Le Sang Provençal: Joachim Gasquet’s Cézanne

Kear, Jon (2002) Le Sang Provençal: Joachim Gasquet’s Cézanne. Journal of European Studies, 32 (125-6 Part 2-3). pp. 135-150. ISSN 0047 2441. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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This article examines Joachim Gasquet’s biography of Cézanne, which has been a hugely influential text on the scholarship on the painter, purporting as it does to provide first hand evidence of the painter’s views about painting from a source close to him in his native Provence, where he lived and worked. Gasquet’s book thereby appears to compensate for the painter’s own reluctance to discuss his theories of art with his interlocutors. It is also a book that has acquired renewed relevance as Cézanne interpreters begin to reassess his work and emphasise the importance of the context of Provençal traditions and in particular the painter’s engagement with the Provençal regionalist movement, the Félibrige, of which Gasquet was a leading poet and member. The article seeks to reassess our understanding of Gasquet’s text at a key moment of reorientation in the study of Cézanne. Through a meticulous examination of Cézanne’s correspondence it reveals the close relationship and artistic affinities between the painter and the poet, refuting the criticism that Gasquet exaggerated the nature of his friendship with the artist.

Item Type: Article
Subjects: P Language and Literature > PQ Romance literatures
N Fine Arts > ND Painting
Divisions: Faculties > Humanities > School of Arts
Depositing User: Diane Peretti
Date Deposited: 19 Dec 2007 18:52
Last Modified: 27 May 2014 15:34
Resource URI: https://kar.kent.ac.uk/id/eprint/1319 (The current URI for this page, for reference purposes)
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