Items where Subject is "N Fine Arts"

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Number of items at this level: 1001.

A

Allain, Paul (1992) 'Polishing up on the Classics'. The Stage . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1991) A Love Letter from Britain. Teatr . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2002) After Grotowski. Total Theatre, 14 (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2002) After Grotowski - the next Generation. New Theatre Quarterly, 28 (1). pp. 59-66. ISSN 0-521-01314-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1995) Coming Home: The New Ecology of The Gardzienice Theatre Association of Poland. Drama Review, 39 (1). pp. 93-121. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2007) Destarsi Con One Breath Left. In: The Workcenter of Jerzy Grotowski and Thomas Richards Visioni. Bulzoni. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2008) Destarsi con One breath left. In: Opere e sentieri. Vol. 3: Testimonianze e riflessioni sull'arte come veicolo. Bulzoni, pp. 129-140. ISBN 9788878702967. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1998) Gardzienice Polish Theatre in Transition. Harwood Academic Press ISBN 90-5702-105-6 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1993) Gardzienice in the Suzuki Empire. Polityka . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2002) Gardzienice's Performance of Otherness. In: Studies in Language, Literature and Cultural Mythology in Poland: Investigating The Other. Edwin Mellen Press, pp. 99-114. ISBN ISBN 0-7734-7054-9 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1992) Gardzienice: At the Cultural Crossroads. New Theatre Quarterly . ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1989) Gardzienice: a Practical Account. Music Theatre Dance Journal (1). pp. 29-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2007) Goat Theatre Macbeth. Contemporary Theatre Review, 17 (2). pp. 255-258. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1999) Interview with Piotr Borowski: Artistic Director of Studium Teatralne, Warsaw. CUNY, New York, Slavic and East European Performance PP15-23. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2002) Japanese theatre and the international stage. Review of: Japanese theatre and the international stage by UNSPECIFIED. New Theatre Quarterly, 18 (70). p. 197. ISSN 0266-464X . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2007) Macbeth. Review of: Macbeth by Kozla, P. and Wielga, K.. Didaskalia, 7 . p. 89. ISSN 1233-0477. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1991) Modesty and Vigour. Plays and Players . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1994) Movement Directing. Total Theatre, 6 (4). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2000) New sites for Shakespeare: Theatre, the audience, and Asia. Review of: New sites for Shakespeare: Theatre, the audience, and Asia by UNSPECIFIED. New Theatre Quarterly, 16 (64). 391-392 . ISSN 0266-464X . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1999) Obituary of Jerzy Grotowski. The Independent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2010) On Ensembles. In: Ensemble Theatre, 16th September 2010, University of Huddersfield. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1990) On the Border of Europe and Asia. Zycie Warszawa . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1991) Rep Paralysed by Spending Cuts. The Stage . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2010) Review about Tadeusz Kantor. Review of: Review about Tadeusz Kantor by UNSPECIFIED. New Theatre Quarterly, 26 (103). p. 301. ISSN 0266-464x. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2004) Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present. Review of: Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present by Meyer-Dinkgrafe, Daniel. New Theatre Quarterly, 20 (1). p. 95. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2002) Review of Dymphna's Callery's Through the Body. Review of: Review of Dymphna's Callery's Through the Body by Callery, Dymphna. New Theatre Quarterly, 18 (4). 0-0. ISSN 0 521-52405-9 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2004) Review of Edward Braun, A Concise History of Polish Theater from the Eleventh to the Twentieth Centuries, Lampeter: Edwin Mellen Press, 2003. Review of: Review of Edward Braun, A Concise History of Polish Theater from the Eleventh to the Twentieth Centuries, Lampeter: Edwin Mellen Press, 2003 by Braun, Edward. Theatre Research International . pp. 84-85. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1989) Review of Gardzienice's Avvakum. Review of: Gardzienice's Avvakum by UNSPECIFIED. Event South West Magazine . 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1997) Review of Harold B. Segel "Pinocchio's progeny". Review of: Harold B. Segel "Pinocchio's progeny" by UNSPECIFIED. New Theatre Quarterly, 13 (49). pp. 95-96. ISSN 0266-464X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2005) Review of Hidden Territories, Wlodzimierz Staniewski with Alison Hodge. Theatre Research International . 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1998) Review of Kathleen M. Cioffi "Alternative theatre in Poland 1954-1989". Review of: Kathleen M. Cioffi "Alternative theatre in Poland 1954-1989" by UNSPECIFIED. New Theatre Quarterly, 8 (55). pp. 292-293. ISSN 0266-464X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2007) Review of Krzysztof Miklaszewski, Encounters with Kantor. Review of: Review of Krzysztof Miklaszewski, Encounters with Kantor by Miklaszewski, Krzysztof. Contemporary Theatre Review, 17 (1). pp. 115-116. ISSN 1048 6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1997) Review of Michael Huxley and Noel Witts,eds. "Twentieth century performance reader". Review of: Michael Huxley and Noel Witts,eds. "Twentieth century performance reader" by UNSPECIFIED. New Theatre Quarterly, 13 (52). p. 399. ISSN 0266-464X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2001) Review of Modern Czech Theatre. Review of: Review of Modern Czech Theatre by UNSPECIFIED. New Theatre Quarterly, 17 (3). 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2005) Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Chinese Theories of Theater and Performance from Confucius to the Present. Review of: Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Chinese Theories of Theater and Performance from Confucius to the Present by Leiter, Samuel and Chunfang Fei, Faye. New Theatre Quarterly, 21 (2). p. 199. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1990) Review of two performances by Scena Plastyczna of Lublin. Review of: Review of two performances by Scena Plastyczna of Lublin by UNSPECIFIED. Performance Research . 0-0. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2000) Suzuki Training- an introductory file. Arts Archives, The Fifth Series, Exeter CD-ROM and Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1998) Suzuki Training: An Update. Drama Review, 42 (1). pp. 66-89. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2000) The Cambridge Companion To Chekhov. Cambridge University Press ISBN 0-521-58917-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2002) The Gardzienice Theatre Association. In: Acting (Re)Considered (2nd ed.). Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1999) The Grammar Of The Feet. Total Theatre . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2004) The Intercultural Training of Tadashi Suzuki. Rome, Training/Dino Audino Editore pp 138-143. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2006) The Nature And Culture Of Performance. In: A Performance Cosmology: testimony from the Future, Evidence of. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2009) The Theatre Practice of Tadashi Suzuki A CRITICAL STUDY WITH DVD EXAMPLES. A&C Black Publishers Ltd, 224 pp. ISBN 9781408116432. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1990) Theatre in Poland. Performance Magazine . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (1990) Two articles on contemporary Polish theatre. Plays International . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2002) ‘Sztuka bezruchu’, (‘The art of stillness’- edited extracts from the book of this name). Didaskalia Gazeta Teatralne, Didaskalia Gazeta Teatralne pp62-67. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul and Barbe, F.A. (2009) On the Shoulders of Tradition, East and West: a Conversation between Paul Allain and Frances Barbe. Studies in Theatre and Performance , 29 (2). pp. 149-159. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2008) British Grotowski Project. Three year AHRC funded practical and theoretical project with multiple outcomes. Project. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2008) Review of Jerzy Grotowski by James Slowiak and Jairo Cuesta and Etienne Decroux, by Thomas Leabhart. Review of: Jerzy Grotowski by James Slowiak and Jairo Cuesta and Etienne Decroux, by Thomas Leabhart by Slowiak, James and Cuesta, Jairo and Leabhart, Thomas. Contemporary Theatre Review, 18 (1). pp. 115-117. ISSN 1048-6801. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Allain, Paul (2013) Ways of Hearing. In: Wisniewski, Tomasz, ed. A Between Almanach for the Year 2013. Maski Press, Gdansk/Sopot, 2013. ISBN 9788364088131. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

B

Baldwin, Thomas (2012) Photography and Painting in Proust’s A la recherche du temps perdu. In: Baldwin, Thomas and Grigorian, Natasha and Rigaud-Drayton, Margaret, eds. Text and Image in Modern European Culture. Purdue University Press, pp. 76-87. ISBN 9781557536280. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barbe, F.A. (2010) Deep Training and the Portfolio Approach. In: TaPRA, 9th-11th September 2010, University of Glamorgan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barbe, F.A. (2009) From Studio To Stage. DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barbe, F.A. (2008) Swampsong. Performance type: Other . Solo dance work. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barbe, F.A. (2007) The Sensation of Butoh and Suzuki. In: SUNY, May 2007, Brockport, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2010) The Arbor. Artangel Media Feature film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2006) Dark Glass. Mobile Phone Film - 8 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Bristol Encounters Film Festival. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Curzon Cinema Soho. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Tate Modern. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2008) Dark Glass. Dark Glass, February 2008, Museum of Modern Art, New York. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, September 2007, Media Art Friesland Netherlands. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, February 2007, Ikon Gallery Birmingham. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, May 2007, Site Gallery Sheffield. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, November 2007, Museo Reina Sofia, Madrid. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, July 2007, Galway Arts Festival. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, October 2007, Cinema Lux, Normandy, France. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2007) Exchange. Arts Council /Film Council Moving Image Initiative. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2007) Exhibition Catalogue - Clio Barnard, Road Race:Dark Glass. Other. Herbert Read Gallery, Canterbury (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2008) Plotlands - a site specific performance work incorporating film. , Friday 4 July 2008, Whitstable Biennale. Mixed. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2008) Random Acts of Intimacy. Random Acts of Intimacy, January 2008, ICA Short Film Festival, Institute of Contemporary Arts. Number of pieces: 1. 16mm. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2008) Random Acts of Intimacy. Random Acts of Intimacy, April 2008, Britspotting, British Irish Film Festival, Berlin. Number of pieces: 1. 16mm. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2006) Solo Show - Exhibition of Road Race and Dark Glass. Solo Exhibition - Road Race and Dark Glass, October-November 2006, Herbert Read Gallery, Canterbury. Number of pieces: 2. screen film/video installation Super 16mm and DV, Single screen multiplatform /download/ video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Baugh, Christopher (1999) Enter the whole army: A pictorial study of Shakespearean stagings, 1576-1616. Theatre Research International, 24 (3). pp. 293-294. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Baxter, Iain and Chodzko, Adam (2013) IAIN BAXTER& / Adam Chodzko. : Two person exhibition. IAIN BAXTER& / Adam Chodzko, 11/07/2013 - 11/08/2013, Raven Row, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Bobrowicz, Ania (2014) Shifting Boundaries How to Make Sense of Islamic Art. In: The Arts Society Conference, 25-27 June 2014, Rome, Italy. (Full text available)
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Boenisch, Peter M (2001) "Alienation" and "Theater als Medium der Moderne? ". In: "Theater als Paradigma der Moderne", 14-16th June 2001, Mainz. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) 'How to do things with Text: Text-Regie als Mise-en-Sens'. In: Conference 'Orbis Pictus - Theatrum Mundi', 25th October 2008, University of Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2012) Acts of Spectating: The Dramaturgy of the Audience's Experience in Contemporary Theatre. Critical Stages, 8 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2004) Alienating Realities. Hygiene Heute and the Politics of Sonic Conspiracy. 3xT Tidsskrift for teori og teater (15 & 16). pp. 40-49. ISSN 0807-6316 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Archaeology/Alienation in Contemporary Performance. In: Fédération Internationale du Recherche Théâtrale, 3rd July 2002, Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Book Review No Beauty for Me There Were Human Life is Rare: On Jan Lauwers’ Theatrework with Needcompany. Review of: No Beauty for Me There Were Human Life is Rare: On Jan Lauwers’ Theatrework with Needcompany by Stalpaert, Christel and Le Roy, Frederick and Bousset, Sigrid. Contemporary Theatre Review, 19 (1). pp. 115-116. ISSN ISSN 1048-6801 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2007) Book Review: Mary Luckhurst, Dramaturgy: A Revolution in Theatre. Review of: Dramaturgy: A Revolution in Theatre by Luckhurst, Mary. Theatre Research International, 32 (2). p. 207. ISSN 0307-8833 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2005) Book Review: Simon Shepherd and Mick Wallis, “Drama/ Theatre/ Performance”,. Review of: “Drama/ Theatre/ Performance” by Shepherd, Simon and Wallis , Mick. Theatre Research International, 30 (3). pp. 306-307. ISSN 0307-8833 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Co-convenor, with Una Bauer, Working Group Directors/Collectives. In: TaPRA Conference 2009, 5th-7th September 2009, Plymouth, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1999) Contributions to Dictionnaire de la Danse. In: Le Moal, Philippe, ed. Dictionnaire de la Danse. Larousse. ISBN ISBN 2-03-511318-0 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2000) Contributions to Lexikon der Kultur der Gegenwart,. In: Schnell, Ralf, ed. Lexikon der Kultur der Gegenwart. Stuttgart: Metzler . ISBN 3-476-01622-6 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2010) Curator of Panel “Dramaturgy Abroad and Back: Transnational Reflections on a modern Western theatre paradigm” and Introductory Paper “Dramaturgic Research in Theatre Studies: Exploring Potentials and Methodologies”. In: IFTR World Congress 2010 “Cultures of Modernity”, 25th-31st July 2010, Munich. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Curator “Re/Placing Shakespeare: On Ivo van Hove’s Roman Tragedies” (Symposium). In: Re/Placing Shakespeare: On Ivo van Hove’s Roman Tragedies Symposium, 21st November 2009, Barbican, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2006) Decreation Inc. William Forsythe’s exploration of ‘behaviour without intention’. In: Symposium "The Changing Body in Training and Performance", 8th January 2006, University of Exeter, School of Performing Arts. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Der Darsteller auf der Bühne: Klangkörper <> Zeichenkörper. Zur Problematik der Korporealität (nicht nur) im Musiktheater. In: Bayerdörfer, Hans-Peter, ed. Stimmen - Töne - Klänge. Tübingen. Gunter Narr, pp. 139-152. ISBN 3-8233-5230-X . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Der Körper als Zeichen!? In: Klein, Gabriele and Zipprich, Christa, eds. Tanz.Theorie.Text. Jahrbuch Tanzforschung 12. Münster u.a.: Lit , pp. 383-395. ISBN 3825859010. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Der Körper als Zeichen!? Zur Analyse von Körper- und Bewegungsdarstellungen. Fanzdrama, 62 (1). pp. 18-21. ISSN 0932-8688 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2006) Deutsches Theater according to Michael Thalheimer: A Postcard from Berlin. In: Tapra Theatre and Performance Research Association, 7-9th September 2006, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2000) Die Entdeckung der Korporealität (nicht nur) im Musiktheater. In: 5. Kongress der Gesellschaft für Theaterwissenschaft, 30th October 2000, Munich. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1998) Die Idee vom Körper als Tastatur. Mimekunst, Kunst der Stille: Vor 100 Jahren wurde der Theatermeister Etienne Decroux geboren. Süddeutsche Zeitung/SZ am Wochenende (18-19). ISSN 0174-4917 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2010) Dramaturgy as Relational Process: On the Act of Spectating. In: 10. Kongress der Gesellschaft für Theaterwissenschaft “Theater & Subjektkonstitution”, 28th-31st October 2010, University of Mainz. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1999) ElectrONic Bodies, Movement, and Meaning in the works of DV8 Physical Theatre. In: Dance Theatre: An International Investigation, 12th September 1999, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2004) Ent-Körpern, Ent-Schreiben, Ent-Schöpfen. Wie sich die Tanztheorie von Forsythe's 'Decreation' zur Dekonstruktion der Diskurse über das Ballett verleiten ließ. BalletTanz . pp. 56-61. ISSN 3617559948. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1998) Etienne Decroux' Körpertheater und die Theaterästhetik der Neunziger Jahre. In: 4. Kongress der Gesellschaft für Theaterwissenschaft, 31st October 1998, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) Exploring the Classics: Michael Thalheimer's Regie beyond the Text 1. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) Exposing The Classics: Michael Thalheimer’s Regie beyond the Text. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2010) Frank Castorf and the Berlin Volksbühne: The Humiliated and Insulted (2001). In: Bay--Cheng, Sarah and Kattenbelt, Chiel and Lavender, Andy and Nelson, Robin, eds. Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, 187,196-202. ISBN 978 90 8964 255 4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) Guest Lecture, 'Theater-Politik und Bühnen-Business: Hinter den Kulissen der englischen 'theatre industry' - Strukturen und Modelle jenseits der Subventionskultur'. In: • Guest Lecture, 'Theater-Politik und Bühnen-Business: Hinter den Kulissen der englischen 'theatre industry' - Strukturen und Modelle jenseits der Subventionskultur', 17th December 2008, Ludwig-Maximilians-Universität München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1997) I doubt not I, but she will stoop in time: Frauenfiguren in Tamburlaine und The Spanish Tragedy. ZAA. Zeitschrift für Anglistik und Amerikanistik, XLV . pp. 325-338. ISSN 0044-2305 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2003) In\Between.Realities. In: Working Group Meeting "Theatre and Intermediality", 3rd April 2003, CSSD London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf. In: Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf, 5th October 2009, Institut Schauspiel, Universität für Musik und darstellende Kunst, Graz/Austria. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2006) Intermediality and the Classics: Updating the “old media” of theatre. In: 15th World Congress International Federation of Theatre Research, 7th-12th August 2006, Helsinki. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2000) Intermediality in Contemporary Theatre. In: Fédération Internationale du Recherche Théâtrale, 19th September 2000, Lyon. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Invited Lecture, Critical Encounters 3: Encountering the Intermedial. In: Critical Encounters 3: Encountering the Intermedial, 9th May 2009, Tramway, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) Invited Panel Member, Conference ‘Theatre Studies Today and Tomorrow’. In: Theatre Studies Today and Tomorrow , 12th March 2008, University of Surrey. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Invited Panel contribution "Visions of Dance Studies". In: Tanzkongress, 8th November 2009, Hamburg. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Invited Research Seminar, ‘(Re-)Devising Classics in Contemporary Theatre’. In: (Re-)Devising Classics in Contemporary Theatre, 6th May 2009, University of Lancaster. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Keynote, Symposium 'Mapping Performance: Intercultural Spaces, Negotiable Boundaries'. In: 'Mapping Performance: Intercultural Spaces, Negotiable Boundaries Symposium, 3rd June 2009, Royal Holloway. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2004) Komik ist Konsumterror. 20 Jahre gegen das genussvolle Einverständnis: Forced Entertainment 1984 - 2004. In: Kongress "Komik - Ästhetik, Theorien, Vermittlungsstrategien", 7th International Congress of the German Society for Theatre Studies, 5th November 2004, Vienna. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2005) Komik und Konsumzwang: Zwischen Jux und Jucken – Komische Gesten bei Forced Entertainment. Maske und Kothurn. Vierteljahresschrift zur Theater-, Film- und Medienwissenschaft, 51 (4). pp. 335-345. ISSN 3-205-77434-5 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M Make World: Archaeology as Alienation in Contemporary Performance. . Projekte/Kirchner Internet Article. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2006) Mediation Unfinished. Choreographing Intermediality in Contemporary Dance Performance. In: Kattenbelt, Chiel and Chapple, Freda, eds. Intermediality in Theatre and Performance, Amsterdam and New York. Rodopi, pp. 151-166. ISBN 90-420-1629-9 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2007) Multisensuality and Postdramatic Mise-en-Scène: The ro:theater's Proust-Project. In: Suguiera, Malgorzata and Borowski, Matuesz, eds. Fictional Realities/Real Fictions: Contemporary Theatre in Search of a New Mimetic Paradigm. Cambridge Scholars Publishing, pp. 121-134. ISBN 9781847181381. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) Other People Live: Rimini Protokoll and their Theatre of Experts - an interview. Contemporary Theatre Review, 18 (1). pp. 107-113. ISSN 1477-2264 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Panelist, Plenary Discussion ‚Jacques Rancière Study Day. In: Royal Holloway/TAPRA Working Group ‘Performance, Identity, Community’, 28th February 2009, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2005) Postdramatic Mise-en-scène: The ro:theater’s Proust-Project. In: IFTR-Conference “Fictional/Real in Contemporary Theatre”, 18th November 2007, Jagiellonian University, Krakow, Poland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2003) Realität - Fiktion - Alienation. Hygiene Heute und die Politik der Grenzverschiebung im Performancetheater. In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds. Theater ohne Grenzen. München: Utz , pp. 456-464. ISBN 3831602379. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Research Seminar, Forschungsprojekt SaM Sound and Movement. In: Forschungsprojekt SaM Sound and Movement, 16th March 2009, Institut für Theaterwissenschaft, LMU München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2004) See and be SCENE: Reflecting the Presentation and Perception of Restoration Theatre. In: "The Long Restoration: Leviathan to Licensing Act", Conference, 15th September 2004, Loughborough University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2013) Spectres of Subjectivity: On the Fetish of Identity in (Post-) Postdramatic Choreography. In: Jurs-Munby, Karen and Carroll, Jerome and Giles, Steve, eds. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Bloomsbury Methuen Drama, London / New Delhi / New York / Sydney. ISBN 9781408184868. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2001) Synthesized Dreams Of Moving Men: ElectrONic Bodies, Movement, and Meaning in the works of DV8 Physical Theatre. In: MoMentUm I Conference Manchester, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2007) Tanz als Körper-Zeichen: Zur Methodik der Theater-Tanz-Semiotik. In: Klein, Gabriele and Brandstetter, Gabriele, eds. Bewegung in Übertragung, Bielefeld. Transcript, pp. 29-45. ISBN 3-89942-558-8 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Tanz als Leben, oder: Die Erotik des Balanceakts auf der Nabelschnur. Das expressive Ballett-Theater des Jirí Kylián. In: Staatsballett, Bayerisches, ed. Porträt Jirí Kylián. München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2000) Tanztheorie und Sprechtheater. Perspektiven der Analyse von Körperzeichen im zeitgenössischen Theater. In: Jeschke, Claudia and Bayerdörfer, Hans-Peter, eds. Bewegung im Blick. Berlin: Vorwerk 8. Theatralia, Documenta Choreologica, pp. 16-29. ISBN 3930916223 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1999) The Body and Beyond. Theatre Semiotics in the Age of Virtual Reality. In: 5th Performance Studies Conference 1999 "Here Be Drag-ons", 12th April 1999, Aberystwyth. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) The naked tragedy of being human: Recent productions of Shakespeare in German Theatre. In: 2009 British Shakespeare Association conference, 13th September 2009, King's College London and the Globe Theatre. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2003) Theater als Medium der Moderne? Zum Verhältnis von Medientechnologien und Bühne im 20. Jahrhundert. In: Balme, Christopher and Fischer-Lichte, Erika and Gratzel, Stephan, eds. Theater als Paradigma der Moderne? Positionen zwischen historischer Avantgarde und Medienzeitalter. Mainzer Forschungen zu Drama und Theater 28. Tübingen: Francke 2003, pp. 447-456. ISBN 3-7720-2796-2 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Theater der Sensationen. In: 6. Kongress der Gesellschaft für Theaterwissenschaft, 2nd November 2002, Hildesheim. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2004) Theater der Sensationen. Performance als Wahrnehmungs-Labor. In: Matzke, Annemarie and Kurzenberger, Hajo, eds. TheorieTheaterPraxis. Berlin: Theater der Zeit, pp. 261-268. ISBN 3934344291. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2001) Theatre and Media Studies: Bridging the Gap. In: Working Group Session "Theatre and Intermediality", 31st August 2001, Utrecht. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2010) Thomas Ostermeier: mission neo(n)realism and a theatre of actors and authors. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge, pp. 339-359. ISBN 978-0-415-46251-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2010) Towards a Theatre of Encounter and Experience: Reflexive Dramaturgies and Classic Texts. Contemporary Theatre Review, 20 (2). pp. 162-172. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2001) Training Intelligence: Give Us Dance Academies! Ballett International - Tanz Aktuell (8-9). pp. 52-53. ISSN 0947-0484 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2001) Transforming Performance in the Internet Culture. In: Fédération Internationale du Recherche Théâtrale, 9th July 2001, Sydney. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2010) Zeitläufte: Zur Choreografie und Wahrnehmung von Zeitlichkeit im Tanztheater der Gegenwart. In: Symposium “TIME CODES: Zeichen der Flüchtigkeit – Zeichen der Zeit”, DANCE 2010-Festival, 8th November 2010, Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2003) coMEDIA electrONica. Performing intermediality in contemporary theatre. Theatre Research International , 28 (1). pp. 34-45. ISSN 0307-8833 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) www dot theatre dot. Alice Croft, or: Transforming Performance in the Internet Culture. Body, Space and Technology, 2 (2). ISSN 1470-9120 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M and Balme, Christopher (2001) Re-Play. Wiederholung der Welt - Welten der Wiederholung im zeitgenössischen britischen Drama. In: Felix, Jurgen and Kiefer, Bernd and Marschall, Susanne and Stiglegger, Marcus, eds. Die Wiederholung. Marburg: Schüren, pp. 269-284. ISBN 3-89472-334-3 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M and Orozco, Lourdes (2010) Editorial: Border Collisions - Contemporary Flemish Theatre. Contemporary Theatre Review, 20 (4). pp. 397-404. ISSN 1048-6801 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M and Orozco, Lourdes (2010) Working Group “Directing & Dramaturgy”. In: TapRA 2010 Conference, 9th-11th September 2010, University of Glamorgan. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M and Stalpaert, Christel (2010) Jan Fabres Affirmationsfalle: Von der (Un-) Möglichkeit politischen Theaters im Zeitalter der Toleranz. In: Forschungszentrum, Sound and Movement, ed. Spielart Festival Reloaded. Henschel, Berlin, pp. 62-88. ISBN 978-3-89487-661-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Camilleri, Frank (2008) Collective Improvisation: The Practice and Vision of Ingemar Lindh. TDR - The Drama Review, 52 (4). pp. 82-97. ISSN 1054-2043. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Camilleri, Frank (2006) Dramaturgy of a Performance Process. Icarus Performance Project, Malta, 72 pp. ISBN 99932-0-418-8 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Camilleri, Frank (2008) Exploring the Liminal: Engaging the Space between Training and Performance Process. In: Wooding, Bruce, ed. International Theatre Movement Conference: At the Moscow Art Theatre School. Central School of Speech and Drama, London, pp. 27-30. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Camilleri, Frank (2008) Hospitality and the Ethics of Improvisation in the Work of Ingemar Lindh. New Theatre Quarterly, 24 (3). pp. 246-259. ISSN 0266-464X. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Camilleri, Frank (2009) Of Pounds of Flesh and Trojan Horses: Performer Training in the Twenty-first Century. Performance Research, 14 (2). pp. 26-34. ISSN 1352-8165. (Full text available)
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Camilleri, Frank (2010) Tekhnē Sessions: investigating dynamic aliveness in the actor's work. Theatre, Dance & Performance Training, 1 (2). pp. 157-171. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Camilleri, Frank (2003) ‘I can still feel his eyes on me’, an interview by Elzbieta Stelmaszczyk. Pogranicza, 42 . pp. 29-43. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Camilleri, Frank and Schranz, John J (1996) Id-Descartes: Identity of a Dramaturgy. GHE, Malta (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardinal, Roger (1992) DALI - A BIOGRAPHY - ETHERINGTONSMITH,M. Times Literary Supplement (4681). p. 15. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardinal, Roger (1992) KAHLO,FRIDA - THE PAINTINGS - HERRERA,H. Times Literary Supplement (4663). p. 15. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardinal, Roger (1992) KAHLO,FRIDA - TORMENT AND TRIUMPH IN HER LIFE AND ART - DRUCKER,M. Times Literary Supplement (4663). p. 15. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardinal, Roger (1994) Rosso,Medardo. Burlington Magazine, 136 (1094). pp. 329-330. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardinal, Roger (1992) SAVINIO,ALBERTO. Times Literary Supplement (4638). p. 19. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardinal, Roger (1995) The Collages of Schwitters,Kurt - Tradition and Innovation - Dietrich,D. Art Bulletin, 77 (2). pp. 336-337. ISSN 0004-3079. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardwell, Sarah E. (2007) Is Quality Television Any Good? Generic Distinctions, Evaluations and the Troubling Matter of Critical Judgement. In: McCabe, Janet and Akass, Kim, eds. Quality TV: Contemporary American Television and Beyond. IB Tauris, pp. 19-34. ISBN 9781845115111. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Carver, Gavin P. (2000) A Midsummer Night’s Dream. A Midsummer Night’s Dream, June 2000, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Carver, Gavin P. (2002) Carnival. In: Donnell, Alison, ed. Companion to Black British Culture. Routledge, pp. 65-67. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Carver, Gavin P. (1996) Computer Aided Scenography: some observations on procedures and concepts. Studies in Theatre Production (14). pp. 20-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Carver, Gavin P. (1995) Light the Night, the theory and practice of a community celebration. Studies in Theatre Production, 12 (1). pp. 82-98. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Carver, Gavin P. and Baugh, Christopher and Fergusson, C (1998) Exhibition of digital reconstructions of Adolphe Appia's speculative designs for the Ring Cycle (Wagner). World Congress of the International Federation of Theatre Research, 1998, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Carver, Gavin P. and Presdee, Mike (2000) The Carnival of Crime. In: Presdee, Mike, ed. Cultural Criminology and the Carnival of Crime. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2007) "Then" - Solo Exhibition. Then, 16th November 2007 - 13th January 2008, Dublin City Gallery The Hugh Lane and various sites across Dublin. Number of pieces: 4. Mixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2007) Aernout Mik File Note. Other. Camden Arts Centre, ISBN: 1900470683 (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2003) Better Scenery. Billboards and photographs. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2007) Beyond The Country - Group Exhibition. Beyond The Country, 26th October 2007 - 3rd February 2008, Glucksman Gallery, Cork. Number of pieces: 1. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2007) Breaking Step - Group Exhibition. Breaking Step, 24th March - 10th June 2007, Museum of Contemporary Art, Belgrade. Number of pieces: 10. Mixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2003) Cell-a. Single-screen slide projection of 81 x 35mm B&W images. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2007) Gallery Exchange - Group Exhibition. Gallery Exchange, 22nd September - 20th October 2007, Neue Alte Brücke, Frankfurt. Number of pieces: 1. Mixed Media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2007) Hole & M-path. Installation/Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2001) Limbo Land. DVD Installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2007) MAMbo - Solo Exhibition. MAMbo - Solo Exhibition, December 2007 - February 2008, Museo d’Arte Moderna di Bologna, Bologna. Number of pieces: 3. Mixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2008) Proxigean Tide. Proxigean Tide, 24/5/08-21/9/08, Tate St Ives. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2008) Pyramid. Folkestone Triennial ‘Tales of Time and Space’, 14/6/08-14/9/08, Folkestone. Video Installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2007) Solo Exhibition. Solo Exhibition, 26th January - 4th March 2007, Signal, Malmö, Sweden. Number of pieces: 4. Mixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (1997) 3 wege zum see. : Group exhibition. 3 wege zum see, 1997, Künstlerhaus Klagenfurt, Austria. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2011) Again, A Time Machine. : Make the Living Look Dead Group Exhibition. Again, A Time Machine: Make the Living Look Dead, 16 September to 9 October 2011, Spike Island, Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2009) Altogether Elsewhere. : Group Exhibition. Altogether Elsewhere, October 16–19, 2009, Zoo Art Fair, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2010) Apocalypse Now. : Krowswork Group Exhibition. Apocalypse Now, 2010, Hot Springs Documentary Festival, Oakland, California. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2014) Around. : Group Exhibition Time Travel and the Interzone City, Sci-Fi: Days of Fear and Wonder. BFI,Southbank,London. October - November 2014. Around, BFI Southbank, London. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2014) Art Moves. : Ghost. Performance type: Live play , 20 - 21 September 2014, Olympic Park, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2009) Artworks (for sale in exchange for visitors ideas). Artworks (for sale in exchange for visitors ideas), 29 May – 16 August 2009, Wilkinson Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2013) Assembly. : A survey of recent artists’ film and video in Britain 2008–2013. Assembly: A survey of recent artists’ film and video in Britain 2008–2013, Saturday 23 November 2013 – Saturday 15 March 2014, Tate Britain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (1997) At one remove. : Group Exhibition. At one remove, 1997, Henry Moore Institute, Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2010) BLOOD TEARS FAITH DOUBT. : Historical & Contemporary encounters. BLOOD TEARS FAITH DOUBT, 17 June – 18 July 2010, Courtauld Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2003) Bad Behaviour. : Group Exhibition. Bad Behaviour, 7 November 2003 - 27 February 2005, Longside Gallery, Yorkshire Sculpture Park. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2013) Because…. : Schwitters in Britain Group exhibition Examining the late work of Kurt Schwitters. Schwitters in Britain, 30 January – 12 May 2013, Tate Britain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2002) Better Scenery. : Solo Exhibition. , Plains Art Museum, Fargo, North Dakota. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2001) Bright Paradise. : Exotic History and Sublime Artifice Group Exhibition. Bright Paradise: Exotic History and Sublime Artifice, 3 March - 4 June 2001, 1st Auckland Triennial, Auckland Art Gallery, New Zealand. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (1996) Brilliant. : Group Exhibition. Brilliant, 1996, Contemporary Art Museum, Houston, Texas. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2005) British Art Show 6. : Group Exhibition. British Art Show 6, 24 Sept 2005 - 8 Jan 2006, Baltic, Newcastle, touring to Manchester, Nottingham and Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (1996) British Waves. : Group Exhibition. British Waves, Rome. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2010) Cinecity. : Brighton Festival Group Exhibition. Cinecity, 18th November - 5th December, Brighton festival. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (1991) City Racing. : Group Exhibition. , City racing, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2005) Dance of the Seven Veils. : Group Exhibition. Dance of the Seven Veils, 2005, Cooper Gallery, University of Dundee. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2009) The Dark Monarch. : Magic and modernity in British art Group Exhibition. The Dark Monarch, 9 October. 2009-10 January 2010, Tate St Ives touring to Towner Gallery, Eastbourne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2004) Design for a Carnival. : Solo Exhibition. , Els Hanappe Underground, Athens. Greece. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2005) Displacements. : British Art 1900–2005 Group Exhibition. Displacements: British Art 1900–2005,, 2005, Tate Britain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2000) Dreammachines. : Group Exhibition "Night Visions". Dreammachines, Dundee Centre for Contemporary Art, touring to Mappin Gallery, Sheffield; Camden Art Centre, London; Glyn Vivian Art Gallery, Swansea. Video Projection. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2012) ESQUIVALIENCE:. : Hole,2007 Group Exhibition Mistaken Presence. ESQUIVALIENCE, 29 Jun 2012 – 13 Aug 2012, GreyFrairs, Lincoln. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2003) Electric Earth the State Russian Museum, St Petersburg. : British Council curated Group Exhibition. Electric Earth, 2003, the State Russian Museum, St Petersburg, touring Russia, and Lithuania. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2009) English Lounge. : A Group Show of British Contemporary Art Group exhibition. English Lounge, 16 March 2009 -26 April /2009, Tang Contemporary Art, Beijing. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2008) Fact or Friction. : Group Exhibition. Fact or Friction, 2008, Vox Populi, Philadelphia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2006) Fire. : Group Exhibition. Fire, 2006, Galleria Franco Noero, Turin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2009) For the Straight Way is Lost. : Heaven Group Exhibition Nightvision, 1998 video installation, 13’20’’ Courtesy of the artist Installation view, 2nd Athens Biennale 2009 “Heaven”. For the Straight Way is Lost, 13 June – 4 October 2009, Athens Biennale, Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2000) Found Wanting. : Group Exhibition. Found Wanting, 2000, Contemporary Art Galleries Atlanta. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2010) Future Fictions. : Group Exhibitions. Future Fictions, 2010, Latitude Contemporary Art, Latitude Festival. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2010) The Gathering. : Group Exhibition. The Gathering, 4 March – 18 April 2010, Longside Gallery, Yorkshire Sculpture Park. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2005) General Ideas. : Group Exhibition. General Ideas, 2005, CCA Wattis Institute for Contemporary Arts, San Francisco. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2012) Getting it Wrong. : Group Exhibition. Getting it Wrong, 2012, Weisses Haus, Vienna. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2013) Ghost. : Art in Romney Marsh, an annual visual arts festival Group Exhibition. Ghost, 20-21, 27-28 September 4-5 11-12 October 2014, Romney Marsh, Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2013) Ghost. : The Urgency of Rivers and the Role of Contemporary Art. Performance type: Other , 8 – 12 January 2013, Peninsula Arts Gallery at Plymouth University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2009) Gone To Earth. : Born Again Pagan Group Exhibition. Gone To Earth, 2nd May - 27th June 2009, Isis gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2010) Here, There and Everywhere. : Group Exhibition. Here, There and Everywhere, 2010, Towner Gallery, Eastbourne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2004) How would you light heaven? : Group Show, Solo Exhibition. , Carlier Gebauer, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2012) IN THE BELLY OF THE WHALE (ACT III). : Group Exhibition. IN THE BELLY OF THE WHALE (ACT III), 2nd March - 17th June 2012, Montehermoso, Vitoria-Gasteiz, Spain. Vinyl Record. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2003) In Good Form. : Group Exhibition. In Good Form, 27 June – 19 October 2003, Longside Gallery, Yorkshire Sculpture Park. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2003) Independence. : Group Exhibition. Independence, South London Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (1992) Instructions Received. : Group Exhibition. , Gio Marconi, Milan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (1997) It Always Jumps Back and Finds its Own Way. : Group Exhibition. It Always Jumps Back and Finds its Own Way, Stichting de Appel, Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2009) Journeys With No Return. : White Magic Group Exhibition. Journeys With No Return, 2009, Akbank, Istanbul Biennale. still images. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2010) Journeys With No Return, Second Tour. : White Magic Group Exhibition. Journeys With No Return, 2010, A-Foundation, London & Galerie Kurt-Kurt, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2014) Knots. : Group Exhibition. Knots, 01/12/2014 - 07/12/2014, Les Rencontres Internationales, Paris. Experimental fiction. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2010) Kraftwerk Religion. : Über Gott und die Menschen Group Exhibition. Kraftwerk Religion, 2. 10. 2010 - 5. 6, 2011, Deutsches Hygiene-Museum, Dresden. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2013) LOOP 2013:Knots. : Group Exhibition. Loop 2013, 5,6,7th June 2013, Barcelona. single screen video with sounds, 10'. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2005) Le Voyage Intérieur. : Group Exhibition. Le Voyage Intérieur, 16 Nov 2005 - 5 march 2006, Espace EDF Electra, Paris, France. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2014) Leaping the Fence. : Group Exhibition. Leaping the Fence,, Hestercombe, Somerset. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2013) Life in Film. : Frieze. Frieze (158). pp. 62-63. ISSN 09620672. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2003) Life is Beautiful. : Group Exhibition. Life is Beautiful, 2003, Laing Art Gallery, Newcastle upon Tyne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2002) Limbo Land and A Place for 'The End'. : Solo Exhibition. , Arizona State University Art Museum, Tempe, Arizona. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2001) 'Limbo Land'. : Solo Exhibition. 'Limbo Land', 24/11/2001 - 22/12/2001, Els Hanappe Underground, Athens. DVD and sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2001) Liquor. : Group Exhibition. Liquor, 2001, Trafo Galeria, Budapest. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2011) Loophole to Happiness. : Group Exhibition. Loophole to Happiness, 25. 5. 2011 – 7. 8. 2011, Museum of Contemporary Art, Lodz, & Futura Centre for Contemporary Art, Prague & AMT Projects. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2011) Made in Britain. : Group Exhibition – Contemporary Art from the British Council Collection 1980 – 2010 touring exhibition created in partnership with the Sichuan Provincial Museum, Xi'an Art Museum, Hong Kong Heritage Museum and Suzhou Museum. Made in Britain, 2011, touring exhibition created in partnership with the Sichuan Provincial Museum, Xi'an Art Museum, Hong Kong Heritage Museum and Suzhou Museum.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2008) Martian Museum of Terrestrial Art. : Mission: to interpret and understand contemporary art Group Exhibition "Traps". Martian Museum of Terrestrial Art, 6 March 2008 - 18 May 2008, Barbican Art Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2003) Micro/Macro. : British Art 1996–2002 Group Exhibition British Council curated. , 2003, Mucsarnok Kunsthalle, Budapest. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2005) Monuments for the USA. : Group exhibition. Monuments for the USA, April 07, 2005 to May 21, 2005, CCA Wattis Institute for Contemporary Arts, San Francisco and White Columns, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2013) More Than I Dare Think About. : Works With Paper Group exhibition. More than I dare to think about - works with paper, 26-07-2013 - 07/09/2013, Marlborough Contemporary, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2005) Moving Home. : Six Artists, Six Rooms Group Exhibition. Moving Home: Six Artists, Six Rooms,, 2005, Towner Art Gallery, Eastbourne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2002) Networks. : Group Exhibition. Networks, 2002, Chapter Art Centre, Cardiff and touring to Fruitmarket Gallery, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2012) Night Shift: MADE IN BRITAIN. : Group Exhibition, Second Tour Contemporary Art from the British Council Collection 1980 - 2010 Benaki Museum, Athens, touring to Albanian National Gallery of Arts, Tirana. Made in Britain – Contemporary Art from the British Council Collection 1980 – 2010, 15 Feb 12 - 22 Apr 12 , 01 Jun 12 - 05 Aug 12, Benaki Museum, Athens, touring to Albanian National Gallery of Arts, Tirana. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (1999) Nightvision. : Solo Exhibition. , Ikon Gallery, Birmingham. PHotography, Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2004) Off the Beaten Track. : Group Exhibition. Off the Beaten Track, 13 March - 16 May 2004, Longside Gallery, Yorkshire Sculpture Park. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (1993) Okay Behaviour. : Group Exhibition. , 303 Gallery, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2002) On a Clear Day. : Group Exhibition. , Sophienholm, Lyngby-Taarbæk, Denmark. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2009) PLOT/09. : This World & Nearer Ones Echo (2009) Group Exhibition. PLOT/09 This World & Nearer Ones, 2009, Governors Island, New York, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2005) Pasolini e noi. : Group Exhibition Pasolini and us Relations between art and cinema. Pasolini e noi, December 15, 2005 - February 12, 2006, Archivio di Stato in the Royal Palace, Turin and the Istituto Nazionale Per La Grafica, Rome. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2012) People and Places: The Pickers(2009). : Group exhibition. The Pickers (2009), 2012-2014, The Beaney, House of Art and Knowledge, Canterbury, Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2014) Performance as Sculpture. : Group Exhibition. Performance as Sculpture, March 19. March 23, 2014, Uovo festival, Milan. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2013) The Pickers. : Group Exhibition. The Pickers, 16 May to 12 June 2013, Marlborough Gallery, Barcelona. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2010) Pier Paolo Pasolini. : We Are All In Danger Group Exhibition. Pier Paolo Pasolini: We Are All In Danger, 3 November – 1 December 2010, Australian Cinémathèque at the Gallery of Modern Art in Brisbane. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2002) Plan for a Spell. : Solo Exhibition. , Fabrica, Brighton. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2006) Please close the gate. : Painted sculpture Group Exhibition. Please close the gate, 2006, New Art Centre, Roche Court, Wiltshire. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2008) Print the Legend. : The Myth of the West Group Exhibition. Print the Legend, 1 March – 4 May 2008, Fruitmarket Gallery, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2014) Private Utopia. : Contemporary Art from the British Council Collection. Private Utopia, Tokyo Station Gallery touring to Itami City Museum of Art, Kochi Museum of Art, and Okayama Museum of Art. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2011) The Profane Myth. : Group exhibition The Lit and Phil & The Mining Institute. The Profane Myth - The Mining Institute, 20 October - 22 November 2011, Newcastle upon Tyne. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2000) Reunion: Salò. : Solo Exhibition. , 18/1/2000 - 19/2/2000, Accademia Britannica, Roma. video, photography and installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2014) Rising. : Group Exhibition, RE·THINK: Environment, National Maritime Museum. Rising, National Maritime Museum. atmospheric audio work. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2013) Rising. : The Future of the Race. Performance type: Video/Film (documentary) , Newcastle. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2004) Romantic Detachment. : Group Exhibition. Romantic Detachment, 2004, PS1, NY, touring to Chapter Art Gallery, Cardiff. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2013) Room for Laarni, Image Moderator. : Solo Exhibitions. , Marlborough Contemporary, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2005) Seeing God. : Group Exhibition. Seeing God, 2005, Museum of Fine Arts of Thurgau, Kartause Ittingen, Warth, Switzerland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2013) Shortcuts & Digressions: untitled teenage stile (1992). : Contemporary Sculpture from the Arts Council Collection Group exhibition. Shortcuts & Digressions: Contemporary Sculpture from the Arts Council Collection, 11 May – 8 September 2013, Norwich Castle Museum and Art Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2005) Showcase. : Group Exhibition. Showcase, 2005, City Art Centre, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (1999) Sleuth. : Group Exhibition. Sleuth, 1999, ffotogallery, Cardiff. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2011) Solo Exhibition. : Neue Alte Brucke. , Frankfurt. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2010) Solo Exhibition. : SIAKOS.HANAPPE House of Art. , Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (1998) Solo Exhibition. : Gallery II, University of Bradford. , 5th - 29th May 1998, Gallery II, University of Bradford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (1998) Solo Exhibition. : Northern Gallery of Contemporary Art, Sunderland. , Northern Gallery of Contemporary Art, Sunderland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2001) Solo Exhibition. , 20/09/2001 - 10/11/2001, Galleria Franco Noero, Turin Italy. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (1999) Solo Exhibition. , 16 Apr - 16 May 1999, Galleria Franco Noero, Turin, Italy. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (1998) Solo Exhibition. , 1998, Viewpoint Gallery, Salford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (1996) Solo Exhibition: Lotta Hammer Gallery. , 1996, Lotta Hammer, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2014) Somewhat Abstract. : Group Exhibition. Somewhat Abstract, 11 Apr 2014 - 28 Jun 2014, Nottingham Contemporary. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2001) Soon. : Solo Exhibition. Soon, 7th September 2001 - 10th October 2001, Sandroni.Rey Gallery, Venice, California. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2014) Spare Room. : Thinking City. Performance type: Video/Film (fiction) , 02 October 2014, 6.30pm, Liverpool Biennale, Liverpool. film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2003) Strangers to Ourselves. : Solo Exhibition. , Herbert Read Gallery, KIAD, Canterbury. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2000) Tabley. : Group Exhibition. Tabley, 2000, Tabley House, Cheshire. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2008) Tales of Time and Space. : Group Exhibition. Tales of Time and Space, 14 June to 14 September 2008, Folkestone Triennial, Folkestone, Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2011) To Pay Respect to the Generosity of the Three-Minute Punk-Rock Song. : Group Exhibition. To Pay Respect to the Generosity of the Three-Minute Punk-Rock Song, 19 Nov 2011 – 18 Dec 2011, Margate. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2004) Tonight. : Group Exhibition. Tonight, 2004, Studio Voltaire, London, Sandroni.Rey, LA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2006) Unfinished Business. : Group Exhibition. Unfinished Business, Museum of Contemporary Art, Belgrade. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2005) Video Spirit. : Mysteries, Myths, Meditations & the Moving Image Group Exhibition. Video Spirit: Mysteries, Myths, Meditations & the Moving Image, 2005, Cheekwood, Nashville. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2009) Vlassis Caniaris. : In Contrapunto Group Exhibition. Vlassis Caniaris, 13 May – 19 July 2009, ITYS, Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2000) Waiting. : Group Exhibition. Waiting, 2000, Mjellby Konstgård, Sweden. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2010) Whitstable Biennale. : Ghost, Echo and The Pickers. Whitstable Biennale, 19th June - 4th July 2010, Whitstable, Kent. video installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (1998) Wrapped. : Group Exhibition. Wrapped, Vestjælands Kunstmuseum, Sorø, Denmark. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2013) You'll see; next time it'll be different. : Solo Exhibition. , Benaki Museum Piraios Street Annexe, Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2002) cell-a 2006. : Solo Exhibition. , Cubitt, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (2013) ‘…how is it towards the east?’. : Group exhibition. ‘…how is it towards the east?’, 01 May - 02 June 2013, Calvert 22 Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam (1998) A to Z. : Group Exhibition. A to Z, 2nd April 1998 - 3rd May 1998, The Approach Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Antille, Emmanuelle and Antoni, Janine and Bassanini, Katia and Bonvicini, Monica and Flückiger, Edith and Gerosa, Gabriella and Walpen, Sibylla and Visser, Barbara and Oertli, Christoph and Küng, Max and Leutenegger, Zilla and Köppl, Zacek and Hofer, Susanne and Halter, Marianne (2001) Helle Nächte. : Projections. Helle Nächte, 21/22 September 2001, Bottmingen, Baselland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Aranberri, Ibon and Buchannan, Roderck and García, Dora and Wood, John and Harrison, Paul (2014) Bergé Collection. : 'A Place For the End'. Bergé Collection, 29/05/2014 - 10/06/2014, Real Círculo Artístico de Barcelona, Loop Festival, Barcelona. Video Art. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Atkinson, Ewan and Boyce, Sonia and Gordon, Leah and Griffith, marlon and Rime, Marie and Theuring, Corinna (2014) Alles Maskerade! : Group Exhibition. Alles Maskerade!, 22/11/2014 - 22/02/2015, MEWO Kunsthalle, Memmingen, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Banner, Fiona and Chapman, Jake & Dinos and Dalziel, Matthew and Dean, Tacita and Wyn Evans, Cerith and Floyer, Ceal and Gidley, Tom and Gordon, Douglas and Gunning, Lucy and Hume, Gary and Irvine, Jaki and Scullion, Louise and Taylor-Wood, Sam and Wilson, Jane & Louise and Wright, Elizabeth (1995) General Release. : Young British Artists Group Exhibition. , British Council selection for Venice Biennale, Scoula San Pasquale, Venice. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Beech, Dave and Cook, Maria and Creed, Martin and Doig, Peter and Higgs, Matthew and Lewin, Sivan and Stezaker, John (1995) Zombie Golf. : Group Exhibition BANK. Zombie Golf, Bank, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Billingham, Richard and Curtis, Layla and Dawood, Shez and Day, Corinne and Golden, Pamela and Hunter, Tom and Kennard, Peter and Lewis, Andrew and Lucas, Sarah and Luxemburg, Rut Blees and Maybank, Hannah and Parr, Martin and Pollard, Ingrid and Starkey, Hannah and Stewart, Christopher and Shaw, George and Syed, Alia and Wallinger, Mark (2002) Location. : UK Group Exhibition. Location: UK, 24 July - 7 September 2002, Gimpel Fils, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Bismuth, Pierre and Blondeel, Maria and de Boer, Manon and Bournigault, Rebecca and Curran, Michael and Emin, Tracey and García, Dora and Gonzalez-Foerster, Dominique and Gordon, Douglas and Grigely, Joseph and Huyghe, Pierre and Kool, Renee and Lamelas, David and Matthys, Kobe and van Riessen, Wouter and Wilson, Ian (1996) Perfect. : Group Exhibition. Perfect, 03/07/96 - 03/08/96, Jan Mot and Oscar van den Boogaard, Brussels. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Bond, Henry and Declerq, Alain and Deutsch, David and Waha, Serge De and Doherty, Willie and Framis, Alicia and Lee, Hatty and Nicolson, Seamus and McCaslin, Matthew and Rickett, Sophy and Schneider, Stefanie (2001) Night on Earth. : Group Exhibition. Night on Earth, Städtische Ausstellungshalle Am Hawerkamp, Münster. photographs and videoworks. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Bond, Terrence and Gidley, Thomas and Gordon, Douglas and Hammick, Magnus and Lewandowska, Marysia and Martin, Jason and Patterson, Simon (1993) Wonderful Life. : Group Exhibition. Wonderful Life, 17 July – 16 October 1993, Lisson Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Bornstein, Jennifer and Buchanan, Roderick and Lorca-diCorcia, Philip and Laderman Ukeles, Mierle and Jaar, Alfredo (2000) FaceOn. : Group Exhibition. Face On, 9 September - 28 October 2000, Site Gallery, Sheffield touring to Milton Keynes Gallery; Open Eye Gallery, Liverpool; Stills, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Bradley, Slater and Chan, Paul and Charlesworth, Sarah and Mehretu, Julie and Steen, Brent and Zmijewski, Artur (2006) Belief and Doubt. : Group Exhibition. Belief and Doubt, 2006, The Aspen Art Museum, Colorado. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Buckingham, Matthew and Dean, Tacita and Boer, Manon de and Hugonnier, Marine and Newman, Hayley and Sandison, Charles and Sawyer, Mathew and Ohanian, Melik and Gordan, Douglas (2005) Documentary Creations. : Group Exhibition. Documentary Creations, 26 Feb - 29 May 2005, Kunst Museum, Luzern, Switzerland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Carne, Sarah and Coley, Nathan and Curtis, Layla and Himid, Lubaina and Waring, Sarah (2002) Fabrications. : New Art and Urban Memory Group Exhibition. Fabrications, 11 September - 2 November 2002, Cube Gallery, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Carvalho, Melanie and Housley, Paul and Donachie, Kaye and Harrison, Lucy (1999) The Poster Show. : Group Exhibition. The Poster Show, 1999, Gavin Brown Enterprises, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Chapman, Jake & Dinos and Collishaw, Mat and Emin, Tracey and Harvey, Marcus and Hirst, Damien and Hume, Gary and Landy, Michael and Lane, Abigail and Lucas, Sarah and Mueck, Ron and Ofili, Chris and Patterson, Richard & Simon and Quinn, Marc and Rae, Fiona and Taylor-Wood, Sam and Turk, Gavin and Wearing, Gillian and Whiteread, Rachel (1997) Sensation. : Group Exhibition. Sensation, 18 September – 28 December 1997, Royal Academy, London, touring to Museum für Gegenwart, Berlin; Brooklyn Museum of Art, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Coleman, James and de Boer, Anneke and Walker, Zoe and Dean, Tacita and Jan Ader, Bas and Boodtgaers, Marcel and Hill, Gary and Fishi, & Weiss (2000) Somewhere Near Vada. : Group Exhibition. Somewhere Near Vada, Project Art Centre, Dublin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Coles, Sadie and Lloyd, Hilary and Dowson, Steven and Rothschild, Eva (2001) The seat with the clearest view,. : Group Exhibition. The seat with the clearest view,, Grey Matter Contemporary Art, Sydney. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Cornford, & Cross and Macuga, Goshka and Parris, Janette and Roush, Paula (2004) Perfectly Placed. : Group Exhibition 'Settlement'. Perfectly Placed, 6-29 August 2004, South London Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Cristea, Alan and Wilson, Keith and Dawson, Ian and Fletcher, Carroll (1999) Holding Court. : Group Exhibition. Holding Court, 1999, Entwistle, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Dean, Mark and Sinclair, Ross and Gordon, Douglas and Fagen, Graham and Gussin, Graham and Buchannan, Roderck and Mackie, Christina and Weiler, Carl Von and Macleod, Kenny (2000) Black Box Recorder. : Group Exhibition. Black Box Recorder, 15 July-20 September 2000., Museum Ludwig, Cologne, touring to Croatia, and the Czech Republic. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Dodds, Andrew and Large, Kelly and Van Harskamp, Nicoline (2012) Among Other Things. : Group Exhibition. Among Other Things, 10 January – 10 February 2012, Camberwell Space, Camberwell College of Arts, london. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Douglas, Stan and Macgill, Elizabeth (2000) Places in Mind. : Group Exhibition. Places in Mind, 2000, Ormeau Baths Gallery, Belfast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Eggebert, Anne (1994) Remote Control. : Group Exhibition. Remote Control, Royal College of Art, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Egolf, Gretchen and Collar, Beth and Peake, Florence and Judd, Ben and Becker, Paul and Pedraglio, Francesco and Macbeth, Rory and Whittlesea, Ian and Birch, Rebecca and Smith, Rob (2014) Scene on a Navigable River. Performance type: Live play , 9 – 15 July 2014, Field Broadcast, Dedham Vale, Suffolk. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Eichhorn, Maria and Knowles, Eddy and Price, Elizabeth (2006) One Brief Moment. : Group Exhibition. One Brief Moment, January 11 - February 18, 2006, Apexart, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Eide Einarsson, Eide and Fontaine, Claire and Gordon, Douglas (2012) Notes from Nowhere. : Group Exhibition. Notes from Nowhere, 6th May – 3rd June 2012, Frome, Somerset. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Emin, Tracey and Shrigley, David and Starkey, Hannah (1998) Real Life. : Group Exhibition. Real Life, Galleria S.A.L.E.S., Rome. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Feriancova, Petra and Halilaj, Petrit and Rui An, Ho and Lempert, Jochen and Maak, Flo and Marker, Chris and Meuris, Wesley and Murphy, Ciarán and Safavi, Vanessa and Schmid, Julia and Shiel, Sonia and van Beek, Ruth (2014) Fieldworks. : Animal Habitats in Contemporary Art. Fieldworks, 1 August – 2 November 2014, Lewis Glucksman Gallery University College Cork. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Fox, Jason and Periton, Simon and Borland, Christine and Millar, Neil and Palacin, Mabel and Miller, Lee and Marshall, Darren (1996) 21 Days of Darkness. : Group Exhibition. 21 Days of Darkness, Transmission Gallery, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Gearon, Tierney and Goldin, Nan and Gursky, Andreas and Sherman, Cindy (2001) I am a Camera. : Group Exhibition. , Jan - Mar 2001, Saatchi Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Grasso, Laurent and Deshayes, Nicholas and Mackinnon, Lee and Mundt, Wilhelm (2006) From There. From There, 9 June – 22 July 2006, Bloomberg Space, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Gussin, Graham and Wilson, Jane & Louise and Starling, Simon and Hapaska, Siobhan and Murphy, Stephen and Dean, Tacita (1999) ARTIFICE. : Group Exhibition. ARTIFICE, 24.6-11.10/1999, DESTE FOUNDATION, NEO PSYCHICO, ATHENS. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Hapaska, Siobhan and Roberts, Maggie and Lowe, Colin and Lloyd, Hilary and Higgs, Matthew (1993) Making People Disappear. : Group Exhibition. Making People Disappear, Thursday 1 April 1993 to Sunday 25 April 1993, Cubitt Street Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Kötting, Andrew and Finer, Jem and Rudkin, David and Sinclair, Iain and Baker, Tom and Brownlow, Kevin and Sherwin, Guy and Thew, Anna and Rowe, Doc (2003) Visionary Landscapes. : Group Exhibition Adam Chodzko's ' Plan for a Spell' installation. Visionary Landscapes, 23-25 May 2003, Cecil Sharp House, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Liversidge, Peter (2000) Better Scenery. : Group Exhibition. Better Scenery, 2000, Pand Paulus Gallery, Schiedam, The Netherlands. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Lowe, B and Allington, E and Baseman, J and Billingham, R and Burge, C and Camrass, L and Coutts, M and Crisp, F and Currie, A and Glanville, T and Holmwood, S and Irvine, J and Stoner, T and Trangmar, S and Turnbull, A and Uglow, G and Wallinger, M and Wilding, A and Williamson, A and Wise, K (2006) Responding to Rome. : British Artists in Rome 1995-2005. Responding to Rome, 18/01/2006 - 26/03/2006, estorick Collection, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and McNab, Janice and Tellez, Javier and Yang, Jun and Walde, Martin and Kool, Renee and Billingham, Richard and Keller, Sam and Wood, Simon and Calle, Sophie and Leutenegger, Zilla (2002) Tabu. : Mavericks und heisse Eisen Group Exhibition "TABOO - Mavericks and hot iron". Tabu, Saturday, January 26, 2002 - Sunday, March 17, 2002, Kunsthaus Baselland, Switzerland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Monchaux, Cathy de (2001) Sacred and Profane. : Group Exhibition. Sacred and Profane, 2001, Mappin Art Gallery, Sheffield. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Patterson, Simon (1994) High Fidelity. : Group Exhibition. , Kohji Ogura Gallery, Nagoya; tour to Röntgen Kunst Institut, Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and Whiteread, Rachel and Brown, Glenn and Wearing, Gillian and Gallaccio, Anya and Chapman, Jake & Dinos and Raho, Alessandro and Emin, Tracey and Collishaw, Mat and Hume, Gary and Fairhurst, Angus and Bond, Henry and Landy, Michael and Hirst, Damien and Pippen, Steven and Starr, Georgina and Taylor-Wood, Sam and Ofili, Chris and Lucas, Sarah and Gillick, Liam and Lane, Abigail (1995) Brilliant. : Group Exhibition. , 22 October 1995 - 7 January 1996, Walker Arts Center, Minneapolis. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chodzko, Adam and large, Kelly and Dodds, Andrew and Van Harskamp, Nicoline (2013) Among Other Things, Second Showing. : Group Exhibition. Among Other Things, 2 – 31 January 2013, Ruskin Gallery, Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2001) A Reply to Gregory Currie on Documentaries. Journal of Aesthetics and Art Criticism, 59 (3). pp. 317-319. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2003) All the Right Responses: Fiction Films and Warranted Emotions. British Journal of Aesthetics, 43 (1). pp. 308-321. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2008) Am I Your Sidekick? Contemporary Korean Gangster Cinema, ‘Beat’ and ‘Friend’. Post Script, 27 (3). pp. 116-131. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2006) Apperception on Display: Structural Films and Philosophy. In: Smith, Murray and Wartenberg, Thomas, eds. Thinking Through Cinema: Film as Philosophy. Blackwell, pp. 165-172. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2006) Apperception on Display: Structural Films and Philosophy. Journal of Aesthetics and Art Criticism, 64 (1). pp. 165-172. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2002) Chunhyang, Chunhyang, Chunhyang: Poetics of Im Kwon Taek. Asian Cinema, 13 (1). pp. 57-66. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2003) Fits and Startles: Cognitivism Revisited. Journal of Aesthetics and Art Criticism, 61 (2). pp. 149-157. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2004) Is the Balcony Closed? Philosophy of Film sans Film. Aesthetics Newsletter, 23 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2005) Leaving It up to the Imagination: POV shots and Imagining from Inside. Journal of Aesthetics and Art Criticism, 63 (1). pp. 17-25. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2005) National Cinema, the Very Idea. In: Choi, Jinhee and Carroll, Noel, eds. Philosophy of Film and Motion Pictures. Blackwell, pp. 310-319. ISBN 9781405120272. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2006) Naturalizing Hollywood: Against the Naturalistic Account of the Filmic Communication. Film Studies: An International Review (8). pp. 149-153. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2004) Preface to The Cinema of Japan and Korea. In: Bowyer, Justin, ed. The Cinema of Japan and Korea. Wallflower Press. ISBN 978-1904764113 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2008) Sentimentality and the Cinema of the Extreme. Jump Cut (50). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2005) Shocking Corridors: Girls’ High School Horror Series and Female Sexuality. In: National, Transnational, and International: Chinese Cinema and Asian Cinema in the Context of Globalization—Centennial Celebration of Chinese Cinema, 6th-10th June 2005, Beijing and Shanghai, China. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2010) The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs. Wesleyan University Press, 260 pp. ISBN 978-0-8195-6939-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Clayton, Alex (2007) Music In The Style Of Jean Reoir. Cineaction, 66 . pp. 61-72. ISSN 0826-9866. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Clayton, Alex (2007) The Body In Hollywood Slapstick. McFarland and Co, Inc, 237 pp. ISBN 9780786430635. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Connelly, Mark L. (2007) Bomber Harris: Raking through the ashes of the Strategic Air Campaign against Germany. In: Paris, Michael, ed. Repicturing the Second World War. Representations in Film and Television. Palgrave MacMillan, United Kingdom, pp. 162-176. ISBN 9780230002579. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2005) 'Dokumentarische Kunst: das Reale begehren, der Wirklichkeit eine Stimme geben' (‘Desiring the Real, Voicing Reality in Documentry Art'). In: Gludovatz, Karin, ed. Auf den Spuren des Realen Kunst und Dokumentarismus. Museum Moderner Kunst Stiftung Ludwig, Wien, pp. 15-41. ISBN 3-902490-05-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1986) A Discussion of Coma. In: Brunsden, Charlotte, ed. Hollywood’s New Women. British Film Institute. ISBN 0-85710-155-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1995) A Tunisian Search for Independence - a review of The Silences of the Palace. Review of: The Silences of the Palace by Tlatli, Moufida. Women: A Cultural Review, 6 (1). pp. 124-128. ISSN 0957-4042. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2004) A commentary on Juan delGado’s video work, ‘Who are You Entertaining To?’. Aspect DVD Journal DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1997) Documenting Fictions. Continuum, Australian Journal of Media & Culture, 11 (1). pp. 54-66. ISSN 10304312. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1999) Fantasia. In: Evans, Jessica and Hall, Stuart, eds. Visual Culture, The Reader. Sage, pp. 356-378. ISBN 0 7619 6247 6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2000) Figuracija/Razumevanje fetiöa. Filmsek Sveske, 2-3 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1995) Film - Zenska Tovarna Sanji. Vsebina (23). pp. 46-80. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1993) Film Noir and Women. In: Copjec, Joan, ed. Shades of Noir. Verso, pp. 121-166. ISBN 0-86091-625-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1989) Film in teorija v osemdesetih letih. Ekran, 14 (5/6). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1993) From Fantasia. In: Easthope, Anthony, ed. Contemporary Film Theory. Longman, pp. 147-161. ISBN 0-582-09032-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1985) Het verschil in de film. Vrouwen in de films van Hawks. Het Tidschrift voor Vrouwen Studies (24). ISSN 0167-8361. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2001) Identifizierung mit dem Realen - Spektakel der Realität. In: Angerer, Marie-Luise and Krips, H., eds. Der Andere Schauplatz Psychoanalyse - Kultur - Medien. Vienna: Turia + Kant, pp. 151-180. ISBN 3-85132-287-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1996) Images of Women and Filmic Identification. In: Dakovic, Nevena and Derman, Denis and Ross, Karen, eds. Gender & Media. Med-Campus Project no A126 Publications, pp. 35-60. ISBN 975-96120-0-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1981) Introduction to Mary Kelly’s Post-Partum Document. M/F (5/6). pp. 115-123. ISSN 0141-948X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2000) Perceiving Memory and Tales of the Other: the work of Milica Tomic. Camera Austria (72). pp. 14-16. ISSN 1015-1915. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1992) Pornography and Fantasy. In: Segal, Lynne and McIntosh, Mary, eds. Sex Exposed: Sexuality and the Pornography Debate. Virago, pp. 132-152. ISBN 1-85381-385-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1990) Psychoanalysis and Cinema: Film and Theory in the 1980's. In: Donald, James, ed. Psychoanalysis and Cultural Theory: Thresholds. Macmillan, pp. 104-138. ISBN 0-312052-324. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1997) Representing the Woman: Psychoanalysis and Cinema. University of Minnesota Press, 397 pp. ISBN 033330576. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1980) Review article of The Song of the Shirt. Review of: The Song of the Shirt by Clayton, Sue and Curling, Jonathan. Camera Obscura (5). pp. 87-97. ISSN 0270-5346. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1987) Review article on Mary Kelly’s Interim. Review of: Interim by Kelly, Mary. New Formations (2). pp. 20-28. ISSN 0950-2378. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1990) Review of Psychoanalysis and Cinema. Review of: Psychoanalysis and Cinema by Kaplan, Anne E.. Times Higher Education Supplement . 0-0. ISSN 0049-3929. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2005) Seeing and hearing for ourselves: the spectacle of reality in the Holocaust Documentary. In: Haggith, Toby and Newman, Joanna, eds. The Holocaust and the Moving Image: Film and Television Representations Since 1933. Wallflower Press, pp. 182-188. ISBN 1-904764-51-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2007) Specters of the Real: Documentary Time and Art. Differences: A Journal of Feminist Cultural Studies, 18 (1). pp. 87-127. ISSN 1040-7391. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1998) Storytelling: classical Hollywood cinema and classical narrative. In: Neale, Steve and Smith, Murray, eds. Contemporary Hollywood Cinema. Routledge, pp. 178-190. ISBN 0-415-17010-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1986) Strategems of Identification. Oxford Literary Review, 8 (1/2). pp. 66-67. ISSN 0-9511080 0 X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2001) The Enigma of the Message. Review of: Essays on Otherness by Laplanche, Jean. New Formations (43). pp. 148-150. ISSN 0950-2378. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1979) The Popular Film as Progressive Text - a discussion of Coma. M/F (3). pp. 59-82. ISSN 0141-948X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1989) The Popular Film as a Progressive Text – a Discussion of Coma. In: Penley, Constance, ed. Feminism and Film Theory. Methuen. ISBN 0-415-90107-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1992) The Seductive Theories of Jean Laplanche: a new view of the drive, passivity and femininity. In: Stanton, Martin and Fletcher, John W. J., eds. Situating Laplanche. Institute of Contemporary Arts, pp. 121-136. ISBN 0-905263-68-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1999) The Spectacle of Actuality. In: Gaines, Jane and Renov, Michael, eds. Collecting Visible Evidence. University of Minnesota Press, pp. 19-45. ISBN 0-8166-3135-2/3136-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1997) The Spectacle of Reality and Documentary Film. Documentary Box (10). pp. 1-8. ISSN 1340-0832. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2000) Traumatic Memories of Remembering and Forgetting. In: Rossington, Michael and Whitehead, Anne, eds. Between the Psyche and the Polis: Refiguring history in literature and theory. Ashgate Publishing, pp. 191-204. ISBN 0 7546 0228 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2007) Ways of Seeing and Knowing: Documentary Film and the Surreal of Reality. In: Ten Brink, Joram, ed. Building Bridges: The Cinema of Jean Rouch. Wallflower Press, pp. 201-218. ISBN 978-1-905674-47-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2001) Woman as Sign. In: Andjelkovic, Branislava, ed. Feminist Visual Theories. Belgrade: Cenre For Contemporary Arts. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1993) Women, Representation and the Image. In: Alvarado, Manuel and Buscombe, Edward and Collins, Richard, eds. The Screen Education Reader: Cinema, Television, Culture. Macmillan, pp. 48-60. ISBN 0-2310-8111-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2000) Working Images: the representations of documentary film. In: Pollock, Griselda and Mainz, Valerie, eds. Work and the Image II. Ashgate Press, pp. 173-192. ISBN 0 7546 0233 8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1991) Zenska Seksualnost. In: Bahovec, Eva D., ed. Zenska Seksualnost - Freud & Lacan. Analecta, pp. 146-169. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (1975) ‘Feminist Film Criticism - a reply’. Screen, 16 (1). pp. 134-139. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2006) ‘The Art of Paranoia’. In: Pajdic, Predrag and Pasolini, Antonio and Ryan, Paul, eds. Paranoia. Southend/Leeds/London, London, pp. 138-148. ISBN 13-978-0-9553309-0-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2007) ‘What do you see? Would you like to move on to another image? Yes’. In: Barnard, Clio H., ed. Road Race and Dark Glass Catalogue. Herbert Read Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth and Adams, Parveen (1990) The Woman in Question. Cambridge/MIT Press/October Books, 383 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cunningham, Karen and Chodzko, Adam and Govender, Ravi (2013) MAP Screen. : The Anthropology Effect Group Exhibition. MAP Screen | The Anthropology Effect, MAP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Davis, Jill (1999) Goodnight ladies ... On the 'Explicit Body in Performance'. New Theatre Quarterly, 15 (58). pp. 183-187. ISSN 0266-464X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Debon, Claude and Read, Peter (2008) Les Dessins de Guillaume Apollinaire. Les cahiers dessinés . Buchet-Chastel , Paris, 160 pp. ISBN 9782283021941. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dieterich, Vera and Rooney, Caroline R. and Hillward-Harris, Ben and Kivland, Sharon (2005) Book Unbinding: The Ontological Stain. Transmission: the Rules of Engagement . Artwords Press, London, 62 pp. ISBN 9780954390853. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dunworth, F. (1993) Suffocating Mothers - Fantasies of Maternal Origins in Shakespeare Plays, 'Hamlet' to the 'Tempest' - Adelman, J. Theatre Research International, 18 (1). pp. 65-66. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Fontana-Giusti, Gordana (2012) The Urban Language of Early Constantinople: The Changing Roles of the Arts and Architecture in the Formation of the New Capital and the New Consciousness. In: Hathaway, Stephanie L and Kim, David W, eds. Intercultural Transmission in the Medieval Mediterranean. Continuum / Bloomsbury, London, 165 -203. ISBN 9781441139085/. (Full text available)
