Zhang, Ming, Zhou, Oscar Tianyang (2023) The Representation of the Russia-Ukraine War in Chinese Hetalia Fan Culture. . Blog post. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:99402)
The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. (Contact us about this Publication) | |
Official URL: https://www.herts.ac.uk/research/groups-and-units/... |
Abstract
One of the key debates in International Relations and Conflict Studies is the representation of war. From a post-structuralist perspective, the public does not have direct access to the reality of war but the discourses and representations of war, which are constructed by different power structures. From poetry, novel, painting and architecture to television, film, documentary and personal blog on social media, scholars have broadened the scope of inquiry of war-representations. However, the representation of war in fan culture and production is rarely examined because fans seem to be irrelevant to international politics and war that is always associated with pain, suffering, and trauma.
Item Type: | Internet publication |
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Uncontrolled keywords: | war in art, war in culture |
Subjects: | N Visual Arts > NX Arts in general |
Divisions: | Divisions > Division of Arts and Humanities > School of Arts |
Depositing User: | Oscar Zhou |
Date Deposited: | 04 Jan 2023 14:54 UTC |
Last Modified: | 05 Nov 2024 13:04 UTC |
Resource URI: | https://kar.kent.ac.uk/id/eprint/99402 (The current URI for this page, for reference purposes) |
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