Items where division is "Faculties > Humanities > School of Arts"
Number of items at this level: 1432. A
|
Adler, Gerald
(2013)
Energising the Building Edge: Siegfried Ebeling, Bauhaus Bioconstructivist.
In: Morrow, Ruth and Abdelmonem, Mohamed Gamal, eds.
Peripheries: Edge Conditions in Architecture.
Critiques: Critical Studies in Architectural Humanities, 8
.
Routledge, Abingdon.
ISBN 978-0-415-64029-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:40204)
|
|
|
Adler, Gerald
(2012)
Little Boxes.
In: Adler, Gerald and Brittain-Catlin, Timothy and Fontana-Giusti, Gordana, eds.
Scale : Imagination, Perception and Practice in Architecture.
Critiques: Critical Studies in Architectural Humanities
.
Routledge, Abingdon, pp. 182-193.
ISBN 978-0-415-68711-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:40203)
|
|
|
Agbaje, Bola
(2009)
Troppo Lontano!
Performance type: Live play
Tramedautore Festival, September 2009, Piccolo Teatro, Teatro d'Europa, Milano.
Performance.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31494)
|
|
|
Allain, Paul and Tyabji, Khalid, eds.
(2015)
Acting with Grotowski: Theatre as a Field for Experiencing Life.
Routledge, Abingdon, Oxfordshire, 250 pp.
ISBN 978-0-415-74829-2.
E-ISBN 978-1-315-75100-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:59937)
|
|
|
Allain, Paul
(2002)
After Grotowski.
Total Theatre,
14
(1).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2387)
|
|
|
Allain, Paul
(2002)
After Grotowski - the next Generation.
New Theatre Quarterly,
28
(1).
pp. 59-66.
ISSN 0-521-01314-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2375)
|
|
|
Allain, Paul
(2012)
Andrei Droznin's Physical Actor Training.
Routledge Tay;or and Francis
DVD and Booklet.
0415682975 (ISBN).
(doi:0415682975 (ISBN))
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31001)
|
|
|
Allain, Paul
(2000)
The Cambridge Companion To Chekhov.
Cambridge University Press
ISBN 0-521-58917-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2361)
|
|
|
Allain, Paul
(2007)
Destarsi Con One Breath Left.
In:
The Workcenter of Jerzy Grotowski and Thomas Richards Visioni.
Bulzoni.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2366)
|
|
|
Allain, Paul
(2008)
Destarsi con One breath left.
In:
Opere e sentieri. Vol. 3: Testimonianze e riflessioni sull'arte come veicolo.
Bulzoni, pp. 129-140.
ISBN 978-88-7870-296-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:13000)
|
|
|
Allain, Paul
(1998)
Gardzienice Polish Theatre in Transition.
Harwood Academic Press
ISBN 90-5702-105-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2360)
|
|
|
Allain, Paul
(2002)
The Gardzienice Theatre Association.
In:
Acting (Re)Considered (2nd ed.).
Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2364)
|
|
|
Allain, Paul
(1993)
Gardzienice in the Suzuki Empire.
Polityka,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2381)
|
|
|
Allain, Paul
(2002)
Gardzienice's Performance of Otherness.
In:
Studies in Language, Literature and Cultural Mythology in Poland: Investigating The Other.
Edwin Mellen Press, pp. 99-114.
ISBN 0-7734-7054-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2362)
|
|
|
Allain, Paul
(1992)
Gardzienice: At the Cultural Crossroads.
New Theatre Quarterly,
.
ISSN 0-521-60328-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2372)
|
|
|
Allain, Paul
(1989)
Gardzienice: a Practical Account.
Music Theatre Dance Journal,
(1).
pp. 29-33.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2371)
|
|
|
Allain, Paul
(2007)
Goat Theatre Macbeth.
Contemporary Theatre Review,
17
(2).
pp. 255-258.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2376)
|
|
|
Allain, Paul
(1999)
The Grammar Of The Feet.
Total Theatre,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2386)
|
|
|
Allain, Paul, ed.
(2009)
Grotowski's Empty Room: A Challenge to the Theatre.
Enactments
.
University of Chicago Press, 224 pp.
ISBN 978-1-906497-23-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20887)
|
|
|
Allain, Paul
(2005)
Grotowski’s ghosts.
Contemporary Theatre Review,
.
pp. 46-59.
ISSN 1048 6801.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1142)
|
|
|
Allain, Paul
(2004)
The Intercultural Training of Tadashi Suzuki.
Rome, Training/Dino Audino Editore pp 138-143.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2389)
|
|
|
Allain, Paul
(2002)
Japanese theatre and the international stage.
Review of: Japanese theatre and the international stage
by UNSPECIFIED.
New Theatre Quarterly,
18
(70).
p. 197.
ISSN 0266-464X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2400)
|
|
|
Allain, Paul
(1991)
A Love Letter from Britain.
Teatr,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2383)
|
|
|
Allain, Paul
(2007)
Macbeth.
Review of: Macbeth
by Kozla, P. and Wielga, K..
Didaskalia,
7
.
p. 89.
ISSN 1233-0477.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2390)
|
|
|
Allain, Paul
(1991)
Modesty and Vigour.
Plays and Players,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2384)
|
|
|
Allain, Paul
(1994)
Movement Directing.
Total Theatre,
6
(4).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2382)
|
|
|
Allain, Paul
(2006)
The Nature And Culture Of Performance.
In:
A Performance Cosmology: testimony from the Future, Evidence of.
Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2365)
|
|
|
Allain, Paul
(2000)
New sites for Shakespeare: Theatre, the audience, and Asia.
Review of: New sites for Shakespeare: Theatre, the audience, and Asia
by UNSPECIFIED.
New Theatre Quarterly,
16
(64).
pp. 391-392.
ISSN 0266-464X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2398)
|
|
|
Allain, Paul
(1999)
Obituary of Jerzy Grotowski.
The Independent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2367)
|
|
|
Allain, Paul
(2010)
On Ensembles.
In: Ensemble Theatre, 16th September 2010, University of Huddersfield.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:25516)
|
|
|
Allain, Paul
(1990)
On the Border of Europe and Asia.
Zycie Warszawa,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2379)
|
|
|
Allain, Paul
(1992)
'Polishing up on the Classics'.
The Stage,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2380)
|
|
|
Allain, Paul
(1991)
Rep Paralysed by Spending Cuts.
The Stage,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2385)
|
|
|
Allain, Paul
(2010)
Review about Tadeusz Kantor.
Review of: Review about Tadeusz Kantor
by UNSPECIFIED.
New Theatre Quarterly,
26
(103).
p. 301.
ISSN 0266-464X.
(doi:10.1017/S0266464X10000552)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2394)
|
|
|
Allain, Paul
(2004)
Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present.
Review of: Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present
by Meyer-Dinkgrafe, Daniel.
New Theatre Quarterly,
20
(1).
p. 95.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2402)
|
|
|
Allain, Paul
(2002)
Review of Dymphna's Callery's Through the Body.
Review of: Review of Dymphna's Callery's Through the Body
by Callery, Dymphna.
New Theatre Quarterly,
18
(4).
0-0.
ISSN 0 521-52405-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2401)
|
|
|
Allain, Paul
(1989)
Review of Gardzienice's Avvakum.
Review of: Gardzienice's Avvakum
by UNSPECIFIED.
Event South West Magazine,
.
0-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2391)
|
|
|
Allain, Paul
(2007)
Review of Krzysztof Miklaszewski, Encounters with Kantor.
Review of: Krzysztof Miklaszewski, Encounters with Kantor
by Miklaszewski, Krzysztof.
Contemporary Theatre Review,
17
(1).
pp. 115-116.
ISSN 1048 6801.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2406)
|
|
|
Allain, Paul
(2001)
Review of Modern Czech Theatre.
Review of: Review of Modern Czech Theatre
by UNSPECIFIED.
New Theatre Quarterly,
17
(3).
0-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2399)
|
|
|
Allain, Paul
(1990)
Review of two performances by Scena Plastyczna of Lublin.
Review of: Review of two performances by Scena Plastyczna of Lublin
by UNSPECIFIED.
Performance Research,
.
0-0.
ISSN 1352-8165.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2392)
|
|
|
Allain, Paul
(2006)
Routledge companion to Theatre and Performance.
Routledge, 244 pp.
ISBN 0-415-25721-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1134)
|
|
|
Allain, Paul
(2000)
Suzuki Training- an introductory file.
Arts Archives, The Fifth Series, Exeter
CD-ROM and Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2370)
|
|
|
Allain, Paul
(1998)
Suzuki Training: An Update.
Drama Review,
42
(1).
pp. 66-89.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2374)
|
|
|
Allain, Paul
(1990)
Theatre in Poland.
Performance Magazine,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2378)
|
|
|
Allain, Paul
(1990)
Two articles on contemporary Polish theatre.
Plays International,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2377)
|
|
|
Allain, Paul
(2006)
Waking with one breath left.
In: Attisani, Antonio, ed.
Tracing Roads Across.
EU funded.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1127)
|
|
|
Allain, Paul
(2013)
Ways of Hearing.
In: Wisniewski, Tomasz, ed.
A Between Almanach for the Year 2013.
Maski Press, Gdansk/Sopot, 2013.
ISBN 978-83-64088-13-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:40187)
|
|
|
Banu, Georges and Ziolkowski, Grzegorz and Allain, Paul, eds.
(2009)
With Grotowski. Theatre is Just a Form.
Grotowski Institute, 120 pp.
ISBN 978-83-923635-9-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:14720)
|
|
|
Allain, Paul,
Ziolkowski, Grzegorz
(2005)
Polish Theatre After 1989: Beyond Borders.
Contemporary Theatre Review,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2216)
|
|
|
Anderson, Graham
(1999)
Symmachus, 'Lettres', vol III, Books-VI-VIII.
Classical Review,
49
(2).
p. 578.
ISSN 0009-840X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:17014)
|
|
|
Anderson, Michael
(1999)
The Cambridge companion to Greek tragedy.
Review of: Reviews The Cambridge Companion to Greek Tragedy. Edited by P. E. Easterling. Cambridge: Cambridge University Press, 1997. Pp. xvii + 392 + illus.
by Easterling, P.E..
Theatre Research International,
24
(1).
pp. 109-110.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:17020)
|
|
|
Anderson, Michael
(1999)
Classical Greek theatre: New views of an old subject.
Review of: Classical Greek Theatre: New Views Of an Old Subject. By Clifford Ashby. Iowa City: University of Iowa Press, 1999. Pp. xix + 191 + illus.
by Ashby, Clifford.
Theatre Research International,
24
(3).
p. 293.
ISSN 0307-8833.
(doi:10.1017/S0307883300019179)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:17018)
|
|
|
Anderson, Michael
(1996)
Greek tragic theatre- Rehm,R.
Review of: Greek tragic theatre
by Rehm, Rush.
Theatre Research International,
21
(1).
p. 79.
ISSN 0307-8833.
(doi:10.1017/S0307883300012736)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:18788)
|
|
B
|
Bann, Stephen
(1995)
The Landscape Approach of Lassus,Bernard .2.
Journal of Garden History,
15
(2).
pp. 67-106.
ISSN 0144-5170.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:19684)
|
|
|
Barbe, F.A.
(2006)
Chimaera.
Chimaera, 2006-2006, UK Tour.
Live Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1155)
|
|
|
Barbe, F.A.
(2010)
Deep Training and the Portfolio Approach.
In: TaPRA, 9th-11th September 2010, University of Glamorgan.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:25348)
|
|
|
Barbe, F.A.
(2003)
Fine bone china.
Fine Bone China, March 2003-September 2003, UK Tour.
Live performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1149)
|
|
|
Barbe, F.A.
(2009)
From Studio To Stage.
DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:23494)
|
|
|
Barbe, F.A.
(2003)
Palpitation.
Performance type: Other
Palpitation, September 2003-September 2003, London/University of Kent, Canterbury.
Live performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1153)
|
|
|
Barbe, F.A.
(2007)
The Sensation of Butoh and Suzuki.
In: SUNY, May 2007, Brockport, USA.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9172)
|
|
|
Barbe, F.A.
(2008)
Swampsong.
Performance type: Other
.
Solo dance work.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9171)
|
|
|
Barnard, Clio H.
(2010)
The Arbor.
Artangel Media
Feature film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:40773)
|
|
|
Barnard, Clio H.
(2006)
Dark Glass.
Mobile Phone Film - 8 minutes.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2219)
|
|
|
Barnard, Clio H.
(2006)
Dark Glass.
Dark Glass, November 2006, Curzon Cinema Soho.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone..
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11949)
|
|
|
Barnard, Clio H.
(2006)
Dark Glass.
Dark Glass, November 2006, Tate Modern.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone..
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:13161)
|
|
|
Barnard, Clio H.
(2006)
Dark Glass.
Dark Glass, November 2006, Bristol Encounters Film Festival.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:13162)
|
|
|
Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, May 2007, Site Gallery Sheffield.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:13163)
|
|
|
Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, February 2007, Ikon Gallery Birmingham.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:13164)
|
|
|
Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, July 2007, Galway Arts Festival.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone..
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:13165)
|
|
|
Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, September 2007, Media Art Friesland Netherlands.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:13166)
|
|
|
Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, October 2007, Cinema Lux, Normandy, France.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:13167)
|
|
|
Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, November 2007, Museo Reina Sofia, Madrid.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:13168)
|
|
|
Barnard, Clio H.
(2008)
Dark Glass.
Dark Glass, February 2008, Museum of Modern Art, New York.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:13169)
|
|
|
Barnard, Clio H.
(2017)
Dark River.
Theatre release data.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64065)
|
|
|
Barnard, Clio H.
(2006)
Dartford Crossing.
Film.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1109)
|
|
|
Barnard, Clio H.
(2006)
Erith.
DVD.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1107)
|
|
|
Barnard, Clio H.
(2007)
Exchange.
Arts Council /Film Council Moving Image Initiative.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:13174)
|
|
|
Barnard, Clio H.
(2002)
Flood.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1104)
|
|
|
Barnard, Clio H.
(2001)
Lambeth Marsh.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1103)
|
|
|
Barnard, Clio H.
(2008)
Random Acts of Intimacy.
Random Acts of Intimacy, January 2008, ICA Short Film Festival, Institute of Contemporary Arts.
Number of pieces: 1.
16mm.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:13172)
|
|
|
Barnard, Clio H.
(2008)
Random Acts of Intimacy.
Random Acts of Intimacy, April 2008, Britspotting, British Irish Film Festival, Berlin.
Number of pieces: 1.
16mm.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:13173)
|
|
|
Barnard, Clio H.
(2004)
Road race.
Hopscotch Films
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1105)
|
|
|
Barnard, Clio H.
(2006)
Solo Show - Exhibition of Road Race and Dark Glass.
Solo Exhibition - Road Race and Dark Glass, October-November 2006, Herbert Read Gallery, Canterbury.
Number of pieces: 2.
screen film/video installation Super 16mm and DV, Single screen multiplatform /download/ video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:13170)
|
|
|
Baugh, Christopher
(2000)
English court theatre 1558-1642.
Theatre Research International,
25
(1).
pp. 87-88.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:16099)
|
|
|
Baugh, Christopher
(2006)
Scenography and technology, 1737-1843.
In: Moody, Jane and O'Quinn, Daniel, eds.
The Cambridge Companion to British Theatre 1737-1843.
Cambridge University Press.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1115)
|
|
|
Baugh, Christopher
(2004)
Stage Design from Loutherbourg to Poel.
In: Donohue, Joseph, ed.
The Cambridge History of British Theatre, vol. II.
Cambridge University Press, pp. 309-330.
ISBN 0-521-65068-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1112)
|
|
|
Baugh, Christopher
(1996)
The stage designs of Inigo Jones: The European context - Peacock,J.
Review of: The stage designs of Inigo Jones: The European context
by Peacock, John.
Theatre Research International,
21
(2).
pp. 175-176.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:18812)
|
|
|
Blackburn, John and Thomas, Ben D. H. and Hopkinson, Martin
(2012)
John Blackburn: And God Cryed, Studio 3 Gallery, 24 September - 14 December 2012.
