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Digital afx: digital dressing and affective shifts in Sin City and 300

Wood, Aylish (2011) Digital afx: digital dressing and affective shifts in Sin City and 300. New Review of Film and Television Studies, 9 (3). pp. 283-295. ISSN 1740-0309. (doi:10.1080/17400309.2011.585860) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Abstract

In Sin City (Robert Rodriguez, 2005) and 300 (Zack Snyder, 2006) extensive

of the image, and added or subtracted elements. Framing a discussion around

representational and aesthetic dimensions. Brian Massumi suggests affective

embedded in a meaning system, linked to a speci?c emotion. The second

not yet gathered into an alignment with meaning. The term ‘digital afx’

modes of engagement to coexist. Digital afx are present when two competing

consequence the afx mingle with and shift the content of representations

Item Type: Article
DOI/Identification number: 10.1080/17400309.2011.585860
Uncontrolled keywords: Sin City; 300; emotion; affect; Brian Massumi; digital images; colour
Subjects: P Language and Literature > PN Literature (General) > PN1993 Motion Pictures
Divisions: Faculties > Humanities > School of Arts > Film
Depositing User: Aylish Wood
Date Deposited: 08 Oct 2012 15:59 UTC
Last Modified: 27 Sep 2019 14:39 UTC
Resource URI: https://kar.kent.ac.uk/id/eprint/31397 (The current URI for this page, for reference purposes)
Wood, Aylish: https://orcid.org/0000-0001-8264-6574
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