Items where division is "Faculties > Humanities > School of Arts"
Number of items at this level: 1044. A
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Adler, Gerald
(2013)
Energising the Building Edge: Siegfried Ebeling, Bauhaus Bioconstructivist.
In: Morrow, Ruth and Abdelmonem, Mohamed Gamal, eds.
Peripheries: Edge Conditions in Architecture.
Critiques: Critical Studies in Architectural Humanities, 8
.
Routledge, Abingdon.
ISBN 9780415640299.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Adler, Gerald
(2012)
Little Boxes.
In: Adler, Gerald and Brittain-Catlin, Timothy and Fontana-Giusti, Gordana, eds.
Scale : Imagination, Perception and Practice in Architecture.
Critiques: Critical Studies in Architectural Humanities
.
Routledge, Abingdon, pp. 182-193.
ISBN 9780415687119.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Agbaje, Bola
(2009)
Troppo Lontano!
Performance type: Live play
Tramedautore Festival, September 2009, Piccolo Teatro, Teatro d'Europa, Milano.
Performance .
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1992)
'Polishing up on the Classics'.
The Stage
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1991)
A Love Letter from Britain.
Teatr
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2002)
After Grotowski.
Total Theatre, 14
(1).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2002)
After Grotowski - the next Generation.
New Theatre Quarterly, 28
(1).
pp. 59-66.
ISSN 0-521-01314-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2007)
Destarsi Con One Breath Left.
In:
The Workcenter of Jerzy Grotowski and Thomas Richards Visioni.
Bulzoni.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2008)
Destarsi con One breath left.
In:
Opere e sentieri. Vol. 3: Testimonianze e riflessioni sull'arte come veicolo.
Bulzoni, pp. 129-140.
ISBN 9788878702967.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1998)
Gardzienice Polish Theatre in Transition.
Harwood Academic Press
ISBN 90-5702-105-6 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1993)
Gardzienice in the Suzuki Empire.
Polityka
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2002)
Gardzienice's Performance of Otherness.
In:
Studies in Language, Literature and Cultural Mythology in Poland: Investigating The Other.
Edwin Mellen Press, pp. 99-114.
ISBN ISBN 0-7734-7054-9 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1992)
Gardzienice: At the Cultural Crossroads.
New Theatre Quarterly
.
ISSN 0-521-60328-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1989)
Gardzienice: a Practical Account.
Music Theatre Dance Journal
(1).
pp. 29-33.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2007)
Goat Theatre Macbeth.
Contemporary Theatre Review, 17
(2).
pp. 255-258.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2005)
Grotowski’s ghosts.
Contemporary Theatre Review
.
pp. 46-59.
ISSN 1048 6801.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2002)
Japanese theatre and the international stage.
Review of: Japanese theatre and the international stage
by UNSPECIFIED.
New Theatre Quarterly, 18
(70).
p. 197.
ISSN 0266-464X .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2007)
Macbeth.
Review of: Macbeth
by Kozla, P. and Wielga, K..
Didaskalia, 7
.
p. 89.
ISSN 1233-0477.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1991)
Modesty and Vigour.
Plays and Players
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1994)
Movement Directing.
Total Theatre, 6
(4).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2000)
New sites for Shakespeare: Theatre, the audience, and Asia.
Review of: New sites for Shakespeare: Theatre, the audience, and Asia
by UNSPECIFIED.
New Theatre Quarterly, 16
(64).
391-392 .
ISSN 0266-464X .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1999)
Obituary of Jerzy Grotowski.
The Independent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2010)
On Ensembles.
In: Ensemble Theatre, 16th September 2010, University of Huddersfield.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1990)
On the Border of Europe and Asia.
Zycie Warszawa
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1991)
Rep Paralysed by Spending Cuts.
The Stage
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2010)
Review about Tadeusz Kantor.
Review of: Review about Tadeusz Kantor
by UNSPECIFIED.
New Theatre Quarterly, 26
(103).
p. 301.
ISSN 0266-464x.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2004)
Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present.
Review of: Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present
by Meyer-Dinkgrafe, Daniel.
New Theatre Quarterly, 20
(1).
p. 95.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2002)
Review of Dymphna's Callery's Through the Body.
Review of: Review of Dymphna's Callery's Through the Body
by Callery, Dymphna.
New Theatre Quarterly, 18
(4).
0-0.
ISSN 0 521-52405-9 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1989)
Review of Gardzienice's Avvakum.
Review of: Gardzienice's Avvakum
by UNSPECIFIED.
Event South West Magazine
.
0-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1997)
Review of Harold B. Segel "Pinocchio's progeny".
Review of: Harold B. Segel "Pinocchio's progeny"
by UNSPECIFIED.
New Theatre Quarterly, 13
(49).
pp. 95-96.
ISSN 0266-464X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1998)
Review of Kathleen M. Cioffi "Alternative theatre in Poland 1954-1989".
Review of: Kathleen M. Cioffi "Alternative theatre in Poland 1954-1989"
by UNSPECIFIED.
New Theatre Quarterly, 8
(55).
pp. 292-293.
ISSN 0266-464X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2007)
Review of Krzysztof Miklaszewski, Encounters with Kantor.
Review of: Review of Krzysztof Miklaszewski, Encounters with Kantor
by Miklaszewski, Krzysztof.
Contemporary Theatre Review, 17
(1).
pp. 115-116.
ISSN 1048 6801.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2001)
Review of Modern Czech Theatre.
Review of: Review of Modern Czech Theatre
by UNSPECIFIED.
New Theatre Quarterly, 17
(3).
0-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1990)
Review of two performances by Scena Plastyczna of Lublin.
Review of: Review of two performances by Scena Plastyczna of Lublin
by UNSPECIFIED.
Performance Research
.
0-0.
ISSN 1352-8165.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2006)
Routledge companion to Theatre and Performance.
Routledge, 244 pp.
ISBN 0415 25721 2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2000)
Suzuki Training- an introductory file.
Arts Archives, The Fifth Series, Exeter
CD-ROM and Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1998)
Suzuki Training: An Update.
Drama Review, 42
(1).
pp. 66-89.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2000)
The Cambridge Companion To Chekhov.
Cambridge University Press
ISBN 0-521-58917-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2002)
The Gardzienice Theatre Association.
In:
Acting (Re)Considered (2nd ed.).
Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1999)
The Grammar Of The Feet.
Total Theatre
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2004)
The Intercultural Training of Tadashi Suzuki.
Rome, Training/Dino Audino Editore pp 138-143.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2006)
The Nature And Culture Of Performance.
In:
A Performance Cosmology: testimony from the Future, Evidence of.
Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1990)
Theatre in Poland.
Performance Magazine
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(1990)
Two articles on contemporary Polish theatre.
Plays International
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2006)
Waking with one breath left.
In: Attisani, Antonio, ed.
Tracing Roads Across.
EU funded.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul and Ziolkowski, Grzegorz
(2005)
Polish Theatre After 1989: Beyond Borders.
Contemporary Theatre Review
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2012)
Andrei Droznin's Physical Actor Training.
Routledge Tay;or and Francis
DVD and Booklet.
0415682975 (ISBN).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2013)
Ways of Hearing.
In: Wisniewski, Tomasz, ed.
A Between Almanach for the Year 2013.
Maski Press, Gdansk/Sopot, 2013.
ISBN 9788364088131.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Anderson, Graham
(1999)
Symmachus, 'Lettres', vol III, Books-VI-VIII.
Classical Review, 49
(2).
p. 578.
ISSN 0009-840X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Anderson, Michael
(1999)
Classical Greek theatre: New views of an old subject.
Review of: Classical Greek Theatre: New Views Of an Old Subject. By Clifford Ashby. Iowa City: University of Iowa Press, 1999. Pp. xix + 191 + illus.
by Ashby, Clifford.
Theatre Research International, 24
(3).
p. 293.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Anderson, Michael
(1995)
Dying Acts -Death in Ancient Greek and Modern Irish Tragic Drama - Macintosh,F.
Review of: Dying Acts: Death in Ancient Greek and Modern Irish Tragic Drama. By Fiona Macintosh. Cork: Cork University Press, 1994. Pp. xx + 212.
by Macintosh, Fiona.
Theatre Research International, 20
(3).
p. 282.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Anderson, Michael
(1996)
Greek tragic theatre- Rehm,R.
Review of: Greek tragic theatre
by Rehm, Rush.
Theatre Research International, 21
(1).
p. 79.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Anderson, Michael
(1999)
The Cambridge companion to Greek tragedy.
Review of: Reviews The Cambridge Companion to Greek Tragedy. Edited by P. E. Easterling. Cambridge: Cambridge University Press, 1997. Pp. xvii + 392 + illus.
by Easterling, P.E..
Theatre Research International, 24
(1).
pp. 109-110.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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B
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Bann, Stephen
(1995)
The Landscape Approach of Lassus,Bernard .2.
Journal of Garden History, 15
(2).
pp. 67-106.
ISSN 0144-5170.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barbe, F.A.
(2006)
Chimaera.
Chimaera, 2006-2006, UK Tour.
Live Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barbe, F.A.
(2010)
Deep Training and the Portfolio Approach.
In: TaPRA, 9th-11th September 2010, University of Glamorgan.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barbe, F.A.
(2003)
Fine bone china.
Fine Bone China, March 2003-September 2003, UK Tour.
Live performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barbe, F.A.
(2009)
From Studio To Stage.
DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barbe, F.A.
(2003)
Palpitation.
Performance type: Other
Palpitation, September 2003-September 2003, London/University of Kent, Canterbury.
Live performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barbe, F.A.
(2008)
Swampsong.
Performance type: Other
.
Solo dance work.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barbe, F.A.
(2007)
The Sensation of Butoh and Suzuki.
In: SUNY, May 2007, Brockport, USA.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barbe, F.A.
(2006)
The way of Butoh and contemporary choreography.
University of Kent
DVD, text.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2010)
The Arbor.
Artangel Media
Feature film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2006)
Dark Glass.
Mobile Phone Film - 8 minutes.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2006)
Dark Glass.
Dark Glass, November 2006, Tate Modern.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone. .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2006)
Dark Glass.
Dark Glass, November 2006, Curzon Cinema Soho.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone. .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2008)
Dark Glass.
Dark Glass, February 2008, Museum of Modern Art, New York.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, May 2007, Site Gallery Sheffield.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, November 2007, Museo Reina Sofia, Madrid.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, October 2007, Cinema Lux, Normandy, France.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, July 2007, Galway Arts Festival.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone..
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2006)
Dark Glass.
Dark Glass, November 2006, Bristol Encounters Film Festival.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, September 2007, Media Art Friesland Netherlands.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, February 2007, Ikon Gallery Birmingham.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2006)
Dartford Crossing.
Film.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2006)
Erith.
DVD.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2007)
Exchange.
Arts Council /Film Council Moving Image Initiative.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2002)
Flood.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2001)
Lambeth Marsh.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2008)
Random Acts of Intimacy.
Random Acts of Intimacy, January 2008, ICA Short Film Festival, Institute of Contemporary Arts.
Number of pieces: 1.
16mm.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2008)
Random Acts of Intimacy.
Random Acts of Intimacy, April 2008, Britspotting, British Irish Film Festival, Berlin.
Number of pieces: 1.
16mm.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2004)
Road race.
Hopscotch Films
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2006)
Solo Show - Exhibition of Road Race and Dark Glass.
Solo Exhibition - Road Race and Dark Glass, October-November 2006, Herbert Read Gallery, Canterbury.
Number of pieces: 2.
screen film/video installation Super 16mm and DV, Single screen multiplatform /download/ video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Baugh, Christopher
(2000)
English court theatre 1558-1642.
Theatre Research International, 25
(1).
pp. 87-88.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Baugh, Christopher
(2006)
Scenography and technology, 1737-1843.
In: Moody, Jane and O'Quinn, Daniel, eds.
The Cambridge Companion to British Theatre 1737-1843.
Cambridge University Press.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Baugh, Christopher
(2004)
Stage Design from Loutherbourg to Poel.
In: Donohue, Joseph, ed.
The Cambridge History of British Theatre, vol. II.
Cambridge University Press, pp. 309-330.
ISBN 0 521 65068 2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Baugh, Christopher
(1996)
The stage designs of Inigo Jones: The European context - Peacock,J.
Review of: The stage designs of Inigo Jones: The European context
by Peacock, John.
Theatre Research International, 21
(2).
pp. 175-176.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Blackburn, John and Thomas, Ben D. H. and Hopkinson, Martin
(2012)
John Blackburn: And God Cryed, Studio 3 Gallery, 24 September - 14 December 2012.
John Blackburn: And God Cryed, 24 September - 14 December 2012, Studio 3 Gallery, Jarman Building, School of Arts, Canterbury..
Exhibition with exhibition catalogue.
ISBN 978-1-902671-79-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2001)
"Alienation" and "Theater als Medium der Moderne? ".
In: "Theater als Paradigma der Moderne", 14-16th June 2001, Mainz.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2008)
'How to do things with Text: Text-Regie als Mise-en-Sens'.
In: Conference 'Orbis Pictus - Theatrum Mundi', 25th October 2008, University of Amsterdam.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2006)
Aesthetic art to aisthetic act. Theatre, media, intermedial performance.
In: Kattenbelt, Chiel and Chapple, Freda, eds.
Intermediality in Theatre and Performance.
Amsterdam: Rodopi, pp. 103-116.
ISBN 90-420-1629-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2002)
Archaeology/Alienation in Contemporary Performance.