John Blackburn: And God Cryed, 24 September - 14 December 2012, Studio 3 Gallery, Jarman Building, School of Arts, Canterbury..
Exhibition with exhibition catalogue.
ISBN 978-1-902671-79-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31495)
|
|
|
Boenisch, Peter M
(2006)
Aesthetic art to aisthetic act. Theatre, media, intermedial performance.
In: Kattenbelt, Chiel and Chapple, Freda, eds.
Intermediality in Theatre and Performance.
Amsterdam: Rodopi, pp. 103-116.
ISBN 90-420-1629-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1165)
|
|
|
Boenisch, Peter M
(2002)
Archaeology/Alienation in Contemporary Performance.
In:
Fédération Internationale du Recherche Théâtrale.
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2632)
|
|
|
Boenisch, Peter M
(2005)
Book Review: Simon Shepherd and Mick Wallis, “Drama/ Theatre/ Performance”,.
Review of: “Drama/ Theatre/ Performance”
by Shepherd, Simon and Wallis, Mick.
Theatre Research International,
30
(3).
pp. 306-307.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2471)
|
|
|
Boenisch, Peter M
(1999)
Contributions to Dictionnaire de la Danse.
In: Le Moal, Philippe, ed.
Dictionnaire de la Danse.
Larousse.
ISBN 2-03-511318-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2492)
|
|
|
Boenisch, Peter M
(2000)
Contributions to Lexikon der Kultur der Gegenwart,.
In: Schnell, Ralf, ed.
Lexikon der Kultur der Gegenwart.
Stuttgart: Metzler.
ISBN 3-476-01622-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2491)
|
|
|
Boenisch, Peter M
(2002)
Der Körper als Zeichen!?
In: Klein, Gabriele and Zipprich, Christa, eds.
Tanz.Theorie.Text. Jahrbuch Tanzforschung 12.
Münster u.a.: Lit, pp. 383-395.
ISBN 3-8258-5901-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2485)
|
|
|
Boenisch, Peter M
(2010)
Dramaturgy as Relational Process: On the Act of Spectating.
In: 10. Kongress der Gesellschaft für Theaterwissenschaft “Theater & Subjektkonstitution”, 28th-31st October 2010, University of Mainz.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:25364)
|
|
|
Boenisch, Peter M
(2010)
Frank Castorf and the Berlin Volksbühne: The Humiliated and Insulted (2001).
In: Bay--Cheng, Sarah and Kattenbelt, Chiel and Lavender, Andy and Nelson, Robin, eds.
Mapping Intermediality in Performance.
Amsterdam University Press, Amsterdam, 187,196-202.
ISBN 978-90-8964-255-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:25358)
|
|
|
Boenisch, Peter M
(2008)
'How to do things with Text: Text-Regie als Mise-en-Sens'.
In: Conference 'Orbis Pictus - Theatrum Mundi', 25th October 2008, University of Amsterdam.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:25384)
|
|
|
Boenisch, Peter M
(2003)
In\Between.Realities.
In:
Working Group Meeting "Theatre and Intermediality", CSSD London.
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2630)
|
|
|
Boenisch, Peter M
(2009)
Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf.
In: Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf, 5th October 2009, Institut Schauspiel, Universität für Musik und darstellende Kunst, Graz/Austria.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:25373)
|
|
|
Boenisch, Peter M
(2000)
Intermediality in Contemporary Theatre.
In:
Fédération Internationale du Recherche Théâtrale.
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2637)
|
|
|
Boenisch, Peter M
(2007)
Multisensuality and Postdramatic Mise-en-Scène: The ro:theater's Proust-Project.
In: Suguiera, Malgorzata and Borowski, Matuesz, eds.
Fictional Realities/Real Fictions: Contemporary Theatre in Search of a New Mimetic Paradigm.
Cambridge Scholars Publishing, pp. 121-134.
ISBN 978-1-84718-138-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2466)
|
|
|
Boenisch, Peter M
(2009)
Panelist, Plenary Discussion ‚Jacques Rancière Study Day.
In: Royal Holloway/TAPRA Working Group ‘Performance, Identity, Community’, 28th February 2009, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:25382)
|
|
|
Boenisch, Peter M
(2009)
Research Seminar, Forschungsprojekt SaM Sound and Movement.
In: Forschungsprojekt SaM Sound and Movement, 16th March 2009, Institut für Theaterwissenschaft, LMU München.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:25381)
|
|
|
Boenisch, Peter M
(2007)
Tanz als Körper-Zeichen: Zur Methodik der Theater-Tanz-Semiotik.
In: Klein, Gabriele and Brandstetter, Gabriele, eds.
Bewegung in Übertragung, Bielefeld.
Transcript, pp. 29-45.
ISBN 3-89942-558-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2467)
|
|
|
Boenisch, Peter M
(2003)
Theater als Medium der Moderne? Zum Verhältnis von Medientechnologien und Bühne im 20. Jahrhundert.
In: Balme, Christopher and Fischer-Lichte, Erika and Gratzel, Stephan, eds.
Theater als Paradigma der Moderne? Positionen zwischen historischer Avantgarde und Medienzeitalter.
Mainzer Forschungen zu Drama und Theater 28. Tübingen: Francke 2003, pp. 447-456.
ISBN 3-7720-2796-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2475)
|
|
|
Boenisch, Peter M
(2002)
Theater der Sensationen.
In:
6. Kongress der Gesellschaft für Theaterwissenschaft.
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2631)
|
|
|
Boenisch, Peter M
(2004)
Theater der Sensationen. Performance als Wahrnehmungs-Labor.
In: Matzke, Annemarie and Kurzenberger, Hajo, eds.
TheorieTheaterPraxis.
Berlin: Theater der Zeit, pp. 261-268.
ISBN 3-934344-29-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2474)
|
|
|
Boenisch, Peter M
(2001)
Theatre and Media Studies: Bridging the Gap.
In:
Working Group Session "Theatre and Intermediality".
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2633)
|
|
|
Boenisch, Peter M
(2001)
Training Intelligence: Give Us Dance Academies!
Ballett International - Tanz Aktuell,
(8-9).
pp. 52-53.
ISSN 0947-0484.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2489)
|
|
|
Boenisch, Peter M
(2001)
Transforming Performance in the Internet Culture.
In:
Fédération Internationale du Recherche Théâtrale.
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2634)
|
|
|
Boenisch, Peter M.
(2014)
What happened to our Nation of Culture? Staging the theatre of the Other Germany.
In: Holdsworth, Nadine, ed.
Theatre and National Identity: Re-Imagining Conceptions of Nation.
Routledge Advances in Theatre & Performance Studies
.
Routledge, Abingdon, Oxfordshire, pp. 145-162.
ISBN 978-0-415-82299-2.
E-ISBN 978-0-203-36621-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:60017)
|
|
|
Boenisch, Peter M.
(2017)
An actor, but in life: Spectatorial consciousness and materialist theatre.
In: Fisher, Tony and Katsouraki, Eve, eds.
Performing Antagonism: Theatre, Performance & Radical Democracy.
Performance Philosophy
.
Palgrave Macmillan UK, London, UK.
ISBN 978-1-349-95099-7.
E-ISBN 978-1-349-95100-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:60019)
|
|
|
Boenisch, Peter M,
Orozco, Lourdes
(2010)
Working Group “Directing & Dramaturgy”.
In: TapRA 2010 Conference, 9th-11th September 2010, University of Glamorgan.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:25366)
|
|
|
Briggs, Joe Bob,
Hoberman, J.,
Love, D.,
Lucas, T.,
Sconce, J.,
Stanfield, Peter
(2008)
Cult Film: A Critical Symposium.
Cineaste,
34
(1).
pp. 43-50.
ISSN 0009-7004.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:14845)
|
|
|
Brooks, Helen E. M.
(2020)
Remembering the War on the British Stage: From Resistance to Reconstruction.
In: Verpoest, Luc and Engelen, Leen and Heynickx, Rajesh and Schmidt, Jan and Uyttenhove, Pieter and Verstraete, Pieter, eds.
Revival after the Great War: Rebuild, Remember, Repair, Reform.
University of Leuven Press, Leuven, pp. 164-177.
ISBN 978-94-6270-250-9.
(KAR id:85483)
|
|
|
Brooks, Helen E.M.
(2018)
British Theatre and the Great War 1914-1919: New Perspectives.
Review of: British Theatre and the Great War 1914–1919: New Perspectives
by Maunder, Andrew.
Nineteenth Century Theatre and Film,
45
(2).
pp. 270-276.
ISSN 1748-3727.
E-ISSN 2048-2906.
(doi:10.1177/1748372718792085)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:73672)
|
|
|
Day, Gary and Lynch, Jack and Brooks, Helen E.M. and Latimer, Bonnie and Morrissey, Lee and Rounce, Adam and Schurer, Norbert and Smallwood, Philip and Vilmar, Christopher, eds.
(2015)
The Encyclopedia of British Literature: 1660 - 1789.
Wiley Blackwell, 1528 pp.
ISBN 978-1-4443-3020-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64409)
|
|
|
Brooks, Helen E.M.
(2017)
Great War Theatre.
online.
Located at: www.greatwartheatre.org.uk.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65369)
|
|
|
Brooks, Helen E.M.
(2018)
The Horrors of War: Extreme violence on the Great War British Stage.
In: Dramaturgies of War: Institutional Dramaturgy, Politics, and Conflict in the 19th and 20th Centuries, 25-26 January 2018, Glasgow.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:73670)
|
|
|
Brooks, Helen E.M.
(2018)
Keeping the War Alive: British Theatre of the 1920s.
In: Theatre and Performance Research Association Conference 2018, 5-7 Sept 2018, Aberystwyth.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:73668)
|
|
|
Brooks, Helen E.M.
(2011)
The Later Seventeenth Century.
Review of: Drama
by UNSPECIFIED.
The Year's Work in English Studies,
88
(1).
pp. 590-610.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65354)
|
|
|
Brooks, Helen E.M.
(2011)
The Later Seventeenth Century.
Review of: Drama
by UNSPECIFIED.
The Year's Work in English Studies,
91
(1).
pp. 587-597.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65355)
|
|
|
Brooks, Helen E.M.
(2011)
The Later Seventeenth Century.
Review of: Drama
by UNSPECIFIED.
The Year's Work in English Studies,
90
(1).
pp. 544-551.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65356)
|
|
|
Brooks, Helen E.M.
(2011)
The Later Seventeenth Century.
Review of: Drama
by UNSPECIFIED.
The Year's Work in English Studies,
89
(1).
pp. 542-554.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65357)
|
|
|
Brooks, Helen E.M.
(2017)
Mobilising the Home Front: British Theatre in 1916.
In: The Fictional First World War, 6-9 Apr 2017, University of Aberdeen.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65361)
|
|
|
Brooks, Helen E.M.
(2018)
Peace and the Theatre: British Theatre after the Great War.
In: Revival after the Great War: Repair, Rebuild, Remember, 8-9 May 2018, Leuven.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:73669)
|
|
|
Brooks, Helen E.M.
(2017)
Sex and Sexuality.
In: Balme, Christopher B. and Davis, Tracy C., eds.
A Cultural History of Theatre.
Bloomsbury.
ISBN 978-1-4725-8584-4.
(KAR id:64411)
|
|
|
Brooks, Helen E.M.
(2016)
Sexual Suspects Roundtable.
In: Actress as Author, 09-10 Jul 2015, Chawton House.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65363)
|
|
|
Brooks, Helen E.M.
(2017)
Staging Jutland.
In: Jutland and After: The First World War at Sea from War to Peace 1916-1919, 31 May - 2 Jun 2017, National Museum of the Royal Naval, Portsmouth.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65359)
|
|
|
Brooks, Helen E.M.
(2017)
Theatre History and Historiography: Ethics, Evidence and Truth.
Review of: Theatre History and Historiography: Ethics, Evidence and Truth.
by UNSPECIFIED.
Theatre Research International,
.
pp. 351-352.
ISSN 0307-8833.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65347)
|
|
|
Brooks, Helen E.M.
(2010)
The Theatre and Victorian Visual Culture.
Review of: The Theatre and Victorian Visual Culture
by Heinrich, Anselm and Newey, Katherine and Richards, Jeffrey.
Theatre Research International,
36
(1).
pp. 90-91.
ISSN 0307-8833.
E-ISSN 1474-0672.
(doi:10.1017/S0307883310000842)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65353)
|
|
|
Brooks, Helen E.M.
(2014)
Theorizing the Woman Performer.
In: Swindells, Julia and Taylor, David Francis, eds.
The Oxford Handbook of the Georgian Theatre 1737-1832.
Oxford University Press.
ISBN 978-0-19-960030-4.
(doi:10.1093/oxfordhb/9780199600304.013.038)
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:31606)
|
|
|
Brooks, Helen E.M.
(2009)
Women and Theatre Management in the Eighteenth Century.
In: Engel, L., ed.
The Public's Open to Us All: Essays on Women and Performance in Eighteenth-Century England.
Cambridge Scholars Publishing, pp. 73-97.
ISBN 978-1-4438-0173-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:29675)
|
|
|
Brooks, Helen E.M. and Connelly, Mark L.
(2017)
The St. Barnabas Hostels’ Pilgrimage, 1923.
Performance type: Live play
Ypres 100, 28 - 31 Jul 2017, Passchendaele Memorial Museum, Belgium.
Live Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65342)
|
|
|
Brydon, Lavinia
(2017)
Garden of England: Sites of Production and Pilgrimage.
In: Locating Imagination: Popular Culture, Tourism and Belonging, 5-7 April 2017, Rotterdam, The Netherlands.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61371)
|
|
C
|
Camilleri, Frank
(2006)
Dramaturgy of a Performance Process.
Icarus Performance Project, Malta, 72 pp.
ISBN 99932-0-418-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20302)
|
|
|
Camilleri, Frank,
Schranz, John J
(1996)
Id-Descartes: Identity of a Dramaturgy.
GHE, Malta
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20305)
|
|
|
Cardinal, Roger
(1996)
Duchamp: Passim : A Marchel Duchamp Anthology - Hill,A.
Review of: Duchamp: Passim : A Marchel Duchamp Anthology
by Hill, Anthony.
Burlington Magazine,
138
(1117).
p. 261.
ISSN 0007-6287.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:18863)
|
|
|
Cardinal, Roger
(1992)
Manipulator Supreme.
Review of: Dali
by Etherington-Smith, Meredith.
Times Literary Supplement,
(4681).
p. 15.
ISSN 0307-661X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:23238)
|
|
|
Cardinal, Roger
(1992)
Martyr to Her Art.
Review of: Frida Kahlo: The Paintings; and Frida Kahlo: Torment and Triumph in Her Life and Art
by UNSPECIFIED.
Times Literary Supplement,
(4663).
p. 15.
ISSN 0307-661X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:23240)
|
|
|
Cardinal, Roger
(1992)
Mental Manipulator.
Review of: Alberto Savinio (exhibition at Accademia Italiana Delle Arti)
by UNSPECIFIED.
Times Literary Supplement,
(4638).
p. 19.
ISSN 0307-661X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:23245)
|
|
|
Cardinal, Roger
(1994)
Rosso,Medardo.
Burlington Magazine,
136
(1094).
pp. 329-330.
ISSN 0007-6287.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20420)
|
|
|
Cardwell, Sarah E.
(2005)
Andrew Davies.
Manchester University Press, 227 pp.
ISBN 0-7190-6491-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1168)
|
|
|
Carver, Gavin P.
(2002)
Carnival.
In: Donnell, Alison, ed.
Companion to Black British Culture.
Routledge, pp. 65-67.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9419)
|
|
|
Carver, Gavin P.
(2001)
Computer visualisation for the theatre.
Focal Press
ISBN 0-240-51617-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1171)
|
|
|
Carver, Gavin P.
(2001)
John Fox.
In: Bull, John, ed.
Dictionary of Literary Biography Vol 245 British and Irish Dramatists Since World War II.
