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Number of items at this level: 1439.

Article

(1992) DUBOIS,PHILIPPE L 'ACTE PHOTOGRAPHIQUE'. History of Photography, 16 (2). pp. 176-177. ISSN 0308-7298. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23242)

Allain, Paul (2002) After Grotowski. Total Theatre, 14 (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2387)

Allain, Paul (2002) After Grotowski - the next Generation. New Theatre Quarterly, 28 (1). pp. 59-66. ISSN 0-521-01314-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2375)

Allain, Paul (2015) The Archive. Contemporary Theatre Review, 25 (1). pp. 32-35. ISSN 1048-6801. (doi:10.1080/10486801.2015.992233) (KAR id:47724)
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Allain, Paul (1995) Coming Home: The New Ecology of The Gardzienice Theatre Association of Poland. Drama Review, 39 (1). pp. 93-121. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2373)

Allain, Paul (1993) Gardzienice in the Suzuki Empire. Polityka, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2381)

Allain, Paul (1992) Gardzienice: At the Cultural Crossroads. New Theatre Quarterly, . ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2372)

Allain, Paul (1989) Gardzienice: a Practical Account. Music Theatre Dance Journal, (1). pp. 29-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2371)

Allain, Paul (2007) Goat Theatre Macbeth. Contemporary Theatre Review, 17 (2). pp. 255-258. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2376)

Allain, Paul (1999) The Grammar Of The Feet. Total Theatre, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2386)

Allain, Paul (2005) Grotowski’s ghosts. Contemporary Theatre Review, . pp. 46-59. ISSN 1048 6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1142)

Allain, Paul (1991) A Love Letter from Britain. Teatr, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2383)

Allain, Paul (1991) Modesty and Vigour. Plays and Players, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2384)

Allain, Paul (1994) Movement Directing. Total Theatre, 6 (4). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2382)

Allain, Paul (1990) On the Border of Europe and Asia. Zycie Warszawa, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2379)

Allain, Paul (1992) 'Polishing up on the Classics'. The Stage, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2380)

Allain, Paul (1991) Rep Paralysed by Spending Cuts. The Stage, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2385)

Allain, Paul (1998) Suzuki Training: An Update. Drama Review, 42 (1). pp. 66-89. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2374)

Allain, Paul (1990) Theatre in Poland. Performance Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2378)

Allain, Paul (1990) Two articles on contemporary Polish theatre. Plays International, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2377)

Allain, Paul, Barbe, F.A. (2009) On the Shoulders of Tradition, East and West: a Conversation between Paul Allain and Frances Barbe. Studies in Theatre and Performance, 29 (2). pp. 149-159. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22313)

Allain, Paul, Bennett-Worth, Stacie Lee (2018) Turning back to Training. Performance Research, 23 (4/5). pp. 240-241. ISSN 1352-8165. (doi:10.1080/13528165.2018.1524672) (KAR id:68872)
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Allain, Paul, Ziolkowski, Grzegorz (2005) Polish Theatre After 1989: Beyond Borders. Contemporary Theatre Review, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2216)

Anderson, Michael (1995) The Law of Writ and the Liberty + Elizabethan Theatre and the Commedian-Dellarte. Theatre Research International, 20 (3). pp. 189-199. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19670)

Bann, Stephen (1995) The Landscape Approach of Lassus,Bernard .2. Journal of Garden History, 15 (2). pp. 67-106. ISSN 0144-5170. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19684)

Bann, Stephen (1998) A grand design: The art of the Victoria and Albert Museum. Burlington Magazine, 140 (1139). pp. 153-154. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17569)

Barkhin, Andrei, Lodder, Christina (2016) Ilia Golosov’s Work of the 1930s and the Soviet Version of Art Deco. Art in Translation, 8 (2). pp. 221-241. ISSN 1756-1310. (doi:10.1080/17561310.2016.1216054) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75236)

Boenisch, Peter M (2004) Alienating Realities. Hygiene Heute and the Politics of Sonic Conspiracy. 3xT Tidsskrift for teori og teater, (15 & 1). pp. 40-49. ISSN 0807-6316. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2472)

Boenisch, Peter M (2007) Decreation inc.: William Forsythe’s equations of bodies before the name. Contemporary Theatre Review, 17 (1). pp. 15-27. ISSN 1048-6801. (doi:10.1080/10486800601095982) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1157)

Boenisch, Peter M (2002) Der Körper als Zeichen!? Zur Analyse von Körper- und Bewegungsdarstellungen. Fanzdrama, 62 (1). pp. 18-21. ISSN 0932-8688. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2484)

Boenisch, Peter M (1998) Die Idee vom Körper als Tastatur. Mimekunst, Kunst der Stille: Vor 100 Jahren wurde der Theatermeister Etienne Decroux geboren. Süddeutsche Zeitung/SZ am Wochenende, (18-19). ISSN 0174-4917. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2493)

Boenisch, Peter M (2003) ElectrONic bodies. Corpo-realities in contemporary dance performance. Moving Bodies. Performance Research, 8 (4). 33 -41. ISSN 0-415-32133-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1159)

Boenisch, Peter M (2004) Ent-Körpern, Ent-Schreiben, Ent-Schöpfen. Wie sich die Tanztheorie von Forsythe's 'Decreation' zur Dekonstruktion der Diskurse über das Ballett verleiten ließ. BalletTanz, . pp. 56-61. ISSN 3617559948. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2473)

Boenisch, Peter M (2008) Exploring the Classics: Michael Thalheimer's Regie beyond the Text 1. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (doi:10.1080/10486800701741477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40568)

Boenisch, Peter M (2008) Exposing The Classics: Michael Thalheimer’s Regie beyond the Text. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (doi:10.1080/10486800701741477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2464)

Boenisch, Peter M (1997) I doubt not I, but she will stoop in time: Frauenfiguren in Tamburlaine und The Spanish Tragedy. ZAA. Zeitschrift für Anglistik und Amerikanistik, XLV . pp. 325-338. ISSN 0044-2305. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2494)

Boenisch, Peter M (2005) Komik und Konsumzwang: Zwischen Jux und Jucken – Komische Gesten bei Forced Entertainment. Maske und Kothurn. Vierteljahresschrift zur Theater-, Film- und Medienwissenschaft, 51 (4). pp. 335-345. ISSN 3-205-77434-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2470)

Boenisch, Peter M (2008) Other People Live: Rimini Protokoll and their Theatre of Experts - an interview. Contemporary Theatre Review, 18 (1). pp. 107-113. ISSN 1477-2264. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2465)

Boenisch, Peter M (2010) Towards a Theatre of Encounter and Experience: Reflexive Dramaturgies and Classic Texts. Contemporary Theatre Review, 20 (2). pp. 162-172. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24946)

Boenisch, Peter M (2001) Training Intelligence: Give Us Dance Academies! Ballett International - Tanz Aktuell, (8-9). pp. 52-53. ISSN 0947-0484. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2489)

Boenisch, Peter M (2003) coMEDIA electrONica. Performing intermediality in contemporary theatre. Theatre Research International, 28 (1). pp. 34-45. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2477)

Boenisch, Peter M (2002) www dot theatre dot. Alice Croft, or: Transforming Performance in the Internet Culture. Body, Space and Technology, 2 (2). ISSN 1470-9120. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2479)

Boenisch, Peter M, Orozco, Lourdes (2010) Editorial: Border Collisions - Contemporary Flemish Theatre. Contemporary Theatre Review, 20 (4). pp. 397-404. ISSN 1048-6801. (doi:10.1080/10486801.2010.505763) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25357)

Briggs, Joe Bob, Hoberman, J., Love, D., Lucas, T., Sconce, J., Stanfield, Peter (2008) Cult Film: A Critical Symposium. Cineaste, 34 (1). pp. 43-50. ISSN 0009-7004. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14845)

Brooks, Helen E.M. (2011) Early eighteenth-century performance historiography: Problems and possibilities. Studies in Theatre and Performance, 31 (1). pp. 33-45. (doi:10.1386/stap.31.1.33_1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:29667)
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Brooks, Helen E.M. (2011) Negotiating Marriage and Professional Autonomy in the Careers of Eighteenth-Century Actresses. Eighteenth-Century Life, 35 (2). pp. 39-75. ISSN 0098-2601. (doi:10.1215/00982601-1214090) (KAR id:29674)
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Brooks, Helen E.M. (2012) 'One entire nation of actors and actresses' - Reconsidering the Relationship of Public and Private Theatricals. Nineteenth-Century Theatre and Film, . ISSN 1748-3727. (KAR id:29676)
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Brooks, Helen E.M. (2008) 'Your sincere friend and humble servant': Evidence of managerial aspirations in Susannah Cibber's letters. Studies in Theatre and Performance, 28 (2). pp. 147-159. (doi:10.1386/stap.28.2.147_1) (KAR id:29673)
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Camilleri, Frank (2008) Collective Improvisation: The Practice and Vision of Ingemar Lindh. TDR - The Drama Review, 52 (4). pp. 82-97. ISSN 1054-2043. (doi:10.1162/dram.2008.52.4.82) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:14657)
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Camilleri, Frank (2008) Hospitality and the Ethics of Improvisation in the Work of Ingemar Lindh. New Theatre Quarterly, 24 (3). pp. 246-259. ISSN 0266-464X. E-ISSN 1474-0613. (doi:10.1017/S0266464X08000304) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:20307)
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Camilleri, Frank (2003) ‘I can still feel his eyes on me’, an interview by Elzbieta Stelmaszczyk. Pogranicza, 42 . pp. 29-43. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20309)

Camilleri, Frank (2009) Of Pounds of Flesh and Trojan Horses: Performer Training in the Twenty-first Century. Performance Research, 14 (2). pp. 26-34. ISSN 1352-8165. (KAR id:23281)
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Camilleri, Frank (2010) Tekhn? Sessions: investigating dynamic aliveness in the actor's work. Theatre, Dance & Performance Training, 1 (2). pp. 157-171. (doi:10.1080/19443927.2010.504999) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:25779)
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Camilleri, Frank (2008) 'To Push the Actor-Training to its Extreme': Training Process in Ingemar Lindh's Practice of Collective Improvisation. Contemporary Theatre Review, 18 (4). pp. 425-441. ISSN 1048-6801. (doi:10.1080/10486800802379474) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:14864)
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Cardwell, Sarah E. (2003) About time: theorizing adaptation, temporality, and tense. Literature Film Quarterly, 31 (2). pp. 82-92. ISSN 0090-4260. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1169)

Carpov, Victor, Lodder, Christina (2016) Typology and Ideology: Moisei Ginzburg Revisited. Art in Translation, 8 (2). pp. 169-193. ISSN 1756-1310. (doi:10.1080/17561310.2016.1216048) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75238)

Carver, Gavin P. (1996) Computer Aided Scenography: some observations on procedures and concepts. Studies in Theatre Production, (14). pp. 20-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9416)

Carver, Gavin P. (1995) Light the Night, the theory and practice of a community celebration. Studies in Theatre Production, 12 (1). pp. 82-98. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9418)

Carver, Gavin P. (2000) The effervescent Carnival: Performance, context, and mediation at Notting-Hill. New Theatre Quarterly, 16 (61). pp. 34-49. ISSN 0266-464X. (doi:10.1017/S0266464X00013440) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16244)

Choi, Jinhee (2003) All the Right Responses: Fiction Films and Warranted Emotions. British Journal of Aesthetics, 43 (1). pp. 308-321. ISSN 0007-0904. (doi:10.1093/bjaesthetics/43.3.308) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14649)

Choi, Jinhee (2008) Am I Your Sidekick? Contemporary Korean Gangster Cinema, ‘Beat’ and ‘Friend’. Post Script, 27 (3). pp. 116-131. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14637)

Choi, Jinhee (2006) Apperception on Display: Structural Films and Philosophy. Journal of Aesthetics and Art Criticism, 64 (1). pp. 165-172. ISSN 0021-8529. (doi:10.1111/j.0021-8529.2006.00238.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14643)

Choi, Jinhee (2002) Chunhyang, Chunhyang, Chunhyang: Poetics of Im Kwon Taek. Asian Cinema, 13 (1). pp. 57-66. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14651)

Choi, Jinhee (2003) Fits and Startles: Cognitivism Revisited. Journal of Aesthetics and Art Criticism, 61 (2). pp. 149-157. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14650)

Choi, Jinhee (2004) Is the Balcony Closed? Philosophy of Film sans Film. Aesthetics Newsletter, 23 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14648)

Choi, Jinhee (2005) Leaving It up to the Imagination: POV shots and Imagining from Inside. Journal of Aesthetics and Art Criticism, 63 (1). pp. 17-25. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14646)

Choi, Jinhee (2006) Naturalizing Hollywood: Against the Naturalistic Account of the Filmic Communication. Film Studies: An International Review, (8). pp. 149-153. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14641)

Choi, Jinhee (2001) A Reply to Gregory Currie on Documentaries. Journal of Aesthetics and Art Criticism, 59 (3). pp. 317-319. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14652)

Choi, Jinhee (2008) Sentimentality and the Cinema of the Extreme. Jump Cut, (50). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14639)

Cinquegrani, Maurizio (2019) Agnafit. Anima Loci, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75520)

Clayton, Alex (2007) Music In The Style Of Jean Reoir. Cineaction, 66 . pp. 61-72. ISSN 0826-9866. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2225)

Cowie, Elizabeth (2010) Das Verhältnis von Unterhaltung und Erkenntnis. Schnitt, 58 (2). pp. 18-21. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26334)

Cowie, Elizabeth (1997) Documenting Fictions. Continuum, Australian Journal of Media & Culture, 11 (1). pp. 54-66. ISSN 1030-4312. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3034)

Cowie, Elizabeth (1975) ‘Feminist Film Criticism - a reply’. Screen, 16 (1). pp. 134-139. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3042)

Cowie, Elizabeth (2000) Figuracija/Razumevanje fetiöa. Filmsek Sveske, 2-3 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3011)

Cowie, Elizabeth (1995) Film - Zenska Tovarna Sanji. Vsebina, (23). pp. 46-80. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3036)

Cowie, Elizabeth (1989) Film in teorija v osemdesetih letih. Ekran, 14 (5/6). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3037)

Cowie, Elizabeth (1985) Het verschil in de film. Vrouwen in de films van Hawks. Het Tidschrift voor Vrouwen Studies, (24). ISSN 0167-8361. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3039)

Cowie, Elizabeth (1981) Introduction to Mary Kelly’s Post-Partum Document. M/F, (5/6). pp. 115-123. ISSN 0141-948X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3040)

Cowie, Elizabeth (2009) On Documentary Sounds and Images in the Gallery. Screen, 50 (1). pp. 124-134. ISSN 0036-9543. (doi:10.1093/screen/hjn076) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26337)

Cowie, Elizabeth (2000) Perceiving Memory and Tales of the Other: the work of Milica Tomic. Camera Austria, (72). pp. 14-16. ISSN 1015-1915. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3012)

Cowie, Elizabeth (1979) The Popular Film as Progressive Text - a discussion of Coma. M/F, (3). pp. 59-82. ISSN 0141-948X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3041)

Cowie, Elizabeth (1997) The Spectacle of Reality and Documentary Film. Documentary Box, (10). pp. 1-8. ISSN 1340-0832. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3035)

Cowie, Elizabeth (2007) Specters of the Real: Documentary Time and Art. Differences: A Journal of Feminist Cultural Studies, 18 (1). pp. 87-127. ISSN 1040-7391. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2227)

Cowie, Elizabeth (1986) Strategems of Identification. Oxford Literary Review, 8 (1/2). pp. 66-67. ISSN 0-9511080 0 X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3038)

Cowie, Elizabeth (2010) Thinking Differently: on theory now and documentary art. Differences: A Journal of Feminist Cultural Studies, 21 (1). pp. 178-193. ISSN 1040-7391. (doi:10.1215/10407391-2009-026) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26335)

Davis, Jill (1999) Goodnight ladies ... On the 'Explicit Body in Performance'. New Theatre Quarterly, 15 (58). pp. 183-187. ISSN 0266-464X. (doi:10.1017/S0266464X00012860) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17274)

Declercq, Dieter (2018) A Definition of Satire (And Why a Definition Matters). The Journal of Aesthetics and Art Criticism, 76 (3). pp. 319-330. ISSN 0021-8529. (doi:10.1111/jaac.12563) (KAR id:68967)
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Declercq, Dieter (2019) Drawing Truth Differently. Matt Bors' Fictional Satire and Non-Fictional Journalism. Imagetext. Interdisciplinary Comics Studies., 11 (1). ISSN 1549-6732. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:75641)
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Declercq, Dieter (2011) Het vangen van de Road Runner. Beschouwingen bij Plato’s teleologisch project. Kleio. Tijdschrift voor oude talen en antieke cultuur, 40 . pp. 146-165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75386)

Declercq, Dieter (2020) Irony, Disruption, and Moral Imperfection. Ethical Theory and Moral Practice, . ISSN 1386-2820. E-ISSN 1572-8447. (doi:10.1007/s10677-020-10105-z) (KAR id:82080)
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Declercq, Dieter (2013) The philosophical and ethical significance of humour. The Simpsons as humorous ethical truth-telling. Ethical Perspectives, 20 (2). pp. 271-298. ISSN 1370-0049. E-ISSN 1783-1431. (KAR id:75355)
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Deprez, Eleen, Maes, Hans R.V. (2016) Wat is een portret? Kunsttijdschrift Vlaanderen, (361). ISSN 1780-6461. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65251)

Dieter, Declercq (2016) Wink wink, nudge nudge? Visual indicators of communicative irony in comics. Postgraduate Journal of Aesthetics, . pp. 2-18. (KAR id:73069)
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Double, Oliver (2000) Characterization in stand-up comedy: From Ted Ray to Billy Connolly, via Bertolt Brecht. New Theatre Quarterly, 16 (64). pp. 315-323. ISSN 0266-464X. (doi:10.1017/S0266464X00014068) (KAR id:16397)
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Double, Oliver (2007) Karl Valentin’s “Father and Son Discuss the War". Studies in Theatre and Performance, 27 (1). pp. 5-11. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2440)

Double, Oliver (1994) Laughing all the way to the bank? Alternative comedy in the provinces. New Theatre Quarterly, X (39). pp. 255-262. ISSN 0266-464X. (doi:10.1017/S0266464X00000555) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44571)

Double, Oliver (2012) Max Miller plays with Freud's obstacle: Innuendo and performance technique in variety comedy. Comedy Studies, 3 (1). pp. 93-104. ISSN 2040-610X. (doi:10.1386/cost.3.1.93_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31708)

Double, Oliver (2010) Not the Definitive Version: an Interview with Ross Noble. Comedy Studies, 1 (1). pp. 5-19. ISSN 2040-610X. (doi:10.1386/cost.1.1.5/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24936)

Double, Oliver (2007) Punk rock as popular theatre. New Theatre Quarterly, 23 (1). pp. 35-48. ISSN 0266-464X. (doi:doi: 10.1017/S0266464X06000613) (KAR id:1182)
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Double, Oliver (2000) Teaching Stand-Up Comedy. A Mission: Impossible? Studies in Theatre and Performance, 20 (1). pp. 14-23. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20310)

Double, Oliver (2009) Teddy Brown and the Art of Performing for the British Variety Stage. New Theatre Quarterly, 25 (4). pp. 379-390. ISSN 0266-464X. (doi:10.1017/S0266464X09000669) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24938)

Double, Oliver, Wilson, Michael (2008) '"I am a Poor, Skinny Man": Persona and physicality in the work of Karl Valentin'. Studies in Theatre and Performance, 28 (3). pp. 213-221. ISSN 1468-2761. (doi:10.1386/stap.28.3.213/1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31337)
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Double, Oliver, Wilson, Michael (2004) Karl Valentin's illogical subversion: stand-up comedy and the alienation effect. New Theatre Quarterly, XX (3). pp. 203-215. ISSN 0-521-60328-5. (KAR id:1179)
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Dukhan, Igor, Lodder, Christina (2016) Visual Geometry: El Lissitzky and the Establishment of Conceptions of Space–Time in Avant-garde Art. Art in Translation, 8 (2). pp. 194-220. ISSN 1756-1310. (doi:10.1080/17561310.2016.1216050) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75237)

Eyuboglu, S. (1991) The authorial text and postmodernism, hitchcock 'blackmail'. Screen, 32 (1). pp. 58-78. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22923)

Frey, Mattias (2010) Art and Artifice: German Films at the 60th Berlin International Film Festival. Senses of Cinema, (55). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25351)

Frey, Mattias (2006) Benny’s Video, Caché, and the Desubstantiated Image. Framework: The Journal of Cinema and Media, 47 (2). pp. 30-36. ISSN 0306-7661. (doi:10.1353/frm.2006.0011) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20319)

Frey, Mattias (2004) Border Zones: The Films of Ulrich Seidl. Senses of Cinema, (32). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20323)

Frey, Mattias (2010) A Cinema of Disturbance: The Films of Michael Haneke in Context, 2nd rev. ed. Senses of Cinema, 57 (57). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42195)

Frey, Mattias (2003) A Cinema of Disturbance: The Films of Michael Haneke in Context. Senses of Cinema, (28). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20324)

Frey, Mattias (2015) Editorial: Institutions and Agency (Part I). Film Studies, 13 (1). pp. 1-4. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.13.0001) (KAR id:57006)
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Frey, Mattias (2016) Editorial: Institutions and Agency (Part II). Film Studies, 14 . pp. 1-4. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.14.0001) (KAR id:57008)
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Frey, Mattias (2007) The End of Innocence: Scandinavian Films at the 30th Gothenburg International Film Festival. Review of: Scandinavian Films at the 30th Gothenburg International Film Festival by UNSPECIFIED. Senses of Cinema, 43 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20768)

Frey, Mattias (2017) Fassbinder: The Formal Innovator. Sight and Sound, 27 (5). p. 28. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64751)

Frey, Mattias (2006) Fidelio: Love, Adaptation, and Eyes Wide Shut. Literature/Film Quarterly, 34 (1). pp. 39-45. ISSN 0090-4260. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20322)

Frey, Mattias (2013) Filmkritik, with and without Italics: Kracauerism and Its Limits in Postwar German Film Criticism. New German Critique, 40 (3). pp. 85-110. ISSN 0094-033X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31296)

Frey, Mattias (2008) Gazing Lessons: German Films at the 58th Berlin International Film Festival. Review of: 58th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, 47 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20765)

Frey, Mattias (2010) Goodbye Germany: Emigration, Reality TV and Schadenfreude. Jump Cut, (52). ISSN 0146-5546. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25349)

Frey, Mattias (2007) In/Flux: German Films at the 57th Berlin International Film Festival. Review of: German Films at the 57th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, 43 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20767)

Frey, Mattias (2009) Insecure Times, Confident Localities: German Films at the 59th Berlin International Film Festival. Review of: 59th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, (50). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20763)

Frey, Mattias (2006) London à la Mod: Fashion, Genre, and Historical Space in Performance. Quarterly Review of Film and Video, 23 (4). pp. 369-376. ISSN 1050-9208. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20320)

Frey, Mattias (2016) Netflix Crit in the Twenty-First Century. Film Criticism, 40 (1). ISSN 0163-5069. E-ISSN 2471-4364. (doi:10.3998/fc.13761232.0040.111) (KAR id:57007)
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Frey, Mattias (2006) No(ir) Place to Go: Spatial Anxiety and Sartorial Intertextuality in Die Unberührbare. Cinema Journal, 45 (4). pp. 64-80. ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20318)

Frey, Mattias (2002) Supermodernity, Capital, and Narcissus: The French Connection to Michael Haneke’s Benny’s Video. Cinetext, . ISSN 1605-6035. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20325)

Frey, Mattias (2014) Teoretyzowanie kina u Sebalda i Sebalda poprez kino. Konteksty, 68 (3-4). pp. 135-144. ISSN 1230-6142. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42200)

Friday, Jonathan (2005) Andre Bazin’s ontology of film and the photographic image. Journal of Aesthetics and Art Criticism, 63 (4). pp. 339-350. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1186)

Friday, Jonathan (2000) Demonic Curiosity and the Aesthetics of Documentary Photography. British Journal of Aesthetics, 40 (3). pp. 356-375. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6581)

Friday, Jonathan (1997) Digital Imaging, Photographic Representation and Aesthetics. Ends and Means, 2 (2). pp. 7-11. ISSN 1472-5819. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6570)

Friday, Jonathan (1998) Hume’s Sceptical Standard of Taste. Journal of the History of Philosophy, 36 (4). pp. 545-566. ISSN 0022-5053. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6573)

Friday, Jonathan (1999) Looking at Nature Through Photographs. Journal of Aesthetic Education, 33 (1). pp. 25-35. ISSN 0021-8510. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6576)

Friday, Jonathan (2004) Moral Equality and the Foundations of Liberal Moral Theory. Journal of Value Inquiry, 38 (1). pp. 61-74. ISSN 0022-5363. (doi:10.1023/B:INQU.0000040016.68565.83) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6567)

Friday, Jonathan (2004) Moral Theory and the Improvement of Moral Thought. Journal of Moral Education, 33 (1). pp. 23-33. ISSN 0305-7240. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6585)

Friday, Jonathan (2004) Photography and Art – Responses to questions set by Artis Svece. Res Publica, 2 . ISSN 1691-2004. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6588)

Friday, Jonathan (2001) Photography and the representation of vision. Journal of Aesthetics and Art Criticism, 59 (4). pp. 351-362. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1189)

Friday, Jonathan (1999) Quem Tem Medo De Uma Sociedade On-line? Cadernos Da Escola Do Legislativo, . pp. 39-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6580)

Friday, Jonathan (1996) Transparency and the Photographic Image. British Journal of Aesthetics, 36 (1). pp. 30-42. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6568)

Friday, Jonathan (1998) Who’s Afraid of an On-line Society? Ends and Means, 3 (2). pp. 2-7. ISSN 1472-5819. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6579)

Grant, Catherine A. (2000) Allegories of underdevelopment: Aesthetics and politics in modern Brazilian cinema. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16154)

Grant, Catherine A. (2000) Based on a true story: Latin American history at the movies. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16153)

Grant, Catherine A. (2002) 'La función de "los autores": la adaptación cinematográfica transnacional de El lugar sin límites'. Revista Iberoamericana, LXVIII (199). pp. 253-268. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7866)

Grant, Catherine A. (2000) Millennial debates - www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16155)

