Items where division is "Faculties > Humanities > School of Arts"

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Adler, Gerald (2013) Energising the Building Edge: Siegfried Ebeling, Bauhaus Bioconstructivist. In: Morrow, Ruth and Abdelmonem, Mohamed Gamal, eds. Peripheries: Edge Conditions in Architecture. Critiques: Critical Studies in Architectural Humanities, 8 . Routledge, Abingdon. ISBN 978-0-415-64029-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Adler, Gerald (2012) Little Boxes. In: Adler, Gerald and Brittain-Catlin, Timothy and Fontana-Giusti, Gordana, eds. Scale : Imagination, Perception and Practice in Architecture. Critiques: Critical Studies in Architectural Humanities . Routledge, Abingdon, pp. 182-193. ISBN 978-0-415-68711-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Adler, Gerald (2012) Twentieth Century Architects: Robert Maguire & Keith Murray. RIBA Publishing (20th Century Architects Series), 212 pp. ISBN 978-1-85946-165-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Agbaje, Bola (2009) Troppo Lontano! Performance type: Live play Tramedautore Festival, September 2009, Piccolo Teatro, Teatro d'Europa, Milano. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Ainsworth, Adam and Double, Oliver and Peacock, Louise (2017) Editorial. Theatre, Dance and Performance Training, 8 (2). pp. 125-128. ISSN 1944-3927. E-ISSN 1944-3919. (doi:https://doi.org/10.1080/19443927.2017.1326736) (Full text available)

Al-Tawil, Muhannad (2017) The Importance of Sufi Traditions to Jerzy Grotowski's Practice. Doctor of Philosophy (PhD) thesis, University of Kent,. (Full text available)

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Allain, Paul (2002) After Grotowski. Total Theatre, 14 (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2002) After Grotowski - the next Generation. New Theatre Quarterly, 28 (1). pp. 59-66. ISSN 0-521-01314-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2012) Andrei Droznin's Physical Actor Training. Routledge Tay;or and Francis DVD and Booklet. 0415682975 (ISBN). (doi:0415682975 (ISBN)) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2015) The Archive. Contemporary Theatre Review, 25 (1). pp. 32-35. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486801.2015.992233) (Full text available)

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Allain, Paul (2008) British Grotowski Project. Three year AHRC funded practical and theoretical project with multiple outcomes. Project. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2000) The Cambridge Companion To Chekhov. Cambridge University Press ISBN 0-521-58917-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1995) Coming Home: The New Ecology of The Gardzienice Theatre Association of Poland. Drama Review, 39 (1). pp. 93-121. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2007) Destarsi Con One Breath Left. In: The Workcenter of Jerzy Grotowski and Thomas Richards Visioni. Bulzoni. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2008) Destarsi con One breath left. In: Opere e sentieri. Vol. 3: Testimonianze e riflessioni sull'arte come veicolo. Bulzoni, pp. 129-140. ISBN 978-88-7870-296-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1998) Gardzienice Polish Theatre in Transition. Harwood Academic Press ISBN 90-5702-105-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2002) The Gardzienice Theatre Association. In: Acting (Re)Considered (2nd ed.). Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1993) Gardzienice in the Suzuki Empire. Polityka, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2002) Gardzienice's Performance of Otherness. In: Studies in Language, Literature and Cultural Mythology in Poland: Investigating The Other. Edwin Mellen Press, pp. 99-114. ISBN 0-7734-7054-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1992) Gardzienice: At the Cultural Crossroads. New Theatre Quarterly, . ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1989) Gardzienice: a Practical Account. Music Theatre Dance Journal, (1). pp. 29-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2007) Goat Theatre Macbeth. Contemporary Theatre Review, 17 (2). pp. 255-258. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1999) The Grammar Of The Feet. Total Theatre, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2005) Grotowski’s ghosts. Contemporary Theatre Review, . pp. 46-59. ISSN 1048 6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2004) The Intercultural Training of Tadashi Suzuki. Rome, Training/Dino Audino Editore pp 138-143. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1999) Interview with Piotr Borowski: Artistic Director of Studium Teatralne, Warsaw. CUNY, New York, Slavic and East European Performance PP15-23. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2002) Japanese theatre and the international stage. Review of: Japanese theatre and the international stage by UNSPECIFIED. New Theatre Quarterly, 18 (70). p. 197. ISSN 0266-464X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1991) A Love Letter from Britain. Teatr, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2007) Macbeth. Review of: Macbeth by Kozla, P. and Wielga, K.. Didaskalia, 7 . p. 89. ISSN 1233-0477. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1991) Modesty and Vigour. Plays and Players, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1994) Movement Directing. Total Theatre, 6 (4). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2006) The Nature And Culture Of Performance. In: A Performance Cosmology: testimony from the Future, Evidence of. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2000) New sites for Shakespeare: Theatre, the audience, and Asia. Review of: New sites for Shakespeare: Theatre, the audience, and Asia by UNSPECIFIED. New Theatre Quarterly, 16 (64). pp. 391-392. ISSN 0266-464X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1999) Obituary of Jerzy Grotowski. The Independent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2010) On Ensembles. In: Ensemble Theatre, 16th September 2010, University of Huddersfield. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1990) On the Border of Europe and Asia. Zycie Warszawa, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1992) 'Polishing up on the Classics'. The Stage, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1991) Rep Paralysed by Spending Cuts. The Stage, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2010) Review about Tadeusz Kantor. Review of: Review about Tadeusz Kantor by UNSPECIFIED. New Theatre Quarterly, 26 (103). p. 301. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X10000552) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2008) Review of Jerzy Grotowski by James Slowiak and Jairo Cuesta and Etienne Decroux, by Thomas Leabhart. Review of: Jerzy Grotowski by James Slowiak and Jairo Cuesta and Etienne Decroux, by Thomas Leabhart by Slowiak, James and Cuesta, Jairo and Leabhart, Thomas. Contemporary Theatre Review, 18 (1). pp. 115-117. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486800701775517) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Allain, Paul (2004) Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present. Review of: Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present by Meyer-Dinkgrafe, Daniel. New Theatre Quarterly, 20 (1). p. 95. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2002) Review of Dymphna's Callery's Through the Body. Review of: Review of Dymphna's Callery's Through the Body by Callery, Dymphna. New Theatre Quarterly, 18 (4). 0-0. ISSN 0 521-52405-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2004) Review of Edward Braun, A Concise History of Polish Theater from the Eleventh to the Twentieth Centuries, Lampeter: Edwin Mellen Press, 2003. Review of: Review of Edward Braun, A Concise History of Polish Theater from the Eleventh to the Twentieth Centuries, Lampeter: Edwin Mellen Press, 2003 by Braun, Edward. Theatre Research International, . pp. 84-85. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1989) Review of Gardzienice's Avvakum. Review of: Gardzienice's Avvakum by UNSPECIFIED. Event South West Magazine, . 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1997) Review of Harold B. Segel "Pinocchio's progeny". Review of: Harold B. Segel "Pinocchio's progeny" by UNSPECIFIED. New Theatre Quarterly, 13 (49). pp. 95-96. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X00010939) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2005) Review of Hidden Territories, Wlodzimierz Staniewski with Alison Hodge. Theatre Research International, . 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1998) Review of Kathleen M. Cioffi "Alternative theatre in Poland 1954-1989". Review of: Kathleen M. Cioffi "Alternative theatre in Poland 1954-1989" by UNSPECIFIED. New Theatre Quarterly, 8 (55). pp. 292-293. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X00012276) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2007) Review of Krzysztof Miklaszewski, Encounters with Kantor. Review of: Krzysztof Miklaszewski, Encounters with Kantor by Miklaszewski, Krzysztof. Contemporary Theatre Review, 17 (1). pp. 115-116. ISSN 1048 6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1997) Review of Michael Huxley and Noel Witts,eds. "Twentieth century performance reader". Review of: Michael Huxley and Noel Witts,eds. "Twentieth century performance reader" by UNSPECIFIED. New Theatre Quarterly, 13 (52). p. 399. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X00011623) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2001) Review of Modern Czech Theatre. Review of: Review of Modern Czech Theatre by UNSPECIFIED. New Theatre Quarterly, 17 (3). 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2005) Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Chinese Theories of Theater and Performance from Confucius to the Present. Review of: Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Chinese Theories of Theater and Performance from Confucius to the Present by Leiter, Samuel and Chunfang Fei, Faye. New Theatre Quarterly, 21 (2). p. 199. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1990) Review of two performances by Scena Plastyczna of Lublin. Review of: Review of two performances by Scena Plastyczna of Lublin by UNSPECIFIED. Performance Research, . 0-0. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2006) Routledge companion to Theatre and Performance. Routledge, 244 pp. ISBN 0-415-25721-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2000) Suzuki Training- an introductory file. Arts Archives, The Fifth Series, Exeter CD-ROM and Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1998) Suzuki Training: An Update. Drama Review, 42 (1). pp. 66-89. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2002) ‘Sztuka bezruchu’, (‘The art of stillness’- edited extracts from the book of this name). Didaskalia Gazeta Teatralne, Didaskalia Gazeta Teatralne pp62-67. (doi:1233-9477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2009) The Theatre Practice of Tadashi Suzuki A CRITICAL STUDY WITH DVD EXAMPLES. A&C Black Publishers Ltd, 224 pp. ISBN 978-1-4081-1643-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1990) Theatre in Poland. Performance Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1990) Two articles on contemporary Polish theatre. Plays International, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2006) Waking with one breath left. In: Attisani, Antonio, ed. Tracing Roads Across. EU funded. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2013) Ways of Hearing. In: Wisniewski, Tomasz, ed. A Between Almanach for the Year 2013. Maski Press, Gdansk/Sopot, 2013. ISBN 978-83-64088-13-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2002) The art of stillness - The theatre practice of Tadashi Suzuki. Palgrave, 214 pp. ISBN 0-413-76960-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul and Barbe, F.A. (2009) On the Shoulders of Tradition, East and West: a Conversation between Paul Allain and Frances Barbe. Studies in Theatre and Performance, 29 (2). pp. 149-159. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul and Bennett-Worth, Stacie Lee (2018) Turning back to Training. Performance Research, 23 (4/5). pp. 240-241. ISSN 1352-8165. (doi:https://doi.org/10.1080/13528165.2018.1524672) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Allain, Paul and Camilleri, Frank (2018) Physical Actor Training - an online A-Z. Bloomsbury, Methuen Drama films online. https://doi.org/10.5040/9790000000082.01. (doi:https://doi.org/10.5040/9790000000082.01) (Full text available)

Allain, Paul and Ziolkowski, Grzegorz (2005) Polish Theatre After 1989: Beyond Borders. Contemporary Theatre Review, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Anderson, Graham (1999) Lucian's dialogues: Performance, nature, and techniques of humor. Classical Review, 49 (1). pp. 32-33. ISSN 0009-840X. (doi:https://doi.org/10.1093/cr/49.1.32) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Anderson, Graham (1999) Symmachus, 'Lettres', vol III, Books-VI-VIII. Classical Review, 49 (2). p. 578. ISSN 0009-840X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Anderson, Michael (1999) The Cambridge companion to Greek tragedy. Review of: Reviews The Cambridge Companion to Greek Tragedy. Edited by P. E. Easterling. Cambridge: Cambridge University Press, 1997. Pp. xvii + 392 + illus. by Easterling, P.E.. Theatre Research International, 24 (1). pp. 109-110. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Anderson, Michael (1999) Classical Greek theatre: New views of an old subject. Review of: Classical Greek Theatre: New Views Of an Old Subject. By Clifford Ashby. Iowa City: University of Iowa Press, 1999. Pp. xix + 191 + illus. by Ashby, Clifford. Theatre Research International, 24 (3). p. 293. ISSN 0307-8833. (doi:https://doi.org/10.1017/S0307883300019179) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Anderson, Michael (1995) Dying Acts -Death in Ancient Greek and Modern Irish Tragic Drama - Macintosh,F. Review of: Dying Acts: Death in Ancient Greek and Modern Irish Tragic Drama. By Fiona Macintosh. Cork: Cork University Press, 1994. Pp. xx + 212. by Macintosh, Fiona. Theatre Research International, 20 (3). p. 282. ISSN 0307-8833. (doi:https://doi.org/10.1017/S0307883300008725) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Anderson, Michael (1996) Greek tragic theatre- Rehm,R. Review of: Greek tragic theatre by Rehm, Rush. Theatre Research International, 21 (1). p. 79. ISSN 0307-8833. (doi:https://doi.org/10.1017/S0307883300012736) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Anderson, Michael (1995) The Law of Writ and the Liberty + Elizabethan Theatre and the Commedian-Dellarte. Theatre Research International, 20 (3). pp. 189-199. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Ang, Gey Pin (2017) Sourcing Within: A Reflexive Investigation of a Creative Path. Doctor of Philosophy (PhD) thesis, University of Kent,. (Full text available)

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Bann, Stephen (1994) History and its Images - Art and the International of the Past - HASKELL,F. Oxford Art Journal, 17 (1). pp. 98-102. ISSN 0142-6540. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Bann, Stephen (1995) The Landscape Approach of Lassus,Bernard .2. Journal of Garden History, 15 (2). pp. 67-106. ISSN 0144-5170. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Bann, Stephen (1998) A grand design: The art of the Victoria and Albert Museum. Burlington Magazine, 140 (1139). pp. 153-154. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barbe, F.A. (2006) Chimaera. Chimaera, 2006-2006, UK Tour. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barbe, F.A. (2010) Deep Training and the Portfolio Approach. In: TaPRA, 9th-11th September 2010, University of Glamorgan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barbe, F.A. (2003) Fine bone china. Fine Bone China, March 2003-September 2003, UK Tour. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barbe, F.A. (2009) From Studio To Stage. DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barbe, F.A. (2003) Palpitation. Performance type: Other Palpitation, September 2003-September 2003, London/University of Kent, Canterbury. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barbe, F.A. (2007) The Sensation of Butoh and Suzuki. In: SUNY, May 2007, Brockport, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barbe, F.A. (2008) Swampsong. Performance type: Other . Solo dance work. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barbe, F.A. (2006) The way of Butoh and contemporary choreography. University of Kent DVD, text. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2010) The Arbor. Artangel Media Feature film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2006) Dark Glass. Mobile Phone Film - 8 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Curzon Cinema Soho. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Tate Modern. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Bristol Encounters Film Festival. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, May 2007, Site Gallery Sheffield. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, February 2007, Ikon Gallery Birmingham. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, July 2007, Galway Arts Festival. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, September 2007, Media Art Friesland Netherlands. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, October 2007, Cinema Lux, Normandy, France. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, November 2007, Museo Reina Sofia, Madrid. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2008) Dark Glass. Dark Glass, February 2008, Museum of Modern Art, New York. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2017) Dark River. Theatre release data. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2006) Dartford Crossing. Film. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2006) Erith. DVD. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2007) Exchange. Arts Council /Film Council Moving Image Initiative. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2007) Exhibition Catalogue - Clio Barnard, Road Race:Dark Glass. Other. Herbert Read Gallery, Canterbury (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2002) Flood. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2001) Lambeth Marsh. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2008) Plotlands - a site specific performance work incorporating film. , Friday 4 July 2008, Whitstable Biennale. Mixed. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2008) Random Acts of Intimacy. Random Acts of Intimacy, January 2008, ICA Short Film Festival, Institute of Contemporary Arts. Number of pieces: 1. 16mm. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2008) Random Acts of Intimacy. Random Acts of Intimacy, April 2008, Britspotting, British Irish Film Festival, Berlin. Number of pieces: 1. 16mm. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2004) Road race. Hopscotch Films Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2006) Solo Show - Exhibition of Road Race and Dark Glass. Solo Exhibition - Road Race and Dark Glass, October-November 2006, Herbert Read Gallery, Canterbury. Number of pieces: 2. screen film/video installation Super 16mm and DV, Single screen multiplatform /download/ video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Baugh, Christopher (2000) English court theatre 1558-1642. Theatre Research International, 25 (1). pp. 87-88. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Baugh, Christopher (1999) Enter the whole army: A pictorial study of Shakespearean stagings, 1576-1616. Theatre Research International, 24 (3). pp. 293-294. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Baugh, Christopher (2003) Our divine Shakespeare, fitly illustrated – staging Shakespeare, 1660-1900. In: Martineau, Jane, ed. Shakespeare in Art. Ferrara & London: Merrell, pp. 29-39. ISBN 1-85894-229-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Baugh, Christopher (2006) Scenography and technology, 1737-1843. In: Moody, Jane and O'Quinn, Daniel, eds. The Cambridge Companion to British Theatre 1737-1843. Cambridge University Press. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Baugh, Christopher (2004) Stage Design from Loutherbourg to Poel. In: Donohue, Joseph, ed. The Cambridge History of British Theatre, vol. II. Cambridge University Press, pp. 309-330. ISBN 0-521-65068-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Baugh, Christopher (2005) Theatre, Performance and Technology: the Development of Scenography in the Twentieth Century. Palgrave Macmillan, 272 pp. ISBN 1 4039 1696. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Baugh, Christopher (1996) The stage designs of Inigo Jones: The European context - Peacock,J. Review of: The stage designs of Inigo Jones: The European context by Peacock, John. Theatre Research International, 21 (2). pp. 175-176. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Beadle-Brown, Julie and Wilkinson, David T. and Richardson, Lisa and Shaughnessy, Nicola and Trimingham, Melissa and Leigh, Jennifer S and Whelton, Beckie and Himmerich, Julian (2018) Imagining Autism: Feasibility of a Drama-Based Intervention on the Social, Communicative and Imaginative behaviour of Children with Autism. Autism: International Journal of Research and Practice, 22 (8). pp. 915-927. ISSN 1362-3613. E-ISSN 1461-7005. (doi:https://doi.org/10.1177/1362361317710797) (Full text available)

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Blackburn, John and Thomas, Ben D. H. and Hopkinson, Martin (2012) John Blackburn: And God Cryed, Studio 3 Gallery, 24 September - 14 December 2012. John Blackburn: And God Cryed, 24 September - 14 December 2012, Studio 3 Gallery, Jarman Building, School of Arts, Canterbury.. Exhibition with exhibition catalogue. ISBN 978-1-902671-79-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2006) Aesthetic art to aisthetic act. Theatre, media, intermedial performance. In: Kattenbelt, Chiel and Chapple, Freda, eds. Intermediality in Theatre and Performance. Amsterdam: Rodopi, pp. 103-116. ISBN 90-420-1629-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2004) Alienating Realities. Hygiene Heute and the Politics of Sonic Conspiracy. 3xT Tidsskrift for teori og teater, (15 & 1). pp. 40-49. ISSN 0807-6316. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2001) "Alienation" and "Theater als Medium der Moderne? ". In: "Theater als Paradigma der Moderne", 14-16th June 2001, Mainz. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Archaeology/Alienation in Contemporary Performance. In: Fédération Internationale du Recherche Théâtrale, 3rd July 2002, Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1999) The Body and Beyond. Theatre Semiotics in the Age of Virtual Reality. In: 5th Performance Studies Conference 1999 "Here Be Drag-ons", 12th April 1999, Aberystwyth. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Book Review No Beauty for Me There Were Human Life is Rare: On Jan Lauwers’ Theatrework with Needcompany. Review of: No Beauty for Me There Were Human Life is Rare: On Jan Lauwers’ Theatrework with Needcompany by Stalpaert, Christel and Le Roy, Frederick and Bousset, Sigrid. Contemporary Theatre Review, 19 (1). pp. 115-116. ISSN ISSN 1048-6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2007) Book Review: Mary Luckhurst, Dramaturgy: A Revolution in Theatre. Review of: Dramaturgy: A Revolution in Theatre by Luckhurst, Mary. Theatre Research International, 32 (2). p. 207. ISSN 0307-8833. (doi:https://doi.org/10.1017/S0307883307002945) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2005) Book Review: Simon Shepherd and Mick Wallis, “Drama/ Theatre/ Performance”,. Review of: “Drama/ Theatre/ Performance” by Shepherd, Simon and Wallis, Mick. Theatre Research International, 30 (3). pp. 306-307. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Co-convenor, with Una Bauer, Working Group Directors/Collectives. In: TaPRA Conference 2009, 5th-7th September 2009, Plymouth, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1999) Contributions to Dictionnaire de la Danse. In: Le Moal, Philippe, ed. Dictionnaire de la Danse. Larousse. ISBN 2-03-511318-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2000) Contributions to Lexikon der Kultur der Gegenwart,. In: Schnell, Ralf, ed. Lexikon der Kultur der Gegenwart. Stuttgart: Metzler. ISBN 3-476-01622-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2010) Curator of Panel “Dramaturgy Abroad and Back: Transnational Reflections on a modern Western theatre paradigm” and Introductory Paper “Dramaturgic Research in Theatre Studies: Exploring Potentials and Methodologies”. In: IFTR World Congress 2010 “Cultures of Modernity”, 25th-31st July 2010, Munich. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Curator “Re/Placing Shakespeare: On Ivo van Hove’s Roman Tragedies” (Symposium). In: Re/Placing Shakespeare: On Ivo van Hove’s Roman Tragedies Symposium, 21st November 2009, Barbican, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2006) Decreation Inc. William Forsythe’s exploration of ‘behaviour without intention’. In: Symposium "The Changing Body in Training and Performance", 8th January 2006, University of Exeter, School of Performing Arts. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2007) Decreation inc.: William Forsythe’s equations of bodies before the name. Contemporary Theatre Review, 17 (1). pp. 15-27. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486800601095982) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Der Darsteller auf der Bühne: Klangkörper <> Zeichenkörper. Zur Problematik der Korporealität (nicht nur) im Musiktheater. In: Bayerdörfer, Hans-Peter, ed. Stimmen - Töne - Klänge. Tübingen. Gunter Narr, pp. 139-152. ISBN 3-8233-5230-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Der Körper als Zeichen!? In: Klein, Gabriele and Zipprich, Christa, eds. Tanz.Theorie.Text. Jahrbuch Tanzforschung 12. Münster u.a.: Lit, pp. 383-395. ISBN 3-8258-5901-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Der Körper als Zeichen!? Zur Analyse von Körper- und Bewegungsdarstellungen. Fanzdrama, 62 (1). pp. 18-21. ISSN 0932-8688. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2006) Deutsches Theater according to Michael Thalheimer: A Postcard from Berlin. In: Tapra Theatre and Performance Research Association, 7-9th September 2006, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2000) Die Entdeckung der Korporealität (nicht nur) im Musiktheater. In: 5. Kongress der Gesellschaft für Theaterwissenschaft, 30th October 2000, Munich. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1998) Die Idee vom Körper als Tastatur. Mimekunst, Kunst der Stille: Vor 100 Jahren wurde der Theatermeister Etienne Decroux geboren. Süddeutsche Zeitung/SZ am Wochenende, (18-19). ISSN 0174-4917. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2010) Dramaturgy as Relational Process: On the Act of Spectating. In: 10. Kongress der Gesellschaft für Theaterwissenschaft “Theater & Subjektkonstitution”, 28th-31st October 2010, University of Mainz. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1999) ElectrONic Bodies, Movement, and Meaning in the works of DV8 Physical Theatre. In: Dance Theatre: An International Investigation, 12th September 1999, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2003) ElectrONic bodies. Corpo-realities in contemporary dance performance. Moving Bodies. Performance Research, 8 (4). 33 -41. ISSN 0-415-32133-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2004) Ent-Körpern, Ent-Schreiben, Ent-Schöpfen. Wie sich die Tanztheorie von Forsythe's 'Decreation' zur Dekonstruktion der Diskurse über das Ballett verleiten ließ. BalletTanz, . pp. 56-61. ISSN 3617559948. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1998) Etienne Decroux' Körpertheater und die Theaterästhetik der Neunziger Jahre. In: 4. Kongress der Gesellschaft für Theaterwissenschaft, 31st October 1998, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) Exploring the Classics: Michael Thalheimer's Regie beyond the Text 1. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486800701741477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) Exposing The Classics: Michael Thalheimer’s Regie beyond the Text. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486800701741477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2010) Frank Castorf and the Berlin Volksbühne: The Humiliated and Insulted (2001). In: Bay--Cheng, Sarah and Kattenbelt, Chiel and Lavender, Andy and Nelson, Robin, eds. Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, 187,196-202. ISBN 978-90-8964-255-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) Guest Lecture, 'Theater-Politik und Bühnen-Business: Hinter den Kulissen der englischen 'theatre industry' - Strukturen und Modelle jenseits der Subventionskultur'. In: • Guest Lecture, 'Theater-Politik und Bühnen-Business: Hinter den Kulissen der englischen 'theatre industry' - Strukturen und Modelle jenseits der Subventionskultur', 17th December 2008, Ludwig-Maximilians-Universität München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) 'How to do things with Text: Text-Regie als Mise-en-Sens'. In: Conference 'Orbis Pictus - Theatrum Mundi', 25th October 2008, University of Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1997) I doubt not I, but she will stoop in time: Frauenfiguren in Tamburlaine und The Spanish Tragedy. ZAA. Zeitschrift für Anglistik und Amerikanistik, XLV . pp. 325-338. ISSN 0044-2305. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2003) In\Between.Realities. In: Working Group Meeting "Theatre and Intermediality", 3rd April 2003, CSSD London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf. In: Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf, 5th October 2009, Institut Schauspiel, Universität für Musik und darstellende Kunst, Graz/Austria. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2006) Intermediality and the Classics: Updating the “old media” of theatre. In: 15th World Congress International Federation of Theatre Research, 7th-12th August 2006, Helsinki. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2000) Intermediality in Contemporary Theatre. In: Fédération Internationale du Recherche Théâtrale, 19th September 2000, Lyon. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Invited Lecture, Critical Encounters 3: Encountering the Intermedial. In: Critical Encounters 3: Encountering the Intermedial, 9th May 2009, Tramway, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) Invited Panel Member, Conference ‘Theatre Studies Today and Tomorrow’. In: Theatre Studies Today and Tomorrow, 12th March 2008, University of Surrey. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Invited Panel contribution "Visions of Dance Studies". In: Tanzkongress, 8th November 2009, Hamburg. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Invited Research Seminar, ‘(Re-)Devising Classics in Contemporary Theatre’. In: (Re-)Devising Classics in Contemporary Theatre, 6th May 2009, University of Lancaster. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Keynote, Symposium 'Mapping Performance: Intercultural Spaces, Negotiable Boundaries'. In: 'Mapping Performance: Intercultural Spaces, Negotiable Boundaries Symposium, 3rd June 2009, Royal Holloway. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2004) Komik ist Konsumterror. 20 Jahre gegen das genussvolle Einverständnis: Forced Entertainment 1984 - 2004. In: Kongress "Komik - Ästhetik, Theorien, Vermittlungsstrategien", 7th International Congress of the German Society for Theatre Studies, 5th November 2004, Vienna. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2005) Komik und Konsumzwang: Zwischen Jux und Jucken – Komische Gesten bei Forced Entertainment. Maske und Kothurn. Vierteljahresschrift zur Theater-, Film- und Medienwissenschaft, 51 (4). pp. 335-345. ISSN 3-205-77434-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M Make World: Archaeology as Alienation in Contemporary Performance. . Projekte/Kirchner Internet Article. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2006) Mediation Unfinished. Choreographing Intermediality in Contemporary Dance Performance. In: Kattenbelt, Chiel and Chapple, Freda, eds. Intermediality in Theatre and Performance, Amsterdam and New York. Rodopi, pp. 151-166. ISBN 90-420-1629-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2007) Multisensuality and Postdramatic Mise-en-Scène: The ro:theater's Proust-Project. In: Suguiera, Malgorzata and Borowski, Matuesz, eds. Fictional Realities/Real Fictions: Contemporary Theatre in Search of a New Mimetic Paradigm. Cambridge Scholars Publishing, pp. 121-134. ISBN 978-1-84718-138-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) Other People Live: Rimini Protokoll and their Theatre of Experts - an interview. Contemporary Theatre Review, 18 (1). pp. 107-113. ISSN 1477-2264. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Panelist, Plenary Discussion ‚Jacques Rancière Study Day. In: Royal Holloway/TAPRA Working Group ‘Performance, Identity, Community’, 28th February 2009, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2005) Postdramatic Mise-en-scène: The ro:theater’s Proust-Project. In: IFTR-Conference “Fictional/Real in Contemporary Theatre”, 18th November 2007, Jagiellonian University, Krakow, Poland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2003) Realität - Fiktion - Alienation. Hygiene Heute und die Politik der Grenzverschiebung im Performancetheater. In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds. Theater ohne Grenzen. München: Utz, pp. 456-464. ISBN 3-8316-0237-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Research Seminar, Forschungsprojekt SaM Sound and Movement. In: Forschungsprojekt SaM Sound and Movement, 16th March 2009, Institut für Theaterwissenschaft, LMU München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2004) See and be SCENE: Reflecting the Presentation and Perception of Restoration Theatre. In: "The Long Restoration: Leviathan to Licensing Act", Conference, 15th September 2004, Loughborough University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2001) Synthesized Dreams Of Moving Men: ElectrONic Bodies, Movement, and Meaning in the works of DV8 Physical Theatre. In: MoMentUm I Conference Manchester, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2007) Tanz als Körper-Zeichen: Zur Methodik der Theater-Tanz-Semiotik. In: Klein, Gabriele and Brandstetter, Gabriele, eds. Bewegung in Übertragung, Bielefeld. Transcript, pp. 29-45. ISBN 3-89942-558-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Tanz als Leben, oder: Die Erotik des Balanceakts auf der Nabelschnur. Das expressive Ballett-Theater des Jirí Kylián. In: Staatsballett, Bayerisches, ed. Porträt Jirí Kylián. München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2000) Tanztheorie und Sprechtheater. Perspektiven der Analyse von Körperzeichen im zeitgenössischen Theater. In: Jeschke, Claudia and Bayerdörfer, Hans-Peter, eds. Bewegung im Blick. Berlin: Vorwerk 8. Theatralia, Documenta Choreologica, pp. 16-29. ISBN 3-930916-22-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2003) Theater als Medium der Moderne? Zum Verhältnis von Medientechnologien und Bühne im 20. Jahrhundert. In: Balme, Christopher and Fischer-Lichte, Erika and Gratzel, Stephan, eds. Theater als Paradigma der Moderne? Positionen zwischen historischer Avantgarde und Medienzeitalter. Mainzer Forschungen zu Drama und Theater 28. Tübingen: Francke 2003, pp. 447-456. ISBN 3-7720-2796-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Theater der Sensationen. In: 6. Kongress der Gesellschaft für Theaterwissenschaft, 2nd November 2002, Hildesheim. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2004) Theater der Sensationen. Performance als Wahrnehmungs-Labor. In: Matzke, Annemarie and Kurzenberger, Hajo, eds. TheorieTheaterPraxis. Berlin: Theater der Zeit, pp. 261-268. ISBN 3-934344-29-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2001) Theatre and Media Studies: Bridging the Gap. In: Working Group Session "Theatre and Intermediality", 31st August 2001, Utrecht. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2010) Thomas Ostermeier: mission neo(n)realism and a theatre of actors and authors. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge, pp. 339-359. ISBN 978-0-415-46251-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2010) Towards a Theatre of Encounter and Experience: Reflexive Dramaturgies and Classic Texts. Contemporary Theatre Review, 20 (2). pp. 162-172. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2001) Training Intelligence: Give Us Dance Academies! Ballett International - Tanz Aktuell, (8-9). pp. 52-53. ISSN 0947-0484. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2001) Transforming Performance in the Internet Culture. In: Fédération Internationale du Recherche Théâtrale, 9th July 2001, Sydney. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2010) Zeitläufte: Zur Choreografie und Wahrnehmung von Zeitlichkeit im Tanztheater der Gegenwart. In: Symposium “TIME CODES: Zeichen der Flüchtigkeit – Zeichen der Zeit”, DANCE 2010-Festival, 8th November 2010, Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2003) coMEDIA electrONica. Performing intermediality in contemporary theatre. Theatre Research International, 28 (1). pp. 34-45. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) körPERformance 1.0. Theorie und analyse von Körper- und Bewegungsdarstellungen im zeitgenössischen theater. München: ePodium ISBN 3-9807394-6-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) The naked tragedy of being human: Recent productions of Shakespeare in German Theatre. In: 2009 British Shakespeare Association conference, 13th September 2009, King's College London and the Globe Theatre. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) www dot theatre dot. Alice Croft, or: Transforming Performance in the Internet Culture. Body, Space and Technology, 2 (2). ISSN 1470-9120. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M. (2014) What happened to our Nation of Culture? Staging the theatre of the Other Germany. In: Holdsworth, Nadine, ed. Theatre and National Identity: Re-Imagining Conceptions of Nation. Routledge Advances in Theatre & Performance Studies . Routledge, Abingdon, Oxfordshire, pp. 145-162. ISBN 978-0-415-82299-2. E-ISBN 978-0-203-36621-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M. (2017) An actor, but in life: Spectatorial consciousness and materialist theatre. In: Fisher, Tony and Katsouraki, Eve, eds. Performing Antagonism: Theatre, Performance & Radical Democracy. Performance Philosophy . Palgrave Macmillan UK, London, UK. ISBN 978-1-349-95099-7. E-ISBN 978-1-349-95100-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M and Balme, Christopher (2001) Re-Play. Wiederholung der Welt - Welten der Wiederholung im zeitgenössischen britischen Drama. In: Felix, Jurgen and Kiefer, Bernd and Marschall, Susanne and Stiglegger, Marcus, eds. Die Wiederholung. Marburg: Schüren, pp. 269-284. ISBN 3-89472-334-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M and Orozco, Lourdes (2010) Editorial: Border Collisions - Contemporary Flemish Theatre. Contemporary Theatre Review, 20 (4). pp. 397-404. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486801.2010.505763) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M and Orozco, Lourdes (2010) Working Group “Directing & Dramaturgy”. In: TapRA 2010 Conference, 9th-11th September 2010, University of Glamorgan. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M and Stalpaert, Christel (2010) Jan Fabres Affirmationsfalle: Von der (Un-) Möglichkeit politischen Theaters im Zeitalter der Toleranz. In: Forschungszentrum, Sound and Movement, ed. Spielart Festival Reloaded. Henschel, Berlin, pp. 62-88. ISBN 978-3-89487-661-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Bolaki, Stella (2014) The Cultural Work of Disability and Illness Memoirs: Schizophrenia as Collaborative Life Narrative. In: Bolt, David, ed. Changing Social Attitudes to Disability: Perspectives from Historical, Cultural, and Educational Studies. Routledge, London, pp. 89-98. ISBN 978-0-415-73249-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Bolsover, Nicola (2015) Costume and Cross-Dressing in Stand-up Comedy. Master of Arts by Research (MARes) thesis, University of Kent,. (Full text available)

