Guerin, Frances (1994) Enduring the Vagaries: The Viewer as Master and Slave in Pasolini's Salò,. Melbourne Journal of Politics, 22 (N/A). pp. 45-65. ISSN 0085-3224. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44338)
| The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. | |
| Official URL: http://mjp.arts.unimelb.edu.au/ |
| Item Type: | Article |
|---|---|
| Subjects: | N Visual Arts |
| Divisions: | Divisions > Division of Arts and Humanities > School of Arts |
| Depositing User: | Frances Guerin |
| Date Deposited: | 01 Dec 2014 15:16 UTC |
| Last Modified: | 16 Nov 2021 10:17 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/44338 (The current URI for this page, for reference purposes) |
University of Kent Author Information
Guerin, Frances.
| Creator's ORCID: |
 https://orcid.org/0000-0003-1283-8153
|
|---|---|
| CReDIT Contributor Roles: |
- Export to:
- RefWorks
- EPrints3 XML
- BibTeX
- CSV
- Depositors only (login required):
Download Statistics
Download Statistics