In: Fédération Internationale du Recherche Théâtrale, 3rd July 2002, Amsterdam.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2007)
Book Review: Mary Luckhurst, Dramaturgy: A Revolution in Theatre.
Review of: Dramaturgy: A Revolution in Theatre
by Luckhurst, Mary.
Theatre Research International, 32
(2).
p. 207.
ISSN 0307-8833 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2005)
Book Review: Simon Shepherd and Mick Wallis, “Drama/ Theatre/ Performance”,.
Review of: “Drama/ Theatre/ Performance”
by Shepherd, Simon and Wallis , Mick.
Theatre Research International, 30
(3).
pp. 306-307.
ISSN 0307-8833 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(1999)
Contributions to Dictionnaire de la Danse.
In: Le Moal, Philippe, ed.
Dictionnaire de la Danse.
Larousse.
ISBN ISBN 2-03-511318-0 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2000)
Contributions to Lexikon der Kultur der Gegenwart,.
In: Schnell, Ralf, ed.
Lexikon der Kultur der Gegenwart.
Stuttgart: Metzler .
ISBN 3-476-01622-6 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2002)
Der Körper als Zeichen!?
In: Klein, Gabriele and Zipprich, Christa, eds.
Tanz.Theorie.Text. Jahrbuch Tanzforschung 12.
Münster u.a.: Lit , pp. 383-395.
ISBN 3825859010.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2000)
Die Entdeckung der Korporealität (nicht nur) im Musiktheater.
In: 5. Kongress der Gesellschaft für Theaterwissenschaft, 30th October 2000, Munich.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2010)
Dramaturgy as Relational Process: On the Act of Spectating.
In: 10. Kongress der Gesellschaft für Theaterwissenschaft “Theater & Subjektkonstitution”, 28th-31st October 2010, University of Mainz.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2010)
Frank Castorf and the Berlin Volksbühne: The Humiliated and Insulted (2001).
In: Bay--Cheng, Sarah and Kattenbelt, Chiel and Lavender, Andy and Nelson, Robin, eds.
Mapping Intermediality in Performance.
Amsterdam University Press, Amsterdam, 187,196-202.
ISBN 978 90 8964 255 4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2003)
In\Between.Realities.
In: Working Group Meeting "Theatre and Intermediality", 3rd April 2003, CSSD London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2009)
Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf.
In: Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf, 5th October 2009, Institut Schauspiel, Universität für Musik und darstellende Kunst, Graz/Austria.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2000)
Intermediality in Contemporary Theatre.
In: Fédération Internationale du Recherche Théâtrale, 19th September 2000, Lyon.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2007)
Multisensuality and Postdramatic Mise-en-Scène: The ro:theater's Proust-Project.
In: Suguiera, Malgorzata and Borowski, Matuesz, eds.
Fictional Realities/Real Fictions: Contemporary Theatre in Search of a New Mimetic Paradigm.
Cambridge Scholars Publishing, pp. 121-134.
ISBN 9781847181381.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2009)
Panelist, Plenary Discussion ‚Jacques Rancière Study Day.
In: Royal Holloway/TAPRA Working Group ‘Performance, Identity, Community’, 28th February 2009, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2005)
Postdramatic Mise-en-scène: The ro:theater’s Proust-Project.
In: IFTR-Conference “Fictional/Real in Contemporary Theatre”, 18th November 2007, Jagiellonian University, Krakow, Poland.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2009)
Research Seminar, Forschungsprojekt SaM Sound and Movement.
In: Forschungsprojekt SaM Sound and Movement, 16th March 2009, Institut für Theaterwissenschaft, LMU München.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2013)
Spectres of Subjectivity: On the Fetish of Identity in (Post-) Postdramatic Choreography.
In: Jurs-Munby, Karen and Carroll, Jerome and Giles, Steve, eds.
Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance.
Bloomsbury Methuen Drama, London / New Delhi / New York / Sydney.
ISBN 9781408184868.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2007)
Tanz als Körper-Zeichen: Zur Methodik der Theater-Tanz-Semiotik.
In: Klein, Gabriele and Brandstetter, Gabriele, eds.
Bewegung in Übertragung, Bielefeld.
Transcript, pp. 29-45.
ISBN 3-89942-558-8 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2003)
Theater als Medium der Moderne? Zum Verhältnis von Medientechnologien und Bühne im 20. Jahrhundert.
In: Balme, Christopher and Fischer-Lichte, Erika and Gratzel, Stephan, eds.
Theater als Paradigma der Moderne? Positionen zwischen historischer Avantgarde und Medienzeitalter.
Mainzer Forschungen zu Drama und Theater 28. Tübingen: Francke 2003, pp. 447-456.
ISBN 3-7720-2796-2 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2002)
Theater der Sensationen.
In: 6. Kongress der Gesellschaft für Theaterwissenschaft, 2nd November 2002, Hildesheim.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2004)
Theater der Sensationen. Performance als Wahrnehmungs-Labor.
In: Matzke, Annemarie and Kurzenberger, Hajo, eds.
TheorieTheaterPraxis.
Berlin: Theater der Zeit, pp. 261-268.
ISBN 3934344291.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2001)
Theatre and Media Studies: Bridging the Gap.
In: Working Group Session "Theatre and Intermediality", 31st August 2001, Utrecht.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2001)
Training Intelligence: Give Us Dance Academies!
Ballett International - Tanz Aktuell
(8-9).
pp. 52-53.
ISSN 0947-0484 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2001)
Transforming Performance in the Internet Culture.
In: Fédération Internationale du Recherche Théâtrale, 9th July 2001, Sydney.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M and Orozco, Lourdes
(2010)
Editorial: Border Collisions - Contemporary Flemish Theatre.
Contemporary Theatre Review, 20
(4).
pp. 397-404.
ISSN 1048-6801 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M and Orozco, Lourdes
(2010)
Working Group “Directing & Dramaturgy”.
In: TapRA 2010 Conference, 9th-11th September 2010, University of Glamorgan.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Briggs, Joe Bob and Hoberman, J. and Love, D. and Lucas, T. and Sconce, J. and Stanfield, Peter
(2008)
Cult Film: A Critical Symposium.
Cineaste, 34
(1).
pp. 43-50.
ISSN 0009-7004.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Brooks, Helen E.M.
(2014)
Theorizing the Woman Performer.
In: Swindells, Julia and Taylor, David Francis, eds.
The Oxford Handbook of the Georgian Theatre 1737-1832.
Oxford University Press.
ISBN 9780199600304.
(In press)
(Full text available)
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![[img]](/31606/2.hassmallThumbnailVersion/992%20Brooks%20OUP%20Final%20Version%2025-6-12%20%281%29.pdf)  Preview |
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Brooks, Helen E.M.
(2009)
Women and Theatre Management in the Eighteenth Century.
In: Engel, L., ed.
The Public's Open to Us All: Essays on Women and Performance in Eighteenth-Century England.
Cambridge Scholars Publishing, pp. 73-97.
ISBN 9781443801737.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Camilleri, Frank
(2006)
Dramaturgy of a Performance Process.
Icarus Performance Project, Malta, 72 pp.
ISBN 99932-0-418-8 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Camilleri, Frank and Schranz, John J
(1996)
Id-Descartes: Identity of a Dramaturgy.
GHE, Malta
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cardinal, Roger
(1992)
DALI - A BIOGRAPHY - ETHERINGTONSMITH,M.
Times Literary Supplement
(4681).
p. 15.
ISSN 0307-661X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cardinal, Roger
(1996)
Duchamp: Passim : A Marchel Duchamp Anthology - Hill,A.
Review of: Duchamp: Passim : A Marchel Duchamp Anthology
by Hill, Anthony.
Burlington Magazine, 138
(1117).
p. 261.
ISSN 0007-6287.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cardinal, Roger
(1992)
KAHLO,FRIDA - THE PAINTINGS - HERRERA,H.
Times Literary Supplement
(4663).
p. 15.
ISSN 0307-661X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cardinal, Roger
(1994)
Rosso,Medardo.
Burlington Magazine, 136
(1094).
pp. 329-330.
ISSN 0007-6287.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cardinal, Roger
(1992)
SAVINIO,ALBERTO.
Times Literary Supplement
(4638).
p. 19.
ISSN 0307-661X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cardinal, Roger
(1999)
The hidden goddess: Isis in the work of Victor Hugo.
French Studies, 53
(3).
pp. 341-342.
ISSN 0016-1128.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cardwell, Sarah E.
(2005)
Andrew Davies.
Manchester University Press, 227 pp.
ISBN 0719064910.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cardwell, Sarah E.
(2006)
Time.
Manchester University Press
(Submitted)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Carver, Gavin P.
(2000)
A Midsummer Night’s Dream.
A Midsummer Night’s Dream, June 2000, University of Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Carver, Gavin P.
(2002)
Carnival.
In: Donnell, Alison, ed.
Companion to Black British Culture.
Routledge, pp. 65-67.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Carver, Gavin P.
(2001)
Computer visualisation for the theatre.
Focal Press
ISBN 0240516176.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Carver, Gavin P.
(2001)
John Fox.
In: Bull, John, ed.
Dictionary of Literary Biography Vol 245 British and Irish Dramatists Since World War II.
London: Bruccoli Clark Layman, pp. 157-166.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Carver, Gavin P. and Beardon, C
(2003)
New visions in performance.
In: Carver, Gavin P., ed.
New Visions in Performance.
Swets & Zeitlinger, pp. 167-182.
ISBN 9026519664.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Carver, Gavin P. and Presdee, Mike
(2000)
The Carnival of Crime.
In: Presdee, Mike, ed.
Cultural Criminology and the Carnival of Crime.
Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Choi, Jinhee
(2001)
A Reply to Gregory Currie on Documentaries.
Journal of Aesthetics and Art Criticism, 59
(3).
pp. 317-319.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Choi, Jinhee
(2006)
Apperception on Display: Structural Films and Philosophy.
In: Smith, Murray and Wartenberg, Thomas, eds.
Thinking Through Cinema: Film as Philosophy.
Blackwell, pp. 165-172.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Choi, Jinhee
(2006)
Apperception on Display: Structural Films and Philosophy.
Journal of Aesthetics and Art Criticism, 64
(1).
pp. 165-172.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Choi, Jinhee
(2003)
Fits and Startles: Cognitivism Revisited.
Journal of Aesthetics and Art Criticism, 61
(2).
pp. 149-157.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Choi, Jinhee
(2005)
National Cinema, the Very Idea.
In: Choi, Jinhee and Carroll, Noel, eds.
Philosophy of Film and Motion Pictures.
Blackwell, pp. 310-319.
ISBN 9781405120272.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Choi, Jinhee
(2004)
Preface to The Cinema of Japan and Korea.
In: Bowyer, Justin, ed.
The Cinema of Japan and Korea.
Wallflower Press.
ISBN 978-1904764113 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Choi, Jinhee
(2005)
Shocking Corridors: Girls’ High School Horror Series and Female Sexuality.
In: National, Transnational, and International: Chinese Cinema and Asian Cinema in the Context of Globalization—Centennial Celebration of Chinese Cinema, 6th-10th June 2005, Beijing and Shanghai, China.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Clayton, Alex
(2007)
Music In The Style Of Jean Reoir.
Cineaction, 66
.
pp. 61-72.
ISSN 0826-9866.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Clayton, Alex
(2007)
The Body In Hollywood Slapstick.
McFarland and Co, Inc, 237 pp.
ISBN 9780786430635.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Conyne, George R.
(1992)
Explaining American Politics - Williams,R.
Journal of American Studies, 26
(2).
p. 289.
ISSN 0021-8758.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1986)
A Discussion of Coma.
In: Brunsden, Charlotte, ed.
Hollywood’s New Women.
British Film Institute.
ISBN 0-85710-155-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2003)
Cinematic dream-work of Ingmar Bergman’s Wild Strawberries.
In: Sabbadini, Andrea, ed.
The Couch and the Silver Screen. Psychoanalytic Analytic Reflections on European Cinema.
Brenner-Routledge, pp. 181-201.
ISBN 1-58391-952-X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2010)
Das Verhältnis von Unterhaltung und Erkenntnis.
Schnitt, 58
(2).
pp. 18-21.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1997)
Documenting Fictions.
Continuum, Australian Journal of Media & Culture, 11
(1).
pp. 54-66.
ISSN 10304312.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1999)
Fantasia.
In: Evans, Jessica and Hall, Stuart, eds.
Visual Culture, The Reader.
Sage, pp. 356-378.
ISBN 0 7619 6247 6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2000)
Figuracija/Razumevanje fetiöa.
Filmsek Sveske, 2-3
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1995)
Film - Zenska Tovarna Sanji.
Vsebina
(23).
pp. 46-80.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1993)
Film Noir and Women.
In: Copjec, Joan, ed.
Shades of Noir.
Verso, pp. 121-166.
ISBN 0-86091-625-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1989)
Film in teorija v osemdesetih letih.
Ekran, 14
(5/6).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1993)
From Fantasia.
In: Easthope, Anthony, ed.
Contemporary Film Theory.
Longman, pp. 147-161.
ISBN 0-582-09032-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1985)
Het verschil in de film. Vrouwen in de films van Hawks.
Het Tidschrift voor Vrouwen Studies
(24).
ISSN 0167-8361.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2001)
Identifizierung mit dem Realen - Spektakel der Realität.
In: Angerer, Marie-Luise and Krips, H., eds.
Der Andere Schauplatz Psychoanalyse - Kultur - Medien.