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Briggs, Joe Bob and Hoberman, J. and Love, D. and Lucas, T. and Sconce, J. and Stanfield, Peter (2008) Cult Film: A Critical Symposium. Cineaste, 34 (1). pp. 43-50. ISSN 0009-7004. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2017) UNSPECIFIED In: The Fictional First World War, 6-9 Apr 2017, University of Aberdeen. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2016) Collaboration and Co-production: an example of a partnership between the University of Kent and Theatre Royal, Brighton. In: In Good Company: Working with Partners (APAC Annual Conference), 07 Nov 2016, The Lowry, Salford. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2011) Early eighteenth-century performance historiography: Problems and possibilities. Studies in Theatre and Performance, 31 (1). pp. 33-45. (doi:https://doi.org/10.1386/stap.31.1.33_1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2012) Eighteenth-Century British Actresses and Strategies for Image Making Columbus. Review of: Eighteenth-Century British Actresses and Strategies for Image MakingColumbus by UNSPECIFIED. New Theatre Quarterly, 28 (2). pp. 206-207. ISSN 0266-464X. E-ISSN 1474-0613. (doi:https://doi.org/10.1017/S0266464X1200036X) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2013) FRANCESCA SAGGINI. Laura Kopp (trans.). Backstage in the Novel: Frances Burney and the Theater Arts. Review of: Backstage in the Novel: Frances Burney and the Theater Arts by UNSPECIFIED. Review of English Studies, 65 (269). pp. 361-363. ISSN 0034-6551. E-ISSN 1471-6968. (doi:https://doi.org/10.1093/res/hgt067) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2017) Great War Theatre. . online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2014) 'It was just like that out there': Wartime Representation of the Trenches. In: TaPRA Conference 2014, 03-05 Sep 2014, Egham, UK. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2011) The Later Seventeenth Century. Review of: Drama by UNSPECIFIED. The Year's Work in English Studies, 88 (1). pp. 590-610. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2011) The Later Seventeenth Century. Review of: Drama by UNSPECIFIED. The Year's Work in English Studies, 91 (1). pp. 587-597. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2011) The Later Seventeenth Century. Review of: Drama by UNSPECIFIED. The Year's Work in English Studies, 90 (1). pp. 544-551. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2011) The Later Seventeenth Century. Review of: Drama by UNSPECIFIED. The Year's Work in English Studies, 89 (1). pp. 542-554. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2011) Negotiating Marriage and Professional Autonomy in the Careers of Eighteenth-Century Actresses. Eighteenth-Century Life, 35 (2). pp. 39-75. ISSN 0098-2601. (doi:https://doi.org/10.1215/00982601-1214090) (Full text available)

Brooks, Helen E.M. (2017) Not just 'A Little Bit of Fluff': British Theatre during the Great War. In: Civilian Experiences of War Symposium, 09 Jul 2017, Open University, Milton Keynes. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2012) 'One entire nation of actors and actresses' - Reconsidering the Relationship of Public and Private Theatricals. Nineteenth-Century Theatre and Film, . ISSN 1748-3727. (Full text available)

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Brooks, Helen E.M. (2017) Recovering First World War Theatre: A Community Research Project. In: UNSPECIFIED, 16 Mar 2017, Royal Academy of Dramatic Art, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2013) Review of Transgressive Theatricality, Romanticism, and Mary Wollstonecraft Farnham. Review of: Transgressive Theatricality, Romanticism, and Mary Wollstonecraft Farnham by Plummer Crafton, Lisa. New Theatre Quarterly, 29 (3). p. 302. ISSN 0266-464X. E-ISSN 1474-0613. (doi:https://doi.org/10.1017/S0266464X13000481) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2011) Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater. Review of: Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater by Nussbaum, Felicity. Theatre Research International, 36 (2). pp. 180-181. ISSN 0307-8833. E-ISSN 1474-0672. (doi:https://doi.org/10.1017/S030788331100006X) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2017) Sex and Sexuality. In: Balme, Christopher B. and Davis, Tracy C., eds. A Cultural History of Theatre. Bloomsbury. ISBN 978-1-4725-8584-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Brooks, Helen E.M. (2016) Sexual Suspects Roundtable. In: Actress as Author, 09-10 Jul 2015, Chawton House. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2015) Spies and Brutes: The Representation of Germans as Villains on the British Stage Between 1914 and 1918. In: A Symposium on Villains, 21 May 2015, University of Kent. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2017) Staging Jutland. In: Jutland and After: The First World War at Sea from War to Peace 1916-1919, 31 May - 2 Jun 2017, National Museum of the Royal Naval, Portsmouth. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2017) Staging the Great War in the British Theatre between 1914 and 1918. In: War Through Other Stuff, 22-24 Feb 2017, University of Edinburgh. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2017) Theatre History and Historiography: Ethics, Evidence and Truth. Review of: Theatre History and Historiography: Ethics, Evidence and Truth. by UNSPECIFIED. Theatre Research International, . pp. 351-352. ISSN 0307-8833. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2010) The Theatre and Victorian Visual Culture. Review of: The Theatre and Victorian Visual Culture by Heinrich, Anselm and Newey, Katherine and Richards, Jeffrey. Theatre Research International, 36 (1). pp. 90-91. ISSN 0307-8833. E-ISSN 1474-0672. (doi:https://doi.org/10.1017/S0307883310000842) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2017) Theatres of War: New insights into wartime theatre production through the Recovering First World War Theatre project. In: TaPRA Conference, 2017, 30 Aug - 01 Sep 2017, University of Salford. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2014) Theorizing the Woman Performer. In: Swindells, Julia and Taylor, David Francis, eds. The Oxford Handbook of the Georgian Theatre 1737-1832. Oxford University Press. ISBN 978-0-19-960030-4. (Full text available)

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Brooks, Helen E.M. (2016) ‘Torture, murder and bestial lust': German Villains on the British stage in 1915. In: 'Pack up your Troubles': Performance Cultures of the First World War, 27-29 Apri 2016, University of Kent. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2016) Undertaking Cultural History Projects with Partners and Publics: Methods and Approahes. In: UNSPECIFIED, 01 Dec 2016, Leuven, Belgium. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2009) Women and Theatre Management in the Eighteenth Century. In: Engel, L., ed. The Public's Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Cambridge Scholars Publishing, pp. 73-97. ISBN 978-1-4438-0173-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2011) Women's Romantic Theatre and Drama: History, Agency and Performativity. Review of: Women's Romantic Theatre and Drama: History, Agency and Performativity by UNSPECIFIED. New Theatre Quarterly, 27 (1). pp. 90-91. ISSN 0266-464X. E-ISSN 1474-0613. (doi:https://doi.org/10.1017/S0266464X11000108) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2008) 'Your sincere friend and humble servant': Evidence of managerial aspirations in Susannah Cibber's letters. Studies in Theatre and Performance, 28 (2). pp. 147-159. (doi:https://doi.org/10.1386/stap.28.2.147_1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. and Connelly, Mark L. (2017) The St. Barnabas Hostels’ Pilgrimage, 1923. Performance type: Live play Ypres 100, 28 - 31 Jul 2017, Passchendaele Memorial Museum, Belgium. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brydon, Lavinia (2017) Garden of England: Sites of Production and Pilgrimage. In: Locating Imagination: Popular Culture, Tourism and Belonging, 5-7 April 2017, Rotterdam, The Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brydon, Lavinia and Jenzen, Olu and Nourse, Nicholas (2018) 'Our Pier': Leisure activities and local communities at the British seaside. Leisure/Loisir, . ISSN 1492-7713. E-ISSN 2151-2221. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Camilleri, Frank (2008) Collective Improvisation: The Practice and Vision of Ingemar Lindh. TDR - The Drama Review, 52 (4). pp. 82-97. ISSN 1054-2043. (doi:https://doi.org/10.1162/dram.2008.52.4.82) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Camilleri, Frank (2006) Dramaturgy of a Performance Process. Icarus Performance Project, Malta, 72 pp. ISBN 99932-0-418-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Camilleri, Frank (2008) Exploring the Liminal: Engaging the Space between Training and Performance Process. In: Wooding, Bruce, ed. International Theatre Movement Conference: At the Moscow Art Theatre School. Central School of Speech and Drama, London, pp. 27-30. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Camilleri, Frank (2008) Hospitality and the Ethics of Improvisation in the Work of Ingemar Lindh. New Theatre Quarterly, 24 (3). pp. 246-259. ISSN 0266-464X. E-ISSN 1474-0613. (doi:https://doi.org/10.1017/S0266464X08000304) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Camilleri, Frank (2003) ‘I can still feel his eyes on me’, an interview by Elzbieta Stelmaszczyk. Pogranicza, 42 . pp. 29-43. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Camilleri, Frank (2009) Of Pounds of Flesh and Trojan Horses: Performer Training in the Twenty-first Century. Performance Research, 14 (2). pp. 26-34. ISSN 1352-8165. (Full text available)

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Camilleri, Frank (2010) Tekhnē Sessions: investigating dynamic aliveness in the actor's work. Theatre, Dance & Performance Training, 1 (2). pp. 157-171. (doi:https://doi.org/10.1080/19443927.2010.504999) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Camilleri, Frank (2008) 'To Push the Actor-Training to its Extreme': Training Process in Ingemar Lindh's Practice of Collective Improvisation. Contemporary Theatre Review, 18 (4). pp. 425-441. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486800802379474) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Camilleri, Frank and Schranz, John J (1996) Id-Descartes: Identity of a Dramaturgy. GHE, Malta (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardinal, Roger (1995) The Collages of Schwitters,Kurt - Tradition and Innovation - Dietrich,D. Art Bulletin, 77 (2). pp. 336-337. ISSN 0004-3079. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardinal, Roger (1992) DALI - A BIOGRAPHY - ETHERINGTONSMITH,M. Times Literary Supplement, (4681). p. 15. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardinal, Roger (1992) THE DOUBLE CIPHER - ENCOUNTER BETWEEN WORD AND IMAGE IN BONNEFOY, TARDIEU AND MICHAUX - WILLIAMS,AV. French Studies, 46 (2). pp. 229-230. ISSN 0016-1128. (doi:https://doi.org/10.1093/fs/XLVI.2.229-b) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardinal, Roger (1996) Duchamp: Passim : A Marchel Duchamp Anthology - Hill,A. Review of: Duchamp: Passim : A Marchel Duchamp Anthology by Hill, Anthony. Burlington Magazine, 138 (1117). p. 261. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardinal, Roger (1992) KAHLO,FRIDA - THE PAINTINGS - HERRERA,H. Times Literary Supplement, (4663). p. 15. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardinal, Roger (1992) KAHLO,FRIDA - TORMENT AND TRIUMPH IN HER LIFE AND ART - DRUCKER,M. Times Literary Supplement, (4663). p. 15. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardinal, Roger (1994) Rosso,Medardo. Burlington Magazine, 136 (1094). pp. 329-330. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardinal, Roger (1992) SAVINIO,ALBERTO. Times Literary Supplement, (4638). p. 19. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardinal, Roger (1992) TEXTUAL SPACES - THE POETRY OF REVERDY,PIERRE - ROTHWELL,A. French Studies, 46 (3). pp. 357-358. ISSN 0016-1128. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardinal, Roger (1999) The hidden goddess: Isis in the work of Victor Hugo. French Studies, 53 (3). pp. 341-342. ISSN 0016-1128. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardwell, Sarah E. (2003) About time: theorizing adaptation, temporality, and tense. Literature Film Quarterly, 31 (2). pp. 82-92. ISSN 0090-4260. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardwell, Sarah E. (2002) Adaptation revisited: television and the classic novel. Manchester University Press, 232 pp. ISBN 0-7190-6045-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardwell, Sarah E. (2005) Andrew Davies. Manchester University Press, 227 pp. ISBN 0-7190-6491-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardwell, Sarah E. (2007) Is Quality Television Any Good? Generic Distinctions, Evaluations and the Troubling Matter of Critical Judgement. In: McCabe, Janet and Akass, Kim, eds. Quality TV: Contemporary American Television and Beyond. IB Tauris, pp. 19-34. ISBN 978-1-84511-511-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Carver, Gavin P. (2002) Carnival. In: Donnell, Alison, ed. Companion to Black British Culture. Routledge, pp. 65-67. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Carver, Gavin P. (1996) Computer Aided Scenography: some observations on procedures and concepts. Studies in Theatre Production, (14). pp. 20-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Carver, Gavin P. (2001) Computer visualisation for the theatre. Focal Press ISBN 0-240-51617-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Carver, Gavin P. (2001) John Fox. In: Bull, John, ed. Dictionary of Literary Biography Vol 245 British and Irish Dramatists Since World War II. London: Bruccoli Clark Layman, pp. 157-166. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Carver, Gavin P. (1995) Light the Night, the theory and practice of a community celebration. Studies in Theatre Production, 12 (1). pp. 82-98. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Carver, Gavin P. (2000) A Midsummer Night’s Dream. A Midsummer Night’s Dream, June 2000, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Carver, Gavin P. (2000) The effervescent Carnival: Performance, context, and mediation at Notting-Hill. New Theatre Quarterly, 16 (61). pp. 34-49. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X00013440) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Carver, Gavin P. and Baugh, Christopher and Fergusson, C (1998) Exhibition of digital reconstructions of Adolphe Appia's speculative designs for the Ring Cycle (Wagner). World Congress of the International Federation of Theatre Research, 1998, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Carver, Gavin P. and Beardon, C (2003) New visions in performance. In: Carver, Gavin P., ed. New Visions in Performance. Swets & Zeitlinger, pp. 167-182. ISBN 90-265-1966-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Carver, Gavin P. and Presdee, Mike (2000) The Carnival of Crime. In: Presdee, Mike, ed. Cultural Criminology and the Carnival of Crime. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Castoro, Manila (2016) The decisive moment and the moment in between: Kairos, Tyche and the play of street photography. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2003) All the Right Responses: Fiction Films and Warranted Emotions. British Journal of Aesthetics, 43 (1). pp. 308-321. ISSN 0007-0904. (doi:https://doi.org/10.1093/bjaesthetics/43.3.308) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2008) Am I Your Sidekick? Contemporary Korean Gangster Cinema, ‘Beat’ and ‘Friend’. Post Script, 27 (3). pp. 116-131. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2006) Apperception on Display: Structural Films and Philosophy. In: Smith, Murray and Wartenberg, Thomas, eds. Thinking Through Cinema: Film as Philosophy. Blackwell, pp. 165-172. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2006) Apperception on Display: Structural Films and Philosophy. Journal of Aesthetics and Art Criticism, 64 (1). pp. 165-172. ISSN 0021-8529. (doi:https://doi.org/10.1111/j.0021-8529.2006.00238.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2002) Chunhyang, Chunhyang, Chunhyang: Poetics of Im Kwon Taek. Asian Cinema, 13 (1). pp. 57-66. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2003) Fits and Startles: Cognitivism Revisited. Journal of Aesthetics and Art Criticism, 61 (2). pp. 149-157. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2004) Is the Balcony Closed? Philosophy of Film sans Film. Aesthetics Newsletter, 23 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2005) Leaving It up to the Imagination: POV shots and Imagining from Inside. Journal of Aesthetics and Art Criticism, 63 (1). pp. 17-25. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2005) National Cinema, the Very Idea. In: Choi, Jinhee and Carroll, Noel, eds. Philosophy of Film and Motion Pictures. Blackwell, pp. 310-319. ISBN 978-1-4051-2027-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2006) Naturalizing Hollywood: Against the Naturalistic Account of the Filmic Communication. Film Studies: An International Review, (8). pp. 149-153. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2004) Preface to The Cinema of Japan and Korea. In: Bowyer, Justin, ed. The Cinema of Japan and Korea. Wallflower Press. ISBN 978-1-904764-11-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2001) A Reply to Gregory Currie on Documentaries. Journal of Aesthetics and Art Criticism, 59 (3). pp. 317-319. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2008) Sentimentality and the Cinema of the Extreme. Jump Cut, (50). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2005) Shocking Corridors: Girls’ High School Horror Series and Female Sexuality. In: National, Transnational, and International: Chinese Cinema and Asian Cinema in the Context of Globalization—Centennial Celebration of Chinese Cinema, 6th-10th June 2005, Beijing and Shanghai, China. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2010) The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs. Wesleyan University Press, 260 pp. ISBN 978-0-8195-6939-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2017) The Cinematic Shtetl as a Site of Postmemory. In: Penz, Francois and Koeck, Richard, eds. Cinematic Urban Geographies. Screening Spaces . Palgrave Macmillan, London, UK, pp. 137-154. ISBN 978-1-137-46830-7. E-ISBN 978-1-137-46084-4. (doi:https://doi.org/10.1057/978-1-137-46084-4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2014) Of Empire and the City: Remapping Early British Cinema. Peter Lang, Bern, Switzerland, 319 pp. ISBN 978-3-0343-0823-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cioffi, Angelo Emanuele (2017) Political Cinema: A Philosophical Investigation. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Clayton, Alex (2007) The Body In Hollywood Slapstick. McFarland and Co, Inc, 237 pp. ISBN 978-0-7864-3063-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Clayton, Alex (2007) Music In The Style Of Jean Reoir. Cineaction, 66 . pp. 61-72. ISSN 0826-9866. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Conyne, George R. (1992) Explaining American Politics - Williams,R. Journal of American Studies, 26 (2). p. 289. ISSN 0021-8758. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Conyne, George R. (1992) Public-Law and Democracy in the United-Kingdom and the United-States of America - Craig,P. Journal of American Studies, 26 (2). pp. 300-301. ISSN 0021-8758. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2006) ‘The Art of Paranoia’. In: Pajdic, Predrag and Pasolini, Antonio and Ryan, Paul, eds. Paranoia. Southend/Leeds/London, London, pp. 138-148. ISBN 139780955330902. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2003) Cinematic dream-work of Ingmar Bergman’s Wild Strawberries. In: Sabbadini, Andrea, ed. The Couch and the Silver Screen. Psychoanalytic Analytic Reflections on European Cinema. Brenner-Routledge, pp. 181-201. ISBN 1-58391-952-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2010) Das Verhältnis von Unterhaltung und Erkenntnis. Schnitt, 58 (2). pp. 18-21. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1986) A Discussion of Coma. In: Brunsden, Charlotte, ed. Hollywood’s New Women. British Film Institute. ISBN 0857101558. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2007) Documentary film as flashback and the 'real' of reality in the temporality of representation. In: Real Things: Matter, Materiality, Representation, 1880 to the Present Conference, 5th - 8th July 2007, University of York. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1997) Documenting Fictions. Continuum, Australian Journal of Media & Culture, 11 (1). pp. 54-66. ISSN 1030-4312. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2005) 'Dokumentarische Kunst: das Reale begehren, der Wirklichkeit eine Stimme geben' (‘Desiring the Real, Voicing Reality in Documentry Art'). In: Gludovatz, Karin, ed. Auf den Spuren des Realen Kunst und Dokumentarismus. Museum Moderner Kunst Stiftung Ludwig, Wien, pp. 15-41. ISBN 3-902490-05-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2001) The Enigma of the Message. Review of: Essays on Otherness by Laplanche, Jean. New Formations, (43). pp. 148-150. ISSN 0950-2378. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1999) Fantasia. In: Evans, Jessica and Hall, Stuart, eds. Visual Culture, The Reader. Sage, pp. 356-378. ISBN 0-7619-6247-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1975) ‘Feminist Film Criticism - a reply’. Screen, 16 (1). pp. 134-139. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2000) Figuracija/Razumevanje fetiöa. Filmsek Sveske, 2-3 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1995) Film - Zenska Tovarna Sanji. Vsebina, (23). pp. 46-80. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1993) Film Noir and Women. In: Copjec, Joan, ed. Shades of Noir. Verso, pp. 121-166. ISBN 0-86091-625-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1989) Film in teorija v osemdesetih letih. Ekran, 14 (5/6). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1993) From Fantasia. In: Easthope, Anthony, ed. Contemporary Film Theory. Longman, pp. 147-161. ISBN 0-582-09032-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1985) Het verschil in de film. Vrouwen in de films van Hawks. Het Tidschrift voor Vrouwen Studies, (24). ISSN 0167-8361. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2001) Identifizierung mit dem Realen - Spektakel der Realität. In: Angerer, Marie-Luise and Krips, H., eds. Der Andere Schauplatz Psychoanalyse - Kultur - Medien. Vienna: Turia + Kant, pp. 151-180. ISBN 3-85132-287-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1996) Images of Women and Filmic Identification. In: Dakovic, Nevena and Derman, Denis and Ross, Karen, eds. Gender & Media. Med-Campus Project no A126 Publications, pp. 35-60. ISBN 975-96120-0-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1981) Introduction to Mary Kelly’s Post-Partum Document. M/F, (5/6). pp. 115-123. ISSN 0141-948X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2009) Introduction to Post-Partum Document. In: Frascina, Francis, ed. Modern Art Culture: a reader. Routledge, London, pp. 303-311. ISBN 978-0-415-23151-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2010) ‘Mourning, Loss and Trauma, and the Ambiguities of Proper and Improper Desire in Exotica (1994)'. In: Brown, Tom and Walters, James, eds. Film Moments. Palgrave/British Film Institute, London, pp. 140-143. ISBN 978-1-84457-336-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2009) On Documentary Sounds and Images in the Gallery. Screen, 50 (1). pp. 124-134. ISSN 0036-9543. (doi:https://doi.org/10.1093/screen/hjn076) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2005) On Rear Window. In: Rutsky, R.L. and Geiger, Jeffrey, eds. Film Analysis: A Reader. W. W. Norton & Company, pp. 475-493. ISBN 0-393-97983-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2000) Perceiving Memory and Tales of the Other: the work of Milica Tomic. Camera Austria, (72). pp. 14-16. ISSN 1015-1915. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1979) The Popular Film as Progressive Text - a discussion of Coma. M/F, (3). pp. 59-82. ISSN 0141-948X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1989) The Popular Film as a Progressive Text – a Discussion of Coma. In: Penley, Constance, ed. Feminism and Film Theory. Methuen. ISBN 0-415-90107-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1992) Pornography and Fantasy. In: Segal, Lynne and McIntosh, Mary, eds. Sex Exposed: Sexuality and the Pornography Debate. Virago, pp. 132-152. ISBN 1-85381-385-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2007) Possession, paranoia and the experience of art. In: Freud Museum Symposium: Observing Paranoia in Clinical Practice, Art and Anthropology, March 3rd, 10am - 5pm, 2007, Tavistock Clinic, London NW3. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1990) Psychoanalysis and Cinema: Film and Theory in the 1980's. In: Donald, James, ed. Psychoanalysis and Cultural Theory: Thresholds. Macmillan, pp. 104-138. ISBN 0-312-05232-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2007) Real time viewing of images of time past and present: documentary in the gallery 'becoming art'. In: Visible Evidence 14, 18th - 21st December 2007, Bochum, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1997) Representing the Woman: Psychoanalysis and Cinema. University of Minnesota Press, 397 pp. ISBN 033330576. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1980) Review article of The Song of the Shirt. Review of: The Song of the Shirt by Clayton, Sue and Curling, Jonathan. Camera Obscura, (5). pp. 87-97. ISSN 0270-5346. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1987) Review article on Mary Kelly’s Interim. Review of: Interim by Kelly, Mary. New Formations, (2). pp. 20-28. ISSN 0950-2378. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1990) Review of Psychoanalysis and Cinema. Review of: Psychoanalysis and Cinema by Kaplan, Anne E.. Times Higher Education Supplement, . 0-0. ISSN 0049-3929. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1992) The Seductive Theories of Jean Laplanche: a new view of the drive, passivity and femininity. In: Stanton, Martin and Fletcher, John W. J., eds. Situating Laplanche. Institute of Contemporary Arts, pp. 121-136. ISBN 0-905263-68-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2005) Seeing and hearing for ourselves: the spectacle of reality in the Holocaust Documentary. In: Haggith, Toby and Newman, Joanna, eds. The Holocaust and the Moving Image: Film and Television Representations Since 1933. Wallflower Press, pp. 182-188. ISBN 1-904764-51-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1999) The Spectacle of Actuality. In: Gaines, Jane and Renov, Michael, eds. Collecting Visible Evidence. University of Minnesota Press, pp. 19-45. ISBN 0-8166-3135-2/3136-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1997) The Spectacle of Reality and Documentary Film. Documentary Box, (10). pp. 1-8. ISSN 1340-0832. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2007) Specters of the Real: Documentary Time and Art. Differences: A Journal of Feminist Cultural Studies, 18 (1). pp. 87-127. ISSN 1040-7391. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1998) Storytelling: classical Hollywood cinema and classical narrative. In: Neale, Steve and Smith, Murray, eds. Contemporary Hollywood Cinema. Routledge, pp. 178-190. ISBN 0-415-17010-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1986) Strategems of Identification. Oxford Literary Review, 8 (1/2). pp. 66-67. ISSN 0-9511080 0 X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2010) Thinking Differently: on theory now and documentary art. Differences: A Journal of Feminist Cultural Studies, 21 (1). pp. 178-193. ISSN 1040-7391. (doi:https://doi.org/10.1215/10407391-2009-026) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2000) Traumatic Memories of Remembering and Forgetting. In: Rossington, Michael and Whitehead, Anne, eds. Between the Psyche and the Polis: Refiguring history in literature and theory. Ashgate Publishing, pp. 191-204. ISBN 0-7546-0228-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1995) A Tunisian Search for Independence - a review of The Silences of the Palace. Review of: The Silences of the Palace by Tlatli, Moufida. Women: A Cultural Review, 6 (1). pp. 124-128. ISSN 0957-4042. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2007) Ways of Seeing and Knowing: Documentary Film and the Surreal of Reality. In: Ten Brink, Joram, ed. Building Bridges: The Cinema of Jean Rouch. Wallflower Press, pp. 201-218. ISBN 978-1-905674-47-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2007) ‘What do you see? Would you like to move on to another image? Yes’. In: Barnard, Clio H., ed. Road Race and Dark Glass Catalogue. Herbert Read Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2001) Woman as Sign. In: Andjelkovic, Branislava, ed. Feminist Visual Theories. Belgrade: Cenre For Contemporary Arts. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1993) Women, Representation and the Image. In: Alvarado, Manuel and Buscombe, Edward and Collins, Richard, eds. The Screen Education Reader: Cinema, Television, Culture. Macmillan, pp. 48-60. ISBN 0-231-08111-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2000) Working Images: the representations of documentary film. In: Pollock, Griselda and Mainz, Valerie, eds. Work and the Image II. Ashgate Press, pp. 173-192. ISBN 0-7546-0233-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1991) Zenska Seksualnost. In: Bahovec, Eva D., ed. Zenska Seksualnost - Freud & Lacan. Analecta, pp. 146-169. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2004) A commentary on Juan delGado’s video work, ‘Who are You Entertaining To?’. Aspect DVD Journal DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2003) The lived nightmare: trauma, anxiety, and the ethical aesthetics of horror. In: Schneider, Steven Jay and Shaw, Daniel, eds. Dark Thoughts: Philosophic Reflections on Cinematic Horror. Lanham, MD: Scarecrow Press, pp. 25-46. ISBN 0-8108-4792-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth and Adams, Parveen (1990) The Woman in Question. Cambridge/MIT Press/October Books, 383 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Davis, Jill (1999) Goodnight ladies ... On the 'Explicit Body in Performance'. New Theatre Quarterly, 15 (58). pp. 183-187. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X00012860) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Declercq, Dieter (2018) A Definition of Satire (And Why a Definition Matters). The Journal of Aesthetics and Art Criticism, 76 (3). pp. 319-330. ISSN 0021-8529. (doi:https://doi.org/10.1111/jaac.12563) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Declercq, Dieter (2017) A Philosophy of Satire. Critique, Entertainment, Therapy. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Dennis, Krysta (2015) Globalizing McDonagh: The Playwright in Performance on the World Stage. Doctor of Philosophy (PhD) thesis, University of Kent, Universite de Paris 3 Sorbonne Nouvelle. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Deprez, Eleen and Maes, Hans R.V. (2016) Wat is een portret? Kunsttijdschrift Vlaanderen, (361). ISSN 1780-6461. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (1996) Alternative comedy: from radicalism to commercialism. In: Merkin, Ros, ed. Popular Theatres? Liverpool John Moores University, Liverpool, pp. 127-139. ISBN 0-9527978-0-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2012) Britain Had Talent: A History of Variety Theatre. Palgrave Macmillan, Houndsmills, basingstoke, Hampshire, 288 pp. ISBN 9780230284593 (hbk) 9780230284609 (pbk). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2000) Characterization in stand-up comedy: From Ted Ray to Billy Connolly, via Bertolt Brecht. New Theatre Quarterly, 16 (64). pp. 315-323. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X00014068) (Full text available)

