Trimingham, Melissa (2012) bauhaus lighthouse: der bau als buehne das buehne als bau. In: bauhaus art as life. Konig, Cologne, pp. 200-203. ISBN 978-3-86335-163-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:29688)
The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. |
Abstract
The function of light is explored in relation to the Bauhaus stage,as an articulator of space and architectural tool.Moholy Nagy's visionary approach to aethetics is demonstrated through analysing his Lichtrequisit fuer Elekrischen Buehne (light Prop for an Electric Stage) and his plans for a mechanised stage production, Mechanischen Exzentrik (Mechanised Eccentric). Other figures active on the Bauahus stage who used light as an active stage tool include Schlemmer, Kandinsky, Schwerdtfeger and Hirschfeld-Mack, and this essay links the visionary element of Modernism with their efforts radically to transform the stage space, both its purpose and its reception.
Item Type: | Book section |
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Subjects: |
N Visual Arts N Visual Arts > NX Arts in general |
Divisions: | Divisions > Division of Arts and Humanities > School of Arts |
Funders: | [37325] UNSPECIFIED |
Depositing User: | Melissa Trimingham |
Date Deposited: | 30 Aug 2012 13:57 UTC |
Last Modified: | 05 Nov 2024 10:11 UTC |
Resource URI: | https://kar.kent.ac.uk/id/eprint/29688 (The current URI for this page, for reference purposes) |
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