Misek, Richard (2017) The Black Screen. Alchemy Film and Moving Image Festival DCP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61733)
| The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. (Contact us about this Publication) | |
| Official URL: http://mediacommons.futureofthebook.org/intransiti... |
Abstract
All films emerge from and return to the void of the black screen. Black is cinema’s ground, a blank canvas in negative. Yet when we see a black or near-black image within a film, it is never nothing. What does the black screen reveal to us... or conceal from us? In this film, an unseen editor explores the ambiguity and mystery of cinema’s primary colour by taking a mental journey through some of the most obscure moments in film history.
| Item Type: | Visual media |
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| Uncontrolled keywords: | black; light; editing; essay film |
| Subjects: |
N Visual Arts > N Visual arts (General). For photography, see TR P Language and Literature > PN Literature (General) > PN1993 Motion Pictures |
| Divisions: | Divisions > Division of Arts and Humanities > School of Arts |
| Funders: | [UNSPECIFIED] Arts and Humanities Research Council |
| Depositing User: | Richard Misek |
| Date Deposited: | 15 Sep 2017 13:23 UTC |
| Last Modified: | 28 Sep 2021 12:56 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/61733 (The current URI for this page, for reference purposes) |
University of Kent Author Information
Misek, Richard.
| Creator's ORCID: |
 https://orcid.org/0000-0002-5870-521X
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