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Visual Geometry: El Lissitzky and the Establishment of Conceptions of Space–Time in Avant-garde Art

Dukhan, Igor, Lodder, Christina (2016) Visual Geometry: El Lissitzky and the Establishment of Conceptions of Space–Time in Avant-garde Art. Art in Translation, 8 (2). pp. 194-220. ISSN 1756-1310. (doi:10.1080/17561310.2016.1216050) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75237)

The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided.
Official URL:
https://doi.org/10.1080/17561310.2016.1216050

Abstract

The development of new spatial and temporal conceptions in twentieth-century art is examined through the prism of the ideas of El Lissitzky’s text “Art and Pangeometry.” A comparative analysis of space–time models in art, mathematics and physics indicates that at the beginning of the twentieth century, artistic experiments “had fallen behind” in the intensity of their conceptual construction of space. This text analyzes the ways in which irrational spaces were modeled in the theory and practice of El Lissitzky and the avant-garde in tandem with the move towards an artistic image of space–time.

Item Type: Article
DOI/Identification number: 10.1080/17561310.2016.1216050
Uncontrolled keywords: space–time conceptions, avant-garde, space in art, time in art, perspective, developments in mathematics, relativity
Divisions: Divisions > Division of Arts and Humanities > School of Arts
Depositing User: C. Lodder
Date Deposited: 05 Jul 2019 15:25 UTC
Last Modified: 17 Aug 2022 12:22 UTC
Resource URI: https://kar.kent.ac.uk/id/eprint/75237 (The current URI for this page, for reference purposes)

University of Kent Author Information

Lodder, Christina.

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