Musicality in Theatre – Music as Model, Method and Metaphor in Theatre-making

Roesner, David P. (2014) Musicality in Theatre – Music as Model, Method and Metaphor in Theatre-making. Other. Ashgate, Farnham (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. (Contact us about this Publication)

Abstract

This book seeks to trace and revise our view of the relationship of music and theatre from the perspective of theatre history in the modern and postmodern period, demonstrating how music has continued to be immensely influential in key developments of theatre. The new perspective offered derives from two shifts in focus: on the one hand, the book will concentrate in particular on theatre-making, i.e. the creation processes of theatre, on the other it will trace a notion of “musicality” as driver of theatrical innovation, i.e. focus on musical qualities, metaphors and principles, rather than necessarily on actual music.

Item Type: Monograph (Other)
Projects: [UNSPECIFIED] Musicality in (the) Theatre. Concepts and practices of interart processes in theatre making
Subjects: M Music and Books on Music > M Music
P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theatre
Divisions: Faculties > Humanities > School of Arts > Drama and Theatre
Depositing User: David Roesner
Date Deposited: 02 Dec 2013 14:49 UTC
Last Modified: 29 May 2019 11:09 UTC
Resource URI: https://kar.kent.ac.uk/id/eprint/35633 (The current URI for this page, for reference purposes)
  • Depositors only (login required):