London: Bruccoli Clark Layman, pp. 157-166.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1268)
|
|
|
Carver, Gavin P.
(2000)
A Midsummer Night’s Dream.
A Midsummer Night’s Dream, June 2000, University of Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9421)
|
|
|
Carver, Gavin P. and Beardon, C
(2003)
New visions in performance.
In: Carver, Gavin P., ed.
New Visions in Performance.
Swets & Zeitlinger, pp. 167-182.
ISBN 90-265-1966-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1173)
|
|
|
Carver, Gavin P. and Presdee, Mike
(2000)
The Carnival of Crime.
In: Presdee, Mike, ed.
Cultural Criminology and the Carnival of Crime.
Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9414)
|
|
|
Choi, Jinhee
(2006)
Apperception on Display: Structural Films and Philosophy.
In: Smith, Murray and Wartenberg, Thomas, eds.
Thinking Through Cinema: Film as Philosophy.
Blackwell, pp. 165-172.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:14642)
|
|
|
Choi, Jinhee
(2003)
Fits and Startles: Cognitivism Revisited.
Journal of Aesthetics and Art Criticism,
61
(2).
pp. 149-157.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:14650)
|
|
|
Choi, Jinhee
(2005)
National Cinema, the Very Idea.
In: Choi, Jinhee and Carroll, Noel, eds.
Philosophy of Film and Motion Pictures.
Blackwell, pp. 310-319.
ISBN 978-1-4051-2027-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:14644)
|
|
|
Choi, Jinhee
(2004)
Preface to The Cinema of Japan and Korea.
In: Bowyer, Justin, ed.
The Cinema of Japan and Korea.
Wallflower Press.
ISBN 978-1-904764-11-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:14647)
|
|
|
Choi, Jinhee
(2001)
A Reply to Gregory Currie on Documentaries.
Journal of Aesthetics and Art Criticism,
59
(3).
pp. 317-319.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:14652)
|
|
|
Cinquegrani, Maurizio
(2019)
Agnafit.
Anima Loci,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75520)
|
|
|
Cinquegrani, Maurizio
(2017)
The Cinematic Shtetl as a Site of Postmemory.
In: Penz, Francois and Koeck, Richard, eds.
Cinematic Urban Geographies.
Screening Spaces
.
Palgrave Macmillan, London, UK, pp. 137-154.
ISBN 978-1-137-46830-7.
E-ISBN 978-1-137-46084-4.
(doi:10.1057/978-1-137-46084-4)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:60020)
|
|
|
Clayton, Alex
(2007)
The Body In Hollywood Slapstick.
McFarland and Co, Inc, 237 pp.
ISBN 978-0-7864-3063-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2226)
|
|
|
Clayton, Alex
(2007)
Music In The Style Of Jean Reoir.
Cineaction,
66
.
pp. 61-72.
ISSN 0826-9866.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2225)
|
|
|
Conyne, George R.
(1992)
Explaining American Politics - Williams,R.
Journal of American Studies,
26
(2).
p. 289.
ISSN 0021-8758.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:22527)
|
|
|
Cowie, Elizabeth
(2006)
‘The Art of Paranoia’.
In: Pajdic, Predrag and Pasolini, Antonio and Ryan, Paul, eds.
Paranoia.
Southend/Leeds/London, London, pp. 138-148.
ISBN 139780955330902.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2991)
|
|
|
Cowie, Elizabeth
(2003)
Cinematic dream-work of Ingmar Bergman’s Wild Strawberries.
In: Sabbadini, Andrea, ed.
The Couch and the Silver Screen. Psychoanalytic Analytic Reflections on European Cinema.
Brenner-Routledge, pp. 181-201.
ISBN 1-58391-952-X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1175)
|
|
|
Cowie, Elizabeth
(1986)
A Discussion of Coma.
In: Brunsden, Charlotte, ed.
Hollywood’s New Women.
British Film Institute.
ISBN 0857101558.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3010)
|
|
|
Cowie, Elizabeth
(1997)
Documenting Fictions.
Continuum, Australian Journal of Media & Culture,
11
(1).
pp. 54-66.
ISSN 1030-4312.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3034)
|
|
|
Cowie, Elizabeth
(2001)
The Enigma of the Message.
Review of: Essays on Otherness
by Laplanche, Jean.
New Formations,
(43).
pp. 148-150.
ISSN 0950-2378.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3043)
|
|
|
Cowie, Elizabeth
(1999)
Fantasia.
In: Evans, Jessica and Hall, Stuart, eds.
Visual Culture, The Reader.
Sage, pp. 356-378.
ISBN 0-7619-6247-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2999)
|
|
|
Cowie, Elizabeth
(1975)
‘Feminist Film Criticism - a reply’.
Screen,
16
(1).
pp. 134-139.
ISSN 0036-9543.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3042)
|
|
|
Cowie, Elizabeth
(2000)
Figuracija/Razumevanje fetiöa.
Filmsek Sveske,
2-3
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3011)
|
|
|
Cowie, Elizabeth
(1995)
Film - Zenska Tovarna Sanji.
Vsebina,
(23).
pp. 46-80.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3036)
|
|
|
Cowie, Elizabeth
(1993)
Film Noir and Women.
In: Copjec, Joan, ed.
Shades of Noir.
Verso, pp. 121-166.
ISBN 0-86091-625-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3002)
|
|
|
Cowie, Elizabeth
(1989)
Film in teorija v osemdesetih letih.
Ekran,
14
(5/6).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3037)
|
|
|
Cowie, Elizabeth
(1993)
From Fantasia.
In: Easthope, Anthony, ed.
Contemporary Film Theory.
Longman, pp. 147-161.
ISBN 0-582-09032-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3003)
|
|
|
Cowie, Elizabeth
(2001)
Identifizierung mit dem Realen - Spektakel der Realität.
In: Angerer, Marie-Luise and Krips, H., eds.
Der Andere Schauplatz Psychoanalyse - Kultur - Medien.
Vienna: Turia + Kant, pp. 151-180.
ISBN 3-85132-287-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2995)
|
|
|
Cowie, Elizabeth
(1996)
Images of Women and Filmic Identification.
In: Dakovic, Nevena and Derman, Denis and Ross, Karen, eds.
Gender & Media.
Med-Campus Project no A126 Publications, pp. 35-60.
ISBN 975-96120-0-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3001)
|
|
|
Cowie, Elizabeth
(2009)
Introduction to Post-Partum Document.
In: Frascina, Francis, ed.
Modern Art Culture: a reader.
Routledge, London, pp. 303-311.
ISBN 978-0-415-23151-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:26339)
|
|
|
Cowie, Elizabeth
(2005)
On Rear Window.
In: Rutsky, R.L. and Geiger, Jeffrey, eds.
Film Analysis: A Reader.
W. W. Norton & Company, pp. 475-493.
ISBN 0-393-97983-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1176)
|
|
|
Cowie, Elizabeth
(1992)
Pornography and Fantasy.
In: Segal, Lynne and McIntosh, Mary, eds.
Sex Exposed: Sexuality and the Pornography Debate.
Virago, pp. 132-152.
ISBN 1-85381-385-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3006)
|
|
|
Cowie, Elizabeth
(2007)
Possession, paranoia and the experience of art.
In: Freud Museum Symposium: Observing Paranoia in Clinical Practice, Art and Anthropology, March 3rd, 10am - 5pm, 2007, Tavistock Clinic, London NW3.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:12967)
|
|
|
Cowie, Elizabeth
(1990)
Psychoanalysis and Cinema: Film and Theory in the 1980's.
In: Donald, James, ed.
Psychoanalysis and Cultural Theory: Thresholds.
Macmillan, pp. 104-138.
ISBN 0-312-05232-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3008)
|
|
|
Cowie, Elizabeth
(1997)
Representing the Woman: Psychoanalysis and Cinema.
University of Minnesota Press, 397 pp.
ISBN 033330576.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2987)
|
|
|
Cowie, Elizabeth
(1980)
Review article of The Song of the Shirt.
Review of: The Song of the Shirt
by Clayton, Sue and Curling, Jonathan.
Camera Obscura,
(5).
pp. 87-97.
ISSN 0270-5346.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3050)
|
|
|
Cowie, Elizabeth
(1987)
Review article on Mary Kelly’s Interim.
Review of: Interim
by Kelly, Mary.
New Formations,
(2).
pp. 20-28.
ISSN 0950-2378.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3048)
|
|
|
Cowie, Elizabeth
(1990)
Review of Psychoanalysis and Cinema.
Review of: Psychoanalysis and Cinema
by Kaplan, Anne E..
Times Higher Education Supplement,
.
0-0.
ISSN 0049-3929.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3045)
|
|
|
Cowie, Elizabeth
(1999)
The Spectacle of Actuality.
In: Gaines, Jane and Renov, Michael, eds.
Collecting Visible Evidence.
University of Minnesota Press, pp. 19-45.
ISBN 0-8166-3135-2/3136-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2998)
|
|
|
Cowie, Elizabeth
(1997)
The Spectacle of Reality and Documentary Film.
Documentary Box,
(10).
pp. 1-8.
ISSN 1340-0832.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3035)
|
|
|
Cowie, Elizabeth
(2007)
Specters of the Real: Documentary Time and Art.
Differences: A Journal of Feminist Cultural Studies,
18
(1).
pp. 87-127.
ISSN 1040-7391.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2227)
|
|
|
Cowie, Elizabeth
(1998)
Storytelling: classical Hollywood cinema and classical narrative.
In: Neale, Steve and Smith, Murray, eds.
Contemporary Hollywood Cinema.
Routledge, pp. 178-190.
ISBN 0-415-17010-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3000)
|
|
|
Cowie, Elizabeth
(1986)
Strategems of Identification.
Oxford Literary Review,
8
(1/2).
pp. 66-67.
ISSN 0-9511080 0 X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3038)
|
|
|
Cowie, Elizabeth
(2000)
Traumatic Memories of Remembering and Forgetting.
In: Rossington, Michael and Whitehead, Anne, eds.
Between the Psyche and the Polis: Refiguring history in literature and theory.
Ashgate Publishing, pp. 191-204.
ISBN 0-7546-0228-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2997)
|
|
|
Cowie, Elizabeth
(2001)
Woman as Sign.
In: Andjelkovic, Branislava, ed.
Feminist Visual Theories.
Belgrade: Cenre For Contemporary Arts.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2994)
|
|
|
Cowie, Elizabeth
(1993)
Women, Representation and the Image.
In: Alvarado, Manuel and Buscombe, Edward and Collins, Richard, eds.
The Screen Education Reader: Cinema, Television, Culture.
Macmillan, pp. 48-60.
ISBN 0-231-08111-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3004)
|
|
|
Cowie, Elizabeth
(2000)
Working Images: the representations of documentary film.
In: Pollock, Griselda and Mainz, Valerie, eds.
Work and the Image II.
Ashgate Press, pp. 173-192.
ISBN 0-7546-0233-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2996)
|
|
|
Cowie, Elizabeth
(1991)
Zenska Seksualnost.
In: Bahovec, Eva D., ed.
Zenska Seksualnost - Freud & Lacan.
Analecta, pp. 146-169.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3007)
|
|
|
Cowie, Elizabeth
(2003)
The lived nightmare: trauma, anxiety, and the ethical aesthetics of horror.
In: Schneider, Steven Jay and Shaw, Daniel, eds.
Dark Thoughts: Philosophic Reflections on Cinematic Horror.
Lanham, MD: Scarecrow Press, pp. 25-46.
ISBN 0-8108-4792-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1174)
|
|
|
Cowie, Elizabeth and Adams, Parveen
(1990)
The Woman in Question.
Cambridge/MIT Press/October Books, 383 pp.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2988)
|
|
|
Cregan-Reid, Vybarr
(2019)
What is the web doing to our bodies?
.
British Council
Internet Radio.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:81228)
|
|
D
|
Declercq, Dieter
(2015)
Bart Pattyn,Media en Mentaliteit. Lannoo, 2014. ISBN 978-94-014-1289-6.
Review of: Media en mentaliteit [Media and Mentality]
by Pattyn, Bart.
Critical Studies in Television: The International Journal of Television Studies,
10
(2).
pp. 147-149.
ISSN 1749-6020.
E-ISSN 1749-6039.
(doi:10.7227/CST.10.2.10)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75391)
|
|
|
Declercq, Dieter
(2018)
Can we learn the truth from Lenny Bruce? A careful cognitivism about satire.
In: Rutter Giappone, Krista Bonello and Francis, Fred and MacKenzie, Iain, eds.
Comedy and Critical Thought : Laughter as Resistance.
Rowman & Littlefield, 45 -64.
ISBN 978-1-78660-406-4.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:75356)
|
|
|
Declercq, Dieter
(2019)
‘Comedy and Mental Health: Future Directions’, Conference Review.
Review of: Comedy and Mental Health: Future Directions (1 May 2019, University of Kent)
by UNSPECIFIED.
The Polyphony,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75388)
|
|
|
Declercq, Dieter
(2018)
Humour as Politics: The Political Aesthetics of Contemporary Comedy, by Nicholas Holm, London, Palgrave Macmillan, 2017, pp., £67.99 hardback), ISBN:
9783319509495.
Review of: Humour as Politics: The Political Aesthetics of Contemporary Comedy, by Nicholas Holm, London, Palgrave Macmillan, 2017
by Holm, Nicholas.
Comedy Studies,
9
(2).
pp. 260-262.
ISSN 2040-610X.
E-ISSN 2040-6118.
(doi:10.1080/2040610X.2018.1494353)
(KAR id:75390)
|
![[img]](/75390/1.hassmallThumbnailVersion/Book%20Review.pdf)  Preview |
|
|
Declercq, Dieter
(2019)
Satire and The Simpsons.
Newton Talks
Item format: Podcast.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:82529)
|
|
|
Deprez, Eleen,
Maes, Hans R.V.
(2016)
Wat is een portret?
Kunsttijdschrift Vlaanderen,
(361).
ISSN 1780-6461.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65251)
|
|
|
Double, Oliver
(1996)
Alternative comedy: from radicalism to commercialism.
In: Merkin, Ros, ed.
Popular Theatres?
Liverpool John Moores University, Liverpool, pp. 127-139.
ISBN 0-9527978-0-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:44576)
|
|
|
Double, Oliver
(2012)
Britain Had Talent: A History of Variety Theatre.
Palgrave Macmillan, Houndsmills, basingstoke, Hampshire, 288 pp.
ISBN 9780230284593 (hbk) 9780230284609 (pbk).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31710)
|
|
|
Double, Oliver
(2007)
Karl Valentin’s “Father and Son Discuss the War".
Studies in Theatre and Performance,
27
(1).
pp. 5-11.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2440)
|
|
|
Double, Oliver
(2007)
Punk rock as popular theatre.
New Theatre Quarterly,
23
(1).
pp. 35-48.
ISSN 0266-464X.
(doi:doi: 10.1017/S0266464X06000613)
(KAR id:1182)
|
![[img]](/1182/1.hassmallThumbnailVersion/DoubleNTQ89-03_%28Double%29.pdf)  Preview |
|
|
Double, Oliver
(2007)
Saint Pancreas.
Performance type: Other
Saint Pancreas, 3/11/06, Horsebridge Arts Centre, Whitstable.
DVD and Live Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2229)
|
|
|
Double, Oliver
(1997)
Stand-Up! On Being a Comedian.
Methuen Drama, London, 262 pp.
ISBN 0-413-70320-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:44579)
|
|
|
Double, Oliver
(2000)
Teaching Stand-Up Comedy. A Mission: Impossible?
Studies in Theatre and Performance,
20
(1).
pp. 14-23.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20310)
|
|
|
Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds.
(2017)
Popular Performance.
Bloomsbury Methuen Drama, London, UK, 304 pp.
ISBN 978-1-4742-4734-4.
E-ISBN 978-1-4742-4735-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61549)
|
|
|
Double, Oliver and Wilson, Michael
(2006)
Brecht and cabaret.
In: Thomson, Peter and Sacks, Glendyr, eds.
Cambridge Companion to Brecht, 2nd Edition.
Cambridge University Press.
