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The decisive moment and the moment in between: Kairos, Tyche and the play of street photography

Castoro, Manila (2016) The decisive moment and the moment in between: Kairos, Tyche and the play of street photography. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:60420)

Language: English

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This dissertation provides a theoretical and historical exploration of two contrasting approaches and attitudes that took hold in street photography during the 1950s, and of their impact on the street photography of the 1960s and 1970s. The two approaches and attitudes are identified as, firstly, that of the "decisive moment," and, secondly, what is referred to as the "moment in between." The former attitude was famously introduced by Henri Cartier-Bresson and exemplified within his work, while the latter is distinctly manifested in the work of William Klein and Robert Frank. Through a comparative and interpretative approach to each, this study analyses the work of photographers whose imagery exemplifies the stylistic differences, and the conceptual and theoretical underpinnings of the two attitudes to street photography.

The second part of the dissertation is dedicated to the impact of the decisive moment and the moment in between upon the North American street photography of the 1960s and upon the work of photographers active outside of the North American and Western European cultural and intellectual contexts. In particular, it is argued that in the 1960s, Garry Winogrand, Diane Arbus and Lee Friedlander established within their work a bridge between the approaches of the decisive moment and the moment in between, bringing about their fruitful co-existence within a single image. By interpreting these elements through the categories of kair?s and tyche, I analyse how these photographers embraced both approaches with the aim of appreciating the aesthetic opportunities resulting from their union.

This second part also involves an examination of the extent to which forms of street photography that developed in relative isolation from the intellectual and cultural contexts of North American or Western European street photography, or which are embedded in non-Western ideas and philosophy, may still be understood by means of the dichotomy between the decisive moment and the moment in between. The works of Miroslav Tichý, a photographer who worked in the climate of seclusion of Communist Czechoslovakia, and Raghubir Singh, an Indian photographer who was profoundly influenced by Indian philosophy, are analysed in order to assess whether or not the categories of kair?s and tyche can be usefully employed in their interpretation.

Item Type: Thesis (Doctor of Philosophy (PhD))
Thesis advisor: Friday, Jonathan
Uncontrolled keywords: Street Photography, The Decisive Moment, The Moment in Between, Time, Chance, Kairos, Tyche, Theories of Play, Henri Cartier-Bresson, William Klein, Robert Frank, Garry Winogrand, Diane Arbus, Lee Friedlander, Miroslav Tichý, Raghubir Singh
Subjects: N Visual Arts
Divisions: Faculties > Humanities > School of Arts
Depositing User: Users 1 not found.
Date Deposited: 16 Feb 2017 16:00 UTC
Last Modified: 29 May 2019 18:41 UTC
Resource URI: (The current URI for this page, for reference purposes)
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