Allain, Paul (1998) Suzuki Training: An Update. Drama Review, 42 (1). pp. 66-89. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2374)
The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. | |
Official URL: http://www.jstor.org/stable/1146647 |
Abstract
Tadashi Suzuki is a leading experimental Japanese theater director about and by whom much has already been written. Numerous renowned theater companies and artists have participated in his summer internation festival, which takes place in a small village of Toga where he has established an extensive base comprising a large outdoor amphitheater and two smaller studios, as well as accommodation and leisure facilities. Even for those who have never been to Toga or seen the Suzuki Company of Toga (SCOT) perform, his work still has significance because of the international impact the Suzuki Method has had on the filed of performer training since the late 1970s.
Item Type: | Article |
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Subjects: | N Visual Arts |
Divisions: | Divisions > Division of Arts and Humanities > School of Arts |
Depositing User: | Kevin Goddard |
Date Deposited: | 11 Mar 2008 08:50 UTC |
Last Modified: | 05 Nov 2024 09:33 UTC |
Resource URI: | https://kar.kent.ac.uk/id/eprint/2374 (The current URI for this page, for reference purposes) |
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