Vienna: Turia + Kant, pp. 151-180.
ISBN 3-85132-287-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1996)
Images of Women and Filmic Identification.
In: Dakovic, Nevena and Derman, Denis and Ross, Karen, eds.
Gender & Media.
Med-Campus Project no A126 Publications, pp. 35-60.
ISBN 975-96120-0-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1981)
Introduction to Mary Kelly’s Post-Partum Document.
M/F
(5/6).
pp. 115-123.
ISSN 0141-948X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2009)
Introduction to Post-Partum Document.
In: Frascina, Francis, ed.
Modern Art Culture: a reader.
Routledge, London, pp. 303-311.
ISBN 9780415231510.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2009)
On Documentary Sounds and Images in the Gallery.
Screen, 50
(1).
pp. 124-134.
ISSN 0036-9543.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2005)
On Rear Window.
In: Rutsky, R.L. and Geiger, Jeffrey, eds.
Film Analysis: A Reader.
W. W. Norton & Company, pp. 475-493.
ISBN 0393979830.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1992)
Pornography and Fantasy.
In: Segal, Lynne and McIntosh, Mary, eds.
Sex Exposed: Sexuality and the Pornography Debate.
Virago, pp. 132-152.
ISBN 1-85381-385-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2007)
Possession, paranoia and the experience of art.
In: Freud Museum Symposium: Observing Paranoia in Clinical Practice, Art and Anthropology, March 3rd, 10am - 5pm, 2007, Tavistock Clinic, London NW3.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1990)
Psychoanalysis and Cinema: Film and Theory in the 1980's.
In: Donald, James, ed.
Psychoanalysis and Cultural Theory: Thresholds.
Macmillan, pp. 104-138.
ISBN 0-312052-324.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1997)
Representing the Woman: Psychoanalysis and Cinema.
University of Minnesota Press, 397 pp.
ISBN 033330576.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1980)
Review article of The Song of the Shirt.
Review of: The Song of the Shirt
by Clayton, Sue and Curling, Jonathan.
Camera Obscura
(5).
pp. 87-97.
ISSN 0270-5346.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1987)
Review article on Mary Kelly’s Interim.
Review of: Interim
by Kelly, Mary.
New Formations
(2).
pp. 20-28.
ISSN 0950-2378.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1990)
Review of Psychoanalysis and Cinema.
Review of: Psychoanalysis and Cinema
by Kaplan, Anne E..
Times Higher Education Supplement
.
0-0.
ISSN 0049-3929.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2007)
Specters of the Real: Documentary Time and Art.
Differences: A Journal of Feminist Cultural Studies, 18
(1).
pp. 87-127.
ISSN 1040-7391.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1998)
Storytelling: classical Hollywood cinema and classical narrative.
In: Neale, Steve and Smith, Murray, eds.
Contemporary Hollywood Cinema.
Routledge, pp. 178-190.
ISBN 0-415-17010-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1986)
Strategems of Identification.
Oxford Literary Review, 8
(1/2).
pp. 66-67.
ISSN 0-9511080 0 X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2001)
The Enigma of the Message.
Review of: Essays on Otherness
by Laplanche, Jean.
New Formations
(43).
pp. 148-150.
ISSN 0950-2378.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1999)
The Spectacle of Actuality.
In: Gaines, Jane and Renov, Michael, eds.
Collecting Visible Evidence.
University of Minnesota Press, pp. 19-45.
ISBN 0-8166-3135-2/3136-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1997)
The Spectacle of Reality and Documentary Film.
Documentary Box
(10).
pp. 1-8.
ISSN 1340-0832.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2003)
The lived nightmare: trauma, anxiety, and the ethical aesthetics of horror.
In: Schneider, Steven Jay and Shaw, Daniel, eds.
Dark Thoughts: Philosophic Reflections on Cinematic Horror.
Lanham, MD: Scarecrow Press, pp. 25-46.
ISBN 0-8108-4792-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2010)
Thinking Differently: on theory now and documentary art.
Differences: A Journal of Feminist Cultural Studies, 21
(1).
pp. 178-193.
ISSN 1040-7391.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2000)
Traumatic Memories of Remembering and Forgetting.
In: Rossington, Michael and Whitehead, Anne, eds.
Between the Psyche and the Polis: Refiguring history in literature and theory.
Ashgate Publishing, pp. 191-204.
ISBN 0 7546 0228 1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2007)
Ways of Seeing and Knowing: Documentary Film and the Surreal of Reality.
In: Ten Brink, Joram, ed.
Building Bridges: The Cinema of Jean Rouch.
Wallflower Press, pp. 201-218.
ISBN 978-1-905674-47-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2001)
Woman as Sign.
In: Andjelkovic, Branislava, ed.
Feminist Visual Theories.
Belgrade: Cenre For Contemporary Arts.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1993)
Women, Representation and the Image.
In: Alvarado, Manuel and Buscombe, Edward and Collins, Richard, eds.
The Screen Education Reader: Cinema, Television, Culture.
Macmillan, pp. 48-60.
ISBN 0-2310-8111-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2000)
Working Images: the representations of documentary film.
In: Pollock, Griselda and Mainz, Valerie, eds.
Work and the Image II.
Ashgate Press, pp. 173-192.
ISBN 0 7546 0233 8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1991)
Zenska Seksualnost.
In: Bahovec, Eva D., ed.
Zenska Seksualnost - Freud & Lacan.
Analecta, pp. 146-169.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(1975)
‘Feminist Film Criticism - a reply’.
Screen, 16
(1).
pp. 134-139.
ISSN 0036-9543.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2006)
‘The Art of Paranoia’.
In: Pajdic, Predrag and Pasolini, Antonio and Ryan, Paul, eds.
Paranoia.
Southend/Leeds/London, London, pp. 138-148.
ISBN 13-978-0-9553309-0-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth and Adams, Parveen
(1990)
The Woman in Question.
Cambridge/MIT Press/October Books, 383 pp.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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D
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Double, Oliver
(1996)
Alternative comedy: from radicalism to commercialism.
In: Merkin, Ros, ed.
Popular Theatres?
Liverpool John Moores University, Liverpool, pp. 127-139.
ISBN 0 9527978 0 1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Double, Oliver
(2012)
Britain Had Talent: A History of Variety Theatre.
Palgrave Macmillan, Houndsmills, basingstoke, Hampshire, 288 pp.
ISBN 9780230284593 (hbk) 9780230284609 (pbk).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Double, Oliver
(2007)
Karl Valentin’s “Father and Son Discuss the War".
Studies in Theatre and Performance, 27
(1).
pp. 5-11.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Double, Oliver
(2007)
Saint Pancreas.
Performance type: Other
Saint Pancreas, 3/11/06, Horsebridge Arts Centre, Whitstable.
DVD and Live Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Double, Oliver
(1997)
Stand-Up! On Being a Comedian.
Methuen Drama, London, 262 pp.
ISBN 0 413 70320 7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Double, Oliver
(2000)
Teaching Stand-Up Comedy. A Mission: Impossible?
Studies in Theatre and Performance, 20
(1).
pp. 14-23.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Double, Oliver and Wilson, Michael
(2006)
Brecht and cabaret.
In: Thomson, Peter and Sacks, Glendyr, eds.
Cambridge Companion to Brecht, 2nd Edition.
Cambridge University Press.
ISBN 9780521673846.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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E
F
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Fox, J.
(1998)
A second life: German cinema's first decades.
Review of: A second life: German cinema's first decades
by UNSPECIFIED.
Historical Journal of Film, Radio and Television, 18
(1).
pp. 139-140.
ISSN 0143-9685.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2010)
A Persistent Allure: The Reception of Michael Haneke.
In: Invited speaker, On Michael Haneke, 2nd June 2010, University of Sussex.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2006)
Benny’s Video, Caché, and the Desubstantiated Image.
Framework: The Journal of Cinema and Media, 47
(2).
pp. 30-36.
ISSN 0306-7661.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2004)
Border Zones: The Films of Ulrich Seidl.
Senses of Cinema
(32).
ISSN 1443-4059.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2015)
Der Ekel und das Kino.
In: Invited Speaker, Angustia, 23 January 2015, Deutsches Filmmuseum Frankfurt.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2006)
Fidelio: Love, Adaptation, and Eyes Wide Shut.
Literature/Film Quarterly, 34
(1).
pp. 39-45.
ISSN 0090-4260.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2007)
In/Flux: German Films at the 57th Berlin International Film Festival.
Review of: German Films at the 57th Berlin International Film Festival
by UNSPECIFIED.
Senses of Cinema
(43).
0-0.
ISSN 1443-4059.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2010)
Medien aus filmwissenschaftlicher Sicht.
In: Masterclasses, 29th June-2nd July 2010, Universitat Passau.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2010)
Paris' Threat to German Film Criticism: Denounce and Recycle.
In: European Network for Cinema and Media Studies Annual Conference, 25th June 2010, Istanbul.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2014)
The Permanent Crisis of Film Criticism: The Anxiety of Authority.
Film Theory in Media History
.
Amsterdam University Press, Amsterdam, 232 pp.
ISBN 9789089647177.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2006)
“Postmodernism” and “Guy Maddin".
In: Grant, Barry Keith, ed.
Schirmer Encyclopedia of Film.
Schirmer Press, Detroit, pp. 291-296.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2006)
Re-Connecting the Body ‘in’ to the Body ‘of’ Pasolini with Porcile.
In: Hart, Kylo, ed.
Film and Sexual Politics: A Critical Reader.
Cambridge Scholars Press, Newcastle, pp. 128-134.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2015)
The Recalcitrant Discipline.
Film Studies, 12
.
ISSN 1469-0314.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2007)
Review of Screening the Past: Memory and Nostalgia in Cinema.
Review of: Screening the Past: Memory and Nostalgia in Cinema
by Cook, Pam.
Film International, 5
(5).
pp. 87-89.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2006)
Structuralism and Poststructuralism.
In: Grant, Barry Keith, ed.
Schirmer Encyclopedia of Film.
Schirmer Press, Detroit, pp. 165-168.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2010)
The Message and the Medium: Haneke's Film Theory and Digital Praxis.
In: Price, Brian and Rhodes, John David, eds.
On Michael Haneke.
Wayne State University Press, Detroit, pp. 153-165.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2007)
Theorizing Cinema in Sebald and Sebald with Cinema.
In: Patt, Lise, ed.
Searching for Sebald: Photography After W.G. Sebald.
Los Angeles: Institute of Cultural Inquiry Press, Los Angeles, pp. 226-241.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Friday, Jonathan
(2002)
Aesthetics and photography.
Aldershot: Ashgate Press, 175 pp.
ISBN 0754604284.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Friday, Jonathan
(2005)
Andre Bazin’s ontology of film and the photographic image.
Journal of Aesthetics and Art Criticism, 63
(4).
pp. 339-350.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Friday, Jonathan
(1998)
Hume’s Sceptical Standard of Taste.
Journal of the History of Philosophy, 36
(4).
pp. 545-566.
ISSN 0022-5053.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Friday, Jonathan
(1999)
Looking at Nature Through Photographs.
Journal of Aesthetic Education, 33
(1).
pp. 25-35.
ISSN 0021-8510.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Friday, Jonathan
(2004)
Moral Theory and the Improvement of Moral Thought.
Journal of Moral Education, 33
(1).
pp. 23-33.
ISSN 0305-7240.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Friday, Jonathan
(2001)
Photography and the representation of vision.
Journal of Aesthetics and Art Criticism, 59
(4).
pp. 351-362.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Friday, Jonathan
(1999)
Quem Tem Medo De Uma Sociedade On-line?
Cadernos Da Escola Do Legislativo
.
pp. 39-51.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Friday, Jonathan
(2007)
The Art Seminar.
In: Elkins, James, ed.
Photographic Theory.
Routledge, pp. 129-204.
ISBN 0415977835.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Friday, Jonathan
(1996)
Transparency and the Photographic Image.
British Journal of Aesthetics, 36
(1).
pp. 30-42.
ISSN 00070904.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Friday, Jonathan
(1998)
Who’s Afraid of an On-line Society?
Ends and Means, 3
(2).
pp. 2-7.
ISSN 1472-5819.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Fugard, Athol
(2011)
Il Guidatore del Treno.
Performance type: Live play
Tramedautore Festival, September 2011, Piccolo Teatro, Teatro d'Europa, Milan.
Performance.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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G
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Goebbels, Heiner
(2014)
Aesthetic of Absence.
Other.
Routledge, London
(Submitted)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Catherine A.
(2006)
'Introduction' in Screening World Cinema: A Screen Reader.
In: Grant, Catherine A. and Kuhn, Annette, eds.
Screening World Cinema: A Screen Reader.
Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Catherine A.
(2008)
Auteur machines? Auteurism and the DVD.
In: Bennett, James and Brown, Tom, eds.
Film and Television After DVD.
Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Catherine A.
(2007)
Directing cinema: The new auteurism.
Manchester University Press
(Submitted)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Catherine A.
(2000)
Intimista Transformations: María Luisa Bemberg's First Feature Films.
In: King, John and Whittaker, Sheila and Bosch, Rosa, eds.
The Films of María Luisa Bemberg: An Argentine Passion.
Verso.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Catherine A.
(2000)
Millennial debates - www.auteur.com?
Screen, 41
(1).
pp. 101-108.
ISSN 0036-9543.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Catherine A.
(2000)
www.auteur.com?
Screen, 41
(1).
pp. 101-108.