Double, Oliver (2014) Getting the Joke (2nd edition)The Inner Workings of Stand-Up Comedy. Bloomsbury, London and New York, 518 pp. ISBN 978-1-4081-7460-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2005) Getting the joke: The inner workings of stand-up comedy. London: Methuen, 320 pp. ISBN 0-413-77476-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2007) Karl Valentin’s “Father and Son Discuss the War". Studies in Theatre and Performance, 27 (1). pp. 5-11. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (1994) Laughing all the way to the bank? Alternative comedy in the provinces. New Theatre Quarterly, X (39). pp. 255-262. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X00000555) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2012) Max Miller plays with Freud's obstacle: Innuendo and performance technique in variety comedy. Comedy Studies, 3 (1). pp. 93-104. ISSN 2040-610X. (doi:https://doi.org/10.1386/cost.3.1.93_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2010) Not the Definitive Version: an Interview with Ross Noble. Comedy Studies, 1 (1). pp. 5-19. ISSN 2040-610X. (doi:https://doi.org/10.1386/cost.1.1.5/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2007) Punk rock as popular theatre. New Theatre Quarterly, 23 (1). pp. 35-48. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X06000613) (Full text available)

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Double, Oliver (2007) Saint Pancreas. Performance type: Other Saint Pancreas, 3/11/06, Horsebridge Arts Centre, Whitstable. DVD and Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (1997) Stand-Up! On Being a Comedian. Methuen Drama, London, 262 pp. ISBN 0-413-70320-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2017) ‘[T]his is eating your greens, this is doing your homework’: writing and rehearsing a full-length stand-up show. Comedy Studies, . pp. 137-153. ISSN 2040-610X. (doi:https://doi.org/10.1080/2040610X.2017.1344477) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Double, Oliver (2000) Teaching Stand-Up Comedy. A Mission: Impossible? Studies in Theatre and Performance, 20 (1). pp. 14-23. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2009) Teddy Brown and the Art of Performing for the British Variety Stage. New Theatre Quarterly, 25 (4). pp. 379-390. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X09000669) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2017) Tragedy Plus Time: Transforming Life Experience into Stand-Up Comedy. New Theatre Quarterly, 33 (2). pp. 143-155. ISSN 0266-464X. (doi:https://doi.org/10.1017/So266464X17000057) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Double, Oliver and Wilson, Michael (2006) Brecht and cabaret. In: Thomson, Peter and Sacks, Glendyr, eds. Cambridge Companion to Brecht, 2nd Edition. Cambridge University Press. ISBN 978-0-521-67384-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver and Wilson, Michael (2008) '"I am a Poor, Skinny Man": Persona and physicality in the work of Karl Valentin'. Studies in Theatre and Performance, 28 (3). pp. 213-221. ISSN 1468-2761. (doi:https://doi.org/10.1386/stap.28.3.213/1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Double, Oliver and Wilson, Michael (2004) Karl Valentin's illogical subversion: stand-up comedy and the alienation effect. New Theatre Quarterly, XX (3). pp. 203-215. ISSN 0-521-60328-5. (Full text available)

Dunworth, F. (1993) Suffocating Mothers - Fantasies of Maternal Origins in Shakespeare Plays, 'Hamlet' to the 'Tempest' - Adelman, J. Theatre Research International, 18 (1). pp. 65-66. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Eyuboglu, S. (1991) The authorial text and postmodernism, hitchcock 'blackmail'. Screen, 32 (1). pp. 58-78. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Finch, James (2016) The Art Criticism of David Sylvester. Doctor of Philosophy (PhD) thesis, University of Kent,. (Full text available)

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Fox, J. (1998) Battles and sites of love. The history of cinema and film in eastern Westphalia and Lippe. Review of: Battles and sites of love. The history of cinema and film in eastern Westphalia and Lippe by UNSPECIFIED. Historical Journal of Film, Radio and Television, 18 (1). pp. 142-143. ISSN 0143-9685. (doi:https://doi.org/10.1080/01439689800260091) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Fox, J. (1998) A second life: German cinema's first decades. Review of: A second life: German cinema's first decades by UNSPECIFIED. Historical Journal of Film, Radio and Television, 18 (1). pp. 139-140. ISSN 0143-9685. (doi:https://doi.org/10.1080/01439689800260091) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2015) The Acoustic Conventions of Historical Films: Dialect in Requiem, Robin Hood and Beyond. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 20 June 2015, Lodz, Poland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) Art and Artifice: German Films at the 60th Berlin International Film Festival. Senses of Cinema, (55). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2018) The Authenticity Feeling: Language and Dialect in the Historical Film. Research in Film and History, 1 (1). ISSN 0000-0000. (Full text available)

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Frey, Mattias (2006) Benny’s Video, Caché, and the Desubstantiated Image. Framework: The Journal of Cinema and Media, 47 (2). pp. 30-36. ISSN 0306-7661. (doi:https://doi.org/10.1353/frm.2006.0011) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2004) Border Zones: The Films of Ulrich Seidl. Senses of Cinema, (32). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) A Cinema of Disturbance: The Films of Michael Haneke in Context, 2nd rev. ed. Senses of Cinema, 57 (57). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2003) A Cinema of Disturbance: The Films of Michael Haneke in Context. Senses of Cinema, (28). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2016) The Crises of Film Criticism and the Promises of Film Studies. In: Invited Speaker, University of Edinburgh, Research Seminar, 22 November 2016, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2015) Critical Questions, 2.0: Resolving the Digital-Era ‘Crisis’ of Film Criticism. In: Invited Speaker, University of Bristol, Research Seminar, 18 March 2015, Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2015) Editorial: Institutions and Agency (Part I). Film Studies, 13 (1). pp. 1-4. ISSN 1469-0314. E-ISSN 2054-2496. (doi:https://doi.org/10.7227/FS.13.0001) (Full text available)

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Frey, Mattias (2016) Editorial: Institutions and Agency (Part II). Film Studies, 14 . pp. 1-4. ISSN 1469-0314. E-ISSN 2054-2496. (doi:https://doi.org/10.7227/FS.14.0001) (Full text available)

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Frey, Mattias (2015) Ekel im Kino. In: Invited Speaker, 'Angustia', Deutsches Filmmuseum, Frankfurt, 23 January 2015, Deutsches Filmmuseum Frankfurt. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2007) The End of Innocence: Scandinavian Films at the 30th Gothenburg International Film Festival. Review of: Scandinavian Films at the 30th Gothenburg International Film Festival by UNSPECIFIED. Senses of Cinema, 43 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2017) The Eternal Return of the Crisis: Towards an Internationalist, Institutionalist Critical History. In: Invited Speaker, Dartmouth College, Conference: A Century of Filmkritik and Beyond, Hanover/NH, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2017) Fassbinder and the Western: Whity (1971). In: BAFTSS conference, University of Bristol, Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2017) Fassbinder, the art film and popular genre: Whity. In: Invited Masterclass, British Film Institute, BFI Fassbinder: The Many Faces of R. W. Fassbinder, 27 April 2017, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2017) Fassbinder: Television Pioneer. In: Invited Speaker, British Film Institute, public lecture, 2 May 2017, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2017) Fassbinder: The Formal Innovator. Sight and Sound, 27 (5). p. 28. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Fidelio: Love, Adaptation, and Eyes Wide Shut. Literature/Film Quarterly, 34 (1). pp. 39-45. ISSN 0090-4260. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2017) Film Criticism in the Digital Age: Past, Present and Possible Futures. In: Invited Speaker, Universitet Gent, public lecture, 31 October 2017, Ghent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) Filmkritik, with and without Italics: Kracauerism and Its Limits in Postwar German Film Criticism. New German Critique, 40 (3). pp. 85-110. ISSN 0094-033X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) From Crisis Structure to Schadenfreude: Emotional Underpinnings of the New Documentary. In: Society of Cinema and Media Studies Annual Conference, 18th March 2010, Los Angeles. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2008) Gazing Lessons: German Films at the 58th Berlin International Film Festival. Review of: 58th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, 47 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) Goodbye Germany: Emigration, Reality TV and Schadenfreude. Jump Cut, (52). ISSN 0146-5546. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2007) In/Flux: German Films at the 57th Berlin International Film Festival. Review of: German Films at the 57th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, 43 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2009) Insecure Times, Confident Localities: German Films at the 59th Berlin International Film Festival. Review of: 59th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, (50). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2017) Institutional Roles in Using Film to Teach Difficult History: The Federal Agency for Civic Education and The Lives of Others. In: Stoddard, Jeremy and Marcus, Alan and Hicks, David, eds. Teaching Difficult History Through Film. Routledge, New York, pp. 89-105. ISBN 978-1-138-19077-1. E-ISBN 978-1-315-64087-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2018) The International Reception of Downfall. In: Fisher, Jaimey and Richardson, Michael D., eds. Downfall: A Companion. De Gruyter, Berlin. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2015) Kino der Extreme: Die transgressive Rhetorik der heutigen Autorenfilmkultur. In: Invited Speaker, Zentrum für Medien-, Kommunikations- und Informationsforschung, Universität Bremen, Research Seminar, 25 June 2015, Bremen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) London à la Mod: Fashion, Genre, and Historical Space in Performance. Quarterly Review of Film and Video, 23 (4). pp. 369-376. ISSN 1050-9208. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) Medien aus filmwissenschaftlicher Sicht. In: Masterclasses, 29th June-2nd July 2010, Universitat Passau. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) The Message and the Medium: Haneke's Film Theory and Digital Praxis. In: Price, Brian and Rhodes, John David, eds. On Michael Haneke. Wayne State University Press, Detroit, pp. 153-165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2016) Netflix Crit in the Twenty-First Century. Film Criticism, 40 (1). ISSN 0163-5069. E-ISSN 2471-4364. (doi:https://doi.org/10.3998/fc.13761232.0040.111) (Full text available)

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Frey, Mattias (2006) No(ir) Place to Go: Spatial Anxiety and Sartorial Intertextuality in Die Unberührbare. Cinema Journal, 45 (4). pp. 64-80. ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) Paris' Threat to German Film Criticism: Denounce and Recycle. In: European Network for Cinema and Media Studies Annual Conference, 25th June 2010, Istanbul. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) A Persistent Allure: The Reception of Michael Haneke. In: Invited speaker, On Michael Haneke, 2nd June 2010, University of Sussex. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) “Postmodernism” and “Guy Maddin". In: Grant, Barry Keith, ed. Schirmer Encyclopedia of Film. Schirmer Press, Detroit, pp. 291-296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Re-Connecting the Body ‘in’ to the Body ‘of’ Pasolini with Porcile. In: Hart, Kylo, ed. Film and Sexual Politics: A Critical Reader. Cambridge Scholars Press, Newcastle, pp. 128-134. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2007) Review of Screening the Past: Memory and Nostalgia in Cinema. Review of: Screening the Past: Memory and Nostalgia in Cinema by Cook, Pam. Film International, 5 (5). pp. 87-89. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Review of: Graeme Harper and Andrew Moor, eds., Signs of Life: Medicine and Cinema. Review of: Signs of Life: Medicine and Cinema by Harper, Graeme and Moor, Andrew. Film International, 4 (2). pp. 78-81. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2008) Review of: Jörn Ahrens und Stephan Braese, Hg., Im Zauber der Zeichen: Beiträge zu einer Kulturgeschichte des Mediums. Review of: Im Zauber der Zeichen: Beiträge zu einer Kulturgeschichte des Mediums by Ahrens, Jorn and Braese, Stephan. MEDIENwissenschaft, (2). pp. 145-147. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2007) Review of: Rosalind Galt, The New European Cinema: Redrawing the Map. Review of: The New European Cinema: Redrawing the Map by Galt, Rosalind. Film International, 5 (1). pp. 70-71. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) Safe to Remember: the post-Wende Cinema of Retrospection. In: Invited Talk, 2nd November 2010, University of Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Structuralism and Poststructuralism. In: Grant, Barry Keith, ed. Schirmer Encyclopedia of Film. Schirmer Press, Detroit, pp. 165-168. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2002) Supermodernity, Capital, and Narcissus: The French Connection to Michael Haneke’s Benny’s Video. Cinetext, . ISSN 1605-6035. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2014) Teoretyzowanie kina u Sebalda i Sebalda poprez kino. Konteksty, 68 (3-4). pp. 135-144. ISSN 1230-6142. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2007) Theorizing Cinema in Sebald and Sebald with Cinema. In: Patt, Lise, ed. Searching for Sebald: Photography After W.G. Sebald. Los Angeles: Institute of Cultural Inquiry Press, Los Angeles, pp. 226-241. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2018) Unstomachable: Irréversible (2002) and the Extreme Cinema Tradition. In: Baer, Nicholas and Hennefeld, Maggie and Horak, Laura and Iversen, Gunnar, eds. Unwatchable. Rutgers University Press, New Brunswick, NJ. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2017) VoD Services, Original Programming and the Deteriorating Window System: Netflix, Amazon, MUBI. In: Elements of Success: Rethinking Audience and Production Studies as Practice, Finnish Film Institute, 4 December 2017, Helsinki. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2017) Who Owns History? Notes on Cultural Appropriation, Authenticity and the Historical Film. . The International Association for Media and History online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2018) A nova democracia?: Rotten Tomatoes, Metacritic, Twitter e IMDb. REBECA: Revista Brasileira de Estudos de Cinema e Audiovisual, 6 (2). pp. 343-374. ISSN 2316-9230. (doi:https://doi.org/10.22475/rebeca.v6n2.495) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Frey, Mattias and Janssen, Sara (2018) Researching Sex and the Cinema in the #MeToo Age. Film Studies, 18 (1). pp. 1-13. ISSN 1469-0314. (doi:https://doi.org/10.7227/FS.18.0001) (Full text available)

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Friday, Jonathan (2002) Aesthetics and photography. Aldershot: Ashgate Press, 175 pp. ISBN 0-7546-0428-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2005) Andre Bazin’s ontology of film and the photographic image. Journal of Aesthetics and Art Criticism, 63 (4). pp. 339-350. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2007) The Art Seminar. In: Elkins, James, ed. Photographic Theory. Routledge, pp. 129-204. ISBN 0-415-97783-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2004) Art and Enlightenment: Aesthetics in the 18th Century. Imprint Academic, 212 pp. ISBN 0-907845-76-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2000) Demonic Curiosity and the Aesthetics of Documentary Photography. British Journal of Aesthetics, 40 (3). pp. 356-375. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2002) Demonic Curiosity and the Aesthetics of Documentary Photography. In: Rubene, Mara, ed. Homo Aestheticus. Tapals, pp. 245-266. ISBN 9984-720-00-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (1997) Digital Imaging, Photographic Representation and Aesthetics. Ends and Means, 2 (2). pp. 7-11. ISSN 1472-5819. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (1998) Hume’s Sceptical Standard of Taste. Journal of the History of Philosophy, 36 (4). pp. 545-566. ISSN 0022-5053. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (1999) Looking at Nature Through Photographs. Journal of Aesthetic Education, 33 (1). pp. 25-35. ISSN 0021-8510. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2004) Moral Equality and the Foundations of Liberal Moral Theory. Journal of Value Inquiry, 38 (1). pp. 61-74. ISSN 0022-5363. (doi:https://doi.org/10.1023/B:INQU.0000040016.68565.83) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2004) Moral Theory and the Improvement of Moral Thought. Journal of Moral Education, 33 (1). pp. 23-33. ISSN 0305-7240. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2004) Photography and Art – Responses to questions set by Artis Svece. Res Publica, 2 . ISSN 1691-2004. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2001) Photography and the representation of vision. Journal of Aesthetics and Art Criticism, 59 (4). pp. 351-362. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (1999) Quem Tem Medo De Uma Sociedade On-line? Cadernos Da Escola Do Legislativo, . pp. 39-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2005) Stillness becoming: Reflections on Bazin, Barthes, and Photographic Stillness. In: Green, David and Lowry, Joanna, eds. Stillness and Time: Photography and the Moving Image. Brighton: Photoworks. ISBN 1-903796-18-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (1996) Transparency and the Photographic Image. British Journal of Aesthetics, 36 (1). pp. 30-42. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (1998) Who’s Afraid of an On-line Society? Ends and Means, 3 (2). pp. 2-7. ISSN 1472-5819. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Fugard, Athol (2011) Il Guidatore del Treno. Performance type: Live play Tramedautore Festival, September 2011, Piccolo Teatro, Teatro d'Europa, Milan. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Garfield, Rachel (2009) A Particular Incoherence: the films of Vivienne Dick. In: O'Brian, Treasa, ed. Between Truth and Fiction: The Films of Vivienne Dick. Crawford Art Centre/Lux, London, pp. 39-48. ISBN 978-0-9548569-8-4. (Full text available)

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Geary, James Bernard (2017) A Defence of the Study of Visual Perception in Art. Doctor of Philosophy (PhD) thesis, University of Kent,. (Full text available)

