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Ambivalence and Ambiguity: David Sylvester on Henry Moore

Hammer, Martin (2015) Ambivalence and Ambiguity: David Sylvester on Henry Moore. In: Henry Moore: Sculptural Process and Public Identity. Tate Research Publication. ISBN 978-1-84976-391-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50280)

The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. (Contact us about this Publication)
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http://www.tate.org.uk/art/research-publications/h...

Abstract

Part of the "Critics and Moore" section of the "Henry Moore: Sculptural Process and Public Identity" Tate research project.

David Sylvester was a prominent commentator on Moore’s work in the post-war years, producing extended critical accounts, which sometimes accompanied the exhibitions of Moore’s work he curated, and shorter reviews. As explored here, the ambiguous bodily and sexual associations of Moore’s work proved a consistent theme in his writings on the artist over a period of many decades

Item Type: Book section
Uncontrolled keywords: History and Philosophy of Art
Subjects: N Visual Arts > N Visual arts (General). For photography, see TR
Divisions: Faculties > Humanities > School of Arts > History and Philosophy of Art
Depositing User: Martin Hammer
Date Deposited: 25 Aug 2015 09:55 UTC
Last Modified: 06 Mar 2020 04:07 UTC
Resource URI: https://kar.kent.ac.uk/id/eprint/50280 (The current URI for this page, for reference purposes)
Hammer, Martin: https://orcid.org/0000-0002-1129-5823
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