ISSN 0036-9543.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Michael
(1999)
Bad girls and sick boys: Fantasies in contemporary art and culture.
Review of: Bad girls and sick boys: Fantasies in contemporary art and culture
by Kauffman, L.S.
Sight and Sound, 9
(2).
p. 30.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Michael
(1998)
Crimes of the future (David Cronenberg, 'Crash').
Screen, 39
(2).
pp. 180-185.
ISSN 0036-9543.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Michael
(1999)
Early cinema in Russia and its cultural reception.
Review of: Early cinema in Russia and its cultural reception
by Tsivisn , Y.
Sight and Sound, 9
(2).
p. 32.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Michael
(1998)
Meat is murder: An illustrated guide to cannibal culture.
Review of: Meat is murder: An illustrated guide to cannibal culture
by Mikita , Brottman.
Sight and Sound, 8
(8).
p. 29.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Michael
(1999)
The Eisenstein reader.
Review of: The Eisenstein reader
by Taylor , R.
Sight and Sound, 9
(2).
p. 30.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Michael
(1999)
The Western reader.
Review of: The Western reader
by Kitses, J.
Sight and Sound, 9
(2).
pp. 31-32.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Michael
(1999)
The erotic anime movie guide.
Review of: The erotic anime movie guide
by McCarthy, Helen and Clements, Jonathan.
Sight and Sound, 9
(5).
p. 33.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Michael
(1998)
Video critical: Children, the environment and media power.
Review of: Video Critical: Children, the Environment and Media Power
by Gauntlett, D..
Sight and Sound, 8
(8).
pp. 28-29.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(2008)
'Saints and Miracles'.
In: Beadle, Richard, ed.
The Cambridge Companion to Medieval English Theatre.
Cambridge University Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
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Grantley, Darryll
(1993)
American drama of the 20th-Century - Berkowitz, GM.
Notes and Queries, 40
(4).
pp. 571-572.
ISSN 0029-3970.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1997)
Festive drama - Twycross,M.
Review of: Festive Drama
by Twycross, M.
Theatre Research International, 22
(1).
p. 74.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(2008)
London in English Drama 1500-1700.
Cambridge University Press
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(2006)
Morality and Interlude Drama.
In: Brown, Peter, ed.
A Companion to Medieval English Literature and Culture c.1350-c.1500.
Blackwell, pp. 473-487.
ISBN 9780631219736.
(Submitted)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1992)
Review of C. Bigsby Arthur Miller and Company.
Review of: Arthur Miller and Company
by Bigsby, Christopher.
New Theatre Quarterly
(30).
p. 197.
ISSN 0-521-60328-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1987)
Review of C. Davidson (ed) The Saint Play in Medieval Europe.
Review of: The Saint Play in Medieval Europe
by Davidson, C.
Comparitive Drama, 21
(3).
pp. 295-297.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1998)
Review of Christopher Bigsby (ed) The Cambridge Companion to Arthur Miller.
Review of: The Cambridge Companion to Arthur Miller
by Bigsby, Christopher.
Theatre Research International, 23
(2).
p. 188.
ISSN 0307-8833 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1990)
Review of D. Gilman (ed) Everyman and Company.
Review of: Everyman and Company
by Gilman, D.
Comparitive Drama, 24
(4).
pp. 367-370.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1994)
Review of D. Wilmeth and T Miller (eds) The Cambridge Guide to American Theatre.
Review of: The Cambridge Guide to American Theatre
by Wilmeth, Don B. and Miller, Tice L..
Theatre Research International, 19
(3).
pp. 285-286.
ISSN 0307-8833 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1993)
Review of G. M. Berkowitz American Drama of the Twentieth Century.
Review of: American Drama of the Twentieth Century
by Berkowitz, G.M..
Notes and Queries
.
pp. 571-572.
ISSN 0029-3970.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1987)
Review of J. Lahr The Orton Diaries.
Review of: The Orton Diaries
by Lahr, J.
Speech and Drama, 36
(1).
pp. 50-51.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1996)
Review of J. Somerset Records of Early English Drama: Shropshire.
Review of: Records of Early English Drama: Shropshire
by Somerset, J. Alan B..
Comparitive Drama, 30
(2).
pp. 282-285.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1988)
Review of J. Wasson (ed) Records of Early English Drama: Devon.
Review of: Records of Early English Drama: Devon
by Wasson, J.
Comparitive Drama, 21
(4).
pp. 399-401.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(2005)
Review of Katie Normington Gender and Medieval Drama.
Review of: Gender and Medieval Drama
by Normington, Katie.
Theatre Research International, 30
(3).
pp. 298-299.
ISSN 0307-8833 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1996)
Review of L. Muir The Biblical Drama of Medieval Europe.
Review of: The Biblical Drama of Medieval Europe
by Muir, Lynette R..
Theatre Research International, 21
(1).
pp. 79-80.
ISSN 0307-8833 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1992)
Review of M. Baer Theatre and Disorder in Late Georgian London.
Review of: Theatre and Disorder in Late Georgian London
by Baer, Marc.
New Theatre Quarterly
(31).
p. 91.
ISSN 0-521-60328-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1997)
Review of M. Twycross (ed) Festive Drama.
Review of: Festive Drama
by Twycross, M.
Theatre Research International, 22
(1).
p. 74.
ISSN 0307-8833 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1988)
Review of R. Boxhill Tennessee Williams and G McCarthy Edward Albee.
Review of: Tennessee Williams and Edward Albee
by Boxhill, R and McCarthy , G.
Speech and Drama, 37
(1).
pp. 57-58.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1986)
Review of T. Parr (ed) Coriolanus, D Male (ed) Dr Faustus, D Devlin (ed) The Winter’s Tale, and P Ranger (ed) She Stoops to Conquer.
Review of: Coriolanus, Dr Faustus, The Winter's Tale and She Stoops To Conquer
by Parr, T and Male, D and Devlin, D and Ranger, P.
Speech and Drama, 35
(1).
pp. 32-33.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1985)
Sam Shepard Fool for Love, Arthur Miller The American Clock, David Mamet American Buffalo and Marsha Norman ’night Mother.
Review of: Fool for Love, The American Clock, American Buffalo and 'night Mother
by Shepard, S and Miller, A and Mamet, D and Norman, M.
Speech and Drama, 34
(2).
pp. 67-69.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1994)
The Cambridge Guid to American Theater - Wilmeth, DB.
Theatre Research International, 19
(3).
pp. 285-286.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1984)
The Source of the Digby Mary Magdalen.
Notes and Queries, 31
(4).
ISSN 0029-3970.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1986)
The Winter’s Tale and Early Religious Drama.
Comparative Drama, 20
(1).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1996)
The biblical drama of medieval europe - Muir,LR.
Theatre Research International, 21
(1).
pp. 79-80.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1987)
‘Dramatizing Chaucer’.
In: 22nd International Congress on Medieval Studies, 7th-10th May 1987, Western Michigan University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1995)
‘Marsha Norman’.
In: Bloom, C., ed.
American Drama.
Macmillan.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(2003)
‘Perilous Childhood in the Tudor Interlude’.
In: Shakespeare’s Children/Children’s Shakespeare, 11th & 12th October 2003, University of Surrey, Roehampton.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1983)
‘Producing Miracles’.
In: Neuss, P., ed.
Aspects of Early English Drama.
Brewer.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1995)
‘Richard Mulcaster: Education and the Elite Body’.
In: Conference on Bodily Fictions, July 1995, Brunel University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1994)
‘Saints’ Plays’.
In: Beadle, Richard, ed.
The Cambridge Companion to Medieval English Theatre.
Cambridge University Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1996)
‘Schooling the Audience’.
In: Shakespeare and Tudor Theatrical Traditions , 10th-11th September 1996, International Shakespeare Globe Centre, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(2000)
‘The Upbringing of Youth in the Tudor Interlude’.
In: Gender and Life Cycle in the Middle Ages, 21st-23rd January 2000, University of Kent, Canterbury.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(1994)
‘The Winter’s Tale and Early Religious Drama’.
In: Battenhouse, Roy W., ed.
Shakespeare’s Christian Dimension.
Indiana University Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Greenaway, Peter
(2009)
Le Nozze di Cana.
Performance type: Live play
Veronese's The Wedding at Cana by Peter Greenaway, June to September 2009, San Giorgio Maggiore Refectory, Venice.
Performance.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Greenaway, Peter and Laera, Margherita
(2009)
The Blue Planet.
Performance type: Live play
The Blue Planet, August 2008 to October 2009, Zaragoza, Rome, Reggio Emilia, Santander, Milan.
Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grieveson, Lee
(1999)
African American films through 1959: A comprehensive illustrated filmography.
Review of: African American films through 1959: A comprehensive illustrated filmography
by Richards, Larry.
Journal of American Studies, 33
(3).
pp. 550-551.
ISSN 0021-8758.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grieveson, Lee
(2000)
America on film: Hollywood and American history.
Journal of American Studies, 34
.
pp. 316-317.
ISSN 0021-8758.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grieveson, Lee
(1999)
America on film: Hollywood and American history.
Review of: America on film: Hollywood and American history
by Cameron, K.M..
Journal of American Studies, 33
(3).
pp. 575-576.
ISSN 0021-8758.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2003)
Dazzled by the Light.
Cinema Journal, 42
(4).
pp. 98-115.
ISSN 0009-7101.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2013)
En Grisaille nowadays.
.
Catalogue and exhibition blurb.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2004)
Explorations of Light and Lighting in Und das Licht Erlosch (1914).
In: Gaudreault, André, ed.
The Cinema: A New Technology for the 20th Century.
Payot, Lausanne, pp. 219-228.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2007)
The Gray Space Between.
: Gerhard Richter’s 18. Oktober 1977 (1989).
In: Guerin, Frances and Hallas, Roger, eds.
The Image and the Witness: Trauma, Memory and Visual Culture.
Wallflower Press, London, pp. 111-126.
ISBN ISBN-13: 978-1905674206.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2009)
Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema,.
Review of: Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema,
by UNSPECIFIED.
Screening the Past, n/a
(26).
n/a-n/a.
ISSN 1328-9756.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2011)
Locating Shadows.
: What’s inside William Kentridge’s Black Box?
In: John David, Rhodes, ed.
Taking Place: Location and the Moving Image.
University of Minnesota Press, Minneapolis, pp. 233-253.
ISBN 0816665176.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2006)
McCormick and Guenther-Pal, eds, German Essays on Film (2004).
Review of: McCormick and Guenther-Pal, eds, German Essays on Film (2004)
by McCormick, Richard.
Film-Philosophy, 10
(3).
pp. 95-100.
ISSN 1466-4615.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2015)
Searching in Grey.
: Cy Twombly's Untitled Paintings.
In: Wedekind, Gregor, ed.
Die Farbe Grau.
Unknown.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2011)
Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement.
Review of: Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement
by UNSPECIFIED.
Holocaust Studies: A Journal of Culture and History, 17
(1).
pp. 137-139.
ISSN 1359-1371.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2003)
Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002.
Review of: Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002
by Hoffmann, Kay.
The Moving Image: Association of Moving Image Archivists, 4
(2).
pp. 123-126.
ISSN 2167-8464.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2004)
When Beginnings and Endings Distort the Past.
In:
Limina/le Soglie del Film.
Lithostampa, Pasian di Prato, Udine, pp. 247-254.
ISBN 9788884201911.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2008)
www.artslant.com.
.
online.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2008)
www.francesguerin.com.
.
website.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances and Hallas, Roger
(2007)
Introduction to The Image and the Witness.
In:
The Image and the Witness: Trauma, Memory and Visual Culture.
Wallflower Press, London.
ISBN ISBN-13: 978-1905674206.
(Full text available)
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![[img]](/43364/1.hassmallThumbnailVersion/image_and_witness_intro-libre.pdf)  Preview |
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Hankey, A.T.
(1991)
Riccobaldo-of-ferrara and giotto, an update.
Journal of the Warburg and Courtauld Institutes, 54
.
p. 244.
ISSN 0075-4390.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Hiley, N.
(2000)
Cartoons in Canterbury.
Times Literary Supplement
(5096).
p. 19.
ISSN 0307-661X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Holmes, Su
(2006)
It’s a Jungle Out There!: The Game of Fame in Celebrity Reality TV.
In: Holmes, Su and Redmond, Sean, eds.
Framing Celebrity: New Directions in Celebrity Culture.
Routledge, pp. 45-66.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Holmes, Su
(2007)
Rules of the game: Quiz shows and American culture.
Review of: Rules of the Game: Quiz Shows and American Culture
by Hoerschelmann, O..
European Journal of Communication , 22
(2).
pp. 241-243.
ISSN 0267-3231 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Holmes, Su
(2006)
‘Coming to you Live!’: An Evening at the Film Premiere.
Journal of British Cinema and Television, 2
(2).
pp. 208-226.
ISSN 1743-4521.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Holmes, Su
(2007)
‘Torture, Treacle, Tears and Trickery’: Celebrities, ‘Ordinary’ People, and This is Your Life (1955-65).
In: Redmond, Sean and Holmes, Su, eds.
A Reader in Stardom and Celebrity.
Sage Publications Ltd, London, pp. 156-170.
ISBN 9781412923200.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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J
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Jeffers McDonald, Tamar E. L.
(2010)
'I even cry funny!' Doris Day, Performance and Genre.
In: Acting In Film, 2nd-4th September 2010, Potsdam University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Jeffers McDonald, Tamar E. L.
(2005)
'Under All Those Dirndls': Pillow Talk's Repackaging of Doris Day.
