Skip to main content
Kent Academic Repository

The subject of circulation: on the digital subject’s technical individuations

Wark, Scott (2019) The subject of circulation: on the digital subject’s technical individuations. Subjectivity, 12 (1). pp. 65-81. ISSN 1755-6341. (doi:10.1057/s41286-018-00062-5) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:97293)

PDF Author's Accepted Manuscript
Language: English

Restricted to Repository staff only
Contact us about this Publication
[thumbnail of TheSubjectofCirculation_Rev1_AC.pdf]
XML Word Processing Document (DOCX) (This is a post-peer-review, pre-copyedited version of an article published in Subjectivity. The final authenticated version is available online at: https://doi.org/10.1057/s41286-018-00062-5) Author's Accepted Manuscript
Language: English

Restricted to Repository staff only
Contact us about this Publication
[thumbnail of This is a post-peer-review, pre-copyedited version of an article published in Subjectivity. The final authenticated version is available online at: https://doi.org/10.1057/s41286-018-00062-5]
Official URL:
https://doi.org/10.1057/s41286-018-00062-5

Abstract

The concept of the digital subject proposes that online subjectivity is a mediated construct. This article extends this concept by arguing that online subjectivity is not a property of human users, but of digital subjects enacted in circulating data. It develops the digital subject by, first, using Phillip Agre’s concept of “grammars of action” to argue that computational architectures exclude humans from the position of the user; and, second, using Gilbert Simondon’s and Yuk Hui’s philosophies of technology to posit the digital subject as a determinate technical entity that, as per Hui’s re-working of Simondon, inhabits a “digital milieu”. Online, this digital subject inverts the human-technology relationship. It individuates by entering circulation, excluding us from individuating whilst individuating us in turn. This article expands upon this claim by analysing projects by Amalia Ulman and Zach Blas and their thematisation of visibility, identity and authenticity in online subjectivity.

Item Type: Article
DOI/Identification number: 10.1057/s41286-018-00062-5
Uncontrolled keywords: Subjectivity; Digital Media; Circulation; Individuation; Simondon; Post-internet Art
Divisions: Divisions > Division of Arts and Humanities > School of Arts
Funders: University of Kent (https://ror.org/00xkeyj56)
Depositing User: Scott Wark
Date Deposited: 05 Oct 2022 12:16 UTC
Last Modified: 05 Nov 2024 13:02 UTC
Resource URI: https://kar.kent.ac.uk/id/eprint/97293 (The current URI for this page, for reference purposes)

University of Kent Author Information

  • Depositors only (login required):

Total unique views for this document in KAR since July 2020. For more details click on the image.