Allain, Paul (1995) Coming Home: The New Ecology of The Gardzienice Theatre Association of Poland. Drama Review, 39 (1). pp. 93-121. (doi:10.2307/1146405) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2373)
The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. | |
Official URL: http://www.jstor.org/stable/1146405 |
Abstract
The work of the Gardzienice Theatre Association of Poland has twice previously been documented in this journal, most recently in 1987 (TDR 31, 1). Since then the company has furthered its reputation abroad; in 1993, for example, they were invited to Tadashi Suzuki's renowned international festival in Toga, Japan. They have also become more widely recognized at home, with award-winning performances at many Polish festivals. They have also considerably expanded their base in the village of Gardzienice, from which they take their name. These positive developments have occurred alongside minor fracturing in the personnel of the company, major administrative difficulties such as debt-in June 1993 this was roughly the equivalent of £8,000- and some artistic 'dilution' or lack of clarity in the company's direction.
Item Type: | Article |
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DOI/Identification number: | 10.2307/1146405 |
Subjects: | N Visual Arts |
Divisions: | Divisions > Division of Arts and Humanities > School of Arts |
Depositing User: | Kevin Goddard |
Date Deposited: | 11 Mar 2008 08:47 UTC |
Last Modified: | 05 Nov 2024 09:33 UTC |
Resource URI: | https://kar.kent.ac.uk/id/eprint/2373 (The current URI for this page, for reference purposes) |
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