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Goebbels, Heiner (2014) Aesthetic of Absence. Other. Routledge, London (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2000) Allegories of underdevelopment: Aesthetics and politics in modern Brazilian cinema. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2008) Auteur machines? Auteurism and the DVD. In: Bennett, James and Brown, Tom, eds. Film and Television After DVD. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2000) Based on a true story: Latin American history at the movies. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2007) Directing cinema : The new auteurism. Manchester University Press (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2004) Home-Movies: The Curious Cinematic Collaboration of Anne-Marie Miéville and Jean-Luc Godard. In: Temple, Michael and Williams, James S and Witt, Michael, eds. For Ever Godard. London: Black Dog Publishing. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2000) Intimista Transformations: María Luisa Bemberg's First Feature Films. In: King, John and Whittaker, Sheila and Bosch, Rosa, eds. The Films of María Luisa Bemberg: An Argentine Passion. Verso. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2006) 'Introduction' in Screening World Cinema: A Screen Reader. In: Grant, Catherine A. and Kuhn, Annette, eds. Screening World Cinema: A Screen Reader. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2002) 'La función de "los autores": la adaptación cinematográfica transnacional de El lugar sin límites'. Revista Iberoamericana, LXVIII (199). pp. 253-268. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2000) Millennial debates - www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2000) New Latin American cinema, Vol 1, Theory, practices and transcontinental articulation, Vol 2, Studies of national cinemas. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2002) Recognizing Billy Budd in Beau Travail: epistemology and hermeneutics of an auteurist “free” adaptation. Screen, 43 (1). pp. 57-73. ISSN 1460-2474. (doi:0036-9543) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2001) Secret Agents: Feminist Theories of Women’s Film Authorship. Feminist Theory, 2 (1). pp. 113-130. ISSN 1464-7001. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2003) Still moving images: Photographs of the disappeared in films about the Dirty War in Argentina. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities: Intersections of Photography and Narrative. Albuquerque: University of New Mexico Press, pp. 63-86. ISBN 0-8263-2825-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2000) Tropical multiculturalism: A comparative history of race in Brazilian cinema and culture. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2000) www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1999) Bad girls and sick boys: Fantasies in contemporary art and culture. Review of: Bad girls and sick boys: Fantasies in contemporary art and culture by Kauffman, L.S. Sight and Sound, 9 (2). p. 30. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1998) Crimes of the future (David Cronenberg, 'Crash'). Screen, 39 (2). pp. 180-185. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1999) Early cinema in Russia and its cultural reception. Review of: Early cinema in Russia and its cultural reception by Tsivisn, Y. Sight and Sound, 9 (2). p. 32. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1999) The Eisenstein reader. Review of: The Eisenstein reader by Taylor, R. Sight and Sound, 9 (2). p. 30. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1998) Fake, fact and fantasy: Children's interpretations of television reality. Sight and Sound, 8 (8). pp. 28-29. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1998) Meat is murder: An illustrated guide to cannibal culture. Review of: Meat is murder: An illustrated guide to cannibal culture by Mikita, Brottman. Sight and Sound, 8 (8). p. 29. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1998) Video critical: Children, the environment and media power. Review of: Video Critical: Children, the Environment and Media Power by Gauntlett, D.. Sight and Sound, 8 (8). pp. 28-29. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1999) The Western reader. Review of: The Western reader by Kitses, J. Sight and Sound, 9 (2). pp. 31-32. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1999) The erotic anime movie guide. Review of: The erotic anime movie guide by McCarthy, Helen and Clements, Jonathan. Sight and Sound, 9 (5). p. 33. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1994) The American Stage - Social and Economic-Issues for the Colonial Period to the Present - Engle,R, Miller,TL. Theatre Research International, 19 (1). p. 79. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1993) American drama of the 20th-Century - Berkowitz, GM. Notes and Queries, 40 (4). pp. 571-572. ISSN 0029-3970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1994) The Cambridge Guid to American Theater - Wilmeth, DB. Theatre Research International, 19 (3). pp. 285-286. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1996) ‘“The Ceremonialization of Secular Power in Medieval Scriptural and Hagiographical Drama’. In: Aspects of Medieval Drama, July 1996, University of Camerino, Italy. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2005) ‘Dramatic Representations of the Emerging Metropolis of London in the Sixteenth Century’. In: Medieval English Theatre Conference, 19th March 2005, University of Southampton. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1987) ‘Dramatizing Chaucer’. In: 22nd International Congress on Medieval Studies, 7th-10th May 1987, Western Michigan University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2004) English dramatic interludes 1300-1580: a reference guide. Cambridge University Press, 427 pp. ISBN 0-521-03591-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1997) Festive drama - Twycross,M. Review of: Festive Drama by Twycross, M. Theatre Research International, 22 (1). p. 74. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1989) ‘La Madeleine dans la Poésie et Prose d’Angleterre aux 16ième et 17ième Siècles’. In: Colloque International: Le Visage de la Madeleine dans la Littérature et la Critique en Europe entre 1450 et 1650, October 1989, University of Grenoble. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1990) ‘Les Représentations de la Madeleine dans la Poésie et le Drame en Angleterre aux XVI et XVIIe Siècles’. In: Chocheyras, Jacques, ed. Visages de la Madeleine dans la Littérature Européenne (1500-1700). Univ Stendhal U.F.R. Lettres. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2008) London in Early Modern English Drama: Representing the Built Environment. Palgrave Macmillan ISBN 0-230-55429-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2008) London in English Drama 1500-1700. Cambridge University Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1995) ‘Marsha Norman’. In: Bloom, C., ed. American Drama. Macmillan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1988) ‘Masques and Murderers: Dramatic Form and Ideology in Jacobean Revenge Tragedy and the Court Masque’. In: Bloom, C., ed. Jacobean Poetry and Prose. Macmillan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2006) Morality and Interlude Drama. In: Brown, Peter, ed. A Companion to Medieval English Literature and Culture c.1350-c.1500. Wiley, pp. 473-487. ISBN 978-0-631-21973-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1986) The National Theatre’s Production of The Mysteries: Some Observations. Theatre Notebook, 40 (2). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2003) ‘Perilous Childhood in the Tudor Interlude’. In: Shakespeare’s Children/Children’s Shakespeare, 11th & 12th October 2003, University of Surrey, Roehampton. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1983) ‘Producing Miracles’. In: Neuss, P., ed. Aspects of Early English Drama. Brewer. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2003) Promise me my liberty: conventions of Roman Comedy and the representation of oppression and resistance in the Tudor Interlude July and Julian. EnterText, 3 (1). pp. 1-18. ISSN 1472 3085. (Full text available)

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Grantley, Darryll (1996) Records of early english drama - Shropshire - Somerset,JAB. Comparative Drama, 30 (2). pp. 282-285. ISSN 0010-4078. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2005) Review of Anne Lancashire London Civic Theatre: City Drama and Pageantry from Roman Times to 1558. Review of: London Civic Theatre: City Drama and Pageantry from Roman Times to 1558 by Lancashire, Anne. Early Theatre, 8 (1). pp. 122-125. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1986) Review of B. Dukore American Dramatists 1919-1945 and G Weales Odets: The Playwright. Review of: American Dramatists 1919-1945 and The Playwright by Dukore, B and Weales Odets, G. Speech and Drama, 35 (1). pp. 46-48. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1992) Review of C. Bigsby Arthur Miller and Company. Review of: Arthur Miller and Company by Bigsby, Christopher. New Theatre Quarterly, (30). p. 197. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1987) Review of C. Davidson (ed) The Saint Play in Medieval Europe. Review of: The Saint Play in Medieval Europe by Davidson, C. Comparitive Drama, 21 (3). pp. 295-297. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1998) Review of Christopher Bigsby (ed) The Cambridge Companion to Arthur Miller. Review of: The Cambridge Companion to Arthur Miller by Bigsby, Christopher. Theatre Research International, 23 (2). p. 188. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1992) Review of D. George Records of Early English Drama: Lancashire in The Early Drama. Review of: Records of Early English Drama: Lancashire in The Early Drama by George, David. Art and Music Review, 15 (1). 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1990) Review of D. Gilman (ed) Everyman and Company. Review of: Everyman and Company by Gilman, D. Comparitive Drama, 24 (4). pp. 367-370. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1994) Review of D. Wilmeth and T Miller (eds) The Cambridge Guide to American Theatre. Review of: The Cambridge Guide to American Theatre by Wilmeth, Don B. and Miller, Tice L.. Theatre Research International, 19 (3). pp. 285-286. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1993) Review of G. M. Berkowitz American Drama of the Twentieth Century. Review of: American Drama of the Twentieth Century by Berkowitz, G.M.. Notes and Queries, . pp. 571-572. ISSN 0029-3970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2002) Review of Ian McAdam The Irony of Identity: Self and Imagination in the Drama of Christopher Marlowe and Fred B. Tromly Playing With Desire: Christopher Marlowe and the Art of Tantalization. Review of: The Irony of Identity: Self and Imagination in the Drama of Christopher Marlowe and Playing With Desire: Christopher Marlowe and the Art of Tantalization by McAdam, Ian and Tromly, Fred B.. Yearbook of English Studies, (32). pp. 271-273. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1987) Review of J. Lahr The Orton Diaries. Review of: The Orton Diaries by Lahr, J. Speech and Drama, 36 (1). pp. 50-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1996) Review of J. Somerset Records of Early English Drama: Shropshire. Review of: Records of Early English Drama: Shropshire by Somerset, J. Alan B.. Comparitive Drama, 30 (2). pp. 282-285. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1988) Review of J. Wasson (ed) Records of Early English Drama: Devon. Review of: Records of Early English Drama: Devon by Wasson, J. Comparitive Drama, 21 (4). pp. 399-401. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1998) Review of James Stokes (ed) Records of Early English Drama: Somerset. Review of: Records of Early English Drama: Somerset by Stokes, James. Theatre Notebook, 23 (1). pp. 55-56. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2005) Review of Katie Normington Gender and Medieval Drama. Review of: Gender and Medieval Drama by Normington, Katie. Theatre Research International, 30 (3). pp. 298-299. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1996) Review of L. Muir The Biblical Drama of Medieval Europe. Review of: The Biblical Drama of Medieval Europe by Muir, Lynette R.. Theatre Research International, 21 (1). pp. 79-80. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2007) Review of Lucy Munro - The Children of the Queen’s Revels: A Jacobean Theatre Repertory. Review of: The Children of the Queen’s Revels: A Jacobean Theatre Repertory by Munro, Lucy. Shakespeare Studies, (35). pp. 292-296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1992) Review of M. Baer Theatre and Disorder in Late Georgian London. Review of: Theatre and Disorder in Late Georgian London by Baer, Marc. New Theatre Quarterly, (31). p. 91. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1997) Review of M. Twycross (ed) Festive Drama. Review of: Festive Drama by Twycross, M. Theatre Research International, 22 (1). p. 74. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1993) Review of P. Kolin (ed) Confronting Tennessee Williams’s ‘A Streetcar Named Desire’: Essays in Critical Pluralism. Review of: Confronting Tennessee Williams’s ‘A Streetcar Named Desire’: Essays in Critical Pluralism by Kolin, P. New Theatre Quarterly, (35). p. 301. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1984) Review of R M Lumiansky and D Mills The Chester Mystery Cycle: Essays and Documents. Review of: The Chester Mystery Cycle: Essays and Documents by Lumiansky, R.M. and Mills, David. Theatre Notebook, 38 (3). pp. 146-147. ISSN 0040-5523. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1986) Review of R. Beadle and P. King (eds) York Mystery Plays: A Selection in Modern Spelling. Review of: York Mystery Plays: A Selection in Modern Spelling by Beadle, Richard and King, Pamela M.. Studies in the Age of Chaucer, (8). pp. 164-166. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1988) Review of R. Boxhill Tennessee Williams and G McCarthy Edward Albee. Review of: Tennessee Williams and Edward Albee by Boxhill, R and McCarthy, G. Speech and Drama, 37 (1). pp. 57-58. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1994) Review of R. Engle and T. L. Miller (eds) The American Stage (Cambridge, C.U.P., 1993. Review of: The American Stage (Cambridge, C.U.P., 1993) by Engle, Ron and Miller, Tice L.. Theatre Research International, 19 (1). p. 79. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1986) Review of T. Parr (ed) Coriolanus, D Male (ed) Dr Faustus, D Devlin (ed) The Winter’s Tale, and P Ranger (ed) She Stoops to Conquer. Review of: Coriolanus, Dr Faustus, The Winter's Tale and She Stoops To Conquer by Parr, T and Male, D and Devlin, D and Ranger, P. Speech and Drama, 35 (1). pp. 32-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1995) ‘Richard Mulcaster: Education and the Elite Body’. In: Conference on Bodily Fictions, July 1995, Brunel University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2008) 'Saints and Miracles'. In: Beadle, Richard, ed. The Cambridge Companion to Medieval English Theatre. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1994) ‘Saints’ Plays’. In: Beadle, Richard, ed. The Cambridge Companion to Medieval English Theatre. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1985) Sam Shepard Fool for Love, Arthur Miller The American Clock, David Mamet American Buffalo and Marsha Norman ’night Mother. Review of: Fool for Love, The American Clock, American Buffalo and 'night Mother by Shepard, S and Miller, A and Mamet, D and Norman, M. Speech and Drama, 34 (2). pp. 67-69. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1996) ‘Schooling the Audience’. In: Shakespeare and Tudor Theatrical Traditions, 10th-11th September 1996, International Shakespeare Globe Centre, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2006) ‘“Secret Conclaves”: Deviant Space in Sixteenth-Century Drama’. In: Queer People conference, 27th-30th July 2006, Christ's College, Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1984) The Source of the Digby Mary Magdalen. Notes and Queries, 31 (4). ISSN 0029-3970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1997) ‘“To Swell a Progress”: Retainers, Subordinates and the Ceremonialisation of Secular Power in Medieval Scriptural and Hagiographical Drama’. European Medieval Drama, (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2000) ‘The Upbringing of Youth in the Tudor Interlude’. In: Gender and Life Cycle in the Middle Ages, 21st-23rd January 2000, University of Kent, Canterbury. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1993) ‘"What meanes this shew?": Theatricalism, Camp and Subversion in Doctor Faustus and The Jew of Malta’. In: Conference on Christopher Marlowe and English Renaissance Culture, 5th-7th July 1993, University of Kent, Canterbury. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1996) '“What meanes this shew”: Theatricalism, Camp and Subversion in Doctor Faustus and The Jew of Malta’. In: Grantley, Darryll and Robertson, Peter A., eds. Christopher Marlowe and English Renaissance Culture. Scolar. ISBN 1-85928-260-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1986) The Winter’s Tale and Early Religious Drama. Comparative Drama, 20 (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1994) ‘The Winter’s Tale and Early Religious Drama’. In: Battenhouse, Roy W., ed. Shakespeare’s Christian Dimension. Indiana University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2000) Wit’s Pilgrimage: Drama and the Social Impact of Education in Early Modern England. Ashgate, 270 pp. ISBN 0-7546-0167-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1996) The biblical drama of medieval europe - Muir,LR. Theatre Research International, 21 (1). pp. 79-80. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2000) ‘“A bodie of presence”: Education and the elite body in the writings of Richard Mulcaster’. In: Grantley, Darryll and Taunton, Nina, eds. The Body in Late Medieval and Early Modern Culture. Ashgate. ISBN 0-7546-0115-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2007) The social geography of London in Restoration comedy. . University of Kent, School of Drama, Film and Visual Arts, 32 pp. (Full text available)

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Greenaway, Peter (2009) Le Nozze di Cana. Performance type: Live play Veronese's The Wedding at Cana by Peter Greenaway, June to September 2009, San Giorgio Maggiore Refectory, Venice. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Greenaway, Peter and Laera, Margherita (2009) The Blue Planet. UNSPECIFIED. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grieve, Jonathan (2017) The Efficacy of Symbolic Action Investigating the Creation and Effect of Symbolic Action on Performers and Audiences in the Performance, The Passion of Lady Vendredi. Master of Arts by Research (MARes) thesis, University of Kent,. (Full text available)

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Grieveson, Lee (1999) African American films through 1959: A comprehensive illustrated filmography. Review of: African American films through 1959: A comprehensive illustrated filmography by Richards, Larry. Journal of American Studies, 33 (3). pp. 550-551. ISSN 0021-8758. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grieveson, Lee (2000) America on film: Hollywood and American history. Journal of American Studies, 34 . pp. 316-317. ISSN 0021-8758. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grieveson, Lee (1999) America on film: Hollywood and American history. Review of: America on film: Hollywood and American history by Cameron, K.M.. Journal of American Studies, 33 (3). pp. 575-576. ISSN 0021-8758. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grieveson, Lee (1997) Policing the cinema: 'Traffic in Souls' at Ellis Island, 1913. Screen, 38 (2). pp. 149-171. ISSN 0036-9543. (doi:https://doi.org/10.1093/screen/38.2.149) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grindle, Nicholas and Thomas, Ben D. H. (2017) Curating connections in the art history curriculum. In: Developing the Higher Education Curriculum: Research-based Education in Practice. UCL Press, pp. 106-117. ISBN 978-1-78735-089-2. E-ISBN 978-1-78735-090-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2018) Behind the Mask. In: Suto, Fanni, ed. Midnight Masquerade: A Masquerade Anthology. Fantasia Divinity, pp. 6-25. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2018) Changing how we look at and think about the color grey. . online. (Full text available)

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Guerin, Frances (2014) The Corporealization of Memory in Christian Boltanski's Installations. In: Memoryscapes. Diaphanes, Zurich, pp. 157-177. ISBN 978-3-03734-662-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2005) A Culture of light: cinema and technology in 1920s Germany. University of Minnesota Press, Minneapolis, 314 pp. ISBN 978-1-4529-0671-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2003) Dazzled by the Light. Cinema Journal, 42 (4). pp. 98-115. ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2013) En Grisaille nowadays. . Catalogue and exhibition blurb. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (1994) Enduring the Vagaries: The Viewer as Master and Slave in Pasolini's Salò,. Melbourne Journal of Politics, 22 (N/A). pp. 45-65. ISSN 0085-3224. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2004) Explorations of Light and Lighting in Und das Licht Erlosch (1914). In: Gaudreault, André, ed. The Cinema: A New Technology for the 20th Century. Payot, Lausanne, pp. 219-228. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2010) Film as an Archive for Photography: The Portraitist as Witness to the Holocaust. Screening the Past, (29). ISSN 1328-9756. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2007) The Gray Space Between: Gerhard Richter’s 18. Oktober 1977 (1989). In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, London, pp. 111-126. ISBN ISBN-13: 978-1905674206. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2008) Infinite Rotations in a Finite Frame: A Tacita Dean Tryptich. Cinéma e Cie: International Film Studies Journal, N/A (8). pp. 119-134. ISSN 2035-5270. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2017) Introduction: European Photography Today. Journal of European Studies, 47 (4). pp. 1-11. ISSN 0047-2441. (doi:https://doi.org/10.1177/0047244117733893) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2009) Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema,. Review of: Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema, by UNSPECIFIED. Screening the Past, n/a (26). n/a-n/a. ISSN 1328-9756. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2011) Locating Shadows: What’s inside William Kentridge’s Black Box? In: John David, Rhodes, ed. Taking Place: Location and the Moving Image. University of Minnesota Press, Minneapolis, pp. 233-253. ISBN 0-8166-6517-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2006) McCormick and Guenther-Pal, eds, German Essays on Film (2004). Review of: McCormick and Guenther-Pal, eds, German Essays on Film (2004) by McCormick, Richard. Film-Philosophy, 10 (3). pp. 95-100. ISSN 1466-4615. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2012) Obfuscations of the Visible: Creating Memory through not looking at Christian Boltanski’s Archives. Cinema e Cie: International Film Studies Journal, (9). pp. 279-284. ISSN 2035-5270. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2003) Opposite or Complementary Conceptions? What do Rudolf Arnheim and Michel Chion have in Common? Cinema e Cie: International Film Studies Journal, 32 (2). pp. 129-140. ISSN 2035-5270. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2006) The Perpetrator in Focus: Turn of the Century Holocaust Remembrance in "The Specialist". Law Text Culture, 10 . pp. 167-193. ISSN 1332-9060. (Full text available)

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Guerin, Frances (2017) Physically absent, visually present: Joachim Schumacher’s photographs of Germany’s Ruhr Valley. Journal of European Studies, 47 (4). pp. 1-19. ISSN 0047-2441. (doi:https://doi.org/10.1177/0047244117733899) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2008) Radical Aspirations Historicized: The European Commitment to Political Documentary. In: Kolker, Robert, ed. The Oxford Handbook of Film and Media Studies. Oxford university Press, New York, pp. 114-151. ISBN 0-19-517596-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2002) Reframing the Photographer and his Photographs: Photographer (1995). Film and History: An Interdisciplinary Journal of Film and Television Studies, 32 (1). pp. 43-54. ISSN 0360-3695. (doi:https://doi.org/10.1353/flm.2002.0064) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2015) Searching in Grey: Cy Twombly's Untitled Paintings. In: Wedekind, Gregor, ed. Die Farbe Grau. Unknown. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2018) Time to Leave. . online. (Full text available)

Guerin, Frances (2011) Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement. Review of: Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement by UNSPECIFIED. Holocaust Studies: A Journal of Culture and History, 17 (1). pp. 137-139. ISSN 1359-1371. E-ISSN 2048-4887. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2003) Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002. Review of: Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002 by Hoffmann, Kay. The Moving Image: Association of Moving Image Archivists, 4 (2). pp. 123-126. ISSN 2167-8464. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2004) When Beginnings and Endings Distort the Past. In: Limina/le Soglie del Film. Lithostampa, Pasian di Prato, Udine, pp. 247-254. ISBN 978-88-8420-191-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2004) The energy of disappearing: problems of recycling Nazi amateur film footage. Screening the Past, (17). 0-0. ISSN 1328-9756. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2008) www.artslant.com. . online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2008) www.francesguerin.com. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances and Eisenberg, Daniel (2012) Archives and Images as Repositories of Time, Language, and Forms from the Past: A Conversation with Daniel Eisenberg. The Moving Image, 12 (1). pp. 112-118. ISSN 1542-4235. (Full text available)

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guerin, Frances (2003) Technological Adventures in German Cinema on Either Side of World War I. In: Pitassio, Francesco, ed. Film and its Multiples. Udine, Udine, pp. 147-153. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Hammer, Martin (2015) 1965; Culture and Sculpture in Britain. In: Sculpture: 1965, 25-6 September 2015, Henry Moore Institute, Leeds. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2005) Bacon and Sutherland : Patterns of Affinity in British Culture of the 1940s. The Paul Mellon Centre for Studies in British Art . Yale University Press, 296 pp. ISBN 978-0-300-10796-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2009) Clearing away the Screens. In: Francis Bacon: Portraits and Heads. National Galleries of Scotland, Edinburgh, UK. ISBN 978-1-903278-66-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2006) Clearing away the screens. In: Francis Bacon: Heads and Portraits. National Galleries of Scotland, Edinburgh, pp. 14-27. ISBN 978-1-903278-66-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2016) Crossing the border and closing the gap: David Hockney and abstraction. In: Generation Painting: Abstraction and British Art, 1955–65, 5 March 2016, Downing College, Cambridge. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2017) David Hockney’s Early Etchings: Going Transatlantic and Being British. Tate Pepers, (27). ISSN 1753-9854. E-ISSN 1753-9854. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Hammer, Martin (2015) David Hockney’s Tired Indians and Rocky Mountains. In: UNSPECIFIED, 16 March 2015, National Gallery of Scotland, Edinburgh. (Unpublished) (Full text available)

Hammer, Martin (2016) Food for Artists: the exhibition as resource. In: Exhibiting Contemporary Art in Post-War Britain, 28-29th January 2016, Tate Britain. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2010) Francis Bacon. Dublin and Compton Verney (exhibition review). Review of: Francis Bacon: In Camera (exhibition) by UNSPECIFIED. Burlington Magazine, 152 (1282). pp. 59-61. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2015) Francis Bacon’s ‘Crucifixion’: The presence of the Nazi past. In: UNSPECIFIED, 29 Oct 2015, Moderne Pinakothek, Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2005) Graham Sutherland. Graham Sutherland, 2005, Dulwich Picture Gallery and Djanogly Gallery, University of Nottingham. exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2005) Graham Sutherland: Landscapes, War Scenes, Portraits 1924-1950. Scala, 192 pp. ISBN 978-1-85759-404-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2016) Introduction. In: Currie, Ken and Hammer, Martin, eds. Ken Currie: Tragic Forms. Flowers Gallery, London. ISBN 978-1-906412-76-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2016) Making transatlantic sense of Hockney’s A Rake’s Progress. In: History of Art department research seminar, University of York, 11 Jan 2016, York. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2015) My Generation: A Festival of British Art in the 1960s. , Kent. exhibitions. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2007) The Naked Portrait 1900 to 2007. National Galleries of Scotland, Edinburgh, UK, 176 pp. ISBN 978-1-903278-95-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2007) The Naked Portrait. The Naked Portrait, Scottish National Portrait Gallery and Compton Verney. exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2017) Photographic sources and affinities in David Hockey's art of the 1960s. In: A Bigger Picture: New Approaches to David Hockney - Tate Britain and the Paul Mellon Centre, 5 May 2017, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2015) The Silent Kingdom of Panting: Sickert and Hopper. In: Walter Sickert: The Document and the Documentary, 4 Dec 2015, Paul Mellon Centre, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2015) There is no such thing as British Art. British Art Studies, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2017) The photographic source and artistic affinities of David Hockney’s ‘A bigger splash’. Burlington Magazine, 159 (1370). pp. 386-393. ISSN 0007-6287. E-ISSN 2044-9925. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Hammer, Martin and Lodder, Christina (2000) Constructing Modernity: the Art and Career of Naum Gabo. Yale University Press, 528 pp. ISBN 978-0-300-07688-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin and Lodder, Christina (2004) Dematerialising Sculpture: Methods and Motives. In: Barassi, Sebastiano, ed. Immaterial: Brancusi,Gabo,Moholy-Nagy. Kettle’s Yard, Cambridge. ISBN 978-1-904561-04-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin and Lodder, Christina (2000) Gabo on Gabo: Texts and Interviews. Artists Bookworks, Forest Row, 295 pp. ISBN 978-0-946311-11-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin and Stephens, Chris (2009) Seeing the story of one’s time: appropriations from Nazi photography in the work of Francis Bacon. Visual Culture in Britain, 10 (3). pp. 315-351. ISSN 1471-4787. (doi:https://doi.org/10.1080/14714780903263890) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hankey, A.T. (1991) Riccobaldo-of-ferrara and giotto, an update. Journal of the Warburg and Courtauld Institutes, 54 . p. 244. ISSN 0075-4390. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hiley, N. (2000) Cartoons in Canterbury. Times Literary Supplement, (5096). p. 19. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2004) “All you’ve got to worry about is the task, having a cup of tea, and what you’re going to eat for dinner”: Approaching Celebrity in Big Brother. In: Holmes, Su and Jermyn, Deborah, eds. Understanding Reality Television. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2001) ‘As they Really Are and in Close-up’: Film Stars on 1950’s British Television. Screen, 42 (2). pp. 167-187. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2005) British television and film culture in the 1950s: coming to a TV near you! Intellect Books ISBN 1-84150-121-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2004) But this time you choose!: approaching the interactive audience of reality TV. International Journal of Cultural Studies, 7 (2). 213 -231. ISSN 1367-8779. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2006) ‘Coming to you Live!’: An Evening at the Film Premiere. Journal of British Cinema and Television, 2 (2). pp. 208-226. ISSN 1743-4521. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2005) Designed ‘Specially for Television Purposes and Technique’: The Development of the Television Cinema Programme. Historical Journal of Film, Radio and Television, 25 (3). pp. 455-475. ISSN 0143-9685. (doi:https://doi.org/10.1080/01439680500236433) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2006) ‘A Friendly Style of Presentation that the BBC had always found elusive’: The 1950’s Cinema Programme and the Construction of British Television History. In: Wheatley, Helen, ed. Re-viewing Television History: Critical Issues in Television History. I.B. Tauris & Co Ltd, London, pp. 67-81. ISBN 978-1-84511-188-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2006) The “Give-Away” Shows – Who is Really Paying?’: ‘Ordinary’ People and the Development of the British Quiz Show (1945-58). Journal of British Cinema and Television, 3 (2). pp. 284-303. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2001) ‘The Infant Medium with the Adult Manner’: Television promotes the ‘X’ film (1952-62’). Historical Journal of Film, Radio and Television, 21 (4). pp. 379-397. ISSN 0143-9685. (doi:https://doi.org/10.1080/01439680120075509) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2006) It’s a Jungle Out There!: The Game of Fame in Celebrity Reality TV. In: Holmes, Su and Redmond, Sean, eds. Framing Celebrity: New Directions in Celebrity Culture. Routledge, pp. 45-66. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2005) It’s a woman!: the question of gender in Who Wants to be a Millionaire. Screen, 46 (2). 155 -173. ISSN 0036-9546. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2004) Looking at the Wider Picture on the Small Screen: Reconsidering Television and Widescreen Cinema in the 1950s. Quarterly Review of Film and Video, 21 (2). pp. 131-147. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2005) The ‘Moron Factory?’: Debating ‘Ordinary’ People and Reality TV. Anglo Files: The Journal of English Teaching, . pp. 12-19. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2005) ‘Not the Final Answer’: Who Wants to be a Millionaire and Revisiting Critical Approaches to the Quiz Show. European Journal of Cultural Studies, 8 (4). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2005) ”Off guard, Unkempt, Unready?”: Deconstructing Contemporary Celebrity in heat Magazine. Continuum: Journal of Media and Cultural Studies, 19 (1). pp. 21-38. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2004) The Only Place where “Success” Comes Before Work is in the Dictionary…?’: Conceptualising Fame in Reality TV. Media-Culture.org, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2006) (Re)visiting The Grove Family - ‘Neighbours to the Nation’ (1954-57): Television History and Approaches to Genre. New Review of Film and Television Studies, 4 (3). pp. 287-310. ISSN 1740-0309. (doi:https://doi.org/10.1080/17400300600982080) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2004) Reality goes pop!: reality TV, popular music and narratives of stardom in Pop Idol (UK). Television and New Media, 5 (2). pp. 147-172. ISSN 1527476403255833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2007) Rules of the game: Quiz shows and American culture. Review of: Rules of the Game: Quiz Shows and American Culture by Hoerschelmann, O.. European Journal of Communication, 22 (2). pp. 241-243. ISSN 0267-3231. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2005) ‘Starring… Dyer?’: Re-visiting Star Studies and Contemporary Celebrity Culture’, in edition on ‘Celebrity’. Westminster Papers in Communication and Culture (WPCC), 2 (2). pp. 6-21. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2007) ‘Torture, Treacle, Tears and Trickery’: Celebrities, ‘Ordinary’ People, and This is Your Life (1955-65). In: Redmond, Sean and Holmes, Su, eds. A Reader in Stardom and Celebrity. Sage Publications Ltd, London, pp. 156-170. ISBN 978-1-4129-2320-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2006) ‘When Will I be Famous?’: Reappraising the Debate about Fame in Reality TV. In: Escoffery, David S., ed. Essays on Truth and Representation: How Real is Reality TV? McFarland & Company. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su and Jermyn, Deborah (2006) The audience is dead; Long live the audience!: Interactivity, ‘telephilia’ and the contemporary television audience. Critical Ideas in Television Studies, 1 (1). pp. 49-57. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howe, William (2015) A Cinema of Happenings: Exploring Improvisation as Process in Filmmaking. Master of Philosophy (MPhil) thesis, University of Kent,. (Full text available)

