Carpov, Victor, Lodder, Christina (2016) Typology and Ideology: Moisei Ginzburg Revisited. Art in Translation, 8 (2). pp. 169-193. ISSN 1756-1310. (doi:10.1080/17561310.2016.1216048) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75238)
The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. | |
Official URL: https://doi.org/10.1080/17561310.2016.1216048 |
Abstract
The typological theories articulated by Moisei Ginzburg and the architects of his circle guided the development of Soviet architecture and remain influential in Russia today. Re-visiting these ideas highlights their relationships to the concepts and theoretical principles that were elaborated by the academic schools, which were grounded in the traditions of the past. Recent historical studies have revealed this intimate connection between the academic tradition and the modernism that was born to negate it, emphasizing continuity in the historical path of architecture. Applied to the history of Soviet architecture, this insight does not raise questions about the nuances in stylistic or theoretical similarities or differences between Soviet constructivism and modernism, but rather between those ideological links that form two branches of one integral current in the evolution of twentieth-century architecture.
Item Type: | Article |
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DOI/Identification number: | 10.1080/17561310.2016.1216048 |
Uncontrolled keywords: | Architectural tradition, constructivism, Moisei Ginzburg, house of work, the machine, the primitive hut, workers' housing, typology, ideology, modernism |
Divisions: | Divisions > Division of Arts and Humanities > School of Arts |
Depositing User: | C. Lodder |
Date Deposited: | 05 Jul 2019 15:31 UTC |
Last Modified: | 05 Nov 2024 12:38 UTC |
Resource URI: | https://kar.kent.ac.uk/id/eprint/75238 (The current URI for this page, for reference purposes) |
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