Grant, Catherine A. (2000) New Latin American cinema, Vol 1, Theory, practices and transcontinental articulation, Vol 2, Studies of national cinemas. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16151)

Grant, Catherine A. (2002) Recognizing Billy Budd in Beau Travail: epistemology and hermeneutics of an auteurist “free” adaptation. Screen, 43 (1). pp. 57-73. ISSN 1460-2474. (doi:0036-9543) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1117)

Grant, Catherine A. (2001) Secret Agents: Feminist Theories of Women’s Film Authorship. Feminist Theory, 2 (1). pp. 113-130. ISSN 1464-7001. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1120)

Grant, Catherine A. (2000) Tropical multiculturalism: A comparative history of race in Brazilian cinema and culture. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16152)

Grant, Catherine A. (2000) www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7926)

Grant, Michael (1998) Crimes of the future (David Cronenberg, 'Crash'). Screen, 39 (2). pp. 180-185. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17778)

Grantley, Darryll (1986) The National Theatre’s Production of The Mysteries: Some Observations. Theatre Notebook, 40 (2). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2672)

Grantley, Darryll (2003) Promise me my liberty: conventions of Roman Comedy and the representation of oppression and resistance in the Tudor Interlude July and Julian. EnterText, 3 (1). pp. 1-18. ISSN 1472 3085. (KAR id:1204)
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Grantley, Darryll (1984) The Source of the Digby Mary Magdalen. Notes and Queries, 31 (4). ISSN 0029-3970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2670)

Grantley, Darryll (1997) ‘“To Swell a Progress”: Retainers, Subordinates and the Ceremonialisation of Secular Power in Medieval Scriptural and Hagiographical Drama’. European Medieval Drama, (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2673)

Grantley, Darryll (1986) The Winter’s Tale and Early Religious Drama. Comparative Drama, 20 (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2671)

Grieveson, Lee (2000) America on film: Hollywood and American history. Journal of American Studies, 34 . pp. 316-317. ISSN 0021-8758. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16165)

Grieveson, Lee (1997) Policing the cinema: 'Traffic in Souls' at Ellis Island, 1913. Screen, 38 (2). pp. 149-171. ISSN 0036-9543. (doi:10.1093/screen/38.2.149) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18078)

Guerin, Frances (2003) Dazzled by the Light. Cinema Journal, 42 (4). pp. 98-115. ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45489)

Guerin, Frances (1994) Enduring the Vagaries: The Viewer as Master and Slave in Pasolini's Salò,. Melbourne Journal of Politics, 22 (N/A). pp. 45-65. ISSN 0085-3224. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44338)

Guerin, Frances (2010) Film as an Archive for Photography: The Portraitist as Witness to the Holocaust. Screening the Past, (29). ISSN 1328-9756. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44287)
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Guerin, Frances (2008) Infinite Rotations in a Finite Frame: A Tacita Dean Tryptich. Cinéma e Cie: International Film Studies Journal, N/A (8). pp. 119-134. ISSN 2035-5270. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43596)
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Guerin, Frances (2012) Obfuscations of the Visible: Creating Memory through not looking at Christian Boltanski’s Archives. Cinema e Cie: International Film Studies Journal, (9). pp. 279-284. ISSN 2035-5270. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45487)

Guerin, Frances (2003) Opposite or Complementary Conceptions? What do Rudolf Arnheim and Michel Chion have in Common? Cinema e Cie: International Film Studies Journal, 32 (2). pp. 129-140. ISSN 2035-5270. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45490)

Guerin, Frances (2006) The Perpetrator in Focus: Turn of the Century Holocaust Remembrance in "The Specialist". Law Text Culture, 10 . pp. 167-193. ISSN 1332-9060. (KAR id:43380)
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Guerin, Frances (2017) Physically absent, visually present: Joachim Schumacher’s photographs of Germany’s Ruhr Valley. Journal of European Studies, 47 (4). pp. 392-410. ISSN 0047-2441. (doi:10.1177/0047244117733899) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64154)
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Guerin, Frances (2002) Reframing the Photographer and his Photographs: Photographer (1995). Film and History: An Interdisciplinary Journal of Film and Television Studies, 32 (1). pp. 43-54. ISSN 0360-3695. (doi:10.1353/flm.2002.0064) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43403)
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Guerin, Frances (2004) The energy of disappearing: problems of recycling Nazi amateur film footage. Screening the Past, (17). 0-0. ISSN 1328-9756. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1208)

Guerin, Frances, Eisenberg, Daniel (2012) Archives and Images as Repositories of Time, Language, and Forms from the Past: A Conversation with Daniel Eisenberg. The Moving Image, 12 (1). pp. 112-118. ISSN 1542-4235. (KAR id:43438)
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Hammer, Martin (2015) There is no such thing as British Art. British Art Studies, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55942)

Hammer, Martin (2017) The photographic source and artistic affinities of David Hockney’s ‘A bigger splash’. Burlington Magazine, 159 (1370). pp. 386-393. ISSN 0007-6287. E-ISSN 2044-9925. (KAR id:61342)
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Hammer, Martin, Stephens, Chris (2009) Seeing the story of one’s time: appropriations from Nazi photography in the work of Francis Bacon. Visual Culture in Britain, 10 (3). pp. 315-351. ISSN 1471-4787. (doi:10.1080/14714780903263890) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61344)

Hankey, A.T. (1991) Riccobaldo-of-ferrara and giotto, an update. Journal of the Warburg and Courtauld Institutes, 54 . p. 244. ISSN 0075-4390. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22967)

Hiley, Nicholas (2000) Cartoons in Canterbury. Times Literary Supplement, (5096). p. 19. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16211)

Holmes, Su (2001) ‘As they Really Are and in Close-up’: Film Stars on 1950’s British Television. Screen, 42 (2). pp. 167-187. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9329)

Holmes, Su (2004) But this time you choose!: approaching the interactive audience of reality TV. International Journal of Cultural Studies, 7 (2). 213 -231. ISSN 1367-8779. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1217)

Holmes, Su (2006) ‘Coming to you Live!’: An Evening at the Film Premiere. Journal of British Cinema and Television, 2 (2). pp. 208-226. ISSN 1743-4521. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9339)

Holmes, Su (2005) Designed ‘Specially for Television Purposes and Technique’: The Development of the Television Cinema Programme. Historical Journal of Film, Radio and Television, 25 (3). pp. 455-475. ISSN 0143-9685. (doi:10.1080/01439680500236433) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9336)

Holmes, Su (2006) The “Give-Away” Shows – Who is Really Paying?’: ‘Ordinary’ People and the Development of the British Quiz Show (1945-58). Journal of British Cinema and Television, 3 (2). pp. 284-303. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9342)

Holmes, Su (2001) ‘The Infant Medium with the Adult Manner’: Television promotes the ‘X’ film (1952-62’). Historical Journal of Film, Radio and Television, 21 (4). pp. 379-397. ISSN 0143-9685. (doi:10.1080/01439680120075509) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9330)

Holmes, Su (2005) It’s a woman!: the question of gender in Who Wants to be a Millionaire. Screen, 46 (2). 155 -173. ISSN 0036-9546. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1220)

Holmes, Su (2004) Looking at the Wider Picture on the Small Screen: Reconsidering Television and Widescreen Cinema in the 1950s. Quarterly Review of Film and Video, 21 (2). pp. 131-147. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9332)

Holmes, Su (2005) The ‘Moron Factory?’: Debating ‘Ordinary’ People and Reality TV. Anglo Files: The Journal of English Teaching, . pp. 12-19. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9337)

Holmes, Su (2005) ‘Not the Final Answer’: Who Wants to be a Millionaire and Revisiting Critical Approaches to the Quiz Show. European Journal of Cultural Studies, 8 (4). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9335)

Holmes, Su (2005) ”Off guard, Unkempt, Unready?”: Deconstructing Contemporary Celebrity in heat Magazine. Continuum: Journal of Media and Cultural Studies, 19 (1). pp. 21-38. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9334)

Holmes, Su (2004) The Only Place where “Success” Comes Before Work is in the Dictionary…?’: Conceptualising Fame in Reality TV. Media-Culture.org, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9333)

Holmes, Su (2006) (Re)visiting The Grove Family - ‘Neighbours to the Nation’ (1954-57): Television History and Approaches to Genre. New Review of Film and Television Studies, 4 (3). pp. 287-310. ISSN 1740-0309. (doi:10.1080/17400300600982080) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9344)

Holmes, Su (2004) Reality goes pop!: reality TV, popular music and narratives of stardom in Pop Idol (UK). Television and New Media, 5 (2). pp. 147-172. ISSN 1527476403255833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1215)

Holmes, Su (2005) ‘Starring… Dyer?’: Re-visiting Star Studies and Contemporary Celebrity Culture’, in edition on ‘Celebrity’. Westminster Papers in Communication and Culture (WPCC), 2 (2). pp. 6-21. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9340)

Holmes, Su, Jermyn, Deborah (2006) The audience is dead; Long live the audience!: Interactivity, ‘telephilia’ and the contemporary television audience. Critical Ideas in Television Studies, 1 (1). pp. 49-57. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9346)

Jeffers McDonald, Tamar (2016) Reviewing 'Reviewing the Fan Mags'. Film History, 28 (4). pp. 29-57. ISSN 0892-2160. E-ISSN 1553-3905. (doi:10.2979/filmhistory.28.4.02) (KAR id:78440)
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Jeffers McDonald, Tamar E. L. (2007) 'Carrying Concealed Weapons': Gendered Makeover in Calamity Jane. Journal of Popular Film and Television, 34 (4). pp. 179-187. ISSN 0195-6051. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2239)

Jeffers McDonald, Tamar E. L. (2006) 'Very Little Wrist Movement': Rock Hudson Acts Out Sexual Heterodoxy. Canadian Journal of Communication, 31 (4). pp. 843-858. ISSN 0705-3657. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2238)

Joannides, M. (1998) Correggio's study of 'Christ the Redeemer' for S. Giovanni Evangelista. Master Drawings, 36 (4). pp. 409-416. ISSN 0025-5025. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17385)

Kear, Jon (2005) The Clothing of Clio: Chris Marker’s Poetics and the Politics of Representing History. Film Studies: An International Review, 6 . pp. 49-63. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1325)

Kear, Jon (2006) Frenhofer C’est Moi; Cézanne and Balzac’s Le Chief d’oeuvre inconnu. Cambridge Quarterly, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5699)

Kear, Jon (2002) Le Sang Provençal. Journal of European Studies, . pp. 32-45. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1273)

Kear, Jon (2002) Le Sang Provençal: Joachim Gasquet’s Cézanne. Journal of European Studies, 32 (125-6). pp. 135-150. ISSN 0047 2441. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1319)

Kear, Jon (2003) Leaving L’Estaque: Cézanne’s Representations of Provence in the 1880s. Art on the Line, . pp. 1-20. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5706)

Kear, Jon (1991) Making Hay with Monet; Monets of the 90s. Art History, . pp. 593-599. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5750)

Kear, Jon (1999) Manet's Modernism. Burlington Magazine, . pp. 139-144. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5713)

Kear, Jon (1996) Modernism Revisited. Oxford Art Journal, 19 (2). pp. 119-122. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5726)

Kear, Jon (1996) Monet Re-viewed. Burlington Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5735)

Kear, Jon (1995) Montage, Modernism and its Histories. Word & Image, . pp. 320-326. ISSN 0266-6286. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5738)

Kear, Jon (1996) Odd Man Out; Cézanne in Context. LQ, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5733)

Kear, Jon (1997) Seurat's Bathers at Asnières. Burlington Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5715)

Kear, Jon (1995) Travellin' Light. Wasafiri, . ISSN 0269-0055. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5745)

Kear, Jon (1996) Viewfinders: Looking at the Overlooked: Black Women photographers. Wasafiri, . pp. 72-73. ISSN 0269-0055. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5722)

Kear, Jon (1994) Watching the Detectives. Art History, . pp. 112-118. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5747)

Kear, Jon, Turci, Monica (1999) Absorbing Mythologies: Michael Ondaatje's Bill the Kid. Englishes, 4 (2). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5711)

Klevan, Andrew (1999) The Composition of Charisma: The Lines of Sporting Seduction in Ron Shelton's Tin Cup. Journal of Film Studies, 1 (1). pp. 51-62. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9166)

Klevan, Andrew (2003) The purpose of plot and the place of Joan Bennett in Fritz Lang’s The woman in the window. Cineaction, (62). pp. 15-21. ISSN 0826-9866. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1091)

Klich, Rosemary E. (2017) Amplifying Sensory Spaces: The In and Outputs of Headphone Theatre. Contemporary Theatre Review, 27 (3). pp. 366-378. ISSN 1048-6801. E-ISSN 1477-2264. (doi:10.1080/10486801.2017.1343247) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45525)

Klich, Rosemary E. (2005) David Pledger: On Eavesdrop and New Media: Interview. Performance Paradigm Journal, (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7784)

Klich, Rosemary E. (2007) Performing Posthuman Perspective: Can You See Me Now? Scan: Journal of Media Arts Culture, 4 (1). ISSN 1449-1818. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2240)

Klich, Rosemary E. (2005) The Play’s The Thing No Longer: Non-Linear Narrative in Kate Champion’s ‘Same, Same But Different'. Australasian Drama Studies Journal, 46 . pp. 58-69. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7785)

Klich, Rosemary E. (2013) Send: Act: Perform. Performance Research, 18 (5). pp. 101-107. ISSN 1352-8165. (doi:10.1080/13528165.2013.828935) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45378)

Klich, Rosemary E. (2013) Work in Progress: Audience Engagement and an ‘Aesthetic of Unfinish’ in Richard Schechner’s Imagining O. Body, Space and Technology, 11 (2). ISSN 1470-9120. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45379)

Kollectiv, G., Kollectiv, P. (2005) Militant Ironies: Art as a Strategic Weapon in Israel’s Culture Wars. Art Papers, 30 (5). pp. 24-27. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22179)

Kollectiv, G., Kollectiv, P. (2007) RETRO/NECRO: From Beyond the Grave of the Politics of Re-Enactment. Art Papers, 31 (6). pp. 44-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22178)

Lodder, Christina (2017) Ivan Puni and the Flight of Forms: From St Petersburg to Moscow. Experiment/Eksperiment, 23 (1). pp. 104-116. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75229)

Lodder, Christina (2019) Natalia Goncharova The Trailblazer. Tate Etc., (46). pp. 58-65. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75232)

Lodder, Christina (2017) Painting the World Red. Jewish Renaissance, (Januar). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75231)

Lodder, Christina (2018) Textiles for Revolutionary Russia: Training Textile Designers at the Moscow VKhUTEMAS. West 86th: A Journal of Decorative Arts, Design History, and Material Culture, 25 (2). pp. 139-159. ISSN 2153-5531. (doi:10.1086/702320) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75230)

Maes, Hans R.V. (2008) Art and Pornography. Essay Review of Jerrold Levinson’s Contemplating Art. Journal of Aesthetic Education, 42 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9513)

Maes, Hans R.V. (2011) Art or Porn: Clear Division or False Dilemma? Philosophy and Literature, 35 (1). pp. 51-64. ISSN 0190-0013. (doi:10.1353/phl.2011.0003) (KAR id:31448)
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Maes, Hans R.V. (2001) Bescheidenheid en asymmetrie. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 93 (2). pp. 117-135. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9528)

Maes, Hans R.V. (2005) A Celestial Taxonomy of Remakes? Cinemascope. An Independent Film Journal, 1 (2). pp. 1-11. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9511)

Maes, Hans R.V. (2008) Challenging Partial Intentionalism. Journal of Visual Art Practice, 7 (1). pp. 85-94. ISSN 1470-2029. (doi:10.1386/jvap.7.1.85_1) (KAR id:31436)
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Maes, Hans R.V. (2007) Een treffende gelijkenis. Over grappen en kunst. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 99 (4). pp. 281-296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9531)

Maes, Hans R.V. (2008) Elephants, Microscopes and Free Beauty: Reply to Davies. Philosophical Quarterly, 59 (235). pp. 332-336. ISSN 0031-8094. (doi:10.1111/j.1467-9213.2008.592.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9516)

Maes, Hans R.V. (2005) The End of Art Revisited. Postgraduate Journal of Aesthetics, 2 (3). pp. 122-132. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9512)

Maes, Hans R.V. (2004) The End of Art: A real problem or not really a problem? Postgraduate Journal of Aesthetics, 1 (2). pp. 59-68. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9509)

Maes, Hans R.V. (2010) Intention, Interpretation, and Contemporary Visual Art. British Journal of Aesthetics, 50 (2). pp. 121-138. ISSN 0007-0904. (doi:10.1093/aesthj/ayp051) (KAR id:31439)
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Maes, Hans R.V. (2010) Kunst of Pornografie? Karakter: Tijdschrift van Wetenschap, . pp. 15-16. ISSN 1379-0390. E-ISSN 1379-0390. (KAR id:56972)
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Maes, Hans R.V. (2006) Liefde, vriendschap en Casablanca. Streven, (73). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9530)

Maes, Hans R.V. (2010) Love, Friendship, and Casablanca. Hermeneia: Journal of Hermeneutics, Art Theory, and Criticism, (10). pp. 98-107. ISSN 1453-9047. E-ISSN 2069-8291. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65240)

Maes, Hans R.V. (2004) Modesty, Asymmetry, and Hypocrisy. Journal of Value Inquiry, 38 (4). pp. 485-497. ISSN 0022-5363. (doi:10.1007/s10790-005-3335-1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9508)

Maes, Hans R.V. (2011) ¿Quién dice que la pornografía no puede ser arte? La Balsa de Medusa, . pp. 5-24. ISSN 0214-9982. (KAR id:56971)
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Maes, Hans R.V. (2019) “You Talking to Me?”. Debates in Aesthetics, 14 (1). ISSN 2514-6637. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65239)

Maes, Hans R.V., Deprez, Eleen (2013) Kunst of porno: duidelijk onderscheid of vals dilemma? Kunsttijdschrift Vlaanderen, (346). pp. 175-177. ISSN ISSN 1780-6461. (KAR id:56973)
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Makin, Simon (2014) Drama helps kids with autism communicate better. New Scientist, 2965 . p. 17. ISSN 0262-4079. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40804)

Mei, Todd (2006) Commitment and Communication: The Aesthetics of Receptivity and Historicity. Contemporary Aesthetics, 4 . p. 30. ISSN 19328478.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23357)

Mikuriya, Junko Theresa (2007) On the Walls of the Cave are Shadows. Stimulus Respond, London, (1). pp. 93-96. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9404)

Mitchell, Roanna (2015) The Body That Fits The Bill: Physical Capital and ‘Crises’ of the Body in Actor Training. About Performance, 15 (1). pp. 137-156. ISSN 1324-6089. (KAR id:70120)
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Mitchell, Roanna, Pakula, Pablo (2012) Imagining O, Encountering India: Recounting an embodied experience. Studies in South Asian Film & Media, 4 (2). pp. 179-188. ISSN 1756-4921. (doi:10.1386/safm.4.2.179_1) (KAR id:64923)
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Neale, Steve (1992) The Big Romance or Something Wild - Romantic Comedy Today. Screen, 33 (3). pp. 284-299. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22380)

Neale, Steve (1995) The story of Custer in everything but name, colonel-Thursday and 'fort apache'. Journal of Film and Video, 47 (1-3). pp. 26-32. ISSN 0742-4671. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19407)

Newall, Michael (2015) Painterly and Planar: Wölfflinian Analysis Beyond Classical and Baroque. The Journal of Aesthetics and Art Criticism, 73 (2). pp. 171-178. (doi:10.1111/jaac.12156) (KAR id:60713)
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Newall, Michael (2009) Pictorial Experience and Seeing. British Journal of Aesthetics, 49 (2). pp. 129-141. ISSN 0007-0904. (doi:10.1093/aesthj/ayp002) (KAR id:31630)
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Newall, Michael (2006) 'Pictures, Colours and Resemblance'. Philosophical Quarterly, 56 (225). pp. 587-595. ISSN 0031-8094. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2241)

Newall, Michael (2005) Picturing pictures: reply to Dilworth. Journal of Aesthetics and Art Criticism, 60 (1). 70 -73. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1232)

Newall, Michael (2003) A restriction for pictures and some consequences for theories of depiction. Journal of Aesthetics and Art Criticism, 61 (4). pp. 381-394. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1230)

Newton, James (2014) Nunsploitation: The Forgotten Cycle. Offscreen, 18 (6-7). ISSN 1712-9559. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76249)

Newton, James (2011) Turning the Western on its head: simple subversion in Sergio Corbucci's The Great Silence (1968). Offscreen, 15 (11). ISSN 1712-9559. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76250)

Pavis, Patrice (2003) Avignon in 2002 : five moments captured by Guy Delahaye. Studies in Theatre and Performance, 22 (3). pp. 139-144. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11934)

Pavis, Patrice (2003) De donde viene la puesta en escena y hacia donde va ? Revista de la escuela Navarra de Teatro, (20). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11935)

Pavis, Patrice (2007) De la critica. Conjunto. Revista de teatro latinoamericano, (144). pp. 8-13. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11896)

Pavis, Patrice (2006) Dialogue. A lexikon. Performance research, 11 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11906)

Pavis, Patrice (2007) Die Inszenierung zeitgenössischer Theaterstücke. Lendemains, . pp. 52-68. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11905)

Pavis, Patrice (2002) D’une photo à l’autre ou comment le off réinvente la mise en scène. Théâtre/Public, (165). pp. 49-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11941)

Pavis, Patrice (2004) Entrevue avec Kim Hye-Jin. Revue de la Korean National University of the Arts, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11925)

Pavis, Patrice (2007) Generacion. Teatro, (21). pp. 201-209. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11891)

Pavis, Patrice (2004) Generation. Performance Research, 9 (3). pp. 97-105. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11933)

Pavis, Patrice (2004) Génération. Culture Coréenne, (68). pp. 24-28. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11929)

Pavis, Patrice (2005) Impressions de théâtre à Séoul. Culture Coréenne, (70). pp. 12-15. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11922)

Pavis, Patrice (2004) Impressions d’un Séoulite de passage. Revue du Théâtre Coréen, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11926)

Pavis, Patrice (2005) Iscenesættelsen af samtidige stykker. Peripeti, . pp. 35-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11919)

Pavis, Patrice (2003) Jean-Luc Lagarce : J’étais dans ma maison et j’attendais que la pluie vienne, oder die Pavane der Frauen um das Bett eines schlafenden Mannes. Forum Modernes Theater, 18 (1). pp. 73-85. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11937)

Pavis, Patrice (2005) Koltès’ Black battles with dogs on the stage. Cliché Europe. About cliché in life & on the stage, . pp. 63-71. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11920)

Pavis, Patrice (2004) Le 11 septembre 2001 et sa première mise en scène aux Etats-Unis. Europe, (924). pp. 164-175. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11927)

Pavis, Patrice (2006) Mes trois sœurs. Forum of Theatre and Drama, Seoul, . pp. 314-356. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11915)

Pavis, Patrice (2007) Quatre ouvrages en langues anglaise et allemande. Théâtre/Public, (184). p. 121. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11890)

Pavis, Patrice (2004) Quelques mois en Corée. Théâtre/Public, (175). pp. 34-62. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11931)

Pavis, Patrice (2004) Ravenhill and Durringer, or the Entente cordiale misunderstood. Contemporary Theatre Review, 14 (2). pp. 1-13. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11923)

Pavis, Patrice (2004) Ravenhill et Durringer ou les malentendus de l’entente cordiale. Théartre, (5). pp. 11-30. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11924)

Pavis, Patrice (2006) Reflexions introductoriès sobre el final en el teatre. Pausa, 23 . pp. 94-114. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11914)

Pavis, Patrice (2005) Ritualité et mise en scène dans les vidéos graffitis de Gómez-Peña. Henmès, (43). pp. 131-139. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11918)

Pavis, Patrice (2004) Staging September 11th in the United States. Theater Forum, (25). pp. 91-96. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11928)

Pavis, Patrice (2006) Staging calamity. Mise-en-scène and Performance at Avignon 2005. Theater, 36 (3). pp. 5-27. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11909)

Pavis, Patrice (2002) Tesis para el analisis del texto dramatico. Gestos, 17 (33). pp. 9-47. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11940)

Pavis, Patrice (2007) Theatralia. Du texte au spectacle. Mélanges offerts à Halina Sawecka. Wydawnictwo UMCS, . pp. 37-49. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11893)

Pavis, Patrice (2006) Théâtre et calamité. Théâtre/Public, (180). pp. 81-91. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11908)

Pavis, Patrice (2004) Woyzeck à la Cour d’Honneur. Théâtre/Public, (175). pp. 67-72. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11930)

Pavis, Patrice (2006) Wymiana czy unterakcja ? Dialog, (5-6). pp. 8-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11907)

Pavis, Patrice (2005) Yasmina Reza : Sztuka, czyli sztuka fugi. Etos ?ycia – etos sztuki, . pp. 283-299. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11921)

Pitts, Virginia (1998) Army and University in conflict. New Zealand Herald, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24153)

Pitts, Virginia (1999) Form and Politics in Punitive Damage. Australian Screen Education, (20/21). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24151)

Pitts, Virginia (1997) From novel to film : Le journal d’un curé de campagne and the art of adaptation. European Connection, (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24154)

Pitts, Virginia (2004) Homophobia has no place in tale of fatal love triangle. New Zealand Herald, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24150)

Pitts, Virginia (2006) Intercultural Short Filmmaking in Aotearoa New Zealand. Metro Film, Television, Radio & Multimedia journal, (148). pp. 140-146. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24149)

Pitts, Virginia (1999) “Searching for context” Article about the making of Punitive Damage & i/v with director Annie Goldson. Loose, (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24152)

Pooke, Grant F. (2007) Francis D. Klingender, ‘Exodus and Exile’. Socialist History 30: 1956 and the New Left, (30). pp. 22-42. ISSN 0969 4331. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5883)

Pooke, Grant F. (1994) Larionov,mikhail and the russian avant-garde - parton,a. Art History, 17 (4). pp. 685-686. ISSN 0141-6790. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19951)

Pooke, Grant F. (2003) Marxism, Art & Engagement: Francis Klingender. Bulletin of the Marx Memorial Library, (137). pp. 19-26. ISSN 0969-1154. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5884)