In: Moseley, Rachel, ed.
Fashioning Stars: Dress, Culture, Identity.
BFI Publishing, pp. 50-61.
ISBN 1844570681.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Jeffers McDonald, Tamar E. L.
(2007)
Romantic Comedy: Boy Meets Girl Meets Genre.
Columbia University Press, 144 pp.
ISBN 1-905671-02-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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K
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Kacimi, Mohamed
(2010)
Epistola alle Corinzie.
Performance type: Live play
Tramedautore Festival, September 2010, Piccolo Teatro, Teatro d'Europa, Milan.
Performance.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(1996)
Black Vénus:Josephine Baker at the Follies- Bergère.
In: Sheringham, Michael, ed.
Parisian Fields.
Reaktion, pp. 46-71.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(1996)
Claude Monet; Life and art - Tucker,PH.
Burlington Magazine, 138
(1122).
pp. 610-612.
ISSN 0007-6287.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(2004)
Death and the Maiden: Cindy Sherman's Untitled Film Stills.
In: Fortunati, Vita and Lamarra, Annamaria and Federici, Eleonora, eds.
The Controversial Women's Body: Images and Representations in Literature and Art.
Bononia University Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(1996)
Early modernism - Butler,C.
Oxford Art Journal, 19
(2).
pp. 119-121.
ISSN 0142-6540.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(2007)
In the Brute Net of Sense: Merleau-Ponty’s Aesthetics.
In: The Flesh in the Text, 2 day Conference, October 2007, University of Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(2007)
In the Net of Brute Sense: Merleau Ponty’s Aesthetics.
In: Weller, Shane and Baldwin, Thomas and Fowler, James, eds.
Flesh In The Text.
Peter Lang.
ISBN 9783039111022 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(2002)
In the spiral of time.
In: Hughes, Alex and Noble, Andrea, eds.
Phototextualities.
University of New Mexico Press, pp. 199-233.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(2002)
Le Sang Provençal.
Journal of European Studies
.
pp. 32-45.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(2002)
Le Sang Provençal: Joachim Gasquet’s Cézanne.
Journal of European Studies, 32
(125-6 Part 2-3).
pp. 135-150.
ISSN 0047 2441.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(1991)
Making Hay with Monet; Monets of the 90s.
Art History
.
pp. 593-599.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(1999)
Manet's Modernism.
Burlington Magazine
.
pp. 139-144.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(2007)
Marker’s Bergson.
In: Invited Talk, 29th November 2007, University of Leeds.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(1996)
Modernism Revisited.
Oxford Art Journal, 19
(2).
pp. 119-122.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(1996)
Monet Re-viewed.
Burlington Magazine
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(1995)
Montage, Modernism and its Histories.
Word & Image
.
pp. 320-326.
ISSN 0266-6286.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(1996)
Odd Man Out; Cézanne in Context.
LQ
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(1995)
Review of Nineteenth Century Painting: A Critical History.
Review of: Nineteenth Century Painting: A Critical History
by Eisenmann, Stephen F..
Apollo
.
pp. 60-61.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(1997)
Seurat and The 'Bathers'.
Magazine, 139
(1135).
pp. 709-711.
ISSN 0007-6287.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(1997)
Seurat's Bathers at Asnières.
Burlington Magazine
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(2007)
Spectres of Painting.
University of Kent Press
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(2004)
Spectres of the past: Jochen Gerz’s public monuments.
In: Lamberti, Eleonora, ed.
Representing Cultural Memory.
University of Bologna Press, pp. 122-146.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(1998)
Sunless (Chris Marker).
Flicks Books
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(1996)
The Exposition Universelle of 1900.
In: Banham, Joanna, ed.
History of Interior Design.
Fitzroy Dearborn.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(2008)
The Treasures of the Impressionists.
Andre Deutsch, 88 pp.
ISBN 9780233002347.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(1995)
Travellin' Light.
Wasafiri
.
ISSN 0269-0055.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(1994)
Watching the Detectives.
Art History
.
pp. 112-118.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(2001)
“Cézanne".
In:
The Oxford Companion to Western Art.
Oxford University Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klevan, Andrew
(2005)
Notes on teaching film style.
In: Pye, Douglas and Gibbs, John, eds.
Style and Meaning: Studies in the Detailed Analysis of Film.
Manchester University Press, pp. 214-227.
ISBN 0 7190 65259.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2014)
‘Amplifying Sensory Spaces: Headphone Theatre’.
In: "Media, Politics, Performance Conference", Fast Forward Festival, 5th-7th May, 2014, Onassis Cultural Centre, Athens..
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2007)
Between Realities: Intermediality and the Blurring of Boundaries in Multimedia Theatre.
In: Sugiera, Malgorzata and Borowski, Matuesz, eds.
Fictional Realities / Real Fictions:Contemporary Theatre in Search of a New Mimetic Paradigm.
Cambridge Scholars Press, United Kingdom.
ISBN 9781847181381 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2005)
Between Realities: Intermediality in Multimedia Theatre.
In: FIRT/IFTR International Conference "Fictional/Real in Contemporary Theatre", 17 - 20 November 2005, Jagiellonian University, Krakow.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2010)
Copies, Robots, Mutants, and the Unfinished Human.
In: (re)-Performing the Posthuman Conference, 21st-22nd May 2010, University of Sussex, Brighton..
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2013)
"Fleshing Out: The Body in Intermedial Dance".
In: International Symposium of the Korean Society of Dance, 2nd November 2013, Sungkyunkwan University in Seoul, Korea.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2013)
Hamlet Remembered.
Performance type: Live play
Hamlet Remembered, Friday May 31st and Saturday June 1st, Jarman Building, University of Kent.
Performance.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2014)
‘The In and Outputs of Headphone Theatre’.
In: Annual Conference of Theatre and Performance Research Association, 3rd-5th September 2014, Royal Holloway.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2010)
Instance: The Builder’s Association.
In: Bay Cheng, Sarah and Lavender, Andy and Nelson, Robin and Kattenbelt, Chiel, eds.
Mapping Intermediality in Performance.
Amsterdam University Press, Amsterdam, pp. 149-156.
ISBN 978 90 8964 255 4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2013)
“InterMEdiation and the InterMEdial System”.
In: International Federation for Theatre Research Annual Conference, 22nd – 26th July 2013, Institut del Teatre, Barcelona.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2013)
Intermediality, Complexity and Emergence.
In: Colloquium of Performance Research., 18th January 2013, Centre for Intermediality at the Royal Central School of Speech and Drama.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2014)
Mediation, Trace and Space in Dance Theatre: Already Elsewhere.
In: Baxter, Virginia and Brannigan, Erin, eds.
Bodies of Thought: 12 Australian Choreographers.
Wakefield Press, Adelaide.
ISBN 9781743052419.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2012)
“Participate or Else”.
In: Performance Studies International Conference 18, 27th June-1st July 2012., University of Leeds.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2007)
Performing Posthuman Perspective: Can You See Me Now?
Scan: Journal of Media Arts Culture, 4
(1).
ISSN 1449-1818.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2010)
"Performing at a Distance: Place, Pattern and Posthumanism".
In: International Federation for Theatre Research Annual Conference, July 2010, LMU Munich.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2015)
Playing a Punchdrunk Game: Immersive Theatre and Videogames.
In: Frieze, James, ed.
Framing Immersive Theatre.
Palgrave Macmillan, Basingstoke.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2007)
Postnarrativity in the Theatre of New Media Performance: Eavesdrop.
In: Intermediality, Theatricality, Re-presentation and New Media Conference, 24th-29th May 2007, Centre for Research on Intermediality, University of Montreal, Montreal..
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2013)
Send: Act: Perform.
Performance Research, 18
(5).
pp. 117-123.
ISSN 1352-8165.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2007)
Staging Space: Performing Plasticity and Plastic Performance.
In: Annual Conference of the Theatre and Performance Research Association (TaPRA), 5th-7th September 2007, University of Birmingham.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2011)
“Systems of Intermediality: Rites”.
In: Performance Studies International Conference 17, 27th June-1st July 2011, Utrecht University.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E.
(2009)
“What’s behind the smile?: The mediated other in performance".
In: Performing Presence Conference, March 2009, University of Exeter.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E. and Mitchell, Roanna and Dennis, Krysta
(2014)
Through the Grapevine: A Performed Wine Tasting (2013) and (2014).
Performance type: Live play
, 2014: 23rd, 24th October, 2014, Mrs Jones’ Kitchen, Canterbury: 26th and 27th April, 2013 Lumley Studio, University of Kent., Mrs Jones Kitchen, Canterbury and Lumley Studio, University of Kent..
Performance and documentation.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klich, Rosemary E. and Scheer, Edward
(2011)
Multimedia Performance.
Basingstoke: Palgrave Macmillan, 240 pp.
ISBN ISBN-10: 023057467X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, G. and Kollectiv, P.
(2002)
"Fear of a Black and White Planet", Wonderyears.
Neue Gesellschaft für Bildende Kunst.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, G. and Kollectiv, P.
(2007)
The Political Theology of Battlestar Galactica.
In: BSG 2007: The Politics, Poetics and Philosophy of Battlestar Galactica, 28th July 2007, Buckinghamshire Chilterns University College.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, G. and Kollectiv, P.
(2006)
The Spectre of Manual Labour.
In: On Liberty and Art, 18th October 2006, Tate Britain.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, G. and Kollectiv, P.
(2010)
We.
Performance type: Musical event
We, 29th August 2010, Kunsthall, Oslo.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2008)
Art and the New Town.
Art and the New Town, 11th - 15th December 2008, Harlow Temple of Utopias, Harlow.
Number of pieces: 1.
Silkscreen print.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2007)
Asparagus: A Horticultural Ballet.
Asparagus: A Horticultural Ballet, 7th March - 15th April 2007, The Showroom, London.
Number of pieces: 3.
Performance, video and installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2007)
Asparagus: A Horticultural Ballet.
Asparagus: A Horticultural Ballet, 12th May 2007, SAT, Montreal.
Number of pieces: 1.
Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2003)
Becks Futures Student Film and Video Award Show.
Becks Futures Student Film and Video Award Show , 25th - 28th April 2003, ICA, London.
Number of pieces: 1.
Super 8mm transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2008)
Better Future, Quad-Shaped.
Better Future, Quad-Shaped, 28th October 2008, Cube Microplex, Bristol as part of The Sensible Stage, Media Art Bath.
Number of pieces: 1.
Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2004)
DaDaDa: Strategies against Marketecture.
DaDaDa: Strategies against Marketecture, 21st October - 21st November 2004, temporarycontemporary gallery, London.
Number of pieces: 2.
Video and mixed media sculpture/installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2005)
Diamonds For Workers.
Diamonds For Workers, 3rd June - 10th July 2005, Kate McGarry, London.
Number of pieces: 3.
Sculpture/Installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2007)
Emergency3.
Emergency3, 1st December 2007 - 27th January 2008, Aspex, Portsmouth.
Number of pieces: 1.
Super 8mm and 16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2008)
Food: A Sci-Fi Banquet.
Food: A Sci-Fi Banquet, 19th December 2008, Royal Academy of the Arts, London.
Number of pieces: 1.
Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2007)
Foreign Body(ies).
Foreign Body(ies), 29th August - 22nd September 2007, White Box, New York.
Number of pieces: 1.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2008)
Futureblueperfect.
Futureblueperfect, 25th June - 27th July 2008, Cafe Gallery Projects, London.
Number of pieces: 1.
Installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2004)
Grey Goo.
Grey Goo, 16th October - 28th November 2004, Flaca Gallery, London.
Number of pieces: 1.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2006)
His Life Is Full Of Miracles.
His Life Is Full Of Miracles, 11th March-29th April 2006, Animation Videotheque, Site Gallery, Sheffield..
Number of pieces: 5.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2006)
Little Private Governments.
Little Private Governments, 20th February - 25th March 2006, University of Essex Gallery, Colchester.
Number of pieces: 1.
Super 8mm and 16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2006)
Metropolis Rise.
Metropolis Rise, 13th April - 23rd April 2006 and 30th April - 14th May 2006, Moganshan Art Village, Shanghai and DIAF 06, 798 Space, Beijing.
Number of pieces: 1.
Super 8mm and 16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2006)
Modern Lovers.
Modern Lovers, 12th May - 4th June 2006, Three Colts Gallery.
Number of pieces: 1.
Super 8mm and 16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2008)
No Haus Like Bau.
No Haus Like Bau, 14th June 2008, HAU, Mes Nuits, Berlin Biennale, Berlin.
Number of pieces: 1.
Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2009)
Roll It To Me.
Roll It To Me, 14th March - 9th May 2009, Collective, Edinburgh.
Number of pieces: 3.
Super 8mm and 16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2005)
SV05.
SV05, 5th August - 11th September 2005, Studio Voltaire, London.
Number of pieces: 1.
Super 8mm transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2008)
Seven Times Two or Three.
Seven Times Two or Three, 22nd June 2008, Cubitt, London.
Number of pieces: 1.
Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2006)
Slider.
Slider, 29th April - 21st May 2006, Project Space, London.
Number of pieces: 1.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2009)
Starmaker.
Starmaker, 12th June - 12th July 2009, E:Vent Gallery, London.
Number of pieces: 1.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2004)
Surrealestate.
Surrealestate, 21st April - 29th May 2004, YYZ Artists' Outlet, Toronto.
Number of pieces: 1.
Super 8mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2008)
Svetlana.
