Turner, Sarah (2018) The Three Ecologies. Writing experimental, site based, responsive narrative for the screen. Ecology, 97 mins, 2007, Perestroika, 118 mins, 2009/10, Public House, 96 mins, 2015/16. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:68751)
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Abstract
The genesis for all three of my feature films, Ecology, Perestroika and Public House, was the challenge of an experimental writing project, which in each case sought to map new connections, within genre and innovate through structural interdependencies that fuse form and content. All three films evolved through responsive writing processes, which were, crucially, responsive to place, and all were further enabled by a responsive and reflexive use of digital technologies. In this thesis I will map some of the broad interwoven areas of concern and some of the frameworks of reference and enquiry, before discussing each film in detail.
Item Type: | Thesis (Doctor of Philosophy (PhD)) |
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Thesis advisor: | Cowie, Elizabeth |
Thesis advisor: | Shaughnessy, Nicola |
Uncontrolled keywords: | feminism, film phenomenology, psychoanalysis, verticality, screenplay, soundscape, narrative, memory, reflexivity, acoustic ecologies, polyphony, participatory, acousmatic composition, Film Practice as research |
Divisions: | Divisions > Division of Arts and Humanities > School of Arts |
SWORD Depositor: | System Moodle |
Depositing User: | System Moodle |
Date Deposited: | 21 Aug 2018 14:10 UTC |
Last Modified: | 05 Nov 2024 12:30 UTC |
Resource URI: | https://kar.kent.ac.uk/id/eprint/68751 (The current URI for this page, for reference purposes) |
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