Brooks, Helen E.M. (2014) Theorizing the Woman Performer. In: Swindells, Julia and Taylor, David Francis, eds. The Oxford Handbook of the Georgian Theatre 1737-1832. First Edition. Oxford University Press. ISBN 978-0-19-960030-4. (doi:10.1093/oxfordhb/9780199600304.013.038) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31606)
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| Official URL: http://dx.doi.org/10.1093/oxfordhb/9780199600304.0... |
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| Item Type: | Book section |
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| DOI/Identification number: | 10.1093/oxfordhb/9780199600304.013.038 |
| Uncontrolled keywords: | School of Arts |
| Subjects: |
P Language and Literature > PN Literature (General) > PN441 Literary History P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The theatre P Language and Literature > PR English literature |
| Institutional Unit: | Schools > School of Arts and Architecture > Arts |
| Former Institutional Unit: |
Divisions > Division of Arts and Humanities > School of Arts
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| Depositing User: | Helen Brooks |
| Date Deposited: | 12 Oct 2012 08:06 UTC |
| Last Modified: | 20 May 2025 08:25 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/31606 (The current URI for this page, for reference purposes) |
University of Kent Author Information
Brooks, Helen E.M..
| Creator's ORCID: |
 https://orcid.org/0000-0003-2650-0524
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