Svetlana, 11th October - 15th November 2008, S1 Artspace, Sheffield.
Number of pieces: 27.
Photography.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2008)
The Institute of Psychoplasmics.
The Institute of Psychoplasmics, 9th April - 26th May 2008, Pump House Gallery, London.
Number of pieces: 1.
16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kollectiv, P. and Kollectiv, G.
(2009)
Ventriloquist.
Ventriloquist, 27th February - 28th March 2009, Timothy Taylor, London.
Number of pieces: 1.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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L
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Laera, Margherita
(2009)
The Blue Planet.
Teatro Romolo Valli, Reggio Emilia.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Laera, Margherita
(2009)
Noi, gli eroi.
In: Lagarce, Jean-Luc, ed.
Teatro Completo.
Ubulibri, Milan.
ISBN 9788877483102.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Laera, Margherita
(2010)
The Wedding at Cana.
In: Greenaway, Peter, ed.
Veronese - The Wedding at Cana. A vision by Peter Greenaway.
Charta Art Books, Milan.
ISBN 9788881587575.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Lehmann, Hans-Thies
(2012)
Am grunde die steine.
: Ein nachwort von Hans-Thies Lehmann.
In:
Das offene Geheimnis. Gedanken über Schauspielerei und Theater.
Alexander Verlag Berlin, Berlin, pp. 132-153.
ISBN 9783895812668.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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M
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Maes, Hans R.V.
(2005)
A Celestial Taxonomy of Remakes?
Cinemascope. An Independent Film Journal, 1
(2).
pp. 1-11.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2008)
Art and Pornography.
In: 6th European Congress of Analytic Philosophy (ECAP), August 2008, Krakow, Poland.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2005)
Arthur Danto and the End of Art.
In: Midsouth Philosophy Conference, February 2005, Memphis, USA.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2001)
Bescheidenheid en asymmetrie.
Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 93
(2).
pp. 117-135.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2005)
Bescheidenheid, trots en ijdelheid.
Budel, Damon
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2006)
Challenging Partial Intentionalism.
In: American Society for Aesthetics, October 2006, Milwaukee, USA.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2004)
Danto en het einde van de kunst.
In: Vandenabeele, Bart and Verneir, Koen, eds.
Transgressie in de kunst.
Budel, Damon, pp. 118-128.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2004)
Danto, De Duve, and The End of Art.
In: Rediscovering Aesthetics, July 2004, Cork, Ireland.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2005)
David Hume over de emotie ‘trots’.
In: Van Reijen, M., ed.
Emoties. Van stoïcijnse apatheia tot heftige liefde.
Amsterdam, Klement, pp. 81-97.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2006)
De emotie ‘trots’.
In: Internationale School voor Wijsbegeerte, March 2006, Leusden, The Netherlands.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2005)
De emotie ‘trots’ in de hedendaagse analytische filosofie.
In: Van Reijen, M., ed.
Emoties. Van stoïcijnse apatheia tot heftige liefde.
Amsterdam, Klement, pp. 186-204.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2006)
De grappenmaker en zijn publiek. Over grappen, kunst en intimiteit.
In: Conference on humour organised by the University of Antwerp, May 2006, University of Antwerp, Belgium.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2006)
Different Kinds of Bullshit.
In: German Society for Analytic Philosophy (GAP), September 2006, Berlin, Germany.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2007)
Een treffende gelijkenis. Over grappen en kunst.
Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 99
(4).
pp. 281-296.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2008)
Elephants, Microscopes and Free Beauty: Reply to Davies.
Philosophical Quarterly, 59
(235).
pp. 332-336.
ISSN 0031-8094.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2001)
Hypocrisie en Bescheidenheid.
In: Internationale School voor Wijsbegeerte, March 2001, Leusden, The Netherlands.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2007)
Intention, Interpretation, and Contemporary Visual Art.
In: Annual Meeting of the Dutch-Flemish Society for Analytic Philosophy (VAF), April 2007, Antwerp, Belgium.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2006)
Julia Driver on Moral Luck.
In: 1st Annual Online Philosophy Conference, 2006, http://experimentalphilosophy.typepad.com/online_philosophy_confere.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2005)
Larry Shiner and Arthur Danto on Art History.
In: American Society for Aesthetics, Eastern Division Meeting, April 2005, Philadelphia, USA.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2006)
Liefde, vriendschap en Casablanca.
Streven
(73).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2008)
Love, Friendship, and Casablanca.
In: Love in Our World. An International Conference, November 2008, University of Manchester.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2004)
Modesty, Asymmetry, and Hypocrisy.
Journal of Value Inquiry, 38
(4).
pp. 485-497.
ISSN 0022-5363.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2009)
Nawoord: Over de relatie tussen film en filosofie.
In: d'Hoine, Pieter and Engelen, Bart, eds.
Denkbeelden. Een inleiding tot de filosofie aan de hand van films.
Antwerpen, Pelckmans, pp. 245-260.
ISBN 9789086870448.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2008)
Remember that we forget.
In: Cultural Memory: Forgetting to Remember / Remember to Forget, September 2008, University of Kent, Canterbury.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2005)
Review of Arts & Minds by Gregory Currie.
Review of Arts & Minds by Gregory Currie, 67
(3).
p. 612.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2008)
Review of Contemplating Art by Jerrold Levinson.
Review of: Contemplating Art
by Levinson, Jerrold.
Tijdschrift voor Filosofie, 70
(1).
p. 186.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2004)
Review of Filosofie & Film by Joost Raessens.
Review of: Filosofie & Film
by Raessens, Joost.
Cinetext Online. Film & Philosophy
.
0-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2008)
Review of On Images by John V. Kulvicki.
Review of: On Images
by Kulvicki, John V..
Tijdschrift voor Filosofie, 69
(4).
p. 780.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2007)
Review of The Philosophy of Art by Stephen Davies.
Review of: The Philosophy of Art
by Davies, Stephen.
Tijdschrift voor Filosofie, 69
(2).
pp. 381-383.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2002)
Review of Uneasy Virtue by Julia Driver.
Tijdschrift voor Filosofie, 64
(3).
pp. 606-607.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2005)
The End of Art Revisited.
Postgraduate Journal of Aesthetics, 2
(3).
pp. 122-132.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2003)
The End of Art: A real problem or not really a problem?
In: the International Congress on Arthur C. Danto and the End of Art, December 2003, Murcia, Spain.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2008)
Waarom vinden we kunst waardevol?
In: Vormingplus, May 2008, Leuven, Belgium.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2012)
Who Says Pornography Can't Be Art?
In: Maes, Hans R.V. and Levinson, Jerrold, eds.
Art and Pornography: Philosophical Essays.
Oxford University Press, pp. 17-47.
ISBN 9780199609581.
(Full text available)
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![[img]](/31445/1.hassmallThumbnailVersion/Maes%20Who%20Says%20Pornography%20Can%27t%20Be%20Art%20DRAFT%20VERSION.pdf)  Preview |
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Maes, Hans R.V.
(2001)
Zelfwaardering.
In: 23rd Vlaams-Nederlandse Filosofiedag, October 2001, Kortrijk, Belgium.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V.
(2002)
Zelfwaardering en het standpunt van anderen.
In: Braeckman, Antoon and Devos, Rob and Verdonck, B., eds.
Terugkeer van het subject. Recente ontwikkelingen binnen de filosofie,.
Universitaire Pers Leuven, Leuven, pp. 223-235.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V. and Schaubroeck, Katrien
(2006)
Different Kinds and Aspects of Bullshit.
In: Hardcastle, Gary and Reisch, George A., eds.
Bullshit and Philosophy.
Open Court, pp. 171-182.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Mikuriya, Theresa and Lai, Linda
(2004)
Push: The quest for a voice, in search of a body.
Interactive digital media installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Mikuriya, Junko Theresa
(2008)
Cryptoglyph.
In: Urban Encounters Conference, 16-17th May 2008, Centre for Urban and Community Research, Goldsmiths, University of London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Mikuriya, Junko Theresa
(2007)
Eight Hours of Sleep and other works.
Eight Hours of Sleep and other works, 9th May - 4th September 2007, Keynes Gallery, University of Kent.
Photography.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Mikuriya, Junko Theresa
(2007)
On the Walls of the Cave are Shadows.
Stimulus Respond, London
(1).
pp. 93-96.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Mikuriya, Junko Theresa
(2006)
On the Walls of the Cave are Shadows.
In: Affective Imaging; Uneasy Spaces Symposium, 20th October 2006, Goldsmiths University of London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Mikuriya, Theresa
(2005)
Theresa Mikuriya: photographs.
Theresa Mikuriya: Photographs, 10 June 2005-26 June 2005, Seven Seven Contemporary Art, London.
Number of pieces: 15.
Photographs.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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N
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Newall, Michael
(2006)
'Pictures, Colours and Resemblance'.
Philosophical Quarterly, 56
(225).
pp. 587-595.
ISSN 0031-8094.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Newall, Michael
(2005)
Picturing pictures: reply to Dilworth.
Journal of Aesthetics and Art Criticism, 60
(1).
70 -73.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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P
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Pavis, Patrice
(2003)
Analyzing Performance: Theater, Dance and Film.
University of Michigan Press, 362 pp.
ISBN 978-0472096893.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2007)
La Mise en Scène Contemporaine.
Armand Colin, 332 pp.
ISBN 9782200340438.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2007)
Das zeitgenössische französische Theater.
E Podium Verlag, München, 250 pp.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2007)
De la critica.
Conjunto. Revista de teatro latinoamericano
(144).
pp. 8-13.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2006)
Dialogue.
A lexikon. Performance research, 11
(3).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2004)
Entrevue avec Kim Hye-Jin.
Revue de la Korean National University of the Arts
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2007)
Generacion.
Teatro
(21).
pp. 201-209.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2004)
Generation.
Performance Research, 9
(3).
pp. 97-105.
ISSN 1352-8165.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2004)
Génération.
Culture Coréenne
(68).
pp. 24-28.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2005)
Impressions de théâtre à Séoul.
Culture Coréenne
(70).
pp. 12-15.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2004)
Impressions d’un Séoulite de passage.
Revue du Théâtre Coréen
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2005)
Iscenesættelsen af samtidige stykker.
Peripeti
.
pp. 35-51.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2005)
Koltès’ Black battles with dogs on the stage.
Cliché Europe. About cliché in life & on the stage
.
pp. 63-71.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2003)
Kunst oder die Kunst der Fugue.
In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds.
Theater ohne Grenzen, Festschrift für Hans-Peter Bayerdörfer zum 65. Geburtstag.
Herbert Utz Verlag, München, pp. 194-208.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2007)
Les médias auront-ils la peau du spectacle vivant ?
In: Morizot, Jacques and Pouivet, Roger, eds.
Dictionnaire d’esthétique et de philosophie de l’art.
Armand Colin, Paris, pp. 413-415.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2005)
Les écritures dramatiques contemporaines.
In: Thomasseau, Jean-Marie, ed.
Le Théâtre au plus près.
Presses Universitaires de Vincennes, Saint-Denis, pp. 71-82.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2006)
Mes trois sœurs.
Forum of Theatre and Drama, Seoul
.
pp. 314-356.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2004)
Quelques mois en Corée.
Théâtre/Public
(175).
pp. 34-62.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2005)
Réflexions liminaires sur la fin au théâtre.
In: Egger, Carol, ed.
Rideau ou la fin du théâtre.
Lansman, pp. 35-48.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2004)
Staging September 11th in the United States.
Theater Forum
(25).
pp. 91-96.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2007)
Staging calamity : mise-en-scène and performance at Avignon 2005.
In: Ben-Zvi, Linda and Davis, Tracy C., eds.
Considering Calamity : Methods for Performance Research.
Assaph Books, Tel Aviv university, pp. 13-38.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2002)
Tesis para el analisis del texto dramatico.
Gestos, 17
(33).
pp. 9-47.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2006)
The effect produced.
In: Christie, Judie and Gough, Richard and Watt, David, eds.
A Performance Cosmology,.
Routledge, London & New York, pp. 173-178.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2006)
Théâtre et calamité.
Théâtre/Public
(180).
pp. 81-91.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2004)
Woyzeck à la Cour d’Honneur.
Théâtre/Public
(175).
pp. 67-72.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2006)
Wymiana czy unterakcja ?
Dialog
(5-6).
pp. 8-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pavis, Patrice
(2005)
Yasmina Reza : Sztuka, czyli sztuka fugi.
Etos życia – etos sztuki
.
pp. 283-299.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pearlman, A.
(2007)
Ernst Toller plays three.
London: Oberon Books
(Submitted)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pearlman, A.
(2007)
Ernst Toller plays two.
London: Oberon Books
(Submitted)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pearlman, Alan
(2007)
Expressionism and modernism in the American theatre: Bodies, voices, words.
Review of: Expressionism and modernism in the American theatre: Bodies, voices, words.
by Walker, Julia A..
Theatre Research International, 32
(2).
pp. 202-203.
ISSN 0307-8833 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pitts, Virginia
(1998)
Army and University in conflict.
New Zealand Herald
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pitts, Virginia
(2010)
Beat.
Pitts Productions
HD.
(Full text available)
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Pitts, Virginia
(2007)
Cross-cultural Filmmaking in Aotearoa New Zealand.
In: MEDIANZ Conference, 8th-10th February 2007, Victoria University, Wellington, New Zealand.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pitts, Virginia
(2003)
Fleeting Beauty.
New Zealand Film Commission
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pitts, Virginia
(1999)
Form and Politics in Punitive Damage.