ISBN 978-0-521-67384-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1180)
|
|
E
F
|
Fox, J.
(1998)
A second life: German cinema's first decades.
Review of: A second life: German cinema's first decades
by UNSPECIFIED.
Historical Journal of Film, Radio and Television,
18
(1).
pp. 139-140.
ISSN 0143-9685.
(doi:10.1080/01439689800260091)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:17742)
|
|
|
Frey, Mattias
(2004)
Border Zones: The Films of Ulrich Seidl.
Senses of Cinema,
(32).
ISSN 1443-4059.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20323)
|
|
|
Frey, Mattias
(2015)
Ekel im Kino.
In: Invited Speaker, 'Angustia', Deutsches Filmmuseum, Frankfurt, 23 January 2015, Deutsches Filmmuseum Frankfurt.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:44721)
|
|
|
Frey, Mattias
(2017)
Fassbinder and the Western: Whity (1971).
In: BAFTSS conference, University of Bristol, Bristol.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64773)
|
|
|
Frey, Mattias
(2017)
Fassbinder, the art film and popular genre: Whity.
In: Invited Masterclass, British Film Institute, BFI Fassbinder: The Many Faces of R. W. Fassbinder, 27 April 2017, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64774)
|
|
|
Frey, Mattias
(2017)
Fassbinder: Television Pioneer.
In: Invited Speaker, British Film Institute, public lecture, 2 May 2017, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64775)
|
|
|
Frey, Mattias
(2017)
Fassbinder: The Formal Innovator.
Sight and Sound,
27
(5).
p. 28.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64751)
|
|
|
Frey, Mattias
(2006)
Fidelio: Love, Adaptation, and Eyes Wide Shut.
Literature/Film Quarterly,
34
(1).
pp. 39-45.
ISSN 0090-4260.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20322)
|
|
|
Frey, Mattias
(2007)
In/Flux: German Films at the 57th Berlin International Film Festival.
Review of: German Films at the 57th Berlin International Film Festival
by UNSPECIFIED.
Senses of Cinema,
43
(1).
0-0.
ISSN 1443-4059.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20767)
|
|
|
Frey, Mattias
(2018)
The International Reception of Downfall.
In: Fisher, Jaimey and Richardson, Michael D., eds.
Downfall: A Companion.
De Gruyter, Berlin.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64747)
|
|
|
Frey, Mattias
(2010)
Medien aus filmwissenschaftlicher Sicht.
In: Masterclasses, 29th June-2nd July 2010, Universitat Passau.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:25352)
|
|
|
Frey, Mattias
(2010)
Paris' Threat to German Film Criticism: Denounce and Recycle.
In: European Network for Cinema and Media Studies Annual Conference, 25th June 2010, Istanbul.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:25354)
|
|
|
Frey, Mattias
(2010)
A Persistent Allure: The Reception of Michael Haneke.
In: Invited speaker, On Michael Haneke, 2nd June 2010, University of Sussex.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:25355)
|
|
|
Frey, Mattias
(2006)
“Postmodernism” and “Guy Maddin".
In: Grant, Barry Keith, ed.
Schirmer Encyclopedia of Film.
Schirmer Press, Detroit, pp. 291-296.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20315)
|
|
|
Frey, Mattias
(2007)
Review of Screening the Past: Memory and Nostalgia in Cinema.
Review of: Screening the Past: Memory and Nostalgia in Cinema
by Cook, Pam.
Film International,
5
(5).
pp. 87-89.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20766)
|
|
|
Frey, Mattias
(2006)
Structuralism and Poststructuralism.
In: Grant, Barry Keith, ed.
Schirmer Encyclopedia of Film.
Schirmer Press, Detroit, pp. 165-168.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20317)
|
|
|
Frey, Mattias
(2007)
Theorizing Cinema in Sebald and Sebald with Cinema.
In: Patt, Lise, ed.
Searching for Sebald: Photography After W.G. Sebald.
Los Angeles: Institute of Cultural Inquiry Press, Los Angeles, pp. 226-241.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20314)
|
|
|
Frey, Mattias
(2018)
Unstomachable: Irréversible (2002) and the Extreme Cinema Tradition.
In: Baer, Nicholas and Hennefeld, Maggie and Horak, Laura and Iversen, Gunnar, eds.
Unwatchable.
Rutgers University Press, New Brunswick, NJ.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64746)
|
|
|
Friday, Jonathan
(2002)
Aesthetics and photography.
Aldershot: Ashgate Press, 175 pp.
ISBN 0-7546-0428-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1185)
|
|
|
Friday, Jonathan
(2005)
Andre Bazin’s ontology of film and the photographic image.
Journal of Aesthetics and Art Criticism,
63
(4).
pp. 339-350.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1186)
|
|
|
Friday, Jonathan
(2007)
The Art Seminar.
In: Elkins, James, ed.
Photographic Theory.
Routledge, pp. 129-204.
ISBN 0-415-97783-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:6590)
|
|
|
Friday, Jonathan
(1998)
Hume’s Sceptical Standard of Taste.
Journal of the History of Philosophy,
36
(4).
pp. 545-566.
ISSN 0022-5053.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:6573)
|
|
|
Friday, Jonathan
(1999)
Looking at Nature Through Photographs.
Journal of Aesthetic Education,
33
(1).
pp. 25-35.
ISSN 0021-8510.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:6576)
|
|
|
Friday, Jonathan
(2004)
Moral Theory and the Improvement of Moral Thought.
Journal of Moral Education,
33
(1).
pp. 23-33.
ISSN 0305-7240.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:6585)
|
|
|
Friday, Jonathan
(2001)
Photography and the representation of vision.
Journal of Aesthetics and Art Criticism,
59
(4).
pp. 351-362.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1189)
|
|
|
Friday, Jonathan
(1999)
Quem Tem Medo De Uma Sociedade On-line?
Cadernos Da Escola Do Legislativo,
.
pp. 39-51.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:6580)
|
|
|
Friday, Jonathan
(1996)
Transparency and the Photographic Image.
British Journal of Aesthetics,
36
(1).
pp. 30-42.
ISSN 0007-0904.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:6568)
|
|
|
Friday, Jonathan
(1998)
Who’s Afraid of an On-line Society?
Ends and Means,
3
(2).
pp. 2-7.
ISSN 1472-5819.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:6579)
|
|
|
Fugard, Athol
(2011)
Il Guidatore del Treno.
Performance type: Live play
Tramedautore Festival, September 2011, Piccolo Teatro, Teatro d'Europa, Milan.
Performance.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31497)
|
|
G
|
Gillick, Ambrose and Ivett, Lee, eds.
(2018)
Test Unit.
Glasgow Urban Lab, dpr-barcelona, Glasgow, UK, 132 pp.
ISBN 978-1-9996221-1-4.
(KAR id:71690)
|
![[img]](/71690/1.hassmallThumbnailVersion/AGillick_TestUnit_2018.pdf)  Preview |
|
|
Gillick, Ambrose,
Proctor, Robert
(2016)
The Architecture of Twentieth-Century Pilgrimage in Scotland.
In: SCHA 2016 CONFERENCE, 29th October 2016, Edinburgh, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:71710)
|
|
|
Goebbels, Heiner
(2014)
Aesthetic of Absence.
Other.
Routledge, London
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:37423)
|
|
|
Grant, Catherine A.
(2008)
Auteur machines? Auteurism and the DVD.
In: Bennett, James and Brown, Tom, eds.
Film and Television After DVD.
Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:7819)
|
|
|
Grant, Catherine A.
(2000)
Intimista Transformations: María Luisa Bemberg's First Feature Films.
In: King, John and Whittaker, Sheila and Bosch, Rosa, eds.
The Films of María Luisa Bemberg: An Argentine Passion.
Verso.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:7925)
|
|
|
Grant, Catherine A.
(2006)
'Introduction' in Screening World Cinema: A Screen Reader.
In: Grant, Catherine A. and Kuhn, Annette, eds.
Screening World Cinema: A Screen Reader.
Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:7823)
|
|
|
Grant, Catherine A.
(2000)
Millennial debates - www.auteur.com?
Screen,
41
(1).
pp. 101-108.
ISSN 0036-9543.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:16155)
|
|
|
Grant, Catherine A.
(2000)
www.auteur.com?
Screen,
41
(1).
pp. 101-108.
ISSN 0036-9543.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:7926)
|
|
|
Grant, Michael
(1999)
Bad girls and sick boys: Fantasies in contemporary art and culture.
Review of: Bad girls and sick boys: Fantasies in contemporary art and culture
by Kauffman, L.S.
Sight and Sound,
9
(2).
p. 30.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:16812)
|
|
|
Grant, Michael
(1998)
Crimes of the future (David Cronenberg, 'Crash').
Screen,
39
(2).
pp. 180-185.
ISSN 0036-9543.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:17778)
|
|
|
Grant, Michael
(1999)
Early cinema in Russia and its cultural reception.
Review of: Early cinema in Russia and its cultural reception
by Tsivisn, Y.
Sight and Sound,
9
(2).
p. 32.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:16815)
|
|
|
Grant, Michael
(1999)
The Eisenstein reader.
Review of: The Eisenstein reader
by Taylor, R.
Sight and Sound,
9
(2).
p. 30.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:16813)
|
|
|
Grant, Michael
(1998)
Meat is murder: An illustrated guide to cannibal culture.
Review of: Meat is murder: An illustrated guide to cannibal culture
by Mikita, Brottman.
Sight and Sound,
8
(8).
p. 29.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:17777)
|
|
|
Grant, Michael
(1998)
Video critical: Children, the environment and media power.
Review of: Video Critical: Children, the Environment and Media Power
by Gauntlett, D..
Sight and Sound,
8
(8).
pp. 28-29.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:17776)
|
|
|
Grant, Michael
(1999)
The Western reader.
Review of: The Western reader
by Kitses, J.
Sight and Sound,
9
(2).
pp. 31-32.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:16814)
|
|
|
Grant, Michael
(1999)
The erotic anime movie guide.
Review of: The erotic anime movie guide
by McCarthy, Helen and Clements, Jonathan.
Sight and Sound,
9
(5).
p. 33.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:16811)
|
|
|
Grantley, Darryll
(1993)
American drama of the 20th-Century - Berkowitz, GM.
Notes and Queries,
40
(4).
pp. 571-572.
ISSN 0029-3970.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:22112)
|
|
|
Grantley, Darryll
(1994)
The Cambridge Guid to American Theater - Wilmeth, DB.
Theatre Research International,
19
(3).
pp. 285-286.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20223)
|
|
|
Grantley, Darryll
(1987)
‘Dramatizing Chaucer’.
In:
22nd International Congress on Medieval Studies.
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2683)
|
|
|
Grantley, Darryll
(1997)
Festive drama - Twycross,M.
Review of: Festive Drama
by Twycross, M.
Theatre Research International,
22
(1).
p. 74.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:18073)
|
|
|
Grantley, Darryll
(2008)
London in English Drama 1500-1700.
Cambridge University Press
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1206)
|
|
|
Grantley, Darryll
(1995)
‘Marsha Norman’.
In: Bloom, C., ed.
American Drama.
Macmillan.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2654)
|
|
|
Grantley, Darryll
(2006)
Morality and Interlude Drama.
In: Brown, Peter, ed.
A Companion to Medieval English Literature and Culture c.1350-c.1500.
Wiley, pp. 473-487.
ISBN 978-0-631-21973-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1203)
|
|
|
Grantley, Darryll
(2003)
‘Perilous Childhood in the Tudor Interlude’.
In:
Shakespeare’s Children/Children’s Shakespeare.
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2676)
|
|
|
Grantley, Darryll
(1983)
‘Producing Miracles’.
In: Neuss, P., ed.
Aspects of Early English Drama.
Brewer.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2649)
|
|
|
Grantley, Darryll
(1992)
Review of C. Bigsby Arthur Miller and Company.
Review of: Arthur Miller and Company
by Bigsby, Christopher.
New Theatre Quarterly,
(30).
p. 197.
ISSN 0-521-60328-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2698)
|
|
|
Grantley, Darryll
(1987)
Review of C. Davidson (ed) The Saint Play in Medieval Europe.
Review of: The Saint Play in Medieval Europe
by Davidson, C.
Comparitive Drama,
21
(3).
pp. 295-297.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2694)
|
|
|
Grantley, Darryll
(1990)
Review of D. Gilman (ed) Everyman and Company.
Review of: Everyman and Company
by Gilman, D.
Comparitive Drama,
24
(4).
pp. 367-370.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2697)
|
|
|
Grantley, Darryll
(1993)
Review of G. M. Berkowitz American Drama of the Twentieth Century.
Review of: American Drama of the Twentieth Century
by Berkowitz, G.M..
Notes and Queries,
.
pp. 571-572.
ISSN 0029-3970.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2701)
|
|
|
Grantley, Darryll
(1987)
Review of J. Lahr The Orton Diaries.
Review of: The Orton Diaries
by Lahr, J.
Speech and Drama,
36
(1).
pp. 50-51.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2693)
|
|
|
Grantley, Darryll
(1996)
Review of J. Somerset Records of Early English Drama: Shropshire.
Review of: Records of Early English Drama: Shropshire
by Somerset, J. Alan B..
Comparitive Drama,
30
(2).
pp. 282-285.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2706)
|
|
|
Grantley, Darryll
(1988)
Review of J. Wasson (ed) Records of Early English Drama: Devon.
Review of: Records of Early English Drama: Devon
by Wasson, J.
Comparitive Drama,
21
(4).
pp. 399-401.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2695)
|
|
|
Grantley, Darryll
(2005)
Review of Katie Normington Gender and Medieval Drama.
Review of: Gender and Medieval Drama
by Normington, Katie.
Theatre Research International,
30
(3).
pp. 298-299.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2722)
|
|
|
Grantley, Darryll
(1996)
Review of L. Muir The Biblical Drama of Medieval Europe.
Review of: The Biblical Drama of Medieval Europe
by Muir, Lynette R..
Theatre Research International,
21
(1).
pp. 79-80.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2705)
|
|
|
Grantley, Darryll
(1992)
Review of M. Baer Theatre and Disorder in Late Georgian London.
Review of: Theatre and Disorder in Late Georgian London
by Baer, Marc.
New Theatre Quarterly,
(31).
p. 91.
ISSN 0-521-60328-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2699)
|
|
|
Grantley, Darryll
(1997)
Review of M. Twycross (ed) Festive Drama.
Review of: Festive Drama
by Twycross, M.
Theatre Research International,
22
(1).
p. 74.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2707)
|
|
|
Grantley, Darryll
(1988)
Review of R. Boxhill Tennessee Williams and G McCarthy Edward Albee.
Review of: Tennessee Williams and Edward Albee
by Boxhill, R and McCarthy, G.
Speech and Drama,
37
(1).
pp. 57-58.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2696)
|
|
|
Grantley, Darryll
(1986)
Review of T. Parr (ed) Coriolanus, D Male (ed) Dr Faustus, D Devlin (ed) The Winter’s Tale, and P Ranger (ed) She Stoops to Conquer.
Review of: Coriolanus, Dr Faustus, The Winter's Tale and She Stoops To Conquer
by Parr, T and Male, D and Devlin, D and Ranger, P.
Speech and Drama,
35
(1).
pp. 32-33.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2692)
|
|
|
Grantley, Darryll
(2008)
'Saints and Miracles'.
In: Beadle, Richard, ed.
The Cambridge Companion to Medieval English Theatre.
Cambridge University Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2660)
|
|
|
Grantley, Darryll
(1994)
‘Saints’ Plays’.
In: Beadle, Richard, ed.
The Cambridge Companion to Medieval English Theatre.
Cambridge University Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2652)
|
|
|
Grantley, Darryll
(1985)
Sam Shepard Fool for Love, Arthur Miller The American Clock, David Mamet American Buffalo and Marsha Norman ’night Mother.
Review of: Fool for Love, The American Clock, American Buffalo and 'night Mother
by Shepard, S and Miller, A and Mamet, D and Norman, M.