Radosavljevic, Duška (2009) The Alchemy of Power and Freedom – A Contextualisation of Slobodan Šnajder’s Hrvatski Faust (The Croatian Faust). Contemporary Theatre Review, 19 (4). pp. 428-447. ISSN 1048-6801. (KAR id:23452)
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Radosavljevic, Duška (2006) The Canterbury Tales Study Day: Learning and Teaching Methodology at the CAPITAL Centre. English Subject Centre Newsletter, (10). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13436)

Radosavljevic, Duška (2010) Emma Rice in Interview with Duska Radosavljevic. Journal of Adaptation in Film and Performance, 3 (1). pp. 89-98. (doi:10.1386/jafp.3.1.89/7) (KAR id:24280)
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Radosavljevic, Duška (2005) From Dramaturg to Chocolatier: The Working Process on Margaret Wilkinson's new play Kaput! Dram Forum, . (KAR id:13437)
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Radosavljevic, Duška (2008) Kako pokrenuti kriti?ara: Edinburg 2008 - Eksperimenti u politi?kom teatru. TFT: Teatar Film Televizija, . ISSN 1821-0120. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22822)

Radosavljevic, Duška (2003) Lindzi Kemp, jedna karijera - Scena. Sterijino Pozorje, (39). ISSN 0036-5734. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13438)

Radosavljevic, Duška (2009) The Need to Keep Moving: Remarks on the Place of a Dramaturg in 21st Century England. Performance Research, 14 (3). 45 -51. ISSN 1352-8165. (doi:10.1080/13528160903519500) (KAR id:24281)
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Radosavljevic, Duška (2010) A Reflection on Internal. Contemporary Theatre Review, 20 (2). pp. 249-251. (KAR id:24947)
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Radosavljevic, Duška (2007) Translating the City: A Community Theatre Version of Wenders’ Wings of Desire in Newcastle upon Tyne. Journal of Adaptation in Film and Performance, 1 (1). pp. 57-70. ISSN 1753-6421. (KAR id:13433)
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Regehr, Kaitlyn (2012) Pink Ribbon Pin-Ups: Photographing Femininity after Breast Cancer. Culture Health and Sexuality, 14 (7). pp. 753-766. ISSN 1369-1058. (doi:10.1080/13691058.2012.690104) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:78671)
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Regehr, Kaitlyn (2012) The Rise of Recreational Burlesque: Bumping and Grinding Towards Empowerment. Sexuality and Culture, 16 (2). pp. 134-157. ISSN 1936-4822. (doi:10.1007/s12119-011-9113-2) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:78673)
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Regehr, Kaitlyn (2017) To glorify burlesque is kind of silly. Times Higher Education, . ISSN 0049-3929. (KAR id:78674)
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Regehr, Kaitlyn (2019) Toronto: From bland to global brand. Times Higher Education, . ISSN 0049-3929. (KAR id:78675)
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Regehr, Kaitlyn, Regehr, Cheryl (2012) Let Them Satisfy Their Lust on Thee: Titus Andronicus as a Window into Societal Understanding of PTSD. Traumatology, 18 (2). pp. 27-34. ISSN 1534-7656. (doi:10.1177/1534765611426791) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:78672)
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Regehr, Kaitlyn, Regehr, Cheryl, Glancy, Graham (2019) Murder at the Dinner Table: Family Narratives of Forensic Professionals. Journal of Loss and Trauma, 24 (1). pp. 31-49. ISSN 1532-5024. (doi:10.1080/15325024.2018.1507108) (KAR id:78670)
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Ringrose, Jessica, Regehr, Kaitlyn (2020) Feminist Counterpublics and Public Feminisms: Advancing a Critique of Racialized Sexualization in London’s Public Advertising. Signs: Journal of Women in Culture and Society, 46 (1). ISSN 0097-9740. (doi:10.1086/709362) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:78669)
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Ringrose, Jessica, Whitehead, Sophie, Regehr, Kaitlyn (2020) Play Doh Vulvas and Felt Tip Dick Pics: Disrupting Phallocentric Matter(s) in Sex Education. Reconceptualizing Educational Research Methodology, 10 (2-3). pp. 259-291. ISSN 1892-042X. (doi:10.7577/rerm.3679) (KAR id:78668)
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Roesner, David P. (2006) Bending Gender and Acting Theory - Performing essays by Goethe and Cocteau on the theatrical benefits of cross-dressing. Studies in Theatre and Performance, 26 (2). pp. 111-127. ISSN 1468-2761. (doi:10.1386/stap.26.2.111/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30262)

Roesner, David P. (2005) Die Playlist als Inszenierung. Ein Portrait des Theatermusikers Lars Wittershagen. Theater der Zeit, 2005 (6). pp. 14-15. ISSN 0040-5418. (KAR id:30271)
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Roesner, David P. (2011) The Guitar Hero's Performance. Contemporary Theatre Review, 21 (3). pp. 276-285. ISSN 1048-6801. (doi:10.1080/10486801.2011.585646) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30253)

Roesner, David P. (2010) Musicality as a paradigm for the theatre – a kind of manifesto. Studies in Musical Theatre, 4 (3). pp. 293-306. ISSN 1750-3159. (KAR id:30256)
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Roesner, David P. (2010) Musicking as mise-en-scène. Studies in Musical Theatre, 4 (1). pp. 89-102. ISSN 1750-3159. (doi:10.1386/smt.4.1.89_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30274)

Roesner, David P. (2007) Singing Actors and Dancing Singers. Oscillations of genre, physical and vocal codes in two contemporary adaptations of Purcell’s Dido and Aeneas. Studies in Musical Theatre, 1 (2). pp. 123-137. ISSN 1468-2761. (KAR id:30261)
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Roesner, David P. (2003) Theater als Musik. Musikalische Aspekte in den Inszenierungen Christoph Marthalers. Theater der Zeit, 2003 (6). pp. 42-43. ISSN 0040-5418. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30273)

Roesner, David P. (2004) „Über Musik und Raum im zeitgenössischen Theater”. Monthly magazine of the Theater Basel, 2004 (3). pp. 22-23. ISSN N/A. (KAR id:30279)
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Roesner, David P. (2009) 'An entirely new art form' – Katie Mitchells intermediale Bühnen-Experimente. Forum Modernes Theater, 24 (2). pp. 101-119. ISSN 0930-5874. (KAR id:30255)
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Roesner, David P. (2008) The politics of the polyphony of performance. Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1048-6801. (KAR id:30260)
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Roesner, David P. (2008) The politics of the polyphony of performance: Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1477-2264. (doi:10.1080/10486800701749587) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40778)

Roesner, David P., Risi, Clemens (2009) Die polyphone Werkstatt. Kollektives Arbeiten im zeitgenössischen Musiktheater. Theater der Zeit, 2009 (1). pp. 28-30. ISSN 0040-5418. (KAR id:30277)
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Sayad, Cecilia (2011) The Auteur as Fool: Bakhtin, Barthes, and the Screen Performances of Woody Allen and Jean-Luc Godard. Journal of Film and Video, 63 (4). pp. 21-34. ISSN 0742-4671. (doi:10.5406/jfilmvideo.63.4.0021) (KAR id:28425)
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Sayad, Cecilia (2006) Authorship in the Interstices of History, Biography, Reality and Memory: Histoire(s) du cinéma and Cabra Marcado para Morrer. Significação: Revista Brasileira de Semiótica, (26). pp. 139-172. ISSN 1516-4330. (KAR id:13477)
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Sayad, Cecilia (2014) Eduardo Coutinho's Films Were About Gaps and Creative Frictions. Mediático, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:38189)

Sayad, Cecilia (2010) Flesh for the Author: Filmic Presence in the Documentaries of Eduardo Coutinho. Framework: The Journal of Cinema and Media, 51 (1). pp. 134-150. ISSN 0306-7661. (doi:10.1353/frm.0.0061) (KAR id:26343)
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Sayad, Cecilia (2016) A Matter of (Informed) Taste. Film Criticism, 40 (1). ISSN 0163-5069. (doi:10.3998/fc.13761232.0040.129) (KAR id:54179)
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Sharman, L.F. (1992) Cohl,emile, caricature, and film - crafton,d. Screen, 33 (4). pp. 441-445. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22217)

Shaughnessy, Nicola (1997) Between the Scenes: Virginia Woolf’s Freshwater. Women and Theatre: Occasional papers, (4). pp. 35-67. ISSN 0-951-88753. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5862)

Shaughnessy, Nicola (1996) Theatres of Absurdity: pedagogy, performance and institutional politics. Studies in Theatre Production, (13). pp. 39-53. ISSN 1357-5341. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5863)

Shaughnessy, Nicola (2005) Truths and lies: towards a new methodology of performance applications. Research in Drama and Education, . 0-0. ISSN 1356-9783. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1248)

Shaughnessy, Robert (2009) Behind the Scenes. Shakespeare Survey, 62 (62). pp. 236-247. ISSN ISBN 0 521 39529 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31575)

Shaughnessy, Robert (2010) A Choice of Programs. Shakespeare Bulletin, 28 (1). pp. 55-76. ISSN 0748-2558. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31574)

Shaughnessy, Robert (2005) Hamlet. Performance Research, 10 (3). p. 103. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6396)

Shaughnessy, Robert (1989) Howard Barker, The Wrestling School and the Cult of the Author. New Theatre Quarterly, (15). pp. 264-271. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6412)

Shaughnessy, Robert (1998) The Last Post: Henry V, war culture and the postmodern Shakespeare. Theatre Survey, 39 (1). pp. 41-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6407)

Shaughnessy, Robert (2007) One Piece at a Time. Shakespeare Bulletin, 25 (3). pp. 11-26. ISSN 0748-2558. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6391)

Shaughnessy, Robert (1997) "Ragging the Bard”: Terence Gray, Shakespeare and Henry VIII. Theatre Notebook, 51 (2). pp. 92-111. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6408)

Shaughnessy, Robert (2000) Shakespearean Utopias. Shakespeare Survey, (54). pp. 233-243. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6405)

Shaughnessy, Robert (2002) Twentieth-Century Fox: Volpone’s Metamorphosis. Theatre Research International, 27 (1). pp. 27-48. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6401)

Shaughnessy, Robert (1994) Voltaire’s Brain: Strategies for Enlightenment and Studies in the Death of the Author. Studies in Theatre Production, (9). pp. 22-37. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6411)

Smith, Murray (1992) Coming to terms - the rhetoric of narrative in fiction and film - Chatman,S. Journal of Aesthetics and Art Criticism, 50 (3). pp. 253-254. ISSN 0021-8529. (doi:10.2307/431236) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22237)

Smith, Murray (1999) (Dis)engaging characters: a response to Lynne Pearce's review. Screen, 40 (3). pp. 358-362. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16635)

Smith, Murray (2006) My Dinner with Noel; or, Can We Forget the Medium ? Film Studies: An International Review, 8 . pp. 140-148. ISSN 1469-0314. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:12924)
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Smith, Murray (1998) Regarding film spectatorship: A reply to Richard Allen. Journal of Aesthetics and Art Criticism, 56 (1). pp. 63-65. ISSN 0021-8529. (doi:10.2307/431952) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17153)

Smith, Murray (1992) Society-for-cinema-studies conference, pittsburgh, 30-april 3-may, 1992. Screen, 33 (4). pp. 436-438. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22236)

Smith, Murray (2018) A Tale of Two Gaps. Australasian Philosophical Review, 2 (2). pp. 189-193. ISSN 2474-0500. (doi:10.1080/24740500.2018.1552095) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74282)

Stanfield, Peter (2010) Crossover: Sam Katzman’s Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ Calypso, Beatniks, Hot Rods, and Rock ’n’ Roll in 1950s Teenpix’. Popular Music, 29 (3). pp. 437-456. ISSN 0261-1430. (doi:10.1017/S0261143010000255) (KAR id:26189)
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Stanfield, Peter (2002) ‘An Excursion into the Lower Depths: Hollywood, St. Louis Blues, and Urban Primitivism.’. Cinema Journal, 41 (2). pp. 84-108. ISSN 0009-7101. (KAR id:2732)
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Stanfield, Peter (1992) ‘Heritage Design: The Harley-Davidson Motor Company.’. Journal of Design History, 5 (2). pp. 141-155. ISSN 0952-4649. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2734)

Stanfield, Peter (2003) ‘The Last Scene of the Titanic: Vernacular American Phonograph Recordings’. Interdisciplinary Literary Studies, 5 (1). pp. 21-33. ISSN 1524-8429. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2731)

Stanfield, Peter (2008) Maximum Movies: Lawrence Alloway’s Pop Art Film Criticism. Screen, 49 (2). pp. 179-193. ISSN 0036-9543. (doi:10.1093/screen/hjn032) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12944)

Stanfield, Peter (2005) A Monarch for the Millions: Jewish Filmmakers, Social Commentary & the Postwar Cycle of Boxing Films. Film Studies: An International Review, (7). pp. 66-82. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2730)

Stanfield, Peter (2008) Notes Toward a History of the Edinburgh International Film Festival, 1969-77. Film International, 6 (4). pp. 62-71. ISSN 1651-6826. (KAR id:12945)
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Stanfield, Peter (1997) ‘“An Octoroon in the Kindling”: American Vernacular & Blackface Minstrelsy in 1930s Hollywood.’. Journal of American Studies, 31 (3). pp. 407-438. ISSN 0021-8758. (KAR id:2733)
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Stanfield, Peter (1987) ‘The Western 1909-14: A Cast of Villains.’. Film History, 1 (2). pp. 97-112. ISSN 0892-2160. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2735)

Strandberg-Long, Philippa (2018) Mapping Meisner – how Stanislavski’s system influenced Meisner’s process and why it matters to British Drama School training today. Stanislavski Studies, 6 (1). pp. 11-19. ISSN 2056-7790. (doi:10.1080/20567790.2018.1437956) (KAR id:74523)
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Strandberg-Long, Philippa (2019) The reaction in counter-action: how Meisner technique and active analysis complement each other. Stanislavski Studies, 7 (1). pp. 95-108. ISSN 2056-7790. (doi:10.1080/20567790.2019.1576114) (KAR id:74522)
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Thomas, Ben D. H. (2005) The Academy of Baccio Bandinelli. Print Quarterly, XXII (1). pp. 3-14. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4609)

Thomas, Ben D. H. (2015) The Early Prints of Marcus Rees Roberts. Art in Print, 5 (1). pp. 7-11. ISSN 1-844-278-4677. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55961)

Thomas, Ben D. H. (2015) Edgar Wind. A Short Biography. Stan Rzeczy, 08 (1). pp. 117-137. ISSN 2083-3059. (KAR id:55959)
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Thomas, Ben D. H. (2003) Finding Ovid through Raphael in the Schools of the Tombs. Art on the Line, 1 (2). pp. 1-11. ISSN 1478-6818. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13082)

Thomas, Ben D. H. (1999) The Fortnum Archive in the Ashmolean Museum. Journal of the History of Collections, 11 (2). pp. 253-268. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3071)

Thomas, Ben D. H. (1999) Hercules and the Hydra: C. D. E. Fortnum, Arthur Evans and the Ashmolean Museum. Journal of the History of Collections, 11 (2). pp. 159-169. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3070)

Thomas, Ben D. H. (2017) Jim Dine and Pinocchio. Arabeschi, 10 (1.6). ISSN 2282-0876. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65133)

Thomas, Ben D. H. (2005) The academy of Bandinelli. Print Quarterly, XXII (1). pp. 3-14. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1276)

Thomas, Ben D. H. (2015) 'The child is father of the man': Alfred Drury and temporality. Sculpture Journal, 24 (1). pp. 55-72. ISSN 1366-2724. (doi:10.3828/sj.2015.24.1.5) (KAR id:55960)
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Thomas, Ben D. H. (2001) The lantern of painting: Michelangelo, Daniele da Volterra and the paragone. Apollo, CLIV (474). pp. 46-53. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1277)

Thomas, Ben D. H., Whistler, Catherine (2016) Eloquence in Raphael Drawings. Artibus et Historiae, 74 . pp. 25-36. ISSN 0391-9064. (KAR id:59547)
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Thompson, Jayne (2019) Moving Memory Dance Theatre Company. Performance Research, 24 (3). pp. 115-121. ISSN 1352-8165. (doi:10.1080/13528165.2019.1583983) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:79039)

Tischler, Victoria, Schneider, Justine, Morgner, Christian, Crawford, Paul, Dening, Tom, Brooker, DAWN, Garabedian, Claire, Myers, Tanya, Early, Fergus, Shaughnessy, Nicola, and others. (2019) Stronger together: learning from an interdisciplinary dementia, arts and well-being network (DA&WN). Arts & Health, 11 (3). pp. 272-277. ISSN 1753-3015. (doi:10.1080/17533015.2018.1534252) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:73440)
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Trimingham, Melissa (2019) Bauhaus 100. Theatre and Performance Design, 5 (1-2). pp. 2-5. ISSN 2332-2551. (doi:10.1080/23322551.2019.1606392) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:74589)
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Trimingham, Melissa (2002) A Methodology for Practice as Research. Studies in Theatre & Performance, 22 (1). pp. 54-60. ISSN 1468-2761. (doi:10.1386/stap.22.1.54) (KAR id:30397)
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Trimingham, Melissa (2010) 'Objects in transition: the puppet and the autistic child'. Journal of Applied Arts in Health, 1 (3). pp. 251-265. ISSN 2040-2457. (doi:10.1386/jaah.1.3.251_1) (KAR id:26300)
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Trimingham, Melissa (2004) Oskar Schlemmer’s Research Practice at the Dessau Bauhaus. Theatre Studies International, 29 (2). 128 -142. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1263)

Trimingham, Melissa (2004) Sehr geehrter Herr Schlemmer... A letter to Oskar Schlemmer occasioned by a performance of the Bauhaustanze at the Dessau Bauhaus 1928. Performance Research, 9 (1). pp. 81-98. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30399)

Trimingham, Melissa F., Shaughnessy, Nicola (2016) Material Voices: intermediality and autism. Research in Drama Education, 21 (3). pp. 293-308. ISSN 1356-9783. E-ISSN 1470-112X. (doi:10.1080/13569783.2016.1194748) (KAR id:56933)
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Vaage, Margrethe Bruun (2006) The Empathetic Film Spectator in Analytic Philosophy and Naturalized Phenomenology. Film and Philosophy, 10 (21). ISSN 1073-0427. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70141)

Vaage, Margrethe Bruun (2013) Fictional reliefs and reality checks. Screen, 54 (2). pp. 218-237. ISSN 1460-2474. (doi:10.1093/screen/hjt004) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40571)

Vaage, Margrethe Bruun (2005) Fiksjon, innlevelse og selvreferanse. Norsk Filosofisk Tidsskrift, 40 (2). pp. 124-137. ISSN 0029-1943. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70148)

Vaage, Margrethe Bruun (2007) Levende bilder: Hvorfor empati er viktig for vellykket innlevelse i fiksjonsfilm. Norsk medietidsskrift, 14 (1). pp. 27-48. ISSN 0804-8452. (KAR id:70147)
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Vaage, Margrethe Bruun (2009) The Role of Empathy in Gregory Currie's Philosophy of Film. British Journal of Aesthetics, 49 (2). pp. 109-128. ISSN 0007-0904. (doi:10.1093/aesthj/ayp005) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40573)

Vaage, Margrethe Bruun (2004) Sansning, tenkning, teknologi: Hvordanfungerer Stella Polaris? Norsk medietidsskrift, 11 (1). pp. 6-23. ISSN 0804-8452. (KAR id:70149)
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Varakis-Martin, Angeliki (2014) An Emotional Engagement with the Classical Past: Karolos Koun and the staging of ancient Greek drama in the twentieth century. An Emotional Engagement with the Classical Past: Karolos Koun and the staging of ancient Greek drama in the twentieth century, . (Submitted) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44534)
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Varakis-Martin, Angeliki (2004) Research on the Ancient Mask. Didaskalia, 6 (1). E-ISSN 1321-4853. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44718)
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Windsor, Mark (2019) What is the Uncanny? The British Journal of Aesthetics, 59 (1). pp. 51-65. ISSN 0007-0904. (doi:10.1093/aesthj/ayy028) (KAR id:73541)
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Wood, Aylish (2014) Contests and Simulations: Tron: Legacy and its Connections with Technologies. Journal of Film and Video, . ISSN 0742-4671. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31401)
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Wood, Aylish (2020) Mad Max: Fury Road and the toxic storm: the transcalar possibilities of digital images. Screen, . ISSN 0036-9543. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:79276)
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Wood, Aylish (2004) The Metaphysical Fabric that Binds Us’: Proprioceptive Coherence and Performative Space in Minority Report. New Review of Film and Television Studies, 2 (1). pp. 1-18. ISSN 1740-0309. (KAR id:4635)
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Wood, Aylish (2007) 'Pixel Visions: Digital Intermediates and Micromanipulations of the Image'. Quarterly Review of Film and Video, Film C (1). pp. 72-94. ISSN 0163-5069. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:2251)
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Wood, Aylish (2008) Proliferating Connections and Communicating Convergence. Fibreculture, (13). ISSN 1449-1443. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4632)

Wood, Aylish (2006) Re-Animating Space. Animation: An Interdisciplinary Journal, 1 (2). pp. 133-152. ISSN 1746-8477. E-ISSN 1746-8485. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:4634)
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Wood, Aylish (2002) The timespaces of spectacular cinema: crossing the great divide of spectacle versus narrative. Screen, 43 (4). pp. 370-386. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1100)

Book section

Adler, Gerald (2013) Energising the Building Edge: Siegfried Ebeling, Bauhaus Bioconstructivist. In: Morrow, Ruth and Abdelmonem, Mohamed Gamal, eds. Peripheries: Edge Conditions in Architecture. Critiques: Critical Studies in Architectural Humanities, 8 . Routledge, Abingdon. ISBN 978-0-415-64029-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40204)

Adler, Gerald (2012) Little Boxes. In: Adler, Gerald and Brittain-Catlin, Timothy and Fontana-Giusti, Gordana, eds. Scale : Imagination, Perception and Practice in Architecture. Critiques: Critical Studies in Architectural Humanities . Routledge, Abingdon, pp. 182-193. ISBN 978-0-415-68711-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40203)

Allain, Paul (2007) Destarsi Con One Breath Left. In: The Workcenter of Jerzy Grotowski and Thomas Richards Visioni. Bulzoni. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2366)

Allain, Paul (2008) Destarsi con One breath left. In: Opere e sentieri. Vol. 3: Testimonianze e riflessioni sull'arte come veicolo. Bulzoni, pp. 129-140. ISBN 978-88-7870-296-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13000)

Allain, Paul (2002) The Gardzienice Theatre Association. In: Acting (Re)Considered (2nd ed.). Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2364)

Allain, Paul (2002) Gardzienice's Performance of Otherness. In: Studies in Language, Literature and Cultural Mythology in Poland: Investigating The Other. Edwin Mellen Press, pp. 99-114. ISBN 0-7734-7054-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2362)

Allain, Paul (2006) The Nature And Culture Of Performance. In: A Performance Cosmology: testimony from the Future, Evidence of. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2365)

Allain, Paul (2006) Waking with one breath left. In: Attisani, Antonio, ed. Tracing Roads Across. EU funded. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1127)

Allain, Paul (2013) Ways of Hearing. In: Wisniewski, Tomasz, ed. A Between Almanach for the Year 2013. Maski Press, Gdansk/Sopot, 2013. ISBN 978-83-64088-13-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40187)

Baugh, Christopher (2003) Our divine Shakespeare, fitly illustrated – staging Shakespeare, 1660-1900. In: Martineau, Jane, ed. Shakespeare in Art. Ferrara & London: Merrell, pp. 29-39. ISBN 1-85894-229-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1110)

Baugh, Christopher (2006) Scenography and technology, 1737-1843. In: Moody, Jane and O'Quinn, Daniel, eds. The Cambridge Companion to British Theatre 1737-1843. Cambridge University Press. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1115)

Baugh, Christopher (2004) Stage Design from Loutherbourg to Poel. In: Donohue, Joseph, ed. The Cambridge History of British Theatre, vol. II. Cambridge University Press, pp. 309-330. ISBN 0-521-65068-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1112)

Boenisch, Peter M (2006) Aesthetic art to aisthetic act. Theatre, media, intermedial performance. In: Kattenbelt, Chiel and Chapple, Freda, eds. Intermediality in Theatre and Performance. Amsterdam: Rodopi, pp. 103-116. ISBN 90-420-1629-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1165)

Boenisch, Peter M (1999) Contributions to Dictionnaire de la Danse. In: Le Moal, Philippe, ed. Dictionnaire de la Danse. Larousse. ISBN 2-03-511318-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2492)

Boenisch, Peter M (2000) Contributions to Lexikon der Kultur der Gegenwart,. In: Schnell, Ralf, ed. Lexikon der Kultur der Gegenwart. Stuttgart: Metzler. ISBN 3-476-01622-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2491)

Boenisch, Peter M (2002) Der Darsteller auf der Bühne: Klangkörper <> Zeichenkörper. Zur Problematik der Korporealität (nicht nur) im Musiktheater. In: Bayerdörfer, Hans-Peter, ed. Stimmen - Töne - Klänge. Tübingen. Gunter Narr, pp. 139-152. ISBN 3-8233-5230-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2480)

Boenisch, Peter M (2002) Der Körper als Zeichen!? In: Klein, Gabriele and Zipprich, Christa, eds. Tanz.Theorie.Text. Jahrbuch Tanzforschung 12. Münster u.a.: Lit, pp. 383-395. ISBN 3-8258-5901-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2485)

Boenisch, Peter M (2010) Frank Castorf and the Berlin Volksbühne: The Humiliated and Insulted (2001). In: Bay--Cheng, Sarah and Kattenbelt, Chiel and Lavender, Andy and Nelson, Robin, eds. Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, 187,196-202. ISBN 978-90-8964-255-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25358)

Boenisch, Peter M (2006) Mediation Unfinished. Choreographing Intermediality in Contemporary Dance Performance. In: Kattenbelt, Chiel and Chapple, Freda, eds. Intermediality in Theatre and Performance, Amsterdam and New York. Rodopi, pp. 151-166. ISBN 90-420-1629-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2469)

