Dawe, Kevin (1996) The Engendered lyra: Music, Poetry and Manhood in Crete: British Journal of Ethnomusicology. British Journal of Ethnomusicology, 5 . pp. 93-112. ISSN 3060868. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47134)
| The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. | |
| Official URL: http://www.jstor.org/stable/3060868 |
Abstract
The lyra-laouto ensemble is the most popular and enduring musical tradition in Crete. It is an almost exclusively male profession and pastime and as such embodies a complex synthesis of engendered values. Aspects of musical performance contradict the seemingly monolithic manhood ideals that inform it, revealing its role as a site of intense boundary negotiation.
| Item Type: | Article |
|---|---|
| Subjects: |
M Music and Books on Music M Music and Books on Music > M Music |
| Divisions: | Divisions > Division of Arts and Humanities > School of Arts |
| Depositing User: | Kevin Dawe |
| Date Deposited: | 16 Feb 2015 13:55 UTC |
| Last Modified: | 05 Nov 2024 10:30 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/47134 (The current URI for this page, for reference purposes) |
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