Speech and Drama,
34
(2).
pp. 67-69.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2688)
|
|
|
Grantley, Darryll
(1996)
‘Schooling the Audience’.
In:
Shakespeare and Tudor Theatrical Traditions.
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2678)
|
|
|
Grantley, Darryll
(1984)
The Source of the Digby Mary Magdalen.
Notes and Queries,
31
(4).
ISSN 0029-3970.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2670)
|
|
|
Grantley, Darryll
(2000)
‘The Upbringing of Youth in the Tudor Interlude’.
In:
Gender and Life Cycle in the Middle Ages.
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2677)
|
|
|
Grantley, Darryll
(1986)
The Winter’s Tale and Early Religious Drama.
Comparative Drama,
20
(1).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2671)
|
|
|
Grantley, Darryll
(1994)
‘The Winter’s Tale and Early Religious Drama’.
In: Battenhouse, Roy W., ed.
Shakespeare’s Christian Dimension.
Indiana University Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2655)
|
|
|
Grantley, Darryll
(1996)
The biblical drama of medieval europe - Muir,LR.
Theatre Research International,
21
(1).
pp. 79-80.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:19212)
|
|
|
Greenaway, Peter
(2009)
Le Nozze di Cana.
Performance type: Live play
Veronese's The Wedding at Cana by Peter Greenaway, June to September 2009, San Giorgio Maggiore Refectory, Venice.
Performance.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31498)
|
|
|
Greenaway, Peter and Laera, Margherita
(2009)
The Blue Planet.
UNSPECIFIED.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31500)
|
|
|
Grieveson, Lee
(1999)
African American films through 1959: A comprehensive illustrated filmography.
Review of: African American films through 1959: A comprehensive illustrated filmography
by Richards, Larry.
Journal of American Studies,
33
(3).
pp. 550-551.
ISSN 0021-8758.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:16822)
|
|
|
Grieveson, Lee
(2000)
America on film: Hollywood and American history.
Journal of American Studies,
34
.
pp. 316-317.
ISSN 0021-8758.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:16165)
|
|
|
Grieveson, Lee
(1999)
America on film: Hollywood and American history.
Review of: America on film: Hollywood and American history
by Cameron, K.M..
Journal of American Studies,
33
(3).
pp. 575-576.
ISSN 0021-8758.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:16823)
|
|
|
Grindle, Nicholas and Thomas, Ben D. H.
(2017)
Curating connections in the art history curriculum.
In:
Developing the Higher Education Curriculum: Research-based Education in Practice.
UCL Press, pp. 106-117.
ISBN 978-1-78735-089-2.
E-ISBN 978-1-78735-090-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64375)
|
|
|
Guerin, Frances
(2018)
Behind the Mask.
In: Suto, Fanni, ed.
Midnight Masquerade: A Masquerade Anthology.
Fantasia Divinity, pp. 6-25.
(KAR id:70868)
|
![[img]](/70868/1.hassmallThumbnailVersion/Behind%20the%20Mask.pdf)  Preview |
|
|
Guerin, Frances
(2003)
Dazzled by the Light.
Cinema Journal,
42
(4).
pp. 98-115.
ISSN 0009-7101.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45489)
|
|
|
Guerin, Frances
(2013)
En Grisaille nowadays.
.
Catalogue and exhibition blurb.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45712)
|
|
|
Guerin, Frances
(2019)
Even If She Had Been a Criminal. A Past Unwatched.
In: Baer, Nicholas and Hennefeld, Maggie and Horak, Laura and Iversen, Gunnar, eds.
Unwatchable.
Rutgers University Press, New Jersey.
ISBN 978-0-8135-9958-8.
E-ISBN 978-0-8135-9960-1.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:71526)
|
|
|
Guerin, Frances
(2007)
The Gray Space Between: Gerhard Richter’s 18. Oktober 1977 (1989).
In: Guerin, Frances and Hallas, Roger, eds.
The Image and the Witness: Trauma, Memory and Visual Culture.
Wallflower Press, London, pp. 111-126.
ISBN ISBN-13: 978-1905674206.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45716)
|
|
|
Guerin, Frances
(2009)
Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema,.
Review of: Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema,
by UNSPECIFIED.
Screening the Past,
n/a
(26).
n/a-n/a.
ISSN 1328-9756.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45499)
|
|
|
Guerin, Frances
(2011)
Locating Shadows: What’s inside William Kentridge’s Black Box?
In: John David, Rhodes, ed.
Taking Place: Location and the Moving Image.
University of Minnesota Press, Minneapolis, pp. 233-253.
ISBN 0-8166-6517-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:44814)
|
|
|
Guerin, Frances
(2006)
McCormick and Guenther-Pal, eds, German Essays on Film (2004).
Review of: McCormick and Guenther-Pal, eds, German Essays on Film (2004)
by McCormick, Richard.
Film-Philosophy,
10
(3).
pp. 95-100.
ISSN 1466-4615.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45500)
|
|
|
Guerin, Frances
(2011)
Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement.
Review of: Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement
by UNSPECIFIED.
Holocaust Studies: A Journal of Culture and History,
17
(1).
pp. 137-139.
ISSN 1359-1371.
E-ISSN 2048-4887.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45493)
|
|
|
Guerin, Frances
(2003)
Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002.
Review of: Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002
by Hoffmann, Kay.
The Moving Image: Association of Moving Image Archivists,
4
(2).
pp. 123-126.
ISSN 2167-8464.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45501)
|
|
|
Guerin, Frances
(2004)
When Beginnings and Endings Distort the Past.
In:
Limina/le Soglie del Film.
Lithostampa, Pasian di Prato, Udine, pp. 247-254.
ISBN 978-88-8420-191-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:44337)
|
|
|
Guerin, Frances
(2008)
www.artslant.com.
.
online.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45711)
|
|
|
Guerin, Frances
(2008)
www.francesguerin.com.
.
website.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45710)
|
|
H
|
Hammer, Martin
(2015)
1965; Culture and Sculpture in Britain.
In: Sculpture: 1965, 25-6 September 2015, Henry Moore Institute, Leeds.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:55941)
|
|
|
Hammer, Martin
(2009)
Clearing away the Screens.
In:
Francis Bacon: Portraits and Heads.
National Galleries of Scotland, Edinburgh, UK.
ISBN 978-1-903278-66-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61345)
|
|
|
Hammer, Martin
(2006)
Clearing away the screens.
In:
Francis Bacon: Heads and Portraits.
National Galleries of Scotland, Edinburgh, pp. 14-27.
ISBN 978-1-903278-66-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:56907)
|
|
|
Hammer, Martin
(2016)
Food for Artists: the exhibition as resource.
In: Exhibiting Contemporary Art in Post-War Britain, 28-29th January 2016, Tate Britain.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:55939)
|
|
|
Hammer, Martin
(2010)
Francis Bacon. Dublin and Compton Verney (exhibition review).
Review of: Francis Bacon: In Camera (exhibition)
by UNSPECIFIED.
Burlington Magazine,
152
(1282).
pp. 59-61.
ISSN 0007-6287.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61351)
|
|
|
Hammer, Martin
(2005)
Graham Sutherland.
Graham Sutherland, 2005, Dulwich Picture Gallery and Djanogly Gallery, University of Nottingham.
exhibition.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:55943)
|
|
|
Hammer, Martin
(2016)
Introduction.
In: Currie, Ken and Hammer, Martin, eds.
Ken Currie: Tragic Forms.
Flowers Gallery, London.
ISBN 978-1-906412-76-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61347)
|
|
|
Hammer, Martin
(2016)
Making transatlantic sense of Hockney’s A Rake’s Progress.
In: History of Art department research seminar, University of York, 11 Jan 2016, York.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:55946)
|
|
|
Hammer, Martin
(2007)
The Naked Portrait 1900 to 2007.
National Galleries of Scotland, Edinburgh, UK, 176 pp.
ISBN 978-1-903278-95-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:55908)
|
|
|
Hammer, Martin
(2007)
The Naked Portrait.
The Naked Portrait, Scottish National Portrait Gallery and Compton Verney.
exhibition.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:55944)
|
|
|
Hammer, Martin
(2017)
Photographic sources and affinities in David Hockey's art of the 1960s.
In: A Bigger Picture: New Approaches to David Hockney - Tate Britain and the Paul Mellon Centre, 5 May 2017, London, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61348)
|
|
|
Hammer, Martin
(2015)
The Silent Kingdom of Panting: Sickert and Hopper.
In: Walter Sickert: The Document and the Documentary, 4 Dec 2015, Paul Mellon Centre, London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:55940)
|
|
|
Hammer, Martin
(2015)
There is no such thing as British Art.
British Art Studies,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:55942)
|
|
|
Hammer, Martin,
Lodder, Christina
(2000)
Constructing Modernity: the Art and Career of Naum Gabo.
Yale University Press, 528 pp.
ISBN 978-0-300-07688-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:55904)
|
|
|
Hammer, Martin and Lodder, Christina
(2004)
Dematerialising Sculpture: Methods and Motives.
In: Barassi, Sebastiano, ed.
Immaterial: Brancusi,Gabo,Moholy-Nagy.
Kettle’s Yard, Cambridge.
ISBN 978-1-904561-04-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61346)
|
|
|
Hammer, Martin,
Lodder, Christina
(2000)
Gabo on Gabo: Texts and Interviews.
Artists Bookworks, Forest Row, 295 pp.
ISBN 978-0-946311-11-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:55906)
|
|
|
Hankey, A.T.
(1991)
Riccobaldo-of-ferrara and giotto, an update.
Journal of the Warburg and Courtauld Institutes,
54
.
p. 244.
ISSN 0075-4390.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:22967)
|
|
|
Hiley, Nicholas
(2000)
Cartoons in Canterbury.
Times Literary Supplement,
(5096).
p. 19.
ISSN 0307-661X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:16211)
|
|
|
Holmes, Su
(2006)
‘Coming to you Live!’: An Evening at the Film Premiere.
Journal of British Cinema and Television,
2
(2).
pp. 208-226.
ISSN 1743-4521.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9339)
|
|
|
Holmes, Su
(2006)
It’s a Jungle Out There!: The Game of Fame in Celebrity Reality TV.
In: Holmes, Su and Redmond, Sean, eds.
Framing Celebrity: New Directions in Celebrity Culture.
Routledge, pp. 45-66.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9317)
|
|
|
Holmes, Su
(2007)
Rules of the game: Quiz shows and American culture.
Review of: Rules of the Game: Quiz Shows and American Culture
by Hoerschelmann, O..
European Journal of Communication,
22
(2).
pp. 241-243.
ISSN 0267-3231.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2746)
|
|
|
Holmes, Su and Redmond, Sean, eds.
(2007)
Stardom and Celebrity: A Reader.
Sage Publications Ltd, London, 400 pp.
ISBN 978-1-4129-2320-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9314)
|
|
|
Holmes, Su
(2007)
‘Torture, Treacle, Tears and Trickery’: Celebrities, ‘Ordinary’ People, and This is Your Life (1955-65).
In: Redmond, Sean and Holmes, Su, eds.
A Reader in Stardom and Celebrity.
Sage Publications Ltd, London, pp. 156-170.
ISBN 978-1-4129-2320-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9326)
|
|
I
|
Illingworth, Shona
(2017)
216 Westbound - Age of Terror: Art Since 9/11.
, 26 October 2017 – 28 May 2018, Imperial War Museum, London.
216 Westbound - video installation - duration 17 minutes.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84649)
|
|
|
Illingworth, Shona
(2019)
Airspace Tribunal.
In: UNSPECIFIED.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84658)
|
|
|
Illingworth, Shona
(2018)
The Airspace Tribunal - Doughty Street Chambers.
In: UNSPECIFIED, 21 September 2018, Doughty Street Chambers, London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84657)
|
|
|
Illingworth, Shona
(2020)
Airspace Tribunal - The Power Plant.
In: UNSPECIFIED.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84660)
|
|
|
Illingworth, Shona
(2016)
Amnesia Lab - Art and science research collaboration.
In: IVOM International Conference on Memory, 16 - 22 June 2016, Budapest.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84661)
|
|
|
Illingworth, Shona
(2016)
Amnesia Museum Forum.
UNSW, Australia.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84026)
|
|
|
Illingworth, Shona
(2015)
The Amnesia Museum.
Item format: A Substantial body of films, photographs, text works, sculptures and art objects - over 15 individual artworks.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84664)
|
|
|
Illingworth, Shona
(2018)
Bare Dust - Living with Buildings.
, 4 October 2018—3 March 2019, Wellcome Collection, London.
video installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84653)
|
|
|
Illingworth, Shona
(2015)
Capture (2015).
Video transfer from Super 8 film - gallery installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84644)
|
|
|
Illingworth, Shona
(2015)
EEG Amnesic Sound Map.
Item format: 32-channel sound installation sculpture - 32 audio files, 32 speakers, 32 audio players.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84641)
|
|
|
Illingworth, Shona
(2015)
Lesion 1:1.
Item format: Media file for art installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84642)
|
|
|
Illingworth, Shona
(2016)
Lesions in the Landscape - Shona Illingworth.
Lesions in the Landscape - Shona Illingworth, 13 OCTOBER - 27 NOVEMBER 2016, Southwark Park Galleries , London.
Solo Exhibition: including immersive muliti-screen video and ambisonic sound Installation, Sculptures, Photographs, sound installations, drawings, objects.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84024)
|
|
|
Illingworth, Shona
(2016)
Lesions in the Landscape - Shona Illingworth - solo survey exhibition.
Lesions in the Landscape - Shona Illingworth - solo survey exhibition, 4 MAR - 21 MAY 2016, UNSW Galleries, Sydney, Australia.
Solo Survey Exhibition: including immersive muliti-screen video and ambisonic sound installations, sculptures, photographs, sound installations, drawings, objects.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84025)
|
|
|
Illingworth, Shona
(2015)
Lesions in the Landscape - amnesia and landscape.
In: Brains in the Making, 19 - 20 March 2015.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84662)
|
|
|
Illingworth, Shona
(2016)
Searching - film for Channel 4.
Channel 4 television and Film London
video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84645)
|
|
|
Illingworth, Shona
(2015)
Shona Illingworth - Lesions in the Landscape.
, 18 September - 22 November 2015, FACT (Foundation for Art and Creative Technology), Liverpool, UK.
Solo Exhibition: including immersive muliti-screen video and ambisonic sound Installation, Sculptures, Photographs, sound installations, drawings, objects.
(KAR id:83527)
|
|
|
Illingworth, Shona
(2016)
Shona Illingworth – Sgoran san Àrainneached | Lesions in the Landscape.
Shona Illingworth – Sgoran san Àrainneached | Lesions in the Landscape, Date Saturday 18th June – Saturday 17th September 2016, Taigh Chaersabbhagh Museum and Art Centre, Scotland.
Solo Exhibition: including major immersive muliti-screen video and ambisonic sound Installation, Sculptures, Photographs, sound installations, drawings, objects.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84022)
|
|
|
Illingworth, Shona
(2019)
Time Present - Shenzhen New Media Art Festival.
Shenzhen New Media Art Festival, China, Apr 20 - Jun 19, 2019, Shenzhen New Media Art Festival, China.
Two screen video and sound installation - duration 35 minutes.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84655)
|
|
|
Illingworth, Shona
(2016)
Time Present in States of Mind.
, 4 February 2016—16 October 2016, Wellcome Collection, London.
Two screen video and sound gallery installation - duration 35 minutes.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84654)
|
|
|
Illingworth, Shona
(2021)
Topologies of Air - Bahrain National Museum.
, 2021, Bahrain National Museum.
Major three screen video and multi-channel sound installation - duration 45 minutes.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84652)
|
|
|
Illingworth, Shona
(2021)
Topologies of Air - The Power Plant.
, The Power Plant contemporary Art Gallery, Toronto.
Two major three screen video and multi-channel gallery installations - each 45 minutes duration and a substantial body of artworks related to the Airspace Tribunal including photographs, drawings, video works.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84651)
|
|
|
Illingworth, Shona
(2021)
Topologies of Air - artist monograph.
Sternberg Press/MIT and The Power Plant, Berlin, 272 pp.
(Submitted)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84647)
|
|
|
Illingworth, Shona and albano, C and Tulloch, J
(2021)
216 Westbound - Precarious Times.
In:
Precarious Times.
IB Tauris.
(Submitted)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84646)
|
|
J
|
Jeffers McDonald, Tamar
(2016)
The New Hollywood, 1981–1999.
In: McLean, Adrienne L., ed.
Costume, Makeup, and Hair.
Behind the Silver Screen Series
.
Rutgers University Press, New Jersey, USA.
ISBN 978-0-8135-7151-5.
E-ISBN 978-0-8135-7297-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:60022)
|
|
|
Jeffers McDonald, Tamar E L
(2019)
Blueprints from Bluebeard: charting the Gothic in contemporary film.
In: Jeffers McDonald, Tamar E L and Kamm, Frances A, eds.
Gothic Heroines on Screen: Representation, Interpretation and Feminist Enquiry.
Routledge, Abington, UK and New York, USA, 41 -54.
ISBN 978-1-138-71100-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:74529)
|
|
|
Jeffers McDonald, Tamar E. L.
(2010)
'I even cry funny!' Doris Day, Performance and Genre.
In: Acting In Film, 2nd-4th September 2010, Potsdam University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:25347)
|
|
|
Jeffers McDonald, Tamar E. L.
(2007)
Romantic Comedy: Boy Meets Girl Meets Genre.
Columbia University Press, 144 pp.
ISBN 1905671023.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2234)
|
|
|
Jeffers McDonald, Tamar E. L.
(2005)
'Under All Those Dirndls': Pillow Talk's Repackaging of Doris Day.
In: Moseley, Rachel, ed.
Fashioning Stars: Dress, Culture, Identity.
BFI Publishing, pp. 50-61.
ISBN 1-84457-068-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2233)
|
|
|
Jeffers McDonald, Tamar E. L., ed.
(2010)
Virgin Territory: Representing Sexual Innocence in Film.
Wayne State University Press, 296 pp.
ISBN 978-0-8143-3318-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:24810)
|
|
K
|
Kacimi, Mohamed
(2010)
Epistola alle Corinzie.
Performance type: Live play
Tramedautore Festival, September 2010, Piccolo Teatro, Teatro d'Europa, Milan.
Performance.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31496)
|
|
|
Kear, Jon
(1996)
Black Vénus:Josephine Baker at the Follies- Bergère.
In: Sheringham, Michael, ed.
Parisian Fields.
Reaktion, pp. 46-71.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5718)
|
|
|
Kear, Jon
(1996)
Claude Monet; Life and art - Tucker,PH.
Burlington Magazine,
138
(1122).
pp. 610-612.
ISSN 0007-6287.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:19275)
|
|
|
Kear, Jon
(2001)
“Cézanne".
In:
The Oxford Companion to Western Art.
Oxford University Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5709)
|
|
|
Kear, Jon
(2004)
Death and the Maiden: Cindy Sherman's Untitled Film Stills.
In: Fortunati, Vita and Lamarra, Annamaria and Federici, Eleonora, eds.
The Controversial Women's Body: Images and Representations in Literature and Art.
Bononia University Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5702)
|
|
|
Kear, Jon
(1996)
Early modernism - Butler,C.
Oxford Art Journal,
19
(2).
pp. 119-121.
ISSN 0142-6540.
(doi:10.1093/oaj/19.2.119)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:19273)
|
|
|
Kear, Jon
(1996)
The Exposition Universelle of 1900.
In: Banham, Joanna, ed.
History of Interior Design.
Fitzroy Dearborn.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5728)
|
|
|
Kear, Jon
(2007)
In the Brute Net of Sense: Merleau-Ponty’s Aesthetics.
In: The Flesh in the Text, 2 day Conference, October 2007, University of Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:7965)
|
|
|
Kear, Jon
(2007)
In the Net of Brute Sense: Merleau Ponty’s Aesthetics.
In: Weller, Shane and Baldwin, Thomas and Fowler, James, eds.
Flesh In The Text.
Peter Lang.
ISBN 978-3-03911-102-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:4671)
|
|
|
Kear, Jon
(2002)
In the spiral of time.
In: Hughes, Alex and Noble, Andrea, eds.
Phototextualities.
University of New Mexico Press, pp. 199-233.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1274)
|
|
|
Kear, Jon
(2002)
Le Sang Provençal.
Journal of European Studies,
.
pp. 32-45.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1273)
|
|
|
Kear, Jon
(2002)
Le Sang Provençal: Joachim Gasquet’s Cézanne.
Journal of European Studies,
32
(125-6).
pp. 135-150.
ISSN 0047 2441.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1319)
|
|
|
Kear, Jon
(1991)
Making Hay with Monet; Monets of the 90s.
Art History,
.
pp. 593-599.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5750)
|
|
|
Kear, Jon
(1999)
Manet's Modernism.
Burlington Magazine,
.
pp. 139-144.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5713)
|
|
|
Kear, Jon
(2007)
Marker’s Bergson.
In: Invited Talk, 29th November 2007, University of Leeds.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:7962)
|
|
|
Kear, Jon
(1996)
Modernism Revisited.
Oxford Art Journal,
19
(2).
pp. 119-122.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5726)
|
|
|
Kear, Jon
(1996)
Monet Re-viewed.
Burlington Magazine,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5735)
|
|
|
Kear, Jon
(1995)
Montage, Modernism and its Histories.
Word & Image,
.
pp. 320-326.
ISSN 0266-6286.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5738)
|
|
|
Kear, Jon
(1996)
Odd Man Out; Cézanne in Context.
LQ,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5733)
|
|
|
Kear, Jon
(1995)
Review of Nineteenth Century Painting: A Critical History.
Review of: Nineteenth Century Painting: A Critical History
by Eisenmann, Stephen F..
Apollo,
.
pp. 60-61.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5742)
|
|
|
Kear, Jon
(1997)
Seurat and The 'Bathers'.
Magazine,
139
(1135).
pp. 709-711.
ISSN 0007-6287.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:18138)
|
|
|
Kear, Jon
(1997)
Seurat's Bathers at Asnières.
Burlington Magazine,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5715)
|
|
|
Kear, Jon
(2007)
Spectres of Painting.
University of Kent Press
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:4663)
|
|
|
Kear, Jon
(2004)
Spectres of the past: Jochen Gerz’s public monuments.
In: Lamberti, Eleonora, ed.
Representing Cultural Memory.
University of Bologna Press, pp. 122-146.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1275)
|
|
|
Kear, Jon
(1998)
Sunless (Chris Marker).
Flicks Books
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:4662)
|
|
|
Kear, Jon
(1995)
Travellin' Light.
Wasafiri,
.
ISSN 0269-0055.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5745)
|
|
|
Kear, Jon
(2008)
The Treasures of the Impressionists.
Andre Deutsch, 88 pp.
ISBN 978-0-233-00234-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:4665)
|
|
|
Kear, Jon
(1994)
Watching the Detectives.
Art History,
.
pp. 112-118.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5747)
|
|
|
Kear, Jon,
Thomas, Ben D. H.
(2010)
In Elysium: Prints by James Barry.
Studio 3 Gallery, University of Kent, Canterbury, UK, 63 pp.
ISBN 978-1-902671-69-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64918)
|
|
|
Klevan, Andrew
(2005)
Notes on teaching film style.
In: Pye, Douglas and Gibbs, John, eds.
Style and Meaning: Studies in the Detailed Analysis of Film.
Manchester University Press, pp. 214-227.
ISBN 0-7190-6525-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1095)
|
|
|
Klich, Rosemary E.
(2014)
‘Amplifying Sensory Spaces: Headphone Theatre’.
In: "Media, Politics, Performance Conference", Fast Forward Festival, 5th-7th May, 2014, Onassis Cultural Centre, Athens..
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45595)
|
|
|
Klich, Rosemary E.
(2007)
Between Realities: Intermediality and the Blurring of Boundaries in Multimedia Theatre.
In: Sugiera, Malgorzata and Borowski, Matuesz, eds.
Fictional Realities / Real Fictions:Contemporary Theatre in Search of a New Mimetic Paradigm.
Cambridge Scholars Press, United Kingdom.
ISBN 978-1-84718-138-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:7646)
|
|
|
Klich, Rosemary E.
(2005)
Between Realities: Intermediality in Multimedia Theatre.
In: FIRT/IFTR International Conference "Fictional/Real in Contemporary Theatre", 17 - 20 November 2005, Jagiellonian University, Krakow.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45607)
|
|
|
Klich, Rosemary E.
(2010)
Copies, Robots, Mutants, and the Unfinished Human.
In: (re)-Performing the Posthuman Conference, 21st-22nd May 2010, University of Sussex, Brighton..
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45589)
|
|
|
Klich, Rosemary E.
(2013)
"Fleshing Out: The Body in Intermedial Dance".
In: International Symposium of the Korean Society of Dance, 2nd November 2013, Sungkyunkwan University in Seoul, Korea.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45592)
|
|
|
Klich, Rosemary E.
(2013)
Hamlet Remembered.
Performance type: Live play
Hamlet Remembered, Friday May 31st and Saturday June 1st, Jarman Building, University of Kent.
Performance.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45497)
|
|
|
Klich, Rosemary E.
(2014)
‘The In and Outputs of Headphone Theatre’.
In: Annual Conference of Theatre and Performance Research Association, 3rd-5th September 2014, Royal Holloway.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45594)
|
|
|
Klich, Rosemary E.
(2010)
Instance: The Builder’s Association.
In: Bay Cheng, Sarah and Lavender, Andy and Nelson, Robin and Kattenbelt, Chiel, eds.
Mapping Intermediality in Performance.
Amsterdam University Press, Amsterdam, pp. 149-156.
ISBN 978-90-8964-255-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45392)
|
|
|
Klich, Rosemary E.
(2013)
“InterMEdiation and the InterMEdial System”.
In: International Federation for Theatre Research Annual Conference, 22nd – 26th July 2013, Institut del Teatre, Barcelona.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45593)
|
|
|
Klich, Rosemary E.
(2013)
Intermediality, Complexity and Emergence.
In: Colloquium of Performance Research., 18th January 2013, Centre for Intermediality at the Royal Central School of Speech and Drama.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45588)
|
|
|
Klich, Rosemary E.
(2014)
Mediation, Trace and Space in Dance Theatre: Already Elsewhere.
In: Baxter, Virginia and Brannigan, Erin, eds.
Bodies of Thought: 12 Australian Choreographers.
Wakefield Press, Adelaide.
ISBN 978-1-74305-241-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45388)
|
|
|
Klich, Rosemary E.
(2012)
“Participate or Else”.
In: Performance Studies International Conference 18, 27th June-1st July 2012., University of Leeds.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45591)
|
|
|
Klich, Rosemary E.
(2007)
Performing Posthuman Perspective: Can You See Me Now?
Scan: Journal of Media Arts Culture,
4
(1).
ISSN 1449-1818.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2240)
|
|
|
Klich, Rosemary E.
(2010)
"Performing at a Distance: Place, Pattern and Posthumanism".
In: International Federation for Theatre Research Annual Conference, July 2010, LMU Munich.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45585)
|
|
|
Klich, Rosemary E.
(2015)
Playing a Punchdrunk Game: Immersive Theatre and Videogames.
In: Frieze, James, ed.
Framing Immersive Theatre: The Politics and Pragmatics of Participatory Performance.
Palgrave Macmillan, Basingstoke, pp. 221-228.
ISBN 978-1-137-36603-0.
E-ISBN 978-1-137-36604-7.
(doi:10.1057/978-1-137-36604-7)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45387)
|
|
|
Klich, Rosemary E.
(2007)
Postnarrativity in the Theatre of New Media Performance: Eavesdrop.
In: Intermediality, Theatricality, Re-presentation and New Media Conference, 24th-29th May 2007, Centre for Research on Intermediality, University of Montreal, Montreal..
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45582)
|
|
|
Klich, Rosemary E.
(2013)
Send: Act: Perform.
Performance Research,
18
(5).
pp. 101-107.
ISSN 1352-8165.
(doi:10.1080/13528165.2013.828935)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45378)
|
|
|
Klich, Rosemary E.
(2007)
Staging Space: Performing Plasticity and Plastic Performance.
In: Annual Conference of the Theatre and Performance Research Association (TaPRA), 5th-7th September 2007, University of Birmingham.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45583)
|
|
|
Klich, Rosemary E.
(2011)
“Systems of Intermediality: Rites”.
In: Performance Studies International Conference 17, 27th June-1st July 2011, Utrecht University.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45586)
|
|
|
Klich, Rosemary E. and Mitchell, Roanna and Dennis, Krysta
(2014)
Through the Grapevine: A Performed Wine Tasting (2013) and (2014).
Performance type: Live play
, 2014: 23rd, 24th October, 2014, Mrs Jones’ Kitchen, Canterbury: 26th and 27th April, 2013 Lumley Studio, University of Kent., Mrs Jones Kitchen, Canterbury and Lumley Studio, University of Kent..
Performance and documentation.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45498)
|
|
|
Klich, Rosemary E.,
Scheer, Edward
(2011)
Multimedia Performance.
Basingstoke: Palgrave Macmillan, 240 pp.
ISBN ISBN-10: 023057467X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:7787)
|
|
|
Kollectiv, G. and Kollectiv, P.
(2002)
"Fear of a Black and White Planet", Wonderyears.
Neue Gesellschaft für Bildende Kunst.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:22177)
|
|
|
Kollectiv, G.,
Kollectiv, P.
(2007)
The Political Theology of Battlestar Galactica.
In: BSG 2007: The Politics, Poetics and Philosophy of Battlestar Galactica, 28th July 2007, Buckinghamshire Chilterns University College.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:22181)
|
|
|
Kollectiv, G.,
Kollectiv, P.
(2006)
The Spectre of Manual Labour.
In: On Liberty and Art, 18th October 2006, Tate Britain.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:22182)
|
|
|
Kollectiv, G. and Kollectiv, P.
(2010)
We.
Performance type: Musical event
We, 29th August 2010, Kunsthall, Oslo.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:25391)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2008)
Art and the New Town.
Art and the New Town, 11th - 15th December 2008, Harlow Temple of Utopias, Harlow.
Number of pieces: 1.
Silkscreen print.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20640)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2007)
Asparagus: A Horticultural Ballet.
Asparagus: A Horticultural Ballet, 7th March - 15th April 2007, The Showroom, London.
Number of pieces: 3.
Performance, video and installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20636)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2007)
Asparagus: A Horticultural Ballet.
Asparagus: A Horticultural Ballet, 12th May 2007, SAT, Montreal.
Number of pieces: 1.
Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20646)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2003)
Becks Futures Student Film and Video Award Show.
Becks Futures Student Film and Video Award Show, 25th - 28th April 2003, ICA, London.
Number of pieces: 1.
Super 8mm transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20762)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2008)
Better Future, Quad-Shaped.
Better Future, Quad-Shaped, 28th October 2008, Cube Microplex, Bristol as part of The Sensible Stage, Media Art Bath.
Number of pieces: 1.
Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20645)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2004)
DaDaDa: Strategies against Marketecture.
DaDaDa: Strategies against Marketecture, 21st October - 21st November 2004, temporarycontemporary gallery, London.
Number of pieces: 2.
Video and mixed media sculpture/installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20634)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2005)
Diamonds For Workers.
Diamonds For Workers, 3rd June - 10th July 2005, Kate McGarry, London.
Number of pieces: 3.
Sculpture/Installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20758)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2007)
Emergency3.
Emergency3, 1st December 2007 - 27th January 2008, Aspex, Portsmouth.
Number of pieces: 1.
Super 8mm and 16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20751)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2008)
Food: A Sci-Fi Banquet.
Food: A Sci-Fi Banquet, 19th December 2008, Royal Academy of the Arts, London.
Number of pieces: 1.
Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20642)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2007)
Foreign Body(ies).
Foreign Body(ies), 29th August - 22nd September 2007, White Box, New York.
Number of pieces: 1.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20752)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2008)
Futureblueperfect.
