David Hockney’s Early Etchings: Going Transatlantic and Being British

Hammer, Martin (2017) David Hockney’s Early Etchings: Going Transatlantic and Being British. Tate Pepers, (27). ISSN 1753-9854. E-ISSN 1753-9854. (KAR id:61795)

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Abstract

David Hockney’s early autobiographical prints, My Bonnie Lies Over the Ocean 1961 and the series A Rake’s Progress 1961–3, are examined in relation to contemporary developments in American art and literature, the artist’s affinities with his British modernist contemporaries and predecessors, and other aspects of his emerging sense of artistic and sexual identity.

Item Type:	Article
Additional information:	This issue of Tate Papers, comprising 8 papers on the theme of transatlantic artistic exchange, was co-edited by Professor Martin Hammer and Professor David Peters Corbett
Subjects:	N Visual Arts > N Visual arts (General). For photography, see TR
Divisions:	Divisions > Division of Arts and Humanities > School of Arts
Depositing User:	Martin Hammer
Date Deposited:	19 May 2017 14:36 UTC
Last Modified:	05 Nov 2024 10:56 UTC
Resource URI:	https://kar.kent.ac.uk/id/eprint/61795 (The current URI for this page, for reference purposes)

University of Kent Author Information

Hammer, Martin.

Creator's ORCID:	https://orcid.org/0000-0002-1129-5823
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