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Hudson, Ben (2015) The New Comedian: Media and Technology in Stand-up Comedy. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Hurst, Andrew (2017) Dynamic Light Structures: The Aesthetic and Performative Qualities of Solid Light Scenography for Performance and Installation. Doctor of Philosophy (PhD) thesis, University of Kent,. (Full text available)

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Janes, Thomas Fleming (2018) Using Long-Form Improvisational Theatre Training and Techniques to Build Stronger Group Connection and Empower Egalitarian Leadership. Master of Arts by Research (MARes) thesis, University of Kent,. (Full text available)

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Jeffers McDonald, Tamar (2016) The New Hollywood, 1981–1999. In: McLean, Adrienne L., ed. Costume, Makeup, and Hair. Rutgers University Press, New Jersey, USA. ISBN 978-0-8135-7151-5. E-ISBN 978-0-8135-7297-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2007) 'Carrying Concealed Weapons': Gendered Makeover in Calamity Jane. Journal of Popular Film and Television, 34 (4). pp. 179-187. ISSN 0195-6051. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2010) 'I even cry funny!' Doris Day, Performance and Genre. In: Acting In Film, 2nd-4th September 2010, Potsdam University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2007) Romantic Comedy: Boy Meets Girl Meets Genre. Columbia University Press, 144 pp. ISBN 1905671023. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2005) 'Under All Those Dirndls': Pillow Talk's Repackaging of Doris Day. In: Moseley, Rachel, ed. Fashioning Stars: Dress, Culture, Identity. BFI Publishing, pp. 50-61. ISBN 1-84457-068-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2006) 'Very Little Wrist Movement': Rock Hudson Acts Out Sexual Heterodoxy. Canadian Journal of Communication, 31 (4). pp. 843-858. ISSN 0705-3657. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Joannides, M. (1998) Correggio's study of 'Christ the Redeemer' for S. Giovanni Evangelista. Master Drawings, 36 (4). pp. 409-416. ISSN 0025-5025. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Kacimi, Mohamed (2010) Epistola alle Corinzie. Performance type: Live play Tramedautore Festival, September 2010, Piccolo Teatro, Teatro d'Europa, Milan. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kamm, Frances Alice (2015) 'A Mirror Image of Ourself'? The Technological Uncanny and the Representation of the Body in Early and Digital Cinema. Doctor of Philosophy (PhD) thesis, University of Kent. (Full text available)

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Kane, Martin (1995) 'All Quiet on the Western Front - Literary Analyiss and Cultural-Context -Firda, RA. Notes and Queries, 42 (1). pp. 127-128. ISSN 0029-3970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Black Vénus:Josephine Baker at the Follies- Bergère. In: Sheringham, Michael, ed. Parisian Fields. Reaktion, pp. 46-71. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Claude Monet; Life and art - Tucker,PH. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2005) The Clothing of Clio: Chris Marker’s Poetics and the Politics of Representing History. Film Studies: An International Review, 6 . pp. 49-63. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2001) “Cézanne". In: The Oxford Companion to Western Art. Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2006) Cézanne's Cardplayers and the representation of the provençal peasantry. Art Bulletin, . ISSN 0004-3079. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2004) Death and the Maiden: Cindy Sherman's Untitled Film Stills. In: Fortunati, Vita and Lamarra, Annamaria and Federici, Eleonora, eds. The Controversial Women's Body: Images and Representations in Literature and Art. Bononia University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Early modernism - Butler,C. Oxford Art Journal, 19 (2). pp. 119-121. ISSN 0142-6540. (doi:https://doi.org/10.1093/oaj/19.2.119) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) The Exposition Universelle of 1900. In: Banham, Joanna, ed. History of Interior Design. Fitzroy Dearborn. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2006) Frenhofer C’est Moi; Cézanne and Balzac’s Le Chief d’oeuvre inconnu. Cambridge Quarterly, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) A Game That Must Be Lost: Chris Marker Replays Alain Resnais' Hiroshima mon amour. In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, pp. 129-142. ISBN 978-1-905674-20-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) In the Brute Net of Sense: Merleau-Ponty’s Aesthetics. In: The Flesh in the Text, 2 day Conference, October 2007, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) In the Net of Brute Sense: Merleau Ponty’s Aesthetics. In: Weller, Shane and Baldwin, Thomas and Fowler, James, eds. Flesh In The Text. Peter Lang. ISBN 978-3-03911-102-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2002) In the spiral of time. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities. University of New Mexico Press, pp. 199-233. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2002) Le Sang Provençal. Journal of European Studies, . pp. 32-45. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2002) Le Sang Provençal: Joachim Gasquet’s Cézanne. Journal of European Studies, 32 (125-6). pp. 135-150. ISSN 0047 2441. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2003) Leaving L’Estaque: Cézanne’s Representations of Provence in the 1880s. Art on the Line, . pp. 1-20. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1991) Making Hay with Monet; Monets of the 90s. Art History, . pp. 593-599. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1999) Manet's Modernism. Burlington Magazine, . pp. 139-144. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) Marker’s Bergson. In: Invited Talk, 29th November 2007, University of Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2002) Masters of Colour: From Derain to Kandinsky. Royal Academy. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2009) The Melancholy Image: Chris Marker’s Cine-Essays and the Ontology of the Photograph. In: Tormey, Jane and Whiteley, Gillian, eds. Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge Scholars Press. ISBN 978-1-4438-0532-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) Melancholy Images: Chris Marker’s Cine-Essays and the Ontology of the Photography. In: The Cine-Essay symposium, 8th February 2007, Loughborough University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Modernism Revisited. Oxford Art Journal, 19 (2). pp. 119-122. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Monet Re-viewed. Burlington Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Monet on the Normandy coast; Tourism and painting, 1867-1886 - Herbert,RL. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1995) Montage, Modernism and its Histories. Word & Image, . pp. 320-326. ISSN 0266-6286. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Odd Man Out; Cézanne in Context. LQ, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) The Origin of the Fragment in Balzac’s Le Chef d’oeuvre inconnu. In: ‘The Fragment’ 3 day conference, 28th-30th June 2007, University of Aberysthwyth. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1995) Review of Nineteenth Century Painting: A Critical History. Review of: Nineteenth Century Painting: A Critical History by Eisenmann, Stephen F.. Apollo, . pp. 60-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1997) Seurat and The 'Bathers'. Magazine, 139 (1135). pp. 709-711. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1997) Seurat's Bathers at Asnières. Burlington Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) Spectres of Painting. University of Kent Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2004) Spectres of the past: Jochen Gerz’s public monuments. In: Lamberti, Eleonora, ed. Representing Cultural Memory. University of Bologna Press, pp. 122-146. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1995) Street Noises -Parisian Pleasure,1900-1940 - RIFKIN,A. Art History, 18 (1). pp. 112-118. ISSN 0141-6790. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1998) Sunless (Chris Marker). Flicks Books (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2004) Through A Veil: Reflections on the History of Australian Landscape Painting. In: Balbari, M., ed. Paesaggi australiani: Australian Landscapes. Pendragon Press, pp. 36-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1995) Travellin' Light. Wasafiri, . ISSN 0269-0055. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2008) The Treasures of the Impressionists. Andre Deutsch, 88 pp. ISBN 978-0-233-00234-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Viewfinders: Looking at the Overlooked: Black Women photographers. Wasafiri, . pp. 72-73. ISSN 0269-0055. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1994) Watching the Detectives. Art History, . pp. 112-118. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon and Thomas, Ben D. H. (2010) In Elysium: Prints by James Barry. Studio 3 Gallery, University of Kent, Canterbury, UK, 63 pp. ISBN 978-1-902671-69-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon and Turci, Monica (1999) Absorbing Mythologies: Michael Ondaatje's Bill the Kid. Englishes, 4 (2). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klevan, Andrew (1999) The Composition of Charisma: The Lines of Sporting Seduction in Ron Shelton's Tin Cup. Journal of Film Studies, 1 (1). pp. 51-62. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klevan, Andrew (2000) Disclosure of the Everyday: Undramatic Achievement in Narrative Film. Trowbridge (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klevan, Andrew (2005) Film Performance – From Achievement to Appreciation. Wallflower Press, 144 pp. ISBN 1-904764-24-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klevan, Andrew (2005) Guessing the unseen from the seen: Stanley Cavell and film interpretation. In: Goodman, Russell, ed. Contending With Stanley Cavell. Oxford University Press, pp. 118-139. ISBN 0-19-517568-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klevan, Andrew (2000) The Mysterious Disappearance of Style: Some Critical Notes about the Writing on Dead Ringers. In: Grant, Michael, ed. The Films of David Cronenberg. Flicks Books. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klevan, Andrew (2005) Notes on teaching film style. In: Pye, Douglas and Gibbs, John, eds. Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, pp. 214-227. ISBN 0-7190-6525-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klevan, Andrew (2003) The purpose of plot and the place of Joan Bennett in Fritz Lang’s The woman in the window. Cineaction, (62). pp. 15-21. ISSN 0826-9866. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2014) ‘Amplifying Sensory Spaces: Headphone Theatre’. In: "Media, Politics, Performance Conference", Fast Forward Festival, 5th-7th May, 2014, Onassis Cultural Centre, Athens.. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2017) Amplifying Sensory Spaces: The In and Outputs of Headphone Theatre. Contemporary Theatre Review, 27 (3). pp. 366-378. ISSN 1048-6801. E-ISSN 1477-2264. (doi:https://doi.org/10.1080/10486801.2017.1343247) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2007) Between Realities: Intermediality and the Blurring of Boundaries in Multimedia Theatre. In: Sugiera, Malgorzata and Borowski, Matuesz, eds. Fictional Realities / Real Fictions:Contemporary Theatre in Search of a New Mimetic Paradigm. Cambridge Scholars Press, United Kingdom. ISBN 978-1-84718-138-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2005) Between Realities: Intermediality in Multimedia Theatre. In: FIRT/IFTR International Conference "Fictional/Real in Contemporary Theatre", 17 - 20 November 2005, Jagiellonian University, Krakow. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2010) Copies, Robots, Mutants, and the Unfinished Human. In: (re)-Performing the Posthuman Conference, 21st-22nd May 2010, University of Sussex, Brighton.. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2005) David Pledger: On Eavesdrop and New Media: Interview. Performance Paradigm Journal, (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2006) During Intermediality: Remediation and Virtuality in Multimedia Theatre. In: Australasian Drama Studies Association Annual Conference, July 2006, University of Sydney. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2013) "Fleshing Out: The Body in Intermedial Dance". In: International Symposium of the Korean Society of Dance, 2nd November 2013, Sungkyunkwan University in Seoul, Korea. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2013) Hamlet Remembered. Performance type: Live play Hamlet Remembered, Friday May 31st and Saturday June 1st, Jarman Building, University of Kent. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2014) ‘The In and Outputs of Headphone Theatre’. In: Annual Conference of Theatre and Performance Research Association, 3rd-5th September 2014, Royal Holloway. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2010) Instance: The Builder’s Association. In: Bay Cheng, Sarah and Lavender, Andy and Nelson, Robin and Kattenbelt, Chiel, eds. Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, pp. 149-156. ISBN 978-90-8964-255-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2013) “InterMEdiation and the InterMEdial System”. In: International Federation for Theatre Research Annual Conference, 22nd – 26th July 2013, Institut del Teatre, Barcelona. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2013) Intermediality, Complexity and Emergence. In: Colloquium of Performance Research., 18th January 2013, Centre for Intermediality at the Royal Central School of Speech and Drama. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2005) Into Virtuality: Interactivity and Immersion in New Media Performance. In: E-Performance and Plug-ins, December 2005, University of New South Wales, Sydney. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2014) Mediation, Trace and Space in Dance Theatre: Already Elsewhere. In: Baxter, Virginia and Brannigan, Erin, eds. Bodies of Thought: 12 Australian Choreographers. Wakefield Press, Adelaide. ISBN 978-1-74305-241-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2012) “Participate or Else”. In: Performance Studies International Conference 18, 27th June-1st July 2012., University of Leeds. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2007) Performing Posthuman Perspective: Can You See Me Now? Scan: Journal of Media Arts Culture, 4 (1). ISSN 1449-1818. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2010) "Performing at a Distance: Place, Pattern and Posthumanism". In: International Federation for Theatre Research Annual Conference, July 2010, LMU Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2006) Performing ‘Posthuman’ Perspective: Remediation and Virtuality in New Media Performance. In: International Federation for Theatre Research Annual Congress, Helsinki, Finland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2015) Playing a Punchdrunk Game: Immersive Theatre and Videogames. In: Frieze, James, ed. Framing Immersive Theatre: The Politics and Pragmatics of Participatory Performance. Palgrave Macmillan, Basingstoke, pp. 221-228. ISBN 978-1-137-36603-0. E-ISBN 978-1-137-36604-7. (doi:https://doi.org/10.1057/978-1-137-36604-7) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2005) The Play’s The Thing No Longer: Non-Linear Narrative in Kate Champion’s ‘Same, Same But Different'. Australasian Drama Studies Journal, 46 . pp. 58-69. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2007) Postnarrativity in the Theatre of New Media Performance: Eavesdrop. In: Intermediality, Theatricality, Re-presentation and New Media Conference, 24th-29th May 2007, Centre for Research on Intermediality, University of Montreal, Montreal.. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2013) Send: Act: Perform. Performance Research, 18 (5). pp. 101-107. ISSN 1352-8165. (doi:https://doi.org/10.1080/13528165.2013.828935) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2007) Staging Space: Performing Plasticity and Plastic Performance. In: Annual Conference of the Theatre and Performance Research Association (TaPRA), 5th-7th September 2007, University of Birmingham. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2011) “Systems of Intermediality: Rites”. In: Performance Studies International Conference 17, 27th June-1st July 2011, Utrecht University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2011) Systems of Spectatorship: Presence, Play and Performance in Blast Theory’s Games. In: “The Gaze is Us”, 23rd March 2011, Vooruit Centre for the Arts. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2009) “What’s behind the smile?: The mediated other in performance". In: Performing Presence Conference, March 2009, University of Exeter. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2013) Work in Progress: Audience Engagement and an ‘Aesthetic of Unfinish’ in Richard Schechner’s Imagining O. Body, Space and Technology, 11 (2). ISSN 1470-9120. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. and Mitchell, Roanna and Dennis, Krysta (2014) Through the Grapevine: A Performed Wine Tasting (2013) and (2014). Performance type: Live play , 2014: 23rd, 24th October, 2014, Mrs Jones’ Kitchen, Canterbury: 26th and 27th April, 2013 Lumley Studio, University of Kent., Mrs Jones Kitchen, Canterbury and Lumley Studio, University of Kent.. Performance and documentation. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. and Scheer, Edward (2011) Multimedia Performance. Basingstoke: Palgrave Macmillan, 240 pp. ISBN ISBN-10: 023057467X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kocsis, Alexandra (2017) The Functions of Texts in Printed Images: Text and Image in Reproductive Prints by Hieronymus Cock, Antonio Salamanca, and Antonio Lafreri. Doctor of Philosophy (PhD) thesis, University of Kent, Freie Universitaet Berlin. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2010) Co-Operative Explanatory Capabilities in Organizational Design and Personnel Management, 2010. Testbed1, 18th-19th September 2010, Beaconsfield Gallery. Number of pieces: 1. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2002) "Fear of a Black and White Planet", Wonderyears. Neue Gesellschaft für Bildende Kunst. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2008) "Introduction" and "Capitalism as Cult", The Institute of Psychoplasmics. Pump House Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2005) Militant Ironies: Art as a Strategic Weapon in Israel’s Culture Wars. Art Papers, 30 (5). pp. 24-27. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2006) Notes Towards the Scientific Understanding of an Enlightened Xenulogy, Concerning the Recent Discovery of the MARSH Archives. In: Marsh, Lynne, ed. Volcano. Platform, pp. 13-17. ISBN 0-9538800-1-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2007) The Political Theology of Battlestar Galactica. In: BSG 2007: The Politics, Poetics and Philosophy of Battlestar Galactica, 28th July 2007, Buckinghamshire Chilterns University College. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2007) RETRO/NECRO: From Beyond the Grave of the Politics of Re-Enactment. Art Papers, 31 (6). pp. 44-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2006) The Spectre of Manual Labour. In: On Liberty and Art, 18th October 2006, Tate Britain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2010) We. Performance type: Musical event We, 29th August 2010, Kunsthall, Oslo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2008) Art and the New Town. Art and the New Town, 11th - 15th December 2008, Harlow Temple of Utopias, Harlow. Number of pieces: 1. Silkscreen print. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2007) Asparagus: A Horticultural Ballet. Asparagus: A Horticultural Ballet, 7th March - 15th April 2007, The Showroom, London. Number of pieces: 3. Performance, video and installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2007) Asparagus: A Horticultural Ballet. Asparagus: A Horticultural Ballet, 12th May 2007, SAT, Montreal. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2003) Becks Futures Student Film and Video Award Show. Becks Futures Student Film and Video Award Show, 25th - 28th April 2003, ICA, London. Number of pieces: 1. Super 8mm transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2008) Better Future, Quad-Shaped. Better Future, Quad-Shaped, 28th October 2008, Cube Microplex, Bristol as part of The Sensible Stage, Media Art Bath. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2004) DaDaDa: Strategies against Marketecture. DaDaDa: Strategies against Marketecture, 21st October - 21st November 2004, temporarycontemporary gallery, London. Number of pieces: 2. Video and mixed media sculpture/installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2005) Diamonds For Workers. Diamonds For Workers, 3rd June - 10th July 2005, Kate McGarry, London. Number of pieces: 3. Sculpture/Installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2007) Emergency3. Emergency3, 1st December 2007 - 27th January 2008, Aspex, Portsmouth. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2008) Food: A Sci-Fi Banquet. Food: A Sci-Fi Banquet, 19th December 2008, Royal Academy of the Arts, London. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2007) Foreign Body(ies). Foreign Body(ies), 29th August - 22nd September 2007, White Box, New York. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2008) Futureblueperfect. Futureblueperfect, 25th June - 27th July 2008, Cafe Gallery Projects, London. Number of pieces: 1. Installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2004) Grey Goo. Grey Goo, 16th October - 28th November 2004, Flaca Gallery, London. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2006) His Life Is Full Of Miracles. His Life Is Full Of Miracles, 11th March-29th April 2006, Animation Videotheque, Site Gallery, Sheffield.. Number of pieces: 5. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2008) The Institute of Psychoplasmics. The Institute of Psychoplasmics, 9th April - 26th May 2008, Pump House Gallery, London. Number of pieces: 1. 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2006) Little Private Governments. Little Private Governments, 20th February - 25th March 2006, University of Essex Gallery, Colchester. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2006) Metropolis Rise. Metropolis Rise, 13th April - 23rd April 2006 and 30th April - 14th May 2006, Moganshan Art Village, Shanghai and DIAF 06, 798 Space, Beijing. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2006) Modern Lovers. Modern Lovers, 12th May - 4th June 2006, Three Colts Gallery. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2008) No Haus Like Bau. No Haus Like Bau, 14th June 2008, HAU, Mes Nuits, Berlin Biennale, Berlin. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2009) Roll It To Me. Roll It To Me, 14th March - 9th May 2009, Collective, Edinburgh. Number of pieces: 3. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2005) SV05. SV05, 5th August - 11th September 2005, Studio Voltaire, London. Number of pieces: 1. Super 8mm transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2008) Seven Times Two or Three. Seven Times Two or Three, 22nd June 2008, Cubitt, London. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2006) Slider. Slider, 29th April - 21st May 2006, Project Space, London. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2009) Starmaker. Starmaker, 12th June - 12th July 2009, E:Vent Gallery, London. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2004) Surrealestate. Surrealestate, 21st April - 29th May 2004, YYZ Artists' Outlet, Toronto. Number of pieces: 1. Super 8mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2008) Svetlana. Svetlana, 11th October - 15th November 2008, S1 Artspace, Sheffield. Number of pieces: 27. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2009) Ventriloquist. Ventriloquist, 27th February - 28th March 2009, Timothy Taylor, London. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Lacey, Mark (2014) Lip-synching and its potential as a theatrical convention to progress storytelling in a live performance context. Master of Arts by Research (MARes) thesis, University of Kent,. (Full text available)

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Laera, Margherita (2009) The Blue Planet. Teatro Romolo Valli, Reggio Emilia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2011) 'I'll Roughen It Up a Bit': Multiple-Authored Theatre Translations. In: Invisible Presences, 18-20 April 2011, Queen's University Belfast. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2009) Noi, gli eroi. Ubulibri, Milan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2016) Translating Theatre: ‘Foreignisation’ on Stage. Practice as Research Portfolio. The Gate Theatre, Notting Hill. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2010) The Wedding at Cana. Charta Art Books, Milan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lanckman, Lies (2016) Norma Shearer, the Happily Married Divorcee: Marriage, Modernity and Movie Magazines. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Lang, Martin (2015) Militant Art. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Lewis, Tyronne Antoin (2017) Exploring, Sharing, Connecting and Affecting. Master of Arts by Research (MARes) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Maes, Hans R.V. (2008) Art and Pornography. In: 6th European Congress of Analytic Philosophy (ECAP), August 2008, Krakow, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Art and Pornography. Essay Review of Jerrold Levinson’s Contemplating Art. Journal of Aesthetic Education, 42 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2011) Art or Porn: Clear Division or False Dilemma? Philosophy and Literature, 35 (1). pp. 51-64. ISSN 0190-0013. (doi:https://doi.org/10.1353/phl.2011.0003) (Full text available)

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Maes, Hans R.V. (2005) Arthur Danto and the End of Art. In: Midsouth Philosophy Conference, February 2005, Memphis, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2001) Bescheidenheid en asymmetrie. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 93 (2). pp. 117-135. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) Bescheidenheid, trots en ijdelheid. Budel, Damon (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) A Celestial Taxonomy of Remakes? Cinemascope. An Independent Film Journal, 1 (2). pp. 1-11. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Challenging Partial Intentionalism. In: American Society for Aesthetics, October 2006, Milwaukee, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Challenging Partial Intentionalism. Journal of Visual Art Practice, 7 (1). pp. 85-94. ISSN 1470-2029. (doi:https://doi.org/10.1386/jvap.7.1.85_1) (Full text available)

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Maes, Hans R.V. (2017) Conversations on Art and Aesthetics. Oxford University Press, 200 pp. ISBN 978-0-19-968610-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2017) Conversations, Portraits, and Philosophy. In: 75th Annual Meeting of the American Society for Aesthetics, 15-18 Nov 2017, New Orleans, USA. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) Critical Notice of Art in Progress. A Philosophical Response to the End of the Avant-Garde by Maarten Doorman. Budel, Damon, Jaarboek voor Esthetica. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2004) Danto en het einde van de kunst. In: Vandenabeele, Bart and Verneir, Koen, eds. Transgressie in de kunst. Budel, Damon, pp. 118-128. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2004) Danto, De Duve, and The End of Art. In: Rediscovering Aesthetics, July 2004, Cork, Ireland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) David Hume over de emotie ‘trots’. In: Van Reijen, M., ed. Emoties. Van stoïcijnse apatheia tot heftige liefde. Amsterdam, Klement, pp. 81-97. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) De emotie ‘trots’. In: Internationale School voor Wijsbegeerte, March 2006, Leusden, The Netherlands. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) De emotie ‘trots’ in de hedendaagse analytische filosofie. In: Van Reijen, M., ed. Emoties. Van stoïcijnse apatheia tot heftige liefde. Amsterdam, Klement, pp. 186-204. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) De grappenmaker en zijn publiek. Over grappen, kunst en intimiteit. In: Conference on humour organised by the University of Antwerp, May 2006, University of Antwerp, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Different Kinds of Bullshit. In: German Society for Analytic Philosophy (GAP), September 2006, Berlin, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2007) Een treffende gelijkenis. Over grappen en kunst. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 99 (4). pp. 281-296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Elephants, Microscopes and Free Beauty: Reply to Davies. Philosophical Quarterly, 59 (235). pp. 332-336. ISSN 0031-8094. (doi:https://doi.org/10.1111/j.1467-9213.2008.592.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) The End of Art Revisited. Postgraduate Journal of Aesthetics, 2 (3). pp. 122-132. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2004) The End of Art: A real problem or not really a problem? Postgraduate Journal of Aesthetics, 1 (2). pp. 59-68. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2003) The End of Art: A real problem or not really a problem? In: the International Congress on Arthur C. Danto and the End of Art, December 2003, Murcia, Spain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Esthetica en Theorievorming: Interview met Kendall Walton. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2017) Falling in Lust: Sexiness, Feminism, and Pornography. In: Aesthetics: A Reader in the Philosophy of the Arts. Routledge. ISBN 978-1-138-23588-5. E-ISBN 978-1-315-30367-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Grapje! Filosofische gedachten over grappen. Budel, Damon (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2001) Hypocrisie en Bescheidenheid. In: Internationale School voor Wijsbegeerte, March 2001, Leusden, The Netherlands. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2001) 'Ik ben een briljant filosoof.' Over zelfingenomenheid en ijdelheid. In: Filosofische Kring, February 2001, Kortrijk, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2007) Intention, Interpretation, and Contemporary Visual Art. In: Annual Meeting of the Dutch-Flemish Society for Analytic Philosophy (VAF), April 2007, Antwerp, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2010) Intention, Interpretation, and Contemporary Visual Art. British Journal of Aesthetics, 50 (2). pp. 121-138. ISSN 0007-0904. (doi:https://doi.org/10.1093/aesthj/ayp051) (Full text available)