Australian Screen Education
(20/21).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pitts, Virginia
(2006)
Intercultural Short Filmmaking in Aotearoa New Zealand.
Metro Film, Television, Radio & Multimedia journal
(148).
pp. 140-146.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pitts, Virginia
(2000)
Trust Me.
New Zealand Film Commission
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pooke, Grant F.
(2008)
Art History: The Basics.
Routledge
ISBN 978-0415373081.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pooke, Grant F.
(2007)
Francis D. Klingender, ‘Exodus and Exile’.
Socialist History 30: 1956 and the New Left
(30).
pp. 22-42.
ISSN 0969 4331.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pooke, Grant F.
(2003)
Marxism, Art & Engagement: Francis Klingender.
Bulletin of the Marx Memorial Library
(137).
pp. 19-26.
ISSN 0969-1154.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pooke, Grant F.
(2003)
Museology.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pooke, Grant F.
(2003)
Teach Yourself Art History.
Hodder & Stoughton
ISBN 0340869216.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pooke, Grant F.
(2006)
The Anal Sadistic Universe of Gilbert & George.
In:
Sculpture & Psychoanalysis.
Ashgate Press in association with the Henry Moore Foundation, pp. 139-160.
ISBN 0-7546-0984-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pooke, Grant F. and Newall, Diana M.
(2003)
Art in Context.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pooke, Grant F. and Newall, Diana M.
(2004)
Contemporary Art Practice.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pooke, Grant F. and Newall, Diana M.
(2003)
Cross Curricular Issues.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pooke, Grant F. and Newall, Diana M.
(2003)
Engaging Students.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pooke, Grant F. and Newall, Diana M.
(2003)
Looking at Paintings.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pooke, Grant F. and Newall, Diana M.
(2003)
Why Teach Art and Design?
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pooke, Grant F. and Whitham, Graham
(2010)
Understand Contemporary Art: Teach Yourself.
Hodder & Stoughton, 224 pp.
ISBN 9781444111255.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pryor, Angus
(2012)
Critical Narratives in Colour and Form.
Critical Narratives in Colour and Form, 27th November -30 th November 2012, The Visual Arts Gallery The New Habitat Centre New Delhi.
Exhibition catalogue.
ISBN 9789055923074.
(Full text available)
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R
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Radosavljevic, Duška
(2010)
A Reflection on Internal.
Contemporary Theatre Review, 20
(2).
pp. 249-251.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Radosavljevic, Duška
(2001)
Beginner’s Serbo-Croatian.
Hippocrene Books, 257 pp.
ISBN 978-0781808453 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Radosavljevic, Duška
(2010)
Emma Rice in Interview with Duska Radosavljevic.
Journal of Adaptation in Film and Performance, 3
(1).
pp. 89-98.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Radosavljevic, Duška
(2004)
Foreword.
In:
Kaput!
New Writing North.
ISBN 978-0954145637.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Radosavljevic, Duška
(2004)
Introduction.
In: Sajtinac, Ugljesa, ed.
Huddersfield.
Oberon Books, pp. 15-16.
ISBN 9781840024494.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Radosavljevic, Duška
(2003)
Lindzi Kemp, jedna karijera - Scena.
Sterijino Pozorje
(39).
ISSN 0036-5734.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Radosavljevic, Duška
(2010)
Northern Stage Ensemble as an Adaptation of the Russian Theatre Model.
In: International Federation for Theatre Research Translation, Adaptation, and Dramaturgy Working Group, 25th-26th July 2010, Munich.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Radosavljevic, Duška
(2008)
Sarah Kane's Illyria: A Balkan reading of Blasted.
In: 'Sarah Kane: Reassessments', 16th February 2008, University of Cambridge.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Radosavljevic, Duška
(2008)
The Golden Age of Kneehigh.
In: at Cultures of Translation: Adaptation in Film and Performance, 26th-28th June 2008, Glamorgan University, Cardiff.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Radosavljevic, Duška and Awde, Nick
(2004)
Serbian Dictionary and Phrasebook.
Hippocrene Books, 239 pp.
ISBN 978-0781810494 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Roesner, David P. and Rebstock, Matthias, eds.
(2012)
Composed Theatre. Aesthetics, Practices, Processes.
intellect, Bristol, 367 pp.
ISBN 9781841504568.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds.
(2005)
Szenische Orte - Mediale Räume.
MuTH Medien und Theater, 1
.
Olms, Hildesheim / New York, 265 pp.
ISBN 9783487127996.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Roesner, David P. and Kendrick, Lynne, eds.
(2011)
Theatre Noise. The Sound of Performance.
Cambridge University Scholars, Newcastle
ISBN 978-1-4438-3440-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Roesner, David P.
(2011)
The Guitar Hero's Performance.
Contemporary Theatre Review, 21
(3).
pp. 276-285.
ISSN 1048-6801.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Roesner, David P.
(2010)
Musicking as mise-en-scène.
Studies in Musical Theatre, 4
(1).
pp. 89-102.
ISSN 1750-3159.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Roesner, David P.
(2005)
Musikalische Spiel-Räume.
In: Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds.
Szenische Orte-Mediale Raume.
Olms, Hildesheim / New York, pp. 129-147.
ISBN 9783487127996.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Roesner, David P.
(2010)
Musikalisches Theater – Szenische Musik.
In: Mungen, Anno, ed.
Mitten im Leben. Musiktheater von der Oper bis zur Everyday-Performance mit Musik.
Königshausen & Neumann, Göttingen, pp. 193-211.
ISBN 9783826041846.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Roesner, David P.
(2009)
Musikalität als Paradigma für die Theaterarbeit. Zehn Thesen.
In:
Theater. Musik.
Fokus Schultheater
(8).
Edition Körber Stiftung, Hamburg, pp. 8-16.
ISBN 978-3896841872.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Roesner, David P.
(2009)
Performing theory and its evaluation as research.
In: Allegue, Ludivine and Kershaw, Baz and Jones, Simon and Piccini, Angela, eds.
Practice-as-Research: In Performance and Screen.
Palgrave Macmillan, London, p. 223.
ISBN 9780230220010.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Roesner, David P.
(2003)
Ribbible Ribble — Motivik und musikalische Form im Theater Christoph Marthalers.
In: Balme, Christopher and Fischer-Lichte, Erika and Grätzel, Stephan, eds.
Theatre als Paradigma der Moderne.
Francke, Tübingen, pp. 365-374.
ISBN 9783772027963.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Roser-i-Puig, Montserrat
(2001)
Moral Games and Corrupting Justice in Fernando Arrabal’s The Architect and the Emperor of Assyria.
In: Batley, Edward and Bradby, David, eds.
Morality and Justice: The Challenge of European Theatre.
European Studies: A Journal of European Culture, History and Politics
(17).
Rodopi, Amsterdam, pp. 209-224.
ISBN 90-420-1398-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2006)
Mutant Authors and Cross-Pollinating Texts in Charlie Kaufman’s Adaptation.
In: Housel, Rebecca, ed.
From Camera Lens to Critical Lens: A Collection of Best Essays on Film Adaptation.
Cambridge Scholars Press, Cambridge, p. 123.
ISBN 978-1847180315.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2011)
The Persistence of Auteurism in Brazilian Cinema.
In: Issues of Auteurism in Latin American Cinema - SCMS, 10-13 March 2011, Ritz-Carlton, New Orleans.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sharman, L.F.
(1992)
Cohl,emile, caricature, and film - crafton,d.
Screen, 33
(4).
pp. 441-445.
ISSN 0036-9543.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sharratt, Bernard
(1999)
Paul Rand.
Review of: Paul Rand
by Heller, Steven.
New York Times Book Review
.
p. 8.
ISSN 0028-7806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Nicola
(1997)
Between the Scenes: Virginia Woolf’s Freshwater.
Women and Theatre: Occasional papers
(4).
pp. 35-67.
ISSN 0-951-88753.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Nicola
(2008)
Does it Work? Prove it! Reflections on Efficacy and Ethics.
In: Theatre and Performance Research Association, September 2008.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Nicola
(2008)
Double Acts: Mirror Neurons & Applied Performance.
In: Researching Applied Theatre and Performance Conference, April 2008, University of Exeter.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Nicola
(2007)
Gertrude Stein. Writers and their work.
Plymouth: Northcote House
ISBN 0746309066.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Nicola
(1996)
Is s/he or isn’t s/he?: Screening Orlando.
In: Cartmell, Deborah, ed.
Pulping Fictions: Consuming Culture across the Literature/Media Divide.
Pluto Press, pp. 43-56.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Nicola
(2000)
One, Two, Three: Sylvia Plath’s Verse Dramas.
In: Donnell, Alison and Polkey, Pauline, eds.
Representing Lives: Women and Auto/biography.
Macmillan, pp. 241-250.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Nicola and Shaughnessy, Robert and Caines, Michael and Goring, Paul
(2008)
Margaret Woffington: lives of shakespearian actors part 1.
Pickering & Chatto
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Nicola and Trimingham, Melissa
(2012)
Autism Affects: cognition, kinesthetics and practice based research.
In: Theatrical Histories - American Society for Theatre Research , 31/10/2012 - 04/11/2012, Nashville USA.
(Submitted)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2004)
Approaching the Globe.
In: Shakespeare Association of America Annual Conference, April 2004, New Orleans.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2008)
Behind the Scenes.
In: Thirty-third International Shakespeare Conference, August 2008, The Shakespeare Institute.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2009)
Behind the Scenes.
Shakespeare Survey , 62
(62).
pp. 236-247.
ISSN ISBN 0 521 39529 1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2010)
A Choice of Programs.
Shakespeare Bulletin, 28
(1).
pp. 55-76.
ISSN 0748-2558.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2006)
Dreaming the Globe: Poel, Guthrie, and the quest for authenticity.
In: Shakespeare and Tudor Traditions, September 2006, Queen Mary and Westfield College & Shakespeare’s Globe.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2005)
Dreams of England.
In: Massai, Sonia, ed.
World-Wide Shakespeares: Local appropriations in film and performance.
London and New York: Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2007)
Early modern tragedy and the cinema of violence.
Review of: Early Modern Tragedy and the Cinema of Violence
by Simkin, Stevie.
Literature and History, 16
(1).
pp. 107-108.
ISSN 0306-1973.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2001)
Edward Bond.
In: Dobson, Michael and Wells, Simon, eds.
The Oxford Companion to Shakespeare Studies.
Oxford: Oxford University Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(1998)
Eugene O’Neill and American Drama to 1945.
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2005)
Hamlet.
Performance Research, 10
(3).
p. 103.
ISSN 1352-8165.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2006)
Introduction to Shakespearean Tragedy.
In: Bradley, A.C., ed.
Shakespearean Tragedy 4th revised edition.
Palgrave Macmillan, xii-xlvi.
ISBN 9780230001893.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2005)
On Location: de Certeau, Shakespeare and the pedestrian.
In: Trinity College, Dublin, February 2005, Trinity College, Dublin.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2005)
On location.
In: Hodgdon, Barbara and Worthen, W.B., eds.
A Companion to Shakespeare and Performance.
Blackwell, pp. 80-100.
ISBN 1 4051 1104 6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2007)
One Piece at a Time.
Shakespeare Bulletin, 25
(3).
pp. 11-26.
ISSN 0748-2558.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2006)
One Piece at a Time.
In: Watching Ourselves Watching Shakespeare, November 2006, University of Michigan.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2006)
Our Shakespeares.
In: Shakespeare on Film, May 2006, Royal Holloway, University of London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2006)
Our Shakespeares.
In: Shakespeare on Television seminar, April 2006, Shakespeare Association of America Annual Conference, Philadelphia.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(1997)
Postmodernism, interculturalism and a recurring Dream.
In: Shakespeare Association of Korea First Annual Conference, May 1997, Seoul University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2003)
Romeo and Juliet: the rock and roll years.
In: Aebischer, Pascale and Esche, Edward J. and Wheale, Nigel, eds.
Remaking Shakespeare: Performance Across Media, Genres and Cultures.
Basingstoke and New York: Palgrave.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2001)
Romeo and Juliet: the rock and roll years.
In: SCAENA: Shakespeare and his Contemporaries in Performance, August 2001, Anglia Polytechnic University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2002)
Setting the Scene: A Midsummer Night’s Dream.
In: Shakespeare’s Globe, May 2002, Shakespeare’s Globe.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(1999)
Shakespeare Goes Pop.
In: Millennium Shakespeares, November 1999, Hofstra University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2005)
Shakespeare and 21st Century Film.
In: British Shakespeare Association Conference, September 2005, University of Newcastle.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2003)
Shakespeare at Ground Level.
In: London Shakespeare Seminar, November 2003, University of London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2001)
Shakespeare versus Performance.
In: London Shakespeare Seminar, April 2001, University of London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2000)
Shakespearean Utopias.
Shakespeare Survey
(54).
pp. 233-243.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(1998)
Shakespearean Utopias.
In: The Shakespeare Institute, February 1998, The Shakespeare Institute.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2006)
Stage, Screen and Nation: Hamlet and the Recovery of History.
In: Henderson, Diana E., ed.
A Concise Companion to Shakespeare on Screen.
Oxford: Blackwell.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(1994)
Terence Gray’s Shakespeare.
In: Shakespeare on the British Stage 1990-1945, July 1994, Leicester University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2008)
The Falstaff Syndrome: Pathos, Prosthetics and Performance.
In: Filming and Performing Renaissance History symposium, April 2008, Queen's University Belfast.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(1996)
The Last Post.