Futureblueperfect, 25th June - 27th July 2008, Cafe Gallery Projects, London.
Number of pieces: 1.
Installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20641)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2004)
Grey Goo.
Grey Goo, 16th October - 28th November 2004, Flaca Gallery, London.
Number of pieces: 1.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20759)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2006)
His Life Is Full Of Miracles.
His Life Is Full Of Miracles, 11th March-29th April 2006, Animation Videotheque, Site Gallery, Sheffield..
Number of pieces: 5.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20755)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2008)
The Institute of Psychoplasmics.
The Institute of Psychoplasmics, 9th April - 26th May 2008, Pump House Gallery, London.
Number of pieces: 1.
16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20331)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2006)
Little Private Governments.
Little Private Governments, 20th February - 25th March 2006, University of Essex Gallery, Colchester.
Number of pieces: 1.
Super 8mm and 16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20756)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2006)
Metropolis Rise.
Metropolis Rise, 13th April - 23rd April 2006 and 30th April - 14th May 2006, Moganshan Art Village, Shanghai and DIAF 06, 798 Space, Beijing.
Number of pieces: 1.
Super 8mm and 16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20754)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2006)
Modern Lovers.
Modern Lovers, 12th May - 4th June 2006, Three Colts Gallery.
Number of pieces: 1.
Super 8mm and 16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20633)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2008)
No Haus Like Bau.
No Haus Like Bau, 14th June 2008, HAU, Mes Nuits, Berlin Biennale, Berlin.
Number of pieces: 1.
Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20644)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2009)
Roll It To Me.
Roll It To Me, 14th March - 9th May 2009, Collective, Edinburgh.
Number of pieces: 3.
Super 8mm and 16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20638)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2005)
SV05.
SV05, 5th August - 11th September 2005, Studio Voltaire, London.
Number of pieces: 1.
Super 8mm transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20757)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2008)
Seven Times Two or Three.
Seven Times Two or Three, 22nd June 2008, Cubitt, London.
Number of pieces: 1.
Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20643)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2006)
Slider.
Slider, 29th April - 21st May 2006, Project Space, London.
Number of pieces: 1.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20753)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2009)
Starmaker.
Starmaker, 12th June - 12th July 2009, E:Vent Gallery, London.
Number of pieces: 1.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20637)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2004)
Surrealestate.
Surrealestate, 21st April - 29th May 2004, YYZ Artists' Outlet, Toronto.
Number of pieces: 1.
Super 8mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20760)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2008)
Svetlana.
Svetlana, 11th October - 15th November 2008, S1 Artspace, Sheffield.
Number of pieces: 27.
Photography.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20635)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2009)
Ventriloquist.
Ventriloquist, 27th February - 28th March 2009, Timothy Taylor, London.
Number of pieces: 1.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20639)
|
|
|
Krutikov, Georgii
(2015)
The Flying City and Beyond.
University of Chicago Press
ISBN 978-84-939231-8-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75178)
|
|
L
|
Laera, Margherita, ed.
(2017)
Black Tenderness: The Passion of Mary Stuart.
Cue Press, Imola
ISBN 978-88-99737-24-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:59122)
|
|
|
Laera, Margherita
(2009)
The Blue Planet.
Teatro Romolo Valli, Reggio Emilia.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31363)
|
|
|
Laera, Margherita
(2009)
Noi, gli eroi.
Ubulibri, Milan.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31357)
|
|
|
Laera, Margherita
(2010)
The Wedding at Cana.
Charta Art Books, Milan.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31361)
|
|
|
Lang, Martin
(2015)
Militant Art.
Doctor of Philosophy (PhD) thesis, University of Kent,.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:50237)
|
|
|
Lewis, Tyronne Antoin
(2017)
Exploring, Sharing, Connecting and Affecting.
Master of Arts by Research (MARes) thesis, University of Kent,.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:67456)
|
|
|
Lodder, Christina
(2018)
Archipenko – The Russian Dimension.
In:
Alexander Archipenko: Space Encircled.
Eykyn Maclean, pp. 17-27.
ISBN 978-1-73238-781-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75190)
|
|
|
Lodder, Christina
(2017)
Building for Socialism.
In:
Revolution: Russian Art 1917–1932.
Royal Academy, London, UK, pp. 269-276.
ISBN 978-1-910350-43-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75185)
|
|
|
Lodder, Christina
(2018)
Conflicting Approaches to Creativity? Suprematism and Constructivism.
In: Lodder, Christina, ed.
Celebrating Suprematism: New Approaches to the Art of Kazimir Malevich.
Russian History and Culture
.
Brill, pp. 259-288.
ISBN 978-90-04-38498-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75193)
|
|
|
Lodder, Christina
(2014)
Gustavs Klucis and Constructivism.
In:
Gustavs Klucis Complete Catalogue of Works in the Latvian National Museum of Art.
Latvian National Museum of Art, Riga, Latvia, pp. 9-25.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75183)
|
|
|
Lodder, Christina
(2018)
Henryk Stażewski: The Suprematist Dimension.
In: Szczepaniak, Andrzej, ed.
Henryk Stazewski.
Skira, pp. 25-35.
ISBN 978-88-572-3735-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75205)
|
|
|
Lodder, Christina
(2017)
Katarzyna Kobro and Władysław Strzemiński in Russia.
In:
Katarzyna Kobro & Władysław Strzemiński : avant-garde prototypes.
Museo Nacional Centro de Arte Reina Sofía, pp. 104-117.
ISBN 978-84-8026-550-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75186)
|
|
|
Lodder, Christina
(2014)
Kazimir Malevich and the First World War.
In: Bowlt, John and Misler, Nicoletta and Sudakova, Elena, eds.
'A Game in Hell. The Great War in Russia': Graphic Art and Photography from the Collection of Sergey Shestakov.
GRAD Publishing.
ISBN 978-0-9576623-3-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75182)
|
|
|
Lodder, Christina
(2014)
Malevich as Exhibition Maker.
In: Borchardt-Hume, Achim, ed.
Malevich.
Tate Publishing, pp. 94-98.
ISBN 978-1-84976-146-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75181)
|
|
|
Lodder, Christina
(2019)
Natalia Goncharova The Trailblazer.
Tate Etc.,
(46).
pp. 58-65.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75232)
|
|
|
Lodder, Christina
(2017)
Oleg Kudryashov.
In: Lucie-Smith, Edward and Golomstock, Igor and Reviakin, Sergei, eds.
Oleg Kudryashov: Bridge to the Future.
Unicorn, pp. 15-16.
ISBN 978-1-910787-79-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75189)
|
|
|
Lodder, Christina
(2015)
Olga Rozanova: A True Futurist.
In:
Women Artists and Futurism.
International Yearbook of Futurism Studies
.
De Gruyter, pp. 199-225.
ISBN 978-3-11-042281-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75184)
|
|
|
Lodder, Christina
(2017)
Painting the World Red.
Jewish Renaissance,
(Januar).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75231)
|
|
|
Lodder, Christina
(2014)
Revolutionary Photography.
.
Museum of Modern Art
internet publication.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75234)
|
|
|
Lodder, Christina
(2019)
Russian Futurist Art.
In: Berghaus, Günter, ed.
Handbook of International Futurism.
De Gruyter, pp. 798-823.
ISBN 978-3-11-027356-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75207)
|
|
M
|
Maes, Hans R.V.
(2008)
Art and Pornography.
In: 6th European Congress of Analytic Philosophy (ECAP), August 2008, Krakow, Poland.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9706)
|
|
|
Maes, Hans R.V.
(2005)
Arthur Danto and the End of Art.
In: Midsouth Philosophy Conference, February 2005, Memphis, USA.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9695)
|
|
|
Maes, Hans R.V.
(2001)
Bescheidenheid en asymmetrie.
Algemeen Nederlands Tijdschrift voor Wijsbegeerte,
93
(2).
pp. 117-135.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9528)
|
|
|
Maes, Hans R.V.
(2005)
Bescheidenheid, trots en ijdelheid.
Budel, Damon
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9524)
|
|
|
Maes, Hans R.V.
(2005)
A Celestial Taxonomy of Remakes?
Cinemascope. An Independent Film Journal,
1
(2).
pp. 1-11.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9511)
|
|
|
Maes, Hans R.V.
(2006)
Challenging Partial Intentionalism.
In: American Society for Aesthetics, October 2006, Milwaukee, USA.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9701)
|
|
|
Maes, Hans R.V.
(2017)
Conversations, Portraits, and Philosophy.
In: 75th Annual Meeting of the American Society for Aesthetics, 15-18 Nov 2017, New Orleans, USA.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65243)
|
|
|
Maes, Hans R.V.
(2004)
Danto en het einde van de kunst.
In: Vandenabeele, Bart and Verneir, Koen, eds.
Transgressie in de kunst.
Budel, Damon, pp. 118-128.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9535)
|
|
|
Maes, Hans R.V.
(2004)
Danto, De Duve, and The End of Art.
In: Rediscovering Aesthetics, July 2004, Cork, Ireland.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9694)
|
|
|
Maes, Hans R.V.
(2005)
David Hume over de emotie ‘trots’.
In: Van Reijen, M., ed.
Emoties. Van stoïcijnse apatheia tot heftige liefde.
Amsterdam, Klement, pp. 81-97.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9537)
|
|
|
Maes, Hans R.V.
(2006)
De emotie ‘trots’.
In: Internationale School voor Wijsbegeerte, March 2006, Leusden, The Netherlands.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9697)
|
|
|
Maes, Hans R.V.
(2005)
De emotie ‘trots’ in de hedendaagse analytische filosofie.
In: Van Reijen, M., ed.
Emoties. Van stoïcijnse apatheia tot heftige liefde.
Amsterdam, Klement, pp. 186-204.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9581)
|
|
|
Maes, Hans R.V.
(2006)
Different Kinds of Bullshit.
In: German Society for Analytic Philosophy (GAP), September 2006, Berlin, Germany.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9700)
|
|
|
Maes, Hans R.V.
(2007)
Een treffende gelijkenis. Over grappen en kunst.
Algemeen Nederlands Tijdschrift voor Wijsbegeerte,
99
(4).
pp. 281-296.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9531)
|
|
|
Maes, Hans R.V.
(2005)
The End of Art Revisited.
Postgraduate Journal of Aesthetics,
2
(3).
pp. 122-132.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9512)
|
|
|
Maes, Hans R.V.
(2003)
The End of Art: A real problem or not really a problem?
In: the International Congress on Arthur C. Danto and the End of Art, December 2003, Murcia, Spain.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9693)
|
|
|
Maes, Hans R.V.
(2017)
Falling in Lust: Sexiness, Feminism, and Pornography.
In:
Aesthetics: A Reader in the Philosophy of the Arts.
Routledge.
ISBN 978-1-138-23588-5.
E-ISBN 978-1-315-30367-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65242)
|
|
|
Maes, Hans R.V.
(2001)
Hypocrisie en Bescheidenheid.
In: Internationale School voor Wijsbegeerte, March 2001, Leusden, The Netherlands.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9691)
|
|
|
Maes, Hans R.V.
(2007)
Intention, Interpretation, and Contemporary Visual Art.
In: Annual Meeting of the Dutch-Flemish Society for Analytic Philosophy (VAF), April 2007, Antwerp, Belgium.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:12961)
|
|
|
Maes, Hans R.V.
(2006)
Julia Driver on Moral Luck.
In: 1st Annual Online Philosophy Conference, 2006, http://experimentalphilosophy.typepad.com/online_philosophy_confere.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9520)
|
|
|
Maes, Hans R.V.
(2010)
Kunst of Pornografie?
Karakter: Tijdschrift van Wetenschap,
.
pp. 15-16.
ISSN 1379-0390.
E-ISSN 1379-0390.
(KAR id:56972)
|
|
|
Maes, Hans R.V.
(2005)
Larry Shiner and Arthur Danto on Art History.
In: American Society for Aesthetics, Eastern Division Meeting, April 2005, Philadelphia, USA.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9696)
|
|
|
Maes, Hans R.V.
(2006)
Liefde, vriendschap en Casablanca.
Streven,
(73).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9530)
|
|
|
Maes, Hans R.V.
(2008)
Love, Friendship, and Casablanca.
In: Love in Our World. An International Conference, November 2008, University of Manchester.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9711)
|
|
|
Maes, Hans R.V.
(2010)
Love, Friendship, and Casablanca.
Hermeneia: Journal of Hermeneutics, Art Theory, and Criticism,
(10).
pp. 98-107.
ISSN 1453-9047.
E-ISSN 2069-8291.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65240)
|
|
|
Maes, Hans R.V.
(2009)
Nawoord: Over de relatie tussen film en filosofie.
In: d'Hoine, Pieter and Engelen, Bart, eds.
Denkbeelden. Een inleiding tot de filosofie aan de hand van films.
Antwerpen, Pelckmans, pp. 245-260.
ISBN 978-90-8687-044-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9583)
|
|
|
Maes, Hans R.V.
(2014)
Pornography.
In:
Encyclopedia of Aesthetics.
Oxford University Press.
ISBN 978-0-19-974710-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:56970)
|
|
|
Maes, Hans R.V.
(2017)
Portraits of Philosophers and the Philosophy of Portraits.
In: 6th Dubrovnik Conference on the Philosophy of Art, 18-22 Apr 2017.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65245)
|
|
|
Maes, Hans R.V.
(2008)
Remember that we forget.
In: Cultural Memory: Forgetting to Remember / Remember to Forget, September 2008, University of Kent, Canterbury.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9709)
|
|
|
Maes, Hans R.V.
(2005)
Review of Arts & Minds by Gregory Currie.
Review of Arts & Minds by Gregory Currie,
67
(3).
p. 612.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9678)
|
|
|
Maes, Hans R.V.
(2008)
Review of Contemplating Art by Jerrold Levinson.
Review of: Contemplating Art
by Levinson, Jerrold.
Tijdschrift voor Filosofie,
70
(1).
p. 186.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9689)
|
|
|
Maes, Hans R.V.
(2004)
Review of Filosofie & Film by Joost Raessens.
Review of: Filosofie & Film
by Raessens, Joost.
Cinetext Online. Film & Philosophy,
.
0-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9522)
|
|
|
Maes, Hans R.V.
(2008)
Review of On Images by John V. Kulvicki.
Review of: On Images
by Kulvicki, John V..
Tijdschrift voor Filosofie,
69
(4).
p. 780.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9688)
|
|
|
Maes, Hans R.V.
(2007)
Review of The Philosophy of Art by Stephen Davies.
Review of: The Philosophy of Art
by Davies, Stephen.
Tijdschrift voor Filosofie,
69
(2).
pp. 381-383.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9685)
|
|
|
Maes, Hans R.V.
(2002)
Review of Uneasy Virtue by Julia Driver.
Tijdschrift voor Filosofie,
64
(3).
pp. 606-607.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9677)
|
|
|
Maes, Hans R.V.
(2008)
Waarom vinden we kunst waardevol?
In: Vormingplus, May 2008, Leuven, Belgium.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9704)
|
|
|
Maes, Hans R.V.
(2012)
Who Says Pornography Can't Be Art?
In: Maes, Hans R.V. and Levinson, Jerrold, eds.
Art and Pornography: Philosophical Essays.
Oxford University Press, pp. 17-47.
ISBN 978-0-19-960958-1.
(KAR id:31445)
|
![[img]](/31445/1.hassmallThumbnailVersion/Maes%20Who%20Says%20Pornography%20Can%27t%20Be%20Art%20DRAFT%20VERSION.pdf)  Preview |
|
|
Maes, Hans R.V.
(2019)
“You Talking to Me?”.
Debates in Aesthetics,
14
(1).
ISSN 2514-6637.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65239)
|
|
|
Maes, Hans R.V.
(2001)
Zelfwaardering.
In: 23rd Vlaams-Nederlandse Filosofiedag, October 2001, Kortrijk, Belgium.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9692)
|
|
|
Maes, Hans R.V.
(2002)
Zelfwaardering en het standpunt van anderen.