Boenisch, Peter M (2007) Multisensuality and Postdramatic Mise-en-Scène: The ro:theater's Proust-Project. In: Suguiera, Malgorzata and Borowski, Matuesz, eds. Fictional Realities/Real Fictions: Contemporary Theatre in Search of a New Mimetic Paradigm. Cambridge Scholars Publishing, pp. 121-134. ISBN 978-1-84718-138-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2466)

Boenisch, Peter M (2003) Realität - Fiktion - Alienation. Hygiene Heute und die Politik der Grenzverschiebung im Performancetheater. In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds. Theater ohne Grenzen. München: Utz, pp. 456-464. ISBN 3-8316-0237-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2476)

Boenisch, Peter M (2007) Tanz als Körper-Zeichen: Zur Methodik der Theater-Tanz-Semiotik. In: Klein, Gabriele and Brandstetter, Gabriele, eds. Bewegung in Übertragung, Bielefeld. Transcript, pp. 29-45. ISBN 3-89942-558-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2467)

Boenisch, Peter M (2002) Tanz als Leben, oder: Die Erotik des Balanceakts auf der Nabelschnur. Das expressive Ballett-Theater des Jirí Kylián. In: Staatsballett, Bayerisches, ed. Porträt Jirí Kylián. München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2478)

Boenisch, Peter M (2000) Tanztheorie und Sprechtheater. Perspektiven der Analyse von Körperzeichen im zeitgenössischen Theater. In: Jeschke, Claudia and Bayerdörfer, Hans-Peter, eds. Bewegung im Blick. Berlin: Vorwerk 8. Theatralia, Documenta Choreologica, pp. 16-29. ISBN 3-930916-22-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2490)

Boenisch, Peter M (2003) Theater als Medium der Moderne? Zum Verhältnis von Medientechnologien und Bühne im 20. Jahrhundert. In: Balme, Christopher and Fischer-Lichte, Erika and Gratzel, Stephan, eds. Theater als Paradigma der Moderne? Positionen zwischen historischer Avantgarde und Medienzeitalter. Mainzer Forschungen zu Drama und Theater 28. Tübingen: Francke 2003, pp. 447-456. ISBN 3-7720-2796-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2475)

Boenisch, Peter M (2004) Theater der Sensationen. Performance als Wahrnehmungs-Labor. In: Matzke, Annemarie and Kurzenberger, Hajo, eds. TheorieTheaterPraxis. Berlin: Theater der Zeit, pp. 261-268. ISBN 3-934344-29-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2474)

Boenisch, Peter M (2010) Thomas Ostermeier: mission neo(n)realism and a theatre of actors and authors. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge, pp. 339-359. ISBN 978-0-415-46251-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25360)

Boenisch, Peter M. (2014) What happened to our Nation of Culture? Staging the theatre of the Other Germany. In: Holdsworth, Nadine, ed. Theatre and National Identity: Re-Imagining Conceptions of Nation. Routledge Advances in Theatre & Performance Studies . Routledge, Abingdon, Oxfordshire, pp. 145-162. ISBN 978-0-415-82299-2. E-ISBN 978-0-203-36621-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60017)

Boenisch, Peter M. (2017) An actor, but in life: Spectatorial consciousness and materialist theatre. In: Fisher, Tony and Katsouraki, Eve, eds. Performing Antagonism: Theatre, Performance & Radical Democracy. Performance Philosophy . Palgrave Macmillan UK, London, UK. ISBN 978-1-349-95099-7. E-ISBN 978-1-349-95100-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60019)

Boenisch, Peter M and Balme, Christopher (2001) Re-Play. Wiederholung der Welt - Welten der Wiederholung im zeitgenössischen britischen Drama. In: Felix, Jurgen and Kiefer, Bernd and Marschall, Susanne and Stiglegger, Marcus, eds. Die Wiederholung. Marburg: Schüren, pp. 269-284. ISBN 3-89472-334-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2487)

Boenisch, Peter M and Stalpaert, Christel (2010) Jan Fabres Affirmationsfalle: Von der (Un-) Möglichkeit politischen Theaters im Zeitalter der Toleranz. In: Forschungszentrum, Sound and Movement, ed. Spielart Festival Reloaded. Henschel, Berlin, pp. 62-88. ISBN 978-3-89487-661-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25359)

Bolaki, Stella (2014) The Cultural Work of Disability and Illness Memoirs: Schizophrenia as Collaborative Life Narrative. In: Bolt, David, ed. Changing Social Attitudes to Disability: Perspectives from Historical, Cultural, and Educational Studies. Routledge, London, pp. 89-98. ISBN 978-0-415-73249-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44300)

Brooks, Helen E.M. (2017) Sex and Sexuality. In: Balme, Christopher B. and Davis, Tracy C., eds. A Cultural History of Theatre. Bloomsbury. ISBN 978-1-4725-8584-4. (KAR id:64411)
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Brooks, Helen E.M. (2014) Theorizing the Woman Performer. In: Swindells, Julia and Taylor, David Francis, eds. The Oxford Handbook of the Georgian Theatre 1737-1832. Oxford University Press. ISBN 978-0-19-960030-4. (doi:10.1093/oxfordhb/9780199600304.013.038) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31606)
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Brooks, Helen E.M. (2009) Women and Theatre Management in the Eighteenth Century. In: Engel, L., ed. The Public's Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Cambridge Scholars Publishing, pp. 73-97. ISBN 978-1-4438-0173-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:29675)

Camilleri, Frank (2008) Exploring the Liminal: Engaging the Space between Training and Performance Process. In: Wooding, Bruce, ed. International Theatre Movement Conference: At the Moscow Art Theatre School. Central School of Speech and Drama, London, pp. 27-30. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20308)

Cardwell, Sarah E. (2007) Is Quality Television Any Good? Generic Distinctions, Evaluations and the Troubling Matter of Critical Judgement. In: McCabe, Janet and Akass, Kim, eds. Quality TV: Contemporary American Television and Beyond. IB Tauris, pp. 19-34. ISBN 978-1-84511-511-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2220)

Carver, Gavin P. (2002) Carnival. In: Donnell, Alison, ed. Companion to Black British Culture. Routledge, pp. 65-67. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9419)

Carver, Gavin P. (2001) John Fox. In: Bull, John, ed. Dictionary of Literary Biography Vol 245 British and Irish Dramatists Since World War II. London: Bruccoli Clark Layman, pp. 157-166. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1268)

Carver, Gavin P. and Beardon, C (2003) New visions in performance. In: Carver, Gavin P., ed. New Visions in Performance. Swets & Zeitlinger, pp. 167-182. ISBN 90-265-1966-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1173)

Carver, Gavin P. and Presdee, Mike (2000) The Carnival of Crime. In: Presdee, Mike, ed. Cultural Criminology and the Carnival of Crime. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9414)

Choi, Jinhee (2006) Apperception on Display: Structural Films and Philosophy. In: Smith, Murray and Wartenberg, Thomas, eds. Thinking Through Cinema: Film as Philosophy. Blackwell, pp. 165-172. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14642)

Choi, Jinhee (2005) National Cinema, the Very Idea. In: Choi, Jinhee and Carroll, Noel, eds. Philosophy of Film and Motion Pictures. Blackwell, pp. 310-319. ISBN 978-1-4051-2027-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14644)

Choi, Jinhee (2004) Preface to The Cinema of Japan and Korea. In: Bowyer, Justin, ed. The Cinema of Japan and Korea. Wallflower Press. ISBN 978-1-904764-11-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14647)

Cinquegrani, Maurizio (2017) The Cinematic Shtetl as a Site of Postmemory. In: Penz, Francois and Koeck, Richard, eds. Cinematic Urban Geographies. Screening Spaces . Palgrave Macmillan, London, UK, pp. 137-154. ISBN 978-1-137-46830-7. E-ISBN 978-1-137-46084-4. (doi:10.1057/978-1-137-46084-4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60020)

Cinquegrani, Maurizio (2018) О других кинопространствах: документальный фильм о Холокосте как коллекция [Of Other Cinematic Spaces: the Holocaust Documentary as a Collection]. In: Polyakova, Irina and Suvorova, Tatyana, eds. Коллекция в пространстве культуры [Collection in the Space of Culture]. Музей янтаря, Kaliningrad, Russia, pp. 17-26. E-ISBN 978-5-903920-49-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75988)

Cowie, Elizabeth (2006) ‘The Art of Paranoia’. In: Pajdic, Predrag and Pasolini, Antonio and Ryan, Paul, eds. Paranoia. Southend/Leeds/London, London, pp. 138-148. ISBN 139780955330902. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2991)

Cowie, Elizabeth (2003) Cinematic dream-work of Ingmar Bergman’s Wild Strawberries. In: Sabbadini, Andrea, ed. The Couch and the Silver Screen. Psychoanalytic Analytic Reflections on European Cinema. Brenner-Routledge, pp. 181-201. ISBN 1-58391-952-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1175)

Cowie, Elizabeth (1986) A Discussion of Coma. In: Brunsden, Charlotte, ed. Hollywood’s New Women. British Film Institute. ISBN 0857101558. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3010)

Cowie, Elizabeth (2005) 'Dokumentarische Kunst: das Reale begehren, der Wirklichkeit eine Stimme geben' (‘Desiring the Real, Voicing Reality in Documentry Art'). In: Gludovatz, Karin, ed. Auf den Spuren des Realen Kunst und Dokumentarismus. Museum Moderner Kunst Stiftung Ludwig, Wien, pp. 15-41. ISBN 3-902490-05-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2993)

Cowie, Elizabeth (1999) Fantasia. In: Evans, Jessica and Hall, Stuart, eds. Visual Culture, The Reader. Sage, pp. 356-378. ISBN 0-7619-6247-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2999)

Cowie, Elizabeth (1993) Film Noir and Women. In: Copjec, Joan, ed. Shades of Noir. Verso, pp. 121-166. ISBN 0-86091-625-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3002)

Cowie, Elizabeth (1993) From Fantasia. In: Easthope, Anthony, ed. Contemporary Film Theory. Longman, pp. 147-161. ISBN 0-582-09032-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3003)

Cowie, Elizabeth (2001) Identifizierung mit dem Realen - Spektakel der Realität. In: Angerer, Marie-Luise and Krips, H., eds. Der Andere Schauplatz Psychoanalyse - Kultur - Medien. Vienna: Turia + Kant, pp. 151-180. ISBN 3-85132-287-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2995)

Cowie, Elizabeth (1996) Images of Women and Filmic Identification. In: Dakovic, Nevena and Derman, Denis and Ross, Karen, eds. Gender & Media. Med-Campus Project no A126 Publications, pp. 35-60. ISBN 975-96120-0-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3001)

Cowie, Elizabeth (2009) Introduction to Post-Partum Document. In: Frascina, Francis, ed. Modern Art Culture: a reader. Routledge, London, pp. 303-311. ISBN 978-0-415-23151-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26339)

Cowie, Elizabeth (2010) ‘Mourning, Loss and Trauma, and the Ambiguities of Proper and Improper Desire in Exotica (1994)'. In: Brown, Tom and Walters, James, eds. Film Moments. Palgrave/British Film Institute, London, pp. 140-143. ISBN 978-1-84457-336-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26333)

Cowie, Elizabeth (2005) On Rear Window. In: Rutsky, R.L. and Geiger, Jeffrey, eds. Film Analysis: A Reader. W. W. Norton & Company, pp. 475-493. ISBN 0-393-97983-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1176)

Cowie, Elizabeth (1989) The Popular Film as a Progressive Text – a Discussion of Coma. In: Penley, Constance, ed. Feminism and Film Theory. Methuen. ISBN 0-415-90107-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3009)

Cowie, Elizabeth (1992) Pornography and Fantasy. In: Segal, Lynne and McIntosh, Mary, eds. Sex Exposed: Sexuality and the Pornography Debate. Virago, pp. 132-152. ISBN 1-85381-385-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3006)

Cowie, Elizabeth (1990) Psychoanalysis and Cinema: Film and Theory in the 1980's. In: Donald, James, ed. Psychoanalysis and Cultural Theory: Thresholds. Macmillan, pp. 104-138. ISBN 0-312-05232-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3008)

Cowie, Elizabeth (1992) The Seductive Theories of Jean Laplanche: a new view of the drive, passivity and femininity. In: Stanton, Martin and Fletcher, John W. J., eds. Situating Laplanche. Institute of Contemporary Arts, pp. 121-136. ISBN 0-905263-68-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3005)

Cowie, Elizabeth (2005) Seeing and hearing for ourselves: the spectacle of reality in the Holocaust Documentary. In: Haggith, Toby and Newman, Joanna, eds. The Holocaust and the Moving Image: Film and Television Representations Since 1933. Wallflower Press, pp. 182-188. ISBN 1-904764-51-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2992)

Cowie, Elizabeth (1999) The Spectacle of Actuality. In: Gaines, Jane and Renov, Michael, eds. Collecting Visible Evidence. University of Minnesota Press, pp. 19-45. ISBN 0-8166-3135-2/3136-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2998)

Cowie, Elizabeth (1998) Storytelling: classical Hollywood cinema and classical narrative. In: Neale, Steve and Smith, Murray, eds. Contemporary Hollywood Cinema. Routledge, pp. 178-190. ISBN 0-415-17010-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3000)

Cowie, Elizabeth (2000) Traumatic Memories of Remembering and Forgetting. In: Rossington, Michael and Whitehead, Anne, eds. Between the Psyche and the Polis: Refiguring history in literature and theory. Ashgate Publishing, pp. 191-204. ISBN 0-7546-0228-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2997)

Cowie, Elizabeth (2007) Ways of Seeing and Knowing: Documentary Film and the Surreal of Reality. In: Ten Brink, Joram, ed. Building Bridges: The Cinema of Jean Rouch. Wallflower Press, pp. 201-218. ISBN 978-1-905674-47-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2228)

Cowie, Elizabeth (2007) ‘What do you see? Would you like to move on to another image? Yes’. In: Barnard, Clio H., ed. Road Race and Dark Glass Catalogue. Herbert Read Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2990)

Cowie, Elizabeth (2001) Woman as Sign. In: Andjelkovic, Branislava, ed. Feminist Visual Theories. Belgrade: Cenre For Contemporary Arts. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2994)

Cowie, Elizabeth (1993) Women, Representation and the Image. In: Alvarado, Manuel and Buscombe, Edward and Collins, Richard, eds. The Screen Education Reader: Cinema, Television, Culture. Macmillan, pp. 48-60. ISBN 0-231-08111-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3004)

Cowie, Elizabeth (2000) Working Images: the representations of documentary film. In: Pollock, Griselda and Mainz, Valerie, eds. Work and the Image II. Ashgate Press, pp. 173-192. ISBN 0-7546-0233-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2996)

Cowie, Elizabeth (1991) Zenska Seksualnost. In: Bahovec, Eva D., ed. Zenska Seksualnost - Freud & Lacan. Analecta, pp. 146-169. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3007)

Cowie, Elizabeth (2003) The lived nightmare: trauma, anxiety, and the ethical aesthetics of horror. In: Schneider, Steven Jay and Shaw, Daniel, eds. Dark Thoughts: Philosophic Reflections on Cinematic Horror. Lanham, MD: Scarecrow Press, pp. 25-46. ISBN 0-8108-4792-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1174)

Declercq, Dieter (2018) Can we learn the truth from Lenny Bruce? A careful cognitivism about satire. In: Rutter Giappone, Krista Bonello and Francis, Fred and MacKenzie, Iain, eds. Comedy and Critical Thought : Laughter as Resistance. Rowman & Littlefield, 45 -64. ISBN 978-1-78660-406-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:75356)
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Declercq, Dieter (2014) ‘Die mensen zijn de vijand!’ Het geweld van het neoliberale kapitalisme en de morele verantwoordelijkheden van de menswetenschappen. In: Van Coillie, Geert and Anckaert, Luc and Thoen, Paul, eds. Geweld Herdacht. Voorbij Oorlog en Vrede. Acco, pp. 177-194. ISBN 978-90-334-9805-3. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:75387)
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Declercq, Dieter (2014) 'These people are the enemy!' The moral responsibilities of film and television history as part of the humanities. In: Mee, Laura and Walker, Johnny, eds. Cinema, Television, History : New Approaches. Cambridge Scholars Press, Cambridge, pp. 105-120. ISBN 978-1-4438-5379-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75357)

Double, Oliver (1996) Alternative comedy: from radicalism to commercialism. In: Merkin, Ros, ed. Popular Theatres? Liverpool John Moores University, Liverpool, pp. 127-139. ISBN 0-9527978-0-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44576)

Double, Oliver and Wilson, Michael (2006) Brecht and cabaret. In: Thomson, Peter and Sacks, Glendyr, eds. Cambridge Companion to Brecht, 2nd Edition. Cambridge University Press. ISBN 978-0-521-67384-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1180)

Frey, Mattias (2017) Institutional Roles in Using Film to Teach Difficult History: The Federal Agency for Civic Education and The Lives of Others. In: Stoddard, Jeremy and Marcus, Alan and Hicks, David, eds. Teaching Difficult History Through Film. Routledge, New York, pp. 89-105. ISBN 978-1-138-19077-1. E-ISBN 978-1-315-64087-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64749)

Frey, Mattias (2018) The International Reception of Downfall. In: Fisher, Jaimey and Richardson, Michael D., eds. Downfall: A Companion. De Gruyter, Berlin. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64747)

Frey, Mattias (2010) The Message and the Medium: Haneke's Film Theory and Digital Praxis. In: Price, Brian and Rhodes, John David, eds. On Michael Haneke. Wayne State University Press, Detroit, pp. 153-165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25350)

Frey, Mattias (2006) “Postmodernism” and “Guy Maddin". In: Grant, Barry Keith, ed. Schirmer Encyclopedia of Film. Schirmer Press, Detroit, pp. 291-296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20315)

Frey, Mattias (2006) Re-Connecting the Body ‘in’ to the Body ‘of’ Pasolini with Porcile. In: Hart, Kylo, ed. Film and Sexual Politics: A Critical Reader. Cambridge Scholars Press, Newcastle, pp. 128-134. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20321)

Frey, Mattias (2006) Structuralism and Poststructuralism. In: Grant, Barry Keith, ed. Schirmer Encyclopedia of Film. Schirmer Press, Detroit, pp. 165-168. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20317)

Frey, Mattias (2007) Theorizing Cinema in Sebald and Sebald with Cinema. In: Patt, Lise, ed. Searching for Sebald: Photography After W.G. Sebald. Los Angeles: Institute of Cultural Inquiry Press, Los Angeles, pp. 226-241. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20314)

Frey, Mattias (2018) Unstomachable: Irréversible (2002) and the Extreme Cinema Tradition. In: Baer, Nicholas and Hennefeld, Maggie and Horak, Laura and Iversen, Gunnar, eds. Unwatchable. Rutgers University Press, New Brunswick, NJ. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64746)

Friday, Jonathan (2007) The Art Seminar. In: Elkins, James, ed. Photographic Theory. Routledge, pp. 129-204. ISBN 0-415-97783-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6590)

Friday, Jonathan (2002) Demonic Curiosity and the Aesthetics of Documentary Photography. In: Rubene, Mara, ed. Homo Aestheticus. Tapals, pp. 245-266. ISBN 9984-720-00-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6583)

Friday, Jonathan (2005) Stillness becoming: Reflections on Bazin, Barthes, and Photographic Stillness. In: Green, David and Lowry, Joanna, eds. Stillness and Time: Photography and the Moving Image. Brighton: Photoworks. ISBN 1-903796-18-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1190)

Garfield, Rachel (2009) A Particular Incoherence: the films of Vivienne Dick. In: O'Brian, Treasa, ed. Between Truth and Fiction: The Films of Vivienne Dick. Crawford Art Centre/Lux, London, pp. 39-48. ISBN 978-0-9548569-8-4. (KAR id:29388)
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Grant, Catherine A. (2008) Auteur machines? Auteurism and the DVD. In: Bennett, James and Brown, Tom, eds. Film and Television After DVD. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7819)

Grant, Catherine A. (2004) Home-Movies: The Curious Cinematic Collaboration of Anne-Marie Miéville and Jean-Luc Godard. In: Temple, Michael and Williams, James S and Witt, Michael, eds. For Ever Godard. London: Black Dog Publishing. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1118)

Grant, Catherine A. (2000) Intimista Transformations: María Luisa Bemberg's First Feature Films. In: King, John and Whittaker, Sheila and Bosch, Rosa, eds. The Films of María Luisa Bemberg: An Argentine Passion. Verso. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7925)

Grant, Catherine A. (2006) 'Introduction' in Screening World Cinema: A Screen Reader. In: Grant, Catherine A. and Kuhn, Annette, eds. Screening World Cinema: A Screen Reader. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7823)

Grant, Catherine A. (2003) Still moving images: Photographs of the disappeared in films about the Dirty War in Argentina. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities: Intersections of Photography and Narrative. Albuquerque: University of New Mexico Press, pp. 63-86. ISBN 0-8263-2825-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1119)

Grantley, Darryll (1990) ‘Les Représentations de la Madeleine dans la Poésie et le Drame en Angleterre aux XVI et XVIIe Siècles’. In: Chocheyras, Jacques, ed. Visages de la Madeleine dans la Littérature Européenne (1500-1700). Univ Stendhal U.F.R. Lettres. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2651)

Grantley, Darryll (1995) ‘Marsha Norman’. In: Bloom, C., ed. American Drama. Macmillan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2654)

Grantley, Darryll (1988) ‘Masques and Murderers: Dramatic Form and Ideology in Jacobean Revenge Tragedy and the Court Masque’. In: Bloom, C., ed. Jacobean Poetry and Prose. Macmillan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2650)

Grantley, Darryll (2006) Morality and Interlude Drama. In: Brown, Peter, ed. A Companion to Medieval English Literature and Culture c.1350-c.1500. Wiley, pp. 473-487. ISBN 978-0-631-21973-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1203)

Grantley, Darryll (1983) ‘Producing Miracles’. In: Neuss, P., ed. Aspects of Early English Drama. Brewer. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2649)

Grantley, Darryll (2008) 'Saints and Miracles'. In: Beadle, Richard, ed. The Cambridge Companion to Medieval English Theatre. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2660)

Grantley, Darryll (1994) ‘Saints’ Plays’. In: Beadle, Richard, ed. The Cambridge Companion to Medieval English Theatre. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2652)

Grantley, Darryll (1996) '“What meanes this shew”: Theatricalism, Camp and Subversion in Doctor Faustus and The Jew of Malta’. In: Grantley, Darryll and Robertson, Peter A., eds. Christopher Marlowe and English Renaissance Culture. Scolar. ISBN 1-85928-260-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2657)

Grantley, Darryll (1994) ‘The Winter’s Tale and Early Religious Drama’. In: Battenhouse, Roy W., ed. Shakespeare’s Christian Dimension. Indiana University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2655)

Grantley, Darryll (2000) ‘“A bodie of presence”: Education and the elite body in the writings of Richard Mulcaster’. In: Grantley, Darryll and Taunton, Nina, eds. The Body in Late Medieval and Early Modern Culture. Ashgate. ISBN 0-7546-0115-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2658)

Grindle, Nicholas and Thomas, Ben D. H. (2017) Curating connections in the art history curriculum. In: Developing the Higher Education Curriculum: Research-based Education in Practice. UCL Press, pp. 106-117. ISBN 978-1-78735-089-2. E-ISBN 978-1-78735-090-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64375)

Guerin, Frances (2018) Behind the Mask. In: Suto, Fanni, ed. Midnight Masquerade: A Masquerade Anthology. Fantasia Divinity, pp. 6-25. (KAR id:70868)
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Guerin, Frances (2014) The Corporealization of Memory in Christian Boltanski's Installations. In: Memoryscapes. Diaphanes, Zurich, pp. 157-177. ISBN 978-3-03734-662-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44341)

Guerin, Frances (2019) Even If She Had Been a Criminal. A Past Unwatched. In: Baer, Nicholas and Hennefeld, Maggie and Horak, Laura and Iversen, Gunnar, eds. Unwatchable. Rutgers University Press, New Jersey. ISBN 978-0-8135-9958-8. E-ISBN 978-0-8135-9960-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:71526)
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Guerin, Frances (2004) Explorations of Light and Lighting in Und das Licht Erlosch (1914). In: Gaudreault, André, ed. The Cinema: A New Technology for the 20th Century. Payot, Lausanne, pp. 219-228. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45485)

Guerin, Frances (2007) The Gray Space Between: Gerhard Richter’s 18. Oktober 1977 (1989). In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, London, pp. 111-126. ISBN ISBN-13: 978-1905674206. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45716)

Guerin, Frances (2011) Locating Shadows: What’s inside William Kentridge’s Black Box? In: John David, Rhodes, ed. Taking Place: Location and the Moving Image. University of Minnesota Press, Minneapolis, pp. 233-253. ISBN 0-8166-6517-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44814)

Guerin, Frances (2008) Radical Aspirations Historicized: The European Commitment to Political Documentary. In: Kolker, Robert, ed. The Oxford Handbook of Film and Media Studies. Oxford university Press, New York, pp. 114-151. ISBN 0-19-517596-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44815)

Guerin, Frances (2015) Searching in Grey: Cy Twombly's Untitled Paintings. In: Wedekind, Gregor, ed. Die Farbe Grau. DeGruyter. (KAR id:44808)
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Guerin, Frances (2004) When Beginnings and Endings Distort the Past. In: Limina/le Soglie del Film. Lithostampa, Pasian di Prato, Udine, pp. 247-254. ISBN 978-88-8420-191-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44337)

Hammer, Martin (2009) Clearing away the Screens. In: Francis Bacon: Portraits and Heads. National Galleries of Scotland, Edinburgh, UK. ISBN 978-1-903278-66-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61345)

Hammer, Martin (2006) Clearing away the screens. In: Francis Bacon: Heads and Portraits. National Galleries of Scotland, Edinburgh, pp. 14-27. ISBN 978-1-903278-66-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56907)

Hammer, Martin (2016) Introduction. In: Currie, Ken and Hammer, Martin, eds. Ken Currie: Tragic Forms. Flowers Gallery, London. ISBN 978-1-906412-76-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61347)

Hammer, Martin and Lodder, Christina (2004) Dematerialising Sculpture: Methods and Motives. In: Barassi, Sebastiano, ed. Immaterial: Brancusi,Gabo,Moholy-Nagy. Kettle’s Yard, Cambridge. ISBN 978-1-904561-04-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61346)