In: Shakespeare’s Language in Performance Seminar, 27th International Shakespeare Conference, August 1996, The Shakespeare Institute.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2007)
The Nazi appropriation of Shakespeare: Cultural politics in the Third Reich.
Review of: The Nazi Appropriation of Shakespeare: Cultural Politics in the Third Reich
by Symington, Rodney.
Theatre Research International, 32
(2).
pp. 216-217.
ISSN 0307-8833 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2004)
The Shakespeare Revolution will not be televised.
In: Shakespeare: Remembering Performance, November 2004, University of Notre Dame.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2002)
Twentieth-Century Fox: Volpone’s Metamorphosis.
Theatre Research International, 27
(1).
pp. 27-48.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(1997)
Volpone, anthropomorphism, and the discourses of late capitalism.
In: SCAENA: Shakespeare and his Contemporaries in Performance, August 1997, Anglia Polytechnic University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2001)
What have the Romans ever done for us?
In: Royal Shakespeare Company Summer School, August 2001, Royal Shakespeare Company Summer School.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(1996)
‘William, Gaskill’, ‘Terence Gray’, ‘Bill Alexander’.
In: Hawkins-Dady, Mark, ed.
International Dictionary of Theatre, Volume 3: Actors, Directors and Designers.
London: St James’s Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Skillen, Tony J.
(1994)
Explanation and value in the Arts - Kemak,S, Gaskell,I.
British Journal of Aesthetics, 34
(4).
pp. 398-399.
ISSN 0007-0904.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Smith, Murray
(2003)
A reasonable guide to horrible noise (Part 2) – listening to Lost Highway.
In: Hojbjerg, Lennard and Schepelern, Peter, eds.
Film Style and Story: A Tribute to Torben Groda.
Copenhagen: Museum Tusculanum Press, University of Copenhagen, pp. 153-170.
ISBN 87-7289-851-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Smith, Murray
(2005)
Against Nature.
In: The Cognitive Neuroscience of Film, April 2005, University of Washington-St-Louis.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Smith, Murray
(2005)
Cinema and Cognition.
In: Cinema and Cognition, Society for Cinema and Media Studies, April 2005, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Smith, Murray
(2002)
Trainspotting.
BFI Modern Classics, 95 pp.
ISBN 0851708706.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Smith, Murray
(2005)
What Difference Does it Make.
In: Representing and Conveying Emotions in Audio-Visual Forms of Media, December 2005, University of Hamburg.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Smith, Murray and Wartenburg, Thomas
(2006)
Thinking Through Cinema: Film as Philosophy.
Journal of Aesthetics and Art Criticism 64(1).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Smith, Murray
(2009)
Consciousness.
In: Livingston, Paisley and Plantinga, Carl, eds.
The Routledge Companion to Philosophy and Film.
Routledge Philosophy Companions
.
Routledge, London and New York, pp. 39-51.
ISBN 9780415771665.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Smith, Murray
(1998)
Image and mind: Film, philosophy, and cognition science.
Review of: Image and Mind: Film, Philosophy, and Cognitive Science.
by Currie, Gregory.
British Journal of Aesthetics, 38
(3).
pp. 325-327.
ISSN 0007-0904.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Smith, Murray
(1998)
Regarding film spectatorship: A reply to Richard Allen.
Journal of Aesthetics and Art Criticism, 56
(1).
pp. 63-65.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Smith, Murray
(2007)
Was macht es fur einen Unterschied ? Wissenschaft, Gefuhl und Film.
In: Bartsch, Anne and Eder, Jens and Fahlenbrach, Kathrin, eds.
Audiovisuelle Emotionen:Emotionsdarstellung und Emotionsvermittlung durch audiovisuelle Medienangebote.
Herbert von Halem, Cologne, pp. 39-59.
ISBN 978-3-938258-30-9.
(Full text available)
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Stanfield, Peter
(2005)
American Like Chop Suey: Invocations of gangsters in Chinatown 1920-35.
In: Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds.
Mob Culture: Hidden Histories of the American Gangster Film.
New York: Rutgers University Press, pp. 238-262.
ISBN 0-8135-3557-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Stanfield, Peter
(2005)
Body & soul: jazz and blues in American film, 1927-63.
Urbana: University of Illinois Press, 213 pp.
ISBN 0252 029 941.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Stanfield, Peter
(2001)
Hollywood, westerns and the 1930s: the lost trail.
University of Exeter Press, 258 pp.
ISBN 085989 6943.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Stanfield, Peter
(2002)
Horse opera: the strange history of the singing cowboy.
Urbana: University of Illinois Press, 177 pp.
ISBN 0252027337.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Stanfield, Peter
(1996)
‘Country Music & the 1939 Western: From Hillbillies to Cowboys’.
In: Cameron, Ian and Pye, Douglas, eds.
The Movie Book of the Western.
Studio Vista, pp. 22-33.
ISBN 0-289-80140-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Stanfield, Peter
(1998)
‘Dixie Cowboys & Blue Yodels: The Strange History of the Singing Cowboy’.
In: Buscombe, Edward and Pearson, Roberta, eds.
Back in the Saddle Again: New Essays on the Western.
British Film Institute, pp. 96-117.
ISBN 0-85170661-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Stanfield, Peter
(1992)
‘Heritage Design: The Harley-Davidson Motor Company.’.
Journal of Design History, 5
(2).
pp. 141-155.
ISSN 0952-4649.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Stanfield, Peter
(1987)
‘The Western 1909-14: A Cast of Villains.’.
Film History, 1
(2).
pp. 97-112.
ISSN 0892-2160.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Stanfield, Peter and Sonnet, Esther
(2005)
‘“Good Evening, Gentleman, Can I Check Your Hats Please?”: Masculinity, Dress and the Retro Gangster Cycles of the 1990s’.
In: Grieveson, Lee and Sonnet, Esther and Stanfield, Peter, eds.
Mob Culture: Hidden Histories of American the Gangster Film.
Berg, pp. 163-184.
ISBN 1845203305.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2007)
Casa Vasari: writing and decorating the artist’s house.
In: Hendrix, Harald, ed.
Writers’ Houses and the Making of Memory.
Routledge, pp. 139-148.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2005)
Casa Vasari: writing and decorating the artist’s house.
In: Writers’ Houses and the Construction of (Trans)National Cultural Memory, ACUME European Thematic Network Conference, 11th-15th May 2005, Rome.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2008)
Disegno.
In: Renaissance Keywords, 19th September 2008, University of Birmingham.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2002)
Edgar Wind and Leonardo da Vinci.
In: University of Oxford, Renaissance History Seminar, 4th February 2002, University of Oxford.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2005)
Enea Vico, The Academy of Baccio Bandinelli.
National Gallery of Canada, Leonardo da Vinci, Michelangelo and the Renaissance in Florence, exhibition catalogue.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2002)
Finding Ovid through Raphael in the Schools of the Tombs.
In: Monkeying about with Antiquity, AHRB Centre for Cultural Analysis, Theory and History, 17th May 2002, University of Leeds.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2006)
Framing Giambologna’s Rape of a Sabine.
In: Renaissance Society of America Annual Conference, 22nd-25th March 2006, San Francisco.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2012)
John Evelyn's Project of Translation.
Art in Print
.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2008)
Noble or Commercial? The Early History of Mezzotint in Britain.
In: British Printed Images to 1700, 12th-13th September 2008, Victoria & Albert Museum.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2010)
Noble or Commercial? The Early History of Mezzotint in Britain.
In: Hunter, Michael, ed.
Printed Images In Early Modern Britain. Essays in Interpretation.
Ashgate, Farnham and Burlington, pp. 279-296.
ISBN 9780754666547.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2005)
The Academy of Baccio Bandinelli.
Print Quarterly, XXII
(1).
pp. 3-14.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2005)
The Academy of Baccio Bandinelli by Enea Vico.
In: Renaissance Society of America Annual Conference, 7-9th April 2005, University of Cambridge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(1999)
The Fortnum Archive in the Ashmolean Museum.
Journal of the History of Collections , 11
(2).
pp. 253-268.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2008)
The Locations of Art in the Mezzotints of Wallerant Vaillant.
In: Early Modern Prints Symposium and Study Day, 2nd April 2008, Courtauld Institute Research Forum.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2008)
The Paradox of Mezzotint.
The Paradox of Mezzotint, 12th April - 11th June 2008/2nd July-31st October 2008, Museum of Canterbury/Strang Print Room, University College London.
Prints.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2008)
The Paradox of Mezzotint.
In: Centre for Medieval and Early Modern Studies, 24th January 2008, University of Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2008)
The Paradox of Mezzotint, exhibition catalogue.
Canterbury
ISBN 978-1-902671-55-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2000)
The Renaissance artist’s sense of history.
In: 30th International Congress of the History of Art, 3rd-8th September 2000, National Portrait Gallery, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2005)
The academy of Bandinelli.
Print Quarterly, XXII
(1).
pp. 3-14.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2004)
Tracing the Course of Forms: John Obadiah Westwood.
In: Connecting Cultures, Kent Institute for Advanced Studies in the Humanities biannual conference, 2-4th April 2004, University of Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2006)
Van Dyck pinxit/After Van Dyck.
Van Dyck pinxit/After Van Dyck, May-November 2006, Museum of Canterbury.
Prints.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2004)
‘Wind, Edgar Marcel (1900-1971).
Oxford University Press, Oxford Dictionary of National Biography.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2003)
“The art consists of hiding the art”: Castiglione and Raphael.
In: Braida, Antonella and Pieri, Giuliana, eds.
Image and Word. Reflections of Art and Literature from the Middle Ages to the Present.
Legenda/Oxford University Press, pp. 134-150.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Trimingham, Melissa
(2004)
Sehr geehrter Herr Schlemmer.
Performance Research, 9
(1).
81 -98.
ISSN 1352-8165.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Trimingham, Melissa
(2012)
bauhaus lighthouse: der bau als buehne das buehne als bau.
In:
bauhaus art as life.
Konig, Cologne, pp. 200-203.
ISBN 9783863351632.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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V
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Vaage, Margrethe Bruun
(2010)
Fiction Film and the Varieties of Empathic Engagement.
Midwest Studies In Philosophy, 34
(1).
pp. 158-179.
ISSN 0363-6550.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Vaage, Margrethe Bruun
(2013)
Fictional reliefs and reality checks.
Screen, 54
(2).
pp. 218-237.
ISSN 1460-2474.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Vaage, Margrethe Bruun
(2009)
The Role of Empathy in Gregory Currie's Philosophy of Film.
British Journal of Aesthetics, 49
(2).
pp. 109-128.
ISSN 0007-0904.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Varakis-Martin, Angeliki
(2008)
'Body and Mask’ in Performances of Classical Drama on the Modern Stage.
In: Hardwick, Lorna and Stray, Christopher, eds.
The Blackwell Companion to Classical Reception.
Oxford: Blackwell.
ISBN 9781405151672.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Varakis-Martin, Angeliki
(2004)
Research on the Ancient Mask.
Didaskalia, 6
(1).
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Varakis-Martin, Angeliki
(2008)
Review of Oedipus.
Review of: Oedipus
by Edmunds, Lowell.
Classical Review, 58
(2).
p. 619.
ISSN 0009-840X .
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Varakis-Martin, Angeliki
(2004)
‘The Staging of Aristophanes in Modern Times’.
In: Studying the Ancient Greek Theatre, 11-12 March 2004, Colloquium organised by the ICS (Institute of Classical Studies) , London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2008)
Cinema as Technology: Encounters with an Interface.
In: Furstenau, Marc and Mackenzie, Adrian and Bennett, Bruce, eds.
Cinema and Technology.
Palgrave Press.
ISBN 9780230524774.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2007)
Digital Encounters.
Routledge, Taylor and Francis Group, 200 pp.
ISBN 9780415410663.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2007)
Digital Intermediates and Digital Expressive Practice.
In: Society for Cinema and Media Studies Conference 2007, 8th March - 11th March 2007, Chicago, USA.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2001)
Fresh Kill: Information Technologies as Sites of Resistance.
In: Munt, Sally, ed.
Technospaces: inside the new media.
Continuum, pp. 161-174.
ISBN 0826450032.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2010)
Making the Dark Knight.
In: MeCCSa Conference 2010, 6th-8th January 2010, London School of Economics.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2006)
Re-Animating Space.
Animation: An Interdisciplinary Journal, 1
(2).
pp. 133-152.
ISSN 1746-8477 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2010)
Resolving the Posthuman.
In: The Posthuman Subject, 2nd-3rd July 2010, University of Surrey.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2013)
Talking about Maya.
Project report.
University of Kent
(Unpublished)
(Full text available)
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![[img]](/37675/1.hassmallThumbnailVersion/talkingaboutmaya.pdf)  Preview |
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Wood, Aylish
(2005)
The Animated Queer.
In: Griffiths, Robin, ed.
Queer Cinema in Europe.
Intellect.
ISBN 1841500798 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2004)
The Expansion of Narrative Space: Titanic and CGI Technology.
In: Street, Sarah and Bergfelder, Tim, eds.
Titanic as Myth and Memory: Representations in Visual and Literary Culture.
I.B.Tauris, pp. 225-234.
ISBN 1850434328.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2004)
The collapse of reality and illusion in The Matrix.
In: Tasker, Yvonne, ed.
The Action Reader.
Routledge, pp. 119-129.
ISBN 0415235073.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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This list was generated on Thu Mar 5 02:35:46 2015 GMT. |
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