Trimingham, M F (2017) Agency and Empathy: Artists Touch the Body. In: Barbieri, Donatella, ed. Costume in Performance: Materiality, Culture, and the Body. Bloomsbury, London UK, pp. 137-165. ISBN 978-1-4742-3687-4. E-ISBN 978-1-4742-3688-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65306)
The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. (Contact us about this Publication) | |
Official URL: https://www.bloomsbury.com/uk/costume-in-performan... |
Abstract
The chapter researches empathy in relation to mainly Modernist costumes using a costume centered and practice orientated methodology. Trimingham ascertains the gestural empathy of costume and the dynamic impulses that are generated by the wearing of costume, all of which were discovered in the early years of the twentieth century by avant-garde performers and visual artists moving into the medium of theatre and performance. Trimingham looks at early twentieth century Russian costume, the Viennese dancers of the 1920s such as Hilde Holger, the Bauhaus and finally Robert Wilson.
Item Type: | Book section |
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Uncontrolled keywords: | Body, costume, Modernism |
Subjects: |
A General Works A General Works > AZ History of Scholarship. The Humanities N Visual Arts N Visual Arts > N Visual arts (General). For photography, see TR N Visual Arts > NC Drawing. Design. Illustration |
Divisions: | Divisions > Division of Arts and Humanities > School of Arts |
Depositing User: | Melissa Trimingham |
Date Deposited: | 12 Dec 2017 15:13 UTC |
Last Modified: | 16 Feb 2021 13:51 UTC |
Resource URI: | https://kar.kent.ac.uk/id/eprint/65306 (The current URI for this page, for reference purposes) |
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