Illingworth, Shona (2014) El Cine Como Teoria Direct: Shona Illingworth. Museum of Modern Art Buenos Aires. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45520)
| The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. |
Abstract
A screening of Shona Illingworth's films: Balnakiel (2009) and The Watch Man (2007) at the Museum of Modern Art Buenos Aires. Curated by Luciano Zubillaga.
| Item Type: | Other |
|---|---|
| Subjects: | N Visual Arts > N Visual arts (General). For photography, see TR |
| Institutional Unit: | Schools > School of Arts and Architecture > Arts |
| Former Institutional Unit: |
Divisions > Division of Arts and Humanities > School of Arts
|
| Depositing User: | Shona Illingworth |
| Date Deposited: | 25 Nov 2014 15:21 UTC |
| Last Modified: | 20 May 2025 08:26 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/45520 (The current URI for this page, for reference purposes) |
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https://orcid.org/0000-0001-8304-4890
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