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Maes, Hans R.V. (2013) Introduction: Pornographic Art and the Aesthetics of Pornography. In: Pornographic Art and the Aesthetics of Pornography. Palgrave, pp. 1-24. ISBN 978-0-230-36820-0. E-ISBN 978-1-137-36793-8. (doi:https://doi.org/10.1057/9781137367938_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Julia Driver on Moral Luck. In: 1st Annual Online Philosophy Conference, 2006, http://experimentalphilosophy.typepad.com/online_philosophy_confere. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2010) Kunst of Pornografie? Karakter: Tijdschrift van Wetenschap, . pp. 15-16. ISSN 1379-0390. E-ISSN 1379-0390. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Maes, Hans R.V. (2005) Larry Shiner and Arthur Danto on Art History. In: American Society for Aesthetics, Eastern Division Meeting, April 2005, Philadelphia, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Liefde, vriendschap en Casablanca. Streven, (73). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Love, Friendship, and Casablanca. In: Love in Our World. An International Conference, November 2008, University of Manchester. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2010) Love, Friendship, and Casablanca. Hermeneia: Journal of Hermeneutics, Art Theory, and Criticism, (10). pp. 98-107. ISSN 1453-9047. E-ISSN 2069-8291. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2004) Modesty, Asymmetry, and Hypocrisy. Journal of Value Inquiry, 38 (4). pp. 485-497. ISSN 0022-5363. (doi:https://doi.org/10.1007/s10790-005-3335-1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2009) Nawoord: Over de relatie tussen film en filosofie. In: d'Hoine, Pieter and Engelen, Bart, eds. Denkbeelden. Een inleiding tot de filosofie aan de hand van films. Antwerpen, Pelckmans, pp. 245-260. ISBN 978-90-8687-044-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) A New Philosophy of Photography? Critical Notice of Henri van Lier, Philosophy of Photography. Review of: Philosophy of Photography by UNSPECIFIED. History of Photography, 32 (4). pp. 380-383. ISSN 0308-7298. E-ISSN 2150-7295. (doi:https://doi.org/10.1080/03087290802323482) (Full text available)

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Maes, Hans R.V. (2014) Pornography. In: Encyclopedia of Aesthetics. Oxford University Press. ISBN 978-0-19-974710-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2017) Portraits of Philosophers and the Philosophy of Portraits. In: 6th Dubrovnik Conference on the Philosophy of Art, 18-22 Apr 2017. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2011) ¿Quién dice que la pornografía no puede ser arte? La Balsa de Medusa, . pp. 5-24. ISSN 0214-9982. (Full text available)

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Maes, Hans R.V. (2008) Remember that we forget. In: Cultural Memory: Forgetting to Remember / Remember to Forget, September 2008, University of Kent, Canterbury. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) Review of Aesthetics and the Philosophy of Art. The Analytic Tradition by Peter Lamarque & Stein H. Olsen. Tijdschrift voor Filosofie, 67 (3). pp. 601-602. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Review of Art and Intention. A Philosophical Study by Paisley Livingston. Tijdschrift voor Filosofie, 68 (2). pp. 414-415. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) Review of Arts & Minds by Gregory Currie. Review of Arts & Minds by Gregory Currie, 67 (3). p. 612. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Review of Contemplating Art by Jerrold Levinson. Review of: Contemplating Art by Levinson, Jerrold. Tijdschrift voor Filosofie, 70 (1). p. 186. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2004) Review of Filosofie & Film by Joost Raessens. Review of: Filosofie & Film by Raessens, Joost. Cinetext Online. Film & Philosophy, . 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Review of On Images by John V. Kulvicki. Review of: On Images by Kulvicki, John V.. Tijdschrift voor Filosofie, 69 (4). p. 780. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2007) Review of Opmerkingen over het gevoel van het schone en het verhevene by Immanuel Kant. Review of: Opmerkingen over het gevoel van het schone en het verhevene by UNSPECIFIED. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 99 (2). pp. 167-168. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2007) Review of Opmerkingen over het gevoel van het schone en het verhevene by Immanuel Kant. Review of: Opmerkingen over het gevoel van het schone en het verhevene by UNSPECIFIED. Tijdschrift voor Filosofie, 69 (2). p. 389. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2007) Review of Philosophy and Conceptual Art by Peter Goldie and Elisabeth Schellekens. Review of: Philosophy and Conceptual Art by Goldie, Peter and Schellekens, Elisabeth. Tijdschrift voor Filosofie, 69 (3). pp. 612-613. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Review of Sight and Sensibility. Evaluating Pictures by Dominic McIver Lopes. Tijdschrift voor Filosofie, 68 (1). p. 434. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2007) Review of The Philosophy of Art by Stephen Davies. Review of: The Philosophy of Art by Davies, Stephen. Tijdschrift voor Filosofie, 69 (2). pp. 381-383. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2001) Review of The Subtlety of Emotions by Aaron Ben-Ze'ev. Tijdschrift voor Filosofie, 63 (4). pp. 810-811. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Review of The Task of the Interpreter. Text, Meaning, and Negotiation by Pol Vandevelde. Tijdschrift voor Filosofie, 68 (3). pp. 651-653. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Review of Three Philosophical Filmmakers. Hitchcock, Welles, Renoir by Irving Singer. Tijdschrift voor Filosofie, 68 (4). pp. 840-842. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2002) Review of Uneasy Virtue by Julia Driver. Tijdschrift voor Filosofie, 64 (3). pp. 606-607. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Waarom vinden we kunst waardevol? In: Vormingplus, May 2008, Leuven, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2012) Who Says Pornography Can't Be Art? In: Maes, Hans R.V. and Levinson, Jerrold, eds. Art and Pornography: Philosophical Essays. Oxford University Press, pp. 17-47. ISBN 978-0-19-960958-1. (Full text available)

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Maes, Hans R.V. (2018) “You Talking to Me?”. Debates in Aesthetics, . ISSN 2514-6637. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2001) Zelfwaardering. In: 23rd Vlaams-Nederlandse Filosofiedag, October 2001, Kortrijk, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2002) Zelfwaardering en het standpunt van anderen. In: Braeckman, Antoon and Devos, Rob and Verdonck, B., eds. Terugkeer van het subject. Recente ontwikkelingen binnen de filosofie,. Universitaire Pers Leuven, Leuven, pp. 223-235. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. and Deprez, Eleen (2013) Kunst of porno: duidelijk onderscheid of vals dilemma? Kunsttijdschrift Vlaanderen, (346). pp. 175-177. ISSN ISSN 1780-6461. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Maes, Hans R.V. and Levinson, Jerrold (2012) Introduction. In: Art & Pornography: Philosophical Essays. Oxford University Press. ISBN 978-0-19-960958-1. (doi:https://doi.org/10.1093/acprof:oso/9780199609581.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. and Schaubroeck, Katrien (2006) Different Kinds and Aspects of Bullshit. In: Hardcastle, Gary and Reisch, George A., eds. Bullshit and Philosophy. Open Court, pp. 171-182. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Makin, Simon (2014) Drama helps kids with autism communicate better. New Scientist, 2965 . p. 17. ISSN 0262-4079. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Marotti, Ferruccio and Tinti, Luisa and Allain, Paul (2005) Il Principe Costante di Jerzy Grotowski Riconstruzione, with subtitles in English. Centro Teatro Ateneo - University of Rome 'La Sapienza' DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

May, Shaun (2017) Autism and comedy: using theatre workshops to explore humour with adolescents on the spectrum. Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (3). pp. 436-445. ISSN 1356-9783. (doi:https://doi.org/10.1080/13569783.2017.1329651) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

May, Shaun (2017) Reader in comedy: an anthology of theory & criticism. Review of: Reader in Comedy: An Anthology of Theory and Criticism by Romanska, Magda and Ackerman, Alan. Studies in Theatre and Performance, . pp. 1-2. ISSN 1468-2761. (doi:https://doi.org/10.1080/14682761.2017.1359892) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

May, Shaun (2013) Rise of Being-in-the-World. In: Huss, John, ed. Planet of the Ape and Philosophy. Open Court, Chicago, pp. 255-262. E-ISBN 978-0-8126-9822-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mei, Todd (2006) Commitment and Communication: The Aesthetics of Receptivity and Historicity. Contemporary Aesthetics, 4 . p. 30. ISSN 19328478.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Junko Theresa (2008) Cryptoglyph. In: Urban Encounters Conference, 16-17th May 2008, Centre for Urban and Community Research, Goldsmiths, University of London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Junko Theresa (2007) Eight Hours of Sleep and other works. Eight Hours of Sleep and other works, 9th May - 4th September 2007, Keynes Gallery, University of Kent. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Junko Theresa (2007) On the Walls of the Cave are Shadows. Stimulus Respond, London, (1). pp. 93-96. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Junko Theresa (2006) On the Walls of the Cave are Shadows. In: Affective Imaging; Uneasy Spaces Symposium, 20th October 2006, Goldsmiths University of London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Junko Theresa (2008) Solo photographic exhibition, invited by the Hong's Foundation in Education and Culture. Meme: Antimatic 3 programme, 2nd June - 29th August 2008, Taipei, Taiwan. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Theresa (2005) Theresa Mikuriya: photographs. Theresa Mikuriya: Photographs, 10 June 2005-26 June 2005, Seven Seven Contemporary Art, London. Number of pieces: 15. Photographs. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Theresa and Lai, Linda (2004) Cryptoglyph: dialogues in many tongues in the hidden crevices of an open city. Philippe Charriol Foundation, 284 pp. ISBN 988-97391-1-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Theresa and Lai, Linda (2004) Push: The quest for a voice, in search of a body. Interactive digital media installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Misek, Richard (2017) Why I 'pirate' films. In: TEDx, 13 May 2017, Canterbury, United Kingdom. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Misek, Richard and Beugnet, Martine (2017) In Praise of Blur. Ghent Film Festival DCP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Misra, Smita (2015) Seeking entitlement: a performance ethnography exploring the paradoxes of trauma and testimonial in refugee performance. Master of Arts by Research (MARes) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Mitchell, Roanna (2018) Bodies as Profit Centres: Susie Orbach’s work in the context of performance and activism. In: Kahr, Brett, ed. The People’s Psychotherapist: Exploring the Work of Susie Orbach. Routledge. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mitchell, Roanna (2015) The Body That Fits The Bill: Physical Capital and ‘Crises’ of the Body in Actor Training. About Performance, 15 (1). pp. 137-156. ISSN 1324-6089. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Mitchell, Roanna (2018) Chekhov’s Technique in Actor-Movement and Dance. In: Fleming, Cass and Cornford, Tom, eds. Michael Chekhov Technique in the Twenty-first Century: New Pathways. Bloomsbury Methuen Drama. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mitchell, Roanna and Pakula, Pablo (2012) Imagining O, Encountering India: Recounting an embodied experience. Studies in South Asian Film & Media, 4 (2). pp. 179-188. ISSN 1756-4921. (doi:https://doi.org/10.1386/safm.4.2.179_1) (Full text available)

Moser, Shelby (2017) Digitally Interactive Works and Video Games: A Philosophical Exploration. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Neale, Steve (1992) The Big Romance or Something Wild - Romantic Comedy Today. Screen, 33 (3). pp. 284-299. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Neale, Steve (1995) The story of Custer in everything but name, colonel-Thursday and 'fort apache'. Journal of Film and Video, 47 (1-3). pp. 26-32. ISSN 0742-4671. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Newall, M B (2016) The Crit: Toward a theory of the contemporary art school. In: Brisban, Chris and Thiessen, Myra, eds. Routledge Companion to Criticality in Art, Architecture and Design. Routledge. ISBN 978-1-317-22593-5. (Submitted) (Full text available)

Newall, Michael (2015) Is Seeing-in a Transparency Effect? British Journal of Aesthetics, 55 (2). pp. 131-156. ISSN 0007-0904. (doi:https://doi.org/10.1093/aesthj/ayu101) (Full text available)

Newall, Michael (2015) Painterly and Planar: Wölfflinian Analysis Beyond Classical and Baroque. The Journal of Aesthetics and Art Criticism, 73 (2). pp. 171-178. (doi:https://doi.org/10.1111/jaac.12156) (Full text available)

Newall, Michael (2018) A Philosophy of the Art School. Routledge Research in Aesthetics . Routledge, New York and London, 192 pp. ISBN 978-1-138-61598-4. E-ISBN 978-0-429-46255-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Newall, Michael (2009) Pictorial Experience and Seeing. British Journal of Aesthetics, 49 (2). pp. 129-141. ISSN 0007-0904. (doi:https://doi.org/10.1093/aesthj/ayp002) (Full text available)

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Newall, Michael (2006) 'Pictures, Colours and Resemblance'. Philosophical Quarterly, 56 (225). pp. 587-595. ISSN 0031-8094. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Newall, Michael (2005) Picturing pictures: reply to Dilworth. Journal of Aesthetics and Art Criticism, 60 (1). 70 -73. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Newall, Michael (2003) A restriction for pictures and some consequences for theories of depiction. Journal of Aesthetics and Art Criticism, 61 (4). pp. 381-394. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Newman, Hannah (2018) Reimagining Autism: How drama environments can aid the diagnosis and understanding of autism. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Newton, James (2016) The Anarchist Cinema. Doctor of Philosophy (PhD) thesis, University of Kent. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Pauleit, Winfried and Greiner, Rasmus and Frey, Mattias (2018) Audio History des Films: Sonic Icons – Auditive Histosphäre – Authentizitätsgefühl. Bertz + Fischer, Berlin, 188 pp. ISBN 978-3-86505-254-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2003) Analyzing Performance: Theater, Dance and Film. University of Michigan Press, 362 pp. ISBN 978-0-472-09689-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2003) Avignon in 2002 : five moments captured by Guy Delahaye. Studies in Theatre and Performance, 22 (3). pp. 139-144. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2003) Bernard-Marie Koltès. In der Einsamkeit der Baumwollfelder, oder die Welt in der man dealt. In: Weiler, Christel and Lehmann, Hans-Thies, eds. Szenarien von Theater und Wissenschaft. Festschrift für Erika Fischer-Lichte. Recherchen 15, pp. 100-126. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Das zeitgenössische französische Theater. E Podium Verlag, München, 250 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2003) De donde viene la puesta en escena y hacia donde va ? Revista de la escuela Navarra de Teatro, (20). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) De la critica. Conjunto. Revista de teatro latinoamericano, (144). pp. 8-13. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Dialogue. A lexikon. Performance research, 11 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Die Inszenierung zeitgenössischer Theaterstücke. Lendemains, . pp. 52-68. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2002) D’une photo à l’autre ou comment le off réinvente la mise en scène. Théâtre/Public, (165). pp. 49-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Entrevue avec Kim Hye-Jin. Revue de la Korean National University of the Arts, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Generacion. Teatro, (21). pp. 201-209. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Generation. Performance Research, 9 (3). pp. 97-105. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Génération. Culture Coréenne, (68). pp. 24-28. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2005) Impressions de théâtre à Séoul. Culture Coréenne, (70). pp. 12-15. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Impressions d’un Séoulite de passage. Revue du Théâtre Coréen, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2005) Iscenesættelsen af samtidige stykker. Peripeti, . pp. 35-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2003) Jean-Luc Lagarce : J’étais dans ma maison et j’attendais que la pluie vienne, oder die Pavane der Frauen um das Bett eines schlafenden Mannes. Forum Modernes Theater, 18 (1). pp. 73-85. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2005) Koltès’ Black battles with dogs on the stage. Cliché Europe. About cliché in life & on the stage, . pp. 63-71. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2003) Kunst oder die Kunst der Fugue. In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds. Theater ohne Grenzen, Festschrift für Hans-Peter Bayerdörfer zum 65. Geburtstag. Herbert Utz Verlag, München, pp. 194-208. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) La Mise en Scène Contemporaine. Armand Colin, 332 pp. ISBN 978-2-200-34043-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Le 11 septembre 2001 et sa première mise en scène aux Etats-Unis. Europe, (924). pp. 164-175. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2002) Le Théâtre contemporain. Analyses des textes de Sarraute à Vinaver. Armand Colin, Paris, 232 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Les médias auront-ils la peau du spectacle vivant ? In: Morizot, Jacques and Pouivet, Roger, eds. Dictionnaire d’esthétique et de philosophie de l’art. Armand Colin, Paris, pp. 413-415. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2005) Les écritures dramatiques contemporaines. In: Thomasseau, Jean-Marie, ed. Le Théâtre au plus près. Presses Universitaires de Vincennes, Saint-Denis, pp. 71-82. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Mes Trois Sœurs, Mis tres Hermanas, My three Sisters. Ateneo de Madrid, 267 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Mes trois sœurs. Forum of Theatre and Drama, Seoul, . pp. 314-356. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Préface au livre de Cathy Rapin et Im Hye-Gyông Théâtre Coréen d’hier et d’aujourd’hui. In: Rapin, Cathy and Hye-Gyong, Im, eds. Théâtre Coréen d’hier et d’aujourd’hui. Les Éditions de l’Amandier, Paris, pp. 9-18. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Préface au livre de Michel Liard Parole écrite, parole scénique. In: Liard, Michel, ed. Parole écrite, parole scénique. Éditions Joca Seria, Nantes, pp. 7-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Préface au livre de Sophie Proust La Direction d’acteurs dans la mise en scène contemporaine. In: Proust, Sophie, ed. La Direction d’acteurs dans la mise en scène contemporaine. L’Entretemps Éditions, pp. 9-18. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Quatre ouvrages en langues anglaise et allemande. Théâtre/Public, (184). p. 121. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Quelques mois en Corée. Théâtre/Public, (175). pp. 34-62. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Ravenhill and Durringer, or the Entente cordiale misunderstood. Contemporary Theatre Review, 14 (2). pp. 1-13. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Ravenhill et Durringer ou les malentendus de l’entente cordiale. Théartre, (5). pp. 11-30. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Reflexions introductoriès sobre el final en el teatre. Pausa, 23 . pp. 94-114. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2005) Ritualité et mise en scène dans les vidéos graffitis de Gómez-Peña. Henmès, (43). pp. 131-139. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2005) Réflexions liminaires sur la fin au théâtre. In: Egger, Carol, ed. Rideau ou la fin du théâtre. Lansman, pp. 35-48. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Staging September 11th in the United States. Theater Forum, (25). pp. 91-96. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Staging calamity : mise-en-scène and performance at Avignon 2005. In: Ben-Zvi, Linda and Davis, Tracy C., eds. Considering Calamity : Methods for Performance Research. Assaph Books, Tel Aviv university, pp. 13-38. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Staging calamity. Mise-en-scène and Performance at Avignon 2005. Theater, 36 (3). pp. 5-27. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2002) Tesis para el analisis del texto dramatico. Gestos, 17 (33). pp. 9-47. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Theatralia. Du texte au spectacle. Mélanges offerts à Halina Sawecka. Wydawnictwo UMCS, . pp. 37-49. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Théâtre et calamité. Théâtre/Public, (180). pp. 81-91. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Traduction (avec Philippe Ivernel) et édition de Woyzeck de Georg Büchner. Classiques Larousse (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Verse une Théorie de la Pratique Théâtrale : Voix et Images de la Scene. Septentrion Presses Universitaires, 485 pp. ISBN 978-2-7574-0009-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Woyzeck à la Cour d’Honneur. Théâtre/Public, (175). pp. 67-72. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Wymiana czy unterakcja ? Dialog, (5-6). pp. 8-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2005) Yasmina Reza : Sztuka, czyli sztuka fugi. Etos życia – etos sztuki, . pp. 283-299. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) The effect produced. In: Christie, Judie and Gough, Richard and Watt, David, eds. A Performance Cosmology,. Routledge, London & New York, pp. 173-178. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pearlman, A. (2007) Ernst Toller plays three. Oberon Books, London (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pearlman, A. (2007) Ernst Toller plays two. London: Oberon Books ISBN 978-1-78319-126-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pearlman, Alan (2007) Expressionism and modernism in the American theatre: Bodies, voices, words. Review of: Expressionism and modernism in the American theatre: Bodies, voices, words. by Walker, Julia A.. Theatre Research International, 32 (2). pp. 202-203. ISSN 0307-8833. (doi:https://doi.org/10.1017/S0307883307002891) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pelacchi, Laetitia (2014) Gustave Caillebotte and Visual Representation: Perspective, Photography and Movement. Master of Arts by Research (MARes) thesis, University of Kent,. (Full text available)

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Pitts, Virginia (1998) Army and University in conflict. New Zealand Herald, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (2010) Beat. Pitts Productions HD. (Full text available)

Pitts, Virginia (2007) Cross-cultural Filmmaking in Aotearoa New Zealand. In: MEDIANZ Conference, 8th-10th February 2007, Victoria University, Wellington, New Zealand. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (2003) Fleeting Beauty. New Zealand Film Commission Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (1999) Form and Politics in Punitive Damage. Australian Screen Education, (20/21). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (2010) From Process to Product: Intercultural Collaboration in the Making of Whale Rider. In: Impure Cinema: Interdisciplinary and Intercultural Approaches to World Cinema. (Unpublished) (Full text available)

Pitts, Virginia (1997) From novel to film : Le journal d’un curé de campagne and the art of adaptation. European Connection, (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (2004) Homophobia has no place in tale of fatal love triangle. New Zealand Herald, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (2008) Igniting the Peripheries: Digital Cinema in Aotearoa New Zealand. In: Screen Studies Conference, 4th-6th July 2008, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (2006) Intercultural Short Filmmaking in Aotearoa New Zealand. Metro Film, Television, Radio & Multimedia journal, (148). pp. 140-146. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (1999) “Searching for context” Article about the making of Punitive Damage & i/v with director Annie Goldson. Loose, (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (2000) Trust Me. New Zealand Film Commission Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Polley, Sarah Jayne (2017) Embracing Star Couples: Contextualising Star Images in Hollywood's Studio Era. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2006) The Anal Sadistic Universe of Gilbert & George. In: Sculpture & Psychoanalysis. Ashgate Press in association with the Henry Moore Foundation, pp. 139-160. ISBN 0-7546-0984-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2008) Art History: The Basics. Routledge ISBN 978-0-415-37308-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2008) Art, Abjection and the Sadian Imaginary: Installations and Sculptures by Kamilla Sztyber. Kent University Fine Art, pp47-50. (doi:ISBN 978-0-9559230-0-5) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2016) Calls to Order: Modernity, Contemporaneity and the Cold War Aesthetic of BM Anand. In: Anand, Aditi and Pooke, Grant F., eds. Narratives for Indian Modernity: The Aesthetic of Brij Mohan Anand. Harper Collins, New Delhi, India, pp. 91-160. ISBN 978-93-5177-298-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2007) Francis D. Klingender, ‘Exodus and Exile’. Socialist History 30: 1956 and the New Left, (30). pp. 22-42. ISSN 0969 4331. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (1994) Larionov,mikhail and the russian avant-garde - parton,a. Art History, 17 (4). pp. 685-686. ISSN 0141-6790. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2003) Marxism, Art & Engagement: Francis Klingender. Bulletin of the Marx Memorial Library, (137). pp. 19-26. ISSN 0969-1154. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2003) Museology. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2003) Teach Yourself Art History. Hodder & Stoughton ISBN 0-340-86921-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. and Newall, Diana M. (2003) Art in Context. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. and Newall, Diana M. (2004) Contemporary Art Practice. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. and Newall, Diana M. (2003) Cross Curricular Issues. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. and Newall, Diana M. (2003) Engaging Students. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. and Newall, Diana M. (2003) Looking at Paintings. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. and Newall, Diana M. (2003) Why Teach Art and Design? Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. and Whitham, Graham (2010) Understand Contemporary Art: Teach Yourself. Hodder & Stoughton, 224 pp. ISBN 978-1-4441-1125-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pryor, Angus (2012) Critical Narratives in Colour and Form. Critical Narratives in Colour and Form, 27th November -30 th November 2012, The Visual Arts Gallery The New Habitat Centre New Delhi. Exhibition catalogue. ISBN 9789055923074. (Full text available)

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Quirk, Sophie (2017) The "All is Lost" Moment. In: Comedy, Populism and Donald Trump, 15th November 2017, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Quirk, Sophie (2016) Comedy clubs offered a better quality of debate than the political stage. Centre for the Study of Journalism, Culture & Community, Bournemouth University, 118 pp. ISBN 978-1-910042-09-0. E-ISBN 978-1-910042-08-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Quirk, Sophie (2014) Does Popular Comedy Change the Way We Think? In: ISHS Conference 2014, 7-11 July 2014, Utrecht, Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Quirk, Sophie (2017) Joke as Text vs Joke as Performance. In: Artificial Intelligence and Comedy Conference, 25th November 2017, Oxford University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Quirk, Sophie (2014) Manipulation and the Dark Arts in Stand-up Comedy and Stage Magic. In: TaPRA Conference 2014, 3-5 Sept 2014, Egham, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Quirk, Sophie (2018) The Politics of British Stand-up Comedy: The New Altenative. Palgrave Macmillan, 131 pp. ISBN 978-3-030-01104-8. (doi:https://doi.org/10.1007/978-3-030-01105-5) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Quirk, Sophie (2015) Preaching to the Converted? How Political Comedy Matters. In: UNSPECIFIED, 25 Mar 2015, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Quirk, Sophie (2014) Review, Joan Rivers: A Piece of Work, Ricki Stern and Annie Sundberg (dirs). Review of: Joan Rivers: A Piece of Work by Stern, Ricki and Sundberg, Annie. Comedy Studies, 2 (2). pp. 185-186. ISSN 2040-610X. E-ISSN 2040-6118. (doi:https://doi.org/10.1386/cost.2.2.185_4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Quirk, Sophie (2016) Stand-up Comedy: Resistance or Reinforcement? In: Comedy and Critical Thought, 3-4 May 2016, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Quirk, Sophie (2016) Suspicion and Resistance: How Stand-up Comedians Combat Manipulation and Illusion. In: TaPRA Conference 2016, 5-7 September 2016, Bristol, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Quirk, Sophie (2017) What's Special About Stand-up Comedy? Josie Long's Lost Treasures of the Black Heart. In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Bloomsbury, pp. 223-246. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Quirk, Sophie (2015) What's at Stake for Comedy Audiences? Stand-up as an Ideological Battleground. In: TaPRA Conference 2015, 8-10 Sept 2015, Worcester, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Radosavljevic, Duška (2010) Affairs of the Heart and Issues of Fidelity: Perspectives on Kneehigh’s Adaptation Method. In: AAS Berlin Conference, 29th September - 1st October 2010, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2009) The Alchemy of Power and Freedom – A Contextualisation of Slobodan Šnajder’s Hrvatski Faust (The Croatian Faust). Contemporary Theatre Review, 19 (4). pp. 428-447. ISSN 1048-6801. (Full text available)

