Sayad, Cecilia (2005) Fresh Flesh for the Author: The Effects of Directorial Self-Inscription in the Films of Jean-Luc Godard and Eduardo Coutinho. In: Society for Cinema and Media Studies Conference 2005 (London), April 2005, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36188)
| The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. |
| Item Type: | Conference or workshop item (Paper) |
|---|---|
| Uncontrolled keywords: | documentary, essay film, Eduardo Coutinho, Jean-Luc Godard, Histoire(s) du cinema, Twenty Years Later, authorship, film, self-inscription, auteurism |
| Subjects: | P Language and Literature > PN Literature (General) > PN1993 Motion Pictures |
| Divisions: | Divisions > Division of Arts and Humanities > School of Arts |
| Depositing User: | Cecilia Sayad |
| Date Deposited: | 11 Nov 2013 22:24 UTC |
| Last Modified: | 16 Nov 2021 10:13 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/36188 (The current URI for this page, for reference purposes) |
University of Kent Author Information
Sayad, Cecilia.
| Creator's ORCID: |
 https://orcid.org/0000-0002-1817-1794
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