology Forum, 20 (2). pp. 201-227. ISSN 1741-1912. E-ISSN 1741-1920. (doi:10.1080/17411912.2011.592402) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73703)

Herbert, Ruth (2013) Review of Harris M. Berger, Stance: Ideas about Emotion, Style and Meaning for the Study of Expressive Culture. Review of: Harris M. Berger, Stance: Ideas About Emotion, Style, and Meaning for the Study of Expressive Culture, Middletown, CT: Wesleyan University Press, 2010. by UNSPECIFIED. Volume! La revue des musiques populaires/The French journal of popular music studies, 10(1)., . pp. 301-303. (KAR id:77496)

Herbert, Ruth (2016) Sonic Subjectivities. In: Cobussen, Marcel and Meelberg, Vincent and Truax, Barry, eds. The Routledge Companion to Sounding Art. First edition. Routledge Music Companions . Routledge, New York, NY, pp. 223-234. ISBN 978138780613. E-ISBN 978-1-315-77056-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61605)

Herbert, Ruth (2007) Surround Sound: The vital role of specialist music teachers in primary education. Music Teacher Magazine, 86 (8). (KAR id:77505)

Herbert, Ruth (2014) TRANCE. In: Thompson, William Forde, ed. Music in the Social and Behavioural Sciences: An Encyclopedia. SAGE, pp. 1142-1145. ISBN 978-1-4522-8303-6. (doi:10.1093/gmo/9781561592630.article.a2257396) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53402)

Herbert, Ruth (2021) Young People’s Lived Experience of Music in Everyday Life: Psychological and Phenomenological Perspectives. In: Oxford Handbook of the Phenomenology of Musical Cultures. Oxford University Press. ISBN 978-0-19-069387-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73643)

Herbert, Ruth (2012) Young People’s Use and Subjective Experience of Music Outside School. In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. . pp. 423-431. (KAR id:77502)

Herbert, Ruth (2013) An empirical study of normative dissociation in musical and non-musical everyday life experiences. Psychology of Music, 41 (3). pp. 372-394. ISSN 0305-7356. (doi:10.1177/0305735611430080) (KAR id:53395)

Herbert, Ruth (2004) A popular approach: Bridging the divide between classical and popular piano. Music Teacher Magazine, 83 (6). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77540)

Herbert, Ruth, Bagkeris, Manolis (2015) Tweens' and teens' engagement with music in daily life: Individual differences and psychological characteristics of subjective experience. In: Ginsborg, J., Lamont, A., Phillips, M., Bramley, S. (Eds.), Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). Manchester, UK: Royal Northern College of Music. . (KAR id:77498)

Herbert, Ruth, Dibben, Nicola (2015) Making Sense of Music: Meanings Children and Adolescents Perceive in Musical Materials. In: Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music. . (KAR id:97567)

Herbert, Ruth, Dibben, Nicola (2018) Making sense of music: meanings 10-18 year olds attach to experimenter-selected musical materials. Psychology of Music, 46 (3). pp. 375-391. ISSN 0305-7356. E-ISSN 1741-3087. (doi:10.1177/0305735617713118) (KAR id:61608)

Herbert, Ruth, Walduck, Jackie (2024) Music, marbling and multisensory trancing. The Senses and Society, . pp. 1-15. ISSN 1745-8927. E-ISSN 1745-8935. (doi:10.1080/17458927.2024.2398916) (KAR id:107109)

Herbert, Ruth, Walduck, Jackie (2022) Waiting. Drifting/dreaming/trancing: Audio-visual art and core consciousness. In: Senses in Modern Health/Care Environments: International and Interdisciplinary Perspectives, 4-7 April 2022, Bristol, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97914)

Herbert, Ruth, Walduck, Jackie, Newman, Hannah, Shaughnessy, Nicola (2021) Neurodiverse Worlds: Articulating the Subjective Experience of Autistic Girls Through Music and Sound. In: 16th International Conference on Music Perception and Cognition and 11th Triennial Conference of the European Society for the Cognitive Sciences of Music (ICMPC-ESCOM2021). . (KAR id:89824)

Hiley, Nicholas (2000) Cartoons in Canterbury. Times Literary Supplement, (5096). p. 19. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16211)

Hilson, Abby, Millar, Caroline, Brydon, Lavinia, Afrifa, Godfred Adjapong (2023) Evaluation Report: Re:Generation 2031. Creative Estuary/Arts Council England (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:107272)

Holmes, Su (2004) “All you’ve got to worry about is the task, having a cup of tea, and what you’re going to eat for dinner”: Approaching Celebrity in Big Brother. In: Holmes, Su and Jermyn, Deborah, eds. Understanding Reality Television. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9316)

Holmes, Su (2001) ‘As they Really Are and in Close-up’: Film Stars on 1950’s British Television. Screen, 42 (2). pp. 167-187. ISSN 0036-9543. (doi:10.1093/screen/42.2.167) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9329)

Holmes, Su (2005) British television and film culture in the 1950s: coming to a TV near you! Intellect Books ISBN 1-84150-121-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1213)

Holmes, Su (2004) But this time you choose!: approaching the interactive audience of reality TV. International Journal of Cultural Studies, 7 (2). 213 -231. ISSN 1367-8779. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1217)

Holmes, Su (2006) ‘Coming to you Live!’: An Evening at the Film Premiere. Journal of British Cinema and Television, 2 (2). pp. 208-226. ISSN 1743-4521. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9339)

Holmes, Su (2005) Designed ‘Specially for Television Purposes and Technique’: The Development of the Television Cinema Programme. Historical Journal of Film, Radio and Television, 25 (3). pp. 455-475. ISSN 0143-9685. (doi:10.1080/01439680500236433) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9336)

Holmes, Su (2006) ‘A Friendly Style of Presentation that the BBC had always found elusive’: The 1950’s Cinema Programme and the Construction of British Television History. In: Wheatley, Helen, ed. Re-viewing Television History: Critical Issues in Television History. I.B. Tauris & Co Ltd, London, pp. 67-81. ISBN 978-1-84511-188-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9323)

Holmes, Su (2006) The “Give-Away” Shows – Who is Really Paying?’: ‘Ordinary’ People and the Development of the British Quiz Show (1945-58). Journal of British Cinema and Television, 3 (2). pp. 284-303. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9342)

Holmes, Su (2001) ‘The Infant Medium with the Adult Manner’: Television promotes the ‘X’ film (1952-62’). Historical Journal of Film, Radio and Television, 21 (4). pp. 379-397. ISSN 0143-9685. (doi:10.1080/01439680120075509) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9330)

Holmes, Su (2006) It’s a Jungle Out There!: The Game of Fame in Celebrity Reality TV. In: Holmes, Su and Redmond, Sean, eds. Framing Celebrity: New Directions in Celebrity Culture. Routledge, pp. 45-66. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9317)

Holmes, Su (2005) It’s a woman!: the question of gender in Who Wants to be a Millionaire. Screen, 46 (2). 155 -173. ISSN 0036-9546. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1220)

Holmes, Su (2004) Looking at the Wider Picture on the Small Screen: Reconsidering Television and Widescreen Cinema in the 1950s. Quarterly Review of Film and Video, 21 (2). pp. 131-147. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9332)

Holmes, Su (2005) The ‘Moron Factory?’: Debating ‘Ordinary’ People and Reality TV. Anglo Files: The Journal of English Teaching, . pp. 12-19. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9337)

Holmes, Su (2005) ‘Not the Final Answer’: Who Wants to be a Millionaire and Revisiting Critical Approaches to the Quiz Show. European Journal of Cultural Studies, 8 (4). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9335)

Holmes, Su (2005) ”Off guard, Unkempt, Unready?”: Deconstructing Contemporary Celebrity in heat Magazine. Continuum: Journal of Media and Cultural Studies, 19 (1). pp. 21-38. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9334)

Holmes, Su (2004) The Only Place where “Success” Comes Before Work is in the Dictionary…?’: Conceptualising Fame in Reality TV. Media-Culture.org, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9333)

Holmes, Su (2006) (Re)visiting The Grove Family - ‘Neighbours to the Nation’ (1954-57): Television History and Approaches to Genre. New Review of Film and Television Studies, 4 (3). pp. 287-310. ISSN 1740-0309. (doi:10.1080/17400300600982080) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9344)

Holmes, Su (2004) Reality goes pop!: reality TV, popular music and narratives of stardom in Pop Idol (UK). Television and New Media, 5 (2). pp. 147-172. ISSN 1527476403255833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1215)

Holmes, Su (2007) Rules of the game: Quiz shows and American culture. Review of: Rules of the Game: Quiz Shows and American Culture by Hoerschelmann, O.. European Journal of Communication, 22 (2). pp. 241-243. ISSN 0267-3231. (doi:10.1111/j.1540-5931.2007.00433.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2746)

Holmes, Su and Redmond, Sean, eds. (2007) Stardom and Celebrity: A Reader. Sage Publications Ltd, London, 400 pp. ISBN 978-1-4129-2320-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9314)

Holmes, Su (2005) ‘Starring… Dyer?’: Re-visiting Star Studies and Contemporary Celebrity Culture’, in edition on ‘Celebrity’. Westminster Papers in Communication and Culture (WPCC), 2 (2). pp. 6-21. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9340)

Holmes, Su (2007) ‘Torture, Treacle, Tears and Trickery’: Celebrities, ‘Ordinary’ People, and This is Your Life (1955-65). In: Redmond, Sean and Holmes, Su, eds. A Reader in Stardom and Celebrity. Sage Publications Ltd, London, pp. 156-170. ISBN 978-1-4129-2320-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9326)

Holmes, Su (2006) ‘When Will I be Famous?’: Reappraising the Debate about Fame in Reality TV. In: Escoffery, David S., ed. Essays on Truth and Representation: How Real is Reality TV? McFarland & Company. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9318)

Holmes, Su, Jermyn, Deborah (2006) The audience is dead; Long live the audience!: Interactivity, ‘telephilia’ and the contemporary television audience. Critical Ideas in Television Studies, 1 (1). pp. 49-57. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9346)

Hoskins, Andrew, Illingworth, Shona (2020) Inaccessible war: media, memory, trauma and the blueprint. Digital War, 1 (1-3). pp. 74-82. ISSN 2662-1975. E-ISSN 2662-1983. (doi:10.1057/s42984-020-00025-8) (KAR id:84631)

Houston, Andrew (1998) Postmodern dramaturgy in contemporary British theatre: three companies. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86023) (KAR id:86023)

Houtman, Coral (2003) Female voice and agency in film adaptations. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86526) (KAR id:86526)

Howe, William (2015) A Cinema of Happenings: Exploring Improvisation as Process in Filmmaking. Master of Philosophy (MPhil) thesis, University of Kent,. (KAR id:62458)

Howle, Tim (1995) Adamento Ludus. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47184)

Howle, Tim (1994) Calling Tunes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47185)

Howle, Tim (1992) Clapperclaw. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47196)

Howle, Tim (1998) The Commissar of Space. Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47180)

Howle, Tim (1994) Correspondence. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47194)

Howle, Tim (2007) In Eclipse. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47203)

Howle, Tim (2007) In Girum. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47202)

Howle, Tim (2001) The Ladder. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47199)

Howle, Tim (1992) Museum Piece. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47195)

Howle, Tim (2011) Novelists make things up. http://www.fmr-records.com Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31692)

Howle, Tim (1998) "One Minute Ago". (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47182)

Howle, Tim (2003) Open Circuits. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47204)

Howle, Tim (2002) ‘Piano Piece’. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47200)

Howle, Tim (2014) Pith. AudioGraft, Oxford Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47177)

Howle, Tim (2007) Proposal for an Unmade Film (set in the future). (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47208)

Howle, Tim (2013) REFormation. AudioGraft, Oxford Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47178)

Howle, Tim (2006) Son et Lumières. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47205)

Howle, Tim (1990) Still Life. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47197)

Howle, Tim (1999) Subplot. The University of Newcastle (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47179)

Howle, Tim (2005) Subplot (revision). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47201)

Howle, Tim (1998) Three Cities. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47181)

Howle, Tim (1989) Wreckage Found Floating. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47198)

Howle, Tim and Cope, Nick (2011) Flags. Item format: DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31694)

Howle, Tim and Cope, Nick (2013) Globus Hystericus. AV work shown at Seeing Sound, Bath Spa 2013, International Computer Music Conference, Athens, 2014, iFIMPaC Leeds College of Music, 2015. Item format: DVD. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31696)

Howle, Tim and Cope, Nick (2018) Sarva Mangalam. Item format: Digital fixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:66941)

Howle, Tim and Dibley, Paul and Fox, Jeff (2014) Phantom Ride. Item format: CD fixed media WAV. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31697)

Hudson, Ben (2015) The New Comedian: Media and Technology in Stand-up Comedy. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.50238) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:50238)

Hulbert, Frederick Thomas (2022) Intention, Interpretation and the Unconscious: Reconsidering the role of intention in artistic interpretation. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.97037) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:97037)

Hurst, Andrew (2017) Dynamic Light Structures: The Aesthetic and Performative Qualities of Solid Light Scenography for Performance and Installation. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:65202)

Hyland, Robert Alexander (2009) A wicked countenance : the vengeance seeking woman in Japanese cinema. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86390) (KAR id:86390)

I

Illingworth, Shona (2014) 216 Westbound. Animate Projects Arts Council England Film, 17 minutes, HD, DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45152)

Illingworth, Shona (2017) 216 Westbound - Age of Terror: Art Since 9/11. , 26 October 2017 – 28 May 2018, Imperial War Museum, London. 216 Westbound - video installation - duration 17 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84649)

Illingworth, Shona (2014) 216 Westbound - panel discussion. In: Anxious Places Angst, environments and affective contamination, 26 June 2014, Central Saint Martins College, University of the Arts London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45451)

Illingworth, Shona (2006) 5 x 1. Rideout, The Creative Prison Film, 17 minutes, DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45532)

Illingworth, Shona (2019) Airspace Tribunal. In: UNSPECIFIED. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84658)

Illingworth, Shona (2018) The Airspace Tribunal - Doughty Street Chambers. In: UNSPECIFIED, 21 September 2018, Doughty Street Chambers, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84657)

Illingworth, Shona (2020) Airspace Tribunal - The Power Plant. In: UNSPECIFIED. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84660)

Illingworth, Shona (2014) Amnesia Forum, Prosthetic Memory: Prosthetic Interference. In: Amnesia Forum, Prosthetic Memory: Prosthetic Interference, 24 April 2014, FACT (Foundation for Art and Creative Technology). (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45262)

Illingworth, Shona (2012) Amnesia Forum: Lesions in the Landscape 1. In: Lesions in the Landscape 1, 6 November 2012, University of Glasgow, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45265)

Illingworth, Shona (2013) Amnesia Forum: Lesions in the Landscape 2. In: Lesions in the Landscape, 26th September 2013, City University, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45264)

Illingworth, Shona (2016) Amnesia Lab - Art and science research collaboration. In: IVOM International Conference on Memory, 16 - 22 June 2016, Budapest. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84661)

Illingworth, Shona (2014) Amnesia Lab - exhibition. Amnesia Lab, 20 September to 8 November, UNSW Galleries, Sydney. Drawing, Sound installation, video, photography, 3D immersive environment. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45411)

Illingworth, Shona (2014) Amnesia Lab - symposium. National Institute for Experimental Arts (NIEA) at University of New South Wales (UNSW), Sydney, Australia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45158)

Illingworth, Shona (2016) Amnesia Museum Forum. UNSW, Australia. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84026)

Illingworth, Shona (2015) The Amnesia Museum. Item format: A Substantial body of films, photographs, text works, sculptures and art objects - over 15 individual artworks. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84664)

Illingworth, Shona (2006) BOOK. BOOK, June 2006 and January 2008, Mortimer Road, London and Margaret Harvey Gallery, St Albans. Curated over 20 Artist Books. (doi:10.1007/s10943-006-9051-8) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45562)

Illingworth, Shona (2011) Balnakiel. Artprojx Cinema, SVA theatre and Armory Show, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46200)

Illingworth, Shona (2009) Balnakiel. Balnakiel, 17 February - 4 April 2009, John Hansard Gallery, Southampton. video and sound installation; photography series; single screen video artwork; wall painting; drawing series and photo/text works. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31618)

Illingworth, Shona (2011) Balnakiel - Maas Space. Maas Space, Philidelphia, curated by Jesse Pires. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46201)

Illingworth, Shona (2013) Balnakiel - Unmarked Space. Unmarked Space Festival. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46199)

Illingworth, Shona (2010) Balnakiel - Wolverhampton Gallery. Balnakiel, 6 February - 1 May 2010, Wolverhampton Art Gallery. video and sound installation, text, photography, wall painting. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45557)

Illingworth, Shona (2010) Balnakiel - interview. . internet. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45471)

Illingworth, Shona (2005) Bare Dust. In: Harding, A, ed. Magic moments : collaboration between artists and young people. Black Dog, London, pp. 42-49. ISBN 978-1-904772-28-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45513)

Illingworth, Shona (2000) Bare Dust. SPACE, London and Hackney Wick Public Art Projects Film (7 minutes). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45526)

Illingworth, Shona (2004) Bare Dust. Muslim Mulliqi, 2004, Gallerie Arteves Kosoves, Prishtina, Kosovo. video installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46195)

Illingworth, Shona (2018) Bare Dust - Living with Buildings. , 4 October 2018—3 March 2019, Wellcome Collection, London. video installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84653)

Illingworth, Shona (2001) Calling A’Gairm. Fabrica, Brighton and Photoworks Video and sound installation, 8 minutes DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45506)

Illingworth, Shona (2015) Capture (2015). Video transfer from Super 8 film - gallery installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84644)

Illingworth, Shona (2006) Central Asian Project. SPACE, UK, Cornerhouse, UK and AsiaArt, Kazakhstan, Almaty, Astana and Karaganda in Kazakhstan. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45473)

Illingworth, Shona (2007) Conflicts of Memory - Balnakiel, research in progress. In: Northlands Creative Glass Annual International Conference: Expression of Self, 31 August - 2 September 2007, Northlands Creative Glass, Lybster, Scotland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45511)

Illingworth, Shona (2002) DRILL. Berwick Gymnasium Residency, English Heritage, Arts Council England Film (10 Minutes). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45529)

Illingworth, Shona (2006) DRILL. Strangers with Angelic Faces, 2006, Akbank Sanat, Istanbul. Video and sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46192)

Illingworth, Shona (2005) DRILL. Think Pink, National Museum, Prishtina, Kosovo. video and sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46194)

Illingworth, Shona (2015) EEG Amnesic Sound Map. Item format: 32-channel sound installation sculpture - 32 audio files, 32 speakers, 32 audio players. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84641)

Illingworth, Shona (2014) El Cine Como Teoria Direct: Shona Illingworth. Museum of Modern Art Buenos Aires. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45520)

Illingworth, Shona (2005) Elin - Galleria Pianissimo, Milan. Elin, 6 April - 21 May 2005, Galleria Pianissimo, Milan, Italy. video installation, photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45560)

Illingworth, Shona (2008) The Feminist Inheritance, a view from the UK,. Museum of Fine Art, Lausanne, Switzerland, Switzerland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45523)

Illingworth, Shona (2012) Film and Book Launch: Shona Illingworth: Balnakiel. Whitechapel Gallery, Whitechapel Gallery, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45563)

Illingworth, Shona (2003) For Women its Everything. Independent Photography, London, UK, 78 pp. ISBN 978-0-9546725-0-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45514)

Illingworth, Shona (2014) Hirte: Three Forms of Forgetting. In: Place - Occupation, 1 - 2 February 2014, Aldeburgh Music. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45459)

Illingworth, Shona (2001) Hold. The Lion's Hospice, Gravesend, Arts Council England film and sound. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45564)

Illingworth, Shona (2012) In Transit. Project Art Works, UK Two short film commissions. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46203)

Illingworth, Shona (2006) The Influence of Memory on Forgetting. In: UNSPECIFIED. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45534)

Illingworth, Shona (2012) Interior Voices. VoxLab. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45470)

Illingworth, Shona (2007) Karlag. SPACE, Cornerhouse, and Asia Art, Arts Council England, British Council Film, 16 minutes, DVD.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45115)

Illingworth, Shona (2006) Karlag - KZ UK. KZ-UK, 2006, National Gallery, Almaty, Kazakhstan. video installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46196)

Illingworth, Shona (2007) Karlag - Museum of Modern Art Bologna. Timecode, 15th November 2007- 12th June 2008, Museum of Modern Art Bologna, Italy. video installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45558)

Illingworth, Shona (2008) Karlag - memory, trauma, landscape. In: Timecode, 29 May 2010, Museum of Modern Art Bologna, Italy. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45472)

Illingworth, Shona (2007) Karlag, Tomb and Mound. Central Asian Project, Cornerhouse, Manchester. video installation and slide projection. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46197)

Illingworth, Shona (2015) Lesion 1:1. Item format: Media file for art installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84642)

Illingworth, Shona (2016) Lesions in the Landscape - Shona Illingworth. Lesions in the Landscape - Shona Illingworth, 13 OCTOBER - 27 NOVEMBER 2016, Southwark Park Galleries , London. Solo Exhibition: including immersive muliti-screen video and ambisonic sound Installation, Sculptures, Photographs, sound installations, drawings, objects. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84024)

Illingworth, Shona (2016) Lesions in the Landscape - Shona Illingworth - solo survey exhibition. Lesions in the Landscape - Shona Illingworth - solo survey exhibition, 4 MAR - 21 MAY 2016, UNSW Galleries, Sydney, Australia. Solo Survey Exhibition: including immersive muliti-screen video and ambisonic sound installations, sculptures, photographs, sound installations, drawings, objects. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84025)

Illingworth, Shona (2015) Lesions in the Landscape - amnesia and landscape. In: Brains in the Making, 19 - 20 March 2015. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84662)

Illingworth, Shona (2015) Lesions in the Landscape - multi-screen video and multi-channel sound installation. Major three screen video and multi-channel sound installation - duration 45 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:83526)

Illingworth, Shona (2011) Memory / Sound / Image. In: Memory / Sound / Image, 19 November 2011, Modern Art Oxford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45397)

Illingworth, Shona (2003) Memory and Forgetting. Memory and Forgetting, 2003, Hatton Gallery, Newcastle. Sound installation using audio technology embedded into architecture. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46198)

Illingworth, Shona (2013) Memory and conflict in Balnakiel, The Watch Man and Lesions in the Landscape. In: Memory, History and Conflict Conference, 18 - 19 March 2013, University of Glasgow, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45466)

Illingworth, Shona (2001) PILOT. Berwick Gymnasium Residency, English Heritage, Arts Council England Film (10 Minutes). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45533)

Illingworth, Shona (2003) PILOT - AGNL (Art Gallery of Newfoundland and Labrador). PILOT, June - July 2003, AGNL (Art Gallery of Newfoundland and Labrador), Canada. video and multi-channel sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45559)

Illingworth, Shona (2012) Ruination 2. In: Why the Recent Craze for Ruins?, 10 December 2012, Kings College, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45524)

Illingworth, Shona (2016) Searching - film for Channel 4. Channel 4 television and Film London video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84645)

Illingworth, Shona (2015) Shona Illingworth - Lesions in the Landscape. , 18 September - 22 November 2015, FACT (Foundation for Art and Creative Technology), Liverpool, UK. Solo Exhibition: including immersive muliti-screen video and ambisonic sound Installation, Sculptures, Photographs, sound installations, drawings, objects. (KAR id:83527)

Illingworth, Shona (2016) Shona Illingworth – Sgoran san Àrainneached | Lesions in the Landscape. Shona Illingworth – Sgoran san Àrainneached | Lesions in the Landscape, Date Saturday 18th June – Saturday 17th September 2016, Taigh Chaersabbhagh Museum and Art Centre, Scotland. Solo Exhibition: including major immersive muliti-screen video and ambisonic sound Installation, Sculptures, Photographs, sound installations, drawings, objects. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84022)

Downey, Anthony, ed. (2022) Shona Illingworth: Topologies of Air. International edition. Sternberg Press / The Power Plant, Tokyo, Berlin, 288 pp. ISBN 978-3-95679-553-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84647)

Illingworth, Shona (2014) Sonification of Amnesic Memory. Item format: Multi-channel sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45252)

Illingworth, Shona (2001) Sounding. Arts Council England and Channel 4 Television Short film for Channel 4 Television. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45476)

Illingworth, Shona (2009) The Swimmer and the Forest. The Swimmer and the Forest, 3 December 2009 – 23 January 2010, Loughborough University, UK. single screen video plus a video, sound and text site specific art installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31621)

Illingworth, Shona (2019) Time Present - Shenzhen New Media Art Festival. Shenzhen New Media Art Festival, China, Apr 20 - Jun 19, 2019, Shenzhen New Media Art Festival, China. Two screen video and sound installation - duration 35 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84655)

Illingworth, Shona (2016) Time Present - multi-screen video and multi-channel sound installation. Two screen video and sound gallery installation - duration 35 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84640)

Illingworth, Shona (2016) Time Present in States of Mind. , 4 February 2016—16 October 2016, Wellcome Collection, London. Two screen video and sound gallery installation - duration 35 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84654)

Illingworth, Shona (2007) Tomb. SPACE, London; Cornerhouse, Manchester; AsiaArt, Kazakhstan Film, 7 minutes DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45481)

Illingworth, Shona (2021) Topologies of Air - Bahrain National Museum. , 2021 - 2022, Bahrain National Museum. Major three screen video and multi-channel sound installation - duration 45 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84652)

Illingworth, Shona (2021) Topologies of Air - The Power Plant. , The Power Plant contemporary Art Gallery, Toronto. Two major three screen video and multi-channel gallery installations - each 45 minutes duration and a substantial body of artworks related to the Airspace Tribunal including photographs, drawings, video works. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84651)

Illingworth, Shona (2019) Topologies of Air - multi screen video and multi-channel sound installation. Major three screen video and multi-channel sound installation - duration 45 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84648)

Illingworth, Shona (2022) Topologies of Air, solo exhibition, Les Abattoirs Musée-Frac Occitanie, 1 July 2022 - 7 May 2023. Topologies of Air, 1 July 2022 - 7 May 2023, Toulouse, France. Three screen video installation, wallpaper works, single screen and two screen videos, photographic works, drawings, prints and objects. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:99411)

Illingworth, Shona (2013) Topologies of Air/Ruith na Gaoithe. Sea Change for Cape Farewell Photo-text series. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45136)

Illingworth, Shona (2014) Uncertain Ground: Landscape, Memory and Theatres of Conflict. In: Uncertain Ground: Landscape, Memory and Theatres of Conflict, 23 March 2014, CCA (Centre for Contemporary Art), Glasgow, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45381)

Illingworth, Shona (2003) Untitled (Elin). Independent Photography, London Film (14 minutes). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45508)

Illingworth, Shona (2003) (Untitled), Memory and Forgetting. PEALS (Policy, Ethics and Life Sciences), Northern Print Studio, Arts Council England, NESTA Item format: Multi channel sound installation using new audio technologies. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45551)

Illingworth, Shona (2009) Vertical Sound Map. , Permanent installation, Orchard Health Centre, Hull. Wall painting and new audio technology. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46190)

Illingworth, Shona (1999) Walking on Letters. Film (10 Minutes). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45530)

Illingworth, Shona (2008) War and Memory. In: War and Memory. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45406)

Illingworth, Shona (2007) The Watch Man - Dilston Grove. the Watch Man, 14 Mar - 15 Apr 2007, Dilston Grove, London. video and multi-channel sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45556)

Illingworth, Shona (2007) The Watch Man - Interaccess Electronic Media Arts Centre. The Watch Man, 6 April - 5 May, 2007, Interaccess Electronic Media Arts Centre, Toronto. video and multi-channel sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45555)

Illingworth, Shona (2007) The Watch Man - Wellcome Collection. The Watch Man, 16 Dec 2008 – 11 Jan 2009, The Wellcome Collection. Video and multi-channel sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45554)

Illingworth, Shona (2007) The Watch Man. Arts Council England Video and multi-channel sound installation, 17 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45474)

Illingworth, Shona (2013) Working with Amnesia. In: Memory, Identity, Performance and Neuroscience - Part 1, 1 March 2013, SMFA, University of Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45469)

Illingworth, Shona (2006) mia.net launch, exhibition and memory forum. Coleman Project Space, Arts Council England, Coleman Project Space. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45535)

Illingworth, Shona (2001) passing. Hayward Gallery, London multi-screen video and sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45478)

Illingworth, Shona and Albano, C and Tulloch, J (2021) 216 Westbound - Precarious Times. In: Precarious Times. IB Tauris. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84646)

Illingworth, Shona, Conway, Martin A. (2011) Shona Illingworth - The Watch Man. Balnakiel. Film and Video Umbrella, London, UK, 172 pp. ISBN 978-1-904270-34-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31613)

Illingworth, Shona, Grief, Nick (2024) The airspace tribunal and the proposed new human right to live without physical or psychological threat from above. Digital War, 5 (1-2). pp. 3-7. ISSN 2662-1983. (doi:10.1057/s42984-023-00078-5) (KAR id:105978)

Illingworth, Shona and Nadeem, Henna (2012) The Choral Forest. The Choral Forest, Permanent installation, Great Ormond Street Hospital, Morgan Stanley Clinical Building. Sound composition and wall painting. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31624)

Illingworth, Shona, Rider, Suzanne (1997) Young People in Museums. Museums Association, 36 pp. ISBN 978-0-902102-77-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45510)

Irvin, Sherri, Nanay, Bence, Schellekens, Elisabeth, Smith, Murray (2019) Is Psychology Relevant to Aesthetics? Estetika: The Central European Journal of Aesthetics, . pp. 87-138. ISSN 2571-0915. E-ISSN 0014-1291. (KAR id:73454)

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Jackson, Lawrence (2022) The Pestilence in the Ditch: Landscapes in Contemporary British Film Culture. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.97421) (KAR id:97421)

Janes, Thomas Fleming (2018) Using Long-Form Improvisational Theatre Training and Techniques to Build Stronger Group Connection and Empower Egalitarian Leadership. Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:67458)

Janssen, Sara (2018) Close Encounters: Alternative Pornography, Cinematic Aesthetics, Cultural Activism. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:73485)

Jeffers McDonald, Tamar (2016) The New Hollywood, 1981–1999. In: McLean, Adrienne L., ed. Costume, Makeup, and Hair. First Edition. Behind the Silver Screen Series . Rutgers University Press, New Jersey, USA. ISBN 978-0-8135-7151-5. E-ISBN 978-0-8135-7297-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60022)

Jeffers McDonald, Tamar (2015) When Harry Met Sally... Palgrave Macmillan/BFI, London, 96 pp. ISBN 978-1-84457-907-5. (doi:10.1007/978-1-84457-909-9_2) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:52499)

Jeffers McDonald, Tamar E L (2019) Blueprints from Bluebeard: charting the Gothic in contemporary film. In: Jeffers McDonald, Tamar E L and Kamm, Frances A, eds. Gothic Heroines on Screen: Representation, Interpretation and Feminist Enquiry. First edition. Routledge, Abington, UK and New York, USA, 41 -54. ISBN 978-1-138-71100-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74529)

Jeffers McDonald, Tamar E. L. (2011) Against Male Elegance. In: Modemuseum, ., ed. Symposium 2 - Seam & Star: Male Elegance. Modemuseum, Antwerp, Antwerp, Belgium. ISBN 978-90-79269-04-4. (KAR id:31331)

Jeffers McDonald, Tamar E. L. (2013) Bringing Up Baby: generic hybridity and Dirty Dancing. In: Tzioumakis, Yannis and Lincoln, Sian, eds. The Time of Our Lives: Dirty Dancing and Popular Culture. Wayne State University Press, Detroit. ISBN 978-0-8143-3624-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31628)

Jeffers McDonald, Tamar E. L. (2007) 'Carrying Concealed Weapons': Gendered Makeover in Calamity Jane. Journal of Popular Film and Television, 34 (4). pp. 179-187. ISSN 0195-6051. (doi:10.3200/jpft.34.4.179-187) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2239)

Jeffers McDonald, Tamar E. L. (2013) Doris Day Confidential: Hollywood, Sex and Stardom. I B Tauris, London, 256 pp. ISBN 978-1-84885-581-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31640)

Jeffers McDonald, Tamar E. L. (2010) Hollywood Catwalk: Exploring Costume and Transformation in American Film. International Library of Cultural Studies . I B Tauris, London, 256 pp. ISBN 978-1-84885-040-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31619)

Jeffers McDonald, Tamar E. L. (2008) Homme-com: engendering change in contemporary romantic comedy. In: Abbot, Stacey and Jermyn, Deborah, eds. Falling in Love Again: Romantic Comedy in Contemporary Cinema. I B Tauris, London, pp. 146-159. ISBN 978-1-84511-771-9. (KAR id:31609)

Jeffers McDonald, Tamar E. L. (2010) 'I even cry funny!' Doris Day, Performance and Genre. In: Acting In Film, 2nd-4th September 2010, Potsdam University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25347)

Jeffers McDonald, Tamar E. L. (2011) Mad Men and Career Women. In: Stoddart, Scott.F., ed. Analyzing Mad Men: Critical Essays on the AMC Series. McFarland & Co., Jefferson, North Carolina, USA, pp. 117-135. ISBN 978-0-7864-4738-1. (KAR id:31615)

Jeffers McDonald, Tamar E. L. (2009) Mother’s Day: Taking the mother out of motherhood in The Thrill of it All. In: Addison, Heather and Goodwin-Kelly, Mary-Kate and Roth, Elaine, eds. Motherhood Misconceived: Representing the Maternal in US Films. State University of New York Press, New York, pp. 29-42. ISBN 978-1-4384-2812-3. (KAR id:31612)

Jeffers McDonald, Tamar E. L. (2010) Performances of desire and inexperience: Doris Day’s fluctuating filmic virginity. In: Jeffers McDonald, Tamar E. L., ed. Virgin Territory: Representing Sexual Innocence in Film. Contemporary Approaches to Film and Television Series . Wayne State University Press, Detroit, USA, pp. 103-122. ISBN 978-0-8143-3318-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31616)

Jeffers McDonald, Tamar E. L. (2016) Reviewing Reviewing The Fan Mags. Film History, 28 (4). pp. 29-57. ISSN 0892-2160. E-ISSN 1553-3905. (doi:10.2979/filmhistory.28.4.02) (KAR id:58278)

Jeffers McDonald, Tamar E. L. (2007) Romantic Comedy: Boy Meets Girl Meets Genre. Columbia University Press, 144 pp. ISBN 1905671023. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2234)

Jeffers McDonald, Tamar E. L. (2005) 'Under All Those Dirndls': Pillow Talk's Repackaging of Doris Day. In: Moseley, Rachel, ed. Fashioning Stars: Dress, Culture, Identity. BFI Publishing, pp. 50-61. ISBN 1-84457-068-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2233)

Jeffers McDonald, Tamar E. L. (2006) 'Very Little Wrist Movement': Rock Hudson Acts Out Sexual Heterodoxy. Canadian Journal of Communication, 31 (4). pp. 843-858. ISSN 0705-3657. (doi:10.22230/cjc.2006v31n4a1681) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2238)

Jeffers McDonald, Tamar E. L. (2012) The View from the Man Cave: Comedy in the Contemporary 'Homme-com' cycle. In: Horton, Andrew and Rapf, Joanne E., eds. A Companion to Film Comedy. John Wiley & Sons, Chichester, West Sussex, pp. 217-235. ISBN 978-1-4443-3859-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31625)

Jeffers McDonald, Tamar E. L., ed. (2010) Virgin Territory: Representing Sexual Innocence in Film. Wayne State University Press, 296 pp. ISBN 978-0-8143-3318-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24810)

Jeffery, Minna (2023) Strategies for Feminist Theatre Translation: Minna Canth's The Worker's Wife from Finnish to English. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.102301) (KAR id:102301)

Jenzen, Olu, Brennan, Matt, Brydon, Lavinia (2016) The People’s Pier: Popular Culture, Heritage, and Contested Community Spaces. In: Changing the Research Landscape? A Connected Communities Conference for Early Career Researchers, 23 March 2016, University of East Anglia, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56815)

Jenzen, Olu, Brydon, Lavinia (2020) Cinemas on Stilts: British Pleasure Piers and Pop-up Screenings. . In Media Res Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:107275)

Jia, Lianrui and Zhou, Oscar Tianyang (2017) The ‘Making’ of an Online Celebrity: A Case Study of Chinese Rural Gay Couple An Wei and Wu Yebin. In: Kent, Mike and Ellis, Katie and Xu, Jian, eds. Chinese Social Media: Social, Cultural, and Political Implications. First edition. Routledge, pp. 42-58. E-ISBN 978-1-315-16021-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97598)

Jia, Lianrui, Zhou, Oscar Tianyang (2015) Regulation of Homosexuality in the Chinese Media Scene. . E-Journal. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97597)

Joannides, M. (1998) Correggio's study of 'Christ the Redeemer' for S. Giovanni Evangelista. Master Drawings, 36 (4). pp. 409-416. ISSN 0025-5025. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17385)

Jones, Richard G., Benfield, Robert E., Cragg, R. Harry, Evans, Philip J., Swain, Anthony C. (1994) The Formation of Polysilanes from Homogeneous Reagnets in Ttrahydrofuran Solution at Low-Temperatures. Polymer, 35 (22). pp. 4924-4926. ISSN 0032-3861. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20278)

Jones, Richard G., Benfield, Robert E., Swain, Anthony C. (1994) The Heterogeneous Reaction Conditions and the Determination of Molecular-Mass Distributions in Alkali-Metal Mediated Synthesis of Polysilanes. In: Journal of Marcromolecular Science-Pure and Applied Chemistry. A31. pp. 1045-1052. Marcel Dekker Inc (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20279)

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Kacimi, Mohamed (2010) Epistola alle Corinzie. Performance type: Live play Tramedautore Festival, September 2010, Piccolo Teatro, Teatro d'Europa, Milan. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31496)

Kafle, Eshika, Papastavrou Brooks, Cat, Chawner, Dave, Foye, Una, Declercq, Dieter, Brooks, Helen (2023) “Beyond laughter”: a systematic review to understand how interventions utilise comedy for individuals experiencing mental health problems. Frontiers in Psychology, 14 . Article Number 1161703. ISSN 1664-1078. (doi:10.3389/fpsyg.2023.1161703) (KAR id:102357)

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Kafle, Eshika, Papastavrou Brooks, Cat, Chawner, Dave, Foye, Una, Declercq, Dieter, Brooks, Helen (2023) Corrigendum: “Beyond laughter”: a systematic review to understand how interventions utilise comedy for individuals experiencing mental health problems. Frontiers in Psychology, 14 . Article Number 1328423. E-ISSN 1664-1078. (doi:10.3389/fpsyg.2023.1328423) (KAR id:104114)

Kalpadaki, Evanthia (2008) The empty space in abstract photography: a psychoanalytical perspective. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86409) (KAR id:86409)

Kalvya, Eve, Mazadiego, Elize (2023) "Introduction to the Dialogues on the Future of Radical Women: Feminism and Latin American Art", guest edited issue of Latin American and Latinx Visual Culture. Latin American and Latinx Visual Culture, 5 (2). E-ISSN 2576-0947. (doi:10.1525/lavc.2023.5.2.72) (KAR id:101110)

Kalyva, Eve (2013) Across North & South: Conceptual art practices in a variety of contexts. In: College Art Association annual conference CAA2013 (International Association of Word and Image Studies affiliated session), February, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84547)

Kalyva, Eve (2014) Acting (on) the Text: the Case of New Media. Synthesis, (6). pp. 1-9. (KAR id:84529)

Kalyva, Eve (2013) Arte y violencia al aire libre: Inscripciones políticas en el espacio público del arte [Art and violence in the open air: political inscriptions in the public space of art]. In: XVII Jornadas de Investigación en ARTES, November, University of Corboba, Argentina. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84545)

Kalyva, Eve (2019) Away with the basics? Stedelijk’s BASE and the white cube 2.0. In: Exhibition Design: Methods, Issues, Conceptual Shifts, June, 2019, Universite Paris 8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84540)

Kalyva, Eve (2023) Borderline: Mapping Social Space in Conceptual Art. In: Mazadiego, E., ed. Charting Space: The Cartographies of Conceptual Art. Manchester University Press, Manchester, UK. ISBN 978-1-5261-5995-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:94958)

Kalyva, Eve (2014) Conceptual Art and Language: Introducing a Logico-Semantic Analysis. Social Semiotics, 24 (3). pp. 283-301. (doi:10.1080/10350330.2014.896639) (KAR id:84528)

Kalyva, Eve (2015) Creative activism: A new paradigm for art? In: Global Cultures of Contestation (Amsterdam Centre for Global Studies), October, Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84544)

Kalyva, Eve, ed. (2009) Disturbing Spaces (Systems, Operations and Disorders). parallax, 15 (4). pp. 1-6. ISSN 1353-4645. (KAR id:84538)

Kalyva, Eve (2009) Disturbing Spaces (Systems, Operations, Disorders). parallax, 15 (4). pp. 1-6. ISSN 1353-4645. (doi:10.1080/13534640903208826) (KAR id:84717)

Kalyva, Eve (2013) El espacio público del grabado: actividades en Argentina antes y después la última dictadura [The public space of printmaking: activities in Argentina before and after the last dictatorship]. Afuera, (13). pp. 1-19. ISSN 1850-6267. (KAR id:84531)

Kalyva, Eve (2017) Embodiment and the semiotics of creative disobedience. In: Art & Activism: Resilience Techniques in Times of Crisis, December, Leiden. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84541)

Kalyva, Eve (2013) Grabando la calle: tres casos en Argentina [Printing the streets: three cases from Argentina]. In: III Seminario Internacional sobre Arte Público en Latinoamérica. Univ. Adolfo Ibáñez/GEAP-Latinoamérica, Chile, pp. 227-241. ISBN 978-956-7326-12-9. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:84535)

Kalyva, Eve (2016) Image and Text in Conceptual Art: Critical Operations in Context. Palgrave/Macmillan, London and New York, 272 pp. ISBN 978-3-319-45085-8. E-ISBN 978-3-319-45086-5. (doi:10.1007/978-3-319-45086-5) (KAR id:84533)

Kalyva, Eve (2013) La creación semiótica del espacio del arte: unas notas sobre el arte conceptual [The semiotic creation of the space of art: notes on conceptual art]. Caiana, (3). pp. 1-12. ISSN 2313-9242. (KAR id:84530)

Kalyva, Eve (2022) Making Sense and Claiming a Presence: The Social Semiotics of Visual Activism. In: Hartle, Stephanie and White, Darcy, eds. Visual Activism in the 21st century: Art, Protest and Resistance in an Uncertain World. Bloomsbury, London, UK. ISBN 978-1-350-26507-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:94957)

Kalyva, Eve (2021) Parallel Lives, Parallel Aesthetics. In dialogue with León Ferrari and Gülsün Karamustafa. Parallel Lives, Parallel Aesthetics – Gülsün Karamustafa and León Ferrari (exhibition, van Abbemuseum), 27 Nov 2021 – 13 Mar 2022, Eindhoven, Netherlands. exhbiition catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:94959)

Kalyva, Eve (2017) (Re)semiotisation as appropriation of public space and knowledge production. In: Images and Text Reproduced (International Association of Word and Image Studies triennial conference), July, Lausanne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84543)

Kalyva, Eve (2016) The Rhetoric of Disobedience: Art and Power in Latin America. Latin American Research Review, 51 (2). pp. 46-66. ISSN 0023-8791. E-ISSN 1542-4278. (doi:10.1353/lar.2016.0023) (KAR id:84526)

Kalyva, Eve (2021) The Siluetazo: Absence as Presence and as Political Force. In: Dynamics of Time and Memory in Art and Literature, 29-30 Oct 2021, Groningen, Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:94960)