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Radosavljevic, Duška (2001) Beginner’s Serbo-Croatian. Hippocrene Books, 257 pp. ISBN 978-0-7818-0845-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2006) Believe it or Not? Suspension of Disbelief and Emotional Responses to Fiction. In: Meyer-Dinkgrafe, Daniel, ed. Consciousness, Theatre, Literature and the Arts. Cambridge Scholars Press, pp. 70-82. ISBN 1-904303-63-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2006) The Canterbury Tales Study Day: Learning and Teaching Methodology at the CAPITAL Centre. English Subject Centre Newsletter, (10). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2010) Emma Rice in Interview with Duska Radosavljevic. Journal of Adaptation in Film and Performance, 3 (1). pp. 89-98. (doi:https://doi.org/10.1386/jafp.3.1.89/7) (Full text available)

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Radosavljevic, Duška (2004) Foreword. In: Kaput! New Writing North. ISBN 978-0-9541456-3-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2005) From Dramaturg to Chocolatier: The Working Process on Margaret Wilkinson's new play Kaput! Dram Forum, . (Full text available)

Radosavljevic, Duška (2008) The Golden Age of Kneehigh. In: at Cultures of Translation: Adaptation in Film and Performance, 26th-28th June 2008, Glamorgan University, Cardiff. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2004) Introduction. In: Sajtinac, Ugljesa, ed. Huddersfield. Oberon Books, pp. 15-16. ISBN 978-1-84002-449-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2008) Kako pokrenuti kritičara: Edinburg 2008 - Eksperimenti u političkom teatru. TFT: Teatar Film Televizija, . ISSN 1821-0120. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2003) Lindzi Kemp, jedna karijera - Scena. Sterijino Pozorje, (39). ISSN 0036-5734. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2009) The Need to Keep Moving: Remarks on the Place of a Dramaturg in 21st Century England. Performance Research, 14 (3). 45 -51. ISSN 1352-8165. (doi:https://doi.org/10.1080/13528160903519500) (Full text available)

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Radosavljevic, Duška (2010) Northern Stage Ensemble as an Adaptation of the Russian Theatre Model. In: International Federation for Theatre Research Translation, Adaptation, and Dramaturgy Working Group, 25th-26th July 2010, Munich. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2010) A Reflection on Internal. Contemporary Theatre Review, 20 (2). pp. 249-251. (Full text available)

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Radosavljevic, Duška (2008) Sarah Kane's Illyria: A Balkan reading of Blasted. In: 'Sarah Kane: Reassessments', 16th February 2008, University of Cambridge. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2005) Staging Theatricalised Reality: Yugoslav Metatheatre and its Political Significance. In: Haas, Birgit, ed. Macht Performanz, Performativität, Polittheater seit 1990. Würzburg: Königshausen & Neumann, pp. 283-302. ISBN 3-8260-3040-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2007) Translating the City: A Community Theatre Version of Wenders’ Wings of Desire in Newcastle upon Tyne. Journal of Adaptation in Film and Performance, 1 (1). pp. 57-70. ISSN 1753-6421. (Full text available)

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Radosavljevic, Duška and Awde, Nick (2004) Serbian Dictionary and Phrasebook. Hippocrene Books, 239 pp. ISBN 978-0-7818-1049-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Ramsay, N. (1998) From England into Normandy: Medieval alabaster carvings. Apollo, 147 (435). pp. 50-51. ISSN 0003-6536. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Reader, Kate (2017) 'To what extent is "sex" a constrained production, a forcible effect, one which sets the limits to what will qualify as a body?' (Butler, 1993: pg. 23) an embodied inquiry into feminine performance in 2016 with a focus on the female body as resistance. Master of Arts by Research (MARes) thesis, University of Kent,. (Full text available)

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Roesner, David P. and Rebstock, Matthias, eds. (2012) Composed Theatre. Aesthetics, Practices, Processes. intellect, Bristol, 367 pp. ISBN 978-1-84150-456-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds. (2005) Szenische Orte - Mediale Räume. MuTH Medien und Theater, 1 . Olms, Hildesheim / New York, 265 pp. ISBN 978-3-487-12799-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. and Kendrick, Lynne, eds. (2011) Theatre Noise. The Sound of Performance. Cambridge University Scholars, Newcastle ISBN 978-1-4438-3440-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2013) Accidental Collective’s Here is Where We Meet, Marlowe Studio, Canterbury, June 2013 (Musical dramaturg and sound design). Performance type: Other Here is where we meet, 19-22 June 2013, Canterbury, Marlowe Studio. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2006) Bending Gender and Acting Theory - Performing essays by Goethe and Cocteau on the theatrical benefits of cross-dressing. Studies in Theatre and Performance, 26 (2). pp. 111-127. ISSN 1468-2761. (doi:https://doi.org/10.1386/stap.26.2.111/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2005) Die Diskursivierung des Performativen und die Performativität diskursiver Praxis. Theaterpartituren zwischen Werkzeug und Waffe. In: Hempfer, K.W. and Traninger, A., eds. Macht Wissen Wahrheit. Rombach Litterae, Freiburg im Breisgau, pp. 243-258. ISBN 978-3-7930-9432-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2005) Die Playlist als Inszenierung. Ein Portrait des Theatermusikers Lars Wittershagen. Theater der Zeit, 2005 (6). pp. 14-15. ISSN 0040-5418. (Full text available)

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Roesner, David P. (2010) Die Utopie 'Heidi'. Arbeitsprozesse im experimentellen Musiktheater am Beispiel von Leo Dicks Kann Heidi brauchen, was es gelernt hat? In: Röttger, Kati, ed. Welt - Bild - Theater: Politik der Medien und Kulturen des Wissens. Narr, Tübingen, pp. 221-234. ISBN 978-3-8233-6606-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2011) The Guitar Hero's Performance. Contemporary Theatre Review, 21 (3). pp. 276-285. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486801.2011.585646) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2012) "It is not about labelling, it's about understanding what we do" – Composed theatre as discourse. In: Roesner, David P. and Rebstock, Matthias, eds. Composed Theatre: Aesthetics, Practices, Processes. Intellect, Bristol, pp. 319-362. ISBN 978-1-84150-456-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2007) Komik - Körper - Kunst - Kommerz. Eine Analyse der Elemente der Commedia dell`Arte in den Silent Slapstick Comedies. Other masters thesis, University of Hildesheim. (Full text available)

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Roesner, David P. (2002) Kompositionen der Ausdrucksnot — Einar Schleefs Musikalisierung von Sprache in seiner Inszenierung Verratenes Volk. In: Bayerdörfer, Hans-Peter, ed. Stimmen — Klänge — Töne. Synergien im szenischen Spiel. Gunter Narr, Tübingen, pp. 309-324. ISBN 978-3-8233-5230-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2005) „Materialausgabe.“ Review of Wolfgang Sander (ed.), Heiner Goebbels. Komposition als Inszenierung. Berlin: Henschel, 2002. In: Porombka, St. and Schneider, W. and Wortmann, Volker, eds. Kollektive Kreativität. Jahrbuch der Kulturwissenschaften. Francke, Tübingen, pp. 167-170. ISBN 978-3-7720-8125-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2011) The Mechanics of Noise. Theatricality and the Automated Instrument in Heiner Goebbels' theatre and Pat Metheny's Jazz. In: Kendrick, Lynne and Roesner, David P., eds. Theatre Noise. The Sound of Theatre. Cambridge Scholars Press, Newcastle, pp. 149-163. ISBN 978-1-4438-3440-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2010) Musicality as a paradigm for the theatre – a kind of manifesto. Studies in Musical Theatre, 4 (3). pp. 293-306. ISSN 1750-3159. (Full text available)

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Roesner, David P. (2010) Musicking as mise-en-scène. Studies in Musical Theatre, 4 (1). pp. 89-102. ISSN 1750-3159. (doi:https://doi.org/10.1386/smt.4.1.89_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2004) Musik mit den ‘Mitteln der Bühne’ — Aufführungsanalyse mit den Mitteln der Musik. In: Kurzenberger, Hajo and Matzke, Annemarie, eds. TheorieTheaterPraxis. Theater der Zeit, Berlin, pp. 107-116. ISBN 978-3-934344-29-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2005) Musikalische Spiel-Räume. In: Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds. Szenische Orte-Mediale Raume. Olms, Hildesheim / New York, pp. 129-147. ISBN 978-3-487-12799-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2010) Musikalisches Theater – Szenische Musik. In: Mungen, Anno, ed. Mitten im Leben. Musiktheater von der Oper bis zur Everyday-Performance mit Musik. Königshausen & Neumann, Göttingen, pp. 193-211. ISBN 978-3-8260-4184-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2009) Musikalität als Paradigma für die Theaterarbeit. Zehn Thesen. In: Theater. Musik. Fokus Schultheater (8). Edition Körber Stiftung, Hamburg, pp. 8-16. ISBN 978-3-89684-187-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2009) Performing theory and its evaluation as research. In: Allegue, Ludivine and Kershaw, Baz and Jones, Simon and Piccini, Angela, eds. Practice-as-Research: In Performance and Screen. Palgrave Macmillan, London, p. 223. ISBN 978-0-230-22001-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2011) Presentation given at the Academy of the Arts, Berlin: “Ich komponiere als Regisseur und inszeniere als Komponist“ (Heiner Goebbels) Dialoge über komponiertes Theater – Versuch einer Diskursanalyse. Presentation video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2003) Ribbible Ribble — Motivik und musikalische Form im Theater Christoph Marthalers. In: Balme, Christopher and Fischer-Lichte, Erika and Grätzel, Stephan, eds. Theatre als Paradigma der Moderne. Francke, Tübingen, pp. 365-374. ISBN 978-3-7720-2796-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2007) Singing Actors and Dancing Singers. Oscillations of genre, physical and vocal codes in two contemporary adaptations of Purcell’s Dido and Aeneas. Studies in Musical Theatre, 1 (2). pp. 123-137. ISSN 1468-2761. (Full text available)

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Roesner, David P. (2003) Theater als Musik. Musikalische Aspekte in den Inszenierungen Christoph Marthalers. Theater der Zeit, 2003 (6). pp. 42-43. ISSN 0040-5418. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2003) Theater als Musik. Verfahren der Musikalisierung in chorischen Theaterformen bei Christoph Marthaler, Einar Schleef und Robert Wilson. Gunter Narr, Tübingen ISBN 3-8233-6020-5. (Full text available)

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Roesner, David P. (2009) "Vom Nutzen und Nachteil der Theatergeschichte und -theorie für die künstlerische Ausbildung".On the use and abuse of theatre history and theatre theory in vocational drama training, Paper given at the Universität der Künste, Berlin, 26. January 2009. . Electronic Article. (Full text available)

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Roesner, David P. (2008) Wenn Musik zu Wort kommt. Portrait des Komponisten und Schauspielmusikers Lars Wittershagen. Ruhrtriennale 2008, Germany. (Full text available)

Roesner, David P. (2004) „Über Musik und Raum im zeitgenössischen Theater”. Monthly magazine of the Theater Basel, 2004 (3). pp. 22-23. ISSN N/A. (Full text available)

Roesner, David P. (2009) 'An entirely new art form' – Katie Mitchells intermediale Bühnen-Experimente. Forum Modernes Theater, 24 (2). pp. 101-119. ISSN 0930-5874. (Full text available)

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Roesner, David P. (2008) The politics of the polyphony of performance. Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1048-6801. (Full text available)

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Roesner, David P. (2008) The politics of the polyphony of performance: Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1477-2264. (doi:https://doi.org/10.1080/10486800701749587) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. and Risi, Clemens (2009) Die polyphone Werkstatt. Kollektives Arbeiten im zeitgenössischen Musiktheater. Theater der Zeit, 2009 (1). pp. 28-30. ISSN 0040-5418. (Full text available)

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Roser-i-Puig, Montserrat (2001) Moral Games and Corrupting Justice in Fernando Arrabal’s The Architect and the Emperor of Assyria. In: Batley, Edward and Bradby, David, eds. Morality and Justice: The Challenge of European Theatre. European Studies: A Journal of European Culture, History and Politics (17). Rodopi, Amsterdam, pp. 209-224. ISBN 90-420-1398-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Sakwa, Richard (1996) The Gorbachev Encyclopedia - Gorbachev the Man and his Times - Wieczynski, JL. Slavonic and East European Review, 74 (2). pp. 366-368. ISSN 0037-6795. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2011) The Auteur as Fool: Bakhtin, Barthes, and the Screen Performances of Woody Allen and Jean-Luc Godard. Journal of Film and Video, 63 (4). pp. 21-34. ISSN 0742-4671. (doi:https://doi.org/10.5406/jfilmvideo.63.4.0021) (Full text available)

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Sayad, Cecilia (2006) Authorship in the Interstices of History, Biography, Reality and Memory: Histoire(s) du cinéma and Cabra Marcado para Morrer. Significação: Revista Brasileira de Semiótica, (26). pp. 139-172. ISSN 1516-4330. (Full text available)

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Sayad, Cecilia (2014) Eduardo Coutinho's Films Were About Gaps and Creative Frictions. Mediático, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2010) Flesh for the Author: Filmic Presence in the Documentaries of Eduardo Coutinho. Framework: The Journal of Cinema and Media, 51 (1). pp. 134-150. ISSN 0306-7661. (doi:https://doi.org/10.1353/frm.0.0061) (Full text available)

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Sayad, Cecilia (2016) A Matter of (Informed) Taste. Film Criticism, 40 (1). ISSN 0163-5069. (doi:https://doi.org/10.3998/fc.13761232.0040.129) (Full text available)

Sayad, Cecilia (2015) Monsters and Everyday Life. In: Screen Studies Conference, 26/006/2015-28/06/2015, University of Glasgow. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2006) Mutant Authors and Cross-Pollinating Texts in Charlie Kaufman’s Adaptation. In: Housel, Rebecca, ed. From Camera Lens to Critical Lens: A Collection of Best Essays on Film Adaptation. Cambridge Scholars Press, Cambridge, p. 123. ISBN 978-1-84718-031-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2008) O jogo da reinvenção: Charlie Kaufman e o lugar do autor no cinema. Alameda, Sao Paulo, 64 pp. ISBN 978-85-98325-72-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2011) The Persistence of Auteurism in Brazilian Cinema. In: Issues of Auteurism in Latin American Cinema - SCMS, 10-13 March 2011, Ritz-Carlton, New Orleans. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2015) Reality TV, Mock Found-Footage, and Horror’s Changing Relationship to Reality. In: King's College Research Seminar, 11 March, 2015, King's College London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2010) Review of After Hitchcock: Influence, Imitation, and Intertextuality, David Boyd and R. Barton Palmer (eds.). Review of: After Hitchcock: Influence, Imitation, and Intertextuality by Boyd, David and Barton Palmer, R.. Journal of Adaptation in Film and Performance, 3 (2). pp. 119-121. ISSN 1753-6421. (doi:https://doi.org/10.1386/jafp.3.2.213_4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2008) Um cinema desenquadrado: a política da linguagem e a linguagem da política em Duas ou três coisas que eu sei dela. In: Estudos de cinema – SOCINE IX. Annablume, Sao Paulo. ISBN 978-85-7419-864-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sharman, L.F. (1992) Cohl,emile, caricature, and film - crafton,d. Screen, 33 (4). pp. 441-445. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sharratt, Bernard (1999) Paul Rand. Review of: Paul Rand by Heller, Steven. New York Times Book Review, . p. 8. ISSN 0028-7806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (1997) Between the Scenes: Virginia Woolf’s Freshwater. Women and Theatre: Occasional papers, (4). pp. 35-67. ISSN 0-951-88753. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (2004) Breathe body of lovely death: the disappearing subject in Susan Glaspell’s Auto/biographical Theatre. In: Gale, Maggie B. and Gardner, Viv, eds. Women, Theatre and Performance: Autobiography and Identity. Manchester University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (2008) Does it Work? Prove it! Reflections on Efficacy and Ethics. In: Theatre and Performance Research Association, September 2008. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (2008) Double Acts: Mirror Neurons & Applied Performance. In: Researching Applied Theatre and Performance Conference, April 2008, University of Exeter. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (2007) Gertrude Stein. Writers and their work. Plymouth: Northcote House ISBN 0-7463-0906-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (1996) Is s/he or isn’t s/he?: Screening Orlando. In: Cartmell, Deborah, ed. Pulping Fictions: Consuming Culture across the Literature/Media Divide. Pluto Press, pp. 43-56. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (2000) One, Two, Three: Sylvia Plath’s Verse Dramas. In: Donnell, Alison and Polkey, Pauline, eds. Representing Lives: Women and Auto/biography. Macmillan, pp. 241-250. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (2017) Opening Minds: the Arts and Developmental Psychopathology. In: Williams, David M., ed. Wiley Handbook of Developmental Psychopathology. Wiley Handbook Series . John Wiley & Sons, pp. 61-86. ISBN 978-1-118-55455-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (1996) Theatres of Absurdity: pedagogy, performance and institutional politics. Studies in Theatre Production, (13). pp. 39-53. ISSN 1357-5341. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (2005) Truths and lies: towards a new methodology of performance applications. Research in Drama and Education, . 0-0. ISSN 1356-9783. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (1994) When this you see remember me: Three plays by Gertrude Stein. In: Griffin, Gabrielle, ed. Difference in View. Taylor & Francis. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola and Shaughnessy, Robert and Caines, Michael and Goring, Paul (2008) Margaret Woffington: lives of shakespearian actors part 1. Pickering & Chatto (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola and Trimingham, Melissa (2016) Autism in the Wild: Bridging the Gap between Experiment and Experience. In: Garratt, Peter, ed. The Cognitive Humanities: Embodied Mind in Literature and Culture. Palgrave Macmillan, pp. 191-211. ISBN 978-1-137-59328-3. E-ISBN 978-1-137-59329-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola and Turner, Sarah (2016) Imagining Autism: Now I see the World. Routledge, Taylor and Francis DVD. (Full text available)

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Shaughnessy, Robert (2004) Approaching the Globe. In: Shakespeare Association of America Annual Conference, April 2004, New Orleans. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2008) Behind the Scenes. In: Thirty-third International Shakespeare Conference, August 2008, The Shakespeare Institute. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2009) Behind the Scenes. Shakespeare Survey, 62 (62). pp. 236-247. ISSN ISBN 0 521 39529 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2010) A Choice of Programs. Shakespeare Bulletin, 28 (1). pp. 55-76. ISSN 0748-2558. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2015) Connecting the Globe: Actors, Audience and Entrainment. In: Shakespeare Survey : Volume 68 : Shakespeare, Origins and Originality. Cambridge University Press, pp. 294-305. ISBN 978-1-316-25873-6. (doi:https://doi.org/10.1017/CBO9781316258736) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2008) Domestic life and domestic tragedy in early modern England: The material life of the household. Review of: Domestic life and domestic tragedy in early modern England: The material life of the household by Richardson, Catherine. Literature and History, 17 (1). pp. 82-83. ISSN 0306-1973. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Dreaming the Globe: Poel, Guthrie, and the quest for authenticity. In: Shakespeare and Tudor Traditions, September 2006, Queen Mary and Westfield College & Shakespeare’s Globe. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2005) Dreams of England. In: Massai, Sonia, ed. World-Wide Shakespeares: Local appropriations in film and performance. London and New York: Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2007) Early modern tragedy and the cinema of violence. Review of: Early Modern Tragedy and the Cinema of Violence by Simkin, Stevie. Literature and History, 16 (1). pp. 107-108. ISSN 0306-1973. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2001) Edward Bond. In: Dobson, Michael and Wells, Simon, eds. The Oxford Companion to Shakespeare Studies. Oxford: Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1998) Eugene O’Neill and American Drama to 1945. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2008) The Falstaff Syndrome: Pathos, Prosthetics and Performance. In: Filming and Performing Renaissance History symposium, April 2008, Queen's University Belfast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2005) Hamlet. Performance Research, 10 (3). p. 103. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1989) Howard Barker, The Wrestling School and the Cult of the Author. New Theatre Quarterly, (15). pp. 264-271. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2001) In his Entirety: Tyrone Guthrie, Hamlet and Psychoanalysis. In: London Renaissance Seminar, February 2001, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Introduction to Shakespearean Tragedy. In: Bradley, A.C., ed. Shakespearean Tragedy 4th revised edition. Palgrave Macmillan, xii-xlvi. ISBN 978-0-230-00189-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1996) The Last Post. In: Shakespeare’s Language in Performance Seminar, 27th International Shakespeare Conference, August 1996, The Shakespeare Institute. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1998) The Last Post: Henry V, war culture and the postmodern Shakespeare. Theatre Survey, 39 (1). pp. 41-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2007) The Nazi appropriation of Shakespeare: Cultural politics in the Third Reich. Review of: The Nazi Appropriation of Shakespeare: Cultural Politics in the Third Reich by Symington, Rodney. Theatre Research International, 32 (2). pp. 216-217. ISSN 0307-8833. (doi:https://doi.org/10.1017/S0307883306002550) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2005) On Location: de Certeau, Shakespeare and the pedestrian. In: Trinity College, Dublin, February 2005, Trinity College, Dublin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2005) On location. In: Hodgdon, Barbara and Worthen, W.B., eds. A Companion to Shakespeare and Performance. Blackwell, pp. 80-100. ISBN 1-4051-1104-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2007) One Piece at a Time. Shakespeare Bulletin, 25 (3). pp. 11-26. ISSN 0748-2558. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) One Piece at a Time. In: Watching Ourselves Watching Shakespeare, November 2006, University of Michigan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Our Shakespeares. In: Shakespeare on Film, May 2006, Royal Holloway, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Our Shakespeares. In: Shakespeare on Television seminar, April 2006, Shakespeare Association of America Annual Conference, Philadelphia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Our Shakespeares: British Television Shakespeare and the Strains of Multiculturalism. In: Thornton Burnett, Mark and Wray, Ramona, eds. Screening Shakespeare in the Twenty-First Century. Edinburgh: Edinburgh University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1997) Postmodernism, interculturalism and a recurring Dream. In: Shakespeare Association of Korea First Annual Conference, May 1997, Seoul University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1997) "Ragging the Bard”: Terence Gray, Shakespeare and Henry VIII. Theatre Notebook, 51 (2). pp. 92-111. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1994) Representing Shakespeare: England, History and the RSC. Hemel Hempstead: Harvester Wheatsheaf (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2004) ‘Robert Bensley’, ‘Francis Gentleman’, ‘William Havard’, ‘Charles Lee Lewes’, ‘Charles Macklin’, ‘Sarah Siddons’. In: Oxford Dictionary of National Biography. Oxford: Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2003) Romeo and Juliet: the rock and roll years. In: Aebischer, Pascale and Esche, Edward J. and Wheale, Nigel, eds. Remaking Shakespeare: Performance Across Media, Genres and Cultures. Basingstoke and New York: Palgrave. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2001) Romeo and Juliet: the rock and roll years. In: SCAENA: Shakespeare and his Contemporaries in Performance, August 2001, Anglia Polytechnic University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2002) Setting the Scene: A Midsummer Night’s Dream. In: Shakespeare’s Globe, May 2002, Shakespeare’s Globe. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1999) Shakespeare Goes Pop. In: Millennium Shakespeares, November 1999, Hofstra University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2004) The Shakespeare Revolution will not be televised. In: Shakespeare: Remembering Performance, November 2004, University of Notre Dame. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2005) Shakespeare and 21st Century Film. In: British Shakespeare Association Conference, September 2005, University of Newcastle. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2003) Shakespeare at Ground Level. In: London Shakespeare Seminar, November 2003, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2002) The Shakespeare effect: A history of Twentieth-Century performance. Palgrave, 221 pp. ISBN 0-333-77937-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2017) Shakespeare in Performace: As You Like It. Other. Manchester University Press, Manchester, UK (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2001) Shakespeare versus Performance. In: London Shakespeare Seminar, April 2001, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2000) Shakespearean Utopias. Shakespeare Survey, (54). pp. 233-243. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1998) Shakespearean Utopias. In: The Shakespeare Institute, February 1998, The Shakespeare Institute. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Stage, Screen and Nation: Hamlet and the Recovery of History. In: Henderson, Diana E., ed. A Concise Companion to Shakespeare on Screen. Oxford: Blackwell. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2005) Stage, Screen and Nation: Hamlet and the recovery of history. In: The Shakespeare Institute, March 2005, The Shakespeare Institute. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Staging the media apparatus: the Shakespeare revolution will not be televised. In: Holland, Peter, ed. Shakespeare: Remembering Performance. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1994) Terence Gray’s Shakespeare. In: Shakespeare on the British Stage 1990-1945, July 1994, Leicester University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1992) Three Socialist Plays: Lear, Roots, Serjeant Musgrave’s Dance. Buckingham and Philadelphia: Open University Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2017) The Time is Out of Joint: Shakespeare, Jet Lag, and the Rhythms of Performance. In: Bulman, James, ed. The Oxford Handbook of Shakespeare and Performance. Oxford Handbooks . Oxford University Press, Oxford, UK. ISBN 978-0-19-968716-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2002) Twentieth-Century Fox: Volpone’s Metamorphosis. Theatre Research International, 27 (1). pp. 27-48. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1997) Volpone, anthropomorphism, and the discourses of late capitalism. In: SCAENA: Shakespeare and his Contemporaries in Performance, August 1997, Anglia Polytechnic University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1994) Voltaire’s Brain: Strategies for Enlightenment and Studies in the Death of the Author. Studies in Theatre Production, (9). pp. 22-37. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2001) What have the Romans ever done for us? In: Royal Shakespeare Company Summer School, August 2001, Royal Shakespeare Company Summer School. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1996) ‘William, Gaskill’, ‘Terence Gray’, ‘Bill Alexander’. In: Hawkins-Dady, Mark, ed. International Dictionary of Theatre, Volume 3: Actors, Directors and Designers. London: St James’s Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shawa, Laila and Zurob, Hani (2013) Resilience & Light: Contemporary Palestinian Art. , 11 April - 18 May 2013, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Skillen, Tony J. (1994) Explanation and value in the Arts - Kemak,S, Gaskell,I. British Journal of Aesthetics, 34 (4). pp. 398-399. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2005) Against Nature. In: The Cognitive Neuroscience of Film, April 2005, University of Washington-St-Louis. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2005) Cinema and Cognition. In: Cinema and Cognition, Society for Cinema and Media Studies, April 2005, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (1992) Coming to terms - the rhetoric of narrative in fiction and film - Chatman,S. Journal of Aesthetics and Art Criticism, 50 (3). pp. 253-254. ISSN 0021-8529. (doi:https://doi.org/10.2307/431236) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2009) Consciousness. In: Livingston, Paisley and Plantinga, Carl, eds. The Routledge Companion to Philosophy and Film. Routledge Philosophy Companions . Routledge, London and New York, pp. 39-51. ISBN 978-0-415-77166-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (1999) (Dis)engaging characters: a response to Lynne Pearce's review. Screen, 40 (3). pp. 358-362. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (1995) Engaging Characters: Fiction, Emotion, and the Cinema. Oxford: Clarendon Press, 265 pp. ISBN 978-0-19-818347-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2016) Film, Philosophy, and the Varieties of Artistic Value. In: Thomson-Jones, Katherine, ed. Current Controversies in Philosophy of Film. Routledge, Abingdon, Oxfordshire, pp. 182-202. ISBN 978-1-138-78951-7. E-ISBN 978-1-315-76488-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (1998) Image and mind: Film, philosophy, and cognition science. Review of: Image and Mind: Film, Philosophy, and Cognitive Science. by Currie, Gregory. British Journal of Aesthetics, 38 (3). pp. 325-327. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2006) My Dinner with Noel; or, Can We Forget the Medium ? Film Studies: An International Review, 8 . pp. 140-148. ISSN 1469-0314. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Smith, Murray (1998) Regarding film spectatorship: A reply to Richard Allen. Journal of Aesthetics and Art Criticism, 56 (1). pp. 63-65. ISSN 0021-8529. (doi:https://doi.org/10.2307/431952) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (1992) Society-for-cinema-studies conference, pittsburgh, 30-april 3-may, 1992. Screen, 33 (4). pp. 436-438. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2002) Trainspotting. BFI Modern Classics, 95 pp. ISBN 0-85170-870-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2007) Was macht es fur einen Unterschied ? Wissenschaft, Gefuhl und Film. In: Bartsch, Anne and Eder, Jens and Fahlenbrach, Kathrin, eds. Audiovisuelle Emotionen:Emotionsdarstellung und Emotionsvermittlung durch audiovisuelle Medienangebote. Herbert von Halem, Cologne, pp. 39-59. ISBN 978-3-938258-30-9. (Full text available)

