Skip to main content

The Cinematic Production of Iconic Spaces in Early Films of London

Cinquegrani, Maurizio (2010) The Cinematic Production of Iconic Spaces in Early Films of London. In: Koeck, Richard and Roberts, Les, eds. The City and the Moving Image: Urban Projections. Palgrave Macmillan, pp. 169-182. ISBN 978-0-230-24338-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31653)

PDF Author's Accepted Manuscript
Language: English

Restricted to Repository staff only
[thumbnail of Maurizio.REF14.03.pdf]


This chapter investigates the relationship between films and exhibitions in London, including newly-built museums, the Crystal Palace and the London Zoo. In particular, it addresses the emergence of exotic or colonial subjects and themes, and the display of technological novelties. In the nineteenth century, a binary opposition between modernity and tradition defined the geographical imagination of the Victorians: this chapter reveals an imaginative landscape of urban culture and the interaction between display and colonial imperialism.

Item Type: Book section
Uncontrolled keywords: London; Film; Crystal Palace; Zoo; Museums
Subjects: N Visual Arts > NA Architecture
P Language and Literature > PN Literature (General) > PN1993 Motion Pictures
Divisions: Divisions > Division of Arts and Humanities > School of Arts
Depositing User: Maurizio Cinquegrani
Date Deposited: 12 Oct 2012 14:45 UTC
Last Modified: 16 Nov 2021 10:09 UTC
Resource URI: (The current URI for this page, for reference purposes)
Cinquegrani, Maurizio:
  • Depositors only (login required):

Total unique views for this document in KAR since July 2020. For more details click on the image.