Collective Improvisation: The Practice and Vision of Ingemar Lindh

Camilleri, Frank (2008) Collective Improvisation: The Practice and Vision of Ingemar Lindh. TDR - The Drama Review, 52 (4). pp. 82-97. ISSN 1054-2043. (doi:10.1162/dram.2008.52.4.82) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:14657)

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Official URL: http://dx.doi.org/10.1162/dram.2008.52.4.82

Abstract

Ingemar Lindh's research on the principles of collective improvisation and performance conceived as process announce an important development in the 20th-century tradition of the actor's work. After early studies with Étienne Decroux and working collaborations with Jerzy Grotowski, Eugenio Barba, and Yves Lebreton, Lindh founded the first laboratory theatre in Sweden in 1971, the Institutet för Scenkonst. His practice of collective improvisation is viewed in light of postdramatic concerns such as its resistance to fixed scores, directorial montage, and choreography as an organizing principle.

Item Type:	Article
DOI/Identification number:	10.1162/dram.2008.52.4.82
Subjects:	N Visual Arts
Divisions:	Divisions > Division of Arts and Humanities > School of Arts
Depositing User:	Frank Camilleri
Date Deposited:	11 Dec 2008 14:05 UTC
Last Modified:	16 Nov 2021 09:53 UTC
Resource URI:	https://kar.kent.ac.uk/id/eprint/14657 (The current URI for this page, for reference purposes)

University of Kent Author Information

Camilleri, Frank.

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