Holmes, Su (2004) “All you’ve got to worry about is the task, having a cup of tea, and what you’re going to eat for dinner”: Approaching Celebrity in Big Brother. In: Holmes, Su and Jermyn, Deborah, eds. Understanding Reality Television. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9316)

Holmes, Su (2006) ‘A Friendly Style of Presentation that the BBC had always found elusive’: The 1950’s Cinema Programme and the Construction of British Television History. In: Wheatley, Helen, ed. Re-viewing Television History: Critical Issues in Television History. I.B. Tauris & Co Ltd, London, pp. 67-81. ISBN 978-1-84511-188-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9323)

Holmes, Su (2006) It’s a Jungle Out There!: The Game of Fame in Celebrity Reality TV. In: Holmes, Su and Redmond, Sean, eds. Framing Celebrity: New Directions in Celebrity Culture. Routledge, pp. 45-66. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9317)

Holmes, Su (2007) ‘Torture, Treacle, Tears and Trickery’: Celebrities, ‘Ordinary’ People, and This is Your Life (1955-65). In: Redmond, Sean and Holmes, Su, eds. A Reader in Stardom and Celebrity. Sage Publications Ltd, London, pp. 156-170. ISBN 978-1-4129-2320-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9326)

Holmes, Su (2006) ‘When Will I be Famous?’: Reappraising the Debate about Fame in Reality TV. In: Escoffery, David S., ed. Essays on Truth and Representation: How Real is Reality TV? McFarland & Company. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9318)

Jeffers McDonald, Tamar (2016) The New Hollywood, 1981–1999. In: McLean, Adrienne L., ed. Costume, Makeup, and Hair. Behind the Silver Screen Series . Rutgers University Press, New Jersey, USA. ISBN 978-0-8135-7151-5. E-ISBN 978-0-8135-7297-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60022)

Jeffers McDonald, Tamar E L (2019) Blueprints from Bluebeard: charting the Gothic in contemporary film. In: Jeffers McDonald, Tamar E L and Kamm, Frances A, eds. Gothic Heroines on Screen: Representation, Interpretation and Feminist Enquiry. Routledge, Abington, UK and New York, USA, 41 -54. ISBN 978-1-138-71100-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74529)

Jeffers McDonald, Tamar E. L. (2005) 'Under All Those Dirndls': Pillow Talk's Repackaging of Doris Day. In: Moseley, Rachel, ed. Fashioning Stars: Dress, Culture, Identity. BFI Publishing, pp. 50-61. ISBN 1-84457-068-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2233)

Kear, Jon (1996) Black Vénus:Josephine Baker at the Follies- Bergère. In: Sheringham, Michael, ed. Parisian Fields. Reaktion, pp. 46-71. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5718)

Kear, Jon (2001) “Cézanne". In: The Oxford Companion to Western Art. Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5709)

Kear, Jon (2004) Death and the Maiden: Cindy Sherman's Untitled Film Stills. In: Fortunati, Vita and Lamarra, Annamaria and Federici, Eleonora, eds. The Controversial Women's Body: Images and Representations in Literature and Art. Bononia University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5702)

Kear, Jon (1996) The Exposition Universelle of 1900. In: Banham, Joanna, ed. History of Interior Design. Fitzroy Dearborn. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5728)

Kear, Jon (2007) A Game That Must Be Lost: Chris Marker Replays Alain Resnais' Hiroshima mon amour. In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, pp. 129-142. ISBN 978-1-905674-20-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5697)

Kear, Jon (2007) In the Net of Brute Sense: Merleau Ponty’s Aesthetics. In: Weller, Shane and Baldwin, Thomas and Fowler, James, eds. Flesh In The Text. Peter Lang. ISBN 978-3-03911-102-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4671)

Kear, Jon (2002) In the spiral of time. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities. University of New Mexico Press, pp. 199-233. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1274)

Kear, Jon (2009) The Melancholy Image: Chris Marker’s Cine-Essays and the Ontology of the Photograph. In: Tormey, Jane and Whiteley, Gillian, eds. Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge Scholars Press. ISBN 978-1-4438-0532-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4667)

Kear, Jon (2004) Spectres of the past: Jochen Gerz’s public monuments. In: Lamberti, Eleonora, ed. Representing Cultural Memory. University of Bologna Press, pp. 122-146. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1275)

Kear, Jon (2004) Through A Veil: Reflections on the History of Australian Landscape Painting. In: Balbari, M., ed. Paesaggi australiani: Australian Landscapes. Pendragon Press, pp. 36-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5703)

Klevan, Andrew (2005) Guessing the unseen from the seen: Stanley Cavell and film interpretation. In: Goodman, Russell, ed. Contending With Stanley Cavell. Oxford University Press, pp. 118-139. ISBN 0-19-517568-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1093)

Klevan, Andrew (2000) The Mysterious Disappearance of Style: Some Critical Notes about the Writing on Dead Ringers. In: Grant, Michael, ed. The Films of David Cronenberg. Flicks Books. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9165)

Klevan, Andrew (2005) Notes on teaching film style. In: Pye, Douglas and Gibbs, John, eds. Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, pp. 214-227. ISBN 0-7190-6525-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1095)

Klich, Rosemary E. (2007) Between Realities: Intermediality and the Blurring of Boundaries in Multimedia Theatre. In: Sugiera, Malgorzata and Borowski, Matuesz, eds. Fictional Realities / Real Fictions:Contemporary Theatre in Search of a New Mimetic Paradigm. Cambridge Scholars Press, United Kingdom. ISBN 978-1-84718-138-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7646)

Klich, Rosemary E. (2010) Instance: The Builder’s Association. In: Bay Cheng, Sarah and Lavender, Andy and Nelson, Robin and Kattenbelt, Chiel, eds. Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, pp. 149-156. ISBN 978-90-8964-255-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45392)

Klich, Rosemary E. (2014) Mediation, Trace and Space in Dance Theatre: Already Elsewhere. In: Baxter, Virginia and Brannigan, Erin, eds. Bodies of Thought: 12 Australian Choreographers. Wakefield Press, Adelaide. ISBN 978-1-74305-241-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45388)

Klich, Rosemary E. (2015) Playing a Punchdrunk Game: Immersive Theatre and Videogames. In: Frieze, James, ed. Framing Immersive Theatre: The Politics and Pragmatics of Participatory Performance. Palgrave Macmillan, Basingstoke, pp. 221-228. ISBN 978-1-137-36603-0. E-ISBN 978-1-137-36604-7. (doi:10.1057/978-1-137-36604-7) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45387)

Kollectiv, G. and Kollectiv, P. (2006) Notes Towards the Scientific Understanding of an Enlightened Xenulogy, Concerning the Recent Discovery of the MARSH Archives. In: Marsh, Lynne, ed. Volcano. Platform, pp. 13-17. ISBN 0-9538800-1-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22180)

Laera, Margherita (2020) Emma Dante and Fausto Paravidino: Families, National Identity, and International Audiences. In: Delgado, Maria and Lease, Bryce and Rebellato, Dan, eds. Contemporary European Playwrights. Routledge. ISBN 978-1-138-08421-6. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:72167)
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Lodder, Christina (2018) Archipenko – The Russian Dimension. In: Alexander Archipenko: Space Encircled. Eykyn Maclean, pp. 17-27. ISBN 978-1-73238-781-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75190)

Lodder, Christina (2017) Building for Socialism. In: Revolution: Russian Art 1917–1932. Royal Academy, London, UK, pp. 269-276. ISBN 978-1-910350-43-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75185)

Lodder, Christina (2018) Conflicting Approaches to Creativity? Suprematism and Constructivism. In: Lodder, Christina, ed. Celebrating Suprematism: New Approaches to the Art of Kazimir Malevich. Russian History and Culture . Brill, pp. 259-288. ISBN 978-90-04-38498-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75193)

Lodder, Christina (2019) Exporting the Revolution in Art Education: The Moscow Vkhutemas and the German Bauhaus. In: Burini, Silvia, ed. Translations and dialogues: the reception of Russian Art abroad. Fisciano, pp. 115-128. ISBN 9788894422771. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75208)

Lodder, Christina (2019) From the Plane into Space: Kazimir Malevich’s Suprematist Architecture. In: Filevska, Tetyana, ed. Kazimir Malevich: Kyivskii aspekt. Rodovid, pp. 231-253. ISBN 978-617-7482-31-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75206)

Lodder, Christina (2014) Gustavs Klucis and Constructivism. In: Gustavs Klucis Complete Catalogue of Works in the Latvian National Museum of Art. Latvian National Museum of Art, Riga, Latvia, pp. 9-25. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75183)

Lodder, Christina (2018) Henryk Stażewski: The Suprematist Dimension. In: Szczepaniak, Andrzej, ed. Henryk Stazewski. Skira, pp. 25-35. ISBN 978-88-572-3735-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75205)

Lodder, Christina (2017) Katarzyna Kobro and Władysław Strzemiński in Russia. In: Katarzyna Kobro & Władysław Strzemiński : avant-garde prototypes. Museo Nacional Centro de Arte Reina Sofía, pp. 104-117. ISBN 978-84-8026-550-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75186)

Lodder, Christina (2014) Kazimir Malevich and the First World War. In: Bowlt, John and Misler, Nicoletta and Sudakova, Elena, eds. 'A Game in Hell. The Great War in Russia': Graphic Art and Photography from the Collection of Sergey Shestakov. GRAD Publishing. ISBN 978-0-9576623-3-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75182)

Lodder, Christina (2014) Malevich as Exhibition Maker. In: Borchardt-Hume, Achim, ed. Malevich. Tate Publishing, pp. 94-98. ISBN 978-1-84976-146-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75181)

Lodder, Christina (2014) Naum Gabo’s Relief Construction for the Rubber Company Building. In: Naum Gabo. Gerald Peters Gallery, New York, pp. 5-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75180)

Lodder, Christina (2017) Oleg Kudryashov. In: Lucie-Smith, Edward and Golomstock, Igor and Reviakin, Sergei, eds. Oleg Kudryashov: Bridge to the Future. Unicorn, pp. 15-16. ISBN 978-1-910787-79-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75189)

Lodder, Christina (2015) Olga Rozanova: A True Futurist. In: Women Artists and Futurism. International Yearbook of Futurism Studies . De Gruyter, pp. 199-225. ISBN 978-3-11-042281-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75184)

Lodder, Christina (2019) Russian Futurist Art. In: Berghaus, Günter, ed. Handbook of International Futurism. De Gruyter, pp. 798-823. ISBN 978-3-11-027356-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75207)

Maes, Hans R.V. (2004) Danto en het einde van de kunst. In: Vandenabeele, Bart and Verneir, Koen, eds. Transgressie in de kunst. Budel, Damon, pp. 118-128. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9535)

Maes, Hans R.V. (2005) David Hume over de emotie ‘trots’. In: Van Reijen, M., ed. Emoties. Van stoïcijnse apatheia tot heftige liefde. Amsterdam, Klement, pp. 81-97. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9537)

Maes, Hans R.V. (2005) De emotie ‘trots’ in de hedendaagse analytische filosofie. In: Van Reijen, M., ed. Emoties. Van stoïcijnse apatheia tot heftige liefde. Amsterdam, Klement, pp. 186-204. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9581)

Maes, Hans R.V. (2017) Falling in Lust: Sexiness, Feminism, and Pornography. In: Aesthetics: A Reader in the Philosophy of the Arts. Routledge. ISBN 978-1-138-23588-5. E-ISBN 978-1-315-30367-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65242)

Maes, Hans R.V. (2013) Introduction: Pornographic Art and the Aesthetics of Pornography. In: Pornographic Art and the Aesthetics of Pornography. Palgrave, pp. 1-24. ISBN 978-0-230-36820-0. E-ISBN 978-1-137-36793-8. (doi:10.1057/9781137367938_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65237)

Maes, Hans R.V. (2009) Nawoord: Over de relatie tussen film en filosofie. In: d'Hoine, Pieter and Engelen, Bart, eds. Denkbeelden. Een inleiding tot de filosofie aan de hand van films. Antwerpen, Pelckmans, pp. 245-260. ISBN 978-90-8687-044-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9583)

Maes, Hans R.V. (2014) Pornography. In: Encyclopedia of Aesthetics. Oxford University Press. ISBN 978-0-19-974710-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56970)

Maes, Hans R.V. (2012) Who Says Pornography Can't Be Art? In: Maes, Hans R.V. and Levinson, Jerrold, eds. Art and Pornography: Philosophical Essays. Oxford University Press, pp. 17-47. ISBN 978-0-19-960958-1. (KAR id:31445)
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Maes, Hans R.V. (2002) Zelfwaardering en het standpunt van anderen. In: Braeckman, Antoon and Devos, Rob and Verdonck, B., eds. Terugkeer van het subject. Recente ontwikkelingen binnen de filosofie,. Universitaire Pers Leuven, Leuven, pp. 223-235. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9533)

Maes, Hans R.V. and Levinson, Jerrold (2012) Introduction. In: Art & Pornography: Philosophical Essays. Oxford University Press. ISBN 978-0-19-960958-1. (doi:10.1093/acprof:oso/9780199609581.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65238)

Maes, Hans R.V. and Schaubroeck, Katrien (2006) Different Kinds and Aspects of Bullshit. In: Hardcastle, Gary and Reisch, George A., eds. Bullshit and Philosophy. Open Court, pp. 171-182. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9519)

May, Shaun (2013) Rise of Being-in-the-World. In: Huss, John, ed. Planet of the Ape and Philosophy. Open Court, Chicago, pp. 255-262. E-ISBN 978-0-8126-9822-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54028)

Misek, Richard (2018) "All I have to offer is myself”: the film-maker as narrator. In: Vassilieva, Julia and Williams, Deane, eds. Beyond the Essay Film: Subjectivity, Textuality and Technology. Bloomsbury, London, UK. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72001)

Mitchell, Roanna (2018) Bodies as Profit Centres: Susie Orbach’s work in the context of performance and activism. In: Kahr, Brett, ed. The People’s Psychotherapist: Exploring the Work of Susie Orbach. Routledge. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70166)

Newall, Michael (2019) Cries, Consensus and Criticality: Making Artists in the Contemporary Art School. In: Brisbin, Chris and Thiessen, Myra, eds. The Routledge Companion to Criticality in Art, Architecture and Design. Routledge, London and New York, pp. 14-31. ISBN 978-1-138-18923-2. E-ISBN 978-1-315-62341-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:75412)
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Pallant, C. and Newton, James (2017) Animating Class and Contemporary British Television. In: Forrest, David and Johnson, Beth, eds. Social Class and Television Drama in Contemporary Britain. Palgrave, London. ISBN 978-1-137-55505-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76244)

Pavis, Patrice (2003) Bernard-Marie Koltès. In der Einsamkeit der Baumwollfelder, oder die Welt in der man dealt. In: Weiler, Christel and Lehmann, Hans-Thies, eds. Szenarien von Theater und Wissenschaft. Festschrift für Erika Fischer-Lichte. Recherchen 15, pp. 100-126. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11936)

Pavis, Patrice (2003) Kunst oder die Kunst der Fugue. In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds. Theater ohne Grenzen, Festschrift für Hans-Peter Bayerdörfer zum 65. Geburtstag. Herbert Utz Verlag, München, pp. 194-208. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11938)

Pavis, Patrice (2007) Les médias auront-ils la peau du spectacle vivant ? In: Morizot, Jacques and Pouivet, Roger, eds. Dictionnaire d’esthétique et de philosophie de l’art. Armand Colin, Paris, pp. 413-415. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11904)

Pavis, Patrice (2005) Les écritures dramatiques contemporaines. In: Thomasseau, Jean-Marie, ed. Le Théâtre au plus près. Presses Universitaires de Vincennes, Saint-Denis, pp. 71-82. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11917)

Pavis, Patrice (2006) Préface au livre de Cathy Rapin et Im Hye-Gyông Théâtre Coréen d’hier et d’aujourd’hui. In: Rapin, Cathy and Hye-Gyong, Im, eds. Théâtre Coréen d’hier et d’aujourd’hui. Les Éditions de l’Amandier, Paris, pp. 9-18. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11913)

Pavis, Patrice (2006) Préface au livre de Michel Liard Parole écrite, parole scénique. In: Liard, Michel, ed. Parole écrite, parole scénique. Éditions Joca Seria, Nantes, pp. 7-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11911)

Pavis, Patrice (2006) Préface au livre de Sophie Proust La Direction d’acteurs dans la mise en scène contemporaine. In: Proust, Sophie, ed. La Direction d’acteurs dans la mise en scène contemporaine. L’Entretemps Éditions, pp. 9-18. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11912)

Pavis, Patrice (2005) Réflexions liminaires sur la fin au théâtre. In: Egger, Carol, ed. Rideau ou la fin du théâtre. Lansman, pp. 35-48. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11916)

Pavis, Patrice (2007) Staging calamity : mise-en-scène and performance at Avignon 2005. In: Ben-Zvi, Linda and Davis, Tracy C., eds. Considering Calamity : Methods for Performance Research. Assaph Books, Tel Aviv university, pp. 13-38. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11895)

Pavis, Patrice (2006) The effect produced. In: Christie, Judie and Gough, Richard and Watt, David, eds. A Performance Cosmology,. Routledge, London & New York, pp. 173-178. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11910)

Pooke, Grant F. (2006) The Anal Sadistic Universe of Gilbert & George. In: Sculpture & Psychoanalysis. Ashgate Press in association with the Henry Moore Foundation, pp. 139-160. ISBN 0-7546-0984-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5880)

Pooke, Grant F. (2016) Calls to Order: Modernity, Contemporaneity and the Cold War Aesthetic of BM Anand. In: Anand, Aditi and Pooke, Grant F., eds. Narratives for Indian Modernity: The Aesthetic of Brij Mohan Anand. Harper Collins, New Delhi, India, pp. 91-160. ISBN 978-93-5177-298-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60025)

Quirk, Sophie (2017) What's Special About Stand-up Comedy? Josie Long's Lost Treasures of the Black Heart. In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Bloomsbury, pp. 223-246. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60710)

Radosavljevic, Duška (2006) Believe it or Not? Suspension of Disbelief and Emotional Responses to Fiction. In: Meyer-Dinkgrafe, Daniel, ed. Consciousness, Theatre, Literature and the Arts. Cambridge Scholars Press, pp. 70-82. ISBN 1-904303-63-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13439)

Radosavljevic, Duška (2004) Foreword. In: Kaput! New Writing North. ISBN 978-0-9541456-3-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13441)

Radosavljevic, Duška (2004) Introduction. In: Sajtinac, Ugljesa, ed. Huddersfield. Oberon Books, pp. 15-16. ISBN 978-1-84002-449-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13442)

Radosavljevic, Duška (2005) Staging Theatricalised Reality: Yugoslav Metatheatre and its Political Significance. In: Haas, Birgit, ed. Macht Performanz, Performativität, Polittheater seit 1990. Würzburg: Königshausen & Neumann, pp. 283-302. ISBN 3-8260-3040-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13440)

Regehr, Kaitlyn (2018) Miss Exotic World: Judging the Neo-Burlesque Movement. In: Dodds, Cheryl, ed. Oxford Handbook of Dance and Competition. Oxford Uniiversity Press, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78666)

Regehr, Kaitlyn (2014) Striptease. In: Smith, Merril, ed. The Cultural Encyclopaedia of the Breast. Rowman & Littlefield, Lanham, MD, pp. 229-231. ISBN 978-0-7591-2331-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78667)

Regehr, Kaitlyn and Ringrose, Jessica (2019) Celebrity Victims and Wimpy Snowflakes: Using Personal Narratives to Challenge Digitally Mediated Rape Culture. In: Jacquelin, Ryan Vickery and Everbach, Tracy, eds. Mediating Misogyny Gender, Technology, and Harassment. Palgrave Macmillan / Springer, pp. 353-369. ISBN 978-3-319-72916-9. E-ISBN 978-3-319-72917-6. (doi:10.1007/978-3-319-72917-6_18) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76238)

Ringrose, Jessica and Regehr, Kaitlyn (2020) Difficult Research Effects/ Affective: Exploring idealised feminine embodiment in public space. In: Crowhurst, lsabel and Hawkins, Laurie, eds. Difficult Conversations: A Feminist Dialogue. Routledge, London. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78665)

Roesner, David P. (2005) Die Diskursivierung des Performativen und die Performativität diskursiver Praxis. Theaterpartituren zwischen Werkzeug und Waffe. In: Hempfer, K.W. and Traninger, A., eds. Macht Wissen Wahrheit. Rombach Litterae, Freiburg im Breisgau, pp. 243-258. ISBN 978-3-7930-9432-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30265)

Roesner, David P. (2010) Die Utopie 'Heidi'. Arbeitsprozesse im experimentellen Musiktheater am Beispiel von Leo Dicks Kann Heidi brauchen, was es gelernt hat? In: Röttger, Kati, ed. Welt - Bild - Theater: Politik der Medien und Kulturen des Wissens. Narr, Tübingen, pp. 221-234. ISBN 978-3-8233-6606-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30275)

Roesner, David P. (2012) "It is not about labelling, it's about understanding what we do" – Composed theatre as discourse. In: Roesner, David P. and Rebstock, Matthias, eds. Composed Theatre: Aesthetics, Practices, Processes. Intellect, Bristol, pp. 319-362. ISBN 978-1-84150-456-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30250)

Roesner, David P. (2002) Kompositionen der Ausdrucksnot — Einar Schleefs Musikalisierung von Sprache in seiner Inszenierung Verratenes Volk. In: Bayerdörfer, Hans-Peter, ed. Stimmen — Klänge — Töne. Synergien im szenischen Spiel. Gunter Narr, Tübingen, pp. 309-324. ISBN 978-3-8233-5230-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30270)

Roesner, David P. (2005) „Materialausgabe.“ Review of Wolfgang Sander (ed.), Heiner Goebbels. Komposition als Inszenierung. Berlin: Henschel, 2002. In: Porombka, St. and Schneider, W. and Wortmann, Volker, eds. Kollektive Kreativität. Jahrbuch der Kulturwissenschaften. Francke, Tübingen, pp. 167-170. ISBN 978-3-7720-8125-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30263)

Roesner, David P. (2011) The Mechanics of Noise. Theatricality and the Automated Instrument in Heiner Goebbels' theatre and Pat Metheny's Jazz. In: Kendrick, Lynne and Roesner, David P., eds. Theatre Noise. The Sound of Theatre. Cambridge Scholars Press, Newcastle, pp. 149-163. ISBN 978-1-4438-3440-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30251)

Roesner, David P. (2004) Musik mit den ‘Mitteln der Bühne’ — Aufführungsanalyse mit den Mitteln der Musik. In: Kurzenberger, Hajo and Matzke, Annemarie, eds. TheorieTheaterPraxis. Theater der Zeit, Berlin, pp. 107-116. ISBN 978-3-934344-29-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30267)

Roesner, David P. (2005) Musikalische Spiel-Räume. In: Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds. Szenische Orte-Mediale Raume. Olms, Hildesheim / New York, pp. 129-147. ISBN 978-3-487-12799-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30266)

Roesner, David P. (2010) Musikalisches Theater – Szenische Musik. In: Mungen, Anno, ed. Mitten im Leben. Musiktheater von der Oper bis zur Everyday-Performance mit Musik. Königshausen & Neumann, Göttingen, pp. 193-211. ISBN 978-3-8260-4184-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30252)

Roesner, David P. (2009) Musikalität als Paradigma für die Theaterarbeit. Zehn Thesen. In: Theater. Musik. Fokus Schultheater (8). Edition Körber Stiftung, Hamburg, pp. 8-16. ISBN 978-3-89684-187-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30259)

Roesner, David P. (2009) Performing theory and its evaluation as research. In: Allegue, Ludivine and Kershaw, Baz and Jones, Simon and Piccini, Angela, eds. Practice-as-Research: In Performance and Screen. Palgrave Macmillan, London, p. 223. ISBN 978-0-230-22001-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30257)

Roesner, David P. (2003) Ribbible Ribble — Motivik und musikalische Form im Theater Christoph Marthalers. In: Balme, Christopher and Fischer-Lichte, Erika and Grätzel, Stephan, eds. Theatre als Paradigma der Moderne. Francke, Tübingen, pp. 365-374. ISBN 978-3-7720-2796-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30269)

Roser-i-Puig, Montserrat (2001) Moral Games and Corrupting Justice in Fernando Arrabal’s The Architect and the Emperor of Assyria. In: Batley, Edward and Bradby, David, eds. Morality and Justice: The Challenge of European Theatre. European Studies: A Journal of European Culture, History and Politics (17). Rodopi, Amsterdam, pp. 209-224. ISBN 90-420-1398-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:8366)

Sayad, Cecilia (2006) Mutant Authors and Cross-Pollinating Texts in Charlie Kaufman’s Adaptation. In: Housel, Rebecca, ed. From Camera Lens to Critical Lens: A Collection of Best Essays on Film Adaptation. Cambridge Scholars Press, Cambridge, p. 123. ISBN 978-1-84718-031-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13476)

Sayad, Cecilia (2008) Um cinema desenquadrado: a política da linguagem e a linguagem da política em Duas ou três coisas que eu sei dela. In: Estudos de cinema – SOCINE IX. Annablume, Sao Paulo. ISBN 978-85-7419-864-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14622)

Shaughnessy, Nicola (2004) Breathe body of lovely death: the disappearing subject in Susan Glaspell’s Auto/biographical Theatre. In: Gale, Maggie B. and Gardner, Viv, eds. Women, Theatre and Performance: Autobiography and Identity. Manchester University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1247)

Shaughnessy, Nicola (2017) Do You See What I See? Arts, Science and Evidence in Autism Research. In: Rowe, Nick and Reason, Matthew, eds. Applied Practice : Evidence and Impact in Theatre, Music and Art. Methuen Drama, pp. 80-94. ISBN 978-1-4742-8383-0. (KAR id:74302)
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Shaughnessy, Nicola (2018) Imagining An/Other: Histories, Theories, and Theatres of Mind through the Mirrors of Hamlet and stages of Ophelia. In: Shaughnessy, Nicola and Barnard, P, eds. Performing Psychologies (Performance and Science: Interdisciplinary Dialogues). Methuen. ISBN 978-1-4742-6085-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74230)

Shaughnessy, Nicola (1996) Is s/he or isn’t s/he?: Screening Orlando. In: Cartmell, Deborah, ed. Pulping Fictions: Consuming Culture across the Literature/Media Divide. Pluto Press, pp. 43-56. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5860)