Kalyva, Eve (2015) Some Reflections on International Exchanges and the Avant-garde after Conceptual Art. In: Modernidad y vanguardia: rutas de intercambio entre España y Latinoamérica. Reina Sofía, Spain, pp. 351-361. ISBN 978-84-8026-515-7. (KAR id:84534)

Kalyva, Eve (2009) Textual counterparts: A performative beyond visual attention? In: Association for Art History AAH2009 annual conference, April, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84551)

Kalyva, Eve (2016) Where are my Keys? The Now of Critique in a Plurality of Voices. Notebook for Art, Theory, and Related Zones, . pp. 22-49. ISSN 1802-8918. (KAR id:84527)

Kalyva, Eve (2009) The Whereabouts of the Work. The Object of Photography, 7 April - 19 June 2009, The Stanley & Audrey Burton Gallery, Leeds. Exhibition catalogue essay. ISBN 978-1-874331-38-4. (KAR id:84539)

Kalyva, Eve (2010) Whose intention is it? Manipulating interrelations between image and text. In: Displaying Word & Image (International Association for Word and Image Studies focus conference), June, University of Belfast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84550)

Kalyva, Eve (2020) Writing Assembly. In: Workshop, January, Van Abbemuseum. Eindhoven. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84554)

Kalyva, Eve (2020) Zones of Disobedience. In discussion with Elen Braga and Steven Jouwersma. In: Guest talk, February, Institut Supérieur pour l’ Étude du Langage Plastique and Avanced Performance and Scenography Studies School (a.pass), Brussels. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84552)

Kalyva, Eve (2013) The artist as social investigator in 1970s Argentina. In: International Visual Semiotics Association IVSA2013 annual conference, July, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84546)

Kalyva, Eve (2011) A critical shift or a trend? Exhibiting and publishing textual artworks. In: American Imagetext, June, University of East Anglia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84548)

Kamm, Frances Alice (2015) 'A Mirror Image of Ourself'? The Technological Uncanny and the Representation of the Body in Early and Digital Cinema. Doctor of Philosophy (PhD) thesis, University of Kent. (KAR id:59386)

Kamm, Frances. A (2019) The Gothic in Space: Genre, Motherhood and Aliens (1986). In: Jeffers McDonald, Tamar E. L. and Kamm, Frances. A, eds. Gothic Heroines on Screen: Representation, Interpretation and Feminist Enquiry. Routledge, London. ISBN 978-1-138-71100-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77071)

Kamm, Frances. A (2016) Review of Women and the Gothic: An Edinburgh Companion, ed. by Avril Horner and Sue Zlosnik. Review of: Women and the Gothic: An Edinburgh Companion, ed. by Avril Horner and Sue Zlosnik by UNSPECIFIED. Irish Journal of Gothic and Horror Studies, . pp. 120-123. E-ISSN 2009-0374. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77075)

Kamm, Frances. A (2019) There's a ghost in my house”: The Female Gothic and the Supernatural in What Lies Beneath (2000). In: Holland, Samantha and Shail, Robert and Gerrard, Steven, eds. Gender and Contemporary Horror in Film. Emerald Publishing, Bingley. ISBN 978-1-78769-898-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77076)

Kamm, Frances. A (2019) A “fascinating conundrum of a movie”: Gothic, Horror and Crimson Peak (2015). The Revenant, . E-ISSN 2397-8791. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77073)

Kane, Martin (1995) 'All Quiet on the Western Front - Literary Analyiss and Cultural-Context -Firda, RA. Notes and Queries, 42 (1). pp. 127-128. ISSN 0029-3970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19636)

Kavanagh, Declan (2017) Effeminate Years: Literature, Politics, and Aesthetics in Mid-Eighteenth-Century Britain. First edition. Transits: Literature, Thought & Culture, 1650–1850 . Bucknell University Press, Lewisburg, Pennsylvania, USA, 268 pp. ISBN 978-1-61148-824-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58294)

Kear, Jon (1996) Black Vénus:Josephine Baker at the Follies- Bergère. In: Sheringham, Michael, ed. Parisian Fields. Reaktion, pp. 46-71. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5718)

Kear, Jon (1996) Claude Monet; Life and art - Tucker,PH. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19275)

Kear, Jon (2005) The Clothing of Clio: Chris Marker’s Poetics and the Politics of Representing History. Film Studies: An International Review, 6 . pp. 49-63. ISSN 1469-0314. (doi:10.7227/fs.6.6) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1325)

Kear, Jon (2001) “Cézanne". In: The Oxford Companion to Western Art. Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5709)

Kear, Jon (2004) Death and the Maiden: Cindy Sherman's Untitled Film Stills. In: Fortunati, Vita and Lamarra, Annamaria and Federici, Eleonora, eds. The Controversial Women's Body: Images and Representations in Literature and Art. Bononia University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5702)

Kear, Jon (1996) The Exposition Universelle of 1900. In: Banham, Joanna, ed. History of Interior Design. Fitzroy Dearborn. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5728)

Kear, Jon (2006) Frenhofer C’est Moi; Cézanne and Balzac’s Le Chief d’oeuvre inconnu. Cambridge Quarterly, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5699)

Kear, Jon (2007) A Game That Must Be Lost: Chris Marker Replays Alain Resnais' Hiroshima mon amour. In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, pp. 129-142. ISBN 978-1-905674-20-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5697)

Kear, Jon (2007) In the Brute Net of Sense: Merleau-Ponty’s Aesthetics. In: The Flesh in the Text, 2 day Conference, October 2007, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7965)

Kear, Jon (2007) In the Net of Brute Sense: Merleau Ponty’s Aesthetics. In: Weller, Shane and Baldwin, Thomas and Fowler, James, eds. Flesh In The Text. Peter Lang. ISBN 978-3-03911-102-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4671)

Kear, Jon (2002) In the spiral of time. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities. University of New Mexico Press, pp. 199-233. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1274)

Kear, Jon (2013) A Judgment on Judgment: Milosevic On Trial. In: Rothermel, Dennis, ed. A Critique of Judgment on Film and Television. Palgrave, pp. 142-163. ISBN 978-1-137-01418-4. (KAR id:31661)

Kear, Jon (2008) L'Origine del frammento ne Il capolavoro sconosciuto di Balzac. In: Cattani, Francesca and Meneghelli, Donata, eds. La Rappresentazione all specchio. Testo letterario e testo pittorico. Meltemi, Rome, pp. 55-68. ISBN 978-88-8353-671-7. (KAR id:31662)

Kear, Jon (2002) Le Sang Provençal. Journal of European Studies, . pp. 32-45. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1273)

Kear, Jon (2002) Le Sang Provençal: Joachim Gasquet’s Cézanne. Journal of European Studies, 32 (125-6). pp. 135-150. ISSN 0047 2441. (doi:10.1177/004724410203212504) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1319)

Kear, Jon (2003) Leaving L’Estaque: Cézanne’s Representations of Provence in the 1880s. Art on the Line, . pp. 1-20. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5706)

Kear, Jon (1991) Making Hay with Monet; Monets of the 90s. Art History, . pp. 593-599. (doi:10.1111/j.1467-8365.1991.tb00459.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5750)

Kear, Jon (1999) Manet's Modernism. Burlington Magazine, . pp. 139-144. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5713)

Kear, Jon (2007) Marker’s Bergson. In: Invited Talk, 29th November 2007, University of Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7962)

Kear, Jon (2002) Masters of Colour: From Derain to Kandinsky. Royal Academy. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5707)

Kear, Jon (2009) The Melancholy Image: Chris Marker’s Cine-Essays and the Ontology of the Photograph. In: Tormey, Jane and Whiteley, Gillian, eds. Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge Scholars Press. ISBN 978-1-4438-0532-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4667)

Kear, Jon (2007) Melancholy Images: Chris Marker’s Cine-Essays and the Ontology of the Photography. In: The Cine-Essay symposium, 8th February 2007, Loughborough University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7960)

Kear, Jon (1996) Modernism Revisited. Review of: Early modernism by Butler, Christopher. Oxford Art Journal, 19 (2). pp. 119-121. ISSN 0142-6540. (doi:10.1093/oaj/19.2.119) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19273)

Kear, Jon (1996) Monet Re-viewed. Burlington Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5735)

Kear, Jon (1996) Monet on the Normandy coast; Tourism and painting, 1867-1886 - Herbert,RL. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19274)

Kear, Jon (1995) Montage, Modernism and its Histories. Word & Image, . pp. 320-326. ISSN 0266-6286. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5738)

Kear, Jon (1996) Odd Man Out; Cézanne in Context. LQ, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5733)

Kear, Jon (2007) The Origin of the Fragment in Balzac’s Le Chef d’oeuvre inconnu. In: ‘The Fragment’ 3 day conference, 28th-30th June 2007, University of Aberysthwyth. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7958)

Kear, Jon (1995) Review of Nineteenth Century Painting: A Critical History. Review of: Nineteenth Century Painting: A Critical History by Eisenmann, Stephen F.. Apollo, . pp. 60-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5742)

Kear, Jon (1997) Seurat and The 'Bathers'. Magazine, 139 (1135). pp. 709-711. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18138)

Kear, Jon (1997) Seurat's Bathers at Asnières. Burlington Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5715)

Kear, Jon (2007) Spectres of Painting. University of Kent Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4663)

Kear, Jon (2009) Spectres of the Past, Inhabitations of the Present’: Jochen Gerz’s Public Monuments'. In: Lamberti, Eleanora and Fortunati, Vita, eds. Memories and Representations of War: The Case of World War I and World War II. Textxet Studies in Comparative Literature . Rodopi, Netherlands, pp. 33-49. ISBN 978-90-420-2521-9. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31510)

Kear, Jon (2004) Spectres of the past: Jochen Gerz’s public monuments. In: Lamberti, Eleonora, ed. Representing Cultural Memory. University of Bologna Press, pp. 122-146. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1275)

Kear, Jon (1995) Street Noises -Parisian Pleasure,1900-1940 - RIFKIN,A. Art History, 18 (1). pp. 112-118. ISSN 0141-6790. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19640)

Kear, Jon (1998) Sunless (Chris Marker). Flicks Books (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4662)

Kear, Jon (2004) Through A Veil: Reflections on the History of Australian Landscape Painting. In: Balbari, M., ed. Paesaggi australiani: Australian Landscapes. Pendragon Press, pp. 36-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5703)

Kear, Jon (1995) Travellin' Light. Wasafiri, . ISSN 0269-0055. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5745)

Kear, Jon (2008) The Treasures of the Impressionists. Andre Deutsch, 88 pp. ISBN 978-0-233-00234-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4665)

Kear, Jon (2007) Une Chambre Mentale: Proust's Solitude. In: Hendrix, Harald, ed. Writers' Houses and the Making of Memory. Routledge, New York/Oxon, pp. 221-235. ISBN 978-0-415-95742-7. (KAR id:31663)

Kear, Jon (1996) Viewfinders: Looking at the Overlooked: Black Women photographers. Wasafiri, . pp. 72-73. ISSN 0269-0055. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5722)

Kear, Jon (1994) Watching the Detectives. Art History, . pp. 112-118. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5747)

Kear, Jon, Thomas, Ben D. H. (2010) In Elysium: Prints by James Barry. Studio 3 Gallery, University of Kent, Canterbury, UK, 63 pp. ISBN 978-1-902671-69-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64918)

Kear, Jon, Turci, Monica (1999) Absorbing Mythologies: Michael Ondaatje's Bill the Kid. Englishes, 4 (2). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5711)

Kemal, Bahriye and Kouvarou, Maria and Maghribi, Reem and Mavromichalis, Manuella (2020) Taking Back the Booty: Loss and Belonging in the East Mediterranean. Performance type: Video/Film (fiction) Taking Back the Booty, 10-16 Oct 2020, Nicosia, Cyprus. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91097)

Kjeldgaard-Christiansen, Jens, Fiskaali, Anne, Høgh-Olesen, Henrik, Johnson, John A., Smith, Murray, Clasen, Mathias (2020) Do Dark Personalities Prefer Dark Characters? A Personality Psychological Approach to Positive Engagement with Fictional Villainy. Poetics, . ISSN 0304-422X. (doi:10.1016/j.poetic.2020.101511) (KAR id:84251)

Klee, Steve A. (2009) The Politics of Ambiguity. In: Spin[Freee]oza (Shop Windows and Balloons). SMART Project Space, Amsterdam, pp. 17-24. ISBN 978-90-806655-9-0. (KAR id:31590)

Klee, Steve A. (2013) Ranciere Against the Cuts: Activist Demands are Aesthetic. Third Text, 27 (2). pp. 177-188. ISSN 0952-8822. E-ISSN 1475-5297. (doi:10.1080/09528822.2013.774189) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31647)

Klee, Steve A. (2011) Training Ground; avoiding the trap of structural materialist film. In: Aernout Mik: Communitas. Stedelijk Museum Steidl, Gottingen Germany, pp. 149-158. ISBN 978-3-86930-297-3. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31589)

Klee, Steve A. (2008) Where We Were When We Bashed The Fash. Item format: Digital video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31591)

Klevan, Andrew (1999) The Composition of Charisma: The Lines of Sporting Seduction in Ron Shelton's Tin Cup. Journal of Film Studies, 1 (1). pp. 51-62. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9166)

Klevan, Andrew (2000) Disclosure of the Everyday: Undramatic Achievement in Narrative Film. Trowbridge (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9163)

Klevan, Andrew (2005) Film Performance – From Achievement to Appreciation. Wallflower Press, 144 pp. ISBN 1-904764-24-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1088)

Klevan, Andrew (2005) Guessing the unseen from the seen: Stanley Cavell and film interpretation. In: Goodman, Russell, ed. Contending With Stanley Cavell. Oxford University Press, pp. 118-139. ISBN 0-19-517568-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1093)

Klevan, Andrew (2000) The Mysterious Disappearance of Style: Some Critical Notes about the Writing on Dead Ringers. In: Grant, Michael, ed. The Films of David Cronenberg. Flicks Books. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9165)

Klevan, Andrew (2005) Notes on teaching film style. In: Pye, Douglas and Gibbs, John, eds. Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, pp. 214-227. ISBN 0-7190-6525-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1095)

Klevan, Andrew (2003) The purpose of plot and the place of Joan Bennett in Fritz Lang’s The woman in the window. Cineaction, (62). pp. 15-21. ISSN 0826-9866. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1091)

Klich, Rosemary E. (2014) ‘Amplifying Sensory Spaces: Headphone Theatre’. In: "Media, Politics, Performance Conference", Fast Forward Festival, 5th-7th May, 2014, Onassis Cultural Centre, Athens.. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45595)

Klich, Rosemary E. (2017) Amplifying Sensory Spaces: The In and Outputs of Headphone Theatre. Contemporary Theatre Review, 27 (3). pp. 366-378. ISSN 1048-6801. E-ISSN 1477-2264. (doi:10.1080/10486801.2017.1343247) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45525)

Klich, Rosemary E. (2007) Between Realities: Intermediality and the Blurring of Boundaries in Multimedia Theatre. In: Sugiera, Malgorzata and Borowski, Matuesz, eds. Fictional Realities / Real Fictions:Contemporary Theatre in Search of a New Mimetic Paradigm. Cambridge Scholars Press, United Kingdom. ISBN 978-1-84718-138-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7646)

Klich, Rosemary E. (2005) Between Realities: Intermediality in Multimedia Theatre. In: FIRT/IFTR International Conference "Fictional/Real in Contemporary Theatre", 17 - 20 November 2005, Jagiellonian University, Krakow. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45607)

Klich, Rosemary E. (2010) Copies, Robots, Mutants, and the Unfinished Human. In: (re)-Performing the Posthuman Conference, 21st-22nd May 2010, University of Sussex, Brighton.. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45589)

Klich, Rosemary E. (2005) David Pledger: On Eavesdrop and New Media: Interview. Performance Paradigm Journal, (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7784)

Klich, Rosemary E. (2006) During Intermediality: Remediation and Virtuality in Multimedia Theatre. In: Australasian Drama Studies Association Annual Conference, July 2006, University of Sydney. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45580)

Klich, Rosemary E. (2015) Fleshing Out: Intermedial Bodies and Dancers-in-Code. Journal of the Korean Dance Society, 73 (3). pp. 225-244. (KAR id:44798)

Klich, Rosemary E. (2013) "Fleshing Out: The Body in Intermedial Dance". In: International Symposium of the Korean Society of Dance, 2nd November 2013, Sungkyunkwan University in Seoul, Korea. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45592)

Klich, Rosemary E. (2013) Hamlet Remembered. Performance type: Live play Hamlet Remembered, Friday May 31st and Saturday June 1st, Jarman Building, University of Kent. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45497)

Klich, Rosemary E. (2014) ‘The In and Outputs of Headphone Theatre’. In: Annual Conference of Theatre and Performance Research Association, 3rd-5th September 2014, Royal Holloway. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45594)

Klich, Rosemary E. (2010) Instance: The Builder’s Association. In: Bay Cheng, Sarah and Lavender, Andy and Nelson, Robin and Kattenbelt, Chiel, eds. Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, pp. 149-156. ISBN 978-90-8964-255-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45392)

Klich, Rosemary E. (2013) “InterMEdiation and the InterMEdial System”. In: International Federation for Theatre Research Annual Conference, 22nd – 26th July 2013, Institut del Teatre, Barcelona. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45593)

Klich, Rosemary E. (2013) Intermediality, Complexity and Emergence. In: Colloquium of Performance Research., 18th January 2013, Centre for Intermediality at the Royal Central School of Speech and Drama. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45588)

Klich, Rosemary E. (2005) Into Virtuality: Interactivity and Immersion in New Media Performance. In: E-Performance and Plug-ins, December 2005, University of New South Wales, Sydney. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45579)

Klich, Rosemary E. (2014) Mediation, Trace and Space in Dance Theatre: Already Elsewhere. In: Baxter, Virginia and Brannigan, Erin, eds. Bodies of Thought: 12 Australian Choreographers. Wakefield Press, Adelaide. ISBN 978-1-74305-241-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45388)

Klich, Rosemary E. (2012) “Participate or Else”. In: Performance Studies International Conference 18, 27th June-1st July 2012., University of Leeds. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45591)

Klich, Rosemary E. (2013) Performing Poetry and the Postnarrative Text in the Theatre of New Media. Contemporary Theatre Review, 23 (3). pp. 421-431. ISSN 1048-6801. (doi:10.1080/10486801.2013.806322) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31599)

Klich, Rosemary E. (2007) Performing Posthuman Perspective: Can You See Me Now? Scan: Journal of Media Arts Culture, 4 (1). ISSN 1449-1818. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2240)

Klich, Rosemary E. (2010) "Performing at a Distance: Place, Pattern and Posthumanism". In: International Federation for Theatre Research Annual Conference, July 2010, LMU Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45585)

Klich, Rosemary E. (2006) Performing ‘Posthuman’ Perspective: Remediation and Virtuality in New Media Performance. In: International Federation for Theatre Research Annual Congress, Helsinki, Finland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45581)

Klich, Rosemary E. (2015) Playing a Punchdrunk Game: Immersive Theatre and Videogames. In: Frieze, James, ed. Framing Immersive Theatre: The Politics and Pragmatics of Participatory Performance. Palgrave Macmillan, Basingstoke, pp. 221-228. ISBN 978-1-137-36603-0. E-ISBN 978-1-137-36604-7. (doi:10.1057/978-1-137-36604-7) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45387)

Klich, Rosemary E. (2005) The Play’s The Thing No Longer: Non-Linear Narrative in Kate Champion’s ‘Same, Same But Different'. Australasian Drama Studies Journal, 46 . pp. 58-69. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7785)

Klich, Rosemary E. (2007) Postnarrativity in the Theatre of New Media Performance: Eavesdrop. In: Intermediality, Theatricality, Re-presentation and New Media Conference, 24th-29th May 2007, Centre for Research on Intermediality, University of Montreal, Montreal.. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45582)

Klich, Rosemary E. (2013) Send: Act: Perform. Performance Research, 18 (5). pp. 101-107. ISSN 1352-8165. (doi:10.1080/13528165.2013.828935) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45378)

Klich, Rosemary E. (2007) Staging Space: Performing Plasticity and Plastic Performance. In: Annual Conference of the Theatre and Performance Research Association (TaPRA), 5th-7th September 2007, University of Birmingham. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45583)

Klich, Rosemary E. (2011) “Systems of Intermediality: Rites”. In: Performance Studies International Conference 17, 27th June-1st July 2011, Utrecht University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45586)

Klich, Rosemary E. (2011) Systems of Spectatorship: Presence, Play and Performance in Blast Theory’s Games. In: “The Gaze is Us”, 23rd March 2011, Vooruit Centre for the Arts. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45587)

Klich, Rosemary E. (2009) “What’s behind the smile?: The mediated other in performance". In: Performing Presence Conference, March 2009, University of Exeter. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45584)

Klich, Rosemary E. (2013) Work in Progress: Audience Engagement and an ‘Aesthetic of Unfinish’ in Richard Schechner’s Imagining O. Body, Space and Technology, 11 (2). ISSN 1470-9120. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45379)

Klich, Rosemary E. (2012) The ‘unfinished’ subject: Pedagogy and performance in the company of copies, robots, mutants and cyborgs. International Journal of Performance Arts and Digital Media, 8 (2). pp. 155-171. ISSN 1479-4713. (doi:10.1386/padm.8.2.155_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31601)

Klich, Rosemary E. and Mitchell, Roanna and Dennis, Krysta (2014) Through the Grapevine: A Performed Wine Tasting (2013) and (2014). Performance type: Live play , 2014: 23rd, 24th October, 2014, Mrs Jones’ Kitchen, Canterbury: 26th and 27th April, 2013 Lumley Studio, University of Kent., Mrs Jones Kitchen, Canterbury and Lumley Studio, University of Kent.. Performance and documentation. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45498)

Klich, Rosemary E., Scheer, Edward (2011) Multimedia Performance. Basingstoke: Palgrave Macmillan, 240 pp. ISBN ISBN-10: 023057467X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7787)

Kocsis, Alexandra (2017) The Functions of Texts in Printed Images: Text and Image in Reproductive Prints by Hieronymus Cock, Antonio Salamanca, and Antonio Lafreri. Doctor of Philosophy (PhD) thesis, University of Kent, Freie Universitaet Berlin. (KAR id:69147)

Kollectiv, G. and Kollectiv, P. (2010) Co-Operative Explanatory Capabilities in Organizational Design and Personnel Management, 2010. Testbed1, 18th-19th September 2010, Beaconsfield Gallery. Number of pieces: 1. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25392)

Kollectiv, G. and Kollectiv, P. (2002) "Fear of a Black and White Planet", Wonderyears. Neue Gesellschaft für Bildende Kunst. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22177)

Kollectiv, G. and Kollectiv, P. (2008) "Introduction" and "Capitalism as Cult", The Institute of Psychoplasmics. Pump House Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22176)

Kollectiv, G., Kollectiv, P. (2005) Militant Ironies: Art as a Strategic Weapon in Israel’s Culture Wars. Art Papers, 30 (5). pp. 24-27. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22179)

Kollectiv, G. and Kollectiv, P. (2006) Notes Towards the Scientific Understanding of an Enlightened Xenulogy, Concerning the Recent Discovery of the MARSH Archives. In: Marsh, Lynne, ed. Volcano. Platform, pp. 13-17. ISBN 0-9538800-1-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22180)

Kollectiv, G., Kollectiv, P. (2007) The Political Theology of Battlestar Galactica. In: BSG 2007: The Politics, Poetics and Philosophy of Battlestar Galactica, 28th July 2007, Buckinghamshire Chilterns University College. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22181)

Kollectiv, G., Kollectiv, P. (2007) RETRO/NECRO: From Beyond the Grave of the Politics of Re-Enactment. Art Papers, 31 (6). pp. 44-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22178)

Kollectiv, G., Kollectiv, P. (2006) The Spectre of Manual Labour. In: On Liberty and Art, 18th October 2006, Tate Britain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22182)

Kollectiv, G. and Kollectiv, P. (2010) We. Performance type: Musical event We, 29th August 2010, Kunsthall, Oslo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25391)

Kollectiv, P. and Kollectiv, G. (2008) Art and the New Town. Art and the New Town, 11th - 15th December 2008, Harlow Temple of Utopias, Harlow. Number of pieces: 1. Silkscreen print. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20640)

Kollectiv, P. and Kollectiv, G. (2007) Asparagus: A Horticultural Ballet. Asparagus: A Horticultural Ballet, 7th March - 15th April 2007, The Showroom, London. Number of pieces: 3. Performance, video and installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20636)

Kollectiv, P. and Kollectiv, G. (2007) Asparagus: A Horticultural Ballet. Asparagus: A Horticultural Ballet, 12th May 2007, SAT, Montreal. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20646)

Kollectiv, P. and Kollectiv, G. (2003) Becks Futures Student Film and Video Award Show. Becks Futures Student Film and Video Award Show, 25th - 28th April 2003, ICA, London. Number of pieces: 1. Super 8mm transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20762)

Kollectiv, P. and Kollectiv, G. (2008) Better Future, Quad-Shaped. Better Future, Quad-Shaped, 28th October 2008, Cube Microplex, Bristol as part of The Sensible Stage, Media Art Bath. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20645)

Kollectiv, P. and Kollectiv, G. (2004) DaDaDa: Strategies against Marketecture. DaDaDa: Strategies against Marketecture, 21st October - 21st November 2004, temporarycontemporary gallery, London. Number of pieces: 2. Video and mixed media sculpture/installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20634)

Kollectiv, P. and Kollectiv, G. (2005) Diamonds For Workers. Diamonds For Workers, 3rd June - 10th July 2005, Kate McGarry, London. Number of pieces: 3. Sculpture/Installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20758)

Kollectiv, P. and Kollectiv, G. (2007) Emergency3. Emergency3, 1st December 2007 - 27th January 2008, Aspex, Portsmouth. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20751)

Kollectiv, P. and Kollectiv, G. (2008) Food: A Sci-Fi Banquet. Food: A Sci-Fi Banquet, 19th December 2008, Royal Academy of the Arts, London. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20642)

Kollectiv, P. and Kollectiv, G. (2007) Foreign Body(ies). Foreign Body(ies), 29th August - 22nd September 2007, White Box, New York. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20752)

Kollectiv, P. and Kollectiv, G. (2008) Futureblueperfect. Futureblueperfect, 25th June - 27th July 2008, Cafe Gallery Projects, London. Number of pieces: 1. Installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20641)

Kollectiv, P. and Kollectiv, G. (2004) Grey Goo. Grey Goo, 16th October - 28th November 2004, Flaca Gallery, London. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20759)

Kollectiv, P. and Kollectiv, G. (2006) His Life Is Full Of Miracles. His Life Is Full Of Miracles, 11th March-29th April 2006, Animation Videotheque, Site Gallery, Sheffield.. Number of pieces: 5. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20755)

Kollectiv, P. and Kollectiv, G. (2008) The Institute of Psychoplasmics. The Institute of Psychoplasmics, 9th April - 26th May 2008, Pump House Gallery, London. Number of pieces: 1. 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20331)

Kollectiv, P. and Kollectiv, G. (2006) Little Private Governments. Little Private Governments, 20th February - 25th March 2006, University of Essex Gallery, Colchester. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20756)

Kollectiv, P. and Kollectiv, G. (2006) Metropolis Rise. Metropolis Rise, 13th April - 23rd April 2006 and 30th April - 14th May 2006, Moganshan Art Village, Shanghai and DIAF 06, 798 Space, Beijing. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20754)

Kollectiv, P. and Kollectiv, G. (2006) Modern Lovers. Modern Lovers, 12th May - 4th June 2006, Three Colts Gallery. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20633)

Kollectiv, P. and Kollectiv, G. (2008) No Haus Like Bau. No Haus Like Bau, 14th June 2008, HAU, Mes Nuits, Berlin Biennale, Berlin. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20644)

Kollectiv, P. and Kollectiv, G. (2009) Roll It To Me. Roll It To Me, 14th March - 9th May 2009, Collective, Edinburgh. Number of pieces: 3. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20638)

Kollectiv, P. and Kollectiv, G. (2005) SV05. SV05, 5th August - 11th September 2005, Studio Voltaire, London. Number of pieces: 1. Super 8mm transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20757)

Kollectiv, P. and Kollectiv, G. (2008) Seven Times Two or Three. Seven Times Two or Three, 22nd June 2008, Cubitt, London. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20643)

Kollectiv, P. and Kollectiv, G. (2006) Slider. Slider, 29th April - 21st May 2006, Project Space, London. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20753)

Kollectiv, P. and Kollectiv, G. (2009) Starmaker. Starmaker, 12th June - 12th July 2009, E:Vent Gallery, London. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20637)

Kollectiv, P. and Kollectiv, G. (2004) Surrealestate. Surrealestate, 21st April - 29th May 2004, YYZ Artists' Outlet, Toronto. Number of pieces: 1. Super 8mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20760)

Kollectiv, P. and Kollectiv, G. (2008) Svetlana. Svetlana, 11th October - 15th November 2008, S1 Artspace, Sheffield. Number of pieces: 27. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20635)

Kollectiv, P. and Kollectiv, G. (2009) Ventriloquist. Ventriloquist, 27th February - 28th March 2009, Timothy Taylor, London. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20639)

Krutikov, Georgii (2015) The Flying City and Beyond. University of Chicago Press ISBN 978-84-939231-8-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75178)

Kunzelmann, Heide and Mayerhofer, Elisabeth (2014) Viennese Inertia: Cultural and Political Deceleration and Local Identity Construction. In: Hemelryk Donald, Stephanie and Lindner, Christoph, eds. Inert Cities. Globalization, Mobility and Suspension of Visual Culture. I.B.Tauris, London, pp. 129-152. ISBN 978-1-78076-972-1. E-ISBN 978-0-85773-612-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43382)

Kyriakakis, Georgios (2020) Terpsichore: A Software Music Interface for People with Mental Disabilities on the Autism Spectrum. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:82815)

L

Lacey, Mark (2014) Lip-synching and its potential as a theatrical convention to progress storytelling in a live performance context. Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:47915)

Laera, Margherita (2015) 55 Entries on Italian Actors. In: Williams, Simon, ed. The Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press, Cambridge. ISBN 978-0-521-76954-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30845)

Laera, Margherita (2024) Bene, Carmelo, Beolco, Angelo, Bragaglia, Anton Giulio, Costa, Orazio, Dante, Emma, De Filippo, Eduardo, Fo, Dario, Pavlova, Tatjana, Ronconi, Luca, Strehler, Giorgio. Cambridge University Press, 2022. In: Williams, Simon and Delgado, Maria, eds. The Cambridge Encyclopedia of Stage Directors and Directing. Cambridge University Press, Cambridge. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:106787)

Laera, Margherita, ed. (2017) Black Tenderness: The Passion of Mary Stuart. Cue Press, Imola ISBN 978-88-99737-24-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59122)

Laera, Margherita (2009) The Blue Planet. Teatro Romolo Valli, Reggio Emilia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31363)

Laera, Margherita (2010) Comedy, Tragedy, and 'Universal Structures': Socìetas Raffaello Sanzio's Inferno, Purgatorio, Paradiso. TheatreForum, . pp. 3-15. ISSN 1060-5320. (KAR id:57303)

Laera, Margherita (2020) Contemporary Playwriting and Theatre Translation Cultures in Europe: A Report on Current Systems, Conventions and Perceptions. Critical Stages/Scènes Critiques, (21). (KAR id:84759)

Laera, Margherita (2016) Dealing with the Past: Three Oresteias. In: International Federation for Theatre Research, Annual Conference 2016, 13-17 June 2016, University of Stockholm, Sweden. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57311)

Laera, Margherita (2020) Emma Dante and Fausto Paravidino: Families, National Identity, and International Audiences. In: Delgado, Maria and Lease, Bryce and Rebellato, Dan, eds. Contemporary European Playwrights. 1st Edition. Routledge. ISBN 978-1-138-08421-6. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:72167)

Laera, Margherita (2014) 'Expert' Dramaturgies: Helgard Haug of Remini Protokoll in Conversation with Margherita Laera. In: Laera, Margherita, ed. Theatre and Adaptation: Return, Rewrite, Repeat. Bloomsbury Methuen Drama, pp. 241-254. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59229)

Laera, Margherita, ed. (2017) Gliwice Hamlet : Rehearsal of Touch Through The Pane. Cue Press, Imola (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59124)

Laera, Margherita (2016) How to Get Your Hands Dirty: Old and New Models of 'Militant' Theatre Criticism in Italy. In: Radosavljevic, Duška, ed. Theatre Criticism: Changing Landscapes. Bloomsbury Methuen Drama, pp. 99-117. ISBN 978-1-4725-7709-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56852)

Laera, Margherita (2011) 'I'll Roughen It Up a Bit': Multiple-Authored Theatre Translations. In: Invisible Presences, 18-20 April 2011, Queen's University Belfast. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31607)

Laera, Margherita (2023) Language, Translation and Multilingualism. In: Remshardt, Ralf and Mancewicz, Aneta, eds. The Routledge Companion to Contemporary European Theatre and Performance. Routledge. ISBN 978-0-367-53591-9. E-ISBN 978-1-003-08253-8. (KAR id:101407)

Laera, Margherita (2013) Making Lear Dreaming. Singapore, Affects and Transnational Encounters: An Interview with Ong Keng Sen. In: From Identity to Mondialisation: TheatreWorks 25. Didier Millet, Singapore. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57305)

Laera, Margherita (2009) Mark Ravenhill's Shoot/Get Treasure/Repeat: A Treasure Hunt in London. TheatreForum, 35 . pp. 3-9. ISSN 1060-5320. (KAR id:57302)

Laera, Margherita (2009) Noi, gli eroi. Ubulibri, Milan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31357)

Laera, Margherita (2009) Oedipus at the National Theatre: Celebrities and the Otherness of Tragedy. Review of: Oedipus Rex, dir. Jonathan Kent, National Theatre, London, 2008 by Kent, Jonathan. Western European Stages, (21.2). pp. 73-74. ISSN 1050-1991. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57304)

Laera, Margherita (2015) On Killing Children: Greek Tragedies on British Stages in 2015. Critical Stages, . ISSN 2409-7411. E-ISSN 2409-7411. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:56855)

Laera, Margherita (2018) Performing Heteroglossia: The 'Translating Theatre' Project in London. Modern Drama, 61 (3). pp. 380-410. ISSN 0026-7694. E-ISSN 1712-5286. (doi:10.3138/md.s0917) (KAR id:62385)

Laera, Margherita (2022) Playwriting in Europe: Mapping Ecosystems and Practices with Fabulamundi. Routledge Advances in Theatre & Performance Studies . Routledge, 146 pp. ISBN 978-0-367-50312-3. E-ISBN 978-1-003-04943-2. (doi:10.4324/9781003049432-2) (KAR id:95454)

Laera, Margherita (2013) Reaching Athens: Community, Democracy and Other Mythologies in Adaptations of Greek Tragedy. New Comparative Criticism . Peter Lang, 333 pp. ISBN 978-3-0343-0807-6. (KAR id:30844)

Laera, Margherita (2011) Reaching Athens: Performing Participation and Community in Rimini Protokoll's Prometheus in Athens. Performance Research, 16 (4). pp. 46-51. ISSN 1352-8165. (doi:10.1080/13528165.2011.606049) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44713)

Laera, Margherita (2016) Rethinking 'Foreignisation' Through Practice as Research. In: European Theatre Perspectives: Exploring Channels for Cross-Cultural Engagement in Performance, 7-9 November 2016, University of Wroclaw, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57308)

Laera, Margherita (2018) Review: Greek Fragments in Postmodern Frames: Rewriting Tragedy 1970–2005. Review of: Greek Fragments in Postmodern Frames: Rewriting Tragedy 1970–2005 by Ioannidou, Eleftheria. American Journal of Philology, . ISSN 0002-9475. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:72168)

Laera, Margherita (2019) Review: The Routledge Companion to Adaptation. Review of: The Routledge Companion to Adaptation by Cutchins, Dennis and Krebs, Katja and Voigts, Eckart. Contemporary Theatre Review, . ISSN 1048-6801. (KAR id:72170)

Laera, Margherita (2018) Royal Court: International (Review). Review of: Royal Court: International by UNSPECIFIED. Modern Drama, 60 (2). 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59120)

Laera, Margherita, ed. (2017) The Snakes. Cue Press, Imola (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59123)

Laera, Margherita (2012) Staging and Performing Translation: Text and Theatre Practice edited by Roger Baines, Cristina Marinetti, and Manuela Perteghella. Review of: Staging and Performing Translation: Text and Theatre Practice by Baines, Roger and Marinetti, Cristina and Perteghella, Manuela. Contemporary Theatre Review, 22 (2). pp. 281-282. ISSN 1048-6801. (doi:10.1080/10486801.2012.669600) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31354)

Laera, Margherita (2015) Subverting the 'Classics': Adaptation and Resistance. In: London Theatre Seminar, 19 Nov 2015. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56853)

Laera, Margherita (2015) Texts and Scores as Places of Interaction. In: Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), 26 Oct 2015, University of Cambridge. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57310)

Laera, Margherita (2019) Theatre & Translation. Theatre & . Red Globe Press / Macmillan ISBN 978-1-137-61161-1. E-ISBN 978-1-137-61162-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:72171)

Laera, Margherita (2017) A Theatre Of/For Europe : Giorgio Strehler and the Dream of a United Continent. In: Finburgh, Clare and Boenisch, Peter M and Shepherd, Simon, eds. Great Stage Directors, vol. 6: Littlewood, Planchon, Strehler. Bloomsbury Methuen Drama. (KAR id:58080)

Laera, Margherita (2011) Theatre Translation as Collaboration: Aleks Sierz, Natalie Abrahami, Martin Crimp, Zoë Svendsen, Colin Teevan and J. Michael Walton discuss Translation for the Stage. Contemporary Theatre Review, 21 (2). pp. 213-225. ISSN 1048-6801. (doi:10.1080/10486801.2011.561490) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31352)

Laera, Margherita, ed. (2014) Theatre and Adaptation: Return, Rewrite, Repeat. Bloomsbury Methuen Drama, 296 pp. ISBN 978-1-4725-3316-6. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44711)

Laera, Margherita (2016) A Theatre of/for Europe: Giorgio Strehler and the Dream of a United Continent. In: Quorum, 30 November 2016, Queen Mary, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59125)

Laera, Margherita (2011) Translating African Plays: Ethics, ‘Foreignisation’ and Collaboration. Practics as Research Portfolio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40785)

Laera, Margherita (2016) Translating Theatre: ‘Foreignisation’ on Stage. Practice as Research Portfolio. . Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59259)

Laera, Margherita (2010) The Wedding at Cana. Charta Art Books, Milan. (doi:10.22269/100426) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31361)

Lanckman, Lies (2016) Norma Shearer, the Happily Married Divorcee: Marriage, Modernity and Movie Magazines. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.62963) (KAR id:62963)

Lang, Martin (2015) Militant Art. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.50237) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:50237)

Laraki, Nora (2022) Corporate Art Collections in Europe: Impact, Influences and Responsibilities in the Art World. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.93627) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:93627)

Law, Jonathan (2014) Materialising the Unseen: The Multisensory Cinema of the Invisible Body. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:48182)

Lawton, Michael (2019) The Singular Echo of the Artwork: Painting, Writing & OOO. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:79401)

Lehmann, Hans-Thies (2012) Am grunde die steine: Ein nachwort von Hans-Thies Lehmann. In: Das offene Geheimnis. Gedanken über Schauspielerei und Theater. Alexander Verlag Berlin, Berlin, pp. 132-153. ISBN 978-3-89581-266-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40782)

Lehmann, Hans-Thies (2008) Note sur l’anagnorisis. Réflexions sur le spectateur dans le théâtre pré- et postdramatique. In: Hunkeler, Thomas and Kiss, Corinne Fournier and Luthi, Ariane, eds. Place au public : Les spectateurs du théâtre contemporain. Metis Presses, Truccazzano (Milan). ISBN 2-940406-05-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40783)

Lehmann, Hans-Thies (2013) Tragödie und dramatisches Theater. Berlin ISBN 978-3-89581-308-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40781)

Lehmann, Hans-Thies (2011) Versuch zum Verstehen (Theater), nach Derrida. In: Zenck, Martin and Jungling, Markus, eds. Erzeugen und Nachvollziehen von Sinn: Rationale, performative und mimetische Verstehensbegriffe in den Kulturwissenschaften. Fink Wilhelm Gmbh + Co.Kg, Germany, pp. 29-42. ISBN 978-3-7705-4521-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40784)

Leveroy, Deborah (2013) Enabling Performance: Dyslexia and Acting. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.75621) (KAR id:75621)

Leveroy, Deborah (2013) Enabling performance : dyslexia and acting practice. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86524) (KAR id:86524)

Lewis, Jason S., Dearling, Jason L. J., Sosabowski, J.K., Zweit, Jamal, Carnochan, P., Kelland, L.R., Coley, H.M., Blower, Philip J. (2000) Copper bis(diphosphine) complexes: radiopharmaceuticals for the detection of multi-drug resistance in tumours by PET. European Journal of Nuclear Medicine, 27 (6). pp. 638-646. ISSN 0340-6997. (doi:10.1007/s002590050557) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16319)

Lewis, Tyronne Antoin (2017) Exploring, Sharing, Connecting and Affecting. Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:67456)

Lightman, Richard (2021) Country and Eastern. Soundcloud Item format: MP3 streamed files. (Unpublished) (KAR id:91570)

Lightman, Richard (2016) Jagger and Scorcese have a flop on their hands with Vinyl – here’s why. . The Conversation online newspaper. ISSN 2201-5639. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91237)

Lightman, Richard Lightman, R. (2020) Country & Eastern, in Hepworth-Sawyer, Paterson, & Toulson, (editors), Innovation In Music (2020 edition). Taylor & Francis on the Routledge imprint. In: Innovation in Music. 2020 Edition. Taylor and Francis, Routledge Imprint, United Kingdom. (KAR id:90766)

Lightman, Richard Henry (2022) Producing Bhangra: Music, Culture and Technology - Mediating Culture in Music Production. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.96631) (KAR id:96631)

Lightman, Richard, Neale-Widdison, Anna (2021) Are We Hostage to the Hook? How Narrative in Today’s Commercial Pop Music Has Been Lost. Songwriting Studies Journal, . (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:91236)

Livingstone, Thomas Geoffrey (2021) Franchise Aesthetics: Looking at Hybrid Live-Action/Animated Images. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.89684) (KAR id:89684)

Lodder, Christina (2018) Archipenko – The Russian Dimension. In: Alexander Archipenko: Space Encircled. Eykyn Maclean, pp. 17-27. ISBN 978-1-7323878-1-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75190)

Lodder, Christina (2017) Building for Socialism. In: Revolution: Russian Art 1917–1932. Royal Academy, London, UK, pp. 269-276. ISBN 978-1-910350-43-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75185)

Lodder, Christina, ed. (2018) Celebrating Suprematism: New Approaches to the Art of Kazimir Malevich. Russian History and Culture . Brill, 330 pp. ISBN 978-90-04-38498-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75179)

Lodder, Christina (2018) Conflicting Approaches to Creativity? Suprematism and Constructivism. In: Lodder, Christina, ed. Celebrating Suprematism: New Approaches to the Art of Kazimir Malevich. Russian History and Culture . Brill, pp. 259-288. ISBN 978-90-04-38498-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75193)

Lodder, Christina (2019) Exporting the Revolution in Art Education: The Moscow Vkhutemas and the German Bauhaus. In: Burini, Silvia, ed. Translations and dialogues: the reception of Russian Art abroad. Fisciano, pp. 115-128. ISBN 978-88-944227-7-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75208)

Lodder, Christina (2019) From the Plane into Space: Kazimir Malevich’s Suprematist Architecture. In: Filevska, Tetyana, ed. Kazimir Malevich: Kyivskii aspekt. Rodovid, pp. 231-253. ISBN 978-617-7482-31-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75206)

