Frey, Mattias (2006) Benny’s Video, Caché, and the Desubstantiated Image. Framework: The Journal of Cinema and Media, 47 (2). pp. 30-36. ISSN 0306-7661. (doi:10.1353/frm.2006.0011) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20319)
| The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. | |
| Official URL: http://dx.doi.org/10.1353/frm.2006.0011 |
| Item Type: | Article |
|---|---|
| DOI/Identification number: | 10.1353/frm.2006.0011 |
| Subjects: | N Visual Arts |
| Divisions: | Divisions > Division of Arts and Humanities > School of Arts |
| Depositing User: | Mattias Frey |
| Date Deposited: | 26 Jun 2009 11:01 UTC |
| Last Modified: | 16 Nov 2021 09:58 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/20319 (The current URI for this page, for reference purposes) |
University of Kent Author Information
Frey, Mattias.
| Creator's ORCID: |
 https://orcid.org/0000-0002-3388-0353
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|---|---|
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