Shaughnessy, Nicola (2000) One, Two, Three: Sylvia Plath’s Verse Dramas. In: Donnell, Alison and Polkey, Pauline, eds. Representing Lives: Women and Auto/biography. Macmillan, pp. 241-250. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5859)

Shaughnessy, Nicola (1994) When this you see remember me: Three plays by Gertrude Stein. In: Griffin, Gabrielle, ed. Difference in View. Taylor & Francis. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5861)

Shaughnessy, Nicola and Pope, N and Osment, J and Grant-Peterkin, H (2018) Recreating Psychiatry through Participatory Performance: Playing ON Theatre and Mental Health Acts. In: Shaughnessy, Nicola and Barnard, P, eds. Performing Psychologies (Performance and Science: Interdisciplinary Dialogues). Methuen, UK. ISBN 978-1-4742-6085-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74231)

Shaughnessy, Nicola and Trimingham, Melissa (2016) Autism in the Wild: Bridging the Gap between Experiment and Experience. In: Garratt, Peter, ed. The Cognitive Humanities: Embodied Mind in Literature and Culture. Palgrave Macmillan, pp. 191-211. ISBN 978-1-137-59328-3. E-ISBN 978-1-137-59329-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59541)

Shaughnessy, Robert (2015) Connecting the Globe: Actors, Audience and Entrainment. In: Shakespeare Survey : Volume 68 : Shakespeare, Origins and Originality. Cambridge University Press, pp. 294-305. ISBN 978-1-316-25873-6. (doi:10.1017/CBO9781316258736) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57241)

Shaughnessy, Robert (2005) Dreams of England. In: Massai, Sonia, ed. World-Wide Shakespeares: Local appropriations in film and performance. London and New York: Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6397)

Shaughnessy, Robert (2001) Edward Bond. In: Dobson, Michael and Wells, Simon, eds. The Oxford Companion to Shakespeare Studies. Oxford: Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6402)

Shaughnessy, Robert (2006) Introduction to Shakespearean Tragedy. In: Bradley, A.C., ed. Shakespearean Tragedy 4th revised edition. Palgrave Macmillan, xii-xlvi. ISBN 978-0-230-00189-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2247)

Shaughnessy, Robert (2005) On location. In: Hodgdon, Barbara and Worthen, W.B., eds. A Companion to Shakespeare and Performance. Blackwell, pp. 80-100. ISBN 1-4051-1104-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1244)

Shaughnessy, Robert (2006) Our Shakespeares: British Television Shakespeare and the Strains of Multiculturalism. In: Thornton Burnett, Mark and Wray, Ramona, eds. Screening Shakespeare in the Twenty-First Century. Edinburgh: Edinburgh University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6392)

Shaughnessy, Robert (2004) ‘Robert Bensley’, ‘Francis Gentleman’, ‘William Havard’, ‘Charles Lee Lewes’, ‘Charles Macklin’, ‘Sarah Siddons’. In: Oxford Dictionary of National Biography. Oxford: Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6398)

Shaughnessy, Robert (2003) Romeo and Juliet: the rock and roll years. In: Aebischer, Pascale and Esche, Edward J. and Wheale, Nigel, eds. Remaking Shakespeare: Performance Across Media, Genres and Cultures. Basingstoke and New York: Palgrave. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6400)

Shaughnessy, Robert (2006) Stage, Screen and Nation: Hamlet and the Recovery of History. In: Henderson, Diana E., ed. A Concise Companion to Shakespeare on Screen. Oxford: Blackwell. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6394)

Shaughnessy, Robert (2006) Staging the media apparatus: the Shakespeare revolution will not be televised. In: Holland, Peter, ed. Shakespeare: Remembering Performance. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1245)

Shaughnessy, Robert (2017) The Time is Out of Joint: Shakespeare, Jet Lag, and the Rhythms of Performance. In: Bulman, James, ed. The Oxford Handbook of Shakespeare and Performance. Oxford Handbooks . Oxford University Press, Oxford, UK. ISBN 978-0-19-968716-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60552)

Shaughnessy, Robert (1996) ‘William, Gaskill’, ‘Terence Gray’, ‘Bill Alexander’. In: Hawkins-Dady, Mark, ed. International Dictionary of Theatre, Volume 3: Actors, Directors and Designers. London: St James’s Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6410)

Smith, Murray (2009) Consciousness. In: Livingston, Paisley and Plantinga, Carl, eds. The Routledge Companion to Philosophy and Film. Routledge Philosophy Companions . Routledge, London and New York, pp. 39-51. ISBN 978-0-415-77166-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31406)

Smith, Murray (2016) Film, Philosophy, and the Varieties of Artistic Value. In: Thomson-Jones, Katherine, ed. Current Controversies in Philosophy of Film. Routledge, Abingdon, Oxfordshire, pp. 182-202. ISBN 978-1-138-78951-7. E-ISBN 978-1-315-76488-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60031)

Smith, Murray (2019) Foreword: Consorting with Characters. In: Riis, Johannes and Taylor, Aaron, eds. Screening Characters: Theories of Character in Film, Television, and Interactive Media. AFI Film Readers . Routledge. ISBN 978-1-138-39182-6. (doi:10.22024/UniKent/01.02.74283) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74283)

Smith, Murray (2007) Was macht es fur einen Unterschied ? Wissenschaft, Gefuhl und Film. In: Bartsch, Anne and Eder, Jens and Fahlenbrach, Kathrin, eds. Audiovisuelle Emotionen:Emotionsdarstellung und Emotionsvermittlung durch audiovisuelle Medienangebote. Herbert von Halem, Cologne, pp. 39-59. ISBN 978-3-938258-30-9. (KAR id:12940)
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Smith, Murray (2005) Who’s afraid of Charles Darwin? The art of film in the age of evolution. In: Brutsch, Matthias, ed. Emotionalität und Film. Marburg: Schüren, pp. 287-310. ISBN 978-3-89472-512-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1250)

Smith, Murray (2003) A reasonable guide to horrible noise (Part 2) – listening to Lost Highway. In: Hojbjerg, Lennard and Schepelern, Peter, eds. Film Style and Story: A Tribute to Torben Groda. Copenhagen: Museum Tusculanum Press, University of Copenhagen, pp. 153-170. ISBN 87-7289-851-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1251)

Stanfield, Peter (2005) American Like Chop Suey: Invocations of gangsters in Chinatown 1920-35. In: Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of the American Gangster Film. New York: Rutgers University Press, pp. 238-262. ISBN 0-8135-3557-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1259)

Stanfield, Peter (1996) ‘Country Music & the 1939 Western: From Hillbillies to Cowboys’. In: Cameron, Ian and Pye, Douglas, eds. The Movie Book of the Western. Studio Vista, pp. 22-33. ISBN 0-289-80140-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2743)

Stanfield, Peter (1998) ‘Dixie Cowboys & Blue Yodels: The Strange History of the Singing Cowboy’. In: Buscombe, Edward and Pearson, Roberta, eds. Back in the Saddle Again: New Essays on the Western. British Film Institute, pp. 96-117. ISBN 0-85170-661-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2742)

Stanfield, Peter (2001) ‘“Extremely Dangerous Material”: Hollywood and the Ballad of Frankie and Johnny’. In: Bernardi, Daniel, ed. Classic Hollywood, Classic Whiteness. University of Minnesota Press, pp. 442-465. ISBN 016632391. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2740)

Stanfield, Peter (2002) ‘“Film Noir Like You’ve Never Seen”: Jim Thompson Adaptations and Cycles of Neo Noir’. In: Neale, Stephen, ed. Genre and Contemporary Hollywood. British Film Institute, pp. 251-268. ISBN 0-85170-887-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2739)

Stanfield, Peter (2000) ‘From the Vulgar to the Refined: American Vernacular & Blackface Minstrelsy in Showboat (1936)’. In: Marshall, Bill and Stillwell, Robynn, eds. Musicals: Hollywood and Beyond. Intellect Press, pp. 147-156. ISBN 1-84150-003-8. (KAR id:2741)
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Stanfield, Peter (2012) “‘Got-to-See’: Trends in Social Problem Pictures and the Postwar Cycles of Juvenile Delinquency Movies”. In: Lucia, Cynthia and Grundmann, Roy and Simon, Art, eds. The Wiley-Blackwell History of American Film. Wiley-Blackwell, Chichester, pp. 220-241. ISBN 978-1-4051-7984-3. (doi:10.1002/9780470671153) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31551)

Stanfield, Peter (2007) A Monarch for the Millions: Jewish Filmmakers, Social Commentary & the Postwar Cycle of Boxing Films. In: Krutnik, Frank and Neale, Steve and Neve, Brian and Stanfield, Peter, eds. “Un-American” Hollywood: Politics & Film in the Blacklist Era. Rutgers University Press. ISBN 0813541983. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2736)

Stanfield, Peter (2011) “Punks! Topicality and the 1950s Gangster Bio-Pic Cycle”. In: Bolton, Kingsley and Olsson, Jan, eds. Media, Popular Culture and the American Century. National Library of Sweden, pp. 185-215. ISBN 978-0-86196-698-1. (KAR id:26190)
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Stanfield, Peter (2016) Run, Angel, Run: Serial Production and the Biker Movie, 1966-72. In: Fisher, Austin and Walker, Johnny, eds. Grindhouse: Cultural Exchange on 42nd Street, and Beyond. Bloomsbury Publishing, London, UK. ISBN 978-1-62892-745-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60032)

Stanfield, Peter (2005) ‘Walking the Streets: Black Gangsters and the “Abandoned City” in the 1970s Blaxploitation Cycle’. In: Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 281-300. ISBN 1-84520-330-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2737)

Stanfield, Peter and Sonnet, Esther (2005) ‘“Good Evening, Gentleman, Can I Check Your Hats Please?”: Masculinity, Dress and the Retro Gangster Cycles of the 1990s’. In: Grieveson, Lee and Sonnet, Esther and Stanfield, Peter, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 163-184. ISBN 1-84520-330-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2738)

Thomas, Ben D. H. (2000) Artefici and Huomini Intendenti: Questions of Artistic Value in Sixteenth-Century Italy. In: Shepherd, Rupert and Neher, Gabriele, eds. Revaluing Renaissance Art. Ashgate Press, pp. 43-56. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3059)

Thomas, Ben D. H. (2007) Casa Vasari: writing and decorating the artist’s house. In: Hendrix, Harald, ed. Writers’ Houses and the Making of Memory. Routledge, pp. 139-148. ISBN 0-415-54082-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3069)

Thomas, Ben D. H. (2010) Noble or Commercial? The Early History of Mezzotint in Britain. In: Hunter, Michael, ed. Printed Images In Early Modern Britain. Essays in Interpretation. Ashgate, Farnham and Burlington, pp. 279-296. ISBN 978-0-7546-6654-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31499)

Thomas, Ben D. H. (2017) Raphael and the Idea of Drawing. In: Raphael: The Drawings. Ashmolean, pp. 43-55. ISBN 978-1-910807-15-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61918)

Thomas, Ben D. H. (2019) Raphael's Drawings: Invention, Disposition, and Demonstration. In: Faietti, Marzia and Gnann, Achim, eds. Raffael als Zeichner / Raffaello disegnatore. Giunti Editore, pp. 345-357. ISBN 978-88-09-86861-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:74572)
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Thomas, Ben D. H. (2003) “The art consists of hiding the art”: Castiglione and Raphael. In: Braida, Antonella and Pieri, Giuliana, eds. Image and Word. Reflections of Art and Literature from the Middle Ages to the Present. Legenda/Oxford University Press, pp. 134-150. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4610)

Trimingham, M F (2017) Agency and Empathy: Artists Touch the Body. In: Barbieri, Donatella, ed. Costume in Performance: Materiality, Culture, and the Body. Bloomsbury, London UK, pp. 137-165. ISBN 978-1-4742-3687-4. E-ISBN 978-1-4742-3688-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65306)

Trimingham, Melissa (2017) Bauhaus Scenography. In: The Routledge Companion to Scenography. Routledge, London, UK, pp. 426-431. ISBN 978-1-138-91780-4. E-ISBN 978-1-315-68881-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65377)

Trimingham, Melissa (2017) Ecologies of Autism: Vibrant Space in Imagining Autism. In: Mckinney, Joslin and Palmer, Scott, eds. Scenography Expanded: an Introduction to Contemporary Performance Design. Performance and Design . Bloomsbury - Methuen Drama, London, pp. 183-196. ISBN 978-1-4742-4438-1. E-ISBN 978-1-4742-4440-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59549)
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Trimingham, Melissa (2012) bauhaus lighthouse: der bau als buehne das buehne als bau. In: bauhaus art as life. Konig, Cologne, pp. 200-203. ISBN 978-3-86335-163-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:29688)

Trimingham, Melissa and Shaughnessy, Nicola (2018) Imagining the Ecologies of Autism. In: Kemp, Ricl and McConachie, Bruce, eds. The Routledge Companion to Theatre, Performance and Cognitive Science. Routledge Companions . Routledge. ISBN 978-1-138-04889-8. (KAR id:59483)
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Vaage, Margrethe Bruun (2007) Empathy and the Episodic Structure of Engagement in Fiction Film. In: Anderson, Joseph D. and Fisher Anderson, Barbara, eds. Narration and Spectatorship in Moving Images. Cambridge Scholars Publishing, pp. 186-203. ISBN 978-1-84718-309-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70144)

Vaage, Margrethe Bruun (2007) "Hold pusten når jeg teller til tre!" Om ulike tilskuerposisjoner og emosjonelle reaksjoner på fiksjonsfilm. In: Solum, Ove and Erstad, Ola, eds. Følelser for film. Gyldendal Akademisk Forlag, pp. 31-49. ISBN 978-82-05-37777-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70150)

Vaage, Margrethe Bruun (2013) The Imagined Observer Hypothesis. In: Branigan, Edward and Buckland, Warren, eds. The Routledge Encyclopedia of Film Theory. Routledge, pp. 258-262. ISBN 978-0-415-78180-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50301)

Vaage, Margrethe Bruun (2010) Our Man Omar: Warum die Figur Omar Little aus THE WIRE so beliebt ist. In: Blanchet, Robert and Smid, Tereza and Köhler, Kristina and Zutavern, Julia, eds. Serielle Formen. Von den frühen Film-Serials zu aktuellen Quality-TV- und Online-Serien. Zürcher Filmstudien . Schüren, pp. 211-227. ISBN 978-3-89472-525-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70143)

Vaage, Margrethe Bruun (2013) Point of View. In: Branigan, Edward and Buckland, Warren, eds. The Routledge Encyclopedia of Film Theory. Routledge, pp. 371-375. ISBN 978-0-415-78180-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70145)

Varakis-Martin, Angeliki (2008) 'Body and Mask’ in Performances of Classical Drama on the Modern Stage. In: Hardwick, Lorna and Stray, Christopher, eds. The Blackwell Companion to Classical Reception. Oxford: Blackwell. ISBN 978-1-4051-5167-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9351)

Varakis-Martin, Angeliki (2007) 'The Use of Masks in Koun's Stage Interpretations of Aristophanes' Birds, Frogs and Peace'. In: Hall, Edith and Wrigley, Amanda, eds. Aristophanes in Performance, 421BC-AD2007, Peace, Birds and Frogs. Legenda Press, pp. 179-193. ISBN 978-1-904350-61-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2250)

Vass-Rhee, Freya (2018) Foreword to the Second Edition, The Neurocognition of Dance: Mind, Movement and Motor Skills. In: The Neurocognition of Dance: Mind, Movement and Motor Skills. Psychology Press. (KAR id:66118)
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Vass-Rhee, Freya (2019) Haunted by Hamlet: William Forsythe's Sider. In: McCulloch, Lynsey and Shaw, Brandon, eds. The Oxford Handbook of Shakespeare and Dance. Oxford University Press, pp. 455-475. ISBN 978-0-19-049878-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64066)
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Vass-Rhee, Freya (2013) Promising Research, Questioning Education: The 'Dance Engaging Science' Workshops. In: Boxberger, Edith and Wittmann, Gabriele, eds. pARTnering documentation: approaching dance. heritage. culture. 3rd Dance Education Biennale, Frankfurt am Main. epodium Verlag, pp. 50-53. ISBN 978-3-940388-26-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60513)

Wood, Aylish (2005) The Animated Queer. In: Griffiths, Robin, ed. Queer Cinema in Europe. Intellect. ISBN 1-84150-079-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4638)

Wood, Aylish (2008) Cinema as Technology: Encounters with an Interface. In: Furstenau, Marc and Mackenzie, Adrian and Bennett, Bruce, eds. Cinema and Technology. Palgrave Press. ISBN 978-0-230-52477-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4636)

Wood, Aylish (2004) The Expansion of Narrative Space: Titanic and CGI Technology. In: Street, Sarah and Bergfelder, Tim, eds. Titanic as Myth and Memory: Representations in Visual and Literary Culture. I.B.Tauris, pp. 225-234. ISBN 1-85043-432-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4639)

Wood, Aylish (2001) Fresh Kill: Information Technologies as Sites of Resistance. In: Munt, Sally, ed. Technospaces: inside the new media. Continuum, pp. 161-174. ISBN 0-8264-5003-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4642)

Wood, Aylish (2005) Vectorial dynamics: transtextuality and complexity in the Matrix. In: Gillis, Stacy, ed. The Matrix. Wallflower Press. ISBN 1-904764-32-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1102)

Wood, Aylish (1998) "You ever fuck a mutant?" Technology, Gender and Identity in Total Recall. In: Ainley, Rosa, ed. New Frontiers of Space, Bodies and Gender. Routledge, pp. 191-202. ISBN 0-415-15490-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4645)

Wood, Aylish (2004) The collapse of reality and illusion in The Matrix. In: Tasker, Yvonne, ed. The Action Reader. Routledge, pp. 119-129. ISBN 0-415-23507-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4640)

guerin, Frances (2003) Technological Adventures in German Cinema on Either Side of World War I. In: Pitassio, Francesco, ed. Film and its Multiples. Udine, Udine, pp. 147-153. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45486)

Monograph

Barnard, Clio H. (2007) Exhibition Catalogue - Clio Barnard, Road Race:Dark Glass. Other. Herbert Read Gallery, Canterbury (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13171)

Goebbels, Heiner (2014) Aesthetic of Absence. Other. Routledge, London (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37423)

Shaughnessy, Robert (2017) Shakespeare in Performace: As You Like It. Other. Manchester University Press, Manchester, UK (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60554)

Conference or workshop item

Allain, Paul (2010) On Ensembles. In: Ensemble Theatre, 16th September 2010, University of Huddersfield. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25516)

Barbe, F.A. (2010) Deep Training and the Portfolio Approach. In: TaPRA, 9th-11th September 2010, University of Glamorgan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25348)

Barbe, F.A. (2007) The Sensation of Butoh and Suzuki. In: SUNY, May 2007, Brockport, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9172)

Boenisch, Peter M (2001) "Alienation" and "Theater als Medium der Moderne? ". In: Theater als Paradigma der Moderne. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2635)

Boenisch, Peter M (2002) Archaeology/Alienation in Contemporary Performance. In: Fédération Internationale du Recherche Théâtrale. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2632)

Boenisch, Peter M (1999) The Body and Beyond. Theatre Semiotics in the Age of Virtual Reality. In: 5th Performance Studies Conference 1999 "Here Be Drag-ons". . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2639)

Boenisch, Peter M (2009) Co-convenor, with Una Bauer, Working Group Directors/Collectives. In: TaPRA Conference 2009, 5th-7th September 2009, Plymouth, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25377)

Boenisch, Peter M (2010) Curator of Panel “Dramaturgy Abroad and Back: Transnational Reflections on a modern Western theatre paradigm” and Introductory Paper “Dramaturgic Research in Theatre Studies: Exploring Potentials and Methodologies”. In: IFTR World Congress 2010 “Cultures of Modernity”, 25th-31st July 2010, Munich. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25368)

Boenisch, Peter M (2009) Curator “Re/Placing Shakespeare: On Ivo van Hove’s Roman Tragedies” (Symposium). In: Re/Placing Shakespeare: On Ivo van Hove’s Roman Tragedies Symposium, 21st November 2009, Barbican, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25370)

Boenisch, Peter M (2006) Decreation Inc. William Forsythe’s exploration of ‘behaviour without intention’. In: Symposium "The Changing Body in Training and Performance". . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2626)

Boenisch, Peter M (2006) Deutsches Theater according to Michael Thalheimer: A Postcard from Berlin. In: Tapra Theatre and Performance Research Association. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2624)

Boenisch, Peter M (2000) Die Entdeckung der Korporealität (nicht nur) im Musiktheater. In: 5. Kongress der Gesellschaft für Theaterwissenschaft. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2636)

Boenisch, Peter M (2010) Dramaturgy as Relational Process: On the Act of Spectating. In: 10. Kongress der Gesellschaft für Theaterwissenschaft “Theater & Subjektkonstitution”, 28th-31st October 2010, University of Mainz. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25364)

Boenisch, Peter M (1999) ElectrONic Bodies, Movement, and Meaning in the works of DV8 Physical Theatre. In: Dance Theatre: An International Investigation. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2638)

Boenisch, Peter M (1998) Etienne Decroux' Körpertheater und die Theaterästhetik der Neunziger Jahre. In: 4. Kongress der Gesellschaft für Theaterwissenschaft. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2640)

Boenisch, Peter M (2008) Guest Lecture, 'Theater-Politik und Bühnen-Business: Hinter den Kulissen der englischen 'theatre industry' - Strukturen und Modelle jenseits der Subventionskultur'. In: • Guest Lecture, 'Theater-Politik und Bühnen-Business: Hinter den Kulissen der englischen 'theatre industry' - Strukturen und Modelle jenseits der Subventionskultur', 17th December 2008, Ludwig-Maximilians-Universität München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25383)

Boenisch, Peter M (2008) 'How to do things with Text: Text-Regie als Mise-en-Sens'. In: Conference 'Orbis Pictus - Theatrum Mundi', 25th October 2008, University of Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25384)

Boenisch, Peter M (2003) In\Between.Realities. In: Working Group Meeting "Theatre and Intermediality", CSSD London. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2630)

Boenisch, Peter M (2009) Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf. In: Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf, 5th October 2009, Institut Schauspiel, Universität für Musik und darstellende Kunst, Graz/Austria. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25373)

Boenisch, Peter M (2006) Intermediality and the Classics: Updating the “old media” of theatre. In: 15th World Congress International Federation of Theatre Research. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2625)

Boenisch, Peter M (2000) Intermediality in Contemporary Theatre. In: Fédération Internationale du Recherche Théâtrale. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2637)

Boenisch, Peter M (2009) Invited Lecture, Critical Encounters 3: Encountering the Intermedial. In: Critical Encounters 3: Encountering the Intermedial, 9th May 2009, Tramway, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25379)

Boenisch, Peter M (2008) Invited Panel Member, Conference ‘Theatre Studies Today and Tomorrow’. In: Theatre Studies Today and Tomorrow, 12th March 2008, University of Surrey. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25385)

Boenisch, Peter M (2009) Invited Panel contribution "Visions of Dance Studies". In: Tanzkongress, 8th November 2009, Hamburg. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25372)

Boenisch, Peter M (2009) Invited Research Seminar, ‘(Re-)Devising Classics in Contemporary Theatre’. In: (Re-)Devising Classics in Contemporary Theatre, 6th May 2009, University of Lancaster. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25380)

Boenisch, Peter M (2009) Keynote, Symposium 'Mapping Performance: Intercultural Spaces, Negotiable Boundaries'. In: 'Mapping Performance: Intercultural Spaces, Negotiable Boundaries Symposium, 3rd June 2009, Royal Holloway. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25378)

Boenisch, Peter M (2004) Komik ist Konsumterror. 20 Jahre gegen das genussvolle Einverständnis: Forced Entertainment 1984 - 2004. In: Kongress "Komik - Ästhetik, Theorien, Vermittlungsstrategien", 7th International Congress of the German Society for Theatre Studies. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2628)

Boenisch, Peter M (2009) Panelist, Plenary Discussion ‚Jacques Rancière Study Day. In: Royal Holloway/TAPRA Working Group ‘Performance, Identity, Community’, 28th February 2009, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25382)

Boenisch, Peter M (2005) Postdramatic Mise-en-scène: The ro:theater’s Proust-Project. In: IFTR-Conference “Fictional/Real in Contemporary Theatre”. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2627)

Boenisch, Peter M (2009) Research Seminar, Forschungsprojekt SaM Sound and Movement. In: Forschungsprojekt SaM Sound and Movement, 16th March 2009, Institut für Theaterwissenschaft, LMU München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25381)

Boenisch, Peter M (2004) See and be SCENE: Reflecting the Presentation and Perception of Restoration Theatre. In: "The Long Restoration: Leviathan to Licensing Act", Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2629)

Boenisch, Peter M (2001) Synthesized Dreams Of Moving Men: ElectrONic Bodies, Movement, and Meaning in the works of DV8 Physical Theatre. In: Dance Theater: An International Investigation. Proceedings of the MoMentUm I Conference, Manchester 2001. . pp. 122-127. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2488)

Boenisch, Peter M (2002) Theater der Sensationen. In: 6. Kongress der Gesellschaft für Theaterwissenschaft. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2631)

Boenisch, Peter M (2001) Theatre and Media Studies: Bridging the Gap. In: Working Group Session "Theatre and Intermediality". . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2633)

Boenisch, Peter M (2001) Transforming Performance in the Internet Culture. In: Fédération Internationale du Recherche Théâtrale. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2634)

Boenisch, Peter M (2010) Zeitläufte: Zur Choreografie und Wahrnehmung von Zeitlichkeit im Tanztheater der Gegenwart. In: Symposium “TIME CODES: Zeichen der Flüchtigkeit – Zeichen der Zeit”, DANCE 2010-Festival, 8th November 2010, Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25363)

Boenisch, Peter M (2009) The naked tragedy of being human: Recent productions of Shakespeare in German Theatre. In: 2009 British Shakespeare Association conference, 13th September 2009, King's College London and the Globe Theatre. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25374)

Boenisch, Peter M, Orozco, Lourdes (2010) Working Group “Directing & Dramaturgy”. In: TapRA 2010 Conference, 9th-11th September 2010, University of Glamorgan. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25366)