In: Braeckman, Antoon and Devos, Rob and Verdonck, B., eds.
Terugkeer van het subject. Recente ontwikkelingen binnen de filosofie,.
Universitaire Pers Leuven, Leuven, pp. 223-235.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9533)
|
|
|
Maes, Hans R.V. and Levinson, Jerrold
(2012)
Introduction.
In:
Art & Pornography: Philosophical Essays.
Oxford University Press.
ISBN 978-0-19-960958-1.
(doi:10.1093/acprof:oso/9780199609581.001.0001)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65238)
|
|
|
Maes, Hans R.V. and Schaubroeck, Katrien
(2006)
Different Kinds and Aspects of Bullshit.
In: Hardcastle, Gary and Reisch, George A., eds.
Bullshit and Philosophy.
Open Court, pp. 171-182.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9519)
|
|
|
Makin, Simon
(2014)
Drama helps kids with autism communicate better.
New Scientist,
2965
.
p. 17.
ISSN 0262-4079.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:40804)
|
|
|
Casaliggi, Carmen and March-Russell, Paul, eds.
(2007)
Ruskin in Perspective: Contemporary Essays.
Cambridge Scholars, Newcastle, 252 pp.
ISBN 978-1-84718-284-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:24911)
|
|
|
May, Shaun
(2013)
Rise of Being-in-the-World.
In: Huss, John, ed.
Planet of the Ape and Philosophy.
Open Court, Chicago, pp. 255-262.
E-ISBN 978-0-8126-9822-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:54028)
|
|
|
Mikuriya, Junko Theresa
(2008)
Cryptoglyph.
In: Urban Encounters Conference, 16-17th May 2008, Centre for Urban and Community Research, Goldsmiths, University of London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9405)
|
|
|
Mikuriya, Junko Theresa
(2007)
Eight Hours of Sleep and other works.
Eight Hours of Sleep and other works, 9th May - 4th September 2007, Keynes Gallery, University of Kent.
Photography.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9409)
|
|
|
Mikuriya, Junko Theresa
(2007)
On the Walls of the Cave are Shadows.
Stimulus Respond, London,
(1).
pp. 93-96.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9404)
|
|
|
Mikuriya, Junko Theresa
(2006)
On the Walls of the Cave are Shadows.
In: Affective Imaging; Uneasy Spaces Symposium, 20th October 2006, Goldsmiths University of London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9406)
|
|
|
Mikuriya, Theresa
(2005)
Theresa Mikuriya: photographs.
Theresa Mikuriya: Photographs, 10 June 2005-26 June 2005, Seven Seven Contemporary Art, London.
Number of pieces: 15.
Photographs.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1226)
|
|
|
Mikuriya, Theresa and Lai, Linda
(2004)
Push: The quest for a voice, in search of a body.
Interactive digital media installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1227)
|
|
|
Misek, Richard
(2020)
"All I have to offer is myself”: the film-maker as narrator.
In: Vassilieva, Julia and Williams, Deane, eds.
Beyond the Essay Film: Subjectivity, Textuality and Technology.
Bloomsbury, London, UK.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:72001)
|
|
|
Misek, Richard
(2017)
All talk: Matias Piñeiro’s verbal narratives.
In: Games People Play: The Cinema of Matias Pineiro, 7 Nov 2017, Royal Belgian Film Archive, Brussels, Belgium.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:72004)
|
|
|
Misek, Richard
(2017)
Black White Colour.
In: Experience Colours!, 7 Nov 2018, Aalto University, Helsinki, Finland.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:72000)
|
|
|
Misek, Richard
(2016)
Détournement.
In: Forms of Criticism, 30 Jun 2016, Parasol Unit, London, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:72006)
|
|
|
Misek, Richard
(2018)
Notes on Rohmer.
In: Zomer Film College, Royal Belgian Film Archive, 14 July 2018, Antwerp, Belgium.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:72002)
|
|
|
Misek, Richard
(2018)
Six of Seven Things I Know About The Video Essay.
In: UNSPECIFIED, 12 April 2018, Monash University, Melbourne, Australia.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:72003)
|
|
|
Misek, Richard
(2015)
The Stolen Film.
In: Cinematic Bricoleurs: Remixing, restyling and repurposing in contemporary filmmaking practice, 8 Jan 2016, King's College, London, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:72007)
|
|
|
Misek, Richard
(2017)
Why I 'pirate' films.
In: TEDx, 13 May 2017, Canterbury, United Kingdom.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61732)
|
|
|
Misek, Richard and Beugnet, Martine
(2017)
In Praise of Blur.
Ghent Film Festival
DCP.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:63445)
|
|
N
|
Newall, Michael
(2019)
Cries, Consensus and Criticality: Making Artists in the Contemporary Art School.
In: Brisbin, Chris and Thiessen, Myra, eds.
The Routledge Companion to Criticality in Art, Architecture and Design.
Routledge, London and New York, pp. 14-31.
ISBN 978-1-138-18923-2.
E-ISBN 978-1-315-62341-2.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:75412)
|
|
|
Newall, Michael
(2018)
A Philosophy of the Art School.
Routledge Research in Aesthetics
.
Routledge, New York and London, 192 pp.
ISBN 978-1-138-61598-4.
E-ISBN 978-0-429-46255-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:70012)
|
|
|
Newall, Michael
(2006)
'Pictures, Colours and Resemblance'.
Philosophical Quarterly,
56
(225).
pp. 587-595.
ISSN 0031-8094.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2241)
|
|
|
Newall, Michael
(2005)
Picturing pictures: reply to Dilworth.
Journal of Aesthetics and Art Criticism,
60
(1).
70 -73.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1232)
|
|
|
Newton, James
(2014)
Nunsploitation: The Forgotten Cycle.
Offscreen,
18
(6-7).
ISSN 1712-9559.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:76249)
|
|
|
Nunes, Ivan
(2019)
Nanni Moretti as filmmaker and character.
Doctor of Philosophy (PhD) thesis, University of Kent,.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:82611)
|
|
P
|
Padwick, Steuart
(2019)
Voice over performance in Talk To Me.
Performance type: Other
designjunction 2019, 13-22 Sep 2019, London, United Kingdom.
Audio.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:78730)
|
|
|
Pallant, C. and Newton, James
(2017)
Animating Class and Contemporary British Television.
In: Forrest, David and Johnson, Beth, eds.
Social Class and Television Drama in Contemporary Britain.
Palgrave, London.
ISBN 978-1-137-55505-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:76244)
|
|
|
Pavis, Patrice
(2003)
Analyzing Performance: Theater, Dance and Film.
University of Michigan Press, 362 pp.
ISBN 978-0-472-09689-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2242)
|
|
|
Pavis, Patrice
(2007)
Das zeitgenössische französische Theater.
E Podium Verlag, München, 250 pp.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11892)
|
|
|
Pavis, Patrice
(2007)
De la critica.
Conjunto. Revista de teatro latinoamericano,
(144).
pp. 8-13.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11896)
|
|
|
Pavis, Patrice
(2006)
Dialogue.
A lexikon. Performance research,
11
(3).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11906)
|
|
|
Pavis, Patrice
(2004)
Entrevue avec Kim Hye-Jin.
Revue de la Korean National University of the Arts,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11925)
|
|
|
Pavis, Patrice
(2007)
Generacion.
Teatro,
(21).
pp. 201-209.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11891)
|
|
|
Pavis, Patrice
(2004)
Generation.
Performance Research,
9
(3).
pp. 97-105.
ISSN 1352-8165.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11933)
|
|
|
Pavis, Patrice
(2004)
Génération.
Culture Coréenne,
(68).
pp. 24-28.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11929)
|
|
|
Pavis, Patrice
(2005)
Impressions de théâtre à Séoul.
Culture Coréenne,
(70).
pp. 12-15.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11922)
|
|
|
Pavis, Patrice
(2004)
Impressions d’un Séoulite de passage.
Revue du Théâtre Coréen,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11926)
|
|
|
Pavis, Patrice
(2005)
Iscenesættelsen af samtidige stykker.
Peripeti,
.
pp. 35-51.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11919)
|
|
|
Pavis, Patrice
(2005)
Koltès’ Black battles with dogs on the stage.
Cliché Europe. About cliché in life & on the stage,
.
pp. 63-71.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11920)
|
|
|
Pavis, Patrice
(2003)
Kunst oder die Kunst der Fugue.
In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds.
Theater ohne Grenzen, Festschrift für Hans-Peter Bayerdörfer zum 65. Geburtstag.
Herbert Utz Verlag, München, pp. 194-208.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11938)
|
|
|
Pavis, Patrice
(2007)
La Mise en Scène Contemporaine.
Armand Colin, 332 pp.
ISBN 978-2-200-34043-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2245)
|
|
|
Pavis, Patrice
(2007)
Les médias auront-ils la peau du spectacle vivant ?
In: Morizot, Jacques and Pouivet, Roger, eds.
Dictionnaire d’esthétique et de philosophie de l’art.
Armand Colin, Paris, pp. 413-415.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11904)
|
|
|
Pavis, Patrice
(2005)
Les écritures dramatiques contemporaines.
In: Thomasseau, Jean-Marie, ed.
Le Théâtre au plus près.
Presses Universitaires de Vincennes, Saint-Denis, pp. 71-82.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11917)
|
|
|
Pavis, Patrice
(2006)
Mes trois sœurs.
Forum of Theatre and Drama, Seoul,
.
pp. 314-356.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11915)
|
|
|
Pavis, Patrice
(2004)
Quelques mois en Corée.
Théâtre/Public,
(175).
pp. 34-62.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11931)
|
|
|
Pavis, Patrice
(2005)
Réflexions liminaires sur la fin au théâtre.
In: Egger, Carol, ed.
Rideau ou la fin du théâtre.
Lansman, pp. 35-48.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11916)
|
|
|
Pavis, Patrice
(2004)
Staging September 11th in the United States.
Theater Forum,
(25).
pp. 91-96.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11928)
|
|
|
Pavis, Patrice
(2007)
Staging calamity : mise-en-scène and performance at Avignon 2005.
In: Ben-Zvi, Linda and Davis, Tracy C., eds.
Considering Calamity : Methods for Performance Research.
Assaph Books, Tel Aviv university, pp. 13-38.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11895)
|
|
|
Pavis, Patrice
(2002)
Tesis para el analisis del texto dramatico.
Gestos,
17
(33).
pp. 9-47.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11940)
|
|
|
Pavis, Patrice
(2006)
Théâtre et calamité.
Théâtre/Public,
(180).
pp. 81-91.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11908)
|
|
|
Pavis, Patrice
(2004)
Woyzeck à la Cour d’Honneur.
Théâtre/Public,
(175).
pp. 67-72.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11930)
|
|
|
Pavis, Patrice
(2006)
Wymiana czy unterakcja ?
Dialog,
(5-6).
pp. 8-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11907)
|
|
|
Pavis, Patrice
(2005)
Yasmina Reza : Sztuka, czyli sztuka fugi.
Etos ?ycia – etos sztuki,
.
pp. 283-299.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11921)
|
|
|
Pavis, Patrice
(2006)
The effect produced.
In: Christie, Judie and Gough, Richard and Watt, David, eds.
A Performance Cosmology,.
Routledge, London & New York, pp. 173-178.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:11910)
|
|
|
Pearlman, A.
(2007)
Ernst Toller plays two.
London: Oberon Books
ISBN 978-1-78319-126-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1098)
|
|
|
Pitts, Virginia
(1998)
Army and University in conflict.
New Zealand Herald,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:24153)
|
|
|
Pitts, Virginia
(2010)
Beat.
Pitts Productions
HD.
(KAR id:26341)
|
|
|
Pitts, Virginia
(2007)
Cross-cultural Filmmaking in Aotearoa New Zealand.
In: MEDIANZ Conference, 8th-10th February 2007, Victoria University, Wellington, New Zealand.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:24156)
|
|
|
Pitts, Virginia
(2003)
Fleeting Beauty.
New Zealand Film Commission
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:24158)
|
|
|
Pitts, Virginia
(1999)
Form and Politics in Punitive Damage.
Australian Screen Education,
(20/21).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:24151)
|
|
|
Pitts, Virginia
(2006)
Intercultural Short Filmmaking in Aotearoa New Zealand.
Metro Film, Television, Radio & Multimedia journal,
(148).
pp. 140-146.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:24149)
|
|
|
Pitts, Virginia
(2000)
Trust Me.
New Zealand Film Commission
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:24157)
|
|
|
Pooke, Grant F.
(2006)
The Anal Sadistic Universe of Gilbert & George.
In:
Sculpture & Psychoanalysis.
Ashgate Press in association with the Henry Moore Foundation, pp. 139-160.
ISBN 0-7546-0984-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5880)
|
|
|
Pooke, Grant F., ed.
(2008)
Appreciating Art: An Expert Companion.
Penguin Viking
ISBN 978-0-670-07284-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:7997)
|
|
|
Pooke, Grant F.
(2008)
Art History: The Basics.
Routledge
ISBN 978-0-415-37308-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5867)
|
|
|
Pooke, Grant F.
(2016)
Calls to Order: Modernity, Contemporaneity and the Cold War Aesthetic of BM Anand.
In: Anand, Aditi and Pooke, Grant F., eds.
Narratives for Indian Modernity: The Aesthetic of Brij Mohan Anand.
Harper Collins, New Delhi, India, pp. 91-160.
ISBN 978-93-5177-298-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:60025)
|
|
|
Pooke, Grant F.
(2007)
Francis D. Klingender, ‘Exodus and Exile’.
Socialist History 30: 1956 and the New Left,
(30).
pp. 22-42.
ISSN 0969 4331.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5883)
|
|
|
Pooke, Grant F.
(2003)
Marxism, Art & Engagement: Francis Klingender.
Bulletin of the Marx Memorial Library,
(137).
pp. 19-26.
ISSN 0969-1154.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5884)
|
|
|
Pooke, Grant F.
(2003)
Museology.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:6370)
|
|
|
Pooke, Grant F.
(2003)
Teach Yourself Art History.
Hodder & Stoughton
ISBN 0-340-86921-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:5866)
|
|
|
Pooke, Grant F. and Newall, Diana M.
(2003)
Art in Context.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:6373)
|
|
|
Pooke, Grant F. and Newall, Diana M.
(2004)
Contemporary Art Practice.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:6378)
|
|
|
Pooke, Grant F. and Newall, Diana M.
(2003)
Cross Curricular Issues.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:6377)
|
|
|
Pooke, Grant F. and Newall, Diana M.
(2003)
Engaging Students.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:6374)
|
|
|
Pooke, Grant F. and Newall, Diana M.
(2003)
Looking at Paintings.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:6371)
|
|
|
Pooke, Grant F. and Newall, Diana M.
(2003)
Why Teach Art and Design?
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:6375)
|
|
|
Pooke, Grant F.,
Whitham, Graham
(2010)
Understand Contemporary Art: Teach Yourself.
Hodder & Stoughton, 224 pp.
ISBN 978-1-4441-1125-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:6812)
|
|
|
Pryor, Angus
(2012)
Critical Narratives in Colour and Form.
Critical Narratives in Colour and Form, 27th November -30 th November 2012, The Visual Arts Gallery The New Habitat Centre New Delhi.
Exhibition catalogue.
ISBN 9789055923074.
(KAR id:31665)
|
![[img]](/31665/1.hassmallThumbnailVersion/Catalogue%20low%20res%20India%20Show%20v7%20copy.pdf)  Preview |
|
Q
|
Quirk, Sophie
(2017)
The "All is Lost" Moment.
In: Comedy, Populism and Donald Trump, 15th November 2017, London, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65208)
|
|
|
![[img]](/style/images/fileicons/application_pdf.png)
![[img]](/style/images/fileicons/application_msword.png)
![[img]](/style/images/fileicons/audio.png)
![[img]](/style/images/fileicons/other.png)
![[img]](/style/images/fileicons/text_html.png)
![[img]](/style/images/fileicons/image.png)
![[img]](/83527/2/Shona%20Illingworth%20Lesions%20in%20the%20Landscape_17a%20graded.jpg)