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Smith, Murray (2005) What Difference Does it Make. In: Representing and Conveying Emotions in Audio-Visual Forms of Media, December 2005, University of Hamburg. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2005) Who’s afraid of Charles Darwin? The art of film in the age of evolution. In: Brutsch, Matthias, ed. Emotionalität und Film. Marburg: Schüren, pp. 287-310. ISBN 978-3-89472-512-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2003) A reasonable guide to horrible noise (Part 2) – listening to Lost Highway. In: Hojbjerg, Lennard and Schepelern, Peter, eds. Film Style and Story: A Tribute to Torben Groda. Copenhagen: Museum Tusculanum Press, University of Copenhagen, pp. 153-170. ISBN 87-7289-851-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray and Wartenburg, Thomas (2006) Thinking Through Cinema: Film as Philosophy. Journal of Aesthetics and Art Criticism 64(1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

South, Daniel (2015) Watching As The World Turns: Performance, Everyday Life, and the Self in the Novels of David Foster Wallace. Master of Arts by Research (MARes) thesis, University of Kent. (Full text available)

Stanfield, Peter (2005) American Like Chop Suey: Invocations of gangsters in Chinatown 1920-35. In: Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of the American Gangster Film. New York: Rutgers University Press, pp. 238-262. ISBN 0-8135-3557-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2005) Body & soul: jazz and blues in American film, 1927-63. Urbana: University of Illinois Press, 213 pp. ISBN 0-252-02994-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (1996) ‘Country Music & the 1939 Western: From Hillbillies to Cowboys’. In: Cameron, Ian and Pye, Douglas, eds. The Movie Book of the Western. Studio Vista, pp. 22-33. ISBN 0-289-80140-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2010) Crossover: Sam Katzman’s Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ Calypso, Beatniks, Hot Rods, and Rock ’n’ Roll in 1950s Teenpix’. Popular Music, 29 (3). pp. 437-456. ISSN 0261-1430. (doi:https://doi.org/10.1017/S0261143010000255) (Full text available)

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Stanfield, Peter (1998) ‘Dixie Cowboys & Blue Yodels: The Strange History of the Singing Cowboy’. In: Buscombe, Edward and Pearson, Roberta, eds. Back in the Saddle Again: New Essays on the Western. British Film Institute, pp. 96-117. ISBN 0-85170-661-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2002) ‘An Excursion into the Lower Depths: Hollywood, St. Louis Blues, and Urban Primitivism.’. Cinema Journal, 41 (2). pp. 84-108. ISSN 0009-7101. (Full text available)

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Stanfield, Peter (2001) ‘“Extremely Dangerous Material”: Hollywood and the Ballad of Frankie and Johnny’. In: Bernardi, Daniel, ed. Classic Hollywood, Classic Whiteness. University of Minnesota Press, pp. 442-465. ISBN 016632391. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2002) ‘“Film Noir Like You’ve Never Seen”: Jim Thompson Adaptations and Cycles of Neo Noir’. In: Neale, Stephen, ed. Genre and Contemporary Hollywood. British Film Institute, pp. 251-268. ISBN 0-85170-887-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2000) ‘From the Vulgar to the Refined: American Vernacular & Blackface Minstrelsy in Showboat (1936)’. In: Marshall, Bill and Stillwell, Robynn, eds. Musicals: Hollywood and Beyond. Intellect Press, pp. 147-156. ISBN 1-84150-003-8. (Full text available)

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Stanfield, Peter (2012) “‘Got-to-See’: Trends in Social Problem Pictures and the Postwar Cycles of Juvenile Delinquency Movies”. In: Lucia, Cynthia and Grundmann, Roy and Simon, Art, eds. The Wiley-Blackwell History of American Film. Wiley-Blackwell, Chichester, pp. 220-241. ISBN 978-1-4051-7984-3. (doi:https://doi.org/10.1002/9780470671153) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (1992) ‘Heritage Design: The Harley-Davidson Motor Company.’. Journal of Design History, 5 (2). pp. 141-155. ISSN 0952-4649. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2001) Hollywood, westerns and the 1930s: the lost trail. University of Exeter Press, 258 pp. ISBN 0-85989-694-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2018) Hoodlum Movies: Seriality and the Outlaw Biker Film Cycle, 1966-1972. Rutgers University Press, New Jersey, USA, 214 pp. ISBN 978-0-8135-9901-4. E-ISBN 978-0-8135-9903-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2002) Horse opera: the strange history of the singing cowboy. Urbana: University of Illinois Press, 177 pp. ISBN 0-252-02733-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2003) ‘The Last Scene of the Titanic: Vernacular American Phonograph Recordings’. Interdisciplinary Literary Studies, 5 (1). pp. 21-33. ISSN 1524-8429. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2011) Maximum Movies -- Pulp Fictions: Film Culture and the Worlds of Samuel Fuller, Mickey Spillane and Jim Thompson. Rutgers University Press, New Jersey, 256 pp. ISBN 978-0-8135-5062-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2008) Maximum Movies: Lawrence Alloway’s Pop Art Film Criticism. Screen, 49 (2). pp. 179-193. ISSN 0036-9543. (doi:https://doi.org/10.1093/screen/hjn032) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2005) A Monarch for the Millions: Jewish Filmmakers, Social Commentary & the Postwar Cycle of Boxing Films. Film Studies: An International Review, (7). pp. 66-82. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2007) A Monarch for the Millions: Jewish Filmmakers, Social Commentary & the Postwar Cycle of Boxing Films. In: Krutnik, Frank and Neale, Steve and Neve, Brian and Stanfield, Peter, eds. “Un-American” Hollywood: Politics & Film in the Blacklist Era. Rutgers University Press. ISBN 0813541983. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2008) Notes Toward a History of the Edinburgh International Film Festival, 1969-77. Film International, 6 (4). pp. 62-71. ISSN 1651-6826. (Full text available)

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Stanfield, Peter (1997) ‘“An Octoroon in the Kindling”: American Vernacular & Blackface Minstrelsy in 1930s Hollywood.’. Journal of American Studies, 31 (3). pp. 407-438. ISSN 0021-8758. (Full text available)

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Stanfield, Peter (2011) “Punks! Topicality and the 1950s Gangster Bio-Pic Cycle”. In: Bolton, Kingsley and Olsson, Jan, eds. Media, Popular Culture and the American Century. National Library of Sweden, pp. 185-215. ISBN 978-0-86196-698-1. (Full text available)

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Stanfield, Peter (2016) Run, Angel, Run: Serial Production and the Biker Movie, 1966-72. In: Fisher, Austin and Walker, Johnny, eds. Grindhouse: Cultural Exchange on 42nd Street, and Beyond. Bloomsbury Publishing, London, UK. ISBN 978-1-62892-745-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2005) ‘Walking the Streets: Black Gangsters and the “Abandoned City” in the 1970s Blaxploitation Cycle’. In: Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 281-300. ISBN 1-84520-330-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (1987) ‘The Western 1909-14: A Cast of Villains.’. Film History, 1 (2). pp. 97-112. ISSN 0892-2160. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2017) The Who and Pop Art: the simple things you see are all complicated. Journal of Popular Music Studies, 29 (1). e12203. ISSN 1524-2226. E-ISSN 1533-1598. (doi:https://doi.org/10.1111/jpms.12203) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Stanfield, Peter and Sonnet, Esther (2005) ‘“Good Evening, Gentleman, Can I Check Your Hats Please?”: Masculinity, Dress and the Retro Gangster Cycles of the 1990s’. In: Grieveson, Lee and Sonnet, Esther and Stanfield, Peter, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 163-184. ISBN 1-84520-330-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stevenson, Sian (2014) More Please. Performance type: Live play More Please, 02 Jun - 02 Dec 2013, Canterbury and Margate. DVD. (Full text available)

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Tavassoli Zea, Zahra (2016) LA BANDE DES QUATRE: Nineteenth-century Artistic and Literary Sources in Late Nouvelle Vague Filmmaking. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2005) The Academy of Baccio Bandinelli by Enea Vico. In: Renaissance Society of America Annual Conference, 7-9th April 2005, University of Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2005) The Academy of Baccio Bandinelli. Print Quarterly, XXII (1). pp. 3-14. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2013) Alfred Drury and the New Sculpture. , 30 Sep - 20 Dec 2013; 15 Jan - 13 Apr 2014, Studio 3 Gallery, University of Kent and The Stanley and Audrey Burton Gallery, University of Leeds. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2011) Ana Maria Pacheco: Shadows of the Wanderer. , 17 Jan - 17 May 2011, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2000) Artefici and Huomini Intendenti: Questions of Artistic Value in Sixteenth-Century Italy. In: Shepherd, Rupert and Neher, Gabriele, eds. Revaluing Renaissance Art. Ashgate Press, pp. 43-56. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (1999) Artefici and huomini intendenti: questions of artistic value in sixteenth-century Italy. In: Images and Values, Association of Art Historian’s 25th Annual Conference, 9-11th April 1999, University of Southampton. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (1999) Calendar of the Fortnum Papers at the Ashmolean Museum, 1999. National Art Library. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2007) Casa Vasari: writing and decorating the artist’s house. In: Hendrix, Harald, ed. Writers’ Houses and the Making of Memory. Routledge, pp. 139-148. ISBN 0-415-54082-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2005) Casa Vasari: writing and decorating the artist’s house. In: Writers’ Houses and the Construction of (Trans)National Cultural Memory, ACUME European Thematic Network Conference, 11th-15th May 2005, Rome. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) Disegno. In: Renaissance Keywords, 19th September 2008, University of Birmingham. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2003) The Dissemination of Disegno: Baccio Bandinelli and Anton Francesco Doni. In: The Business of Prints in Rome, 24th-25th March 2003, University of Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2018) Drawing Together. Drawing Together, 30 Sep 2017 - 2 Jan 2018, The Courtauld Gallery, London. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2017) Drawing Together. Paul Holberton Publishing, 48 pp. ISBN 978-1-911300-33-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2016) Dungeness: Philip Hughes with Psiche Hughes. , 13 May - 10 June 2016, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2015) The Early Prints of Marcus Rees Roberts. Art in Print, 5 (1). pp. 7-11. ISSN 1-844-278-4677. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2002) Edgar Wind and Leonardo da Vinci. In: University of Oxford, Renaissance History Seminar, 4th February 2002, University of Oxford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2015) Edgar Wind. A Short Biography. Stan Rzeczy, 08 (1). pp. 117-137. ISSN 2083-3059. (Full text available)

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Thomas, Ben D. H. (2005) Enea Vico, The Academy of Baccio Bandinelli. National Gallery of Canada, Leonardo da Vinci, Michelangelo and the Renaissance in Florence, exhibition catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2002) Finding Ovid through Raphael in the Schools of the Tombs. In: Monkeying about with Antiquity, AHRB Centre for Cultural Analysis, Theory and History, 17th May 2002, University of Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2003) Finding Ovid through Raphael in the Schools of the Tombs. Art on the Line, 1 (2). pp. 1-11. ISSN 1478-6818. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (1999) The Fortnum Archive in the Ashmolean Museum. Journal of the History of Collections, 11 (2). pp. 253-268. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2006) Framing Giambologna’s Rape of a Sabine. In: Renaissance Society of America Annual Conference, 22nd-25th March 2006, San Francisco. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (1999) Hercules and the Hydra: C. D. E. Fortnum, Arthur Evans and the Ashmolean Museum. Journal of the History of Collections, 11 (2). pp. 159-169. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2017) Jim Dine and Pinocchio. Arabeschi, 10 (1.6). ISSN 2282-0876. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) The Locations of Art in the Mezzotints of Wallerant Vaillant. In: Early Modern Prints Symposium and Study Day, 2nd April 2008, Courtauld Institute Research Forum. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2006) The Many Faces of Lucas van Leyden and Other Stories: Some Historiographical Reflections on the Pictorum aliquot celebrium Germaniae inferioris effigies of Domenicus Lampsonius. In: Courtauld Institute Research Seminar, 16th May 2006, Courtald Institute. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2014) Marcus Rees Roberts: Winter Journey. , 20 Jan - 11 Apr 2014, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) Noble or Commercial? The Early History of Mezzotint in Britain. In: British Printed Images to 1700, 12th-13th September 2008, Victoria & Albert Museum. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2010) Noble or Commercial? The Early History of Mezzotint in Britain. In: Hunter, Michael, ed. Printed Images In Early Modern Britain. Essays in Interpretation. Ashgate, Farnham and Burlington, pp. 279-296. ISBN 978-0-7546-6654-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) The Paradox of Mezzotint. The Paradox of Mezzotint, 12th April - 11th June 2008/2nd July-31st October 2008, Museum of Canterbury/Strang Print Room, University College London. Prints. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) The Paradox of Mezzotint. In: Centre for Medieval and Early Modern Studies, 24th January 2008, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) The Paradox of Mezzotint, exhibition catalogue. Canterbury ISBN 978-1-902671-55-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2005) Parallel Lives: Dante, Michelangelo and the Reception of the Medici Chapel Sculpture. In: Conception: Reception, 31st Annual Conference of the Association of Art Historians, 31st March - 2nd April 2005, University of Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2013) Paul Coldwell: A Layered Practice - Graphic Works 1992-2012. , 14 Jan - 5 Apr 2013; 14 Jun - 11 Jul 2013, Studio 3 Gallery, University of Kent and The Stephen Lawrence Gallery, University of Greenwich. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2017) Raphael and the Idea of Drawing. In: Raphael: The Drawings. Ashmolean, pp. 43-55. ISBN 978-1-910807-15-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2017) Raphael's drawings: invention, disposition, and demonstration. In: Raffaels Zeichnungen, Internationales Symposium, 21-22 November 2017, Albertina, Vienna. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2017) Raphael: Singular Acts of Drawing. In: Singular Acts: The Role of the Individual in the Transformation of Collective Culture, The Warburg Institute Second Postgraduate Symposium, 16 November 2017, The Warburg Institute, London. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2000) The Renaissance artist’s sense of history. In: 30th International Congress of the History of Art, 3rd-8th September 2000, National Portrait Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (1996) “The Spaniard’s Peccadillo”: The Interrelation of Painting and Sculpture in Sixteenth-Century Italy. In: University of Oxford, Renaissance History Seminar, 16th February 1996, University of Oxford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2004) Tracing the Course of Forms: John Obadiah Westwood. In: Connecting Cultures, Kent Institute for Advanced Studies in the Humanities biannual conference, 2-4th April 2004, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) The Truest Poetry is the Most Feigning: Edgar Wind on Art and Morals during the Cold War. In: Cultural Memory:Forgetting to Remember/Remembering to Forget, KIASH conference, 10th-13th September 2008, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2006) Van Dyck pinxit/After Van Dyck. Van Dyck pinxit/After Van Dyck, May-November 2006, Museum of Canterbury. Prints. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2004) ‘Wind, Edgar Marcel (1900-1971). Oxford University Press, Oxford Dictionary of National Biography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2005) The academy of Bandinelli. Print Quarterly, XXII (1). pp. 3-14. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2003) “The art consists of hiding the art”: Castiglione and Raphael. In: Braida, Antonella and Pieri, Giuliana, eds. Image and Word. Reflections of Art and Literature from the Middle Ages to the Present. Legenda/Oxford University Press, pp. 134-150. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2000) “A beautiful and rare invention”: Gian Girolamo Savoldo’s so-called portrait of Gaston de Foix. In: University of Oxford, Oxford Brookes University and Ashmolean Museum Art History Seminar, 26th January 2000, Oxford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2015) 'The child is father of the man': Alfred Drury and temporality. Sculpture Journal, 24 (1). pp. 55-72. ISSN 1366-2724. (doi:https://doi.org/10.3828/sj.2015.24.1.5) (Full text available)

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Thomas, Ben D. H. (2001) The lantern of painting: Michelangelo, Daniele da Volterra and the paragone. Apollo, CLIV (474). pp. 46-53. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. and Clayton, Timothy (2000) George Clarke Print Collection, Worcester College, Oxford, 2000. Worcester College Oxford, http://prints.worc.ox.ac.uk/. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. and El Saqqa, Aser (2013) Resilience and Light: Contemporary Palestinian Art. , 11 Apr - 18 May 2013, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. and Kear, Jon (2010) In Elysium: Prints by James Barry. In Elysium: Prints by James Barry, 4 October - 17 December 2010, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. and Whistler, Catherine (2016) Eloquence in Raphael Drawings. Artibus et Historiae, 74 . pp. 25-36. ISSN 0391-9064. (Full text available)

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Trimingham, M F (2017) Agency and Empathy: Artists Touch the Body. In: Barbieri, Donatella, ed. Costume in Performance: Materiality, Culture, and the Body. Bloomsbury, London UK, pp. 137-165. ISBN 978-1-4742-3687-4. E-ISBN 978-1-4742-3688-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Trimingham, Melissa (2017) Bauhaus Scenography. In: The Routledge Companion to Scenography. Routledge, London, UK, pp. 426-431. ISBN 978-1-138-91780-4. E-ISBN 978-1-315-68881-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Trimingham, Melissa (2017) Ecologies of Autism: Vibrant Space in Imagining Autism. In: Mckinney, Joslin and Palmer, Scott, eds. Scenography Expanded: an Introduction to Contemporary Performance Design. Performance and Design . Bloomsbury - Methuen Drama, London, pp. 183-196. ISBN 978-1-4742-4438-1. E-ISBN 978-1-4742-4440-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Trimingham, Melissa (2002) A Methodology for Practice as Research. Studies in Theatre & Performance, 22 (1). pp. 54-60. ISSN 1468-2761. (doi:https://doi.org/10.1386/stap.22.1.54) (Full text available)

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Trimingham, Melissa (2010) 'Objects in transition: the puppet and the autistic child'. Journal of Applied Arts in Health, 1 (3). pp. 251-265. ISSN 2040-2457. (doi:https://doi.org/10.1386/jaah.1.3.251_1) (Full text available)

Trimingham, Melissa (2004) Oskar Schlemmer’s Research Practice at the Dessau Bauhaus. Theatre Studies International, 29 (2). 128 -142. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Trimingham, Melissa (2004) Sehr geehrter Herr Schlemmer... A letter to Oskar Schlemmer occasioned by a performance of the Bauhaustanze at the Dessau Bauhaus 1928. Performance Research, 9 (1). pp. 81-98. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Trimingham, Melissa (2017) Surprised by Beauty: Imagining Autism. In: Bunn, Stephanie, ed. The Routledge Handbook of Anthropology and Beauty. Routledge, Abingdon. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Trimingham, Melissa (2011) The Theatre of the Bauhaus: the Modern and Postmodern Stage of Oskar Schlemmer. Routledge Advances in Theatre and Performance Studies . Routledge, New York and London, 214 pp. ISBN 978-0-415-40398-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Trimingham, Melissa (2012) bauhaus lighthouse: der bau als buehne das buehne als bau. In: bauhaus art as life. Konig, Cologne, pp. 200-203. ISBN 978-3-86335-163-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Trimingham, Melissa F. and Shaughnessy, Nicola (2016) Material Voices: intermediality and autism. Research in Drama Education, 21 (3). pp. 293-308. ISSN 1356-9783. E-ISSN 1470-112X. (doi:https://doi.org/10.1080/13569783.2016.1194748) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Turner, Caleb (2016) Spectacular Rhythms: Cultural Conflict in the Contemporary Superhero Film. Doctor of Philosophy (PhD) thesis, University of Kent, -. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Turner, Sarah (2018) The Three Ecologies. Writing experimental, site based, responsive narrative for the screen. Ecology, 97 mins, 2007, Perestroika, 118 mins, 2009/10, Public House, 96 mins, 2015/16. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Vaage, Margrethe Bruun (2016) The Antihero in American Television. Other. Routledge (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2017) Book Review. Review of: Complex TV: The Poetics of Contemporary Television Storytelling by Mittell, Jason. Projections, 11 (2). pp. 105-109. ISSN 1934-9688. (doi:https://doi.org/10.3167/proj.2017.110207) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2006) The Empathetic Film Spectator in Analytic Philosophy and Naturalized Phenomenology. Film and Philosophy, 10 (21). ISSN 1073-0427. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2007) Empathy and the Episodic Structure of Engagement in Fiction Film. In: Anderson, Joseph D. and Fisher Anderson, Barbara, eds. Narration and Spectatorship in Moving Images. Cambridge Scholars Publishing, pp. 186-203. ISBN 978-1-84718-309-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2013) Fictional reliefs and reality checks. Screen, 54 (2). pp. 218-237. ISSN 1460-2474. (doi:https://doi.org/10.1093/screen/hjt004) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2005) Fiksjon, innlevelse og selvreferanse. Norsk Filosofisk Tidsskrift, 40 (2). pp. 124-137. ISSN 0029-1943. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2017) From The Corner to The Wire: On Nonfiction, Fiction, and Truth. Journal of Literary Theory, 11 (2). ISSN 1862-5290. E-ISSN 1862-8990. (doi:https://doi.org/10.1515/jlt-2017-0023) (Full text available)

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Vaage, Margrethe Bruun (2007) "Hold pusten når jeg teller til tre!" Om ulike tilskuerposisjoner og emosjonelle reaksjoner på fiksjonsfilm. In: Solum, Ove and Erstad, Ola, eds. Følelser for film. Gyldendal Akademisk Forlag, pp. 31-49. ISBN 978-82-05-37777-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2013) The Imagined Observer Hypothesis. In: Branigan, Edward and Buckland, Warren, eds. The Routledge Encyclopedia of Film Theory. Routledge, pp. 258-262. ISBN 978-0-415-78180-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2007) Levende bilder: Hvorfor empati er viktig for vellykket innlevelse i fiksjonsfilm. Norsk medietidsskrift, 14 (1). pp. 27-48. ISSN 0804-8452. (Full text available)

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Vaage, Margrethe Bruun (2018) On Punishment and Why We Enjoy It in Fiction: Lisbeth Salander of the Millennium Trilogy and Eli in Let the Right One In as Scandinavian Avengers. Poetics Today: International Journal for Theory and Analysis of Literature and Communication, . ISSN 0333-5372. E-ISSN 1527-5507. (In press) (Full text available)

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Vaage, Margrethe Bruun (2010) Our Man Omar: Warum die Figur Omar Little aus THE WIRE so beliebt ist. In: Blanchet, Robert and Smid, Tereza and Köhler, Kristina and Zutavern, Julia, eds. Serielle Formen. Von den frühen Film-Serials zu aktuellen Quality-TV- und Online-Serien. Zürcher Filmstudien . Schüren, pp. 211-227. ISBN 978-3-89472-525-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2013) Point of View. In: Branigan, Edward and Buckland, Warren, eds. The Routledge Encyclopedia of Film Theory. Routledge, pp. 371-375. ISBN 978-0-415-78180-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2009) The Role of Empathy in Gregory Currie's Philosophy of Film. British Journal of Aesthetics, 49 (2). pp. 109-128. ISSN 0007-0904. (doi:https://doi.org/10.1093/aesthj/ayp005) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2004) Sansning, tenkning, teknologi: Hvordanfungerer Stella Polaris? Norsk medietidsskrift, 11 (1). pp. 6-23. ISSN 0804-8452. (Full text available)

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Varakis-Martin, Angeliki (2014) ‘Aristophanic Performance as an all-inclusive event: audience participation and celebration in the modern staging of Aristophanic comedy'. In: Classics in the Modern World - a Democratic Turn?, July 2010, Open University.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2008) 'Body and Mask’ in Performances of Classical Drama on the Modern Stage. In: Hardwick, Lorna and Stray, Christopher, eds. The Blackwell Companion to Classical Reception. Oxford: Blackwell. ISBN 978-1-4051-5167-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2014) An Emotional Engagement with the Classical Past: Karolos Koun and the staging of ancient Greek drama in the twentieth century. ‘An Emotional Engagement with the Classical Past: Karolos Koun and the staging of ancient Greek drama in the twentieth century’, . (Submitted) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2014) Laughter and distributed attention in the spectating of Aristophanic comedy. In: Cognitive Futures in the Humanities conference, 24-26 April 2014, Durham University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2008) Mask & Performance In Greek Tragedy: From Ancient Festival To Modern Experimentation. Review of: Mask & Performance In Greek Tragedy: From Ancient Festival To Modern Experimentation by Wiles, David. Theatre Research International, 33 (3). pp. 325-326. ISSN 0307-8833. (doi:https://doi.org/10.1017/s0307883308004070) (Full text available)

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Varakis-Martin, Angeliki (2010) ‘Performing' celebration and ‘celebrating’ performance in modern Aristophanic productions'. In: 10th Annual APGRD PG Symposium. ‘Revelry, Rhythm and Blues’ in the reception of Greek and Roman drama from antiquity to the present day’, 21 July 2010, Royal Holloway. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2004) Research on the Ancient Mask. Didaskalia, 6 (1). E-ISSN 1321-4853. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2008) Review of Oedipus. Review of: Oedipus by Edmunds, Lowell. Classical Review, 58 (2). p. 619. ISSN 0009-840X. (doi:https://doi.org/10.1017/S0009840X08001467) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2004) ‘The Staging of Aristophanes in Modern Times’. In: Studying the Ancient Greek Theatre, 11-12 March 2004, Colloquium organised by the ICS (Institute of Classical Studies) , London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki