Stanfield, Peter (2008) Maximum Movies: Lawrence Alloway’s Pop Art Film Criticism. Screen, 49 (2). pp. 179-193. ISSN 0036-9543. (doi:10.1093/screen/hjn032) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12944)
| The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. | |
| Official URL: http://dx.doi.org/10.1093/screen/hjn032 |
| Item Type: | Article |
|---|---|
| DOI/Identification number: | 10.1093/screen/hjn032 |
| Subjects: | N Visual Arts |
| Divisions: | Divisions > Division of Arts and Humanities > School of Arts |
| Depositing User: | Peter Stanfield |
| Date Deposited: | 05 Sep 2008 10:26 UTC |
| Last Modified: | 16 Nov 2021 09:50 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/12944 (The current URI for this page, for reference purposes) |
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