War, Revolution and Design: exploring pedagogy, practice based research and costume for performance through the Russian avant-garde theatre

Trimingham, Melissa and Barbieri, Donatella (2016) War, Revolution and Design: exploring pedagogy, practice based research and costume for performance through the Russian avant-garde theatre. Studies in Theatre and Performance, 36 (3). pp. 269-280. ISSN 1468-2761. (doi:https://doi.org/10.1080/14682761.2016.1191310) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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http://dx.doi.org/10.1080/14682761.2016.1191310

Abstract

This article recounts an edited conversation that took place at the V & A symposium ‘Russian Avant-garde Theatre: War Revolution and Design’ held on the 24 January 2014, which accompanied the exhibition of the same name. Fashion historian Amber Jane Butchart (V&A and London College of Fashion, University of the Arts London) led Melissa Trimingham (University of Kent) and Donatella Barbieri (London College of Fashion, University of the Arts London) in a conversation discussing the relationship of Russian costume design with the avant-garde in early Modernism across Europe.

Item Type: Article
Subjects: D History General and Old World > DK Russia. Soviet Union. Former Soviet Republics
N Fine Arts
Divisions: Faculties > Humanities > School of Arts > Drama and Theatre
Depositing User: Melissa Trimingham
Date Deposited: 06 Dec 2016 16:05 UTC
Last Modified: 07 Aug 2018 15:16 UTC
Resource URI: https://kar.kent.ac.uk/id/eprint/59481 (The current URI for this page, for reference purposes)
Trimingham, Melissa: https://orcid.org/0000-0003-2176-9655
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