Fresh Flesh for the Author: The Effects of Directorial Self-Inscription in the Films of Jean-Luc Godard and Eduardo Coutinho

Sayad, Cecilia (2005) Fresh Flesh for the Author: The Effects of Directorial Self-Inscription in the Films of Jean-Luc Godard and Eduardo Coutinho. In: Society for Cinema and Media Studies Conference 2005 (London), April 2005, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Item Type: Conference or workshop item (Paper)
Uncontrolled keywords: documentary, essay film, Eduardo Coutinho, Jean-Luc Godard, Histoire(s) du cinema, Twenty Years Later, authorship, film, self-inscription, auteurism
Subjects: P Language and Literature > PB Modern European Languages (inc film, TV and radio studies) > PB2994 Film Studies
Divisions: Faculties > Humanities > School of Arts > Film
Depositing User: Cecilia Sayad
Date Deposited: 11 Nov 2013 22:24 UTC
Last Modified: 11 Nov 2013 22:29 UTC
Resource URI: https://kar.kent.ac.uk/id/eprint/36188 (The current URI for this page, for reference purposes)
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