Branca, Bernardino (2019) The Edgar Wind Archive at the Bodleian Library, Oxford. In: SAS Centre for Memory Studies: Memory and Archives Seminar, 12 November 2019, Senate House, University College London. (Unpublished) (KAR id:81450)
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Brooks, Helen E.M. (2016) Collaboration and Co-production: an example of a partnership between the University of Kent and Theatre Royal, Brighton. In: In Good Company: Working with Partners (APAC Annual Conference), 07 Nov 2016, The Lowry, Salford. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65364)

Brooks, Helen E.M. (2018) Horror on the London Stage: The Grand Guignol Season of 1915. In: Languages and the First World War, 10 Sept 2018, Europe House. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73666)

Brooks, Helen E.M. (2018) The Horrors of War: Extreme violence on the Great War British Stage. In: Dramaturgies of War: Institutional Dramaturgy, Politics, and Conflict in the 19th and 20th Centuries, 25-26 January 2018, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73670)

Brooks, Helen E.M. (2014) 'It was just like that out there': Wartime Representation of the Trenches. In: TaPRA Conference 2014, 03-05 Sep 2014, Egham, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65366)

Brooks, Helen E.M. (2018) Keeping the War Alive: British Theatre of the 1920s. In: Theatre and Performance Research Association Conference 2018, 5-7 Sept 2018, Aberystwyth. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73668)

Brooks, Helen E.M. (2017) Mobilising the Home Front: British Theatre in 1916. In: The Fictional First World War, 6-9 Apr 2017, University of Aberdeen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65361)

Brooks, Helen E.M. (2017) Not just 'A Little Bit of Fluff': British Theatre during the Great War. In: Civilian Experiences of War Symposium, 09 Jul 2017, Open University, Milton Keynes. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65367)

Brooks, Helen E.M. (2018) Peace and the Theatre: British Theatre after the Great War. In: Revival after the Great War: Repair, Rebuild, Remember, 8-9 May 2018, Leuven. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73669)

Brooks, Helen E.M. (2017) Recovering First World War Theatre: A Community Research Project. In: UNSPECIFIED, 16 Mar 2017, Royal Academy of Dramatic Art, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65371)

Brooks, Helen E.M. (2016) Sexual Suspects Roundtable. In: Actress as Author, 09-10 Jul 2015, Chawton House. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65363)

Brooks, Helen E.M. (2015) Spies and Brutes: The Representation of Germans as Villains on the British Stage Between 1914 and 1918. In: A Symposium on Villains, 21 May 2015, University of Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65365)

Brooks, Helen E.M. (2017) Staging Jutland. In: Jutland and After: The First World War at Sea from War to Peace 1916-1919, 31 May - 2 Jun 2017, National Museum of the Royal Naval, Portsmouth. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65359)

Brooks, Helen E.M. (2017) Staging the Great War in the British Theatre between 1914 and 1918. In: War Through Other Stuff, 22-24 Feb 2017, University of Edinburgh. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65360)

Brooks, Helen E.M. (2017) Theatres of War: New insights into wartime theatre production through the Recovering First World War Theatre project. In: TaPRA Conference, 2017, 30 Aug - 01 Sep 2017, University of Salford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65358)

Brooks, Helen E.M. (2016) ‘Torture, murder and bestial lust': German Villains on the British stage in 1915. In: 'Pack up your Troubles': Performance Cultures of the First World War, 27-29 Apri 2016, University of Kent. (Unpublished) (KAR id:65362)
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Brooks, Helen E.M. (2016) Undertaking Cultural History Projects with Partners and Publics: Methods and Approaches. In: UNSPECIFIED, 01 Dec 2016, Leuven, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65370)

Brydon, Lavinia (2017) Garden of England: Sites of Production and Pilgrimage. In: Locating Imagination: Popular Culture, Tourism and Belonging, 5-7 April 2017, Rotterdam, The Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61371)

Choi, Jinhee (2005) Shocking Corridors: Girls’ High School Horror Series and Female Sexuality. In: ACSS. . pp. 318-321. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14645)

Cowie, Elizabeth (2007) Documentary film as flashback and the 'real' of reality in the temporality of representation. In: Real Things: Matter, Materiality, Representation, 1880 to the Present Conference, 5th - 8th July 2007, University of York. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12965)

Cowie, Elizabeth (2007) Possession, paranoia and the experience of art. In: Freud Museum Symposium: Observing Paranoia in Clinical Practice, Art and Anthropology, March 3rd, 10am - 5pm, 2007, Tavistock Clinic, London NW3. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12967)

Cowie, Elizabeth (2007) Real time viewing of images of time past and present: documentary in the gallery 'becoming art'. In: Visible Evidence 14, 18th - 21st December 2007, Bochum, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12966)

Declercq, Dieter (2019) Humour as coping in the cartoons of Christine-Jane Wilson. In: Queering Graphic Medicine. Paradigms, Power and Practices, 11-13 Jul 2019, Brighton, Sussex, UK. (Unpublished) (KAR id:75393)
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Frey, Mattias (2015) The Acoustic Conventions of Historical Films: Dialect in Requiem, Robin Hood and Beyond. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 20 June 2015, Lodz, Poland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64768)

Frey, Mattias (2016) The Crises of Film Criticism and the Promises of Film Studies. In: Invited Speaker, University of Edinburgh, Research Seminar, 22 November 2016, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64771)

Frey, Mattias (2015) Critical Questions, 2.0: Resolving the Digital-Era ‘Crisis’ of Film Criticism. In: Invited Speaker, University of Bristol, Research Seminar, 18 March 2015, Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64767)

Frey, Mattias (2015) Ekel im Kino. In: Invited Speaker, 'Angustia', Deutsches Filmmuseum, Frankfurt, 23 January 2015, Deutsches Filmmuseum Frankfurt. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44721)

Frey, Mattias (2017) The Eternal Return of the Crisis: Towards an Internationalist, Institutionalist Critical History. In: Invited Speaker, Dartmouth College, Conference: A Century of Filmkritik and Beyond, Hanover/NH, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64772)

Frey, Mattias (2017) Fassbinder and the Western: Whity (1971). In: BAFTSS conference, University of Bristol, Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64773)

Frey, Mattias (2017) Fassbinder, the art film and popular genre: Whity. In: Invited Masterclass, British Film Institute, BFI Fassbinder: The Many Faces of R. W. Fassbinder, 27 April 2017, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64774)

Frey, Mattias (2017) Fassbinder: Television Pioneer. In: Invited Speaker, British Film Institute, public lecture, 2 May 2017, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64775)

Frey, Mattias (2017) Film Criticism in the Digital Age: Past, Present and Possible Futures. In: Invited Speaker, Universitet Gent, public lecture, 31 October 2017, Ghent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64776)

Frey, Mattias (2010) From Crisis Structure to Schadenfreude: Emotional Underpinnings of the New Documentary. In: Society of Cinema and Media Studies Annual Conference, 18th March 2010, Los Angeles. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25356)

Frey, Mattias (2015) Kino der Extreme: Die transgressive Rhetorik der heutigen Autorenfilmkultur. In: Invited Speaker, Zentrum für Medien-, Kommunikations- und Informationsforschung, Universität Bremen, Research Seminar, 25 June 2015, Bremen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64770)

Frey, Mattias (2010) Medien aus filmwissenschaftlicher Sicht. In: Masterclasses, 29th June-2nd July 2010, Universitat Passau. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25352)

Frey, Mattias (2010) Paris' Threat to German Film Criticism: Denounce and Recycle. In: European Network for Cinema and Media Studies Annual Conference, 25th June 2010, Istanbul. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25354)

Frey, Mattias (2010) A Persistent Allure: The Reception of Michael Haneke. In: Invited speaker, On Michael Haneke, 2nd June 2010, University of Sussex. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25355)

Frey, Mattias (2010) Safe to Remember: the post-Wende Cinema of Retrospection. In: Invited Talk, 2nd November 2010, University of Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25353)

Frey, Mattias (2017) VoD Services, Original Programming and the Deteriorating Window System: Netflix, Amazon, MUBI. In: Elements of Success: Rethinking Audience and Production Studies as Practice, Finnish Film Institute, 4 December 2017, Helsinki. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64777)

Gillick, Ambrose, Proctor, Robert (2016) The Architecture of Twentieth-Century Pilgrimage in Scotland. In: SCHA 2016 CONFERENCE, 29th October 2016, Edinburgh, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71710)

Grantley, Darryll (1996) ‘“The Ceremonialization of Secular Power in Medieval Scriptural and Hagiographical Drama’. In: Aspects of Medieval Drama. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2679)

Grantley, Darryll (2005) ‘Dramatic Representations of the Emerging Metropolis of London in the Sixteenth Century’. In: Medieval English Theatre Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2675)

Grantley, Darryll (1987) ‘Dramatizing Chaucer’. In: 22nd International Congress on Medieval Studies. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2683)

Grantley, Darryll (1989) ‘La Madeleine dans la Poésie et Prose d’Angleterre aux 16ième et 17ième Siècles’. In: Colloque International: Le Visage de la Madeleine dans la Littérature et la Critique en Europe entre 1450 et 1650. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2682)

Grantley, Darryll (2003) ‘Perilous Childhood in the Tudor Interlude’. In: Shakespeare’s Children/Children’s Shakespeare. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2676)

Grantley, Darryll (1995) ‘Richard Mulcaster: Education and the Elite Body’. In: Conference on Bodily Fictions. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2680)

Grantley, Darryll (1996) ‘Schooling the Audience’. In: Shakespeare and Tudor Theatrical Traditions. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2678)

Grantley, Darryll (2006) ‘“Secret Conclaves”: Deviant Space in Sixteenth-Century Drama’. In: Queer People conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2674)

Grantley, Darryll (2000) ‘The Upbringing of Youth in the Tudor Interlude’. In: Gender and Life Cycle in the Middle Ages. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2677)

Grantley, Darryll (1993) ‘"What meanes this shew?": Theatricalism, Camp and Subversion in Doctor Faustus and The Jew of Malta’. In: Conference on Christopher Marlowe and English Renaissance Culture. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2681)

Hammer, Martin (2015) 1965; Culture and Sculpture in Britain. In: Sculpture: 1965, 25-6 September 2015, Henry Moore Institute, Leeds. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55941)

Hammer, Martin (2016) Crossing the border and closing the gap: David Hockney and abstraction. In: Generation Painting: Abstraction and British Art, 1955–65, 5 March 2016, Downing College, Cambridge. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55910)

Hammer, Martin (2015) David Hockney’s Tired Indians and Rocky Mountains. In: UNSPECIFIED, 16 March 2015, National Gallery of Scotland, Edinburgh. (Unpublished) (KAR id:55948)
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Hammer, Martin (2016) Food for Artists: the exhibition as resource. In: Exhibiting Contemporary Art in Post-War Britain, 28-29th January 2016, Tate Britain. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55939)

Hammer, Martin (2015) Francis Bacon’s ‘Crucifixion’: The presence of the Nazi past. In: UNSPECIFIED, 29 Oct 2015, Moderne Pinakothek, Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55947)

Hammer, Martin (2016) Making transatlantic sense of Hockney’s A Rake’s Progress. In: History of Art department research seminar, University of York, 11 Jan 2016, York. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55946)

Hammer, Martin (2017) Photographic sources and affinities in David Hockey's art of the 1960s. In: A Bigger Picture: New Approaches to David Hockney - Tate Britain and the Paul Mellon Centre, 5 May 2017, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61348)

Hammer, Martin (2015) The Silent Kingdom of Panting: Sickert and Hopper. In: Walter Sickert: The Document and the Documentary, 4 Dec 2015, Paul Mellon Centre, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55940)

Jeffers McDonald, Tamar E. L. (2010) 'I even cry funny!' Doris Day, Performance and Genre. In: Acting In Film, 2nd-4th September 2010, Potsdam University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25347)

Kear, Jon (2007) In the Brute Net of Sense: Merleau-Ponty’s Aesthetics. In: The Flesh in the Text, 2 day Conference, October 2007, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7965)

Kear, Jon (2007) Marker’s Bergson. In: Invited Talk, 29th November 2007, University of Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7962)

Kear, Jon (2007) Melancholy Images: Chris Marker’s Cine-Essays and the Ontology of the Photography. In: The Cine-Essay symposium, 8th February 2007, Loughborough University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7960)

Kear, Jon (2007) The Origin of the Fragment in Balzac’s Le Chef d’oeuvre inconnu. In: ‘The Fragment’ 3 day conference, 28th-30th June 2007, University of Aberysthwyth. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7958)

Klich, Rosemary E. (2014) ‘Amplifying Sensory Spaces: Headphone Theatre’. In: "Media, Politics, Performance Conference", Fast Forward Festival, 5th-7th May, 2014, Onassis Cultural Centre, Athens.. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45595)

Klich, Rosemary E. (2005) Between Realities: Intermediality in Multimedia Theatre. In: FIRT/IFTR International Conference "Fictional/Real in Contemporary Theatre", 17 - 20 November 2005, Jagiellonian University, Krakow. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45607)

Klich, Rosemary E. (2010) Copies, Robots, Mutants, and the Unfinished Human. In: (re)-Performing the Posthuman Conference, 21st-22nd May 2010, University of Sussex, Brighton.. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45589)

Klich, Rosemary E. (2006) During Intermediality: Remediation and Virtuality in Multimedia Theatre. In: Australasian Drama Studies Association Annual Conference, July 2006, University of Sydney. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45580)

Klich, Rosemary E. (2013) "Fleshing Out: The Body in Intermedial Dance". In: International Symposium of the Korean Society of Dance, 2nd November 2013, Sungkyunkwan University in Seoul, Korea. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45592)

Klich, Rosemary E. (2014) ‘The In and Outputs of Headphone Theatre’. In: Annual Conference of Theatre and Performance Research Association, 3rd-5th September 2014, Royal Holloway. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45594)

Klich, Rosemary E. (2013) “InterMEdiation and the InterMEdial System”. In: International Federation for Theatre Research Annual Conference, 22nd – 26th July 2013, Institut del Teatre, Barcelona. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45593)

Klich, Rosemary E. (2013) Intermediality, Complexity and Emergence. In: Colloquium of Performance Research., 18th January 2013, Centre for Intermediality at the Royal Central School of Speech and Drama. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45588)

Klich, Rosemary E. (2005) Into Virtuality: Interactivity and Immersion in New Media Performance. In: E-Performance and Plug-ins, December 2005, University of New South Wales, Sydney. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45579)

Klich, Rosemary E. (2012) “Participate or Else”. In: Performance Studies International Conference 18, 27th June-1st July 2012., University of Leeds. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45591)

Klich, Rosemary E. (2010) "Performing at a Distance: Place, Pattern and Posthumanism". In: International Federation for Theatre Research Annual Conference, July 2010, LMU Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45585)

Klich, Rosemary E. (2006) Performing ‘Posthuman’ Perspective: Remediation and Virtuality in New Media Performance. In: International Federation for Theatre Research Annual Congress, Helsinki, Finland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45581)

Klich, Rosemary E. (2007) Postnarrativity in the Theatre of New Media Performance: Eavesdrop. In: Intermediality, Theatricality, Re-presentation and New Media Conference, 24th-29th May 2007, Centre for Research on Intermediality, University of Montreal, Montreal.. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45582)

Klich, Rosemary E. (2007) Staging Space: Performing Plasticity and Plastic Performance. In: Annual Conference of the Theatre and Performance Research Association (TaPRA), 5th-7th September 2007, University of Birmingham. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45583)

Klich, Rosemary E. (2011) “Systems of Intermediality: Rites”. In: Performance Studies International Conference 17, 27th June-1st July 2011, Utrecht University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45586)

Klich, Rosemary E. (2011) Systems of Spectatorship: Presence, Play and Performance in Blast Theory’s Games. In: “The Gaze is Us”, 23rd March 2011, Vooruit Centre for the Arts. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45587)

Klich, Rosemary E. (2009) “What’s behind the smile?: The mediated other in performance". In: Performing Presence Conference, March 2009, University of Exeter. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45584)

Kollectiv, G., Kollectiv, P. (2007) The Political Theology of Battlestar Galactica. In: BSG 2007: The Politics, Poetics and Philosophy of Battlestar Galactica, 28th July 2007, Buckinghamshire Chilterns University College. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22181)

Kollectiv, G., Kollectiv, P. (2006) The Spectre of Manual Labour. In: On Liberty and Art, 18th October 2006, Tate Britain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22182)

Laera, Margherita (2011) 'I'll Roughen It Up a Bit': Multiple-Authored Theatre Translations. In: Invisible Presences, 18-20 April 2011, Queen's University Belfast. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31607)

Maes, Hans R.V. (2008) Art and Pornography. In: 6th European Congress of Analytic Philosophy (ECAP), August 2008, Krakow, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9706)

Maes, Hans R.V. (2005) Arthur Danto and the End of Art. In: Midsouth Philosophy Conference, February 2005, Memphis, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9695)

Maes, Hans R.V. (2006) Challenging Partial Intentionalism. In: American Society for Aesthetics, October 2006, Milwaukee, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9701)

Maes, Hans R.V. (2017) Conversations, Portraits, and Philosophy. In: 75th Annual Meeting of the American Society for Aesthetics, 15-18 Nov 2017, New Orleans, USA. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65243)

Maes, Hans R.V. (2004) Danto, De Duve, and The End of Art. In: Rediscovering Aesthetics, July 2004, Cork, Ireland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9694)

Maes, Hans R.V. (2006) De emotie ‘trots’. In: Internationale School voor Wijsbegeerte, March 2006, Leusden, The Netherlands. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9697)

Maes, Hans R.V. (2006) De grappenmaker en zijn publiek. Over grappen, kunst en intimiteit. In: Conference on humour organised by the University of Antwerp, May 2006, University of Antwerp, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9698)

Maes, Hans R.V. (2006) Different Kinds of Bullshit. In: German Society for Analytic Philosophy (GAP), September 2006, Berlin, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9700)

Maes, Hans R.V. (2003) The End of Art: A real problem or not really a problem? In: the International Congress on Arthur C. Danto and the End of Art, December 2003, Murcia, Spain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9693)

Maes, Hans R.V. (2001) Hypocrisie en Bescheidenheid. In: Internationale School voor Wijsbegeerte, March 2001, Leusden, The Netherlands. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9691)

Maes, Hans R.V. (2001) 'Ik ben een briljant filosoof.' Over zelfingenomenheid en ijdelheid. In: Filosofische Kring, February 2001, Kortrijk, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9690)

Maes, Hans R.V. (2007) Intention, Interpretation, and Contemporary Visual Art. In: Annual Meeting of the Dutch-Flemish Society for Analytic Philosophy (VAF), April 2007, Antwerp, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12961)

Maes, Hans R.V. (2006) Julia Driver on Moral Luck. In: 1st Annual Online Philosophy Conference, 2006, http://experimentalphilosophy.typepad.com/online_philosophy_confere. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9520)

Maes, Hans R.V. (2005) Larry Shiner and Arthur Danto on Art History. In: American Society for Aesthetics, Eastern Division Meeting, April 2005, Philadelphia, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9696)

Maes, Hans R.V. (2008) Love, Friendship, and Casablanca. In: Love in Our World. An International Conference, November 2008, University of Manchester. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9711)

Maes, Hans R.V. (2017) Portraits of Philosophers and the Philosophy of Portraits. In: 6th Dubrovnik Conference on the Philosophy of Art, 18-22 Apr 2017. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65245)

Maes, Hans R.V. (2008) Remember that we forget. In: Cultural Memory: Forgetting to Remember / Remember to Forget, September 2008, University of Kent, Canterbury. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9709)

Maes, Hans R.V. (2008) Waarom vinden we kunst waardevol? In: Vormingplus, May 2008, Leuven, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9704)

Maes, Hans R.V. (2001) Zelfwaardering. In: 23rd Vlaams-Nederlandse Filosofiedag, October 2001, Kortrijk, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9692)

Mikuriya, Junko Theresa (2008) Cryptoglyph. In: Urban Encounters Conference, 16-17th May 2008, Centre for Urban and Community Research, Goldsmiths, University of London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9405)

Mikuriya, Junko Theresa (2006) On the Walls of the Cave are Shadows. In: Affective Imaging; Uneasy Spaces Symposium, 20th October 2006, Goldsmiths University of London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9406)

Misek, Richard (2017) All talk: Matias Piñeiro’s verbal narratives. In: Games People Play: The Cinema of Matias Pineiro, 7 Nov 2017, Royal Belgian Film Archive, Brussels, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72004)

Misek, Richard (2017) Black White Colour. In: Experience Colours!, 7 Nov 2018, Aalto University, Helsinki, Finland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72000)

Misek, Richard (2016) Détournement. In: Forms of Criticism, 30 Jun 2016, Parasol Unit, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72006)

Misek, Richard (2018) Notes on Rohmer. In: Zomer Film College, Royal Belgian Film Archive, 14 July 2018, Antwerp, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72002)

Misek, Richard (2018) Six of Seven Things I Know About The Video Essay. In: UNSPECIFIED, 12 April 2018, Monash University, Melbourne, Australia. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72003)

Misek, Richard (2015) The Stolen Film. In: Cinematic Bricoleurs: Remixing, restyling and repurposing in contemporary filmmaking practice, 8 Jan 2016, King's College, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72007)

Misek, Richard (2017) Why I 'pirate' films. In: TEDx, 13 May 2017, Canterbury, United Kingdom. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61732)

Pitts, Virginia (2007) Cross-cultural Filmmaking in Aotearoa New Zealand. In: MEDIANZ Conference, 8th-10th February 2007, Victoria University, Wellington, New Zealand. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24156)

Pitts, Virginia (2010) From Process to Product: Intercultural Collaboration in the Making of Whale Rider. In: Impure Cinema: Interdisciplinary and Intercultural Approaches to World Cinema. (Unpublished) (KAR id:26340)
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Pitts, Virginia (2008) Igniting the Peripheries: Digital Cinema in Aotearoa New Zealand. In: Screen Studies Conference, 4th-6th July 2008, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24155)

Quirk, Sophie (2017) The "All is Lost" Moment. In: Comedy, Populism and Donald Trump, 15th November 2017, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65208)

Quirk, Sophie (2014) Does Popular Comedy Change the Way We Think? In: ISHS Conference 2014, 7-11 July 2014, Utrecht, Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65217)

Quirk, Sophie (2017) Joke as Text vs Joke as Performance. In: Artificial Intelligence and Comedy Conference, 25th November 2017, Oxford University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65207)

Quirk, Sophie (2014) Manipulation and the Dark Arts in Stand-up Comedy and Stage Magic. In: TaPRA Conference 2014, 3-5 Sept 2014, Egham, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65214)

Quirk, Sophie (2015) Preaching to the Converted? How Political Comedy Matters. In: UNSPECIFIED, 25 Mar 2015, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65212)

Quirk, Sophie (2016) Stand-up Comedy: Resistance or Reinforcement? In: Comedy and Critical Thought, 3-4 May 2016, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65209)

Quirk, Sophie (2016) Suspicion and Resistance: How Stand-up Comedians Combat Manipulation and Illusion. In: TaPRA Conference 2016, 5-7 September 2016, Bristol, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65216)

Quirk, Sophie (2015) What's at Stake for Comedy Audiences? Stand-up as an Ideological Battleground. In: TaPRA Conference 2015, 8-10 Sept 2015, Worcester, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65215)

Radosavljevic, Duška (2010) Affairs of the Heart and Issues of Fidelity: Perspectives on Kneehigh’s Adaptation Method. In: AAS Berlin Conference, 29th September - 1st October 2010, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25441)

Radosavljevic, Duška (2008) The Golden Age of Kneehigh. In: at Cultures of Translation: Adaptation in Film and Performance, 26th-28th June 2008, Glamorgan University, Cardiff. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13434)

Radosavljevic, Duška (2010) Northern Stage Ensemble as an Adaptation of the Russian Theatre Model. In: International Federation for Theatre Research Translation, Adaptation, and Dramaturgy Working Group, 25th-26th July 2010, Munich. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25440)

Radosavljevic, Duška (2008) Sarah Kane's Illyria: A Balkan reading of Blasted. In: 'Sarah Kane: Reassessments', 16th February 2008, University of Cambridge. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13435)

Sayad, Cecilia (2017) Beyond Film: A New Place for Reality in Horror. In: The Moving Form of Film Conference, 6-8 November 2017, Reading, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73560)

Sayad, Cecilia (2017) Digital Ghosts: Rethinking the relationship between horror and reality. In: British Association of Film, Television and Screen Studies Conference, 20-21 April 2017, Bristol. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73558)

Sayad, Cecilia (2016) Documenting Ghosts in the Post-Truth Era. In: University of Warwick Research Seminar Series, Coventry, UK. (Unpublished) (doi:https://warwick.ac.uk/fac/arts/news/events/?calendarItem=8a17841a5fd9d400015fda6091651653) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73561)

Sayad, Cecilia (2017) Ghost Images: Horror, documentary and the supernatural. In: School of Media, Film and Music Research Seminar, University of Sussex, 29 March 2017, Brighton. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73557)

Sayad, Cecilia (2017) The Ghosts and the Machines. In: At Home with Horror?, 27-29 October 2017, Canterbury, Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73559)

Sayad, Cecilia (2015) Monsters and Everyday Life. In: Screen Studies Conference, 26/006/2015-28/06/2015, University of Glasgow. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50255)

Sayad, Cecilia (2018) Parapsychology and Ghost Hunting on TV. In: Sci/Film Series, 4 May 2018, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73563)

Sayad, Cecilia (2011) The Persistence of Auteurism in Brazilian Cinema. In: Issues of Auteurism in Latin American Cinema - SCMS, 10-13 March 2011, Ritz-Carlton, New Orleans. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:27522)

Sayad, Cecilia (2017) Reality Ghosts: Digital Images and the Material World. In: 2018 Society for Cinema and Media Studies Conference, 14-18 March 2018, Toronto, Canada. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73562)

Sayad, Cecilia (2015) Reality TV, Mock Found-Footage, and Horror’s Changing Relationship to Reality. In: King's College Research Seminar, 11 March, 2015, King's College London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47973)

Shaughnessy, Nicola (2008) Does it Work? Prove it! Reflections on Efficacy and Ethics. In: Theatre and Performance Research Association. . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5865)

Shaughnessy, Nicola (2008) Double Acts: Mirror Neurons & Applied Performance. In: Researching Applied Theatre and Performance Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5864)

Shaughnessy, Robert (2004) Approaching the Globe. In: Shakespeare Association of America Annual Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6511)