Lodder, Christina (2014) Gustavs Klucis and Constructivism. In: Gustavs Klucis Complete Catalogue of Works in the Latvian National Museum of Art. Latvian National Museum of Art, Riga, Latvia, pp. 9-25. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75183)

Lodder, Christina (2018) Henryk Stażewski: The Suprematist Dimension. In: Szczepaniak, Andrzej, ed. Henryk Stazewski. Skira, pp. 25-35. ISBN 978-88-572-3735-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75205)

Lodder, Christina (2017) Ivan Puni and the Flight of Forms: From St Petersburg to Moscow. Experiment/Eksperiment, 23 (1). pp. 104-116. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75229)

Lodder, Christina (2017) Katarzyna Kobro and Władysław Strzemiński in Russia. In: Katarzyna Kobro & Władysław Strzemiński : avant-garde prototypes. Museo Nacional Centro de Arte Reina Sofía, pp. 104-117. ISBN 978-84-8026-550-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75186)

Lodder, Christina (2014) Kazimir Malevich and the First World War. In: Bowlt, John and Misler, Nicoletta and Sudakova, Elena, eds. 'A Game in Hell. The Great War in Russia': Graphic Art and Photography from the Collection of Sergey Shestakov. GRAD Publishing. ISBN 978-0-9576623-3-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75182)

Lodder, Christina (2014) Malevich as Exhibition Maker. In: Borchardt-Hume, Achim, ed. Malevich. Tate Publishing, pp. 94-98. ISBN 978-1-84976-146-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75181)

Lodder, Christina (2019) Natalia Goncharova The Trailblazer. Tate Etc., (46). pp. 58-65. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75232)

Lodder, Christina (2014) Naum Gabo’s Relief Construction for the Rubber Company Building. In: Naum Gabo. Gerald Peters Gallery, New York, pp. 5-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75180)

Lodder, Christina (2017) Oleg Kudryashov. In: Lucie-Smith, Edward and Golomstock, Igor and Reviakin, Sergei, eds. Oleg Kudryashov: Bridge to the Future. Unicorn, pp. 15-16. ISBN 978-1-910787-79-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75189)

Lodder, Christina (2015) Olga Rozanova: A True Futurist. In: Women Artists and Futurism. International Yearbook of Futurism Studies . De Gruyter, pp. 199-225. ISBN 978-3-11-042281-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75184)

Lodder, Christina (2017) Painting the World Red. Jewish Renaissance, (Januar). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75231)

Lodder, Christina (2014) Revolutionary Photography. . Museum of Modern Art internet publication. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75234)

Lodder, Christina (2019) Russian Futurist Art. In: Berghaus, Günter, ed. Handbook of International Futurism. De Gruyter, pp. 798-823. ISBN 978-3-11-027356-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75207)

Lodder, Christina (2019) Sergei Tret’iakov – The Writer as Photographer. Russian Literature, 103-5 . pp. 95-117. ISSN 0304-3479. (doi:10.1016/j.ruslit.2019.04.004) (KAR id:74406)

Lodder, Christina (2018) Textiles for Revolutionary Russia: Training Textile Designers at the Moscow VKhUTEMAS. West 86th: A Journal of Decorative Arts, Design History, and Material Culture, 25 (2). pp. 139-159. ISSN 2153-5531. (doi:10.1086/702320) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75230)

Lury, Celia and Viney, William and Wark, Scott, eds. (2022) Figure: Concept and Method. Palgrave Macmillan, Singapoire ISBN 978-981-19-2475-0. E-ISBN 978-981-19-2476-7. (doi:10.1007/978-981-19-2476-7) (KAR id:99664)

Lury, Celia and Viney, William and Wark, Scott (2022) Introduction: Figure, Figuring and Configuration. In: Figure: Concept and Method. Palgrave Macmillan, Singapore, pp. 1-20. ISBN 978-981-19-2475-0. (doi:10.1007/978-981-19-2476-7_1) (KAR id:99659)

Lázaro-Reboll, Antonio (2018) Endless Re-View: Jess Franco in Video Watchdog and Eyeball. In: Lázaro-Reboll, Antonio and Olney, Ian, eds. The Films of Jess Franco. First edition. Contemporary Approaches to Film and media Series . Wayne State University Press, Chicago, Detroit, pp. 242-264. ISBN 978-0-8143-4316-6. E-ISBN 978-0-8143-4317-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71026)

M

Maagerø, Lars Harald (2020) Canonical Plays in Contemporary European Directors' Theatre. Shakespeare, Ibsen and Brecht. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:82612)

MacLeod, Duncan W M (2012) Behold, the best of morning dawns. Item format: Score. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59609)

MacLeod, Duncan W M (2012) Cronan an Dain. Item format: Score. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59611)

MacLeod, Duncan W M (2014) Cut, Strike, Throw, Grip. Item format: Score. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59606)

MacLeod, Duncan W M (2012) Diesis. London Sinfonietta Records Item format: Score, MAX/MSP patch and commercial CD release of premier performance. ASIN: B0094G5JLQ. (doi:ASIN: B0094G5JLQ) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31749)

MacLeod, Duncan W M (2009) Ellipsis. CD Squeaky Kate Music Item format: Score and commercial release (ASIN: B004F6O9ZM; performed by duoDorT). (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31750)

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MacLeod, Duncan W M (2009) Lumen. Item format: Score. (Unpublished) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59663)

MacLeod, Duncan W M (2011) The New Atlantis. Item format: Score. (Unpublished) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59664)

MacLeod, Duncan W M (2017) Space as a compositional parameter. In: Sound Thought 2017. . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60940)

MacLeod, Duncan W M (2017) Spatial Music. In: Spatial Music. . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60939)

MacLeod, Duncan W M (2014) Surface to Surface. Tate Modern Item format: FLAC. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59454)

MacLeod, Duncan W M and Morgan, Andrew and Riley, Colin and Telford, Jamie and Wiegold, Peter (2010) Triple Point. Squeaky Kate Music Item format: CD. ASIN: B004F6O9RA. (doi:ASIN: B004F6O9RA) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59662)

MacLeod, Duncan W M and Weh, Jane (2015) The Cries of Peckham Rye. Item format: Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59610)

Maes, Hans R.V. (2020) The Aesthetics of Portraiture: An Annotated Reading List. . internet. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97830)

Maes, Hans R.V. (2021) "And Time Will Have His Fancy ..." On being moved by portraits of unknown people. In: Portraits and Philosophy. Routledge. E-ISBN 978-0-429-19937-0. (doi:10.4324/9780429199370-13) (KAR id:97780)

Maes, Hans R.V. (2011) Art and Morality. In: Art seminar at University of Antwerp, Antwerp, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56996)

Maes, Hans R.V. (2008) Art and Pornography. In: 6th European Congress of Analytic Philosophy (ECAP), August 2008, Krakow, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9706)

Maes, Hans R.V. (2008) Art and Pornography. Essay Review of Jerrold Levinson’s Contemplating Art. Journal of Aesthetic Education, 42 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9513)

Maes, Hans R.V. and Levinson, Jerrold, eds. (2012) Art and Pornography: Philosophical Essays. Oxford University Press, Oxford, 335 pp. ISBN 978-0-19-960958-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:50380)

Maes, Hans R.V. (2010) Art or Porn: Clear Division or False Dilemma? In: London Aesthetics Forum, 2010. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56993)

Maes, Hans R.V. (2011) Art or Porn: Clear Division or False Dilemma? Philosophy and Literature, 35 (1). pp. 51-64. ISSN 0190-0013. (doi:10.1353/phl.2011.0003) (KAR id:31448)

Maes, Hans R.V. (2012) Art or Porn? In: ArtErotica 2012, 2012, Cork Street Gallery. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56997)

Maes, Hans R.V. (2013) Art or Pornography? Philosophical Reflections on a False Dilemma. In: Erotica, Pornography, and the Obscene in Europe. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57105)

Maes, Hans R.V. (2009) Art, Pornography, and Pornographic Art. In: Philosophy Research Seminar, 2009, Hong Kong, China. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56988)

Maes, Hans R.V. (2005) Arthur Danto and the End of Art. In: Midsouth Philosophy Conference, February 2005, Memphis, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9695)

Maes, Hans R.V. (2001) Bescheidenheid en asymmetrie. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 93 (2). pp. 117-135. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9528)

Maes, Hans R.V. (2005) Bescheidenheid, trots en ijdelheid. Budel, Damon (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9524)

Maes, Hans R.V. (2022) Bitterzoet: over melancholie in de Before trilogie. In: Denken in het Donker. ISVW. ISBN 978-90-831785-4-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97777)

Maes, Hans R.V. (2005) A Celestial Taxonomy of Remakes? Cinemascope. An Independent Film Journal, 1 (2). pp. 1-11. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9511)

Maes, Hans R.V. (2006) Challenging Partial Intentionalism. In: American Society for Aesthetics, October 2006, Milwaukee, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9701)

Maes, Hans R.V. (2008) Challenging Partial Intentionalism. Journal of Visual Art Practice, 7 (1). pp. 85-94. ISSN 1470-2029. (doi:10.1386/jvap.7.1.85_1) (KAR id:31436)

Maes, Hans R.V. (2017) Conversations on Art and Aesthetics. Oxford University Press, 336 pp. ISBN 978-0-19-968610-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56981)

Maes, Hans R.V. (2022) Conversations on Art and Aesthetics: Volume 2. Oxford University Press (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97825)

Maes, Hans R.V. (2017) Conversations, Portraits, and Philosophy. In: 75th Annual Meeting of the American Society for Aesthetics, 15-18 Nov 2017, New Orleans, USA. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65243)

Maes, Hans R.V. (2005) Critical Notice of Art in Progress. A Philosophical Response to the End of the Avant-Garde by Maarten Doorman. Budel, Damon, Jaarboek voor Esthetica. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9674)

Maes, Hans R.V. (2004) Danto en het einde van de kunst. In: Vandenabeele, Bart and Verneir, Koen, eds. Transgressie in de kunst. Budel, Damon, pp. 118-128. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9535)

Maes, Hans R.V. (2004) Danto, De Duve, and The End of Art. In: Rediscovering Aesthetics, July 2004, Cork, Ireland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9694)

Maes, Hans R.V. (2005) David Hume over de emotie ‘trots’. In: Van Reijen, M., ed. Emoties. Van stoïcijnse apatheia tot heftige liefde. Amsterdam, Klement, pp. 81-97. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9537)

Maes, Hans R.V. (2006) De emotie ‘trots’. In: Internationale School voor Wijsbegeerte, March 2006, Leusden, The Netherlands. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9697)

Maes, Hans R.V. (2005) De emotie ‘trots’ in de hedendaagse analytische filosofie. In: Van Reijen, M., ed. Emoties. Van stoïcijnse apatheia tot heftige liefde. Amsterdam, Klement, pp. 186-204. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9581)

Maes, Hans R.V. (2006) De grappenmaker en zijn publiek. Over grappen, kunst en intimiteit. In: Conference on humour organised by the University of Antwerp, May 2006, University of Antwerp, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9698)

Maes, Hans R.V. (2022) De onvoltooid verleden tijd van Richard Linklater. Humbug: Onafhankelijk Filmmagazine, . (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:97828)

Maes, Hans R.V. (2011) Depiction: Wat is een afbeelding? Een inleiding tot de hedendaagse afbeeldingstheorieën. Esthetica, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40768)

Maes, Hans R.V. (2006) Different Kinds of Bullshit. In: German Society for Analytic Philosophy (GAP), September 2006, Berlin, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9700)

Maes, Hans R.V. (2011) Drawing the Line: Art versus Pornography. Philosophy Compass, 6 (6). pp. 385-397. ISSN 1747-9991. (doi:10.1111/j.1747-9991.2011.00403.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50382)

Maes, Hans R.V. (2011) Drawing the Line: Art vs Pornography. In: Pornography and Objectification: Aesthetics and the Erotic, 2011, Edinburgh. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56994)

Maes, Hans R.V. (2007) Een treffende gelijkenis. Over grappen en kunst. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 99 (4). pp. 281-296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9531)

Maes, Hans R.V. (2008) Elephants, Microscopes and Free Beauty: Reply to Davies. Philosophical Quarterly, 59 (235). pp. 332-336. ISSN 0031-8094. (doi:10.1111/j.1467-9213.2008.592.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9516)

Maes, Hans R.V. (2010) Elephants, Microscopes, and Free Beauty. In: Hoe Kants Kritik der Urteilskraft vertalen en interpreteren?, 2010, Ghent, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56991)

Maes, Hans R.V. (2005) The End of Art Revisited. Postgraduate Journal of Aesthetics, 2 (3). pp. 122-132. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9512)

Maes, Hans R.V. (2004) The End of Art: A real problem or not really a problem? Postgraduate Journal of Aesthetics, 1 (2). pp. 59-68. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9509)

Maes, Hans R.V. (2003) The End of Art: A real problem or not really a problem? In: the International Congress on Arthur C. Danto and the End of Art, December 2003, Murcia, Spain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9693)

Maes, Hans R.V. (2021) Epilogue : Portraits of Philosophers. In: Portraits and Philosophy. Routledge. E-ISBN 978-0-429-19937-0. (doi:10.4324/9780429199370-20) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97781)

Maes, Hans R.V. (2014) Erotic Art. Stanford Encyclopedia of Philosophy, . pp. 1-50. ISSN 1095-5054. (KAR id:56968)

Maes, Hans R.V. (2013) Erotische Kunst en Pornografie. In: Philosophy Research Seminar, Ghent University, Ghent, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56998)

Maes, Hans R.V. (2008) Esthetica en Theorievorming: Interview met Kendall Walton. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9675)

Maes, Hans R.V. (2022) Existential Aesthetics. Oxford University Press (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97826)

Maes, Hans R.V. (2022) Existential aesthetics. The Journal of Aesthetics and Art Criticism, . Article Number kpac018. ISSN 1540-6245. (doi:10.1093/jaac/kpac018) (KAR id:95589)

Maes, Hans R.V. (2017) Falling in Lust: Sexiness, Feminism, and Pornography. In: Mikkola, Mari, ed. Beyond Speech: Pornography and Analytic Feminist Philosophy. Oxford University Press. ISBN 978-0-19-025790-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56982)

Maes, Hans R.V. (2017) Falling in Lust: Sexiness, Feminism, and Pornography. In: Goldblatt, David and Brown, Lee B. and Patridge, Stephanie, eds. Aesthetics: A Reader in Philosophy of the Arts. 4th edition. Routledge. ISBN 978-1-138-23588-5. E-ISBN 978-1-315-30367-3. (doi:10.4324/9781315303673) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65242)

Maes, Hans R.V. (2013) Falling in Lust: The Ethics and Aesthetics of Sexiness. In: Conference on Feminist Philosophy and Pornography, 2013, Berlin, Germany. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57001)

Maes, Hans R.V. (2015) Falling in Lust: The Ethics and Aesthetics of Sexiness. In: Philosophy Research Seminar at Uppsala University, 2015, Uppsala, Sweden. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57103)

Maes, Hans R.V. (2014) Falling in Lust: The Ethics and Aesthetics of Sexiness. In: IX Workshop on Aesthetic Experience: Mixed Feelings, Mixed Categories, 2014, San Sebastian, Spain. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57106)

Maes, Hans R.V. (2013) Falling in Lust: on Sexiness and Pornography. In: Philosophy Research Seminar, 2013, Leeds, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57002)

Maes, Hans R.V. (2009) Filosofie en Film. In: Denkbeelden: een filosofische filmreeks (cinema Zed), 2009, Leuven, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56986)

Maes, Hans R.V. (2009) Fotografie en Tijd. In: Workshop on Photography at St Lukas Hogeschool, 2009, Brussels, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56987)

Maes, Hans R.V. (2006) Grapje! Filosofische gedachten over grappen. Budel, Damon (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9526)

Maes, Hans R.V. (2001) Hypocrisie en Bescheidenheid. In: Internationale School voor Wijsbegeerte, March 2001, Leusden, The Netherlands. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9691)

Maes, Hans R.V. (2001) 'Ik ben een briljant filosoof.' Over zelfingenomenheid en ijdelheid. In: Filosofische Kring, February 2001, Kortrijk, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9690)

Maes, Hans R.V. (2007) Intention, Interpretation, and Contemporary Visual Art. In: Annual Meeting of the Dutch-Flemish Society for Analytic Philosophy (VAF), April 2007, Antwerp, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12961)

Maes, Hans R.V. (2010) Intention, Interpretation, and Contemporary Visual Art. In: Philosophy Research Seminar at University of Murcia. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56989)

Maes, Hans R.V. (2010) Intention, Interpretation, and Contemporary Visual Art. British Journal of Aesthetics, 50 (2). pp. 121-138. ISSN 0007-0904. (doi:10.1093/aesthj/ayp051) (KAR id:31439)

Maes, Hans R.V. (2013) Introduction: Pornographic Art and the Aesthetics of Pornography. In: Pornographic Art and the Aesthetics of Pornography. Palgrave, pp. 1-24. ISBN 978-0-230-36820-0. E-ISBN 978-1-137-36793-8. (doi:10.1057/9781137367938_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65237)

Maes, Hans R.V. (2006) Julia Driver on Moral Luck. In: 1st Annual Online Philosophy Conference, 2006, http://experimentalphilosophy.typepad.com/online_philosophy_confere. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9520)

Maes, Hans R.V. (2010) Kunst of Pornografie? Karakter: Tijdschrift van Wetenschap, . pp. 15-16. ISSN 1379-0390. E-ISSN 1379-0390. (KAR id:56972)

Maes, Hans R.V. (2010) Kunst of pornografie? In: EGO Salon, Dieren, The Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56992)

Maes, Hans R.V. (2005) Larry Shiner and Arthur Danto on Art History. In: American Society for Aesthetics, Eastern Division Meeting, April 2005, Philadelphia, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9696)

Maes, Hans R.V. (2006) Liefde, vriendschap en Casablanca. Streven, (73). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9530)

Maes, Hans R.V. (2008) Love, Friendship, and Casablanca. In: Love in Our World. An International Conference, November 2008, University of Manchester. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9711)

Maes, Hans R.V. (2010) Love, Friendship, and Casablanca. Hermeneia: Journal of Hermeneutics, Art Theory, and Criticism, (10). pp. 98-107. ISSN 1453-9047. E-ISSN 2069-8291. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65240)

Maes, Hans R.V. (2004) Modesty, Asymmetry, and Hypocrisy. Journal of Value Inquiry, 38 (4). pp. 485-497. ISSN 0022-5363. (doi:10.1007/s10790-005-3335-1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9508)

Maes, Hans R.V. (2011) The Naked Truth: Panel on Pornography and Erotic Art. In: Crunch: Art and Music Festival, 2011, Hay-on-Wye. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56995)

Maes, Hans R.V. (2009) Nawoord: Over de relatie tussen film en filosofie. In: d'Hoine, Pieter and Engelen, Bart, eds. Denkbeelden. Een inleiding tot de filosofie aan de hand van films. Antwerpen, Pelckmans, pp. 245-260. ISBN 978-90-8687-044-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9583)

Maes, Hans R.V. (2008) A New Philosophy of Photography? Critical Notice of Henri van Lier, Philosophy of Photography. Review of: Philosophy of Photography by UNSPECIFIED. History of Photography, 32 (4). pp. 380-383. ISSN 0308-7298. E-ISSN 2150-7295. (doi:10.1080/03087290802323482) (KAR id:56983)

Maes, Hans R.V. (2023) Peaks and Troughs: Dysepiphany, Antiphany, and Melancholy. Journal of Value Inquiry, 57 . pp. 197-208. ISSN 0022-5363. (doi:10.1007/s10790-022-09929-y) (KAR id:97827)

Maes, Hans R.V., ed. (2013) Pornographic Art and the Aesthetics of Pornography. Palgrave, 306 pp. ISBN 978-0-230-36820-0. (KAR id:50381)

Maes, Hans R.V. (2014) Pornography. In: Encyclopedia of Aesthetics. Second edition. Oxford University Press. ISBN 978-0-19-974710-8. (doi:10.1215/23289252-2399893) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56970)

Maes, Hans R.V. (2020) Pornography and Melancholy. APA Newsletter Feminism and Philosophy, 20 (2). E-ISSN 2155-9708. (KAR id:97776)

Maes, Hans R.V. (2016) Portraits of Philosophers and the Philosophy of Portraits. In: London Aesthetics Forum. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57104)

Maes, Hans R.V. (2016) Portraits of Philosophers and the Philosophy of Portraits. In: American Society for Aesthetics, Eastern Division Meeting, 2016, Philadelphia, USA. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57107)

Maes, Hans R.V. (2017) Portraits of Philosophers and the Philosophy of Portraits. In: 6th Dubrovnik Conference on the Philosophy of Art, 18-22 Apr 2017. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65245)

Maes, Hans R.V. (2011) Preface, Catalogue of "Transgression: Sexuality, Gender, and Censorship" (Beers.Lambert gallery). , London. Exhibition Catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56977)

Maes, Hans R.V. (2011) ¿Quién dice que la pornografía no puede ser arte? La Balsa de Medusa, . pp. 5-24. ISSN 0214-9982. (KAR id:56971)

Maes, Hans R.V. (2008) Remember that we forget. In: Cultural Memory: Forgetting to Remember / Remember to Forget, September 2008, University of Kent, Canterbury. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9709)

Maes, Hans R.V. (2005) Review of Aesthetics and the Philosophy of Art. The Analytic Tradition by Peter Lamarque & Stein H. Olsen. Tijdschrift voor Filosofie, 67 (3). pp. 601-602. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9679)

Maes, Hans R.V. (2006) Review of Art and Intention. A Philosophical Study by Paisley Livingston. Tijdschrift voor Filosofie, 68 (2). pp. 414-415. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9681)

Maes, Hans R.V. (2005) Review of Arts & Minds by Gregory Currie. Review of Arts & Minds by Gregory Currie, 67 (3). p. 612. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9678)

Maes, Hans R.V. (2008) Review of Contemplating Art by Jerrold Levinson. Review of: Contemplating Art by Levinson, Jerrold. Tijdschrift voor Filosofie, 70 (1). p. 186. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9689)

Maes, Hans R.V. (2004) Review of Filosofie & Film by Joost Raessens. Review of: Filosofie & Film by Raessens, Joost. Cinetext Online. Film & Philosophy, . 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9522)

Maes, Hans R.V. (2008) Review of On Images by John V. Kulvicki. Review of: On Images by Kulvicki, John V.. Tijdschrift voor Filosofie, 69 (4). p. 780. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9688)

Maes, Hans R.V. (2007) Review of Opmerkingen over het gevoel van het schone en het verhevene by Immanuel Kant. Review of: Opmerkingen over het gevoel van het schone en het verhevene by UNSPECIFIED. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 99 (2). pp. 167-168. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9684)

Maes, Hans R.V. (2007) Review of Opmerkingen over het gevoel van het schone en het verhevene by Immanuel Kant. Review of: Opmerkingen over het gevoel van het schone en het verhevene by UNSPECIFIED. Tijdschrift voor Filosofie, 69 (2). p. 389. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9686)

Maes, Hans R.V. (2007) Review of Philosophy and Conceptual Art by Peter Goldie and Elisabeth Schellekens. Review of: Philosophy and Conceptual Art by Goldie, Peter and Schellekens, Elisabeth. Tijdschrift voor Filosofie, 69 (3). pp. 612-613. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9687)

Maes, Hans R.V. (2006) Review of Sight and Sensibility. Evaluating Pictures by Dominic McIver Lopes. Tijdschrift voor Filosofie, 68 (1). p. 434. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9680)

Maes, Hans R.V. (2007) Review of The Philosophy of Art by Stephen Davies. Review of: The Philosophy of Art by Davies, Stephen. Tijdschrift voor Filosofie, 69 (2). pp. 381-383. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9685)

Maes, Hans R.V. (2001) Review of The Subtlety of Emotions by Aaron Ben-Ze'ev. Tijdschrift voor Filosofie, 63 (4). pp. 810-811. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9676)

Maes, Hans R.V. (2006) Review of The Task of the Interpreter. Text, Meaning, and Negotiation by Pol Vandevelde. Tijdschrift voor Filosofie, 68 (3). pp. 651-653. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9682)

Maes, Hans R.V. (2006) Review of Three Philosophical Filmmakers. Hitchcock, Welles, Renoir by Irving Singer. Tijdschrift voor Filosofie, 68 (4). pp. 840-842. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9683)

Maes, Hans R.V. (2002) Review of Uneasy Virtue by Julia Driver. Tijdschrift voor Filosofie, 64 (3). pp. 606-607. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9677)

Maes, Hans R.V. (2021) A Trilogy of Melancholy: on the bittersweet in Before Sunrise, Before Sunset, Before Midnight. In: Before Sunrise, Before Sunset, Before Midnight: A Philosophical Exploration. Routledge. E-ISBN 978-0-429-26147-3. (doi:10.4324/9780429261473-4) (KAR id:97778)

Maes, Hans R.V. (2017) Truly, Madly, Deeply: on what it is to love a work of art. The Philosophers' Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65241)

Maes, Hans R.V. (2008) Waarom geen voorbeeld nemen aan de grappenmaker? Een open vraag aan hedendaagse kunstenaars en kunstcritici. In: De Kraai van Walter. DeFKA. (KAR id:56974)

Maes, Hans R.V. (2008) Waarom vinden we kunst waardevol? In: Vormingplus, May 2008, Leuven, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9704)

Maes, Hans R.V. (2019) Wat is Sexy? Een oefening in feministische filosofie. Letterwerk, 72 pp. ISBN 978-90-828942-3-3. (KAR id:77804)

Maes, Hans R.V. (2013) What Analytic Philosophers of Art Can Learn From the Cultural History of Pornography. In: Annual Meeting of the Descartes Centre, Utrecht, The Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57000)

Maes, Hans R.V. (2015) What is a Portrait? British Journal of Aesthetics, 55 (3). pp. 303-322. ISSN 0007-0904. E-ISSN 1468-2842. (doi:10.1093/aesthj/ayv018) (KAR id:56967)

Maes, Hans R.V. (2013) What's in a Name? Shunga, Erotic Art, and Pornography. In: Shunga & Philosophy (British Museum), 2013, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57003)

Maes, Hans R.V. (2010) Who Says Pornography Can't Be Art? In: Philosophy Research Seminar at University of Murcia, 2010, Murcia, Spain. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56990)

Maes, Hans R.V. (2012) Who Says Pornography Can't Be Art? In: Maes, Hans R.V. and Levinson, Jerrold, eds. Art and Pornography: Philosophical Essays. Oxford University Press, pp. 17-47. ISBN 978-0-19-960958-1. (doi:10.1093/acprof:oso/9780199609581.003.0002) (KAR id:31445)

Maes, Hans R.V. (2013) Who Says Pornography Can't be Art? In: Edinburgh Philosophy Society, 2013, Edinburgh, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56999)

Maes, Hans R.V. (2019) “You Talking to Me?”. Debates in Aesthetics, 14 (1). ISSN 2514-6637. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65239)

Maes, Hans R.V. (2001) Zelfwaardering. In: 23rd Vlaams-Nederlandse Filosofiedag, October 2001, Kortrijk, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9692)

Maes, Hans R.V. (2002) Zelfwaardering en het standpunt van anderen. In: Braeckman, Antoon and Devos, Rob and Verdonck, B., eds. Terugkeer van het subject. Recente ontwikkelingen binnen de filosofie,. Universitaire Pers Leuven, Leuven, pp. 223-235. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9533)

Maes, Hans R.V. (2012) The arts vs Art with a capital ‘A’: Interview with Noël Carroll. Esthetica, . ISSN 1875-3809. (KAR id:56978)

Maes, Hans R.V. and Debaene, Aurélie Josephine and Anscomb, Claire Rebecca (2018) Portraits and Philosophy: A Conversation. , 29 March - 11 May 2018, Canterbury. Photographs. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97829)

Maes, Hans R.V., Deprez, Eleen (2013) Kunst of porno: duidelijk onderscheid of vals dilemma? Kunsttijdschrift Vlaanderen, (346). pp. 175-177. ISSN ISSN 1780-6461. (KAR id:56973)

Maes, Hans R.V. and Levinson, Jerrold (2012) Introduction. In: Art & Pornography: Philosophical Essays. Oxford University Press. ISBN 978-0-19-960958-1. (doi:10.1093/acprof:oso/9780199609581.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65238)

Maes, Hans R.V. and Puolakka, Kalle (2012) Arthur Danto: The Transfiguration of the Commonplace. In: 50 Key Texts in Art History. Routledge. ISBN 978-0-415-49770-1. (KAR id:56975)

Maes, Hans R.V. and Schaubroeck, Katrien (2006) Different Kinds and Aspects of Bullshit. In: Hardcastle, Gary and Reisch, George A., eds. Bullshit and Philosophy. Open Court, pp. 171-182. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9519)

Maes, Hans R.V., Schaubroeck, Katrien (2011) Excuus-truus of ons-kent-ons-fons? De Standaard, . (KAR id:56984)

Maes, Hans R.V., Schaubroeck, Katrien (2016) They Can’t Take That Away From Me: Art, Love, and Reasons. In: Colloquium on the Modalities of the Good, 2016, Prague. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57108)

Maes, Hans R.V. and Schaubroeck, Katrien (2021) "We are everything and we are nothing." An interview with Julie Delpy. In: Before Sunrise, Before Sunset, Before Midnight: A Philosophical Exploration. Routledge. E-ISBN 978-0-429-26147-3. (doi:10.4324/9780429261473-12) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97782)

Makin, Simon (2014) Drama helps kids with autism communicate better. New Scientist, 2965 . p. 17. ISSN 0262-4079. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40804)

Maragkos, Aristotelis (2022) The Timekeepers of Eternity: Cinematic Ballard and Ballardian Cinema. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.94892) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:94892)

Casaliggi, Carmen and March-Russell, Paul, eds. (2007) Ruskin in Perspective: Contemporary Essays. Cambridge Scholars, Newcastle, 252 pp. ISBN 978-1-84718-284-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24911)

Marlow-Mann, Alex (2013) Archival Film Festivals at the Crossroads. In: Marlow-Mann, Alex, ed. Film Festival Yearbook 5: Archival Film Festivals. First edition. St Andrews Film Studies, St Andrews, pp. 3-19. ISBN 978-1-908437-07-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:101631)

Marlow-Mann, Alex (2021) Il regista-ricercatore: una figura anomala del cinema italiano. In: Zagarrio, Vito, ed. Eppure cinema. Appunti di un regista irregolare. First edition. Edizioni Sabiane, Rome, pp. 39-43. ISBN 979-12-80023-18-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:101625)

Marlow-Mann, Alex (2013) Out of the Past: An Exploration of the Varied World of Archival Film Festivals. In: Lee, Yong-Kwan, ed. BIFF Forum 2013. First edition. BIFF Research Institute, Busan, pp. 128-143. ISBN 979-11-951143-2-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:101730)

Marotti, Ferruccio and Tinti, Luisa and Allain, Paul (2005) Il Principe Costante di Jerzy Grotowski Riconstruzione, with subtitles in English. Centro Teatro Ateneo - University of Rome 'La Sapienza' DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2217)

Marsh, Ben (2018) Beyond the Barricade: Is There A World You Long to See? Studio 3 Gallery. (KAR id:71259)

Mather, Nigel Derek (2004) 'Tears of laughter': 1990s British cinema in the comic mode. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94512) (KAR id:94512)

Matheson, Neil (2001) The traumatised male : Dada, surrealism and masculinity. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.85992) (KAR id:85992)

May, Shaun (2014) Abject Metamorphosis and Mirthless Laughter: On Human-to-Animal Transitions and the 'Disease of Being Finite'. Performance Research, 19 (1). pp. 72-80. ISSN 1352-8165. (doi:10.1080/13528165.2014.908086) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49199)

May, Shaun (2017) Autism and comedy: using theatre workshops to explore humour with adolescents on the spectrum. Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (3). pp. 436-445. ISSN 1356-9783. (doi:10.1080/13569783.2017.1329651) (KAR id:62266)

May, Shaun (2013) Comedy on the Spectrum: An Interview with Aspergers Are Us. Comedy Studies, 4 (1). pp. 103-110. ISSN 2040-610X. E-ISSN 2040-6118. (doi:10.1386/cost.4.1.103_7) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54026)

May, Shaun (2012) Embodiment, Transparency and the Disclosiveness of Failure. Body, Space and Technology, 11 (1). pp. 1-8. ISSN 1470-9120. (KAR id:54027)

May, Shaun (2018) On Silence and Autism. Performance Research: A Journal of the Performing Arts, 23 (4-5). pp. 425-427. ISSN 1352-8165. (doi:10.1080/13528165.2018.1507716) (KAR id:68556)

May, Shaun (2015) A Philosophy of Comedy on Stage and Screen: You Have to Be There. 1. Bloomsbury Methuen Drama, London, 224 pp. ISBN 978-1-4725-8043-6. E-ISBN 978-1-4725-8046-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53838)

May, Shaun (2017) Reader in comedy: an anthology of theory & criticism. Review of: Reader in Comedy: An Anthology of Theory and Criticism by Romanska, Magda and Ackerman, Alan. Studies in Theatre and Performance, . pp. 1-2. ISSN 1468-2761. (doi:10.1080/14682761.2017.1359892) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:62568)

May, Shaun (2015) Rethinking Practice as Research and the Cognitive Turn. 1. Palgrave Macmillan, Basingstoke, UK, 176 pp. ISBN 978-1-137-52272-6. E-ISBN 978-1-137-52273-3. (doi:10.1057/9781137522733) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53839)

May, Shaun (2013) Rise of Being-in-the-World. In: Huss, John, ed. Planet of the Ape and Philosophy. Open Court, Chicago, pp. 255-262. E-ISBN 978-0-8126-9822-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54028)

May, Shaun (2013) Take My Gag, Please!Joke Theft and Copyright in Stand-up Comedy. Comedy Studies, 4 (2). pp. 195-203. ISSN 2040-610X. (doi:10.1386/cost.4.2.195_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49200)

May, Shaun, Fletcher-Watson, Ben (2018) Enhancing Relaxed Performance: Evaluating an Autism Arts Festival. Research in Drama Education: The Journal of Applied Theatre and Performance, . ISSN 1356-9783. (doi:10.1080/13569783.2018.1468243) (KAR id:64666)

Mazilu, Oana-Maria (2022) Film Criticism and Film Culture in Communist and Post-Communist Romania: The Case of Cinema Magazine. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.95361) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:95361)

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McDonald, Roger (1999) Histories of the transcendental in art : Romanticism, Zen and Mark Tobey. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86141) (KAR id:86141)

McDowell, Amanda (2024) Hold Me in a Circle of Tender Listening: Listening-with an oral history archive of women's psychiatric experience to create a multi-channel sound work. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.105375) (KAR id:105375)

Mei, Todd (2006) Commitment and Communication: The Aesthetics of Receptivity and Historicity. Contemporary Aesthetics, 4 . p. 30. ISSN 19328478.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23357)

Mendik, Xavier and Marlow-Mann, Alex (2018) That's La Morte: Italian Cult Cinema and the Years of Lead. Cine-Excess Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:101724)

Mikuriya, Junko Theresa (2008) Cryptoglyph. In: Urban Encounters Conference, 16-17th May 2008, Centre for Urban and Community Research, Goldsmiths, University of London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9405)

Mikuriya, Junko Theresa (2007) Eight Hours of Sleep and other works. Eight Hours of Sleep and other works, 9th May - 4th September 2007, Keynes Gallery, University of Kent. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9409)

Mikuriya, Junko Theresa (2007) On the Walls of the Cave are Shadows. Stimulus Respond, London, (1). pp. 93-96. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9404)

Mikuriya, Junko Theresa (2006) On the Walls of the Cave are Shadows. In: Affective Imaging; Uneasy Spaces Symposium, 20th October 2006, Goldsmiths University of London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9406)

Mikuriya, Junko Theresa (2008) Solo photographic exhibition, invited by the Hong's Foundation in Education and Culture. Meme: Antimatic 3 programme, 2nd June - 29th August 2008, Taipei, Taiwan. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9408)

Mikuriya, Theresa (2005) Theresa Mikuriya: photographs. Theresa Mikuriya: Photographs, 10 June 2005-26 June 2005, Seven Seven Contemporary Art, London. Number of pieces: 15. Photographs. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1226)

Mikuriya, Theresa, Lai, Linda (2004) Cryptoglyph: dialogues in many tongues in the hidden crevices of an open city. Philippe Charriol Foundation, 284 pp. ISBN 988-97391-1-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1222)

Mikuriya, Theresa and Lai, Linda (2004) Push: The quest for a voice, in search of a body. Interactive digital media installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1227)

Mills, Sarah (2019) Comedians with a Difference: The Performance Techniques of the Outsider in Stand-Up Comedy. Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:78107)

Misek, Richard (2020) "All I have to offer is myself”: the film-maker as narrator. In: Vassilieva, Julia and Williams, Deane, eds. Beyond the Essay Film: Subjectivity, Textuality and Technology. First edition. Bloomsbury, London, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72001)

Misek, Richard (2017) All talk: Matias Piñeiro’s verbal narratives. In: Games People Play: The Cinema of Matias Pineiro, 7 Nov 2017, Royal Belgian Film Archive, Brussels, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72004)

Misek, Richard (2017) The Black Screen. Alchemy Film and Moving Image Festival DCP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61733)

Misek, Richard (2017) Black White Colour. In: Experience Colours!, 7 Nov 2018, Aalto University, Helsinki, Finland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72000)

Misek, Richard (2016) Détournement. In: Forms of Criticism, 30 Jun 2016, Parasol Unit, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72006)

Misek, Richard (2021) Is the future of digital theatre in the balance? . Website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91800)

Misek, Richard (2018) Notes on Rohmer. In: Zomer Film College, Royal Belgian Film Archive, 14 July 2018, Antwerp, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72002)

Misek, Richard (2020) ‘Real-time’ virtual reality and the limits of immersion. Screen, 61 (4). pp. 615-624. ISSN 0036-9543. (doi:10.1093/screen/hjaa058) (KAR id:86952)

Misek, Richard (2018) Six of Seven Things I Know About The Video Essay. In: UNSPECIFIED, 12 April 2018, Monash University, Melbourne, Australia. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72003)

Misek, Richard (2015) The Stolen Film. In: Cinematic Bricoleurs: Remixing, restyling and repurposing in contemporary filmmaking practice, 8 Jan 2016, King's College, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72007)

Misek, Richard (2015) Trespassing Hollywood: Property, Space, and the “Appropriation Film”. October, 153 . pp. 132-148. ISSN 0162-2870. E-ISSN 1536-013X. (doi:10.1162/OCTO_a_00230) (KAR id:50318)

Misek, Richard (2021) VR's Missing Audience. . Website. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91802)

Misek, Richard (2017) Why I 'pirate' films. In: TEDx, 13 May 2017, Canterbury, United Kingdom. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61732)

Misek, Richard (2021) Why We Need Hybrid Film Festivals. Hyperallergic, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91799)

Misek, Richard and Beugnet, Martine (2017) In Praise of Blur. Ghent Film Festival DCP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:63445)

Misek, Richard and Shackleton, Charlie and Raby, Oscar (2019) A Machine for Viewing. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:83240)

Misra, Smita (2015) Seeking entitlement: a performance ethnography exploring the paradoxes of trauma and testimonial in refugee performance. Master of Arts by Research (MARes) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.54733) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54733)

Mitchell, Roanna (2021) Bodies as profit centres: Susie Orbach’s work in the context of performance and activism. In: Kahr, Brett, ed. Expanding Psychoanalysis. First edition. Routledge / Taylor and Francis Group, London, UK. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:91303)

Mitchell, Roanna (2015) The Body That Fits The Bill: Physical Capital and ‘Crises’ of the Body in Actor Training. About Performance, 15 (1). pp. 137-156. ISSN 1324-6089. (KAR id:70120)

Mitchell, Roanna (2022) Not not doing therapy: Performer training and the ‘third’ space. Theatre, Dance and Performance Training, 13 (2). pp. 222-237. ISSN 1944-3927. (doi:10.1080/19443927.2022.2052173) (KAR id:91175)

Mitchell, Roanna (2014) Seen But Not Heard: An embodied account of the (student) actor’s aesthetic labour. Theatre Dance and Performance Training, 5 (1). pp. 59-73. ISSN 1944-3927. E-ISSN 1944-3919. (doi:10.1080/19443927.2013.868367) (KAR id:61048)

Mitchell, Roanna (2020) Something in the atmosphere? Michael Chekhov, Deirdre Hurst Du Prey, and a web of practices between acting and dance. Theatre, Dance and Performance Training, 11 (3). pp. 255-273. ISSN 1944-3927. (doi:10.1080/19443927.2020.1789724) (KAR id:80673)

Mitchell, Roanna (2020) 'The moment you are not inwardly moving and inwardly participating, you are dead' – Chekhov Technique in Actor-Movement and Dance. In: Fleming, Cass and Cornford, Tom, eds. Michael Chekhov Technique in the Twenty-first Century: New Pathways. First Edition. Bloomsbury Methuen Drama. ISBN 978-1-4742-7318-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70121)

Mitchell, Roanna and Dennis, Krysta (2016) The Dramaturgy of Wine, the Terroir of Performance: Multi-Sensory Performance-Making in Through the Grapevine. In: Markstein, Helene Gee and Steijn, Arthur Maria, eds. Inhabiting the Meta Visual: Contemporary Performance Themes. Inter-Disciplinary Press, Oxford, UK, pp. 9-19. ISBN 978-1-84888-532-5. (doi:10.1163/9781848885325_003) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:91172)

Mitchell, Roanna, Pakula, Pablo (2012) Imagining O, Encountering India: Recounting an embodied experience. Studies in South Asian Film & Media, 4 (2). pp. 179-188. ISSN 1756-4921. (doi:10.1386/safm.4.2.179_1) (KAR id:64923)

Molitor, Claudia (2012) Promming (with listening stick). BBC Proms Item format: online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31672)

Molitor, Claudia (2012) Remember me... Item format: performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31671)

Monroe, Alexei (2021) Culture instead of a state, culture as a state : art, regime and transcendence in the works of Laibach and Neue Slowenische Kunst. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86214) (KAR id:86214)

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Moreira, Cláudia (2017) O Cinema chega às Escolas: a importância do Plano Nacional de Cinema. Master of Arts (MA) thesis, Beira Interior University. (KAR id:85556)

Moreira, Cláudia (2016) O ICA e o(s) cânone(s) do cinema português. In: Atas do VI Encontro Anual da AIM. (VI). pp. 250-257. AIM – Associação de Investigadores da Imagem em Movimento ISBN 978-989-98215-6-9. (KAR id:85555)

Moser, Shelby (2017) Digitally Interactive Works and Video Games: A Philosophical Exploration. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:66616)

Mulvey, Shannon (2018) How is Western-Influenced Contemporary Performance Practice in Dialogue with Fifth Wave Feminism? Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:73585)

N

Naish, Natalia (2023) Between Stone and Screen: The Rise of Printmaking in Post-War Britain with a New Emphasis on Robert Erskine and St. George's Gallery Prints (1955-1963). Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.103245) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:103245)

Nannicelli, Theodore (2011) Towards a philosophy of the screenplay. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94549) (KAR id:94549)

Neale-Widdison, Anna (2021) 8 Seconds: Getting to grips with song in a technological world. In: BCMCR Research Seminar – Popular Music: PhD Work in Progress, 10 March 2021, Birmingham City University. (Unpublished) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:88722)

Neale-Widdison, Anna (2018) Music and Migration Workshop: national humanities festival Being Human 2018. In: Being Human. . (Unpublished) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:83991)

Neale-Widdison, Anna (2012) River Man. Half Full Glass Records/ Anna Neale Item format: CD, Digital. (KAR id:84000)

Neale-Widdison, Anna (2013) Songs from 'River Man' Up late in Pompeii: a night out in the Bay of Naples The British Museum. Up late in Pompeii: a night out in the Bay of Naples at The British Museum, 10 May 2013, The British Museum, London, UK. CD, Live performance. (KAR id:83997)

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Neale-Widdison, Anna (2019) What Good Is A Songwriter? . Songwriting Studies Project Blog. (KAR id:83993)

Neale-Widdison, Anna (2019) Why do children love George Ezra's Shotgun? . BBC Website. (KAR id:83990)

Neale-Widdison, Anna (2018) Wide Sky. Half Full Glass Records/ Anna Neale Item format: CD, Vinyl, Digital. (KAR id:83999)

Neale-Widdison, Anna (2020) Women in Music: MTV and White Lilies at The Balmoral‘ - EDIMS (Equality, Diversity and Inclusion in Music Studies) Open Forum at University of Portsmouth. In: EDIMS Open Forum, 26 May 2021, University of Portsmouth. (Unpublished) (KAR id:88721)

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Neale-Widdison, Anna, Beard, Mary (2013) Anna Neale and Mary Beard visit Pompeii. In: Anna Neale and Mary Beard visit Pompeii, University of Cambridge Museums, 26 Apr 2013, Cambridge, UK. (KAR id:83998)

Neale-Widdison, Anna, Turner, Suzanne (2013) Time travelling: an evening with Anna Neale Festival of Ideas 2013: University of Cambridge. In: Festival of Ideas 2013, 1 Nov 2013, Cambridge, UK. (Unpublished) (KAR id:83994)

Neale, Steve (1992) The Big Romance or Something Wild - Romantic Comedy Today. Screen, 33 (3). pp. 284-299. ISSN 0036-9543. (doi:10.1093/screen/33.3.284) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22380)

Neale, Steve (1995) The story of Custer in everything but name, colonel-Thursday and 'fort apache'. Journal of Film and Video, 47 (1-3). pp. 26-32. ISSN 0742-4671. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19407)

Newall, M B (2018) The Crit: Toward a theory of the contemporary art school. In: Brisban, Chris and Thiessen, Myra, eds. Routledge Companion to Criticality in Art, Architecture and Design. First edition. Routledge. ISBN 978-1-317-22593-5. E-ISBN 978-1-315-62341-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60715)

Newall, Michael (2012) An Aesthetics of Transgressive Pornography. In: Maes, Hans R.V. and Levinson, Jerrold, eds. Art and Pornography: Philosophical Essays. Oxford University Press, Oxford, pp. 206-228. ISBN 978-0-19-960958-1. (doi:10.1093/acprof:oso/9780199609581.003.0011) (KAR id:31635)

Newall, Michael (2019) Art and the Approval of Nature: Philosophical Reflections on Tom Roberts, Holiday Sketch at Coogee (1888). Curator: The Museum Journal, 62 (1). pp. 53-60. ISSN 0011-3069. (doi:10.1111/cura.12287​) (KAR id:74369)

Newall, Michael (2012) Book review: Philosophical Perspectives on Depiction. Review of: Philosophical Perspectives on Depiction by Abell, C. Analysis, 72 (2). pp. 408-410. ISSN 2196-6753. (doi:10.1093/analys/ans004) (KAR id:71402)

Newall, Michael (2019) Cries, Consensus and Criticality: Making Artists in the Contemporary Art School. In: Brisbin, Chris and Thiessen, Myra, eds. The Routledge Companion to Criticality in Art, Architecture and Design. First edition. Routledge, London and New York, pp. 14-31. ISBN 978-1-138-18923-2. E-ISBN 978-1-315-62341-2. (KAR id:75412)

Newall, Michael (2015) Is Seeing-in a Transparency Effect? British Journal of Aesthetics, 55 (2). pp. 131-156. ISSN 0007-0904. E-ISSN 1468-2842. (doi:10.1093/aesthj/ayu101) (KAR id:60714)

Newall, Michael (2015) Painterly and Planar: Wölfflinian Analysis Beyond Classical and Baroque. The Journal of Aesthetics and Art Criticism, 73 (2). pp. 171-178. (doi:10.1111/jaac.12156) (KAR id:60713)

Newall, Michael (2018) A Philosophy of the Art School. First edition. Routledge Research in Aesthetics . Routledge, New York and London, 192 pp. ISBN 978-1-138-61598-4. E-ISBN 978-0-429-46255-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70012)

Newall, Michael (2009) Pictorial Experience and Seeing. British Journal of Aesthetics, 49 (2). pp. 129-141. ISSN 0007-0904. (doi:10.1093/aesthj/ayp002) (KAR id:31630)

Newall, Michael (2010) Pictorial Resemblance. Journal of Aesthetics and Art Criticism, 68 (2). pp. 91-103. ISSN 0021-8529. (doi:10.1111/j.1540-6245.2010.01395.x) (KAR id:31634)

Newall, Michael (2006) 'Pictures, Colours and Resemblance'. Philosophical Quarterly, 56 (225). pp. 587-595. ISSN 0031-8094. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2241)

Newall, Michael (2005) Picturing pictures: reply to Dilworth. Journal of Aesthetics and Art Criticism, 60 (1). 70 -73. ISSN 0021-8529. (doi:10.1111/j.0021-8529.2005.0182b.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1232)

Newall, Michael (2018) Pyke's Portraits of Philosophers. . blog post. (KAR id:71403)

Newall, Michael (2012) Seeing-in is a Transparency Effect (draft paper). . (Unpublished) (KAR id:31873)

Newall, Michael (2022) A Study in brown. Synthese, 200 (6). Article Number 487. ISSN 1573-0964. (doi:10.1007/s11229-022-03956-9) (KAR id:99456)

Newall, Michael (2010) What is a Picture? : Depiction, Realism, Abstraction. Palgrave Macmillan, Basingstoke, 248 pp. ISBN 978-0-230-27655-0. (KAR id:31670)

Newall, Michael (2003) A restriction for pictures and some consequences for theories of depiction. Journal of Aesthetics and Art Criticism, 61 (4). pp. 381-394. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1230)

Newman, Hannah (2018) Reimagining Autism: How drama environments can aid the diagnosis and understanding of autism. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:69565)

Newman, Rosalind (2010) Moving spaces: choreography, metaphor and meaning. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94552) (KAR id:94552)

Newton, James (2019) The Anarchist Cinema. Intellect, Bristol, Uk, 173 pp. ISBN 978-1-78938-003-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76227)

Newton, James (2016) The Anarchist Cinema. Doctor of Philosophy (PhD) thesis, University of Kent. (KAR id:54753)

Newton, James (2022) Black Lizard Tales. Darkside Releasing Blu Ray. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:106330)

Newton, James (2023) Katernica. Darkside Releasing Blu-ray disk. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:106331)

Newton, James (2021) The Mad Max Effect: Road Warriors in International Exploitation Cinema. 1st edition. Global Exploitation Cinemas . Bloomsbury Academic, 224 pp. ISBN 978-1-5013-4231-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76286)

Newton, James (2014) Nunsploitation: The Forgotten Cycle. Offscreen, 18 (6-7). ISSN 1712-9559. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76249)

Newton, James (2024) On Writing The Anarchist Cinema. Anarchist Developments in Cultural Studies, 2024 (1). pp. 157-175. E-ISSN 1923-5615. (KAR id:106328)

Newton, James (2021) Rethinking Representation, Race and Rape in the 1970s Women in Prison Movie. In: Petley, Julian and Mendik, Xavier, eds. Shocking Cinema of the 70s. Bloomsbury. ISBN 978-1-350-13631-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:106329)

Newton, James (2011) Turning the Western on its head: simple subversion in Sergio Corbucci's The Great Silence (1968). Offscreen, 15 (11). ISSN 1712-9559. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76250)

Newton, James (2015) The Zombiefied Landscape: World War Z, ParaNorman, and the Politics of the Animated Corpse. In: Pallant, Chris, ed. Animated Landscapes: History, Form and Function. Bloomsbury Academic. ISBN 978-1-62892-349-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76237)

Nunes, Ivan (2019) Nanni Moretti as filmmaker and character. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:82611)

Nydal, Anja Karina (2013) Repertoires of architects and mountaineers. A study of two professions. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94558) (KAR id:94558)

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Owen King, Carolyn (2022) Haunted Mirror: British Gothic Masculinity in Transatlantic Cinema. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.95341) (KAR id:95341)

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Padwick, Steuart (2019) Voice over performance in Talk To Me. Performance type: Other designjunction 2019, 13-22 Sep 2019, London, United Kingdom. Audio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78730)

Pakula, Pablo (2011) Jerzy Grotowski's influence on British theatre 1966-1980 : histories, perspectives, recollections. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94570) (KAR id:94570)

Palaniappan, Ramaswamy (2014) Electroencephalogram based brain-computer interface: An introduction. In: Miranda, Eduardo and Castest, Julien, eds. Guide to Brain-Computer Music Interfacing. Springer, New York, NY, USA, pp. 29-41. ISBN 978-1-4471-6583-5. E-ISBN 978-1-4471-6584-2. (doi:10.1007/978-1-4471-6584-2_2) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54540)

Pallant, C. and Newton, James (2017) Animating Class and Contemporary British Television. In: Forrest, David and Johnson, Beth, eds. Social Class and Television Drama in Contemporary Britain. First Edition. Palgrave, London. ISBN 978-1-137-55505-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76244)

Panesar, Lucy, Berko, A., Montgomery, Joel, Mirza, Rinchan Ali, Abbasian, Kaveh (2023) Developing Culturally Appropriate Curricula: a cross-disciplinary exchange. In: Medway Learning & Teaching Conference 2023, 22 June 2023, Medway, UK. (Unpublished) (KAR id:102114)

Panse, Silke (2007) Subjectivity, (self-)reflexivity and repetition in documentary. Doctor of Philosophy (PhD) thesis, University of Kent. (KAR id:87147)

Paolini, Patrizia (2024) Cabaret and decency: how contemporary definitions of cabaret are shaped by censorship. Comedy Studies, . ISSN 2040-6118. (doi:10.1080/2040610x.2024.2404298) (KAR id:107384)

Papadaki, Eirini (2001) The mediation of art through the mass media. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94574) (KAR id:94574)

Papadatos, Ioannis (2019) The Paréa: Participatory Musical Performances in the Island of Crete. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:73113)

Papastavrou Brooks, Cat, Kafle, Eshika, Butt, Natali, Chawner, Dave, Day, Anna, Elsby-Pearson, Chloë, Elson, Emily, Hammond, John, Herbert, Penny, Jenkins, Catherine L., and others. Johnson, Zach, Keith-Roach, Sarah Helen, Papasileka, Eirini, Reeves, Stella, Stewart, Natasha, Gilbert, Nicola, and Startup, Helen (hide) (2023) Co-producing principles to guide health research: an illustrative case study from an eating disorder research clinic. Research Involvement and Engagement, 9 (1). Article Number 84. ISSN 2056-7529. (doi:10.1186/s40900-023-00460-3) (KAR id:102885)

Parkins, Ilya, Findlay, Rosie (2021) Commodity Feminism and Dressing the 'Best Self' on A Practical Wedding. Australian Feminist Studies, . pp. 1-16. ISSN 0816-4649. E-ISSN 1465-3303. (doi:10.1080/08164649.2021.2018992) (KAR id:92662)

Parkinson, Tom (2017) ‘Indiestanbul’: counter-hegemonic music and third republicanism in Turkey. Popular Music, 37 (1). pp. 40-62. ISSN 0261-1430. (doi:10.1017/S0261143017000563) (KAR id:70554)

Parsons, Jane Semane (2023) 'The All-Excelling Actress Blushing Bow'd': A Practice-as-Research Exploration of the Performance of Gender in 'Restoration Theatre' by Mid-Eighteenth-Century Actresses. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.104707) (KAR id:104707)

Pasoulas, Aki (2020) The Art and Science of Acoustic Ecology. ENT & Audiology News, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77581)

Pasoulas, Aki (2023) Beneath the Surface. Item format: sound installation. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:101601)

Pasoulas, Aki (2021) Covered in Coal. Item format: Online. (KAR id:91018)

Pasoulas, Aki (2021) The Fog of November. Item format: Online. (KAR id:91017)

Pasoulas, Aki (2019) Hearing, Sight and a Host of Other Senses. In: SOUND/IMAGE19, 9-10 Nov 2019, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77210)

Pasoulas, Aki (2018) Irides. Sonos Localia Item format: Digital format. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65759)

Pasoulas, Aki (2021) Irides (new publication). Stolen Mirror Item format: Online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:89988)

Pasoulas, Aki (2016) The Listening Experience of Paramnesia. In: Bianchi, Frederick and Manzo, V.J., eds. Environmental Sound Artists: In Their Own Words. First edition. Oxford University Press, Oxford, UK, pp. 176-185. ISBN 978-0-19-023462-1. E-ISBN 978-0-19-023461-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58550)

Pasoulas, Aki (2019) The Mapping of Senses in Irides. In: Rediscoveries XI, 14 Feb 2019, Aberdeen, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77270)

Pasoulas, Aki (2022) Multisensory Experiences as an Approach to Composition. In: CHASE. ‘Space: Multisensory Experiences', 12 Apr 2022, Chatham, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:94970)

Pasoulas, Aki (2021) Multisensory processes of experiencing the environment. . Spotify online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91015)

Pasoulas, Aki (2019) Parabolic Studies for Migraine. GUTZ Item format: Digital format. (KAR id:73742)

Pasoulas, Aki (2010) Paramnesia. International Computer Music Association Item format: CD. (KAR id:31536)

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Pasoulas, Aki (2019) Relocation of the visual, gustatory, olfactory and haptic environments into the aural space. In: Convergence 2019, 12 - 15 September 2019, Leicester. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76263)

Pasoulas, Aki (2015) Seawater. HELMCA Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58585)

Pasoulas, Aki (2021) Sirens in the Night. Item format: Online. (KAR id:91019)

Pasoulas, Aki (2011) Stimulus Complexity and Time Judgments. In: Proceedings of the International Computer Music Conference 2011. . pp. 163-165. Michigan Publishing, Ann Arbor, Michigan (KAR id:76261)

Pasoulas, Aki (2011) Temporal Associations, Semantic Content and Source Bonding. Organised Sound, 16 (1). pp. 63-68. ISSN 1355-7718. E-ISSN 1469-8153. (doi:doi.org/10.1017/S1355771810000440) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:76260)

Pasoulas, Aki (2020) Timescales and the Factors Influencing Time Perception. Organised Sound, 25 (2). pp. 221-231. ISSN 1355-7718. E-ISSN 1469-8153. (doi:10.1017/S1355771820000138) (KAR id:76262)

Pasoulas, Aki (2021) Waterbug Voices. Being Human 2021, 20 Nov 2021, Gravesend, UK. physical sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91185)

Pasoulas, Aki (2021) Wetlands. Gruenrekorder Item format: Online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91020)

Pasoulas, Aki and Brydon, Lavinia and Barker, Robert and Millar, Caroline and Craske, Sarah (2022) Wandering with(out) invitation: Fieldnotes from the Isle of Grain. Sonic Cartography conference, 28-30 Oct 2022, Chatham, UK. physical sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:101512)

Pasoulas, Aki, Knight-Hill, Andrew, Martin, Brona (2022) Sonic Heritage - Listening to the Past. In: Griffin, Howard, ed. AMPS Proceedings Series. (In)tangible heritage(s): A conference on design, culture and technology- past, present and future. 29 (1). pp. 133-138. Amps (KAR id:91186)

Pasoulas, Aki, Knight-Hill, Andrew, Martin, Brona (2022) Soundscapes of the Past: Historical Imaginings. In: International Computer Music Conference, Standing Wave 2022, 3-9 July 2022, Limerick, Ireland. (In press) (KAR id:94953)

Pasoulas, Aki and Martin, Brona and Knight-Hill, Andrew (2022) History Revisited: Exploring the sounds and stories of Chatham Historic Dockyard. , 4-8 May 2022, Chatham Historic Dockyard, Chatham, UK. A/V installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:95090)

Pasoulas, Aki and Martin, Brona and Knight-Hill, Andrew (2022) New Ropery Gallery soundscape. , March 2022, Chatham, UK. physical sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:101511)

Pasoulas, Aki, Martin, Brona, Knight-Hill, Andrew (2023) Sonic Palimpsest Heritage Soundmap (online version). . Online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:101598)

Pasoulas, Aki and Martin, Brona and Knight-Hill, Andrew (2023) Sonic Palimpsest: Heritage Soundmap (physical installation). , Chatham, UK. physical A/V installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:101599)

Pasoulas, Aki, Martin, Brona, Knight-Hill, Andrew (2021) Soundscapes, Identities and Place: Renegotiating Heritage. In: Beast Feast 2021 - Recalibration, 22-24 April 2021, Birmingham, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91739)

Pasoulas, Aki, Martin, Brona, Knight-Hill, Andrew (2022) Whispers of the Past. In: MANTIS ‘Sound in Words’ Festival of Electroacoustic Music, 5-6 Mar 2022, Manchester, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:94954)

Pattie, David (1990) Alternative theatre and the state. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94576) (KAR id:94576)

Pauleit, Winfried, Greiner, Rasmus, Frey, Mattias (2018) Audio History des Films: Sonic Icons – Auditive Histosphäre – Authentizitätsgefühl. Bertz + Fischer, Berlin, 188 pp. ISBN 978-3-86505-254-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64744)

Pavarini, Gabriella, Smith, Lindsay, Shaughnessy, Nicola, Mankee-Williams, Anna, Thirumalai, Josita Kavitha, Russell, Natalie, Bhui, Kamaldeep (2021) Ethical issues in participatory arts methods for young people with adverse childhood experiences. Health Expectations, . E-ISSN 1369-7625. (doi:10.1111/hex.13314) (KAR id:89729)

Pavis, Patrice (2003) Analyzing Performance: Theater, Dance and Film. University of Michigan Press, 362 pp. ISBN 978-0-472-09689-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2242)

Pavis, Patrice (2003) Avignon in 2002 : five moments captured by Guy Delahaye. Studies in Theatre and Performance, 22 (3). pp. 139-144. (doi:10.1386/stap.22.3.139) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11934)

Pavis, Patrice (2003) Bernard-Marie Koltès. In der Einsamkeit der Baumwollfelder, oder die Welt in der man dealt. In: Weiler, Christel and Lehmann, Hans-Thies, eds. Szenarien von Theater und Wissenschaft. Festschrift für Erika Fischer-Lichte. Recherchen 15, pp. 100-126. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11936)

Pavis, Patrice (2012) Contemporary Mise en Scène: Staging Theatre Today. Routledge, 384 pp. ISBN 978-0-415-55344-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31724)

Pavis, Patrice (2007) Das zeitgenössische französische Theater. E Podium Verlag, München, 250 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11892)

Pavis, Patrice (2003) De donde viene la puesta en escena y hacia donde va ? Revista de la escuela Navarra de Teatro, (20). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11935)

Pavis, Patrice (2007) De la critica. Conjunto. Revista de teatro latinoamericano, (144). pp. 8-13. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11896)

Pavis, Patrice (2006) Dialogue. A lexikon. Performance research, 11 (3). (doi:10.5465/amr.2006.22528177) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11906)

Pavis, Patrice (2007) Die Inszenierung zeitgenössischer Theaterstücke. Lendemains, . pp. 52-68. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11905)

Pavis, Patrice (2002) D’une photo à l’autre ou comment le off réinvente la mise en scène. Théâtre/Public, (165). pp. 49-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11941)

Pavis, Patrice (2004) Entrevue avec Kim Hye-Jin. Revue de la Korean National University of the Arts, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11925)

Pavis, Patrice (2007) Generacion. Teatro, (21). pp. 201-209. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11891)

Pavis, Patrice (2004) Generation. Performance Research, 9 (3). pp. 97-105. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11933)

Pavis, Patrice (2004) Génération. Culture Coréenne, (68). pp. 24-28. (doi:10.3406/refor.2004.1895) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11929)

Pavis, Patrice (2005) Impressions de théâtre à Séoul. Culture Coréenne, (70). pp. 12-15. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11922)

Pavis, Patrice (2004) Impressions d’un Séoulite de passage. Revue du Théâtre Coréen, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11926)

Pavis, Patrice (2005) Iscenesættelsen af samtidige stykker. Peripeti, . pp. 35-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11919)

Pavis, Patrice (2003) Jean-Luc Lagarce : J’étais dans ma maison et j’attendais que la pluie vienne, oder die Pavane der Frauen um das Bett eines schlafenden Mannes. Forum Modernes Theater, 18 (1). pp. 73-85. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11937)

Pavis, Patrice (2005) Koltès’ Black battles with dogs on the stage. Cliché Europe. About cliché in life & on the stage, . pp. 63-71. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11920)

Pavis, Patrice (2003) Kunst oder die Kunst der Fugue. In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds. Theater ohne Grenzen, Festschrift für Hans-Peter Bayerdörfer zum 65. Geburtstag. Herbert Utz Verlag, München, pp. 194-208. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11938)

Pavis, Patrice (2012) L'Analyse Des Spectacles. Armand Colin, France, 384 pp. ISBN 978-2-200-25983-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31723)

Pavis, Patrice (2007) La Mise en Scène Contemporaine. Armand Colin, 332 pp. ISBN 978-2-200-34043-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2245)

Pavis, Patrice (2004) Le 11 septembre 2001 et sa première mise en scène aux Etats-Unis. Europe, (924). pp. 164-175. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11927)

Pavis, Patrice (2004) Le Théâtre Contemporain: Analyse des Textes, de Sarraute à Vinaver. Armand Colin, France, 232 pp. ISBN 978-2-200-25931-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2243)

Pavis, Patrice (2002) Le Théâtre contemporain. Analyses des textes de Sarraute à Vinaver. Armand Colin, Paris, 232 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11939)

Pavis, Patrice (2007) Les médias auront-ils la peau du spectacle vivant ? In: Morizot, Jacques and Pouivet, Roger, eds. Dictionnaire d’esthétique et de philosophie de l’art. Armand Colin, Paris, pp. 413-415. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11904)

Pavis, Patrice (2005) Les écritures dramatiques contemporaines. In: Thomasseau, Jean-Marie, ed. Le Théâtre au plus près. Presses Universitaires de Vincennes, Saint-Denis, pp. 71-82. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11917)

Pavis, Patrice (2007) Mes Trois Sœurs, Mis tres Hermanas, My three Sisters. Ateneo de Madrid, 267 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11889)

Pavis, Patrice (2006) Mes trois sœurs. Forum of Theatre and Drama, Seoul, . pp. 314-356. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11915)

Pavis, Patrice (2006) Préface au livre de Cathy Rapin et Im Hye-Gyông Théâtre Coréen d’hier et d’aujourd’hui. In: Rapin, Cathy and Hye-Gyong, Im, eds. Théâtre Coréen d’hier et d’aujourd’hui. Les Éditions de l’Amandier, Paris, pp. 9-18. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11913)

Pavis, Patrice (2006) Préface au livre de Michel Liard Parole écrite, parole scénique. In: Liard, Michel, ed. Parole écrite, parole scénique. Éditions Joca Seria, Nantes, pp. 7-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11911)

Pavis, Patrice (2006) Préface au livre de Sophie Proust La Direction d’acteurs dans la mise en scène contemporaine. In: Proust, Sophie, ed. La Direction d’acteurs dans la mise en scène contemporaine. L’Entretemps Éditions, pp. 9-18. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11912)

Pavis, Patrice (2007) Quatre ouvrages en langues anglaise et allemande. Théâtre/Public, (184). p. 121. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11890)

Pavis, Patrice (2004) Quelques mois en Corée. Théâtre/Public, (175). pp. 34-62. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11931)

Pavis, Patrice (2004) Ravenhill and Durringer, or the Entente cordiale misunderstood. Contemporary Theatre Review, 14 (2). pp. 1-13. (doi:10.1080/1026716042000228045) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11923)

Pavis, Patrice (2004) Ravenhill et Durringer ou les malentendus de l’entente cordiale. Théartre, (5). pp. 11-30. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11924)

Pavis, Patrice (2006) Reflexions introductoriès sobre el final en el teatre. Pausa, 23 . pp. 94-114. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11914)

Pavis, Patrice (2005) Ritualité et mise en scène dans les vidéos graffitis de Gómez-Peña. Henmès, (43). pp. 131-139. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11918)

Pavis, Patrice (2005) Réflexions liminaires sur la fin au théâtre. In: Egger, Carol, ed. Rideau ou la fin du théâtre. Lansman, pp. 35-48. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11916)

Pavis, Patrice (2004) Staging September 11th in the United States. Theater Forum, (25). pp. 91-96. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11928)

Pavis, Patrice (2007) Staging calamity : mise-en-scène and performance at Avignon 2005. In: Ben-Zvi, Linda and Davis, Tracy C., eds. Considering Calamity : Methods for Performance Research. Assaph Books, Tel Aviv university, pp. 13-38. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11895)

Pavis, Patrice (2006) Staging calamity. Mise-en-scène and Performance at Avignon 2005. Theater, 36 (3). pp. 5-27. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11909)

Pavis, Patrice (2002) Tesis para el analisis del texto dramatico. Gestos, 17 (33). pp. 9-47. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11940)

Pavis, Patrice (2007) Theatralia. Du texte au spectacle. Mélanges offerts à Halina Sawecka. Wydawnictwo UMCS, . pp. 37-49. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11893)

Pavis, Patrice (2006) Théâtre et calamité. Théâtre/Public, (180). pp. 81-91. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11908)

Pavis, Patrice (2007) Traduction (avec Philippe Ivernel) et édition de Woyzeck de Georg Büchner. Classiques Larousse (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11888)

Pavis, Patrice (2007) Verse une Théorie de la Pratique Théâtrale : Voix et Images de la Scene. Septentrion Presses Universitaires, 485 pp. ISBN 978-2-7574-0009-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2244)

Pavis, Patrice (2004) Woyzeck à la Cour d’Honneur. Théâtre/Public, (175). pp. 67-72. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11930)

Pavis, Patrice (2006) Wymiana czy unterakcja ? Dialog, (5-6). pp. 8-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11907)

Pavis, Patrice (2005) Yasmina Reza : Sztuka, czyli sztuka fugi. Etos ?ycia – etos sztuki, . pp. 283-299. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11921)

Pavis, Patrice (2010) The director’s new tasks. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge, pp. 395-411. ISBN 978-0-415-46250-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31726)

Pavis, Patrice (2006) The effect produced. In: Christie, Judie and Gough, Richard and Watt, David, eds. A Performance Cosmology,. Routledge, London & New York, pp. 173-178. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11910)

Peacock, Steven John (2005) Magnificent intimacy: a relationship of style in contemporary Hollywood cinema. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94577) (KAR id:94577)

Pearlman, A. (2007) Ernst Toller plays two. London: Oberon Books ISBN 978-1-78319-126-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1098)

Pearlman, Alan (2007) Expressionism and modernism in the American theatre: Bodies, voices, words. Review of: Expressionism and modernism in the American theatre: Bodies, voices, words. by Walker, Julia A.. Theatre Research International, 32 (2). pp. 202-203. ISSN 0307-8833. (doi:10.1017/S0307883307002891) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2313)

Pelacchi, Laetitia (2014) Gustave Caillebotte and Visual Representation: Perspective, Photography and Movement. Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:48027)

Perks, Richard (2023) Curse of The Sandman (for solo microtonal guitar [fretted in 8-EDO] + electronic effects). Microtonal Guitar Institute Item format: Online. (KAR id:101840)

Perks, Richard (2022) David Gilmour: Defining the 'Melodic' Guitarist. In: Hart, Christopher and Morrison, Simon, eds. The Routledge Handbook of Pink Floyd. Routledge. (KAR id:80759)

Perks, Richard (2023) The Expanding Fretless Guitarscape: Practice and Progress. In: Perks, Richard and McGrath, John, eds. 21st Century Guitar – Evolutions and Augmentations. First Edition. Music and Sound Studies . Bloomsbury Academic, New York, US; London, UK, pp. 37-65. ISBN 978-1-5013-7329-9. E-ISBN 978-1-5013-7330-5. (doi:10.5040/9781501373329.0009) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97714)

Perks, Richard (2019) The Expansion of Improvisatory Techniques and Sound-Palette Specific to the Fretless Electric Guitar. In: IGRC Conference: Improvisation and the Guitar, Hong Kong Academy for Performing Arts, 14-17 July 2019, Hong Kong. (KAR id:80749)

Perks, Richard (2019) Fretless Architecture – Guest Lecture/Seminar. In: Istanbul Technical University – Guest Lecture Series, 08 Nov 2019, Istanbul, Turkey. (KAR id:80751)

Perks, Richard (2016) Fretless Architecture: An Exploration of the Fretless Electric Guitar. In: IGRC Conference 2016, 18-23 Mar 2016, Surrey, UK. (KAR id:80755)

Perks, Richard (2015) Fretless Architecture: Rich Perks + vLookup Trio. Performance type: Musical event Fretless Architecture, 5 Nov 2015, Colchester, UK. Live Performance. (KAR id:80757)

Perks, Richard (2019) Fretless Architecture: Towards the Development of Original Techniques and Musical Notation Specific to the Fretless Electric Guitar. Music & Practice, 4 . ISSN 1893-9562. (doi:10.32063/0401) (KAR id:80747)

Perks, Richard (2023) I Should Have Just Learned How to Play the Organ: Interview with Charlie Hunter. In: Perks, Richard and McGrath, John, eds. 21st Century Guitar – Evolutions and Augmentations. First Edition. Music and Sound Studies . Bloomsbury Academic, New York, US; London, UK, pp. 101-110. ISBN 978-1-5013-7329-9. E-ISBN 978-1-5013-7330-5. (doi:10.5040/9781501373329.0012) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97717)

Perks, Richard (2009) Imposition. Item format: CD. ASIN: B00VTIYDBY | Cat No: RP1982. (doi:ASIN: B00VTIYDBY | Cat No: RP1982) (KAR id:80762)

Perks, Richard (2019) International Performance (Istanbul): Improweb MMXIX – for solo fretless electric guitar (+ effects) – composed by Perks, R. Performance type: Musical event Fretless Architecture, 08 Nov 2019, Istanbul, Turkey. Live Performance. (KAR id:80750)

Perks, Richard (2022) Musical Migration: Establishing New Paradigms for Intercultural Music-making. Online/YouTube. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97718)

Perks, Richard (2016) Premier Performance: Divisions 2 – for solo fretless electric guitar | composed by Hall, A. Performance type: Musical event IGRC Conference 2016, 19 March 2016, Surrey, UK. Live Performance. (KAR id:80756)

Perks, Richard (2022) Slap 19 (for Solo Microtonal Classical Guitar). Microtonal Guitar Institute Item format: Online. (KAR id:95416)

Perks, Richard (2017) Strung Together: A Night of World Music Improvisation (San Francisco). Performance type: Musical event Strung Together: A Night of World Music Improvisation, 17 Sep 2017, San Francisco, California, USA. Live Performance. (KAR id:80753)

Perks, Richard (2019) Strung Together: A Practical Exploration of Music-Cultural Hybridity, Interaction, and Collaboration. In: Hybrid Practices: Methodologies, Histories, and Performance, University of Malta, 13-15 Mar 2019, Malta. (KAR id:80754)

Perks, Richard (2018) Strung Together: Interactions of Musical Cultures and Their Effects on Collaborative Creativity. In: ICMP Performance Research Conference, 19 Jun 2018, London, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80758)

Perks, Richard (2021) Strung Together: Realizing Music-cultural Hybridity within a Limited Time Frame. Music & Practice, 9 . ISSN 1893-9562. (doi:10.32063/0904) (KAR id:80761)

Perks, Richard (2023) Touching the Apple without Gloves: Interview with Cenk Erdoğan. In: Perks, Richard and McGrath, John, eds. 21st Century Guitar – Evolutions and Augmentations. First Edition. Music and Sound Studies . Bloomsbury Academic, New York, US; London, UK, pp. 67-75. ISBN 978-1-5013-7329-9. E-ISBN 978-1-5013-7330-5. (doi:10.5040/9781501373329.0010) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97716)

Perks, Richard (2023) Transforming the Microtonal Fingerboard: ‘Small’ Frets, LEGO and Robots: Interview with Tolgahan Çoğulu. In: Perks, Richard and McGrath, John, eds. 21st Century Guitar – Evolutions and Augmentations. First Edition. Music and Sound Studies . Bloomsbury Academic, New York, US; London, UK, pp. 25-35. ISBN 978-1-5013-7329-9. E-ISBN 978-1-5013-7330-5. (doi:10.5040/9781501373329.0008) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97715)

Perks, Richard (2019) World Premier Performance (Hong Kong): Improweb MMXIX – for solo fretless electric guitar | composed by Perks, R. Performance type: Musical event IGRC Conference: Improvisation and the Guitar, 14-17 July 2019, Hong Kong. Live Performance. (KAR id:80748)

Perks, Richard (2022) vLookup Trio – Live Performance at Dutch Fretless Guitar Festival IX. Performance type: Musical event 9th Dutch Fretless Guitar Festival, 10 Dec 2022, Den Haag, Netherlands. video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:102202)

Perks, Richard (2019) vLookup Trio – Live Performance at Dutch Fretless Guitar Festival VIII. Performance type: Musical event 8th Dutch Fretless Guitar Festival, 11-12 May 2019, Amsterdam, Netherlands. Live Performance. (KAR id:80752)

Perks, Richard and Gravelle, Buzz (2024) Lucid Dream – Music for Fretless Guitars. Perks Gravel Music Item format: Online. (KAR id:106532)

Perks, Richard and McGrath, John (2023) Introduction. In: Perks, Richard and McGrath, John, eds. 21st Century Guitar – Evolutions and Augmentations. First Edition. Music and Sound Studies . Bloomsbury Academic, New York, US; London, UK, pp. 1-7. ISBN 978-1-5013-7329-9. E-ISBN 978-1-5013-7330-5. (doi:10.5040/9781501373329.0006) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97713)

Perks, Richard, Williams, Tom (2020) Fleeting Moments: Inverted Taxonomies and Outlier Detection applied to Jazz Guitar Vocabulary. In: The 21st Century Guitar Conference. . (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80760)

Phan, Thao, Wark, Scott (2021) Racial formations as data formations. Big Data & Society, 8 (2). pp. 1-5. ISSN 2053-9517. (doi:10.1177/20539517211046377) (KAR id:97292)

Phan, Thao, Wark, Scott (2021) What personalisation can do for you! Or: how to do racial discrimination without ‘race’. Culture Machine, 20 . E-ISSN 1465-4121. (KAR id:99652)

Pitts, Virginia (1998) Army and University in conflict. New Zealand Herald, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24153)

Pitts, Virginia (2010) Beat. Pitts Productions HD. 10.1145/1879211.1879253. (doi:10.1145/1879211.1879253) (KAR id:26341)

Pitts, Virginia (2007) Cross-cultural Filmmaking in Aotearoa New Zealand. In: MEDIANZ Conference, 8th-10th February 2007, Victoria University, Wellington, New Zealand. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24156)

Pitts, Virginia (2003) Fleeting Beauty. New Zealand Film Commission Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24158)

Pitts, Virginia (1999) Form and Politics in Punitive Damage. Australian Screen Education, (20/21). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24151)

Pitts, Virginia (2010) From Process to Product: Intercultural Collaboration in the Making of Whale Rider. In: Impure Cinema: Interdisciplinary and Intercultural Approaches to World Cinema. (Unpublished) (KAR id:26340)

Pitts, Virginia (1997) From novel to film : Le journal d’un curé de campagne and the art of adaptation. European Connection, (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24154)

Pitts, Virginia (2004) Homophobia has no place in tale of fatal love triangle. New Zealand Herald, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24150)

Pitts, Virginia (2008) Igniting the Peripheries: Digital Cinema in Aotearoa New Zealand. In: Screen Studies Conference, 4th-6th July 2008, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24155)

Pitts, Virginia (2006) Intercultural Short Filmmaking in Aotearoa New Zealand. Metro Film, Television, Radio & Multimedia journal, (148). pp. 140-146. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24149)

Pitts, Virginia (1999) “Searching for context” Article about the making of Punitive Damage & i/v with director Annie Goldson. Loose, (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24152)

Pitts, Virginia (2011) Technologies of Culture: Digital Feature Filmmaking in New Zealand. New Cinemas: Journal of Contemporary Film, 9 (1). pp. 3-17. ISSN 1474-2756. (doi:10.1386/ncin.9.1.3_1) (KAR id:31512)

Pitts, Virginia (2000) Trust Me. New Zealand Film Commission Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24157)

Polley, Sarah Jayne (2017) Embracing Star Couples: Contextualising Star Images in Hollywood's Studio Era. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.65201) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:65201)

Pooke, Grant F. (2006) The Anal Sadistic Universe of Gilbert & George. In: Sculpture & Psychoanalysis. Ashgate Press in association with the Henry Moore Foundation, pp. 139-160. ISBN 0-7546-0984-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5880)

Pooke, Grant F., ed. (2008) Appreciating Art: An Expert Companion. Penguin Viking ISBN 978-0-670-07284-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7997)

Pooke, Grant F. (2008) Art History: The Basics. Routledge ISBN 978-0-415-37308-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5867)

Pooke, Grant F. (2008) Art, Abjection and the Sadian Imaginary: Installations and Sculptures by Kamilla Sztyber. Kent University Fine Art, pp47-50. (doi:ISBN 978-0-9559230-0-5) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5881)

Pooke, Grant F. (2016) Calls to Order: Modernity, Contemporaneity and the Cold War Aesthetic of BM Anand. In: Anand, Aditi and Pooke, Grant F., eds. Narratives for Indian Modernity: The Aesthetic of Brij Mohan Anand. Harper Collins, New Delhi, India, pp. 91-160. ISBN 978-93-5177-298-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60025)

Pooke, Grant F. (2010) Contemporary British Art: An Introduction. Routledge, 304 pp. ISBN 978-0-415-38974-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31594)

Pooke, Grant F. (2007) Francis D. Klingender, ‘Exodus and Exile’. Socialist History 30: 1956 and the New Left, (30). pp. 22-42. ISSN 0969 4331. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5883)

Pooke, Grant F. (2007) Francis Klingender 1907-1955: A Marxist Art Historian Out of Time. Gill Vista Marx Press, London, 316 pp. ISBN 978-0-9557239-0-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31593)

Pooke, Grant F. (1994) Larionov,mikhail and the russian avant-garde - parton,a. Art History, 17 (4). pp. 685-686. ISSN 0141-6790. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19951)

Pooke, Grant F. (2003) Marxism, Art & Engagement: Francis Klingender. Bulletin of the Marx Memorial Library, (137). pp. 19-26. ISSN 0969-1154. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5884)

Pooke, Grant F. (2003) Museology. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6370)

Anand, Aditi and Pooke, Grant F., eds. (2016) Narratives for Indian Modernity: The Aesthetic of Brij Mohan Anand. Harper Collins, New Delhi, India, 192 pp. ISBN 978-93-5177-298-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60027)

Pooke, Grant F. (2011) Sade, Entropy and the Neo-Baroque: Self Becoming in the Aesthetic of Micha?l Aerts. . Deweer Gallery, Otegem, Belgium Text. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31597)

Pooke, Grant F. (2003) Teach Yourself Art History. Hodder & Stoughton ISBN 0-340-86921-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5866)

Pooke, Grant F., Callow, John, Powell, Jane (2011) The Art of Revolution: Illustrated by the Collection of the Marx Memorial Library. Evans Mitchell Books, 96 pp. ISBN 978-1-901268-60-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31595)

Pooke, Grant F. and Newall, Diana M. (2003) Art in Context. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6373)

Pooke, Grant F. and Newall, Diana M. (2004) Contemporary Art Practice. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6378)

Pooke, Grant F. and Newall, Diana M. (2003) Cross Curricular Issues. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6377)

Pooke, Grant F. and Newall, Diana M. (2003) Engaging Students. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6374)

Pooke, Grant F. and Newall, Diana M., eds. (2012) Fifty Key Texts in Art History. Routledge Key Guides . Routledge, 288 pp. ISBN 978-0-415-48705-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31596)

Pooke, Grant F. and Newall, Diana M. (2003) Looking at Paintings. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6371)

Pooke, Grant F. and Newall, Diana M. (2003) Why Teach Art and Design? Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6375)

Pooke, Grant F., Whitham, Graham (2010) Understand Contemporary Art: Teach Yourself. Hodder & Stoughton, 224 pp. ISBN 978-1-4441-1125-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6812)

Poppy, A and Pinnock, N and Cashian, P and Riley, C and Norman, K and MacLeod, Duncan W M and Vincent, S and Bell, J and Akama, R and Murcott, D and Chadburn, L and Tuhkanen, T and Richards, E and Rowan, R and Perks, Richard (2016) Miniaturised Concertos / Mache. Metier Item format: CD. ASIN: B01DEAPM2S. (doi:ASIN: B01DEAPM2S) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59608)

Pryor, Angus (2012) Critical Narratives in Colour and Form. Critical Narratives in Colour and Form, 27th November -30 th November 2012, The Visual Arts Gallery The New Habitat Centre New Delhi. Exhibition catalogue. ISBN 9789055923074. (KAR id:31665)

Pryor, Angus (2013) Plastic Propaganda In Amsterdam ( Working Title). Plastic Propaganda In Amsterdam, June 1st 2013, World trade Centre Amsterdam Strawinskylaan 1 1077 XW Amsterdam The Netherlands. Catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31730)

Pryor, Angus (2012) Post Conceptual Art Practice -Part Two. Post Conceptual Art Practice. Part Two, January to December 2012, Grange Tower Bridge Hotel. Exhibition. ISBN 978-0-9559230-8-1. (KAR id:31664)

Pryor, Angus (2010) Post Conceptual Art Practice : New Directions - Part One. Post Conceptual Art Practice New Directions Part 1, 19-30 th April, Canary Wharf. exhibition. ISBN 978-0-9559230-9-8. (KAR id:31638)

Purcell, Stephen (2008) 'Base, common, and popular' : elements of the popular in contemporary Shakespearean performance. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94591) (KAR id:94591)

Q

Quirk, Sophie (2017) The "All is Lost" Moment. In: Comedy, Populism and Donald Trump, 15th November 2017, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65208)

Quirk, Sophie (2022) Comedy Clubs that Platform Marginalised Identities: Prefigurative Politics in Sophie Duker’s Wacky Racists. European Journal of Cultural Studies, . ISSN 1367-5494. (doi:10.1177/13675494211037024) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:89478)

Quirk, Sophie (2016) Comedy clubs offered a better quality of debate than the political stage. Centre for the Study of Journalism, Culture & Community, Bournemouth University, 118 pp. ISBN 978-1-910042-09-0. E-ISBN 978-1-910042-08-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56306)

Quirk, Sophie (2011) Containing the Audience: The 'Room' in Stand-up Comedy. Participations: Journal of Audience & Reception Studies, 8 (2). pp. 219-238. ISSN 1749-8716. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50196)

Quirk, Sophie (2014) Does Popular Comedy Change the Way We Think? In: ISHS Conference 2014, 7-11 July 2014, Utrecht, Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65217)

Quirk, Sophie (2017) Joke as Text vs Joke as Performance. In: Artificial Intelligence and Comedy Conference, 25th November 2017, Oxford University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65207)

Quirk, Sophie (2014) Manipulation and the Dark Arts in Stand-up Comedy and Stage Magic. In: TaPRA Conference 2014, 3-5 Sept 2014, Egham, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65214)

Quirk, Sophie (2018) The Politics of British Stand-up Comedy: The New Altenative. 1st Edition. Palgrave Macmillan, 131 pp. ISBN 978-3-030-01104-8. (doi:10.1007/978-3-030-01105-5) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:69995)

Quirk, Sophie (2015) Preaching to the Converted? How Political Comedy Matters. In: UNSPECIFIED, 25 Mar 2015, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65212)

Quirk, Sophie (2015) Preaching to the Converted? How Political Comedy Matters. Humor, 29 (2). pp. 243-260. ISSN 0933-1719. E-ISSN 1613-3722. (doi:10.1515/humor-2015-0046) (KAR id:56776)

Quirk, Sophie (2014) Review, Joan Rivers: A Piece of Work, Ricki Stern and Annie Sundberg (dirs). Review of: Joan Rivers: A Piece of Work by Stern, Ricki and Sundberg, Annie. Comedy Studies, 2 (2). pp. 185-186. ISSN 2040-610X. E-ISSN 2040-6118. (doi:10.1386/cost.2.2.185_4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64791)

Quirk, Sophie (2018) Russell Brand: Comedy, Celebrity, Politics. Review of: Russell Brand: Comedy, Celebrity, Politics by Arthurs, Jane and Little, Ben. Comedy Studies, . pp. 1-2. ISSN 2040-6118. (doi:10.1080/2040610x.2018.1494362) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:69593)

Quirk, Sophie (2016) Stand-up Comedy: Resistance or Reinforcement? In: Comedy and Critical Thought, 3-4 May 2016, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65209)

Quirk, Sophie (2011) Stand-up comedy: manipulation and influence. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86485) (KAR id:86485)

Quirk, Sophie (2016) Suspicion and Resistance: How Stand-up Comedians Combat Manipulation and Illusion. In: TaPRA Conference 2016, 5-7 September 2016, Bristol, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65216)

Quirk, Sophie (2017) What's Special About Stand-up Comedy? Josie Long's Lost Treasures of the Black Heart. In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. 1st. Bloomsbury, pp. 223-246. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60710)

Quirk, Sophie (2015) What's at Stake for Comedy Audiences? Stand-up as an Ideological Battleground. In: TaPRA Conference 2015, 8-10 Sept 2015, Worcester, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65215)

Quirk, Sophie (2010) Who's in charge? Negotiation, manipulation and comic licence in the work of Mark Thomas. Comedy Studies, 1 (1). pp. 113-124. ISSN 2040-610X. (doi:10.1386/cost.1.1.113/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49839)

Quirk, Sophie (2015) Why Stand-up Matters: How Comedians Manipulate and Influence. Bloomsbury Academic, 248 pp. ISBN 978-1-4725-7892-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50198)

Quirk, Sophie, Sharkey, Tom, Wilson, Ed (2019) Joking: uses and abuses of humour in the election campaign. Centre for Comparative Politics and Media Research, University of Bournemouth / Political Studies Association (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82365)

Quirk, Sophie and Wilson, Ed (2022) New Alternative Comedy: Productive Crises c.2005-Present. In: Double, Oliver and Lockyer, Sharon, eds. Alternative Comedy Now and Then: Critical Perspectives. Palgrave Studies in Comedy . Palgrave, Switzerland, pp. 271-292. E-ISBN 978-3-030-97351-3. (doi:10.1007/978-3-030-97351-3_12) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97479)

R

Radosavljevic, Duška (2010) Affairs of the Heart and Issues of Fidelity: Perspectives on Kneehigh’s Adaptation Method. In: AAS Berlin Conference, 29th September - 1st October 2010, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25441)

Radosavljevic, Duška (2009) The Alchemy of Power and Freedom – A Contextualisation of Slobodan Šnajder’s Hrvatski Faust (The Croatian Faust). Contemporary Theatre Review, 19 (4). pp. 428-447. ISSN 1048-6801. (doi:10.1080/10486800903209679) (KAR id:23452)

Radosavljevic, Duška (2010) Another Someone. Review of: Another Someone by UNSPECIFIED. The Stage, . p. 20. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45369)

Radosavljevic, Duška (2014) The Artist is Busy. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41720)

Radosavljevic, Duška (2014) Baby Boom. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41719)

Radosavljevic, Duška (2001) Beginner’s Serbo-Croatian. Hippocrene Books, 257 pp. ISBN 978-0-7818-0845-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13443)

Radosavljevic, Duška (2006) Believe it or Not? Suspension of Disbelief and Emotional Responses to Fiction. In: Meyer-Dinkgrafe, Daniel, ed. Consciousness, Theatre, Literature and the Arts. Cambridge Scholars Press, pp. 70-82. ISBN 1-904303-63-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13439)

Radosavljevic, Duška (2010) Birds with Skymirrors. Review of: Birds with Skymirrors by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45349)

Radosavljevic, Duška (2014) Blind Hamlet. Review of: Blind Hamlet by UNSPECIFIED. Exeunt, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45347)

Radosavljevic, Duška (2006) The Canterbury Tales Study Day: Learning and Teaching Methodology at the CAPITAL Centre. English Subject Centre Newsletter, (10). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13436)

Radosavljevic, Duška (2005) Carmen Angel. Review of: Carmen Angel by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45358)

Radosavljevic, Duška (2012) A Ceremony of Carols - Richard Alston Dance Company. Review of: A Ceremony of Carols - Richard Alston Dance Company by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45350)

Radosavljevic, Duška (2013) Changing Scenes. . Exeunt website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36837)

Radosavljevic, Duška (2012) Circus as the Time and Space for Thinking. . PDF. (KAR id:36830)

Radosavljevic, Duška (2013) Community Innovation. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36831)

Radosavljevic, Duška (2007) A Companion to Shakespeare and Performance. Review of: A Companion to Shakespeare and Performance by UNSPECIFIED. Theatre Research International, . pp. 204-205. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45365)

Radosavljevic, Duška, ed. (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, 288 pp. ISBN 978-0-415-53530-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31452)

Radosavljevic, Duška (2012) Cymbeline. Review of: Cymbeline by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45355)

Radosavljevic, Duška (2012) Devising as a Historical Category. In: Devising Dramaturgy: A Shared Space – Symposium for the Makers, Prague Quadrennial. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45335)

Radosavljevic, Duška (2012) Dramaturgies of Togetherness. In: Play: Relational Aspects of Dramaturgy, University of Ghent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45336)

Radosavljevic, Duška (2014) The Dramaturgy of A View from the Bridge. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41718)

Radosavljevic, Duška (2013) Dubrovnik Summer Festival: Father Courage. . Exeunt website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36836)

Radosavljevic, Duška (2010) Emma Rice in Interview with Duska Radosavljevic. Journal of Adaptation in Film and Performance, 3 (1). pp. 89-98. (doi:10.1386/jafp.3.1.89/7) (KAR id:24280)

Radosavljevic, Duška (2012) Encounters in Stratford-upon-Avon. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36835)

Radosavljevic, Duška (2009) England. Review of: England by UNSPECIFIED. The Stage, . 00-00. (doi:10.5149/9780807898666_potter.8) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45353)

Radosavljevic, Duška (2013) The Ensemble Way of Working and Playwrighting. In: Turning the Page: Creating New Writing 1945-2013. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45331)

Radosavljevic, Duška (2010) The Ensemble Way of Working. In: Encountering Ensemble, University of Huddersfield. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45343)

Radosavljevic, Duška (2010) An Evening with Dementia. Review of: An Evening with Dementia by UNSPECIFIED. The Stage, . p. 22. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45371)

Radosavljevic, Duška (2014) FE 365. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45364)

Radosavljevic, Duška (2004) Foreword. In: Kaput! New Writing North. ISBN 978-0-9541456-3-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13441)

Radosavljevic, Duška (2005) From Dramaturg to Chocolatier: The Working Process on Margaret Wilkinson's new play Kaput! Dram Forum, . (KAR id:13437)

Radosavljevic, Duška (2008) From Milford Haven to Milford Junction: The Golden Age of Kneehigh. In: Cultures of Translation: Adaptation in Film and Performance, Glamorgan University, Cardiff. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45341)

Radosavljevic, Duška (2008) The Golden Age of Kneehigh. In: at Cultures of Translation: Adaptation in Film and Performance, 26th-28th June 2008, Glamorgan University, Cardiff. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13434)

Radosavljevic, Duška (2010) Harlekin. Review of: Harlekin by UNSPECIFIED. The Stage, . p. 19. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45366)

Radosavljevic, Duška (2013) Hidden in the Sand. Review of: Hidden in the Sand by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45348)

Radosavljevic, Duška (2012) How to Move a Critic. In: Cultural Criticism in the Digital Age: Media, Purposes, and the Status of the Critic Symposium, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45334)

Radosavljevic, Duška (2010) Howard Barker Day. Western European Stages, 22 (2/3). pp. 63-66. ISSN 1050-1991. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31441)

Radosavljevic, Duška (2009) Huddersfield as a Balkan Casablanca. In: International Federation for Theatre Research, Lisbon. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45340)

Radosavljevic, Duška (2012) Hugh Hughes- Stories from an Invisible Town. Review of: Hugh Hughes - Stories from an Invisible Town by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45356)

Radosavljevic, Duška (2010) I, Claudia. Review of: I, Claudia by UNSPECIFIED. The Stage, . p. 20. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45372)

Radosavljevic, Duška (2013) Interview with Adriano Shaplin. Routledge Performance Archive website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43440)

Radosavljevic, Duška (2010) Interview with Howard Barker. Western European Stages, 22 (2-3). pp. 67-70. ISSN 1050-1991. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:33124)

Radosavljevic, Duška (2013) Interview with Mike Alfreds. Routledge Performance Archive Item format: website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43439)

Radosavljevic, Duška (2004) Introduction. In: Sajtinac, Ugljesa, ed. Huddersfield. Oberon Books, pp. 15-16. ISBN 978-1-84002-449-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13442)

Radosavljevic, Duška (2004) Joe. Review of: Joe by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45357)

Radosavljevic, Duška (2008) Kako pokrenuti kriti?ara: Edinburg 2008 - Eksperimenti u politi?kom teatru. TFT: Teatar Film Televizija, . ISSN 1821-0120. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22822)

Radosavljevic, Duška (2015) Kneehigh Theatre. In: British Theatre Companies 1995-2014. Methuen Bloomsbury. ISBN 978-1-4081-7727-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41721)

Radosavljevic, Duška (2012) Kotor Festival of Children's Theatre. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36834)

Radosavljevic, Duška (2009) Les Trois Mousquetaires. Review of: Les Trois Mousquetaires by UNSPECIFIED. The Stage, . p. 19. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45373)

Radosavljevic, Duška (2003) Lindzi Kemp, jedna karijera - Scena. Sterijino Pozorje, (39). ISSN 0036-5734. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13438)

Radosavljevic, Duška (2010) Mary and William. Review of: Mary and William by UNSPECIFIED. The Stage, . p. 20. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45367)

Radosavljevic, Duška (2009) Michael Clark - New Work. Review of: Michael Clark - New Work by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45361)

Radosavljevic, Duška (2007) A Midsummernights Tree. Review of: A Midsummernight's Tree by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45351)

Radosavljevic, Duška (2012) Mike Alfreds on Adaptation. Journal of Adaptation in Film and Performance, 5 (3). pp. 315-323. ISSN 1753-6421. (doi:10.1386/jafp.5.3.315_7) (KAR id:36829)

Radosavljevic, Duška (2014) The Mums and Babies Ensemble. In: Fun Places Festival, 3 October 2014, Lyric Hammersmith Theatre, Lonodn. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45328)

Radosavljevic, Duška (2014) The Mums and Babies Ensemble. In: GIFT Festival, Gateshead. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45329)

Radosavljevic, Duška (2009) The Need to Keep Moving: Remarks on the Place of a Dramaturg in 21st Century England. Performance Research, 14 (3). 45 -51. ISSN 1352-8165. (doi:10.1080/13528160903519500) (KAR id:24281)

Radosavljevic, Duška (2010) Northern Stage Ensemble as an Adaptation of the Russian Theatre Model. In: International Federation for Theatre Research Translation, Adaptation, and Dramaturgy Working Group, 25th-26th July 2010, Munich. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25440)

Radosavljevic, Duška (2005) An Oak Tree. Review of: An Oak Tree by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45362)

Radosavljevic, Duška (2012) Occupare! . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36833)

Radosavljevic, Duška (2013) The Old King. Review of: The Old King by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45352)

Radosavljevic, Duška (2013) On Audience and Authorship. In: Lifting the Curtain on Audience and Authorship, Institute of Contemporary Arts, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45330)

Radosavljevic, Duška (2011) On Impact. In: Invisible Presences Conference,, Queens University Belfast. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45337)

Radosavljevic, Duška (2011) On the Wrestling School. In: Brown, Mark, ed. Howard Barker Interviews 1980-2010: Conversations in Catastrophe. Intellect, Bristol, pp. 181-185. ISBN 978-1-84150-398-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31450)

Radosavljevic, Duška (2010) Others. Review of: Others by UNSPECIFIED. The Stage, . p. 20. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45370)

Radosavljevic, Duška (2014) The Place of a Dramaturg in Twenty-First-Century England. In: The Routledge Companion to Dramaturgy. Routledge, pp. 40-44. ISBN 0-415-65849-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41722)

Radosavljevic, Duška (2013) Porous Dramaturgies: Reflections on the first weekend. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36832)

Radosavljevic, Duška (2014) The Problem of Page and Stage in Russian and British Productions of Shakespeare. Arts Studies Quarterly, (2). ISSN 0032-9371. (KAR id:42001)

Radosavljevic, Duška (2010) A Reflection on Internal. Contemporary Theatre Review, 20 (2). pp. 249-251. (KAR id:24947)

Radosavljevic, Duška (2009) Research Methodologies for a Consideration of the ‘Ensemble Way of Working'. In: TaPRA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45339)

Radosavljevic, Duška (2012) The Return to Brecht in the Twenty-First Century. In: TaPRA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45333)

Radosavljevic, Duška (2014) Risk and Reinvention. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43384)

Radosavljevic, Duška (2012) Sarah Kane's Illyria as the land of violent love: a Balkan reading of Blasted. Contemporary Theatre Review, 22 (4). pp. 499-511. ISSN 1048-6801. (doi:10.1080/10486801.2012.718270) (KAR id:31444)

Radosavljevic, Duška (2008) Sarah Kane's Illyria: A Balkan reading of Blasted. In: 'Sarah Kane: A Reassessment', University of Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45342)

Radosavljevic, Duška (2008) Sarah Kane's Illyria: A Balkan reading of Blasted. In: 'Sarah Kane: Reassessments', 16th February 2008, University of Cambridge. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13435)

Radosavljevic, Duška (2011) 'Shared Utopias? Alan Lyddiard, Lev Dodin and the Northern Stage Ensemble’. In: Pitches, Jonathan, ed. Russians in Britain: British Theatre and the Russian Tradition of Actor Training. Routledge, pp. 139-166. ISBN 978-0-415-59100-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31451)

Radosavljevic, Duška (2013) The Spanish Tragedy. Review of: The Spanish Tragedy by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45354)

Radosavljevic, Duška (2010) Spring Awakening. Review of: Spring Awakening by UNSPECIFIED. The Stage, . p. 21. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45374)

Radosavljevic, Duška (2005) Staging Theatricalised Reality: Yugoslav Metatheatre and its Political Significance. In: Haas, Birgit, ed. Macht Performanz, Performativität, Polittheater seit 1990. Würzburg: Königshausen & Neumann, pp. 283-302. ISBN 3-8260-3040-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13440)

Radosavljevic, Duška, ed. (2016) Theatre Criticism: Changing Landscapes. Methuen Bloomsbury, London, 352 pp. ISBN 978-1-4725-7709-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41728)

Radosavljevic, Duška (2014) Theatre as an Intellectual Concertina: Simon Stephens in Conversation with Duska Radosavljevic. In: Laera, Margherita, ed. Theatre and Adaptation: Return, Rewrite, Repeat. Methuen Bloomsbury, pp. 255-268. ISBN 978-1-4081-8472-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36828)

Radosavljevic, Duška (2013) Theatre-Making – Bridging the Gap Between Text-Based and Devised Theatre in the English-Speaking World. In: International Federation for Theatre Research conference, Barcelona. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45332)

Radosavljevic, Duška (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31453)

Radosavljevic, Duška (2015) Theatre-Making: The End of Directing as We Know It. In: Popovici, Iulia, ed. The Playwright-Director: New European Theatre-Makers. Sibiu Festival. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44122)

Radosavljevic, Duška (2010) The Tiger Lillies - The Songs of Shockheaded Peter and Other Gory Verses. Review of: The Tiger Lillies - The Songs of Shockheaded Peter and Other Gory Verses by UNSPECIFIED. The Stage, . p. 19. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45375)

Radosavljevic, Duška (2014) To Create a New Kind of Flower. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45345)

Radosavljevic, Duška (2010) Tokyo Love Song. Review of: Tokyo Love Song by UNSPECIFIED. The Stage, . p. 19. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45368)

Radosavljevic, Duška (2014) Towards Performed Dramaturgy. In: Trencsenyi, Katalin and Cochrane, Bernadette, eds. New Dramaturgy: International Perspectives on Theory and Practice. Methuen Bloomsbury, pp. 68-79. ISBN 978-1-4081-7708-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36826)

Radosavljevic, Duška (2007) Translating the City: A Community Theatre Version of Wenders’ Wings of Desire in Newcastle upon Tyne. Journal of Adaptation in Film and Performance, 1 (1). pp. 57-70. ISSN 1753-6421. (KAR id:13433)

Radosavljevic, Duška, Awde, Nick (2004) Serbian Dictionary and Phrasebook. Hippocrene Books, 239 pp. ISBN 978-0-7818-1049-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13444)

Radosavljevic, Duška and Milatovic-Ovadia, Maja (2015) (un)decorated. Performance type: Live play , London. live performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45346)

Radosavljevic, Duška, Portmann, Alexandra (2013) Serbian Hamlet Meets Fortinbras from Yorkshire. In: Eastern European Hamlets, Royal Central School of Speech and Drama, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45344)

Radosavljevic, Duška, Rodosthenous, George (2016) Reversing the Process: Investigating Multi-Disciplinary Compositional Practices in The Fall of Icarus [2009]. Theatre Topics, 26 (1). pp. 105-116. ISSN 1054-8378. E-ISSN 1086-3346. (doi:10.1353/tt.2016.0018) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41727)

Rahman, Kaz (2016) 30 Words for 30 Days of Ramadan. . Politics Today Website. (KAR id:88205)

Rahman, Kaz (2013) Argo, Orient Yourself! Review of: Argo Film by UNSPECIFIED. Projectorhead, (9). (KAR id:88214)

Rahman, Kaz (2017) Cinematic Landscapes at Gallery Eksen. Cinematic Landscapes, 29 November- 9 December 2017, Istanbul, Turkey. Exhibition and Catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88193)

Rahman, Kaz (2020) Communal India: Past, Present and Future. . Politics Today Website. (KAR id:88203)

Rahman, Kaz (2018) Contemporary Islamic Art and The Jameel Prize 2018. Review of: The Jameel Prize Exhibition at the Victoria and Albert Museum by UNSPECIFIED. Politics Today, . (KAR id:88212)

Rahman, Kaz (2020) Coronavirus and the Shift Towards a New Cinema. . Politics Today Website. (KAR id:88201)

Rahman, Kaz (2012) DLN Reddy. Focus Art Gallery, Chennai, India. (KAR id:88217)

Rahman, Kaz (2007) Deccani Ark at Bombay Art Gallery. , 16-25 April 2007, Mumbai, India. Exhibition and Catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88197)

Rahman, Kaz (2011) Dil Se... Projectorhead, (3). Article Number 4. ISSN 2348-0505. (KAR id:88209)

Rahman, Kaz (2020) Faith, Society, Politics: How the Coronavirus is Changing the World. . Politics Today Website. (KAR id:88202)

Rahman, Kaz (2005) Flood in the Sky at State Gallery of Fine Arts. , 10 March- 15 April 2005, Hyderabad, India. Exhibition and Catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88198)

Rahman, Kaz (2017) Islamic Art and Modernism: Formal Elements in Painting, Architecture and Film. First Edition. Western Studies Center Research Reports . New East Foundation, Istanbul, Turkey, 173 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88192)

Rahman, Kaz (2011) An Islamic Reading of Kiarostami’s Closeup. Projectorhead, (1). Article Number 4. ISSN 2348-0505. (KAR id:88210)

Rahman, Kaz (2016) Istanbul and Contemporary Islamic Art. . Politics Today Website. (KAR id:88207)

Rahman, Kaz (2016) The Jameel Prize in Istanbul. Review of: The Jameel Prize Exhibition at Pera Museum by UNSPECIFIED. Politics Today, . (KAR id:88213)

Rahman, Kaz (2001) Magic Carpet at Art Gallery of Peterborough. , 8 February- 1 April 2001, Peterborough, Canada. Exhibition and Catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88199)

Rahman, Kaz (2011) Salaat Multimedia Installation at Galeria Alejo Carpentier. Festival Internacional VIDEOARTE, 25-29 November 2011, Camaguey, Cuba. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88195)

Rahman, Kaz (2008) Salaat at Hasta Gallery. , 26 March- 6 April 2008, Hyderabad, India. Exhibition and Catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88196)

Rahman, Kaz (2020) Slavery and Colonialism Go Deeper than Toppling Statues. . Politics Today Website. (KAR id:88200)

Rahman, Kaz (2016) Turkey 2016: Black Dogs and a Vanquished Coup. . Politics Today Website. (KAR id:88204)

Rahman, Kaz (2011) Underground: Music as a Door through the Absurd World of Yugoslavian History. Projectorhead, (4). Article Number 5. ISSN 2348-0505. (KAR id:88208)

Rahman, Kaz (2020) Utopian Landscapes. Directions, Plymouth, UK. (KAR id:88216)

Rahman, Kaz (2016) The Weaver of Details: An Interview with Reza Mirkarimi. Projectorhead, . Article Number 13. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88206)

Ramsay, N. (1998) From England into Normandy: Medieval alabaster carvings. Apollo, 147 (435). pp. 50-51. ISSN 0003-6536. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17005)

Reader, Kate (2017) 'To what extent is "sex" a constrained production, a forcible effect, one which sets the limits to what will qualify as a body?' (Butler, 1993: pg. 23) an embodied inquiry into feminine performance in 2016 with a focus on the female body as resistance. Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:66617)

Regehr, Kaitlyn (2018) Miss Exotic World: Judging the Neo-Burlesque Movement. In: Dodds, Cheryl, ed. Oxford Handbook of Dance and Competition. Oxford Uniiversity Press, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78666)

Regehr, Kaitlyn (2012) Pink Ribbon Pin-Ups: Photographing Femininity after Breast Cancer. Culture Health and Sexuality, 14 (7). pp. 753-766. ISSN 1369-1058. (doi:10.1080/13691058.2012.690104) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:78671)

Regehr, Kaitlyn (2012) The Rise of Recreational Burlesque: Bumping and Grinding Towards Empowerment. Sexuality and Culture, 16 (2). pp. 134-157. ISSN 1936-4822. (doi:10.1007/s12119-011-9113-2) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:78673)

Regehr, Kaitlyn (2014) Striptease. In: Smith, Merril, ed. The Cultural Encyclopaedia of the Breast. Rowman & Littlefield, Lanham, MD, pp. 229-231. ISBN 978-0-7591-2331-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78667)

Regehr, Kaitlyn (2017) To glorify burlesque is kind of silly. Times Higher Education, . ISSN 0049-3929. (KAR id:78674)

Regehr, Kaitlyn (2019) Toronto: From bland to global brand. Times Higher Education, . ISSN 0049-3929. (KAR id:78675)

Regehr, Kaitlyn, Matilda, Temperley (2017) The League of Exotic Dancers: Legends from American Burlesque. First Edition. Legends from American Burlesque . Oxford University Press, Oxford, 328 pp. ISBN 978-0-19-045756-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76241)

Regehr, Kaitlyn, Regehr, Cheryl (2012) Let Them Satisfy Their Lust on Thee: Titus Andronicus as a Window into Societal Understanding of PTSD. Traumatology, 18 (2). pp. 27-34. ISSN 1534-7656. (doi:10.1177/1534765611426791) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:78672)

Regehr, Kaitlyn, Regehr, Cheryl, Glancy, Graham (2019) Murder at the Dinner Table: Family Narratives of Forensic Professionals. Journal of Loss and Trauma, 24 (1). pp. 31-49. ISSN 1532-5024. (doi:10.1080/15325024.2018.1507108) (KAR id:78670)

Regehr, Kaitlyn and Ringrose, Jessica (2019) Celebrity Victims and Wimpy Snowflakes: Using Personal Narratives to Challenge Digitally Mediated Rape Culture. In: Jacquelin, Ryan Vickery and Everbach, Tracy, eds. Mediating Misogyny Gender, Technology, and Harassment. Palgrave Macmillan / Springer, pp. 353-369. ISBN 978-3-319-72916-9. E-ISBN 978-3-319-72917-6. (doi:10.1007/978-3-319-72917-6_18) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76238)

Richardson, Lisa, Beadle-Brown, Julie, Wilkinson, David T., Shaughnessy, Nicola, Trimingham, Melissa, Leigh, Jennifer S, Whelton, Beckie, Himmerich, J (2014) Imagining Autism: evaluation of a drama based intervention for children with autism-the views of teachers and parents. In: Journal of Applied Research in Intellectual Disabilities. 27 (4). pp. 343-344. Wiley-Blackwell (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47566)

Ringrose, Jessica and Regehr, Kaitlyn (2023) Difficult research effects/affects: An intersectional-discursive-material-affective look at racialised sexualisation in public advertising. In: Crowhurst, lsabel and Hawkins, Laurie, eds. Difficult Conversations: A Feminist Dialogue. First edition. Routledge, London. ISBN 978-0-367-54260-3. E-ISBN 978-1-003-08841-7. (doi:10.4324/9781003088417-8) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78665)

Ringrose, Jessica, Regehr, Kaitlyn (2020) Feminist Counterpublics and Public Feminisms: Advancing a Critique of Racialized Sexualization in London’s Public Advertising. Signs: Journal of Women in Culture and Society, 46 (1). ISSN 0097-9740. (doi:10.1086/709362) (KAR id:78669)

Ringrose, Jessica, Regehr, Kaitlyn (2017) The Women We See: Experiences of Gender and Diversity in London’s Public Spaces. Greater London Authority, UK, 41 pp. (KAR id:76242)

Ringrose, Jessica, Whitehead, Sophie, Regehr, Kaitlyn (2020) Play Doh Vulvas and Felt Tip Dick Pics: Disrupting Phallocentric Matter(s) in Sex Education. Reconceptualizing Educational Research Methodology, 10 (2-3). pp. 259-291. ISSN 1892-042X. (doi:10.7577/rerm.3679) (KAR id:78668)

Rocha Antunes, Luis (2017) The Multisensory Film Experience: A Cognitive Model of Experiential Film Aesthetics. Doctor of Philosophy (PhD) thesis, University of Kent, Norwegian University of Science and Technology. (doi:10.22024/UniKent/01.02.62461) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:62461)

Rodosthenous, George and Radosavljevic, Duška (2012) The Gift of Pygmalion. Performance type: Live play , 2012, Leeds/Munich. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41723)

Rodosthenous, George and Radosavljevic, Duška (2007) The Symposium: adaptation of Plato's Symposium. Performance type: Live play , Leeds. live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41726)

Rodosthenous, George and Radosavljevic, Duška and Zavros, Demetris (2009) The Fall of Ikarus. Performance type: Live play , Koln. live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41725)

Rodosthenous, George and Zavros, Demetris and Radosavljevic, Duška (2011) Othello's Revenge. Performance type: Live play , Munich/Munster/Berlin. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41724)

Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds. (2005) Szenische Orte - Mediale Räume. MuTH Medien und Theater, 1 . Olms, Hildesheim / New York, 265 pp. ISBN 978-3-487-12799-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30264)

Roesner, David P. (2013) Accidental Collective’s Here is Where We Meet, Marlowe Studio, Canterbury, June 2013 (Musical dramaturg and sound design). Performance type: Other Here is where we meet, 19-22 June 2013, Canterbury, Marlowe Studio. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37011)

Roesner, David P. (2002) Barbette — oder die Kunst, eine Frau zu sein. Performance type: Other Barbette, 2002, Stadttheater Hildesheim, Germany. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37015)

Roesner, David P. (2010) Bella Merlin’s “Tilly No-Body” (Composer and Sound-designer). Performance type: Other “Tilly No-Body”, Oct 2010, Mondavi Center for the Performing Arts, Davis, California. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37012)

Roesner, David P. (2006) Bending Gender and Acting Theory - Performing essays by Goethe and Cocteau on the theatrical benefits of cross-dressing. Studies in Theatre and Performance, 26 (2). pp. 111-127. ISSN 1468-2761. (doi:10.1386/stap.26.2.111/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30262)

Roesner, David P. and Rebstock, Matthias, eds. (2012) Composed Theatre. Aesthetics, Practices, Processes. intellect, Bristol, 367 pp. ISBN 978-1-84150-456-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30276)

Roesner, David P. (2014) Composing Tilly. ETUM E-Journal for Theatre and Media (peer-reviewed online journal), . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35636)

Roesner, David P. (2013) Dancing in the Twilight – On the Borders of Music and the Scenic. In: Symonds, Dominic and Karatonis, Pamela, eds. The Legacy of Opera. Reading Music Theatre as Experience and Performance. Rodopi, Amsterdam, pp. 169-187. ISBN 978-90-420-3691-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30272)

Roesner, David P. (2000) Der Meteoritenlöffel. Performance type: Other Der Meteoritenlöffel, 2000, Thalia Theater Halle (Germany). Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37018)

Roesner, David P. (2012) Der „Guitar Hero“ zwischen Musizieren und Performen. In: Schroedter, Stephanie, ed. Bewegungen zwischen Hören und Sehen. Königshausen & Neumann, Göttingen, pp. 591-607. ISBN 978-3-8260-4744-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30249)

Roesner, David P. (2005) Die Diskursivierung des Performativen und die Performativität diskursiver Praxis. Theaterpartituren zwischen Werkzeug und Waffe. In: Hempfer, K.W. and Traninger, A., eds. Macht Wissen Wahrheit. Rombach Litterae, Freiburg im Breisgau, pp. 243-258. ISBN 978-3-7930-9432-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30265)

Roesner, David P. (2005) Die Playlist als Inszenierung. Ein Portrait des Theatermusikers Lars Wittershagen. Theater der Zeit, 2005 (6). pp. 14-15. ISSN 0040-5418. (KAR id:30271)

Roesner, David P. (2010) Die Utopie 'Heidi'. Arbeitsprozesse im experimentellen Musiktheater am Beispiel von Leo Dicks Kann Heidi brauchen, was es gelernt hat? In: Röttger, Kati, ed. Welt - Bild - Theater: Politik der Medien und Kulturen des Wissens. Narr, Tübingen, pp. 221-234. ISBN 978-3-8233-6606-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30275)

Roesner, David P. (2004) Glaubensbekenntnisse. Eine musik-theatrale Überzeugungsarbeit. Performance type: Other Glaubensbekenntnisse, 2004, Jakobinische Hildesheim, Germany. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37014)

Roesner, David P. (2011) The Guitar Hero's Performance. Contemporary Theatre Review, 21 (3). pp. 276-285. ISSN 1048-6801. (doi:10.1080/10486801.2011.585646) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30253)

Roesner, David P. (2012) "It is not about labelling, it's about understanding what we do" – Composed theatre as discourse. In: Roesner, David P. and Rebstock, Matthias, eds. Composed Theatre: Aesthetics, Practices, Processes. Intellect, Bristol, pp. 319-362. ISBN 978-1-84150-456-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30250)

Roesner, David P. (2004) Jentl. Szenische Lesung mit Musik. Performance type: Other Jentl, Stadttheater Hildesheim, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37013)

Roesner, David P. (2007) Komik - Ko?rper - Kunst - Kommerz. Eine Analyse der Elemente der Commedia dell`Arte in den Silent Slapstick Comedies. Other masters thesis, University of Hildesheim. (KAR id:30280)

Roesner, David P. (2002) Kompositionen der Ausdrucksnot — Einar Schleefs Musikalisierung von Sprache in seiner Inszenierung Verratenes Volk. In: Bayerdörfer, Hans-Peter, ed. Stimmen — Klänge — Töne. Synergien im szenischen Spiel. Gunter Narr, Tübingen, pp. 309-324. ISBN 978-3-8233-5230-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30270)

Roesner, David P. (2005) „Materialausgabe.“ Review of Wolfgang Sander (ed.), Heiner Goebbels. Komposition als Inszenierung. Berlin: Henschel, 2002. In: Porombka, St. and Schneider, W. and Wortmann, Volker, eds. Kollektive Kreativität. Jahrbuch der Kulturwissenschaften. Francke, Tübingen, pp. 167-170. ISBN 978-3-7720-8125-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30263)

Roesner, David P. (2011) The Mechanics of Noise. Theatricality and the Automated Instrument in Heiner Goebbels' theatre and Pat Metheny's Jazz. In: Kendrick, Lynne and Roesner, David P., eds. Theatre Noise. The Sound of Theatre. Cambridge Scholars Press, Newcastle, pp. 149-163. ISBN 978-1-4438-3440-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30251)

Roesner, David P. (2000) Messer in Hennen. Performance type: Other Messer in hennen, 2000, Thalia in der Kunsthalle, Hamburg, Germany. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37017)

Roesner, David P. (2015) The Musical as Experiment – New Developments on the British Stage (working title). In: Jubin, O and Gordon, Robert, eds. Oxford Handbook of the British Musicals. Oxford University Press, Oxford. ISBN tbc. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35635)

Roesner, David P. (2010) Musicality as a paradigm for the theatre – a kind of manifesto. Studies in Musical Theatre, 4 (3). pp. 293-306. ISSN 1750-3159. (doi:10.1386/smt.4.3.293_1) (KAR id:30256)

Roesner, David P. (2014) Musicality in Theatre – Music as Model, Method and Metaphor in Theatre-making. Other. Ashgate, Farnham (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35633)

Roesner, David P. (2010) Musicking as mise-en-scène. Studies in Musical Theatre, 4 (1). pp. 89-102. ISSN 1750-3159. (doi:10.1386/smt.4.1.89_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30274)

Roesner, David P. (2004) Musik mit den ‘Mitteln der Bühne’ — Aufführungsanalyse mit den Mitteln der Musik. In: Kurzenberger, Hajo and Matzke, Annemarie, eds. TheorieTheaterPraxis. Theater der Zeit, Berlin, pp. 107-116. ISBN 978-3-934344-29-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30267)

Roesner, David P. (2005) Musikalische Spiel-Räume. In: Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds. Szenische Orte-Mediale Raume. Olms, Hildesheim / New York, pp. 129-147. ISBN 978-3-487-12799-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30266)

Roesner, David P. (2010) Musikalisches Theater – Szenische Musik. In: Mungen, Anno, ed. Mitten im Leben. Musiktheater von der Oper bis zur Everyday-Performance mit Musik. Königshausen & Neumann, Göttingen, pp. 193-211. ISBN 978-3-8260-4184-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30252)

Roesner, David P. (2009) Musikalität als Paradigma für die Theaterarbeit. Zehn Thesen. In: Theater. Musik. Fokus Schultheater (8). Edition Körber Stiftung, Hamburg, pp. 8-16. ISBN 978-3-89684-187-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30259)

Roesner, David P. (2012) "Musikalität als ästhetisches Dispositiv: Analogien und Transfers". In: Huber, Jorg and Nigro, Roberto and Bippus, Elke, eds. Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern. Edition Voldemeer (1). Springer, Zürich, Wien, New York. ISBN 978-3-7091-1503-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30245)

Roesner, David P. (2009) Performing theory and its evaluation as research. In: Allegue, Ludivine and Kershaw, Baz and Jones, Simon and Piccini, Angela, eds. Practice-as-Research: In Performance and Screen. Palgrave Macmillan, London, p. 223. ISBN 978-0-230-22001-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30257)

Roesner, David P. (2011) Presentation given at the Academy of the Arts, Berlin: “Ich komponiere als Regisseur und inszeniere als Komponist“ (Heiner Goebbels) Dialoge über komponiertes Theater – Versuch einer Diskursanalyse. Presentation video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30246)

Roesner, David P. (2012) Published peer review: Actor Self vs. Character Self: An Empirical Exploration. . Online publication. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37010)

Roesner, David P. (2003) Ribbible Ribble — Motivik und musikalische Form im Theater Christoph Marthalers. In: Balme, Christopher and Fischer-Lichte, Erika and Grätzel, Stephan, eds. Theatre als Paradigma der Moderne. Francke, Tübingen, pp. 365-374. ISBN 978-3-7720-2796-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30269)

Roesner, David P. (2007) Singing Actors and Dancing Singers. Oscillations of genre, physical and vocal codes in two contemporary adaptations of Purcell’s Dido and Aeneas. Studies in Musical Theatre, 1 (2). pp. 123-137. ISSN 1468-2761. (KAR id:30261)

Roesner, David P. (2002) Swingverdächtig! Performance type: Other Swingverdächtig, 2002, Thalia in der Gaußstraße, Hamburg, Germany. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37016)

Roesner, David P. (2003) Theater als Musik. Musikalische Aspekte in den Inszenierungen Christoph Marthalers. Theater der Zeit, 2003 (6). pp. 42-43. ISSN 0040-5418. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30273)

Roesner, David P. (2003) Theater als Musik. Verfahren der Musikalisierung in chorischen Theaterformen bei Christoph Marthaler, Einar Schleef und Robert Wilson. Gunter Narr, Tübingen ISBN 3-8233-6020-5. (KAR id:30268)

Roesner, David P. (2015) Theaterrauschen – Spielarten der performativen Hervorbringung von Geräusch. In: Mungen, Anno and Ernst, Wolf-Dieter, eds. Sound and Performance: Positions · Methods · Analysis. Königshausen & Neumann, Würzburg. ISBN 978-3-8260-5473-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35634)

Roesner, David P. and Kendrick, Lynne, eds. (2011) Theatre Noise. The Sound of Performance. Cambridge University Scholars, Newcastle ISBN 978-1-4438-3440-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30248)

Roesner, David P. (2014) Une esthétique du gaspillage très précise: Les Spécialistes de Christoph Marthaler. In: Plassard, Didier, ed. Mises en scène d'Allemagne(s) depuis 1968, Series: Les Voies de la création théâtrale. Editions du CNRS (Centre National de la Recherche Scientifique), Paris. ISBN 978-2-271-07345-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35598)

Roesner, David P. (2009) "Vom Nutzen und Nachteil der Theatergeschichte und -theorie für die künstlerische Ausbildung".On the use and abuse of theatre history and theatre theory in vocational drama training, Paper given at the Universität der Künste, Berlin, 26. January 2009. . Electronic Article. (KAR id:30258)

Roesner, David P. (2008) Wenn Musik zu Wort kommt. Portrait des Komponisten und Schauspielmusikers Lars Wittershagen. Ruhrtriennale 2008, Germany. (KAR id:30247)

Roesner, David P. (2004) „Über Musik und Raum im zeitgenössischen Theater”. Monthly magazine of the Theater Basel, 2004 (3). pp. 22-23. ISSN N/A. (KAR id:30279)

Roesner, David P. (2009) 'An entirely new art form' – Katie Mitchells intermediale Bühnen-Experimente. Forum Modernes Theater, 24 (2). pp. 101-119. ISSN 0930-5874. (KAR id:30255)

Roesner, David P. (2008) The politics of the polyphony of performance. Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1048-6801. (KAR id:30260)

Roesner, David P. (2008) The politics of the polyphony of performance: Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1477-2264. (doi:10.1080/10486800701749587) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40778)

Roesner, David P., Risi, Clemens (2009) Die polyphone Werkstatt. Kollektives Arbeiten im zeitgenössischen Musiktheater. Theater der Zeit, 2009 (1). pp. 28-30. ISSN 0040-5418. (KAR id:30277)

Romagnoli, Angelo (2024) The three spaces of the actor: Practical investigations with Samuel Beckett and Thierry Salmon through contemporary neuroscience. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.106801) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:106801)

Romero, Norma L. Perez (2006) Transformation and authenticity in contemporary Latina stardom. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86342) (KAR id:86342)

Roser-i-Puig, Montserrat (2001) Moral Games and Corrupting Justice in Fernando Arrabal’s The Architect and the Emperor of Assyria. In: Batley, Edward and Bradby, David, eds. Morality and Justice: The Challenge of European Theatre. European Studies: A Journal of European Culture, History and Politics (17). Rodopi, Amsterdam, pp. 209-224. ISBN 90-420-1398-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:8366)

Rowe, Nicholas (2007) Post-Salvagism. Cultural interventions and cultural evolution in a traumatised community: Dance in the Central West Bank. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86400) (KAR id:86400)

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Sabroe, Ian and Barron, Lauren and Brown, David W R and Declercq, Dieter (2021) Conversation with David Magnus and Alyssa Burgart. Item format: Podcast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91916)

Sakwa, Richard (1996) The Gorbachev Encyclopedia - Gorbachev the Man and his Times - Wieczynski, JL. Slavonic and East European Review, 74 (2). pp. 366-368. ISSN 0037-6795. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18467)

Sammut, Carmel (2020) Explicit Readings: An Inquiry into Young Adults' Embodied Experience of Fictional Texts. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:84825)

Santos, Miguel T. (2023) Crossing Places and Affective Moments: Disclosing the Possibilities of Being There. In: TaPRA Annual Conference 2023. . (Unpublished) (KAR id:100008)

Sayad, Cecilia (2015) Afterword in Film Criticism in the Digital Age. In: Sayad, Cecilia and Frey, Mattias, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 243-247. ISBN 978-0-8135-7072-3. E-ISBN 978-0-8135-7364-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42006)

Sayad, Cecilia (2009) The Auteur as Fool. In: Screen Studies Conference: 50th Anniversary, July 2009, University of Glasgow. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36379)

Sayad, Cecilia (2011) The Auteur as Fool: Bakhtin, Barthes, and the Screen Performances of Woody Allen and Jean-Luc Godard. Journal of Film and Video, 63 (4). pp. 21-34. ISSN 0742-4671. (doi:10.5406/jfilmvideo.63.4.0021) (KAR id:28425)

Sayad, Cecilia (2006) Authorship in the Interstices of History, Biography, Reality and Memory: Histoire(s) du cinéma and Cabra Marcado para Morrer. Significação: Revista Brasileira de Semiótica, (26). pp. 139-172. ISSN 1516-4330. (KAR id:13477)

Sayad, Cecilia (2019) Autoria como Performance. In: Autoria no Cinema. . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78310)

Sayad, Cecilia (2017) Beyond Film: A New Place for Reality in Horror. In: The Moving Form of Film Conference, 6-8 November 2017, Reading, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73560)

Sayad, Cecilia (2009) Border crossing, corporality and performance: a study of authorial self-inscription in the cinema. In: Centre for World Cinemas – WUN series, October 2009, University of Leeds. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36380)

Sayad, Cecilia (2016) Cameras and Ghosts. Cinema Journal, 55 (2). ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54185)

Sayad, Cecilia (2009) A Cinema of Presence: the author and the body in the documentaries of Eduardo Coutinho. In: Performing Presence, March 2009, Exeter. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36254)

Sayad, Cecilia (2015) Critics Through Authors: Dialogues, Similarities, and the Sense of a Crisis. In: Sayad, Cecilia and Frey, Mattias, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 41-59. ISBN 978-0-8135-7072-3. E-ISBN 978-0-8135-7364-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36191)

Sayad, Cecilia (2004) Da poesia à cafajestagem. Review of: The Brown Bunny by Gallo, Vincent. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36180)

Sayad, Cecilia (2004) Deconstructing God. Reverse Shot, Spring . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36179)

Sayad, Cecilia (2017) Digital Ghosts: Rethinking the relationship between horror and reality. In: British Association of Film, Television and Screen Studies Conference, 20-21 April 2017, Bristol. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73558)

Sayad, Cecilia (2014) Discussion of Performing Authorship. In: The Self-Portrait in the Moving Image, 28 February-1 March 2014, Birckbeck; London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42010)

Sayad, Cecilia (2014) Do Critics Need Authors? In: Critica 2.0, 18-19 February 2014, Bologna, Italy. (Unpublished) (KAR id:42007)

Sayad, Cecilia (2016) Documenting Ghosts in the Post-Truth Era. In: University of Warwick Research Seminar Series, Coventry, UK. (Unpublished) (doi:https://warwick.ac.uk/fac/arts/news/events/?calendarItem=8a17841a5fd9d400015fda6091651653) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73561)

Sayad, Cecilia (2010) Documenting Presence: the author, the body and the nation in the films of Eduardo Coutinho. In: Society for Cinema and Media Studies 2010, March 2010, Los Angeles, CA. (Unpublished) (KAR id:36381)

Sayad, Cecilia (2014) Eduardo Coutinho's Films Were About Gaps and Creative Frictions. Mediático, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:38189)

Sayad, Cecilia (2010) Flesh for the Author: Filmic Presence in the Documentaries of Eduardo Coutinho. Framework: The Journal of Cinema and Media, 51 (1). pp. 134-150. ISSN 0306-7661. (doi:10.1353/frm.0.0061) (KAR id:26343)

Sayad, Cecilia (2016) Found-Footage Horror and the Frame's Undoing. Cinema Journal, 55 (2). pp. 43-66. ISSN 0009-7101. (doi:10.1353/cj.2016.0003) (KAR id:42009)

Sayad, Cecilia (2014) Framing the Found Footage Horror Film. In: Society for Cinema and Media Studies Conference 2014, 18-23 March 2014, Seattle, USA. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42008)

Sayad, Cecilia (2005) Fresh Flesh for the Author: The Effects of Directorial Self-Inscription in the Films of Jean-Luc Godard and Eduardo Coutinho. In: Society for Cinema and Media Studies Conference 2005 (London), April 2005, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36188)

Sayad, Cecilia (2017) Ghost Images: Horror, documentary and the supernatural. In: School of Media, Film and Music Research Seminar, University of Sussex, 29 March 2017, Brighton. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73557)

Sayad, Cecilia (2021) The Ghost in the Image: Technology and Reality in the Horror Genre. Oxford University Press, New York, United States (doi:10.1093/oso/9780190065768.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78306)

Sayad, Cecilia (2017) The Ghosts and the Machines. In: At Home with Horror?, 27-29 October 2017, Canterbury, Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73559)

Sayad, Cecilia (2009) Godard and the frame: the author as trespasser. In: Film Research Seminar, May 2009, University of Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36378)

Sayad, Cecilia (2005) The Issue of Authorship in Adaptation. In: Popular Culture Association/American Culture Association, March 2005, San Diego, CA, United States. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36187)

Sayad, Cecilia (2016) A Matter of (Informed) Taste. Film Criticism, 40 (1). ISSN 0163-5069. (doi:10.3998/fc.13761232.0040.129) (KAR id:54179)

Sayad, Cecilia (2016) Millennial Ghosts: Factual Representations of the Supernatural. In: Religious Studies Research Seminar Series, 2 November 2016, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58591)

Sayad, Cecilia (2015) Monsters and Everyday Life. In: Screen Studies Conference, 26/006/2015-28/06/2015, University of Glasgow. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50255)

Sayad, Cecilia (2006) Mutant Authors and Cross-Pollinating Texts in Charlie Kaufman’s Adaptation. In: Housel, Rebecca, ed. From Camera Lens to Critical Lens: A Collection of Best Essays on Film Adaptation. Cambridge Scholars Press, Cambridge, p. 123. ISBN 978-1-84718-031-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13476)

Sayad, Cecilia (2014) Narrative, Visibility and Trauma in Bus 174. In: Navarro, Vinicius and Rodriguez, Juan Carlos, eds. New Documentaries in Latin America. Palgrave McMillan. ISBN n/a. (doi:10.1057/9781137291349_6) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36185)

Sayad, Cecilia (2008) O jogo da reinvenção: Charlie Kaufman e o lugar do autor no cinema. Alameda, Sao Paulo, 64 pp. ISBN 978-85-98325-72-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13094)

Sayad, Cecilia (2018) Parapsychology and Ghost Hunting on TV. In: Sci/Film Series, 4 May 2018, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73563)

Sayad, Cecilia (2006) Performance as shortcut: truth’s paths in Santo Forte and Bus 174. In: XIII Visible Evidence Conference, August 2006, Sao Paulo, Brazil. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36189)

Sayad, Cecilia (2013) Performing Authorship: Self-inscription and Corporeality in the Cinema. Tauris World Cinema Series . I.B. Tauris, 288 pp. ISBN 978-1-78076-005-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31468)

Sayad, Cecilia (2011) The Persistence of Auteurism in Brazilian Cinema. In: Issues of Auteurism in Latin American Cinema - SCMS, 10-13 March 2011, Ritz-Carlton, New Orleans. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:27522)

Sayad, Cecilia (2015) Playing and the Loose Boundaries Between Inner and Outer Selves. In: World Cinema and the Essay Film, 30/04/2015-2/05-2015, University of Reading, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50254)

Sayad, Cecilia (2017) Reality Ghosts: Digital Images and the Material World. In: 2018 Society for Cinema and Media Studies Conference, 14-18 March 2018, Toronto, Canada. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73562)

Sayad, Cecilia (2019) Reality TV, Ghosts, and the Index. Screen, 60 (4). pp. 587-605. ISSN 0036-9543. E-ISSN 1460-2474. (doi:10.1093/screen/hjz038) (KAR id:73903)

Sayad, Cecilia (2015) Reality TV, Mock Found-Footage, and Horror’s Changing Relationship to Reality. In: King's College Research Seminar, 11 March, 2015, King's College London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47973)

Sayad, Cecilia (2010) Review of After Hitchcock: Influence, Imitation, and Intertextuality, David Boyd and R. Barton Palmer (eds.). Review of: After Hitchcock: Influence, Imitation, and Intertextuality by Boyd, David and Barton Palmer, R.. Journal of Adaptation in Film and Performance, 3 (2). pp. 119-121. ISSN 1753-6421. (doi:10.1386/jafp.3.2.213_4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26344)

Sayad, Cecilia (2013) Shifting Approaches. In: Society for Cinema and Media Studies Conference 2013, March 2013, Chicago, IL. (Unpublished) (KAR id:36383)

Sayad, Cecilia (2013) The Stand-up Auteur. In: A Companion to Woody Allen. WBCF - Wiley-Blackwell Companions to Film Directors . Wiley-Blackwell. ISBN 978-1-4443-3723-5. (doi:10.1002/9781118514870.ch1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31467)

Sayad, Cecilia (2005) Traumas paralelos. Review of: Mysterious Skin (Gregg Araki, 2004) by Araki, Gregg. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36184)

Sayad, Cecilia (2007) Um cinema desenquadrado: a política da linguagem e a linguagem da política em Duas ou três coisas que eu sei dela. In: XI Encontro Internacional Socine: Sociedade Brasileira de Estudos de Cinema e Audiovisual, October 2007, Rio de Janeiro, Brazil. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36253)

Sayad, Cecilia (2008) Um cinema desenquadrado: a política da linguagem e a linguagem da política em Duas ou três coisas que eu sei dela. In: Estudos de cinema – SOCINE IX. Annablume, Sao Paulo. ISBN 978-85-7419-864-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14622)

Sayad, Cecilia (2005) Um cinema hiperbólico. Review of: Old Boy (Chan-Wook Park, 2004) by Park, Chan-Wook. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36183)

Sayad, Cecilia (2016) Variations on the Author. Film Quarterly, 69 (3). pp. 12-18. ISSN 0015-1386. E-ISSN 1533-8630. (doi:10.1525/FQ.2016.69.3.12) (KAR id:54243)

Sayad, Cecilia (2007) With a Little Help from Fiction: Performing for Life in Bus 174. In: Society for Cinema and Media Studies Conference 2007 (Chicago), March 2007, Chicago. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36190)

Sayad, Cecilia (2005) A história sem fim. Review of: Moments choisis des Histoire(s) du cinéma (Jean-Luc Godard, 2005) by Godard, Jean-Luc. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36181)

Sayad, Cecilia (2005) A saga de Garganta Profunda. Review of: Inside Deep Throat (Fenton Bailey and Randy Barbato, 2005) by Bailey, Fenton and Barbato, Randy. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36182)

Sayers, Janet (1994) Against method? Review of: A Most Dangerous Method - the Story of Jung, Freud and Spielrein by Sinclair-Stevenson, John Kerr. Nature, 369 (6480). p. 453. ISSN 0028-0836. (doi:10.1038/369453a0) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20028)

Schaubroeck, Katrien and Maes, Hans R.V. (2021) Falling in Love with a Film (Series). In: Before Sunrise, Before Sunset, Before Midnight: A Philosophical Exploration. Routledge. E-ISBN 978-0-429-26147-3. (doi:10.4324/9780429261473-10) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:97779)

Schempp, Alaina (2019) A Poetics of Time and Timing in the Moving Image. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:76810)

Scott, Jeremy (2021) Hulked (Project Pilot). Performance type: Musical event Hulked, Tiller and Wheel (Lapwing Drive, Lower Halstow); Creative Estuary Ideas Lab Showcase, The Governor's House (The Historic Dockyard, Chatham). Live performance and digital repository. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:106216)

Scott, Jeremy (2023) Hulked Showcase: the creative heritage of the Thames Barges. Performance type: Other Creative Estuary Ideas Lab Symposium, 15-16 March 2023, The Historic Dockyard, Chatham. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:107402)

Scott, Jeremy and Braithwaite, Anna (2023) Hulked: the creative heritage of the Thames Barges. Performance type: Other Hulked Showcase: Tiller and Wheel and Chatham Dockyard, 20 October 2022 and 14-15 March 2023, Tiller and Wheel (Lower Halstow); The Governer's House, Chatham Maritime Dockyard (Medway). Performances and website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:103618)

Scott, Jeremy and Lawes, Steven (2022) Runes: migration, place names and identity. Runes, 25 Aug 2022, The Ironworks Arts Centre, Southend. Exhibition, website and accompanying publication (forthcoming). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:103621)

Scott, Jeremy and Lawrence, Greg (2021) The Plant. Performance type: Live play The Plant, 28-30th October 2021, LV21 Arts Centre (Gravesend); The Churchill Theatre (Bromley); Gulbenkian Arts Centre (Canterbury). Live performances. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:103551)

Sharman, L.F. (1992) Cohl,emile, caricature, and film - crafton,d. Screen, 33 (4). pp. 441-445. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22217)

Sharratt, Bernard (1999) Paul Rand. Review of: Paul Rand by Heller, Steven. New York Times Book Review, . p. 8. ISSN 0028-7806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16613)

Shaughnessy, NK and Trimingham, M and Williams, E (2020) I Feel Different: Autistic Girls. BBC film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:89716)

Shaughnessy, Nicola (2020) Acting in a world of difference: Drama, Autism and Gender. Biblioteca Teatrale, 133 (1). pp. 41-62. ISSN 0045-1959. (doi:10.1400/278392) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:89742)

Shaughnessy, Nicola (2012) Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice. Palgrave, Basingstoke, 312 pp. ISBN 978-0-230-24133-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31526)

Shaughnessy, Nicola (1997) Between the Scenes: Virginia Woolf’s Freshwater. Women and Theatre: Occasional papers, (4). pp. 35-67. ISSN 0-951-88753. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5862)

Shaughnessy, Nicola (2004) Breathe body of lovely death: the disappearing subject in Susan Glaspell’s Auto/biographical Theatre. In: Gale, Maggie B. and Gardner, Viv, eds. Women, Theatre and Performance: Autobiography and Identity. Manchester University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1247)

Shaughnessy, Nicola (2018) Changing Minds and Minding the Gap: Interactions between Arts, Science, and Performance. In: Shaughnessy, Nicola and Barnard, P, eds. Performing Psychologies (Performance and Science: Interdisciplinary Dialogues). First Edition. Methuen Drama . Methuen. ISBN 978-1-4742-6085-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74229)

Shaughnessy, Nicola (2009) Commentary on the empathising-systemising theory of autism: implications for education. Review of: The empathising-systemising theory of autism: implications for education by Baron-Cohen, Simon. Tizard Learning Disability Review, 14 (3). pp. 14-17. ISSN 1359-5474. (doi:10.1108/13595474200900023) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31548)

Shaughnessy, Nicola (2016) Curious Incidents: Pretend Play, Presence, and Performance Pedagogies in Encounters with Autism. In: Smagorinsky, Peter, ed. Creativity and Community among Autism-Spectrum Youth Creating Positive Social Updrafts through Play and Performance. Palgrave Studies In Play, Performance, Learning, and Development . Palgrave Macmillan US, pp. 187-216. ISBN 978-1-137-54796-5. E-ISBN 978-1-137-54797-2. (doi:10.1057/978-1-137-54797-2) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60069)

Shaughnessy, Nicola (2015) Dancing with Difference: Moving towards a new aesthetics. In: White, Gareth, ed. Applied Theatre: Aesthetics. Applied Theatre . Bloomsbury Methuen, London, pp. 87-122. ISBN 978-1-4725-1355-7. E-ISBN 978-1-4725-0759-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60065)

Shaughnessy, Nicola (2017) Do You See What I See? Arts, Science and Evidence in Autism Research. In: Rowe, Nick and Reason, Matthew, eds. Applied Practice : Evidence and Impact in Theatre, Music and Art. Methuen Drama, pp. 80-94. ISBN 978-1-4742-8383-0. (KAR id:74302)

Shaughnessy, Nicola (2008) Does it Work? Prove it! Reflections on Efficacy and Ethics. In: Theatre and Performance Research Association. . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5865)

Shaughnessy, Nicola (2008) Double Acts: Mirror Neurons & Applied Performance. In: Researching Applied Theatre and Performance Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5864)

Shaughnessy, Nicola (2007) Gertrude Stein. Writers and their work. Plymouth: Northcote House ISBN 0-7463-0906-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1246)

Shaughnessy, Nicola (2019) How to be a good supervisor: my top tips. Theatre Topics, 29 (2). E9-E12. ISSN 1054-8378. E-ISSN 1086-3346. (doi:10.1353/tt.2019.0025) (KAR id:89744)

Shaughnessy, Nicola (2018) Imagining An/Other: Histories, Theories, and Theatres of Mind through the Mirrors of Hamlet and stages of Ophelia. In: Shaughnessy, Nicola and Barnard, P, eds. Performing Psychologies (Performance and Science: Interdisciplinary Dialogues). Methuen. ISBN 978-1-4742-6085-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74230)

Shaughnessy, Nicola (2013) Imagining Otherwise: Autism, Neuroaesthetics and Contemporary Performance. Interdisciplinary Science Reviews, 38 (4). pp. 321-334. ISSN 0308-0188. E-ISSN 1743-2790. (doi:10.1179/0308018813Z.00000000062) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40775)

Shaughnessy, Nicola (1996) Is s/he or isn’t s/he?: Screening Orlando. In: Cartmell, Deborah, ed. Pulping Fictions: Consuming Culture across the Literature/Media Divide. Pluto Press, pp. 43-56. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5860)

Shaughnessy, Nicola (2011) Knowing Me, Knowing You: Autism, Kinesthetic Empathy and Applied Performance. In: Reynolds, Deirdre and Reason, Matthew, eds. Kinesthetic Empathy in Creative and Cultural Practices. Intellect, Bristol, pp. 33-50. ISBN 978-1-84150-491-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31539)

Shaughnessy, Nicola (2022) Learning with labyrinths: Neurodivergent journeying towards new concepts of care and creative pedagogy through participatory community autism research. Critical Studies in Teaching and Learning, 10 (SI). pp. 127-150. ISSN 2310-7103. (doi:10.14426/cristal.v10iSI.546) (KAR id:98135)

Shaughnessy, Nicola (2000) One, Two, Three: Sylvia Plath’s Verse Dramas. In: Donnell, Alison and Polkey, Pauline, eds. Representing Lives: Women and Auto/biography. Macmillan, pp. 241-250. (doi:10.1057/9780230287440_21) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5859)

Shaughnessy, Nicola (2017) Opening Minds: the Arts and Developmental Psychopathology. In: Williams, David M. and Centifanti, Luna C, eds. Wiley Handbook of Developmental Psychopathology. First Edition. Wiley Handbook Series . John Wiley & Sons, pp. 61-86. ISBN 978-1-118-55455-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60071)

Shaughnessy, Nicola and Barnard, Philip, eds. (2019) Performing Psychologies: Imagination, Creativity and Dramas of the Mind. First edition. Performance and Science . Methuen Drama, London, UK, 264 pp. ISBN 978-1-4742-6086-2. (KAR id:70558)

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Shaughnessy, Nicola (1996) Theatres of Absurdity: pedagogy, performance and institutional politics. Studies in Theatre Production, (13). pp. 39-53. ISSN 1357-5341. (doi:10.1080/13575341.1996.10806925) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5863)

Shaughnessy, Nicola (2005) Truths and lies: towards a new methodology of performance applications. Research in Drama and Education, . 0-0. ISSN 1356-9783. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1248)

Shaughnessy, Nicola (2016) Valuing Performance: Purposes at Play in Participatory Theatre Practice. In: Elliott, David and Silverman, Marissa and Bowman, Wayne, eds. Artistic Citizenship Artistry, Social Responsibility, and Ethical Praxis. Oxford University Press, New York. ISBN 978-0-19-939375-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60070)

Shaughnessy, Nicola (1994) When this you see remember me: Three plays by Gertrude Stein. In: Griffin, Gabrielle, ed. Difference in View. Taylor & Francis. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5861)

Shaughnessy, Nicola (2019) Wreaking havoc: the feeling of what happens in Katie Mitchell’s Cleansed. Performance Research, 24 (5). pp. 123-131. ISSN 1352-8165. (doi:10.1080/13528165.2019.1671729) (KAR id:74198)

Shaughnessy, Nicola, Herbert, Ruth, Williams, Emma, Walduck, Jackie, von Jungenfeld, Rocio, Newman, Hannah (2024) Playing with data differently: engaging with autism and gender through participatory arts/music and a performative framework for analysis. Frontiers in Psychology, 15 . Article Number 1324036. E-ISSN 1664-1078. (doi:10.3389/fpsyg.2024.1324036) (KAR id:106333)

Shaughnessy, Nicola and Pope, N and Osment, J and Grant-Peterkin, H (2018) Recreating Psychiatry through Participatory Performance: Playing ON Theatre and Mental Health Acts. In: Shaughnessy, Nicola and Barnard, P, eds. Performing Psychologies (Performance and Science: Interdisciplinary Dialogues). Methuen, UK. ISBN 978-1-4742-6085-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74231)

Shaughnessy, Nicola and Shaughnessy, Robert, eds. (2008) Lives of Shakespearian actors, Part I, Vol 3: David Garrick, Charles Macklin and Margaret Woffington by their contemporaries. Lives of Shakespearian Actors, P1 V3 . Pickering and Chatto, London, 330 pp. ISBN 978-1-85196-853-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31529)

Shaughnessy, Nicola, Shaughnessy, Robert, Caines, Michael, Goring, Paul (2008) Margaret Woffington: lives of shakespearian actors part 1. Pickering & Chatto (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1249)

Shaughnessy, Nicola, Trimingham, Melissa (2012) Autism Affects: cognition, kinesthetics and practice based research. In: Theatrical Histories - American Society for Theatre Research, 31/10/2012 - 04/11/2012, Nashville USA. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31545)

Shaughnessy, Nicola and Trimingham, Melissa (2016) Autism in the Wild: Bridging the Gap between Experiment and Experience. In: Garratt, Peter, ed. The Cognitive Humanities: Embodied Mind in Literature and Culture. First Edition. Palgrave Macmillan, pp. 191-211. ISBN 978-1-137-59328-3. E-ISBN 978-1-137-59329-0. (doi:10.1057/978-1-137-59329-0_11) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59541)

Shaughnessy, Nicola and Turner, Sarah (2016) Imagining Autism: Now I see the World. Routledge, Taylor and Francis DVD. (KAR id:59751)

Shaughnessy, Robert (2004) Approaching the Globe. In: Shakespeare Association of America Annual Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6511)

Shaughnessy, Robert (2017) As You Like It. First edition. Shakespeare in Performance . Manchester University Press, Manchester, UK, 200 pp. E-ISBN 978-1-5261-1573-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60554)

Shaughnessy, Robert (2009) Behind the Scenes. Shakespeare Survey, 62 (62). pp. 236-247. ISSN ISBN 0 521 39529 1. (doi:10.1007/978-1-84457-574-9_4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31575)

Shaughnessy, Robert (2008) Behind the Scenes. In: Thirty-third International Shakespeare Conference. . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6501)

Shaughnessy, Robert (2007) The Cambridge Companion to Shakespeare and Popular Culture. Cambridge Companions to Literature . Cambridge University Press, Cambridge, 304 pp. ISBN 978-0-521-84429-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6384)

Shaughnessy, Robert (2010) A Choice of Programs. Shakespeare Bulletin, 28 (1). pp. 55-76. ISSN 0748-2558. (doi:10.1353/shb.0.0150) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31574)

Shaughnessy, Robert (2015) Connecting the Globe: Actors, Audience and Entrainment. In: Shakespeare Survey : Volume 68 : Shakespeare, Origins and Originality. Cambridge University Press, pp. 294-305. ISBN 978-1-316-25873-6. (doi:10.1017/CBO9781316258736) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57241)

Shaughnessy, Robert (2008) Domestic life and domestic tragedy in early modern England: The material life of the household. Review of: Domestic life and domestic tragedy in early modern England: The material life of the household by Richardson, Catherine. Literature and History, 17 (1). pp. 82-83. ISSN 0306-1973. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:15664)

Shaughnessy, Robert (2006) Dreaming the Globe: Poel, Guthrie, and the quest for authenticity. In: Shakespeare and Tudor Traditions. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6546)

Shaughnessy, Robert (2005) Dreams of England. In: Massai, Sonia, ed. World-Wide Shakespeares: Local appropriations in film and performance. London and New York: Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6397)

Shaughnessy, Robert (2007) Early modern tragedy and the cinema of violence. Review of: Early Modern Tragedy and the Cinema of Violence by Simkin, Stevie. Literature and History, 16 (1). pp. 107-108. ISSN 0306-1973. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2349)

Shaughnessy, Robert (2001) Edward Bond. In: Dobson, Michael and Wells, Simon, eds. The Oxford Companion to Shakespeare Studies. Oxford: Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6402)

Shaughnessy, Robert (2014) England. In: Hamlet-Handbuch: Stoffe, Aneignungen, Deutungen. First edition. Verlag J. B. Metzler, Stuttgart, pp. 273-278. ISBN 978-3-476-02352-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57269)

Shaughnessy, Robert (1998) Eugene O’Neill and American Drama to 1945. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6499)

Shaughnessy, Robert (2008) The Falstaff Syndrome: Pathos, Prosthetics and Performance. In: Filming and Performing Renaissance History symposium. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6502)

Shaughnessy, Robert (2010) Falstaff's Belly: Pathos, Prosthetics and Performance. In: Holland, Peter, ed. Shakespeare Survey. Shakespeare's English Histories and their Afterlives, 63 . Cambridge University Press, pp. 63-77. ISBN 978-0-521-76915-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31562)

Shaughnessy, Robert (2016) Film and Film Audiences. In: The Cambridge Guide to the Worlds of Shakespeare. First edition. Cambridge University Press, Cambridge, UK, pp. 1935-1940. ISBN 978-0-521-11394-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57270)

Shaughnessy, Robert (2005) Hamlet. Performance Research, 10 (3). p. 103. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6396)

Shaughnessy, Robert (1989) Howard Barker, The Wrestling School and the Cult of the Author. New Theatre Quarterly, (15). pp. 264-271. (doi:10.1017/s0266464x0000333x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6412)

Shaughnessy, Robert (2007) "I do, I will": Hal, Falstaff and the Performative. In: Henderson, Diana E., ed. Alternative Shakespeares 3. New accents . Routledge, Abingdon, pp. 14-33. ISBN 978-0-415-42333-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2246)

Shaughnessy, Robert (2001) In his Entirety: Tyrone Guthrie, Hamlet and Psychoanalysis. In: London Renaissance Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6539)

Shaughnessy, Robert (2006) Introduction to Shakespearean Tragedy. In: Bradley, A.C., ed. Shakespearean Tragedy 4th revised edition. Palgrave Macmillan, xii-xlvi. ISBN 978-0-230-00189-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2247)

Shaughnessy, Robert (1996) The Last Post. In: Shakespeare’s Language in Performance Seminar, 27th International Shakespeare Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6547)

Shaughnessy, Robert (1998) The Last Post: Henry V, war culture and the postmodern Shakespeare. Theatre Survey, 39 (1). pp. 41-61. (doi:10.1017/s004055740000301x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6407)

Shaughnessy, Robert (2007) The Nazi appropriation of Shakespeare: Cultural politics in the Third Reich. Review of: The Nazi Appropriation of Shakespeare: Cultural Politics in the Third Reich by Symington, Rodney. Theatre Research International, 32 (2). pp. 216-217. ISSN 0307-8833. (doi:10.1017/S0307883306002550) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2350)

Shaughnessy, Robert (2005) On Location: de Certeau, Shakespeare and the pedestrian. In: Trinity College, Dublin. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6509)

Shaughnessy, Robert (2005) On location. In: Hodgdon, Barbara and Worthen, W.B., eds. A Companion to Shakespeare and Performance. Blackwell, pp. 80-100. ISBN 1-4051-1104-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1244)

Shaughnessy, Robert (2007) One Piece at a Time. Shakespeare Bulletin, 25 (3). pp. 11-26. ISSN 0748-2558. (doi:10.1353/shb.2007.0057) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6391)

Shaughnessy, Robert (2006) One Piece at a Time. In: Watching Ourselves Watching Shakespeare. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6503)

Shaughnessy, Robert (2006) Our Shakespeares. In: Shakespeare on Film. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6504)

Shaughnessy, Robert (2006) Our Shakespeares. In: Shakespeare on Television seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6505)

Shaughnessy, Robert (2006) Our Shakespeares: British Television Shakespeare and the Strains of Multiculturalism. In: Thornton Burnett, Mark and Wray, Ramona, eds. Screening Shakespeare in the Twenty-First Century. Edinburgh: Edinburgh University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6392)

Shaughnessy, Robert (1997) Postmodernism, interculturalism and a recurring Dream. In: Shakespeare Association of Korea First Annual Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6544)

Shaughnessy, Robert (1997) "Ragging the Bard”: Terence Gray, Shakespeare and Henry VIII. Theatre Notebook, 51 (2). pp. 92-111. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6408)

Shaughnessy, Robert (1994) Representing Shakespeare: England, History and the RSC. Hemel Hempstead: Harvester Wheatsheaf (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6380)

Shaughnessy, Robert (2004) ‘Robert Bensley’, ‘Francis Gentleman’, ‘William Havard’, ‘Charles Lee Lewes’, ‘Charles Macklin’, ‘Sarah Siddons’. In: Oxford Dictionary of National Biography. Oxford: Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6398)

Shaughnessy, Robert (2003) Romeo and Juliet: the rock and roll years. In: Aebischer, Pascale and Esche, Edward J. and Wheale, Nigel, eds. Remaking Shakespeare: Performance Across Media, Genres and Cultures. Basingstoke and New York: Palgrave. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6400)

Shaughnessy, Robert (2001) Romeo and Juliet: the rock and roll years. In: SCAENA: Shakespeare and his Contemporaries in Performance. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6536)

Shaughnessy, Robert (2010) The Routledge Guide to William Shakespeare. Routledge Guides to Literature . Routledge, Abingdon, 512 pp. ISBN 9780415275404. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31572)

Shaughnessy, Robert (2002) Setting the Scene: A Midsummer Night’s Dream. In: Shakespeare’s Globe. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6513)

Shaughnessy, Robert (1999) Shakespeare Goes Pop. In: Millennium Shakespeares. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6540)

Shaughnessy, Robert (2004) The Shakespeare Revolution will not be televised. In: Shakespeare: Remembering Performance. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6510)

Shaughnessy, Robert (2005) Shakespeare and 21st Century Film. In: British Shakespeare Association Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6507)

Chedgzoy, Kate and Greenhalgh, Susanne and Shaughnessy, Robert, eds. (2007) Shakespeare and Childhood. Cambridge University Press, Cambridge, 296 pp. ISBN 978-0-521-87125-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6385)

Shaughnessy, Robert (2012) Shakespeare and the London Stage. In: Ritchie, Fiona and Sabor, Peter, eds. Shakespeare in the Eighteenth Century. Cambridge University Press, Cambridge, pp. 161-184. ISBN 978-0-521-89860-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31568)

Shaughnessy, Robert (2003) Shakespeare at Ground Level. In: London Shakespeare Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6512)

Shaughnessy, Robert (2002) The Shakespeare effect: A history of Twentieth-Century performance. Palgrave, 221 pp. ISBN 0-333-77937-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1242)

Shaughnessy, Robert (2001) Shakespeare versus Performance. In: London Shakespeare Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6538)

Shaughnessy, Robert (2000) Shakespearean Utopias. Shakespeare Survey, (54). pp. 233-243. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6405)

Shaughnessy, Robert (1998) Shakespearean Utopias. In: The Shakespeare Institute. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6541)

Shaughnessy, Robert (2012) Silence. In: Hampton-Reeves, Stuart and Escolme, Bridget, eds. Shakespeare and the Making of Theatre. Palgrave, Basingstoke. ISBN 978-0-230-21867-3. (doi:10.1177/0894318412466739) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31652)

Shaughnessy, Robert (2006) Stage, Screen and Nation: Hamlet and the Recovery of History. In: Henderson, Diana E., ed. A Concise Companion to Shakespeare on Screen. Oxford: Blackwell. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6394)

Shaughnessy, Robert (2005) Stage, Screen and Nation: Hamlet and the recovery of history. In: The Shakespeare Institute. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6508)

Shaughnessy, Robert (2006) Staging the media apparatus: the Shakespeare revolution will not be televised. In: Holland, Peter, ed. Shakespeare: Remembering Performance. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1245)

Shaughnessy, Robert (1994) Terence Gray’s Shakespeare. In: Shakespeare on the British Stage 1990-1945. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6548)

Shaughnessy, Robert (1992) Three Socialist Plays: Lear, Roots, Serjeant Musgrave’s Dance. Buckingham and Philadelphia: Open University Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6383)

Shaughnessy, Robert (2017) The Time is Out of Joint: Shakespeare, Jet Lag, and the Rhythms of Performance. In: Bulman, James, ed. The Oxford Handbook of Shakespeare and Performance. First edition. Oxford Handbooks . Oxford University Press, Oxford, UK. ISBN 978-0-19-968716-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60552)

Shaughnessy, Robert (2002) Twentieth-Century Fox: Volpone’s Metamorphosis. Theatre Research International, 27 (1). pp. 27-48. (doi:10.1017/s0307883302001049) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6401)

Shaughnessy, Robert (2013) Tyrone Guthrie. In: Mazer, Cary M., ed. Poel, Granville Barker, Guthrie, Wanamaker : Great Shakespeareans. Continuum, New York. ISBN 978-1-4411-3372-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31617)

Shaughnessy, Robert (1997) Volpone, anthropomorphism, and the discourses of late capitalism. In: SCAENA: Shakespeare and his Contemporaries in Performance. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6543)

Shaughnessy, Robert (1994) Voltaire’s Brain: Strategies for Enlightenment and Studies in the Death of the Author. Studies in Theatre Production, (9). pp. 22-37. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6411)

Shaughnessy, Robert (2001) What have the Romans ever done for us? In: Royal Shakespeare Company Summer School. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6535)

Shaughnessy, Robert (1996) ‘William, Gaskill’, ‘Terence Gray’, ‘Bill Alexander’. In: Hawkins-Dady, Mark, ed. International Dictionary of Theatre, Volume 3: Actors, Directors and Designers. London: St James’s Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6410)

Shawa, Laila and Zurob, Hani (2013) Resilience & Light: Contemporary Palestinian Art. , 11 April - 18 May 2013, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61964)

Skillen, Tony J. (1994) Explanation and value in the Arts - Kemak,S, Gaskell,I. British Journal of Aesthetics, 34 (4). pp. 398-399. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20043)

Smith, Abraham B., Knowles, Christopher J. (1991) Investigation of the Relationship Between Conductivity and Protein-Binding Properties of Polypyrrole. Journal of Applied Polymer Science, 43 (2). pp. 399-403. ISSN 0021-8995. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22755)

Smith, Murray (2005) Against Nature. In: The Cognitive Neuroscience of Film. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3098)

Smith, Murray (2014) Against Nature? or, Confessions of a Darwinian Modernist. Royal Institute of Philosophy Supplement, 75 . pp. 151-182. ISSN 1358-2461. (doi:10.1017/S1358246114000174) (KAR id:57522)

Smith, Murray (1994) Altered States: Character and Emotional Response in the Cinema. Cinema Journal, 33 (4). pp. 34-56. ISSN 0009-7101. (KAR id:20046)

Smith, Murray (2024) Artistic freedom realised. European Journal of Analytic Philosophy, 20 (2). pp. 259-282. ISSN 1845-8475. E-ISSN 1849-0514. (doi:10.31820/ejap.20.2.1) (KAR id:107763)

Smith, Murray (2020) BerlInversions. Projections, 14 (2). pp. 56-65. ISSN 1934-9688. (doi:10.3167/proj.2020.140205) (KAR id:104567)

Smith, Murray (2005) Cinema and Cognition. In: Cinema and Cognition, Society for Cinema and Media Studies. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3097)

Smith, Murray (1992) Coming to terms - the rhetoric of narrative in fiction and film - Chatman,S. Journal of Aesthetics and Art Criticism, 50 (3). pp. 253-254. ISSN 0021-8529. (doi:10.2307/431236) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22237)

Smith, Murray (2009) Consciousness. In: Livingston, Paisley and Plantinga, Carl, eds. The Routledge Companion to Philosophy and Film. Routledge Philosophy Companions . Routledge, London and New York, pp. 39-51. ISBN 978-0-415-77166-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31406)

Smith, Murray (1999) (Dis)engaging characters: a response to Lynne Pearce's review. Screen, 40 (3). pp. 358-362. ISSN 0036-9543. (doi:10.1093/screen/40.3.358) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16635)

Smith, Murray (2009) Double Trouble: On Film, Fiction, and Narrative. StoryWorlds: A Journal of Narrative Studies, 1 (1). pp. 1-23. ISSN 2156-7204. (doi:10.1353/stw.0.0014) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31412)

Smith, Murray (2022) Engaging Characters: Fiction, Emotion, and the Cinema. Revised and expanded 2nd edn. Oxford University Press, 304 pp. ISBN 978-0-19-887107-1. E-ISBN 978-0-19-191413-3. (doi:10.1093/oso/9780198871071.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:104887)

Smith, Murray (1995) Engaging Characters: Fiction, Emotion, and the Cinema. 2nd edn. Oxford: Clarendon Press, 265 pp. ISBN 978-0-19-818347-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3096)

Smith, Murray (2017) Experience and Explanation in the Cinema. In: Herzogenrath, Bernd, ed. Film as Philosophy. University of Minnesota Press. ISBN 978-1-5179-0051-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61925)

Smith, Murray (2017) Film, Art, and the Third Culture: A Naturalized Aesthetics of Film. Oxford University Press, Oxford, 320 pp. ISBN 978-0-19-879064-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61922)

Smith, Murray (2018) Film, Art, and the Third Culture: A Naturalized Aesthetics of Film — Précis. Projections, 12 (2). pp. 1-8. ISSN 1934-9688. (doi:10.3167/proj.2018.120202) (KAR id:72056)

Smith, Murray (2018) Film, Art, and the Third Culture: A Response. Projections, 12 (2). pp. 111-136. ISSN 1934-9688. (doi:10.3167/proj.2018.120214) (KAR id:72057)

Smith, Murray (2016) Film, Philosophy, and the Varieties of Artistic Value. In: Thomson-Jones, Katherine, ed. Current Controversies in Philosophy of Film. Routledge, Abingdon, Oxfordshire, pp. 182-202. ISBN 978-1-138-78951-7. E-ISBN 978-1-315-76488-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60031)

Smith, Murray (2019) Foreword: Consorting with Characters. In: Riis, Johannes and Taylor, Aaron, eds. Screening Characters: Theories of Character in Film, Television, and Interactive Media. AFI Film Readers . Routledge. ISBN 978-1-138-39182-6. (doi:10.22024/UniKent/01.02.74283) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74283)

Smith, Murray (1998) Image and mind: Film, philosophy, and cognition science. Review of: Image and Mind: Film, Philosophy, and Cognitive Science. by Currie, Gregory. British Journal of Aesthetics, 38 (3). pp. 325-327. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17151)

Smith, Murray (2024) Imagination and Creativity in Film. In: Oxford Handbook of Imagination and Creativity. Oxford University Press. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:107236)

Smith, Murray (2011) Just What Is It That Makes Tony Soprano Such an Appealing, Attractive Murderer? In: Jones, Ward and Vice, Samantha, eds. Ethics at the Cinema. Oxford University Press, Oxford, pp. 66-90. ISBN 9780195320398 (hbk); 9780195320404 (pbk). (doi:10.1093/acprof:oso/9780195320398.003.0003) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31407)

Smith, Murray (2018) The Kuleshov Fallacy. . Oxford University Press online publication. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74288)

Smith, Murray (2017) Lives of the Aestheticians: introductory foreward. In: Maes, Hans R.V., ed. Conversations on Art and Aesthetics. Oxford University Press, Oxford. ISBN 978-0-19-968610-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61924)

Smith, Murray (2006) My Dinner with Noel; or, Can We Forget the Medium ? Film Studies: An International Review, 8 . pp. 140-148. ISSN 1469-0314. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:12924)

Smith, Murray (1998) Regarding film spectatorship: A reply to Richard Allen. Journal of Aesthetics and Art Criticism, 56 (1). pp. 63-65. ISSN 0021-8529. (doi:10.2307/431952) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17153)

Smith, Murray (2017) Review of: Materialisation, Emotion, & Attention: Tracking Sound’s Perceptual Effects in Film (video essay). Review of: Materialisation, Emotion, & Attention: Tracking Sound’s Perceptual Effects in Film by Verhagen, Darrin. Journal of Videographic Film & Moving Image Studies, 4 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74290)

Smith, Murray (2017) Review of: The Ear That Dreams: Eye Tracking Sound in the Moving Image (video essay). Review of: The Ear That Dreams: Eye Tracking Sound in the Moving Image by Redmond, Sean. Journal of Videographic Film & Moving Image Studies, 4 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74291)

Smith, Murray (2017) Smile like you mean it. . Oxford University Press internet blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74286)

Smith, Murray (1992) Society-for-cinema-studies conference, pittsburgh, 30-april 3-may, 1992. Screen, 33 (4). pp. 436-438. ISSN 0036-9543. (doi:10.1093/screen/33.4.436) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22236)

Smith, Murray (2018) A Tale of Two Gaps. Australasian Philosophical Review, 2 (2). pp. 189-193. ISSN 2474-0500. (doi:10.1080/24740500.2018.1552095) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74282)

Smith, Murray (2021) Trainspotting. 2nd edn. BFI Film Classics . British Film Institute/Bloomsbury, 104 pp. ISBN 978-1-83902-216-6. E-ISBN 978-1-83902-218-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:104889)

Smith, Murray (2002) Trainspotting. BFI Modern Classics, 95 pp. ISBN 0-85170-870-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1255)

Smith, Murray (2011) Triangulating Aesthetic Experience. In: Shimamura, Arthur P. and Palmer, Stephen E., eds. Aesthetic Science: Connecting Minds, Brains, and Experience. Oxford University Press, New York, pp. 80-102. ISBN 978-0-19-973214-2. (doi:10.1093/acprof:oso/9780199732142.003.0026) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31449)

Smith, Murray (2022) Triangulation Revisited. Projections, 16 (1). pp. 11-24. ISSN 1934-9688. (doi:10.3167/proj.2022.160102) (KAR id:104493)

Smith, Murray (2007) Was macht es fur einen Unterschied ? Wissenschaft, Gefuhl und Film. In: Bartsch, Anne and Eder, Jens and Fahlenbrach, Kathrin, eds. Audiovisuelle Emotionen:Emotionsdarstellung und Emotionsvermittlung durch audiovisuelle Medienangebote. Herbert von Halem, Cologne, pp. 39-59. ISBN 978-3-938258-30-9. (KAR id:12940)

Smith, Murray (2005) What Difference Does it Make. In: Representing and Conveying Emotions in Audio-Visual Forms of Media. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3099)

Smith, Murray (2005) Who’s afraid of Charles Darwin? The art of film in the age of evolution. In: Brutsch, Matthias, ed. Emotionalität und Film. Marburg: Schüren, pp. 287-310. ISBN 978-3-89472-512-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1250)

Smith, Murray (2003) A reasonable guide to horrible noise (Part 2) – listening to Lost Highway. In: Hojbjerg, Lennard and Schepelern, Peter, eds. Film Style and Story: A Tribute to Torben Groda. Copenhagen: Museum Tusculanum Press, University of Copenhagen, pp. 153-170. ISBN 87-7289-851-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1251)

Smith, Murray and Wartenburg, Thomas (2006) Thinking Through Cinema: Film as Philosophy. Journal of Aesthetics and Art Criticism 64(1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2248)

Sorfa, David (2006) The fetishism of meaning: disavowal in Kafka, Svankmajer and the Quay brothers. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94668) (KAR id:94668)

South, Daniel (2015) Watching As The World Turns: Performance, Everyday Life, and the Self in the Novels of David Foster Wallace. Master of Arts by Research (MARes) thesis, University of Kent. (KAR id:54755)

Stanfield, Peter (2005) American Like Chop Suey: Invocations of gangsters in Chinatown 1920-35. In: Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of the American Gangster Film. New York: Rutgers University Press, pp. 238-262. ISBN 0-8135-3557-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1259)

Stanfield, Peter (2005) Body & soul: jazz and blues in American film, 1927-63. Urbana: University of Illinois Press, 213 pp. ISBN 0-252-02994-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1256)

Stanfield, Peter (2015) The Cool and The Crazy : Pop Fifties Cinema. Rutgers University Press, New Brunswick, 236 pp. ISBN 978-0-8135-7298-7. E-ISBN 978-0-8135-7300-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50494)

Stanfield, Peter (1996) ‘Country Music & the 1939 Western: From Hillbillies to Cowboys’. In: Cameron, Ian and Pye, Douglas, eds. The Movie Book of the Western. Studio Vista, pp. 22-33. ISBN 0-289-80140-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2743)

Stanfield, Peter (2010) Crossover: Sam Katzman’s Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ Calypso, Beatniks, Hot Rods, and Rock ’n’ Roll in 1950s Teenpix’. Popular Music, 29 (3). pp. 437-456. ISSN 0261-1430. (doi:10.1017/S0261143010000255) (KAR id:26189)

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Stanfield, Peter (1998) ‘Dixie Cowboys & Blue Yodels: The Strange History of the Singing Cowboy’. In: Buscombe, Edward and Pearson, Roberta, eds. Back in the Saddle Again: New Essays on the Western. British Film Institute, pp. 96-117. ISBN 0-85170-661-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2742)

Stanfield, Peter (2002) ‘An Excursion into the Lower Depths: Hollywood, St. Louis Blues, and Urban Primitivism.’. Cinema Journal, 41 (2). pp. 84-108. ISSN 0009-7101. (KAR id:2732)

Stanfield, Peter (2001) ‘“Extremely Dangerous Material”: Hollywood and the Ballad of Frankie and Johnny’. In: Bernardi, Daniel, ed. Classic Hollywood, Classic Whiteness. University of Minnesota Press, pp. 442-465. ISBN 016632391. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2740)

Stanfield, Peter (2002) ‘“Film Noir Like You’ve Never Seen”: Jim Thompson Adaptations and Cycles of Neo Noir’. In: Neale, Stephen, ed. Genre and Contemporary Hollywood. British Film Institute, pp. 251-268. ISBN 0-85170-887-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2739)

Stanfield, Peter (2011) “From the Barroom: American Song, Saloon Culture, Stack O’Lee and Wild Bill, or ‘Did you touch my hat?’”. In: Kalinak, Kathryn, ed. Music in the Western: Notes from the Frontier. Routledge Music and Screen Media Series . Routledge, New York, pp. 183-202. ISBN 978-0-415-88226-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31554)

Stanfield, Peter (2000) ‘From the Vulgar to the Refined: American Vernacular & Blackface Minstrelsy in Showboat (1936)’. In: Marshall, Bill and Stillwell, Robynn, eds. Musicals: Hollywood and Beyond. Intellect Press, pp. 147-156. ISBN 1-84150-003-8. (KAR id:2741)

Stanfield, Peter (2012) “‘Got-to-See’: Trends in Social Problem Pictures and the Postwar Cycles of Juvenile Delinquency Movies”. In: Lucia, Cynthia and Grundmann, Roy and Simon, Art, eds. The Wiley-Blackwell History of American Film. Wiley-Blackwell, Chichester, pp. 220-241. ISBN 978-1-4051-7984-3. (doi:10.1002/9780470671153) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31551)

Stanfield, Peter (1992) ‘Heritage Design: The Harley-Davidson Motor Company.’. Journal of Design History, 5 (2). pp. 141-155. ISSN 0952-4649. (doi:10.1093/jdh/5.2.141) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2734)

Stanfield, Peter (2001) Hollywood, westerns and the 1930s: the lost trail. University of Exeter Press, 258 pp. ISBN 0-85989-694-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1258)

Stanfield, Peter (2018) Hoodlum Movies: Seriality and the Outlaw Biker Film Cycle, 1966-1972. first edition. Rutgers University Press, New Jersey, USA, 214 pp. ISBN 978-0-8135-9901-4. E-ISBN 978-0-8135-9903-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:67179)

Stanfield, Peter (2002) Horse opera: the strange history of the singing cowboy. Urbana: University of Illinois Press, 177 pp. ISBN 0-252-02733-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1257)

Stanfield, Peter (2013) Intent to Speed: Cyclical Production, Topicality and the 1950s Hot Rod Movie. New Review of Film and Television Studies, 11 (1). pp. 34-55. ISSN 1740-0309. (doi:10.1080/17400309.2012.734496) (KAR id:31610)

Stanfield, Peter (2003) ‘The Last Scene of the Titanic: Vernacular American Phonograph Recordings’. Interdisciplinary Literary Studies, 5 (1). pp. 21-33. ISSN 1524-8429. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2731)

Stanfield, Peter (2011) Maximum Movies -- Pulp Fictions: Film Culture and the Worlds of Samuel Fuller, Mickey Spillane and Jim Thompson. Rutgers University Press, New Jersey, 256 pp. ISBN 978-0-8135-5062-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:28203)

Stanfield, Peter (2008) Maximum Movies: Lawrence Alloway’s Pop Art Film Criticism. Screen, 49 (2). pp. 179-193. ISSN 0036-9543. (doi:10.1093/screen/hjn032) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12944)

Stanfield, Peter (2005) A Monarch for the Millions: Jewish Filmmakers, Social Commentary & the Postwar Cycle of Boxing Films. Film Studies: An International Review, (7). pp. 66-82. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2730)

Stanfield, Peter (2007) A Monarch for the Millions: Jewish Filmmakers, Social Commentary & the Postwar Cycle of Boxing Films. In: Krutnik, Frank and Neale, Steve and Neve, Brian and Stanfield, Peter, eds. “Un-American” Hollywood: Politics & Film in the Blacklist Era. Rutgers University Press. ISBN 0813541983. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2736)

Stanfield, Peter (2008) Notes Toward a History of the Edinburgh International Film Festival, 1969-77. Film International, 6 (4). pp. 62-71. ISSN 1651-6826. (doi:10.1386/fiin.6.4.62) (KAR id:12945)

Stanfield, Peter (1997) ‘“An Octoroon in the Kindling”: American Vernacular & Blackface Minstrelsy in 1930s Hollywood.’. Journal of American Studies, 31 (3). pp. 407-438. ISSN 0021-8758. (doi:10.1017/s0021875897005732) (KAR id:2733)

Stanfield, Peter (2011) “Punks! Topicality and the 1950s Gangster Bio-Pic Cycle”. In: Bolton, Kingsley and Olsson, Jan, eds. Media, Popular Culture and the American Century. National Library of Sweden, pp. 185-215. ISBN 978-0-86196-698-1. (KAR id:26190)

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Stanfield, Peter (2016) Run, Angel, Run: Serial Production and the Biker Movie, 1966-72. In: Fisher, Austin and Walker, Johnny, eds. Grindhouse: Cultural Exchange on 42nd Street, and Beyond. Bloomsbury Publishing, London, UK. ISBN 978-1-62892-745-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60032)

Stanfield, Peter and Krutnik, Frank and Neale, Steve and Neve, Brian, eds. (2007) “Un-American” Hollywood: Politics & Film in the Blacklist Era. Rutgers University Press, 362 pp. ISBN 0813541983. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2727)

Stanfield, Peter (2005) ‘Walking the Streets: Black Gangsters and the “Abandoned City” in the 1970s Blaxploitation Cycle’. In: Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 281-300. ISBN 1-84520-330-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2737)

Stanfield, Peter (1987) ‘The Western 1909-14: A Cast of Villains.’. Film History, 1 (2). pp. 97-112. ISSN 0892-2160. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2735)

Stanfield, Peter (2017) The Who and Pop Art: the simple things you see are all complicated. Journal of Popular Music Studies, 29 (1). Article Number 12203. ISSN 1524-2226. E-ISSN 1533-1598. (doi:10.1111/jpms.12203) (KAR id:59910)

Stanfield, Peter and Sonnet, Esther (2005) ‘“Good Evening, Gentleman, Can I Check Your Hats Please?”: Masculinity, Dress and the Retro Gangster Cycles of the 1990s’. In: Grieveson, Lee and Sonnet, Esther and Stanfield, Peter, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 163-184. ISBN 1-84520-330-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2738)

Stawman-Tuka, Magdalena (2023) Towards a Burning Method: how might the contemporary performer build on the legacy of Grotowski's Total Act? Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.101596) (KAR id:101596)

Stevenson, Sian (2017) Beside the Sea. Age UK Thanet, March-June 2017, Kent. Vimeo. (KAR id:84697)

Stevenson, Sian (2016) Beyond the Marigolds. Performance at the Gulbenkian Theatre Canterbury, 02 Dec 2016, Canterbury. DVD. (KAR id:65019)

Stevenson, Sian (2021) Busting Trifles. Workshops and Performance, May 2021, Kent. Vimeo. (KAR id:92165)

Stevenson, Sian (2021) Cosy Cocoon. Performance type: Video/Film (fiction) Workshops and Performance, Kent. Vimeo. (KAR id:92170)

Stevenson, Sian (2016) Cracking the Crinoline. Working paper. Cubitt Arts (KAR id:65000)

Stevenson, Sian (2018) Love Grows. Performance type: Other Workshops and Performance, March-August 2018, Canterbury, Kent. Vimeo. (KAR id:84623)

Stevenson, Sian (2014) More Please. Performance type: Live play More Please, 02 Jun - 02 Dec 2013, Canterbury and Margate. DVD. (KAR id:65023)

Stevenson, Sian (2017) Moving Memory Dance Theatre Company in Paris. Performance type: Video/Film (documentary) Arts in Society, 13-17 Jun 2017, France. DVD. (KAR id:65017)

Stevenson, Sian (2016) Moving Minds. DVD. (KAR id:65022)

Stevenson, Sian (2020) Moving Well: an on-line learning resource. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:84694)

Stevenson, Sian (2017) Start Stomping. Performance type: Live play Start Stomping, 30 August 2017, Canterbury, Kent. Vimeo. (KAR id:70310)

Stevenson, Sian, Westbrook, Cathy (2017) Moving, Memories, and being more ourselves. Animated magazine, (Summer). (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64995)

Stonehouse, James David (2022) Interactive Sonic Environments: Sonic artwork via gameplay experience. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.93686) (KAR id:93686)

Strandberg-Long, Philippa (2019) Beyond Repetition: Investigating how Sanford Meisner’s training process diminishes self-consciousness and enhances spontaneity in actors. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:82259)

Strandberg-Long, Philippa (2018) Mapping Meisner – how Stanislavski’s system influenced Meisner’s process and why it matters to British Drama School training today. Stanislavski Studies, 6 (1). pp. 11-19. ISSN 2056-7790. (doi:10.1080/20567790.2018.1437956) (KAR id:74523)

Strandberg-Long, Philippa (2019) The reaction in counter-action: how Meisner technique and active analysis complement each other. Stanislavski Studies, 7 (1). pp. 95-108. ISSN 2056-7790. (doi:10.1080/20567790.2019.1576114) (KAR id:74522)

Strange, John H., Xie, Zizhuo (1994) NMR Relaxation Measurements and Defect Mobility Studies in Ionic Materials. Journal of Non-Crystalline Solids, 172 . pp. 1262-1269. ISSN 0022-3093. (doi:10.1016/0022-3093(94)90651-3) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20060)

Stumpenhuson-Payne, Alan (2018) Popular Music in Canterbury Between 1965 and 1971 and Theories of Scene. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:82019)

Suckling, M and Finnis, E and Khroustaliov, I and Hodgkinson, T and Feshareki, S and MacLeod, Duncan W M (2012) New Music Show. London Sinfonietta Records Item format: CD. ASIN: B0097CSIIS. (doi:ASIN: B0097CSIIS) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59603)

Sutton, Paul (2005) The dramatic property: a new paradigm of applied theatre practice for a globalised media culture. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94680) (KAR id:94680)

T

Tan, Harun (2016) Divine Ground Exhibition Catalogue. In: Divine Ground Exhibitions Diyanet Center of America. First Edition. Simurg Interdisciplinary Studio, Istanbul, Turkey, p. 5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88215)

Tavassoli Zea, Zahra (2020) Balzac Reframed: The Classical and Modern Faces of Éric Rohmer and Jacques Rivette. First. Palgrave Studies in Adaptation and Visual Culture . Palgrave Macmillan, 244 pp. ISBN 978-3-030-30614-4. E-ISBN 978-3-030-30615-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:79026)

Tavassoli Zea, Zahra (2016) La Bande Des Quatre: Nineteenth-century Artistic and Literary Sources in Late Nouvelle Vague Filmmaking. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:61010)

Taylor, Aaron E. N (2005) Cain's homecoming: villainy and the cinema. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94685) (KAR id:94685)

Taylor, Barnaby Falcon (2005) A certain tendency?: style and meaning in the British New Wave. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94686) (KAR id:94686)

Thomas, Ben (2020) Edgar Wind and Modern Art: In Defence of Marginal Anarchy. Bloomsbury Visual Arts, 256 pp. ISBN 978-1-5013-4175-5. E-ISBN 978-1-5013-4174-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:83220)

Thomas, Ben (2019) Humphrey Ocean. Royal Academy of Arts, 320 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:83219)

Thomas, Ben D. H. (2005) The Academy of Baccio Bandinelli by Enea Vico. In: Renaissance Society of America Annual Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3088)

Thomas, Ben D. H. (2005) The Academy of Baccio Bandinelli. Print Quarterly, XXII (1). pp. 3-14. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4609)

Read, Benedict and Drury, Jolyon and Landy, Brian and Winfrey, Jane and Matjyjaskiewicz, Krystyna and Thomas, Ben D. H., eds. (2013) Alfred Drury and the New Sculpture. Studio 3 Gallery, University of Kent (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65279)

Thomas, Ben D. H. (2013) Alfred Drury and the New Sculpture. , 30 Sep - 20 Dec 2013; 15 Jan - 13 Apr 2014, Studio 3 Gallery, University of Kent and The Stanley and Audrey Burton Gallery, University of Leeds. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65284)

Thomas, Ben D. H. (2016) Alfred Drury: The Artist as Curator. 19: Interdisciplinary Studies in the Long Nineteenth Century. 2016(22), . pp. 1-13. E-ISSN 1755-1560. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56151)

Thomas, Ben D. H. (2011) Ana Maria Pacheco: Shadows of the Wanderer. , 17 Jan - 17 May 2011, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65288)

Thomas, Ben D. H., ed. (2008) The Art of Comedy, exhibition catalogue. Canterbury ISBN 978-1-902671-56-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4617)

Thomas, Ben D. H. (2000) Artefici and Huomini Intendenti: Questions of Artistic Value in Sixteenth-Century Italy. In: Shepherd, Rupert and Neher, Gabriele, eds. Revaluing Renaissance Art. Ashgate Press, pp. 43-56. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3059)

Thomas, Ben D. H. (1999) Artefici and huomini intendenti: questions of artistic value in sixteenth-century Italy. In: Images and Values, Association of Art Historian’s 25th Annual Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3080)

Thomas, Ben D. H. (1999) Calendar of the Fortnum Papers at the Ashmolean Museum, 1999. National Art Library. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4611)

Thomas, Ben D. H. (2007) Casa Vasari: writing and decorating the artist’s house. In: Hendrix, Harald, ed. Writers’ Houses and the Making of Memory. Routledge, pp. 139-148. ISBN 0-415-54082-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3069)

Thomas, Ben D. H. (2005) Casa Vasari: writing and decorating the artist’s house. In: Writers’ Houses and the Construction of (Trans)National Cultural Memory, ACUME European Thematic Network Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3089)

Thomas, Ben D. H. (2024) Circular Arguments - Edgar Wind at Chicago 1942-44. In: Anderson, Jaynie and Branca, Bernardino and Tononi, Fabio, eds. Edgar Wind: Art and Embodiment. Peter Lang. E-ISBN 978-1-80079-953-0. (doi:10.3726/b19978) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:103927)

Thomas, Ben D. H. (2008) Disegno. In: Renaissance Keywords, 19th September 2008, University of Birmingham. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13085)

Thomas, Ben D. H. (2012) Disegno: Superficial Line or Universal Design? In: MacCarthy, Ita, ed. Renaissance Keywords. Legenda Main . Oxford University Press/Legenda, Oxford, pp. 27-40. ISBN 978-1-907975-29-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31502)

Thomas, Ben D. H. (2003) The Dissemination of Disegno: Baccio Bandinelli and Anton Francesco Doni. In: The Business of Prints in Rome, University of Edinburgh, 24-25 March, 2003. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3085)

Thomas, Ben D. H., ed. (2012) Double Take: The Art of Printmaking. Studio 3 Gallery ISBN 978-1-902671-75-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31501)

Thomas, Ben D. H. (2018) Drawing Together. Drawing Together, 30 Sep 2017 - 02 Jan 2018, The Courtauld Gallery, London. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64078)

Thomas, Ben D. H. (2017) Drawing Together. Paul Holberton Publishing, 48 pp. ISBN 978-1-911300-33-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64079)

Thomas, Ben D. H. (2016) Dungeness: Philip Hughes with Psiche Hughes. , 13 May - 10 June 2016, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61963)

Thomas, Ben D. H. (2015) The Early Prints of Marcus Rees Roberts. Art in Print, 5 (1). pp. 7-11. ISSN 1-844-278-4677. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55961)

Thomas, Ben D. H. (2002) Edgar Wind and Leonardo da Vinci. In: University of Oxford, Renaissance History Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3083)

Thomas, Ben D. H. (2015) Edgar Wind. A Short Biography. Stan Rzeczy, 08 (1). pp. 117-137. ISSN 2083-3059. (KAR id:55959)

Thomas, Ben D. H. (2005) Enea Vico, The Academy of Baccio Bandinelli. National Gallery of Canada, Leonardo da Vinci, Michelangelo and the Renaissance in Florence, exhibition catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3078)

Thomas, Ben D. H. (2002) Finding Ovid through Raphael in the Schools of the Tombs. In: Art on the Line. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3084)

Thomas, Ben D. H. (2003) Finding Ovid through Raphael in the Schools of the Tombs. Art on the Line, 1 (2). pp. 1-11. ISSN 1478-6818. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13082)

Thomas, Ben D. H. (1999) The Fortnum Archive in the Ashmolean Museum. Journal of the History of Collections, 11 (2). pp. 253-268. (doi:10.1093/jhc/11.2.253) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3071)

Thomas, Ben D. H. (2006) Framing Giambologna’s Rape of a Sabine. In: Renaissance Society of America Annual Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3090)

Thomas, Ben D. H. (1999) Hercules and the Hydra: C. D. E. Fortnum, Arthur Evans and the Ashmolean Museum. Journal of the History of Collections, 11 (2). pp. 159-169. (doi:10.1093/jhc/11.2.159) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3070)

Thomas, Ben D. H. (2017) Jim Dine and Pinocchio. Arabeschi, 10 (1.6). ISSN 2282-0876. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65133)

Thomas, Ben D. H. (2012) John Evelyn's Project of Translation. Art in Print, (2, 4). pp. 28-34. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31559)

Thomas, Ben D. H. (2008) The Locations of Art in the Mezzotints of Wallerant Vaillant. In: Early Modern Prints Symposium and Study Day. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3093)

Thomas, Ben D. H. (2006) The Many Faces of Lucas van Leyden and Other Stories: Some Historiographical Reflections on the Pictorum aliquot celebrium Germaniae inferioris effigies of Domenicus Lampsonius. In: Courtauld Institute Research Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3091)

Thomas, Ben D. H. (2014) Marcus Rees Roberts: Winter Journey. , 20 Jan - 11 Apr 2014, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65283)

Thomas, Ben D. H. (2008) Noble or Commercial? The Early History of Mezzotint in Britain. In: British Printed Images to 1700, 12th-13th September 2008, Victoria & Albert Museum. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13084)

Thomas, Ben D. H. (2010) Noble or Commercial? The Early History of Mezzotint in Britain. In: Hunter, Michael, ed. Printed Images In Early Modern Britain. Essays in Interpretation. Ashgate, Farnham and Burlington, pp. 279-296. ISBN 978-0-7546-6654-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31499)

Thomas, Ben D. H. (2015) Palindrome: The Sixties Art of Brian Rice and Richard Rome. , 19 Jan - 10 Apr 2015, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65281)

Thomas, Ben D. H. (2008) The Paradox of Mezzotint. The Paradox of Mezzotint, 12th April - 11th June 2008/2nd July-31st October 2008, Museum of Canterbury/Strang Print Room, University College London. Prints. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3076)

Thomas, Ben D. H. (2008) The Paradox of Mezzotint. In: Centre for Medieval and Early Modern Studies. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3092)

Thomas, Ben D. H. (2008) The Paradox of Mezzotint, exhibition catalogue. Canterbury ISBN 978-1-902671-55-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3058)

Thomas, Ben D. H. (2005) Parallel Lives: Dante, Michelangelo and the Reception of the Medici Chapel Sculpture. In: Conception: Reception, 31st Annual Conference of the Association of Art Historians. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3087)

Thomas, Ben D. H. (2013) Paul Coldwell: A Layered Practice - Graphic Works 1992-2012. , 14 Jan - 5 Apr 2013; 14 Jun - 11 Jul 2013, Studio 3 Gallery, University of Kent and The Stephen Lawrence Gallery, University of Greenwich. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65286)

Thomas, Ben D. H. (2012) Paul Coldwell: Passing through... In: Coldwell, Paul, ed. Paul Coldwell: A Layered Practice - Graphic Works 1993-2012. Studio 3 Gallery, University of Kent at Canterbury. ISBN 978-1-902671-81-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31503)

Thomas, Ben D. H. (2023) Poetry & Magic - Celebrating Anita Seppilli. Poetry & Magic - Celebrating Anita Seppilli, 7-30 November 2023, Italian Cultural Institute, 39 Belgrave Square, London. Exhibition: photography, painting, prints, poetry. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:103924)

Thomas, Ben D. H. (2017) Raphael and the Idea of Drawing. In: Raphael: The Drawings. Ashmolean, pp. 43-55. ISBN 978-1-910807-15-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61918)

Thomas, Ben D. H. (2019) Raphael's Drawings: Invention, Disposition, and Demonstration. In: Faietti, Marzia and Gnann, Achim, eds. Raffael als Zeichner / Raffaello disegnatore. Giunti Editore, pp. 345-357. ISBN 978-88-09-86861-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:74572)

Thomas, Ben D. H. (2017) Raphael's drawings: invention, disposition and demonstration. In: Symposium: Raffaels Zeichnungen, 21-22 November 2017, Vienna, Austria. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64907)

Thomas, Ben D. H. (2017) Raphael: Singular Acts of Drawing. In: Singular Acts: The Role of the Individual in the Transformation of Collective Culture, The Warburg Institute Second Postgraduate Symposium, 16 November 2017, The Warburg Institute, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64908)

Thomas, Ben D. H. (2000) The Renaissance artist’s sense of history. In: 30th International Congress of the History of Art. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3082)

Thomas, Ben D. H. (1996) “The Spaniard’s Peccadillo”: The Interrelation of Painting and Sculpture in Sixteenth-Century Italy. In: University of Oxford, Renaissance History Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3079)

Thomas, Ben D. H. (2004) Tracing the Course of Forms: John Obadiah Westwood. In: Connecting Cultures, Kent Institute for Advanced Studies in the Humanities biannual conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3086)

Thomas, Ben D. H. (2008) The Truest Poetry is the Most Feigning: Edgar Wind on Art and Morals during the Cold War. In: Cultural Memory:Forgetting to Remember/Remembering to Forget, KIASH conference, 10th-13th September 2008, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13083)

Thomas, Ben D. H. (2006) Van Dyck pinxit/After Van Dyck. Van Dyck pinxit/After Van Dyck, May-November 2006, Museum of Canterbury. Prints. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3075)

Thomas, Ben D. H. (2004) ‘Wind, Edgar Marcel (1900-1971). Oxford University Press, Oxford Dictionary of National Biography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3077)

Thomas, Ben D. H. (2005) The academy of Bandinelli. Print Quarterly, XXII (1). pp. 3-14. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1276)

Thomas, Ben D. H. (2003) “The art consists of hiding the art”: Castiglione and Raphael. In: Braida, Antonella and Pieri, Giuliana, eds. Image and Word. Reflections of Art and Literature from the Middle Ages to the Present. Legenda/Oxford University Press, pp. 134-150. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4610)

Thomas, Ben D. H. (2000) “A beautiful and rare invention”: Gian Girolamo Savoldo’s so-called portrait of Gaston de Foix. In: University of Oxford, Oxford Brookes University and Ashmolean Museum Art History Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3081)

Thomas, Ben D. H. (2015) 'The child is father of the man': Alfred Drury and temporality. Sculpture Journal, 24 (1). pp. 55-72. ISSN 1366-2724. (doi:10.3828/sj.2015.24.1.5) (KAR id:55960)

Thomas, Ben D. H. (2001) The lantern of painting: Michelangelo, Daniele da Volterra and the paragone. Apollo, CLIV (474). pp. 46-53. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1277)

Thomas, Ben D. H., Branca, Bernardino (2021) Edgar Wind: art and embodiment. In: Edgar Wind: Art and Embodiment, 28-29 October 2021, Italian Cultural Institute, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:103938)

Thomas, Ben D. H. and Clayton, Timothy (2000) George Clarke Print Collection, Worcester College, Oxford, 2000. Worcester College Oxford, http://prints.worc.ox.ac.uk/. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4612)

Thomas, Ben D. H. and El Saqqa, Aser (2013) Resilience and Light: Contemporary Palestinian Art. , 11 Apr - 18 May 2013, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65285)

Thomas, Ben D. H. and Kear, Jon (2010) In Elysium: Prints by James Barry. In Elysium: Prints by James Barry, 4 October - 17 December 2010, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64919)

Thomas, Ben D. H., Whistler, Catherine (2016) Eloquence in Raphael Drawings. Artibus et Historiae, 74 . pp. 25-36. ISSN 0391-9064. (KAR id:59547)

Thompson, Jayne (2019) Moving Memory Dance Theatre Company. Performance Research, 24 (3). pp. 115-121. ISSN 1352-8165. (doi:10.1080/13528165.2019.1583983) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:79039)

Thorpe, Matthew (2012) Moral blindfolds and ethical reflections: imagination, ethics and film. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86494) (KAR id:86494)

Tischler, Victoria, Schneider, Justine, Morgner, Christian, Crawford, Paul, Dening, Tom, Brooker, DAWN, Garabedian, Claire, Myers, Tanya, Early, Fergus, Shaughnessy, Nicola, and others. Innes, Anthea, Duncan, Kate, Prashar, Arti, McDermott, Orii, Coaten, Richard, Eland, Derek, and Harvey, Kevin (hide) (2019) Stronger together: learning from an interdisciplinary dementia, arts and well-being network (DA&WN). Arts & Health, 11 (3). pp. 272-277. ISSN 1753-3015. (doi:10.1080/17533015.2018.1534252) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:73440)

Topp, Dominic (2015) Auteurs avant la lettre? Using Digital Movie Magazine Collections to Study Audiences’ Perception of Classical Hollywood Directors. In: Turning the Page: Digitalization, Movie Magazines and Historical Audience Studies Conference:, 12-14 November 2015, Ghent, Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88858)

Topp, Dominic (2020) Beyond Bazin: French Visions of Postwar Italian Cinema. In: Society for Italian Studies Themed Conference: Visions of Italy, 10-11 September 2020, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88849)

Topp, Dominic (2019) Cinéma Militant: Political Filmmaking and May 1968 by Paul Douglas Grant. Review of: Cinéma Militant: Political Filmmaking and May 1968 by Grant, Paul Douglas. Studies in European Cinema, 16 (2). pp. 169-170. ISSN 1741-1548. (doi:10.1080/17411548.2017.1363499) (KAR id:76471)

Topp, Dominic (2012) Description of a Struggle: Lotte in Italia and Intellectual Montage. In: Marx at the Movies Conference, University of Central Lancashire, 16-17 March 2012. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88935)

Topp, Dominic (2016) “Disconnect a Certain Reality in Order to Reconnect It in Another Way”: New Image Relations in the Films of the Dziga Vertov Group. In: NECS conference, 28-30 July 2016, Potsdam, Germany. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76475)

Topp, Dominic (2019) Film Rhythm after Sound: Technology, Music, and Performance by Lea Jacobs. Review of: Film Rhythm after Sound: Technology, Music, and Performance by Jacobs, Lea. Projections, 13 (1). pp. 96-101. ISSN 1934-9688. E-ISSN 1934-9696. (doi:10.3167/proj.2019.130106) (KAR id:76468)

Topp, Dominic (2020) “How’s Your Sense of Direction?” Studying Audiences’ Perception of Classical Hollywood Directors, 1934-1943. In: Biltereyst, Daniel and Van de Vijver, Lies, eds. Mapping Movie Magazines: Digitization, Periodicals and Cinema History. Global Cinema . Palgrave Macmillan, pp. 257-278. ISBN 978-3-030-33276-1. E-ISBN 978-3-030-33277-8. (doi:10.1007/978-3-030-33277-8_13) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81601)

Topp, Dominic (2018) La Composición Pictórica en el Cine de John Ford. In: Simposio Internacional Homenaje a John Ford, Festival Internacional de Cine Recobrado de Valparaíso, 22-26 October 2018, Valparaíso, Chile. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76473)

Topp, Dominic (2021) Middlebrow Modernism and Formal Play in Postwar French Cinema. In: SCSMI Annual Conference, 9-11 June 2021. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88853)

Topp, Dominic (2021) Moments of Truth: Temporal Reordering in Postwar French Cinema. In: BAFTSS Annual Conference: Time and the Body in Film, TV and Screen Studies, 7-9 April 2021, Southampton, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88852)

Topp, Dominic (2017) Not Reconciled? A Naturalized Aesthetics and the Challenge of Modernism. In: Aesthetics Today symposium, Aesthetics Research Centre, University of Kent, 5 June 2017, Canterbury, Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76474)

Topp, Dominic (2015) Nouveau cinéma: From Fragmentation to Unity. In: Aesthetics Research Centre research seminar, 9 December 2015. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88856)

Topp, Dominic (2018) Putting the Culture into Bioculturalism: A Naturalized Aesthetics and the Challenge of Modernism. Projections, 12 (2). pp. 101-110. ISSN 1934-9688. E-ISSN 1934-9696. (doi:10.3167/proj.2018.120213) (KAR id:76469)

Topp, Dominic (2014) The Representation of Politics: The Films of Jean-Luc Godard and the Dziga Vertov Group, 1967-1972. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.47917) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:47917)

Topp, Dominic (2017) Retrospective 2017: Future Imperfect. Science · Fiction · Film 67th Berlin International Film Festival, Berlin, Germany, 9–19 February 2017. Review of: 67th Berlin International Film Festival by UNSPECIFIED. Alphaville: Journal of Film and Screen Media, 13 . pp. 189-194. ISSN 2009-4078. (KAR id:76472)

Topp, Dominic (2018) “Revolución Escritura”: los ciné-tracts de Jean- Luc Godard y el arte de mayo de 1968. Significação: Revista de Cultura Audiovisual, 45 (50). pp. 22-43. ISSN 1516-4330. (doi:10.11606/issn.2316-7114.sig.2018.141980) (KAR id:76470)

Topp, Dominic (2021) A Star Is Drawn: The Passion of Dora and Popular Cinephilia in Postwar French Movie Magazines. In: Returning to the Page: Visualising Design and Desire in Fan Magazines Conference, 8-12 February 2021, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88850)

Topp, Dominic (2021) Storytelling in Transit: Transnational Creative Exchange in the Case of Postwar French Cinema. In: NECS Annual Conference: Transitions: Moving Images and Bodies, 7-13 June 2021. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88854)

Topp, Dominic (2015) 'We’re Gonna Need a Montage': Understanding the Hollywood Montage Sequence. In: SCSMI Annual Conference, 17-20 June 2015, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88930)

Topp, Dominic (2011) Word Play: Language Games in Jean-Luc Godard’s Le Gai Savoir. In: SCSMI Annual Conference, 8-11 June 2011, Budapest, Hungary. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88936)

Topp, Dominic, Brydon, Lavinia (2022) Audience Engagement and Development at a Town and Gown Cinema. In: The Formation of Film Audiences: Conference Proceedings. . (KAR id:93556)

Trimingham, M F (2017) Agency and Empathy: Artists Touch the Body. In: Barbieri, Donatella, ed. Costume in Performance: Materiality, Culture, and the Body. First Edition. Bloomsbury, London UK, pp. 137-165. ISBN 978-1-4742-3687-4. E-ISBN 978-1-4742-3688-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65306)

Shaughnessy, Nicola, ed. (2013) Affective Performance and Cognitive Science: Body, Brain and Being. Bloomsbury Methuen Drama . Bloomsbury, London, 304 pp. ISBN 978-1-4081-8577-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31877)

Trimingham, Melissa (2019) Bauhaus 100. Theatre and Performance Design, 5 (1-2). pp. 2-5. ISSN 2332-2551. (doi:10.1080/23322551.2019.1606392) (KAR id:74589)

Trimingham, Melissa (2017) Bauhaus Scenography. In: The Routledge Companion to Scenography. First Edition. Routledge, London, UK, pp. 426-431. ISBN 978-1-138-91780-4. E-ISBN 978-1-315-68881-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65377)

Trimingham, Melissa (2019) Book Review. Review of: Applied theatre: performing health and wellbeing by Baxter, Veronica and Low, Katharine. Studies in Theatre and Performance, 39 (1). pp. 87-88. ISSN 1468-2761. (doi:10.1080/14682761.2017.1380907) (KAR id:74023)

Trimingham, Melissa (2017) Ecologies of Autism: Vibrant Space in Imagining Autism. In: Mckinney, Joslin and Palmer, Scott, eds. Scenography Expanded: an Introduction to Contemporary Performance Design. First edition. Performance and Design . Bloomsbury - Methuen Drama, London, pp. 183-196. ISBN 978-1-4742-4438-1. E-ISBN 978-1-4742-4440-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59549)

Trimingham, Melissa (2016) Gesamtkunstwerk, Gestaltung and the Bauhaus Stage. In: Menninger, Margaret and Imhoof, David and Steinhoff, Anthony, eds. The Total Work of Art : Foundatio, Articulations, Inspirations. First Edition. Spektrum: Publications of the German Studies Association . Berghahn Books, New York and Oxford, 95 to 114. ISBN 978-1-78533-184-8. E-ISBN 978-1-78533-185-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59263)

Trimingham, Melissa (2011) How to Think a Puppet. Forum Modernes Theater, 26 . ISSN 0930-5874. (doi:10.1353/fmt.2011.0008) (KAR id:31637)

Trimingham, Melissa (2002) A Methodology for Practice as Research. Studies in Theatre & Performance, 22 (1). pp. 54-60. ISSN 1468-2761. (doi:10.1386/stap.22.1.54) (KAR id:30397)

Trimingham, Melissa (2010) 'Objects in transition: the puppet and the autistic child'. Journal of Applied Arts in Health, 1 (3). pp. 251-265. ISSN 2040-2457. (doi:10.1386/jaah.1.3.251_1) (KAR id:26300)

Trimingham, Melissa (2004) Oskar Schlemmer’s Research Practice at the Dessau Bauhaus. Theatre Studies International, 29 (2). 128 -142. ISSN 0307-8833. (doi:10.1017/s0307883304000288) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1263)

Trimingham, Melissa (2004) Sehr geehrter Herr Schlemmer... A letter to Oskar Schlemmer occasioned by a performance of the Bauhaustanze at the Dessau Bauhaus 1928. Performance Research, 9 (1). pp. 81-98. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30399)

Trimingham, Melissa (2018) Surprised by Beauty: Imagining Autism. In: Bunn, Stephanie, ed. Anthropology and Beauty. Aesthetics to Creativity . Routledge, Abingdon. ISBN 978-1-138-92879-4. E-ISBN 978-1-315-68156-6. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59550)

Trimingham, Melissa (2011) The Theatre of the Bauhaus: the Modern and Postmodern Stage of Oskar Schlemmer. Routledge Advances in Theatre and Performance Studies . Routledge, New York and London, 214 pp. ISBN 978-0-415-40398-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26299)

Trimingham, Melissa (2013) Touched by meaning: haptic effect in autism. In: Shaughnessy, Nicola, ed. Affective Performance and Cognitive Science: body, brain and being. Methuen. ISBN 978-1-4081-9315-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31639)

Trimingham, Melissa (2019) The affective Bauhaus 1919: 2019. Theatre and Performance Design, 5 (1-2). pp. 6-21. ISSN 2332-2551. (doi:10.1080/23322551.2019.1606600) (KAR id:74590)

Trimingham, Melissa (2012) bauhaus lighthouse: der bau als buehne das buehne als bau. In: bauhaus art as life. Konig, Cologne, pp. 200-203. ISBN 978-3-86335-163-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:29688)

Trimingham, Melissa F., Shaughnessy, Nicola (2016) Material Voices: intermediality and autism. Research in Drama Education, 21 (3). pp. 293-308. ISSN 1356-9783. E-ISSN 1470-112X. (doi:10.1080/13569783.2016.1194748) (KAR id:56933)

Trimingham, Melissa, Barbieri, Donatella (2016) War, Revolution and Design: exploring pedagogy, practice based research and costume for performance through the Russian avant-garde theatre. Studies in Theatre and Performance, 36 (3). pp. 269-280. ISSN 1468-2761. (doi:10.1080/14682761.2016.1191310) (KAR id:59481)

Trimingham, Melissa and Shaughnessy, Nicola (2018) Imagining the Ecologies of Autism. In: Kemp, Ricl and McConachie, Bruce, eds. The Routledge Companion to Theatre, Performance and Cognitive Science. 1st. Routledge Companions . Routledge. ISBN 978-1-138-04889-8. (KAR id:59483)

Trimmel, Theresa, Zhou, Oscar Tianyang, Zhang, Ming, Ng, Eve (2022) Women on and Behind Chinese Entertainment Television: De/Constructing the Female Authorship of National Treasure. Communication, Culture & Critique, . ISSN 1753-9129. E-ISSN 1753-9137. (doi:10.1093/ccc/tcac020) (KAR id:96176)

Tsolkas, Athanasios (2024) The Influence of the Renaissance on Surrealism. Master of Research (MRes) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.105292) (KAR id:105292)

Tuite, Mick F., Stansfield, Ian (1994) Knowing When to stop. Nature, 372 (6507). pp. 614-615. ISSN 0028-0836. (doi:10.1038/372614a0) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20078)

Turner, Caleb (2016) Spectacular Rhythms: Cultural Conflict in the Contemporary Superhero Film. Doctor of Philosophy (PhD) thesis, University of Kent, -. (KAR id:55167)

Turner, David (2007) The interiority of the unknown woman in film. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86358) (KAR id:86358)

Turner, Sarah (2018) The Three Ecologies. Writing experimental, site based, responsive narrative for the screen. Ecology, 97 mins, 2007, Perestroika, 118 mins, 2009/10, Public House, 96 mins, 2015/16. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:68751)

Turner, Sarah E. (2007) All of tomorrow’s parties. Film. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1267)

Turner, Sarah E. (1998) Beacons of Style: A history of Experimental Cinema. Beacons of Style: A history of Experimental Cinema, 1998, Nationwide Tour. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7305)

Turner, Sarah E. (2001) Cut. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1264)

Turner, Sarah E. (2007) Ecology. DVD 87mins. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2249)

Turner, Sarah E. (1992) Flesh Histories. Flesh Histories, 1992, Nationwide Tour. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7303)

Turner, Sarah E. (1996) A Life in a Day with Helena Goldwater. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7298)

Turner, Sarah E. (2003) London birds can’t fly. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1265)

Turner, Sarah E. (1990) One and the other time. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7301)

Turner, Sarah E. (2008) Overheated Symphony. Birds Eye View film festival film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31934)

Turner, Sarah E. (2013) Perestroika : Reconstructed. Arts council of England, Film London Film. 180 mins. Blu-ray/DVD.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31933)

Turner, Sarah E. (2009) Perestroika. Arts council of England, Film London Film, 118 mins: hdcam / Blu-Ray / DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31932)

Turner, Sarah E. (2008) The Raw and The Cooked. Fourth ICA Biennial. The Raw and The Cooked. Fourth ICA Biennial, 2008, Nationwide tour. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7306)

Turner, Sarah E. (1989) She Wanted Green Lawns. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7302)

Turner, Sarah E. (1994) Sheller Shares her Secret. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7299)

Turner, Sarah E. (1995) Sight & Sound/BFI Women Making Movies Tour. Sight & Sound/BFI Women Making Movies Tour, 1995, Nationwide Tour. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7304)

Turner, Sarah E. (1991) A Tale Part Told. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7300)

Turner, Sarah E. (2011) This is not a pier. AHRC DVD and catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31935)

Twyford, Sarah Elizabeth (2020) In What Ways did 19th Century Theatre Respond to Contemporary Crime: With a Focus on the Dramatization of Real-Life Cases and Criminals. Master of Arts by Research (MARes) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.85603) (KAR id:85603)

V

Vaage, Margrethe Bruun (2015) The Antihero in American Television. First Edition. Routledge Advances in Television Studies . Routledge ISBN 978-1-138-88597-4. E-ISBN 978-1-315-71516-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53110)

Vaage, Margrethe Bruun (2014) “Blinded by Familiarity: Partiality, Morality and Engagement in Television Series”. In: Nannicelli, Ted and Taberham, Paul, eds. Cognitive Media Theory. Routledge, pp. 268-284. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50298)

Vaage, Margrethe Bruun (2017) Book Review. Review of: Complex TV: The Poetics of Contemporary Television Storytelling by Mittell, Jason. Projections, 11 (2). pp. 105-109. ISSN 1934-9688. (doi:10.3167/proj.2017.110207) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70151)

Vaage, Margrethe Bruun (2016) Book presentation of The Antihero in American Television. In: Media Mutations 8: A Cognitive Approach to TV Series, 25.-26. May 2016, Bologna. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71391)

Vaage, Margrethe Bruun (2015) Clusters of Imagining and the External Perspective. Comment on Kendall Walton’s In Other Shoes. In: British Society of Aesthetics Annual conference 2015, 18.-20. September 2015, Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71395)

Vaage, Margrethe Bruun (2014) Comment on Stacie Friend’s Matters of Fact and Fiction (forthcoming, Oxford UP). In: Aesthetics Research Centre Book Symposium, 22. May 2014, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71397)

Vaage, Margrethe Bruun (2006) The Empathetic Film Spectator in Analytic Philosophy and Naturalized Phenomenology. Film and Philosophy, 10 (21). ISSN 1073-0427. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70141)

Vaage, Margrethe Bruun (2007) Empathie. Zur episodischen Struktur der Teilhabe am Spielfilm. Montage A/V, 16 (1). pp. 101-120. ISSN 0942-4954. (KAR id:56204)

Vaage, Margrethe Bruun (2007) Empathy and the Episodic Structure of Engagement in Fiction Film. In: Anderson, Joseph D. and Fisher Anderson, Barbara, eds. Narration and Spectatorship in Moving Images. Cambridge Scholars Publishing, pp. 186-203. ISBN 978-1-84718-309-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70144)

Vaage, Margrethe Bruun (2015) Empathy and the spectator’s engagement in fiction film and television. In: Imagination and Legal Reasoning: History, Theory, Pedagogy, 15. June 2016, Queen Mary. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71390)

Vaage, Margrethe Bruun (2010) Fiction Film and the Varieties of Empathic Engagement. Midwest Studies In Philosophy, 34 (1). pp. 158-179. ISSN 0363-6550. (doi:10.1111/j.1475-4975.2010.00200.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40572)

Vaage, Margrethe Bruun (2013) Fictional reliefs and reality checks. Screen, 54 (2). pp. 218-237. ISSN 1460-2474. (doi:10.1093/screen/hjt004) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40571)

Vaage, Margrethe Bruun (2005) Fiksjon, innlevelse og selvreferanse. Norsk Filosofisk Tidsskrift, 40 (2). pp. 124-137. ISSN 0029-1943. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70148)

Vaage, Margrethe Bruun (2017) Five Theses on the Difficulty of Ending Television Series. In: Aesthetics of Television Serials, 2.-4. November 2017, Universitat Politecnica de Valencia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71389)

Vaage, Margrethe Bruun (2021) Five theses on the difficulty of ending Quality TV series. In: Nannicelli, Ted and Pérez, Héctor J., eds. Cognition, Emotion, and Aesthetics in Contemporary Serial Television. 1st edition. Routledge, United Kingdom. ISBN 978-1-032-03715-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:89922)

Vaage, Margrethe Bruun (2017) From The Corner to The Wire: On Nonfiction, Fiction, and Truth. Journal of Literary Theory, 11 (2). pp. 255-271. ISSN 1862-5290. E-ISSN 1862-8990. (doi:10.1515/jlt-2017-0023) (KAR id:63546)

Vaage, Margrethe Bruun (2013) Hitchcockian suspense and moral evaluation. In: Annual Conference of the British Society of Aesthetics, 20.-22. September 2013, Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71367)

Vaage, Margrethe Bruun (2007) "Hold pusten når jeg teller til tre!" Om ulike tilskuerposisjoner og emosjonelle reaksjoner på fiksjonsfilm. In: Solum, Ove and Erstad, Ola, eds. Følelser for film. Gyldendal Akademisk Forlag, pp. 31-49. ISBN 978-82-05-37777-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70150)

Vaage, Margrethe Bruun (2014) How suspense in Breaking Bad makes us root for the antihero but dislike his wife. In: London Aesthetics Forum, 14. May 2014, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71399)

Vaage, Margrethe Bruun (2013) The Imagined Observer Hypothesis. In: Branigan, Edward and Buckland, Warren, eds. The Routledge Encyclopedia of Film Theory. Routledge, pp. 258-262. ISBN 978-0-415-78180-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50301)

Vaage, Margrethe Bruun (2007) Levende bilder: Hvorfor empati er viktig for vellykket innlevelse i fiksjonsfilm. Norsk medietidsskrift, 14 (1). pp. 27-48. ISSN 0804-8452. (KAR id:70147)

Vaage, Margrethe Bruun (2015) Narrative Desires and the Importance of Immorality in Stories. In: The Aesthetic Value And Cognitive Impact of Morality in Art, 6.-7. May 2016, Universitat Politecnica de Valencia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71392)

Vaage, Margrethe Bruun (2015) Narrative Desires and the Importance of Immorality in Stories. In: Postgraduate Conference at the Dept. of Theatre, Film and Television Studies, 4.-5. May 2016, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71393)

Vaage, Margrethe Bruun (2015) Narrative Desires and the Importance of Immorality in Stories. In: A Symposium on Villains, 21 May 2015, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71400)

Vaage, Margrethe Bruun (2017) On Punishment and Why We Enjoy It In Fiction: Lisbeth Salander of the Millennium trilogy and Eli in Let the Right One In as Scandinavian Avengers. In: Research seminar talk, University of East Anglia, 22. January 2018. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71388)

Vaage, Margrethe Bruun (2019) On Punishment and Why We Enjoy It in Fiction: Lisbeth Salander of the Millennium Trilogy and Eli in Let the Right One In as Scandinavian Avengers. Poetics Today: International Journal for Theory and Analysis of Literature and Communication, 40 (3). pp. 543-557. ISSN 0333-5372. E-ISSN 1527-5507. (doi:10.1215/03335372-7558136) (KAR id:70038)

Vaage, Margrethe Bruun (2015) On the Repulsive Rapist and the Difference between Morality in Fiction and Real Life. In: Zunshine, Lisa, ed. The Oxford Handbook of Cognitive Literary Studies. Oxford University Press. (doi:10.1093/oxfordhb/9780199978069.013.0021) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:48006)

Vaage, Margrethe Bruun (2010) Our Man Omar: Warum die Figur Omar Little aus THE WIRE so beliebt ist. In: Blanchet, Robert and Smid, Tereza and Köhler, Kristina and Zutavern, Julia, eds. Serielle Formen. Von den frühen Film-Serials zu aktuellen Quality-TV- und Online-Serien. Zürcher Filmstudien . Schüren, pp. 211-227. ISBN 978-3-89472-525-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70143)

Vaage, Margrethe Bruun (2013) Point of View. In: Branigan, Edward and Buckland, Warren, eds. The Routledge Encyclopedia of Film Theory. Routledge, pp. 371-375. ISBN 978-0-415-78180-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70145)

Vaage, Margrethe Bruun (2018) Response to my critics in author-meets-critics book panel on The Antihero in American Television. In: The Society for Cognitive Studies of the Moving Image annual conference, 13.-16. June 2018, Bozeman, Montana. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71386)

Vaage, Margrethe Bruun (2009) The Role of Empathy in Gregory Currie's Philosophy of Film. British Journal of Aesthetics, 49 (2). pp. 109-128. ISSN 0007-0904. (doi:10.1093/aesthj/ayp005) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40573)

Vaage, Margrethe Bruun (2004) Sansning, tenkning, teknologi: Hvordanfungerer Stella Polaris? Norsk medietidsskrift, 11 (1). pp. 6-23. ISSN 0804-8452. (KAR id:70149)

Vaage, Margrethe Bruun (2009) Self-Reflection: Beyond Conventional Fiction Film Engagement. Nordicom Review, 30 (2). pp. 159-178. ISSN 1403-1108. (KAR id:56203)

Vaage, Margrethe Bruun (2022) Should we be against empathy? Engagement with antiheroes in fiction and the theoretical implications for empathy’s role in morality. In: Mezzenzana, Francesca and Peluso, Daniela M., eds. Conversations on Empathy: Interdisciplinary Perspectives on Imagination and Radical Othering. First edition. Routledge, pp. 116-134. ISBN 978-1-032-01915-4. (doi:10.4324/9781003189978-9) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:98211)

Vaage, Margrethe Bruun (2018) Should we be against empathy? Theoretical implications of engagement with antiheroes in fiction for empathy’s role in morality. In: Empathy and the Arts, 20. September 2018, York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71371)

Vaage, Margrethe Bruun (2015) ’Take me home. I’ve changed my mind. Take me to the office’. The antihero’s wife and female antiheroes. In: School of Arts Research Talk, 15. October 2015, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71396)

Vaage, Margrethe Bruun (2013) Token and type verisimilitude. In: Society for the Cognitive Study of the Moving Image, 12.-15. June 2013, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71368)

Vaage, Margrethe Bruun (2013) Token and type verisimilitude. In: Annual Conference of the European Society of Aesthetics, 17.-19. June 2013, Prague. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71370)

Vaage, Margrethe Bruun (2017) Violent Women and the Pleasures of Revenge. In: Cognitive Futures in the Arts and Humanities, 1.-4. July 2018, Canterbury. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71372)

Vaage, Margrethe Bruun (2015) The antihero in American Television: why he is not typically a utilitarian. In: Philosophy Department Seminar, 5. April 2016, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71394)

Vaage, Margrethe Bruun (2015) The antihero in American television: why he is not typically a utilitarian. In: Society for the Cognitive Study of the Moving Image annual conference, 17-20 June 2015, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71365)

Valerio, Mario Ernesto Giroldo, Blak, A.R., Chadwick, A.V. (1991) Relaxation processes in calcium fluoride solid solutions with rare-earth and aluminium fluorides. Radiation Effects and Defects in Solids, 119 (1). pp. 393-398. ISSN 1042-0150. (doi:10.1080/10420159108224907) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22783)

Van Brabandt, Petra, Maes, Hans R.V. (2021) Kunst of Pornografie: een filosofische verkenning. ASP Editions, 206 pp. ISBN 978-90-5718-943-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97822)

Varakis-Martin, Angeliki (2014) ‘Aristophanic Performance as an all-inclusive event: audience participation and celebration in the modern staging of Aristophanic comedy'. In: Classics in the Modern World - a Democratic Turn?, July 2010, Open University.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45079)

Varakis-Martin, Angeliki (2013) Aristophanic Performance as an all-inclusive event:audience participation and celebration in the modern staging of Aristophanic comedy. In: Hardwick, Lorna and Harrison, Stephen, eds. Classics in the Modern World: A democratic turn? Classical Presences . Oxford University Press. ISBN 978-0-19-967392-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31521)

Varakis-Martin, Angeliki (2010) 'Body and Mask in Aristophanic Performance'. Bulletin of the institute of classical studies, 53 (1). pp. 17-38. ISSN 2041-5370. (doi:10.1111/j.2041-5370.2010.00002.x) (KAR id:31518)

Varakis-Martin, Angeliki (2008) 'Body and Mask’ in Performances of Classical Drama on the Modern Stage. In: Hardwick, Lorna and Stray, Christopher, eds. The Blackwell Companion to Classical Reception. Oxford: Blackwell. ISBN 978-1-4051-5167-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9351)

Varakis-Martin, Angeliki (2014) Laughter and distributed attention in the spectating of Aristophanic comedy. In: Cognitive Futures in the Humanities conference, 24-26 April 2014, Durham University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45049)

Varakis-Martin, Angeliki (2008) Mask & Performance In Greek Tragedy: From Ancient Festival To Modern Experimentation. Review of: Mask & Performance In Greek Tragedy: From Ancient Festival To Modern Experimentation by Wiles, David. Theatre Research International, 33 (3). pp. 325-326. ISSN 0307-8833. (doi:10.1017/s0307883308004070) (KAR id:12969)

Varakis-Martin, Angeliki, ed. (2008) Oedipus the King. 1st. Student editions . Bloomsbury Methuen Drama, London ISBN 978-0-7136-8676-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44771)

Varakis-Martin, Angeliki (2010) ‘Performing' celebration and ‘celebrating’ performance in modern Aristophanic productions'. In: 10th Annual APGRD PG Symposium. ‘Revelry, Rhythm and Blues’ in the reception of Greek and Roman drama from antiquity to the present day’, 21 July 2010, Royal Holloway. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45084)

Varakis-Martin, Angeliki (2013) Popular celebration and cognition in Karolos Koun’s stage interpretations of Aristophanic comedy. In: Reconsidering popular comedy, Ancient and Modern, Wednesday 28–Friday 30 August 2013, Western Infirmary Lecture Theatre, University of Glasgow (proceedings will be published, organisers currently in conversation with OUP). (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45069)

Varakis-Martin, Angeliki (2004) Research on the Ancient Mask. Didaskalia, 6 (1). E-ISSN 1321-4853. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44718)

Varakis-Martin, Angeliki (2008) Review of Oedipus. Review of: Oedipus by Edmunds, Lowell. Classical Review, 58 (2). p. 619. ISSN 0009-840X. (doi:10.1017/S0009840X08001467) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:12954)

Varakis-Martin, Angeliki (2004) ‘The Staging of Aristophanes in Modern Times’. In: Studying the Ancient Greek Theatre, 11-12 March 2004, Colloquium organised by the ICS (Institute of Classical Studies) , London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45103)

Varakis-Martin, Angeliki (2007) 'The Use of Masks in Koun's Stage Interpretations of Aristophanes' Birds, Frogs and Peace'. In: Hall, Edith and Wrigley, Amanda, eds. Aristophanes in Performance, 421BC-AD2007, Peace, Birds and Frogs. Legenda Press, pp. 179-193. ISBN 978-1-904350-61-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2250)

Varakis-Martin, Angeliki (2010) ‘The aesthetics of the mask in Karolos Koun’s ancient Greek Productions.’ (in Greek). In: The mask in ancient Greek drama, 14-15 September 2010, Centre for Ancient Greek drama 'Desmoi', Eleusina. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45089)

Varakis-Martin, Angeliki (2010) ‘The comic body in Aristophanic performance’. In: The Body and Ancient Drama, 1-3 October 2004, Centre for Ancient Greek drama 'Desmoi', Eleusina. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45094)

Varakis-Martin, Angeliki (2002) The masks of Dionysis Fotopoulos in modern productions of Ancient Greek Drama. In: The Greek Theatre Mask in Ancient and Modern Performance, 20-21 April 2002, Royal Holloway, Egham. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45098)

Varakis, Angeliki (2018) Encountering the Heroic prosopeion in Fifth Century Theatre Performance. In: The Physicality of the Other: Masks from the Ancient Near East and the Eastern Mediterranean. Orientalische Religionen in der Antike . Mohr Siebeck. ISBN 978-3-16-155513-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:61817)

Vass-Rhee, Freya (2007) Angoloscuro (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 03 May 2007, Frankfurt am Main, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91129)

Vass-Rhee, Freya (2011) Audio-Visual Stress: Cognitive Approaches to the Perceptual Performativity of William Forsythe and Ensemble. Doctor of Philosophy (PhD) thesis, University of California, Riverside. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:60508)

Vass-Rhee, Freya (2010) Auditory Turn: William Forsythe's Vocal Choreography. Dance Chronicle, 33 (3). pp. 388-413. ISSN 0147-2526. E-ISSN 1532-4257. (doi:10.1080/01472526.2010.517495) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54523)

Vass-Rhee, Freya (2018) Book review: Choreographies: Tracing the Materials of an Ephemeral Art Form by Jacky Lansley. Review of: Choreographies: Tracing the Materials of an Ephemeral Art Form by Lansley, Jacky. Dance Research, 36 (2). pp. 274-275. ISSN 0264-2875. (doi:10.3366/drs.2018.0245) (KAR id:66302)

+1 more...

Vass-Rhee, Freya (2017) Book review: Clelia Falletti, Gabriele Sofia, and Victor Jacono, ed. Theatre and Cognitive Neuroscience. Review of: Theatre and Cognitive Neuroscience by UNSPECIFIED. New Theatre Quarterly, 33 (3). p. 300. ISSN 0266-464X. (doi:10.1017/S0266464X17000355) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:65756)

Vass-Rhee, Freya (2017) Book review: Dramaturgy in Motion: At Work on Dance and Movement Performance, by Katherine Profeta. Review of: Dramaturgy in Motion: At Work on Dance and Movement Performance by Profeta, Katherine. Theatre Research International, . pp. 197-198. ISSN 0307-8833. (doi:10.1017/S0307883317000451) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:66119)

Vass-Rhee, Freya (2011) Dancing Music: The Intermodality of The Forsythe Company. In: Spier, Steven, ed. William Forsythe and the Practice of Choreography: It Starts From Any Point. Routledge, Abingdon, Oxfordshire, pp. 73-89. ISBN 978-0-415-97823-1. E-ISBN 978-0-203-83223-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60511)

Vass-Rhee, Freya (2007) The Defenders (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 04 Nov 2007, Zürich, Switzerland. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91130)

Vass-Rhee, Freya (2015) Distributed Dramaturgies: Navigating with Boundary Objects. In: Hansen, Pil and Callison, Darcey, eds. Dance dramaturgy: modes of agency, awareness and engagement. New world choreographies . Palgrave Macmillan, Basingstoke, Hampshire, pp. 87-105. ISBN 978-1-137-37321-2. (doi:10.1057/9781137373229_5) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:52447)

Vass-Rhee, Freya (2007) Equivalence (production assistance (performance, spatial, and video installations); concept and choreography William Forsythe, The Forsythe Company). Performance type: Other , 19-21, 24-28 Oct 2007, Festspielhaus Hellerau, Dresden. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:92533)

Vass-Rhee, Freya (2014) Fielding Dramaturgy. In: Forsythe Lectures series, deSingel Internationale Kunstcampus, April 2014, Antwerp, Belgium. (KAR id:66120)

Vass-Rhee, Freya (2018) Foreword to the Second Edition, The Neurocognition of Dance: Mind, Movement and Motor Skills. In: The Neurocognition of Dance: Mind, Movement and Motor Skills. 2nd edition. Psychology Press, xi-xii. (KAR id:66118)

Vass-Rhee, Freya (2008) Giselle (dramaturgy; Chor. David Dawson, Dresden Semperoper Ballet). Performance type: Other , 09 Mar 2008, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91131)

Vass-Rhee, Freya (2019) Haunted by Hamlet: William Forsythe's Sider. In: McCulloch, Lynsey and Shaw, Brandon, eds. The Oxford Handbook of Shakespeare and Dance. Oxford University Press, pp. 455-475. ISBN 978-0-19-049878-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64066)

Vass-Rhee, Freya (2006) Heterotopia (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , Premiere 25 Oct 2006, Zürich, Switzerland. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91128)

Vass-Rhee, Freya (2016) Hungry for Blue (dramaturgical consultant; Chor. Corpus Ensemble). Performance type: Other , 26 May 2016, Copenhagen, Denmark. Live performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:93013)

Vass-Rhee, Freya (2008) I don't believe in outer space (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , Frankfurt am Main, Germany. l. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91168)

Vass-Rhee, Freya (2006) Integrating Dance and Cognitive Science: Toward Emancipatory Research. In: Continuing Dance Culture Dialogues, 38th Annual Conference of the Congress on Research in Dance. (KAR id:60514)

Vass-Rhee, Freya (2016) Melding an Ensemble at Memory’s Limits: William Forsythe’s Whole in the Head. In: Congress on Research in Dance/Society of Dance History Scholars Joint Conference "Authenticity and Appropriation", 3-6 Nov 2016, Pomona College, Claremont, California. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:65700)

Vass-Rhee, Freya (2007) Motion/Perception: William Forsythe's Spectatorial Shifts. In: Congress on Research in Dance Conference Proceedings. (doi:10.1017/s2049125500000340) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60512)

Vass-Rhee, Freya (2011) Now This When Not That (production assistance; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 5 Oct 2011, Bochum, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91179)

Vass-Rhee, Freya (2013) Promising Research, Questioning Education: The 'Dance Engaging Science' Workshops. In: Boxberger, Edith and Wittmann, Gabriele, eds. pARTnering documentation: approaching dance. heritage. culture. 3rd Dance Education Biennale, Frankfurt am Main. epodium Verlag, pp. 50-53. ISBN 978-3-940388-26-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60513)

Vass-Rhee, Freya (2008) Reconciling Giselle (Giselle Aussöhnen): dramaturg's note. Semperoper Dresden. (KAR id:66298)

Vass-Rhee, Freya (2009) The Returns (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 24 Jun 2009, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91169)

Vass-Rhee, Freya (2018) Schooling an ensemble: The Forsythe Company’s Whole in the Head. Journal of Dance and Somatic Practices, 10 (2). pp. 219-233. ISSN 1757-1871. (doi:10.1386/jdsp.10.2.219_1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:68963)

Vass-Rhee, Freya (2013) Selon (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 17 May 2013, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91178)

Vass-Rhee, Freya (2011) Sider (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 16 Jun 2011, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91159)

Vass-Rhee, Freya (2012) Still failing after all these years: William Forsythe’s Yes We Can’t: dramaturg's note. The Forsythe Company. (KAR id:66300)

Vass-Rhee, Freya (2012) Study #3 (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 20 Apr 2012, Brescia, Italy. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91180)

Vass-Rhee, Freya (2010) Turning the Tables: William Forsythe’s Antipodes I/II. In: Brandstetter, Gabriele and Wiens, Birgit, eds. Theater Ohne Fluchtpunkt: Das Erbe Adolphe Appias: Szenographie und Choreographie im Zeitgenössischen Theater. Alexander Verlag, Berlin, pp. 293-301. ISBN 978-3-89581-227-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60510)

Vass-Rhee, Freya (2017) The Vampire Revolution (dramaturgical consultant; Dir./Chor. Christian Lollike and Tim Matiakis, Corpus Ensemble). Performance type: Other , 13 Dec 2017, Aarhus/Copenhagen, Denmark. Live performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:93014)

Vass-Rhee, Freya (2012) William Forsythe’s I don’t believe in outer space: dramaturg’s note. The Forsythe Company. (KAR id:66301)

Vass-Rhee, Freya (2008) Yes We Can't (production assistance; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 05 Mar 2008, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91158)

Vass, Freya (2022) All the hues of love: David Dawson's Romeo and Juliet, dramaturg's note. Semperoper Dresden. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:97930)

Vass, Freya (1996) American Rhapsody (dramaturgy/choreographic assistance; Chor. Peter Breuer). Performance type: Other , 6 May 1996, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91160)

Vass, Freya (1996) Carmina Burana (choreographic assistance; Chor. Peter Breuer). Performance type: Other , 22 Jul 1996, Greifswald, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91161)

Vass, Freya (1992) Die Geschichte vom Soldaten (choreography; Dir. Dominik Wilgenbus). Performance type: Other , 20 Feb 1992, Munich, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91167)

Vass, Freya (2021) The Disappearance of Poetry and the Very, Very Good Idea. In: Farrugia-Kriel, Kathrina and Nunes Jensen, Jill, eds. The Oxford Handbook of Contemporary Ballet. Oxford University Press, pp. 754-771. ISBN 978-0-19-087149-9. (KAR id:68484)

Vass, Freya (1995) Dornröschen (dramaturgy/choreographic assistance; Chor. Peter Breuer). Performance type: Other , 7 Dec 1995, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91170)

Vass, Freya (1997) Du Bist Ein Vulkan (choreography; Dir. Michael Worsch). Performance type: Other , 14 Nov 1997, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91165)

Vass, Freya (1997) Fremd bin ich eingezogen (choreographic assistance; Chor. Peter Breuer). Performance type: Other , 22 Mar 1997, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91162)

Vass, Freya (1997) Katzen (choreography; Dir. Irmgard Lübke). Performance type: Other , 19 Oct 1997, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91164)

Vass, Freya (2022) Leidenschaft, die bewegt: David Dawsons Romeo und Julia. Semper! Magazin, 2022 (2). (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:97931)

Vass, Freya (1997) Nomi (dramaturgy/choreographic assistance; Chor. Peter Breuer). Performance type: Other , 24 Nov 1997, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91163)

Vass, Freya (2022) Romeo und Julia (dramaturgy; Chor. David Dawson, Dresden Semperoper Ballet). Performance type: Live play , 5 Nov 2022, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:95135)

Vass, Freya (1996) Sturzflüge im Zuschauerraum (movement direction; Dir. G.H. Seebach). Performance type: Other , 8 Nov 1996, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91166)

Vass, Freya (2023) William Forsythe’s Postdramatic Dance Theater: Unsettling Perception. Cognitive Studies in Literature and Performance . Palgrave Macmillan, 282 pp. ISBN 978-3-031-26657-7. E-ISBN 978-3-031-26658-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:91223)

Vient, Aimee (2021) A Case Study in Playwriting: Laura Wade's Posh. Master of Arts by Research (MARes) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.88083) (KAR id:88083)

Vivas, Judita (2016) The Pageantry of Western Bodies: Material Practices, Intercorporealities and Cultural Recycling in the Twenty-First Century. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:55329)

W

Walduck, J.S. (1997) Role-taking in Free Improvisation and Collaborative Composition. Doctor of Philosophy (PhD) thesis, City University London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84351)

Walduck, Jackie (2005) Collaborative arts practice and identity: the role of leadership. In: Odam, George and Bannan, Nicholas, eds. The Reflective Conservatoire: Studies in Music Education. First Edition. Studies in Music Education . Ashgate, London, UK, pp. 301-331. ISBN 978-0-7546-5415-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84350)

Walduck, Jackie (2020) Medway Sonic Hand-Washing Experience. Item format: Digital work plus laminated posters. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:90185)

Walduck, Jackie (2016) The Migration Game. Spitalfields Music Item format: Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91699)

Walduck, Jackie (2020) Training Music Leaders in a Time of Covid. Sounding Board, 2020 (2). Article Number 7. (KAR id:90987)

Walduck, Jackie and Cooper, Chloe (2021) Diagnosis: Drifting/Dreaming, Waiting. Royal Borough of Kensington and Chelsea Art Fund Item format: Digital prints and music streams. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:90989)

Walduck, Jackie and Cooper, Chloe (2021) Miso Kitchen. Performance type: Musical event Miso Kitchen, 22nd, 29th August 2021, Medway, UK. Live performance. (KAR id:90124)

Walduck, Jackie and Cooper, Chloe (2021) Vibin and Marblin. Bandcamp Item format: Digital file (download or stream). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:90123)

Walduck, Jackie and Lee, Adrian (2017) Sensing Nature. Waveney and Blyth Arts Item format: Performance. (KAR id:91861)

Walker, Mike (2017) Object-Images: The Exposed Paintings of Callum Innes and the Phenomenology of Non Representational Painting. Doctor of Philosophy (PhD) thesis, University of Kent, University of Kent. (KAR id:62716)

Wallersteiner, Anthony (2000) A Cornish palimpsest : Peter Lanyon and the construction of a new landscape, 1938-1964. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86208) (KAR id:86208)

Wang, Shuaishuai, Zhou, Oscar Tianyang (2022) Being recognized in an algorithmic system: Cruel optimism in gay visibility on Douyin and Zhihu. Sexualities, . ISSN 1363-4607. E-ISSN 1461-7382. (doi:10.1177/13634607221106912) (KAR id:96162)

Wark, Scott (2022) 8. Lithium. In: An Anthropogenic Table of Elements. University of Toronto Press, Toronto, pp. 109-120. (doi:10.3138/9781487563585-009) (KAR id:99666)

Wark, Scott (2022) In “The Cloud”: figuring and inhabiting media milieus. In: Lury, Celia and Viney, William and Wark, Scott, eds. Figure: Concept and Method. Palgrave Macmillan, Singapore, pp. 41-63. E-ISBN 978-981-19-2476-7. (KAR id:99660)

Wark, Scott (2017) Media after the Medial a Priori. Review of: Medium, Messenger, Transmission: An Approach to Media Philosophy by UNSPECIFIED. Cultural Politics, 13 (2). pp. 259-262. ISSN 1743-2197. (doi:10.1215/17432197-4129269) (KAR id:97294)

Wark, Scott (2019) Meme Theory. Doctor of Philosophy (PhD) thesis, University of Warwick. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:99658)

Wark, Scott (2020) Transmediale’s Postdigital Proposition. Review of: Across and Beyond: A Transmediale Reader on Post-digital Practices, Concepts, and Institutions by UNSPECIFIED. Cultural Politics, 16 (2). pp. 274-276. ISSN 1743-2197. (doi:10.1215/17432197-8233462) (KAR id:99655)

Wark, Scott (2015) The meme - in excess of its instance. In: Excessive Research. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:99654)

Wark, Scott (2021) A postdigital angel of history? On 'Meme Theory'. In: Arkenbout, Chloë and Wilson, Jack and de Zeeuw, Daniel, eds. Critical Meme Reader: Global Mutations of the Viral Image. Institute of Network Cultures, Amsterdam, pp. 165-175. E-ISBN 978-94-92302-77-9. (KAR id:99653)

Wark, Scott (2019) The subject of circulation: on the digital subject’s technical individuations. Subjectivity, 12 (1). pp. 65-81. ISSN 1755-6341. (doi:10.1057/s41286-018-00062-5) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:97293)

Wark, Scott, Soncul, Yigit (2022) A Media-Theoretical Armamentarium: From the Pharmakon to Pharmacologies of Media. Media Theory, 6 (2). 01-24. ISSN 2557-826X. (KAR id:99662)

Wark, Scott, Sutherland, Thomas (2015) Platforms for the new: Simondon and media studies. Platform: Journal of Media and Communication, 6 (1). pp. 4-10. (KAR id:99656)

Wark, Scott and Wark, McKenzie (2019) Circulation and its Discontents. In: Brown, Alfie and Bristow, Dan, eds. Post Memes: Seizing the Memes of Production. Punctum Books, Brooklyn, NY, pp. 293-318. E-ISBN 978-1-950192-43-4. (doi:10.21983/P3.0255.1.00) (KAR id:99657)

Wassell, Ashley Steven (2021) Operation IRIS: How Commercialisation has Impacted Creativity with British Stand-Up Comedy. Master of Arts by Research (MARes) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.88279) (KAR id:88279)

Whistler, Catherine, Thomas, Ben D. H. (2017) Raphael: The Drawings. Ashmolean, 256 pp. ISBN 978-1-910807-15-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61914)

Whistler, Catherine and Thomas, Ben D.H. (2017) Raphael: The Drawings. Ashmolean Museum, 1 June - 3 September 2017, Oxford. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61919)

Wible, Zoe Ninon (2024) Fantastikaracters and Folkbiology: A Cognitive Approach to Imaginary Creatures in Fiction Film. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.107398) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:107398)

Williams, Emma, Glew, Sarah, Newman, Hannah, Kapka, Agneiska, Shaughnessy, Nicola, Herbert, Ruth, Walduck, Jackie, Foster, Annette, Cooke, Paul, Pethybridge, Ruth, and others. Shaughnessy, Caitlin, and Hugh-Jones, Siobhan (hide) (2023) Practitioner Review: Effectiveness and mechanisms of change in participatory arts-based programmes for promoting youth mental health and well-being – a systematic review. Journal of Child Psychology and Psychiatry, 64 (12). pp. 1735-1764. ISSN 0021-9630. (doi:10.1111/jcpp.13900) (KAR id:103638)

Williams, Sean, B K (2016) Interpretation and performance practice in realising Stockhausen’s Studie II. Journal of the Royal Musical Association, 141 (2). pp. 445-481. ISSN 1471-6933. E-ISSN 1471-6933. (doi:10.1080/02690403.2016.1216059) (KAR id:79865)

Wills, John (2023) Cartoon Century: Disney at 100. BBC History Magazine, 2023 (Dec). pp. 58-63. ISSN 1469-8552. (doi:NA) (KAR id:104024)

Wills, John (2023) Doom Town and Las Vegas: Fun and Fear on the Atomic Frontier Keynote. In: Frontiers and Wastelands: Redefining the Nation in US Popular Culture International Conference, 27-28 November 2023, Universidad de Alcala, Spain. (KAR id:104118)

Wills, John (2023) GAmerica: Explorations of the Pixel Frontier. , April 2023, Studio 3, University of Kent. Interactive Gallery. (KAR id:101474)

Wills, John (2023) Mechanisms of Time in Video Game Westerns from Gun Fight to Red Dead Redemption 2. European Journal of American Culture, 42 (2-3). pp. 197-214. ISSN 1466-0407. (doi:DOI: 10.1386/ejac_00105_1) (KAR id:104023)

Wills, John (2018) Playing with History: History in Videogames. BBC World Histories magazine, 2018 (11). (KAR id:104119)

Wilson, Edward (2022) "See What I'm Doing": Metacomedy in Contemporary UK Stand-up. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.95155) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:95155)

Wilson, Robbie Zachariah (2018) Towards a Ludic Ecology: Popular Participatory Peripatetic Performance. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:69349)

Windle, Peter (2022) Feeling, Scale and Religion: Approaching Abstract Painting through the Aesthetics of Susanne Langer. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.95637) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:95637)

Windsor, Mark (2019) What is the Uncanny? The British Journal of Aesthetics, 59 (1). pp. 51-65. ISSN 0007-0904. (doi:10.1093/aesthj/ayy028) (KAR id:73541)

Windsor, Mark (2016) What is the Uncanny? A Philosophical Enquiry. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.61811) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:61811)

Wollen, Will (2016) Action and the Mask: Mr S and the paper bag. In: The S Word, 18-20 Mar 2016, Sidcup, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57032)

Wollen, Will (2019) Book Review: Acting & Being: explorations in embodied performance by Elizabeth Hess. Review of: Acting & Being: explorations in embodied performance by Hess, Elizabeth. Journal of Stanislavski Studies, 7 (1). pp. 135-136. ISSN 2056-7790. (doi:10.1080/20567790.2019.1585035) (KAR id:75800)

Wollen, Will (2017) Book Review: Becoming an Actor-Creator by Nikolai Demidov. Review of: Becoming an Actor-Creator by Demidov, Nikolai. Stanislavski Studies, 5 (1). pp. 133-134. ISSN 2054-4170. (doi:10.1080/20567790.2017.1296223) (KAR id:60794)

Wollen, Will (2016) Hard rigour, soft assessment, putting the student first: What can Universities learn from Conservatoires? In: Labanarium, 6 Jan 2017, Guildford, Surrey, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59805)

Wollen, Will (2019) A Peopled Labyrinth: the histrionic sense: an analysis of the actor’s craft. Review of: A Peopled Labyrinth: the histrionic sense: an analysis of the actor’s craft by Fettes, Christopher. Stanislavski Studies, 7 (2). pp. 261-263. ISSN 2056-7790. E-ISSN 2054-4170. (doi:10.1080/20567790.2019.1644745) (KAR id:75806)

Wollen, Will (2017) Planes and Quests. In: Thinking Movement, Moving Thought, Guildford, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64068)

Wollen, Will (2005) Role of Vogon Soldiers in Hitchhikers Guide to the Galaxy (Disney 2005 dir. Garth Jennings). Performance type: Video/Film (fiction) The Hitchhiker's Guide to the Galaxy, Worldwide release. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78731)

Wollen, Will (2016) The active text: unlocking plays through physical theatre. Review of: The Active Text: Unlocking Plays Through Physical Theatre by Dymphna Callery, London, Nick Hern Books, 2015, 224 pp., ISBN 978-1-84842-127-1 by Callery, Dymphna. Stanislavski Studies, 4 (1). pp. 83-84. ISSN 2054-4170. E-ISSN 2054-4170. (doi:10.1080/20567790.2016.1155370) (KAR id:54592)

Wollen, William (2016) Played the role of Kerchak in The Legend of Tarzan (Warner Bros.2016 dir. David Yates). Performance type: Video/Film (fiction) The Legend of Tarzan, Worldwide release. Worldwide cinema release. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57025)

Wood, Aylish (2015) Aardman! In an Adventure with CGI! In: Aardman Workshop, July 2015, University of Surrey. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53142)

Wood, Aylish (2005) The Animated Queer. In: Griffiths, Robin, ed. Queer Cinema in Europe. Intellect. ISBN 1-84150-079-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4638)

Wood, Aylish (2014) Behind the Scenes: A Study of Autodesk Maya. Animation: An Interdisciplinary Journal, 9 (3). pp. 317-332. ISSN 1746-8477. (doi:10.1177/1746847714546247) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:53114)

Wood, Aylish (2008) Cinema as Technology: Encounters with an Interface. In: Furstenau, Marc and Mackenzie, Adrian and Bennett, Bruce, eds. Cinema and Technology. Palgrave Press. ISBN 978-0-230-52477-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4636)

Wood, Aylish (2014) Contests and Simulations: Tron: Legacy and its Connections with Technologies. Journal of Film and Video, . ISSN 0742-4671. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31401)

Wood, Aylish (2007) Digital Encounters. Routledge, Taylor and Francis Group, 200 pp. ISBN 978-0-415-41066-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2252)

Wood, Aylish (2007) Digital Intermediates and Digital Expressive Practice. In: Society for Cinema and Media Studies Conference 2007, 8th March - 11th March 2007, Chicago, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12964)

Wood, Aylish (2011) Digital afx: digital dressing and affective shifts in Sin City and 300. New Review of Film and Television Studies, 9 (3). pp. 283-295. ISSN 1740-0309. (doi:10.1080/17400309.2011.585860) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31397)

Wood, Aylish (2008) Encounter at the Interface: Distributed Attention and Digital Embodiments. Quarterly Review of Film and Video, 25 (3). pp. 219-229. ISSN 1050-9208. (doi:10.1080/10509200601091490) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31605)

Wood, Aylish (2015) Excavating Software Algorithms. In: Society for the Cognitive Study of the Moving Image, June 2015, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53141)

Wood, Aylish (2004) The Expansion of Narrative Space: Titanic and CGI Technology. In: Street, Sarah and Bergfelder, Tim, eds. Titanic as Myth and Memory: Representations in Visual and Literary Culture. I.B.Tauris, pp. 225-234. ISBN 1-85043-432-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4639)

Wood, Aylish (2001) Fresh Kill: Information Technologies as Sites of Resistance. In: Munt, Sally, ed. Technospaces: inside the new media. Continuum, pp. 161-174. ISBN 0-8264-5003-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4642)

Wood, Aylish (2014) Gravity. Review of: Gravity by Cuaron, Alfonso. Science Fiction Film and Television, 7 (3). pp. 441-444. ISSN 1754-3770. E-ISSN 1754-3789. (doi:10.3828/sfftv.2014.25) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:53144)

Wood, Aylish (2013) Hugo and 3D Space: tracing digital contours. In: Society for Cinema and Media Studies Conference 2013, March 2013, Chicago, IL. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53139)

Wood, Aylish (2015) Inception’s Timespaces. In: North, D. and Rehak, R. and Duffy, M.S., eds. Special Effects: New Histories, Theories, Contexts. BFI: Palgrave Macmillan / Bloomsbury, pp. 254-266. ISBN 978-1-84457-517-6. (doi:10.1007/978-1-84457-904-4_18) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31403)

Wood, Aylish (2013) Intangible Spaces: Tracing Technologies in the 3-D Space of Hugo. In: CRASSH: Joining the Dots, April 2013, University of Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53138)

Wood, Aylish (2013) Intangible space: three-dimensional technology in Hugo and IMAX in The Dark Knight. Convergence: The International Journal of Research Into New Media Technologies, 19 (4). pp. 1-13. ISSN 1354-8565. (doi:DOI: 10.1177/1354856513501414) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:35284)

Wood, Aylish (2013) Introducing 'more-than-representational space: software and visual effects. In: The Magic of Special Effects, November 2013, Montreal. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53137)

Wood, Aylish (2020) Mad Max: Fury Road and the toxic storm: the transcalar possibilities of digital images. Screen, 61 (1). pp. 75-97. ISSN 0036-9543. (doi:10.1093/screen/hjaa001) (KAR id:79276)

Wood, Aylish (2015) Making Movements: Technological Imaginations of Animators and Algorithms. In: Society for Animation Studies 2015, July 2015, Christchurch College Canterbury. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53140)

Wood, Aylish (2010) Making the Dark Knight. In: MeCCSa Conference 2010, 6th-8th January 2010, London School of Economics. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25497)

Wood, Aylish (2004) The Metaphysical Fabric that Binds Us’: Proprioceptive Coherence and Performative Space in Minority Report. New Review of Film and Television Studies, 2 (1). pp. 1-18. ISSN 1740-0309. (KAR id:4635)

Wood, Aylish (2007) 'Pixel Visions: Digital Intermediates and Micromanipulations of the Image'. Quarterly Review of Film and Video, Film C (1). pp. 72-94. ISSN 0163-5069. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:2251)

Wood, Aylish (2008) Proliferating Connections and Communicating Convergence. Fibreculture, (13). ISSN 1449-1443. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4632)

Wood, Aylish (2006) Re-Animating Space. Animation: An Interdisciplinary Journal, 1 (2). pp. 133-152. ISSN 1746-8477. E-ISSN 1746-8485. (doi:10.1177/1746847706068896) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:4634)

Wood, Aylish (2012) Recursive space: play and creating space. Games and Culture, 7 (1). pp. 87-105. ISSN 1555-4120. (doi:10.1177/1555412012440310) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31399)

Wood, Aylish (2010) Resolving the Posthuman. In: The Posthuman Subject, 2nd-3rd July 2010, University of Surrey. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25498)

Wood, Aylish (2014) Software and Visual Effects. In: Society for Animation Studies, June 2014, Toronto. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53133)

Wood, Aylish (2014) Software, Animation and Autodesk Maya. In: Digital in Depth, May 2014, University of Warwick. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53135)

Wood, Aylish (2014) Software, Animation and the Moving Image: What’s in the Box? In: Creative Animation Knowledge Exchange Conference, July 2014, Edge Hill. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53134)

Wood, Aylish (2015) Software, Animation, and the Moving Image: What's in the Box? Pivot . Palgrave MacMillan, Basingstoke, 120 pp. ISBN 978-1-137-44884-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53116)

Wood, Aylish (2013) Sonic Times in Inception and Watchmen. In: Vernalis, Carol and Richardson, John and Herzog, Amy, eds. The Oxford Handbook of Sound and Image in Digital Media. Oxford University Press, Oxford, pp. 417-437. ISBN 978-0-19-025817-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31402)

Wood, Aylish (2013) Talking about Maya. . University of Kent, 60 pp. pdf. (KAR id:37675)

Wood, Aylish (2002) Technoscience in contemporary American films: beyond science fiction. Manchester University Press, 240 pp. ISBN 0-7190-5773-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1099)

Wood, Aylish (2005) Vectorial dynamics: transtextuality and complexity in the Matrix. In: Gillis, Stacy, ed. The Matrix. Wallflower Press. ISBN 1-904764-32-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1102)

Wood, Aylish (2014) What’s in the Box? In: BAFTSS Annual Conference, April 2014, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53136)

Wood, Aylish (2012) Where Codes Collide: the Emergent Ecology of Avatar. Animation: An Interdisciplinary Journal, 7 (3). pp. 309-322. ISSN 1746-8477. (doi:10.1177/1746847712456261) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31400)

Wood, Aylish (2019) Where Do Shapes Come From? In: Harris, Miriam and Husbands, Lilly and Taberham, Paul, eds. Experimental Animation: from analogue to digital. Routledge, London, UK. ISBN 978-1-138-70296-7. E-ISBN 978-1-138-70298-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:67447)

Wood, Aylish (1998) "You ever fuck a mutant?" Technology, Gender and Identity in Total Recall. In: Ainley, Rosa, ed. New Frontiers of Space, Bodies and Gender. Routledge, pp. 191-202. ISBN 0-415-15490-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4645)

Wood, Aylish (2004) The collapse of reality and illusion in The Matrix. In: Tasker, Yvonne, ed. The Action Reader. Routledge, pp. 119-129. ISBN 0-415-23507-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4640)

Wood, Aylish (2002) The timespaces of spectacular cinema: crossing the great divide of spectacle versus narrative. Screen, 43 (4). pp. 370-386. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1100)

Woods, David William (2005) How to be funny : parody, prank, passion and play in the comic techniques of Ridiculusmus Theatre Company. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94737) (KAR id:94737)

Wright, Michael A.E., Knowles, Christopher J., Petit, Frederic, Furstoss, Roland (1994) Enantioselective Inhibition Studies of the Cyclohexanone Monooxygenase from Acinetobacter SP NCIMB-9871. Biotechnology Letters, 16 (12). pp. 1287-1292. ISSN 0141-5492. (doi:10.1007/BF00149633) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20114)

Y

Yao, Qiwei, Tong, Howell (1994) On Prediction and Chaos in Stochatic-systems. Philosophical Transactions of the Royal Society A: Mathematical, Physical & Engineering Sciences., 348 (1688). pp. 357-369. ISSN 0261-0523. (doi:10.1098/rsta.1994.0096) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20119)

Yu, Zizheng, Hou, Jiaxi, Zhou, Oscar Tianyang (2023) Short Video Activism With and on Douyin: An Innovative Repertoire of Contention for Chinese Consumers. Social Media + Society, 9 (1). Article Number 2056305123. ISSN 2056-3051. E-ISSN 2056-3051. (doi:10.1177/20563051231157603) (KAR id:100207)

Z

Zhang, Ming, Zhou, Oscar Tianyang (2023) The Representation of the Russia-Ukraine War in Chinese Hetalia Fan Culture. . Blog post. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:99402)

Zhou, Oscar Tianyang (2019) "Chinese Top, British Bottom": Becoming a Gay Male Internet Celebrity in China. In: EGUCHI, S. and CALAFELL, B., eds. Queer Intercultural Communication: The Intersectional Politics of Belonging in and across Differences. Rowman & Littlefield, pp. 79-95. ISBN 978-1-5381-2140-5. E-ISBN 978-1-5381-2142-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97632)

Zhou, Oscar Tianyang (2020) Communicating ‘Race’ in A Digitized Gay China. In: Ramos, Regner and Mowlabocus, Sharif, eds. Queer Sites in Global Contexts: Technologies, Spaces, and Otherness. Routledge, London, pp. 162-178. ISBN 978-0-367-43301-7. E-ISBN 978-1-003-00233-8. (doi:10.4324/9781003002338-11) (KAR id:96178)

Zhou, Oscar Tianyang (2023) Gay Men in/and Kangsi Coming. In: Zhao, Jamie J., ed. Queer TV China: Televisual and Fannish Imaginaries of Gender, Sexuality, and Chineseness. Queer Asia . Hong Kong University Press, pp. 161-176. ISBN 978-988-8805-61-7. (KAR id:97631)

Zhou, Oscar Tianyang (2018) Jack’d, Douban Group, and Feizan.com: the Impact of Cyberqueer Techno-Practice on the Chinese Gay Male Experience. In: Grider, John T. and van Reenen, Dionne, eds. Exploring Erotic Encounters: The Inescapable Entanglement of Tradition, Transcendence and Transgression. Brill, United Kingdom, pp. 27-43. (doi:10.1163/9789004382299_004) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97623)

Zhou, Oscar Tianyang, Zhang, Ming (2022) Watching National Treasure, creating danmei tongren: stories of power and the power of stories. Feminist Media Studies, 23 (7). pp. 3515-3532. ISSN 1468-0777. (doi:10.1080/14680777.2022.2126871) (KAR id:97596)

Zubillaga, Luciano (2021) TCOET: Queer theory, pornography, science fiction. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.87797) (KAR id:87797)

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Ça?layan, Orhan Emre (2014) Screening boredom: the history and aesthetics of slow cinema. Doctor of Philosophy (PhD) thesis, University of Kent. (KAR id:43155)

Çaglayan, Orhan Emre (2014) Screening boredom : the history and aesthetics of slow cinema. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86516) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:86516)