Shaughnessy, Robert (2008) Behind the Scenes. In: Thirty-third International Shakespeare Conference. . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6501)

Shaughnessy, Robert (2006) Dreaming the Globe: Poel, Guthrie, and the quest for authenticity. In: Shakespeare and Tudor Traditions. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6546)

Shaughnessy, Robert (2008) The Falstaff Syndrome: Pathos, Prosthetics and Performance. In: Filming and Performing Renaissance History symposium. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6502)

Shaughnessy, Robert (2001) In his Entirety: Tyrone Guthrie, Hamlet and Psychoanalysis. In: London Renaissance Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6539)

Shaughnessy, Robert (1996) The Last Post. In: Shakespeare’s Language in Performance Seminar, 27th International Shakespeare Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6547)

Shaughnessy, Robert (2005) On Location: de Certeau, Shakespeare and the pedestrian. In: Trinity College, Dublin. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6509)

Shaughnessy, Robert (2006) One Piece at a Time. In: Watching Ourselves Watching Shakespeare. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6503)

Shaughnessy, Robert (2006) Our Shakespeares. In: Shakespeare on Film. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6504)

Shaughnessy, Robert (2006) Our Shakespeares. In: Shakespeare on Television seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6505)

Shaughnessy, Robert (1997) Postmodernism, interculturalism and a recurring Dream. In: Shakespeare Association of Korea First Annual Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6544)

Shaughnessy, Robert (2001) Romeo and Juliet: the rock and roll years. In: SCAENA: Shakespeare and his Contemporaries in Performance. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6536)

Shaughnessy, Robert (2002) Setting the Scene: A Midsummer Night’s Dream. In: Shakespeare’s Globe. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6513)

Shaughnessy, Robert (1999) Shakespeare Goes Pop. In: Millennium Shakespeares. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6540)

Shaughnessy, Robert (2004) The Shakespeare Revolution will not be televised. In: Shakespeare: Remembering Performance. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6510)

Shaughnessy, Robert (2005) Shakespeare and 21st Century Film. In: British Shakespeare Association Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6507)

Shaughnessy, Robert (2003) Shakespeare at Ground Level. In: London Shakespeare Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6512)

Shaughnessy, Robert (2001) Shakespeare versus Performance. In: London Shakespeare Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6538)

Shaughnessy, Robert (1998) Shakespearean Utopias. In: The Shakespeare Institute. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6541)

Shaughnessy, Robert (2005) Stage, Screen and Nation: Hamlet and the recovery of history. In: The Shakespeare Institute. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6508)

Shaughnessy, Robert (1994) Terence Gray’s Shakespeare. In: Shakespeare on the British Stage 1990-1945. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6548)

Shaughnessy, Robert (1997) Volpone, anthropomorphism, and the discourses of late capitalism. In: SCAENA: Shakespeare and his Contemporaries in Performance. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6543)

Shaughnessy, Robert (2001) What have the Romans ever done for us? In: Royal Shakespeare Company Summer School. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6535)

Smith, Murray (2005) Against Nature. In: The Cognitive Neuroscience of Film. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3098)

Smith, Murray (2005) Cinema and Cognition. In: Cinema and Cognition, Society for Cinema and Media Studies. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3097)

Smith, Murray (2005) What Difference Does it Make. In: Representing and Conveying Emotions in Audio-Visual Forms of Media. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3099)

Thomas, Ben D. H. (2005) The Academy of Baccio Bandinelli by Enea Vico. In: Renaissance Society of America Annual Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3088)

Thomas, Ben D. H. (1999) Artefici and huomini intendenti: questions of artistic value in sixteenth-century Italy. In: Images and Values, Association of Art Historian’s 25th Annual Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3080)

Thomas, Ben D. H. (2005) Casa Vasari: writing and decorating the artist’s house. In: Writers’ Houses and the Construction of (Trans)National Cultural Memory, ACUME European Thematic Network Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3089)

Thomas, Ben D. H. (2008) Disegno. In: Renaissance Keywords, 19th September 2008, University of Birmingham. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13085)

Thomas, Ben D. H. (2003) The Dissemination of Disegno: Baccio Bandinelli and Anton Francesco Doni. In: The Business of Prints in Rome, University of Edinburgh, 24-25 March, 2003. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3085)

Thomas, Ben D. H. (2002) Edgar Wind and Leonardo da Vinci. In: University of Oxford, Renaissance History Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3083)

Thomas, Ben D. H. (2002) Finding Ovid through Raphael in the Schools of the Tombs. In: Art on the Line. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3084)

Thomas, Ben D. H. (2006) Framing Giambologna’s Rape of a Sabine. In: Renaissance Society of America Annual Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3090)

Thomas, Ben D. H. (2008) The Locations of Art in the Mezzotints of Wallerant Vaillant. In: Early Modern Prints Symposium and Study Day. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3093)

Thomas, Ben D. H. (2006) The Many Faces of Lucas van Leyden and Other Stories: Some Historiographical Reflections on the Pictorum aliquot celebrium Germaniae inferioris effigies of Domenicus Lampsonius. In: Courtauld Institute Research Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3091)

Thomas, Ben D. H. (2008) Noble or Commercial? The Early History of Mezzotint in Britain. In: British Printed Images to 1700, 12th-13th September 2008, Victoria & Albert Museum. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13084)

Thomas, Ben D. H. (2008) The Paradox of Mezzotint. In: Centre for Medieval and Early Modern Studies. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3092)

Thomas, Ben D. H. (2005) Parallel Lives: Dante, Michelangelo and the Reception of the Medici Chapel Sculpture. In: Conception: Reception, 31st Annual Conference of the Association of Art Historians. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3087)

Thomas, Ben D. H. (2017) Raphael's drawings: invention, disposition, and demonstration. In: Raffaels Zeichnungen, Internationales Symposium, 21-22 November 2017, Albertina, Vienna. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64907)

Thomas, Ben D. H. (2017) Raphael: Singular Acts of Drawing. In: Singular Acts: The Role of the Individual in the Transformation of Collective Culture, The Warburg Institute Second Postgraduate Symposium, 16 November 2017, The Warburg Institute, London. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64908)

Thomas, Ben D. H. (2000) The Renaissance artist’s sense of history. In: 30th International Congress of the History of Art. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3082)

Thomas, Ben D. H. (1996) “The Spaniard’s Peccadillo”: The Interrelation of Painting and Sculpture in Sixteenth-Century Italy. In: University of Oxford, Renaissance History Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3079)

Thomas, Ben D. H. (2004) Tracing the Course of Forms: John Obadiah Westwood. In: Connecting Cultures, Kent Institute for Advanced Studies in the Humanities biannual conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3086)

Thomas, Ben D. H. (2008) The Truest Poetry is the Most Feigning: Edgar Wind on Art and Morals during the Cold War. In: Cultural Memory:Forgetting to Remember/Remembering to Forget, KIASH conference, 10th-13th September 2008, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13083)

Thomas, Ben D. H. (2000) “A beautiful and rare invention”: Gian Girolamo Savoldo’s so-called portrait of Gaston de Foix. In: University of Oxford, Oxford Brookes University and Ashmolean Museum Art History Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3081)

Varakis-Martin, Angeliki (2014) ‘Aristophanic Performance as an all-inclusive event: audience participation and celebration in the modern staging of Aristophanic comedy'. In: Classics in the Modern World - a Democratic Turn?, July 2010, Open University.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45079)

Varakis-Martin, Angeliki (2014) Laughter and distributed attention in the spectating of Aristophanic comedy. In: Cognitive Futures in the Humanities conference, 24-26 April 2014, Durham University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45049)

Varakis-Martin, Angeliki (2010) ‘Performing' celebration and ‘celebrating’ performance in modern Aristophanic productions'. In: 10th Annual APGRD PG Symposium. ‘Revelry, Rhythm and Blues’ in the reception of Greek and Roman drama from antiquity to the present day’, 21 July 2010, Royal Holloway. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45084)

Varakis-Martin, Angeliki (2004) ‘The Staging of Aristophanes in Modern Times’. In: Studying the Ancient Greek Theatre, 11-12 March 2004, Colloquium organised by the ICS (Institute of Classical Studies) , London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45103)

Varakis-Martin, Angeliki (2010) ‘The aesthetics of the mask in Karolos Koun’s ancient Greek Productions.’ (in Greek). In: The mask in ancient Greek drama, 14-15 September 2010, Centre for Ancient Greek drama 'Desmoi', Eleusina. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45089)

Varakis-Martin, Angeliki (2002) The masks of Dionysis Fotopoulos in modern productions of Ancient Greek Drama. In: The Greek Theatre Mask in Ancient and Modern Performance, 20-21 April 2002, Royal Holloway, Egham. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45098)

Vass-Rhee, Freya (2014) Fielding Dramaturgy. In: Forsythe Lectures series, deSingel Internationale Kunstcampus, April 2014, Antwerp, Belgium. (KAR id:66120)
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Vass-Rhee, Freya (2006) Integrating Dance and Cognitive Science: Toward Emancipatory Research. In: Continuing Dance Culture Dialogues, 38th Annual Conference of the Congress on Research in Dance. (KAR id:60514)
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Vass-Rhee, Freya (2016) Melding an Ensemble at Memory’s Limits: William Forsythe’s Whole in the Head. In: Congress on Research in Dance/Society of Dance History Scholars Joint Conference "Authenticity and Appropriation", 3-6 Nov 2016, Pomona College, Claremont, California. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:65700)
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Vass-Rhee, Freya (2007) Motion/Perception: William Forsythe's Spectatorial Shifts. In: Congress on Research in Dance Conference Proceedings. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60512)

Wollen, Will (2016) Action and the Mask: Mr S and the paper bag. In: The S Word, 18-20 Mar 2016, Sidcup, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57032)

Wollen, Will (2016) Hard rigour, soft assessment, putting the student first: What can Universities learn from Conservatoires? In: Labanarium, 6 Jan 2017, Guildford, Surrey, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59805)

Wollen, Will (2017) Planes and Quests. In: Thinking Movement, Moving Thought, Guildford, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64068)

Wood, Aylish (2007) Digital Intermediates and Digital Expressive Practice. In: Society for Cinema and Media Studies Conference 2007, 8th March - 11th March 2007, Chicago, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12964)

Wood, Aylish (2010) Making the Dark Knight. In: MeCCSa Conference 2010, 6th-8th January 2010, London School of Economics. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25497)

Wood, Aylish (2010) Resolving the Posthuman. In: The Posthuman Subject, 2nd-3rd July 2010, University of Surrey. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25498)

Book

Adler, Gerald (2012) Twentieth Century Architects: Robert Maguire & Keith Murray. RIBA Publishing (20th Century Architects Series), 212 pp. ISBN 978-1-85946-165-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40202)

Allain, Paul (2000) The Cambridge Companion To Chekhov. Cambridge University Press ISBN 0-521-58917-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2361)

Allain, Paul (1998) Gardzienice Polish Theatre in Transition. Harwood Academic Press ISBN 90-5702-105-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2360)

Allain, Paul (2006) Routledge companion to Theatre and Performance. Routledge, 244 pp. ISBN 0-415-25721-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1134)

Allain, Paul (2009) The Theatre Practice of Tadashi Suzuki A CRITICAL STUDY WITH DVD EXAMPLES. A&C Black Publishers Ltd, 224 pp. ISBN 978-1-4081-1643-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20888)

Allain, Paul (2002) The art of stillness - The theatre practice of Tadashi Suzuki. Palgrave, 214 pp. ISBN 0-413-76960-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1131)

Baugh, Christopher (2005) Theatre, Performance and Technology: the Development of Scenography in the Twentieth Century. Palgrave Macmillan, 272 pp. ISBN 1 4039 1696. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1114)

Boenisch, Peter M (2002) körPERformance 1.0. Theorie und analyse von Körper- und Bewegungsdarstellungen im zeitgenössischen theater. München: ePodium ISBN 3-9807394-6-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1163)

Branca, Bernardino (2019) Edgar Wind Filosofo delle Immagini:La Biografia Intellettuale di un Discepolo di Aby Warburg. Filosofie . Mimesis Edizioni, Milano, Italy, 374 pp. ISBN 978-88-575-5634-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74385)

Camilleri, Frank (2006) Dramaturgy of a Performance Process. Icarus Performance Project, Malta, 72 pp. ISBN 99932-0-418-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20302)

Camilleri, Frank, Schranz, John J (1996) Id-Descartes: Identity of a Dramaturgy. GHE, Malta (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20305)

Cardwell, Sarah E. (2002) Adaptation revisited: television and the classic novel. Manchester University Press, 232 pp. ISBN 0-7190-6045-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1167)

Cardwell, Sarah E. (2005) Andrew Davies. Manchester University Press, 227 pp. ISBN 0-7190-6491-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1168)

Carver, Gavin P. (2001) Computer visualisation for the theatre. Focal Press ISBN 0-240-51617-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1171)

Choi, Jinhee (2010) The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs. Wesleyan University Press, 260 pp. ISBN 978-0-8195-6939-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23602)

Cinquegrani, Maurizio (2014) Of Empire and the City: Remapping Early British Cinema. New Studies in European Cinema . Peter Lang, Bern, Switzerland, 319 pp. ISBN 978-3-0343-0823-6. E-ISBN 978-3-0353-9946-2. (doi:10.3726/978-3-0353-0585-2) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50335)

Clayton, Alex (2007) The Body In Hollywood Slapstick. McFarland and Co, Inc, 237 pp. ISBN 978-0-7864-3063-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2226)

Cowie, Elizabeth (1997) Representing the Woman: Psychoanalysis and Cinema. University of Minnesota Press, 397 pp. ISBN 033330576. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2987)

Double, Oliver (2012) Britain Had Talent: A History of Variety Theatre. Palgrave Macmillan, Houndsmills, basingstoke, Hampshire, 288 pp. ISBN 9780230284593 (hbk) 9780230284609 (pbk). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31710)

Double, Oliver (2014) Getting the Joke (2nd edition)The Inner Workings of Stand-Up Comedy. Bloomsbury, London and New York, 518 pp. ISBN 978-1-4081-7460-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43042)

Double, Oliver (2005) Getting the joke: The inner workings of stand-up comedy. London: Methuen, 320 pp. ISBN 0-413-77476-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1178)

Double, Oliver (1997) Stand-Up! On Being a Comedian. Methuen Drama, London, 262 pp. ISBN 0-413-70320-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44579)

Friday, Jonathan (2002) Aesthetics and photography. Aldershot: Ashgate Press, 175 pp. ISBN 0-7546-0428-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1185)

Friday, Jonathan (2004) Art and Enlightenment: Aesthetics in the 18th Century. Imprint Academic, 212 pp. ISBN 0-907845-76-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6564)

Grantley, Darryll (2004) English dramatic interludes 1300-1580: a reference guide. Cambridge University Press, 427 pp. ISBN 0-521-03591-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1201)

Grantley, Darryll (2008) London in Early Modern English Drama: Representing the Built Environment. Palgrave Macmillan ISBN 0-230-55429-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7645)

Grantley, Darryll (2008) London in English Drama 1500-1700. Cambridge University Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1206)

Grantley, Darryll (2000) Wit’s Pilgrimage: Drama and the Social Impact of Education in Early Modern England. Ashgate, 270 pp. ISBN 0-7546-0167-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2641)

Guerin, Frances (2020) Cinematic Portrait Painting: (Not) About Gerhard Richter. Under Review (Submitted) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:73495)
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Guerin, Frances (2005) A Culture of light: cinema and technology in 1920s Germany. University of Minnesota Press, Minneapolis, 314 pp. ISBN 978-1-4529-0671-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1207)

Hammer, Martin (2005) Bacon and Sutherland : Patterns of Affinity in British Culture of the 1940s. The Paul Mellon Centre for Studies in British Art . Yale University Press, 296 pp. ISBN 978-0-300-10796-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55903)

Hammer, Martin (2005) Graham Sutherland: Landscapes, War Scenes, Portraits 1924-1950. Scala, 192 pp. ISBN 978-1-85759-404-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55907)

Hammer, Martin (2007) The Naked Portrait 1900 to 2007. National Galleries of Scotland, Edinburgh, UK, 176 pp. ISBN 978-1-903278-95-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55908)

Hammer, Martin, Lodder, Christina (2000) Constructing Modernity: the Art and Career of Naum Gabo. Yale University Press, 528 pp. ISBN 978-0-300-07688-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55904)

Hammer, Martin, Lodder, Christina (2000) Gabo on Gabo: Texts and Interviews. Artists Bookworks, Forest Row, 295 pp. ISBN 978-0-946311-11-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55906)

Holmes, Su (2005) British television and film culture in the 1950s: coming to a TV near you! Intellect Books ISBN 1-84150-121-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1213)

Jeffers McDonald, Tamar E. L. (2007) Romantic Comedy: Boy Meets Girl Meets Genre. Columbia University Press, 144 pp. ISBN 1905671023. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2234)

Kear, Jon (2007) Spectres of Painting. University of Kent Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4663)

Kear, Jon (1998) Sunless (Chris Marker). Flicks Books (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4662)

Kear, Jon (2008) The Treasures of the Impressionists. Andre Deutsch, 88 pp. ISBN 978-0-233-00234-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4665)

Kear, Jon, Thomas, Ben D. H. (2010) In Elysium: Prints by James Barry. Studio 3 Gallery, University of Kent, Canterbury, UK, 63 pp. ISBN 978-1-902671-69-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64918)

Klevan, Andrew (2000) Disclosure of the Everyday: Undramatic Achievement in Narrative Film. Trowbridge (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9163)

Klevan, Andrew (2005) Film Performance – From Achievement to Appreciation. Wallflower Press, 144 pp. ISBN 1-904764-24-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1088)

Klich, Rosemary E., Scheer, Edward (2011) Multimedia Performance. Basingstoke: Palgrave Macmillan, 240 pp. ISBN ISBN-10: 023057467X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7787)

Krutikov, Georgii (2015) The Flying City and Beyond. University of Chicago Press ISBN 978-84-939231-8-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75178)

Maes, Hans R.V. (2005) Bescheidenheid, trots en ijdelheid. Budel, Damon (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9524)

Maes, Hans R.V. (2006) Grapje! Filosofische gedachten over grappen. Budel, Damon (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9526)

Mikuriya, Theresa, Lai, Linda (2004) Cryptoglyph: dialogues in many tongues in the hidden crevices of an open city. Philippe Charriol Foundation, 284 pp. ISBN 988-97391-1-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1222)

Newall, Michael (2018) A Philosophy of the Art School. Routledge Research in Aesthetics . Routledge, New York and London, 192 pp. ISBN 978-1-138-61598-4. E-ISBN 978-0-429-46255-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70012)

Pauleit, Winfried, Greiner, Rasmus, Frey, Mattias (2018) Audio History des Films: Sonic Icons – Auditive Histosphäre – Authentizitätsgefühl. Bertz + Fischer, Berlin, 188 pp. ISBN 978-3-86505-254-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64744)

Pavis, Patrice (2003) Analyzing Performance: Theater, Dance and Film. University of Michigan Press, 362 pp. ISBN 978-0-472-09689-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2242)

Pavis, Patrice (2007) Das zeitgenössische französische Theater. E Podium Verlag, München, 250 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11892)

Pavis, Patrice (2007) La Mise en Scène Contemporaine. Armand Colin, 332 pp. ISBN 978-2-200-34043-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2245)

Pavis, Patrice (2002) Le Théâtre contemporain. Analyses des textes de Sarraute à Vinaver. Armand Colin, Paris, 232 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11939)

Pavis, Patrice (2007) Mes Trois Sœurs, Mis tres Hermanas, My three Sisters. Ateneo de Madrid, 267 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11889)

Pavis, Patrice (2007) Traduction (avec Philippe Ivernel) et édition de Woyzeck de Georg Büchner. Classiques Larousse (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11888)

Pavis, Patrice (2007) Verse une Théorie de la Pratique Théâtrale : Voix et Images de la Scene. Septentrion Presses Universitaires, 485 pp. ISBN 978-2-7574-0009-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2244)

Pearlman, A. (2007) Ernst Toller plays two. London: Oberon Books ISBN 978-1-78319-126-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1098)

Pooke, Grant F. (2008) Art History: The Basics. Routledge ISBN 978-0-415-37308-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5867)

Pooke, Grant F. (2003) Teach Yourself Art History. Hodder & Stoughton ISBN 0-340-86921-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5866)

Pooke, Grant F., Whitham, Graham (2010) Understand Contemporary Art: Teach Yourself. Hodder & Stoughton, 224 pp. ISBN 978-1-4441-1125-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6812)

Quirk, Sophie (2018) The Politics of British Stand-up Comedy: The New Altenative. Palgrave Macmillan, 131 pp. ISBN 978-3-030-01104-8. (doi:10.1007/978-3-030-01105-5) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:69995)

Radosavljevic, Duška (2001) Beginner’s Serbo-Croatian. Hippocrene Books, 257 pp. ISBN 978-0-7818-0845-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13443)

Radosavljevic, Duška, Awde, Nick (2004) Serbian Dictionary and Phrasebook. Hippocrene Books, 239 pp. ISBN 978-0-7818-1049-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13444)

Regehr, Kaitlyn, Matilda, Temperley (2017) The League of Exotic Dancers: Legends from American Burlesque. Legends from American Burlesque . Oxford University Press, Oxford, 328 pp. ISBN 978-0-19-045756-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76241)

Roesner, David P. (2003) Theater als Musik. Verfahren der Musikalisierung in chorischen Theaterformen bei Christoph Marthaler, Einar Schleef und Robert Wilson. Gunter Narr, Tübingen ISBN 3-8233-6020-5. (KAR id:30268)
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Sayad, Cecilia (2018) The Ghost in the Image: Technology and Reality in the Horror Genre. Oxford University Press, New York, United States (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78306)

Sayad, Cecilia (2008) O jogo da reinvenção: Charlie Kaufman e o lugar do autor no cinema. Alameda, Sao Paulo, 64 pp. ISBN 978-85-98325-72-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13094)

Shaughnessy, Nicola (2007) Gertrude Stein. Writers and their work. Plymouth: Northcote House ISBN 0-7463-0906-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1246)

Shaughnessy, Nicola, Shaughnessy, Robert, Caines, Michael, Goring, Paul (2008) Margaret Woffington: lives of shakespearian actors part 1. Pickering & Chatto (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1249)

Shaughnessy, Robert (2007) The Cambridge Companion to Shakespeare and Popular Culture. Cambridge Companions to Literature . Cambridge University Press, Cambridge, 304 pp. ISBN 978-0-521-84429-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6384)

Shaughnessy, Robert (1994) Representing Shakespeare: England, History and the RSC. Hemel Hempstead: Harvester Wheatsheaf (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6380)

Shaughnessy, Robert (2002) The Shakespeare effect: A history of Twentieth-Century performance. Palgrave, 221 pp. ISBN 0-333-77937-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1242)

Shaughnessy, Robert (1992) Three Socialist Plays: Lear, Roots, Serjeant Musgrave’s Dance. Buckingham and Philadelphia: Open University Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6383)

Smith, Murray (1995) Engaging Characters: Fiction, Emotion, and the Cinema. Oxford: Clarendon Press, 265 pp. ISBN 978-0-19-818347-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3096)

Smith, Murray (2002) Trainspotting. BFI Modern Classics, 95 pp. ISBN 0-85170-870-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1255)

Stanfield, Peter (2005) Body & soul: jazz and blues in American film, 1927-63. Urbana: University of Illinois Press, 213 pp. ISBN 0-252-02994-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1256)

Stanfield, Peter (2001) Hollywood, westerns and the 1930s: the lost trail. University of Exeter Press, 258 pp. ISBN 0-85989-694-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1258)

Stanfield, Peter (2018) Hoodlum Movies: Seriality and the Outlaw Biker Film Cycle, 1966-1972. Rutgers University Press, New Jersey, USA, 214 pp. ISBN 978-0-8135-9901-4. E-ISBN 978-0-8135-9903-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:67179)

Stanfield, Peter (2002) Horse opera: the strange history of the singing cowboy. Urbana: University of Illinois Press, 177 pp. ISBN 0-252-02733-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1257)

Stanfield, Peter (2011) Maximum Movies -- Pulp Fictions: Film Culture and the Worlds of Samuel Fuller, Mickey Spillane and Jim Thompson. Rutgers University Press, New Jersey, 256 pp. ISBN 978-0-8135-5062-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:28203)

Tavassoli Zea, Zahra (2020) Balzac Reframed: The Classical and Modern Faces of Éric Rohmer and Jacques Rivette. Palgrave Studies in Adaptation and Visual Culture . Palgrave Macmillan, 244 pp. ISBN 978-3-030-30614-4. E-ISBN 978-3-030-30615-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:79026)

Thomas, Ben D. H. (2017) Drawing Together. Paul Holberton Publishing, 48 pp. ISBN 978-1-911300-33-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64079)

Thomas, Ben D. H. (2008) The Paradox of Mezzotint, exhibition catalogue. Canterbury ISBN 978-1-902671-55-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3058)

Trimingham, Melissa (2011) The Theatre of the Bauhaus: the Modern and Postmodern Stage of Oskar Schlemmer. Routledge Advances in Theatre and Performance Studies . Routledge, New York and London, 214 pp. ISBN 978-0-415-40398-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26299)

Vaage, Margrethe Bruun (2015) The Antihero in American Television. Routledge Advances in Television Studies . Routledge ISBN 978-1-138-88597-4. E-ISBN 978-1-315-71516-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53110)

Whistler, Catherine, Thomas, Ben D. H. (2017) Raphael: The Drawings. Ashmolean, 256 pp. ISBN 978-1-910807-15-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61914)

Wood, Aylish (2007) Digital Encounters. Routledge, Taylor and Francis Group, 200 pp. ISBN 978-0-415-41066-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2252)

Wood, Aylish (2015) Software, Animation, and the Moving Image: What's in the Box? Pivot . Palgrave MacMillan, Basingstoke, 120 pp. ISBN 978-1-137-44884-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53116)

Wood, Aylish (2002) Technoscience in contemporary American films: beyond science fiction. Manchester University Press, 240 pp. ISBN 0-7190-5773-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1099)

Thesis

Al-Tawil, Muhannad (2017) The Importance of Sufi Traditions to Jerzy Grotowski's Practice. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:67459)
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Ang, Gey Pin (2017) Sourcing Within: A Reflexive Investigation of a Creative Path. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:61616)