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Fontana-Giusti Korolija, Gordana (2014) Transgression and Ekphrasis in Le Corbusier's Journey to the East. In: Rice, Louis and Littlefield, David, eds. Transgression: Towards the Expanded Field in Architecture. Critiques . Routledge, London, pp. 57-75. ISBN 978-1-13-881892-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2003) A Cinema of Disturbance: The Films of Michael Haneke in Context. Senses of Cinema (28). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) A Persistent Allure: The Reception of Michael Haneke. In: Invited speaker, On Michael Haneke, 2nd June 2010, University of Sussex. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) Art and Artifice: German Films at the 60th Berlin International Film Festival. Senses of Cinema (55). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Benny’s Video, Caché, and the Desubstantiated Image. Framework: The Journal of Cinema and Media, 47 (2). pp. 30-36. ISSN 0306-7661. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2004) Border Zones: The Films of Ulrich Seidl. Senses of Cinema (32). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Fidelio: Love, Adaptation, and Eyes Wide Shut. Literature/Film Quarterly, 34 (1). pp. 39-45. ISSN 0090-4260. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) From Crisis Structure to Schadenfreude: Emotional Underpinnings of the New Documentary. In: Society of Cinema and Media Studies Annual Conference, 18th March 2010, Los Angeles . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2008) Gazing Lessons: German Films at the 58th Berlin International Film Festival. Review of: 58th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema (47). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) Goodbye Germany: Emigration, Reality TV and Schadenfreude. Jump Cut (52). ISSN 0146-5546. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2007) In/Flux: German Films at the 57th Berlin International Film Festival. Review of: German Films at the 57th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema (43). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2009) Insecure Times, Confident Localities: German Films at the 59th Berlin International Film Festival. Review of: 59th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema (50). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) London à la Mod: Fashion, Genre, and Historical Space in Performance. Quarterly Review of Film and Video, 23 (4). pp. 369-376. ISSN 1050-9208. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) Medien aus filmwissenschaftlicher Sicht. In: Masterclasses, 29th June-2nd July 2010, Universitat Passau. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) No(ir) Place to Go: Spatial Anxiety and Sartorial Intertextuality in Die Unberührbare. Cinema Journal, 45 (4). pp. 64-80. ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) Paris' Threat to German Film Criticism: Denounce and Recycle. In: European Network for Cinema and Media Studies Annual Conference, 25th June 2010, Istanbul. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) “Postmodernism” and “Guy Maddin". In: Grant, Barry Keith, ed. Schirmer Encyclopedia of Film. Schirmer Press, Detroit, pp. 291-296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Re-Connecting the Body ‘in’ to the Body ‘of’ Pasolini with Porcile. In: Hart, Kylo, ed. Film and Sexual Politics: A Critical Reader. Cambridge Scholars Press, Newcastle, pp. 128-134. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2007) Review of Screening the Past: Memory and Nostalgia in Cinema. Review of: Screening the Past: Memory and Nostalgia in Cinema by Cook, Pam. Film International, 5 (5). pp. 87-89. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Review of: Graeme Harper and Andrew Moor, eds., Signs of Life: Medicine and Cinema. Review of: Signs of Life: Medicine and Cinema by Harper, Graeme and Moor, Andrew. Film International, 4 (2). pp. 78-81. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2008) Review of: Jörn Ahrens und Stephan Braese, Hg., Im Zauber der Zeichen: Beiträge zu einer Kulturgeschichte des Mediums. Review of: Im Zauber der Zeichen: Beiträge zu einer Kulturgeschichte des Mediums by Ahrens, Jorn and Braese, Stephan. MEDIENwissenschaft (2). pp. 145-147. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2007) Review of: Rosalind Galt, The New European Cinema: Redrawing the Map. Review of: The New European Cinema: Redrawing the Map by Galt, Rosalind. Film International, 5 (1). pp. 70-71. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) Safe to Remember: the post-Wende Cinema of Retrospection. In: Invited Talk, 2nd November 2010, University of Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Structuralism and Poststructuralism. In: Grant, Barry Keith, ed. Schirmer Encyclopedia of Film. Schirmer Press, Detroit, pp. 165-168. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2002) Supermodernity, Capital, and Narcissus: The French Connection to Michael Haneke’s Benny’s Video. Cinetext . ISSN 1605-6035. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2007) The End of Innocence: Scandinavian Films at the 30th Gothenburg International Film Festival. Review of: Scandinavian Films at the 30th Gothenburg International Film Festival by UNSPECIFIED. Senses of Cinema (43). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) The Message and the Medium: Haneke's Film Theory and Digital Praxis. In: Price, Brian and Rhodes, John David, eds. On Michael Haneke. Wayne State University Press, Detroit, pp. 153-165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2007) Theorizing Cinema in Sebald and Sebald with Cinema. In: Patt, Lise, ed. Searching for Sebald: Photography After W.G. Sebald. Los Angeles: Institute of Cultural Inquiry Press, Los Angeles, pp. 226-241. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2004) Art and Enlightenment: Aesthetics in the 18th Century. Imprint Academic, 212 pp. ISBN 0907845762. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2000) Demonic Curiosity and the Aesthetics of Documentary Photography. British Journal of Aesthetics, 40 (3). pp. 356-375. ISSN 00070904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2002) Demonic Curiosity and the Aesthetics of Documentary Photography. In: Rubene, Mara, ed. Homo Aestheticus. Tapals, pp. 245-266. ISBN 9984720004. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (1997) Digital Imaging, Photographic Representation and Aesthetics. Ends and Means, 2 (2). pp. 7-11. ISSN 1472-5819. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (1998) Hume’s Sceptical Standard of Taste. Journal of the History of Philosophy, 36 (4). pp. 545-566. ISSN 0022-5053. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (1999) Looking at Nature Through Photographs. Journal of Aesthetic Education, 33 (1). pp. 25-35. ISSN 0021-8510. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2004) Moral Equality and the Foundations of Liberal Moral Theory. Journal of Value Inquiry, 38 (1). pp. 61-74. ISSN 0022-5363. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2004) Moral Theory and the Improvement of Moral Thought. Journal of Moral Education, 33 (1). pp. 23-33. ISSN 0305-7240. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2004) Photography and Art – Responses to questions set by Artis Svece. Res Publica, 2 . ISSN 1691-2004. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (1999) Quem Tem Medo De Uma Sociedade On-line? Cadernos Da Escola Do Legislativo . pp. 39-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2007) The Art Seminar. In: Elkins, James, ed. Photographic Theory. Routledge, pp. 129-204. ISBN 0415977835. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (1996) Transparency and the Photographic Image. British Journal of Aesthetics, 36 (1). pp. 30-42. ISSN 00070904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (1998) Who’s Afraid of an On-line Society? Ends and Means, 3 (2). pp. 2-7. ISSN 1472-5819. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Grant, Catherine A. (2006) 'Introduction' in Screening World Cinema: A Screen Reader. In: Grant, Catherine A. and Kuhn, Annette, eds. Screening World Cinema: A Screen Reader. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2002) 'La función de "los autores": la adaptación cinematográfica transnacional de El lugar sin límites'. Revista Iberoamericana, LXVIII (199). pp. 253-268. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2008) Auteur machines? Auteurism and the DVD. In: Bennett, James and Brown, Tom, eds. Film and Television After DVD. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2000) Intimista Transformations: María Luisa Bemberg's First Feature Films. In: King, John and Whittaker, Sheila and Bosch, Rosa, eds. The Films of María Luisa Bemberg: An Argentine Passion. Verso. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Catherine A. (2000) www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2008) 'Saints and Miracles'. In: Beadle, Richard, ed. The Cambridge Companion to Medieval English Theatre. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1996) '“What meanes this shew”: Theatricalism, Camp and Subversion in Doctor Faustus and The Jew of Malta’. In: Grantley, Darryll and Robertson, Peter A., eds. Christopher Marlowe and English Renaissance Culture. Scolar. ISBN 1859282601 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2008) London in Early Modern English Drama: Representing the Built Environment. Palgrave Macmillan ISBN 0230554296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2005) Review of Anne Lancashire London Civic Theatre: City Drama and Pageantry from Roman Times to 1558. Review of: London Civic Theatre: City Drama and Pageantry from Roman Times to 1558 by Lancashire, Anne. Early Theatre, 8 (1). pp. 122-125. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1986) Review of B. Dukore American Dramatists 1919-1945 and G Weales Odets: The Playwright. Review of: American Dramatists 1919-1945 and The Playwright by Dukore, B and Weales Odets, G. Speech and Drama, 35 (1). pp. 46-48. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1992) Review of C. Bigsby Arthur Miller and Company. Review of: Arthur Miller and Company by Bigsby, Christopher. New Theatre Quarterly (30). p. 197. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1987) Review of C. Davidson (ed) The Saint Play in Medieval Europe. Review of: The Saint Play in Medieval Europe by Davidson, C. Comparitive Drama, 21 (3). pp. 295-297. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1998) Review of Christopher Bigsby (ed) The Cambridge Companion to Arthur Miller. Review of: The Cambridge Companion to Arthur Miller by Bigsby, Christopher. Theatre Research International, 23 (2). p. 188. ISSN 0307-8833 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1992) Review of D. George Records of Early English Drama: Lancashire in The Early Drama. Review of: Records of Early English Drama: Lancashire in The Early Drama by George, David. Art and Music Review, 15 (1). 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1990) Review of D. Gilman (ed) Everyman and Company. Review of: Everyman and Company by Gilman, D. Comparitive Drama, 24 (4). pp. 367-370. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1994) Review of D. Wilmeth and T Miller (eds) The Cambridge Guide to American Theatre. Review of: The Cambridge Guide to American Theatre by Wilmeth, Don B. and Miller, Tice L.. Theatre Research International, 19 (3). pp. 285-286. ISSN 0307-8833 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1993) Review of G. M. Berkowitz American Drama of the Twentieth Century. Review of: American Drama of the Twentieth Century by Berkowitz, G.M.. Notes and Queries . pp. 571-572. ISSN 0029-3970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2002) Review of Ian McAdam The Irony of Identity: Self and Imagination in the Drama of Christopher Marlowe and Fred B. Tromly Playing With Desire: Christopher Marlowe and the Art of Tantalization. Review of: The Irony of Identity: Self and Imagination in the Drama of Christopher Marlowe and Playing With Desire: Christopher Marlowe and the Art of Tantalization by McAdam, Ian and Tromly, Fred B.. Yearbook of English Studies (32). pp. 271-273. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1987) Review of J. Lahr The Orton Diaries. Review of: The Orton Diaries by Lahr, J. Speech and Drama, 36 (1). pp. 50-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1996) Review of J. Somerset Records of Early English Drama: Shropshire. Review of: Records of Early English Drama: Shropshire by Somerset, J. Alan B.. Comparitive Drama, 30 (2). pp. 282-285. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1988) Review of J. Wasson (ed) Records of Early English Drama: Devon. Review of: Records of Early English Drama: Devon by Wasson, J. Comparitive Drama, 21 (4). pp. 399-401. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1998) Review of James Stokes (ed) Records of Early English Drama: Somerset. Review of: Records of Early English Drama: Somerset by Stokes, James. Theatre Notebook, 23 (1). pp. 55-56. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2005) Review of Katie Normington Gender and Medieval Drama. Review of: Gender and Medieval Drama by Normington, Katie. Theatre Research International, 30 (3). pp. 298-299. ISSN 0307-8833 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1996) Review of L. Muir The Biblical Drama of Medieval Europe. Review of: The Biblical Drama of Medieval Europe by Muir, Lynette R.. Theatre Research International, 21 (1). pp. 79-80. ISSN 0307-8833 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2007) Review of Lucy Munro - The Children of the Queen’s Revels: A Jacobean Theatre Repertory. Review of: The Children of the Queen’s Revels: A Jacobean Theatre Repertory by Munro, Lucy. Shakespeare Studies (35). pp. 292-296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1992) Review of M. Baer Theatre and Disorder in Late Georgian London. Review of: Theatre and Disorder in Late Georgian London by Baer, Marc. New Theatre Quarterly (31). p. 91. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1997) Review of M. Twycross (ed) Festive Drama. Review of: Festive Drama by Twycross, M. Theatre Research International, 22 (1). p. 74. ISSN 0307-8833 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1993) Review of P. Kolin (ed) Confronting Tennessee Williams’s ‘A Streetcar Named Desire’: Essays in Critical Pluralism. Review of: Confronting Tennessee Williams’s ‘A Streetcar Named Desire’: Essays in Critical Pluralism by Kolin, P. New Theatre Quarterly (35). p. 301. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1984) Review of R M Lumiansky and D Mills The Chester Mystery Cycle: Essays and Documents. Review of: The Chester Mystery Cycle: Essays and Documents by Lumiansky, R.M. and Mills, David. Theatre Notebook, 38 (3). pp. 146-147. ISSN 0040-5523. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1986) Review of R. Beadle and P. King (eds) York Mystery Plays: A Selection in Modern Spelling. Review of: York Mystery Plays: A Selection in Modern Spelling by Beadle, Richard and King, Pamela M.. Studies in the Age of Chaucer (8). pp. 164-166. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1988) Review of R. Boxhill Tennessee Williams and G McCarthy Edward Albee. Review of: Tennessee Williams and Edward Albee by Boxhill, R and McCarthy , G. Speech and Drama, 37 (1). pp. 57-58. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1994) Review of R. Engle and T. L. Miller (eds) The American Stage (Cambridge, C.U.P., 1993. Review of: The American Stage (Cambridge, C.U.P., 1993) by Engle, Ron and Miller, Tice L.. Theatre Research International, 19 (1). p. 79. ISSN 0307-8833 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1986) Review of T. Parr (ed) Coriolanus, D Male (ed) Dr Faustus, D Devlin (ed) The Winter’s Tale, and P Ranger (ed) She Stoops to Conquer. Review of: Coriolanus, Dr Faustus, The Winter's Tale and She Stoops To Conquer by Parr, T and Male, D and Devlin, D and Ranger, P. Speech and Drama, 35 (1). pp. 32-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1985) Sam Shepard Fool for Love, Arthur Miller The American Clock, David Mamet American Buffalo and Marsha Norman ’night Mother. Review of: Fool for Love, The American Clock, American Buffalo and 'night Mother by Shepard, S and Miller, A and Mamet, D and Norman, M. Speech and Drama, 34 (2). pp. 67-69. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1994) The American Stage - Social and Economic-Issues for the Colonial Period to the Present - Engle,R, Miller,TL. Theatre Research International, 19 (1). p. 79. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1994) The Cambridge Guid to American Theater - Wilmeth, DB. Theatre Research International, 19 (3). pp. 285-286. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1986) The National Theatre’s Production of The Mysteries: Some Observations. Theatre Notebook, 40 (2). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1984) The Source of the Digby Mary Magdalen. Notes and Queries, 31 (4). ISSN 0029-3970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1986) The Winter’s Tale and Early Religious Drama. Comparative Drama, 20 (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2000) Wit’s Pilgrimage: Drama and the Social Impact of Education in Early Modern England. Ashgate, 270 pp. ISBN 0754601676. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1993) ‘"What meanes this shew?": Theatricalism, Camp and Subversion in Doctor Faustus and The Jew of Malta’. In: Conference on Christopher Marlowe and English Renaissance Culture , 5th-7th July 1993, University of Kent, Canterbury. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2005) ‘Dramatic Representations of the Emerging Metropolis of London in the Sixteenth Century’. In: Medieval English Theatre Conference, 19th March 2005, University of Southampton. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1987) ‘Dramatizing Chaucer’. In: 22nd International Congress on Medieval Studies, 7th-10th May 1987, Western Michigan University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1989) ‘La Madeleine dans la Poésie et Prose d’Angleterre aux 16ième et 17ième Siècles’. In: Colloque International: Le Visage de la Madeleine dans la Littérature et la Critique en Europe entre 1450 et 1650, October 1989, University of Grenoble. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1990) ‘Les Représentations de la Madeleine dans la Poésie et le Drame en Angleterre aux XVI et XVIIe Siècles’. In: Chocheyras, Jacques, ed. Visages de la Madeleine dans la Littérature Européenne (1500-1700). Univ Stendhal U.F.R. Lettres. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1995) ‘Marsha Norman’. In: Bloom, C., ed. American Drama. Macmillan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1988) ‘Masques and Murderers: Dramatic Form and Ideology in Jacobean Revenge Tragedy and the Court Masque’. In: Bloom, C., ed. Jacobean Poetry and Prose. Macmillan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2003) ‘Perilous Childhood in the Tudor Interlude’. In: Shakespeare’s Children/Children’s Shakespeare, 11th & 12th October 2003, University of Surrey, Roehampton. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1983) ‘Producing Miracles’. In: Neuss, P., ed. Aspects of Early English Drama. Brewer. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1995) ‘Richard Mulcaster: Education and the Elite Body’. In: Conference on Bodily Fictions, July 1995, Brunel University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1994) ‘Saints’ Plays’. In: Beadle, Richard, ed. The Cambridge Companion to Medieval English Theatre. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1996) ‘Schooling the Audience’. In: Shakespeare and Tudor Theatrical Traditions , 10th-11th September 1996, International Shakespeare Globe Centre, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2000) ‘The Upbringing of Youth in the Tudor Interlude’. In: Gender and Life Cycle in the Middle Ages, 21st-23rd January 2000, University of Kent, Canterbury. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1994) ‘The Winter’s Tale and Early Religious Drama’. In: Battenhouse, Roy W., ed. Shakespeare’s Christian Dimension. Indiana University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2000) ‘“A bodie of presence”: Education and the elite body in the writings of Richard Mulcaster’. In: Grantley, Darryll and Taunton, Nina, eds. The Body in Late Medieval and Early Modern Culture. Ashgate. ISBN 0754601153. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2006) ‘“Secret Conclaves”: Deviant Space in Sixteenth-Century Drama’. In: Queer People conference, 27th-30th July 2006, Christ's College, Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1996) ‘“The Ceremonialization of Secular Power in Medieval Scriptural and Hagiographical Drama’. In: Aspects of Medieval Drama, July 1996, University of Camerino, Italy. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1997) ‘“To Swell a Progress”: Retainers, Subordinates and the Ceremonialisation of Secular Power in Medieval Scriptural and Hagiographical Drama’. European Medieval Drama (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerci, Manolo (2010) 4 milioni per 'la Saracena' di Moretti. Il Giornale dell’Architettura (87). p. 18. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerci, Manolo (2010) Il Maxxi conquista gli Inglesi. Il Giornale dell’Architettura (88). p. 18. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerci, Manolo (2014) Un’architettura di diversi’: Carlo Rainaldi and the controversial attribution of the Palazzo Mancini in Rome. In: Festshrift for Deborah Howard. Ashgate. ISBN n/a. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerci, Manolo (2010) ‘The construction of Northumberland House and the patronage of its original builder, Lord Henry Howard, 1605-1614’. Antiquaries Journal, 90 (2010). pp. 341-400. ISSN 0003-5815. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2014) The Corporealization of Memory in Christian Boltanski's Installations. In: Memoryscapes. Diaphanes, Zurich, pp. 157-177. ISBN 978-3-03734-662-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2003) Dazzled by the Light. Cinema Journal, 42 (4). pp. 98-115. ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2013) En Grisaille nowadays. . Catalogue and exhibition blurb. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (1994) Enduring the Vagaries. : The Viewer as Master and Slave in Pasolini's Salò,. Melbourne Journal of Politics, 22 (N/A). pp. 45-65. ISSN 0085-3224. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2012) Frances Guerin on her book Through Amateur Eyes: Film and Photography in Nazi Germany. : An Interview. . online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2007) The Gray Space Between. : Gerhard Richter’s 18. Oktober 1977 (1989). In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, London, pp. 111-126. ISBN ISBN-13: 978-1905674206. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2008) Infinite Rotations in a Finite Frame. : A Tacita Dean Tryptich. Cinéma e Cie: International Film Studies Journal, N/A (8). pp. 119-134. ISSN 2035-5270. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Guerin, Frances (2009) Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema,. Review of: Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema, by UNSPECIFIED. Screening the Past, n/a (26). n/a-n/a. ISSN 1328-9756. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2011) Locating Shadows. : What’s inside William Kentridge’s Black Box? In: John David, Rhodes, ed. Taking Place: Location and the Moving Image. University of Minnesota Press, Minneapolis, pp. 233-253. ISBN 0816665176. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2014) Lotte Reiniger. : in Women Film Pioneers Project. . Center for Digital Research and Scholarship online. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2006) McCormick and Guenther-Pal, eds, German Essays on Film (2004). Review of: McCormick and Guenther-Pal, eds, German Essays on Film (2004) by McCormick, Richard. Film-Philosophy, 10 (3). pp. 95-100. ISSN 1466-4615. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2013) Memory through the Perpetrator's Lens. : Witnessing via Images Taken by Wehrmacht Soldiers and Officers on the Eastern Front. In: Rhetoric, Remembrance, and Visual Form: Sighting Memory. Routledge, New York, pp. 163-179. ISBN 0415744164. (Full text available)
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Guerin, Frances (2012) Obfuscations of the Visible. : Creating Memory through not looking at Christian Boltanski’s Archives. Cinema e Cie: International Film Studies Journal (9). pp. 279-284. ISSN 2035-5270. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2003) Opposite or Complementary Conceptions? : What do Rudolf Arnheim and Michel Chion have in Common? Cinema e Cie: International Film Studies Journal, 32 (2). pp. 129-140. ISSN 2035-5270. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2015) Peripatetic Sculpture. : The Exhaustion of Looking in the Presence of Richard Serra’s Promenade. In: Guerin, Frances, ed. On Not Looking: The Paradox of Contemporary Visual Culture. Routledge, New York, pp. 103-122. ISBN 978-1-13-882235-1. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2008) Radical Aspirations Historicized. : The European Commitment to Political Documentary. In: Kolker, Robert, ed. The Oxford Handbook of Film and Media Studies. Oxford university Press, New York, pp. 114-151. ISBN 0195175964. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2002) Reframing the Photographer and his Photographs. : Photographer (1995). Film and History: An Interdisciplinary Journal of Film and Television Studies, 32 (1). pp. 43-54. ISSN 0360-3695. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Guerin, Frances (2015) Searching in Grey. : Cy Twombly's Untitled Paintings. In: Wedekind, Gregor, ed. Die Farbe Grau. Unknown. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2014) The Truth is Always Grey. : Painting from Grisaille to Gerhard Richter. Undisclosed, 347 pp. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2011) Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement. Review of: Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement by UNSPECIFIED. Holocaust Studies: A Journal of Culture and History, 17 (1). pp. 137-139. ISSN 1359-1371. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2003) Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002. Review of: Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002 by Hoffmann, Kay. The Moving Image: Association of Moving Image Archivists, 4 (2). pp. 123-126. ISSN 2167-8464. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2004) When Beginnings and Endings Distort the Past. In: Limina/le Soglie del Film. Lithostampa, Pasian di Prato, Udine, pp. 247-254. ISBN 9788884201911. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2015) While Not Looking. : The Failure to See and to Know in Dr Mabuse der Spieler, and The Testament of Dr Mabuse. In: McElhaney, Joseph, ed. A Companion to Fritz Lang (Wiley Blackwell Companions to Film Directors). Wiley-Blackwell, New York, pp. 43-62. ISBN 978-0470670972. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2008) www.artslant.com. . online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

guerin, Frances (2003) Technological Adventures in German Cinema on Either Side of World War I. In: Pitassio, Francesco, ed. Film and its Multiples. Udine, Udine, pp. 147-153. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Hammer, Martin (2013) Mainly Nourishment: Echoes of Sickert in the Work of Francis Bacon and Lucian Freud. Visual Culture in Britain, 14 (1). pp. 87-100. ISSN 1471-4787. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter and Courtenay, Philip and Hadfield, Peter and Kearney, Jonathan (2006) E Space Lab Projects. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter and Murray, Val and Pilling, Lynn (2003) TEA - Boat Trip: Nothing But Flowers. TEA - Boat Trip: Nothing But Flowers, 14/10/03 - 2/8/06, The Lowry Centre. Number of pieces: 3. Live Event, Exhibition and DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2014) 51zero voyager. : Film, Video and Digital Arts Festival Group exhibition. , 10 October 2014, POP Gallery and Outdoor Spaces Exhibition, Chatham, Kent.. Film, Video and Digital Arts. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2008) Eventful Places. In: Eventful Places, 24th August 2008, Kent Architecture Centre, Faculty of Arts and Architecture, University of Brighton. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2000) TEA. TEA, 2000, The Ferens Art Gallery, Hull. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2000) TEA. TEA, 2000, Burnley, Blackburn, Accrington. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2000) TEA. TEA, 2000, National Museum of Labour History, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2001) TEA. TEA, 2001, Piccadilly Gardens, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2002) TEA. TEA, 2002, Manchester and St Petersburg. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2003) TEA. TEA, 2003, Urbis, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter TEA. TEA, April 2005, Platform Gallery, Vaasa, Finland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2007) TEA. TEA, 2006/7, University of Missouri, St. Louis, USA and other international venues. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2006) TEA. TEA, January 2006, Barents Spektakel, Kirkenes, Norway. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2007) TEA. TEA, August 2007 - March 2008, Widnes Waterfront, Widnes Cheshire. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2008) TEA. TEA, January 2008 - ongoing, Bluecoat Arts Centre, Liverpool. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2008) TEA. TEA, 16th June - 22nd June 2008, Urbis, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2004) TEA - Boat Trip: Nothing But Flowers Book and DVD. DVD and Book. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2008) TEA on Intute. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2005) e-space lab. e-space lab, June 2005, The RENEW Rooms, Liverpool. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2006) e-space lab. e-space lab, 24th-27th February 2006, Z Museum, Shanghai & Out of the Bluecoat Space, Liverpool. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2006) e-space lab. e-space lab, 5th September - 5th November 2006, 6th Shanghai Biennale. Salon Vogue, Citic Square, Shanghai. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2008) e-space lab. e-space lab, 5th March 2008, Fact, Liverpool. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter (2008) e-space lab. e-space lab, July 2008, Bluecoat Arts Centre, Liverpool. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hatton, Peter and Murray, Val and Pilling, Lynn (2009) Bluecoat Arts Centre Heritage Trail. Interactive Digital Archive and Heritage Trail. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Henry, Tom F. K. (2012) ‘“Gli gettò addosso il suo mantello”’ and ‘La casa di Luca Signorelli’, in ed. F. De Chirico, V. Garibaldi, T. Henry and F.F. Mancini, Luca Signorelli, exh. cat., Perugia (Galleria Nazionale), Orvieto (Museo dell’Opera del Duomo) and Città di Castello (Pinacoteca), 2012, pp. 143-151 (and cats. 8, 24, 26-29, 39, 53, 86 and 95-97). Silvana, Milan, 358 pp. ISBN no ISBN copy deposited at HPA. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Holmes, Su (2006) (Re)visiting The Grove Family - ‘Neighbours to the Nation’ (1954-57): Television History and Approaches to Genre. New Review of Film and Television Studies, 4 (3). pp. 287-310. ISSN 1740-0309. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2006) It’s a Jungle Out There!: The Game of Fame in Celebrity Reality TV. In: Holmes, Su and Redmond, Sean, eds. Framing Celebrity: New Directions in Celebrity Culture. Routledge, pp. 45-66. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2004) Looking at the Wider Picture on the Small Screen: Reconsidering Television and Widescreen Cinema in the 1950s. Quarterly Review of Film and Video, 21 (2). pp. 131-147. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2004) The Only Place where “Success” Comes Before Work is in the Dictionary…?’: Conceptualising Fame in Reality TV. Media-Culture.org . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2005) The ‘Moron Factory?’: Debating ‘Ordinary’ People and Reality TV. Anglo Files: The Journal of English Teaching . pp. 12-19. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2006) The “Give-Away” Shows – Who is Really Paying?’: ‘Ordinary’ People and the Development of the British Quiz Show (1945-58). Journal of British Cinema and Television, 3 (2). pp. 284-303. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2006) ‘A Friendly Style of Presentation that the BBC had always found elusive’: The 1950’s Cinema Programme and the Construction of British Television History. In: Wheatley, Helen, ed. Re-viewing Television History: Critical Issues in Television History. I.B. Tauris & Co Ltd, London, pp. 67-81. ISBN 9781845111885. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2001) ‘As they Really Are and in Close-up’: Film Stars on 1950’s British Television. Screen, 42 (2). pp. 167-187. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2006) ‘Coming to you Live!’: An Evening at the Film Premiere. Journal of British Cinema and Television, 2 (2). pp. 208-226. ISSN 1743-4521. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2005) ‘Not the Final Answer’: Who Wants to be a Millionaire and Revisiting Critical Approaches to the Quiz Show. European Journal of Cultural Studies, 8 (4). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2005) ‘Starring… Dyer?’: Re-visiting Star Studies and Contemporary Celebrity Culture’, in edition on ‘Celebrity’. Westminster Papers in Communication and Culture (WPCC), 2 (2). pp. 6-21. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2007) ‘Torture, Treacle, Tears and Trickery’: Celebrities, ‘Ordinary’ People, and This is Your Life (1955-65). In: Redmond, Sean and Holmes, Su, eds. A Reader in Stardom and Celebrity. Sage Publications Ltd, London, pp. 156-170. ISBN 9781412923200. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2006) ‘When Will I be Famous?’: Reappraising the Debate about Fame in Reality TV. In: Escoffery, David S., ed. Essays on Truth and Representation: How Real is Reality TV? McFarland & Company. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2004) “All you’ve got to worry about is the task, having a cup of tea, and what you’re going to eat for dinner”: Approaching Celebrity in Big Brother. In: Holmes, Su and Jermyn, Deborah, eds. Understanding Reality Television. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2005) ”Off guard, Unkempt, Unready?”: Deconstructing Contemporary Celebrity in heat Magazine. Continuum: Journal of Media and Cultural Studies, 19 (1). pp. 21-38. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su and Jermyn, Deborah (2006) The audience is dead; Long live the audience!: Interactivity, ‘telephilia’ and the contemporary television audience. Critical Ideas in Television Studies, 1 (1). pp. 49-57. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2005) Designed ‘Specially for Television Purposes and Technique’: The Development of the Television Cinema Programme. Historical Journal of Film, Radio and Television, 25 (3). pp. 455-475. ISSN 0143-9685. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Holmes, Su (2001) ‘The Infant Medium with the Adult Manner’: Television promotes the ‘X’ film (1952-62’). Historical Journal of Film, Radio and Television, 21 (4). pp. 379-397. ISSN 0143-9685. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Illingworth, Shona (0214) 216 Westbound - panel discussion. In: Anxious Places Angst, environments and affective contamination, 26 June 2014, Central Saint Martins College, University of the Arts London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Illingworth, Shona (2009) Balnakiel. Balnakiel, 17 February - 4 April 2009, John Hansard Gallery, Southampton. video and sound installation; photography series; single screen video artwork; wall painting; drawing series and photo/text works. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Jeffers McDonald, Tamar E. L. (2007) 'Carrying Concealed Weapons': Gendered Makeover in Calamity Jane. Journal of Popular Film and Television, 34 (4). pp. 179-187. ISSN 0195-6051. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2010) 'I even cry funny!' Doris Day, Performance and Genre. In: Acting In Film, 2nd-4th September 2010, Potsdam University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2005) 'Under All Those Dirndls': Pillow Talk's Repackaging of Doris Day. In: Moseley, Rachel, ed. Fashioning Stars: Dress, Culture, Identity. BFI Publishing, pp. 50-61. ISBN 1844570681. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2006) 'Very Little Wrist Movement': Rock Hudson Acts Out Sexual Heterodoxy. Canadian Journal of Communication, 31 (4). pp. 843-858. ISSN 0705-3657. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2010) Hollywood Catwalk: Exploring Costume and Transformation in American Film. International Library of Cultural Studies . I B Tauris, London, 256 pp. ISBN 9781848850408. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2007) Romantic Comedy: Boy Meets Girl Meets Genre. Columbia University Press, 144 pp. ISBN 1-905671-02-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Joannides, M. (1998) Correggio's study of 'Christ the Redeemer' for S. Giovanni Evangelista. Master Drawings, 36 (4). pp. 409-416. ISSN 0025-5025. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Kear, Jon (2007) A Game That Must Be Lost: Chris Marker Replays Alain Resnais' Hiroshima mon amour. In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, pp. 129-142. ISBN 9781905674206. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Black Vénus:Josephine Baker at the Follies- Bergère. In: Sheringham, Michael, ed. Parisian Fields. Reaktion, pp. 46-71. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2004) Death and the Maiden: Cindy Sherman's Untitled Film Stills. In: Fortunati, Vita and Lamarra, Annamaria and Federici, Eleonora, eds. The Controversial Women's Body: Images and Representations in Literature and Art. Bononia University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2006) Frenhofer C’est Moi; Cézanne and Balzac’s Le Chief d’oeuvre inconnu. Cambridge Quarterly . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) In the Brute Net of Sense: Merleau-Ponty’s Aesthetics. In: The Flesh in the Text, 2 day Conference, October 2007, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) In the Net of Brute Sense: Merleau Ponty’s Aesthetics. In: Weller, Shane and Baldwin, Thomas and Fowler, James, eds. Flesh In The Text. Peter Lang. ISBN 9783039111022 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2003) Leaving L’Estaque: Cézanne’s Representations of Provence in the 1880s. Art on the Line . pp. 1-20. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1991) Making Hay with Monet; Monets of the 90s. Art History . pp. 593-599. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1999) Manet's Modernism. Burlington Magazine . pp. 139-144. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) Marker’s Bergson. In: Invited Talk, 29th November 2007, University of Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2002) Masters of Colour: From Derain to Kandinsky. Royal Academy. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) Melancholy Images: Chris Marker’s Cine-Essays and the Ontology of the Photography. In: The Cine-Essay symposium, 8th February 2007, Loughborough University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Modernism Revisited. Oxford Art Journal, 19 (2). pp. 119-122. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Monet Re-viewed. Burlington Magazine . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1995) Montage, Modernism and its Histories. Word & Image . pp. 320-326. ISSN 0266-6286. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Odd Man Out; Cézanne in Context. LQ . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1995) Review of Nineteenth Century Painting: A Critical History. Review of: Nineteenth Century Painting: A Critical History by Eisenmann, Stephen F.. Apollo . pp. 60-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1997) Seurat's Bathers at Asnières. Burlington Magazine . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) Spectres of Painting. University of Kent Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1998) Sunless (Chris Marker). Flicks Books (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) The Exposition Universelle of 1900. In: Banham, Joanna, ed. History of Interior Design. Fitzroy Dearborn. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2009) The Melancholy Image: Chris Marker’s Cine-Essays and the Ontology of the Photograph. In: Tormey, Jane and Whiteley, Gillian, eds. Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge Scholars Press. ISBN 9781443805322. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) The Origin of the Fragment in Balzac’s Le Chef d’oeuvre inconnu. In: ‘The Fragment’ 3 day conference, 28th-30th June 2007, University of Aberysthwyth. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2008) The Treasures of the Impressionists. Andre Deutsch, 88 pp. ISBN 9780233002347. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2004) Through A Veil: Reflections on the History of Australian Landscape Painting. In: Balbari, M., ed. Paesaggi australiani: Australian Landscapes. Pendragon Press, pp. 36-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1995) Travellin' Light. Wasafiri . ISSN 0269-0055. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Viewfinders: Looking at the Overlooked: Black Women photographers. Wasafiri . pp. 72-73. ISSN 0269-0055. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1994) Watching the Detectives. Art History . pp. 112-118. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2001) “Cézanne". In: The Oxford Companion to Western Art. Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon and Turci, Monica (1999) Absorbing Mythologies: Michael Ondaatje's Bill the Kid. Englishes, 4 (2). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klevan, Andrew (2000) Disclosure of the Everyday: Undramatic Achievement in Narrative Film. Trowbridge (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klevan, Andrew (1999) The Composition of Charisma: The Lines of Sporting Seduction in Ron Shelton's Tin Cup. Journal of Film Studies, 1 (1). pp. 51-62. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klevan, Andrew (2000) The Mysterious Disappearance of Style: Some Critical Notes about the Writing on Dead Ringers. In: Grant, Michael, ed. The Films of David Cronenberg. Flicks Books. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2007) Between Realities: Intermediality and the Blurring of Boundaries in Multimedia Theatre. In: Sugiera, Malgorzata and Borowski, Matuesz, eds. Fictional Realities / Real Fictions:Contemporary Theatre in Search of a New Mimetic Paradigm. Cambridge Scholars Press, United Kingdom. ISBN 9781847181381 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2005) David Pledger: On Eavesdrop and New Media. : Interview. Performance Paradigm Journal (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2007) Performing Posthuman Perspective: Can You See Me Now? Scan: Journal of Media Arts Culture, 4 (1). ISSN 1449-1818. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2005) The Play’s The Thing No Longer: Non-Linear Narrative in Kate Champion’s ‘Same, Same But Different'. Australasian Drama Studies Journal, 46 . pp. 58-69. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. and Scheer, Edward (2011) Multimedia Performance. Basingstoke: Palgrave Macmillan, 240 pp. ISBN ISBN-10: 023057467X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2002) "Fear of a Black and White Planet", Wonderyears. Neue Gesellschaft für Bildende Kunst. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2008) "Introduction" and "Capitalism as Cult", The Institute of Psychoplasmics. Pump House Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2010) Co-Operative Explanatory Capabilities in Organizational Design and Personnel Management, 2010. Testbed1, 18th-19th September 2010, Beaconsfield Gallery. Number of pieces: 1. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2005) Militant Ironies: Art as a Strategic Weapon in Israel’s Culture Wars. Art Papers, 30 (5). pp. 24-27. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2006) Notes Towards the Scientific Understanding of an Enlightened Xenulogy, Concerning the Recent Discovery of the MARSH Archives. In: Marsh, Lynne, ed. Volcano. Platform, pp. 13-17. ISBN 0-9538800-1-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2007) RETRO/NECRO: From Beyond the Grave of the Politics of Re-Enactment. Art Papers, 31 (6). pp. 44-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2007) The Political Theology of Battlestar Galactica. In: BSG 2007: The Politics, Poetics and Philosophy of Battlestar Galactica, 28th July 2007, Buckinghamshire Chilterns University College. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2006) The Spectre of Manual Labour. In: On Liberty and Art, 18th October 2006, Tate Britain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, G. and Kollectiv, P. (2010) We. Performance type: Musical event We, 29th August 2010, Kunsthall, Oslo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2008) Art and the New Town. Art and the New Town, 11th - 15th December 2008, Harlow Temple of Utopias, Harlow. Number of pieces: 1. Silkscreen print. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2007) Asparagus: A Horticultural Ballet. Asparagus: A Horticultural Ballet, 7th March - 15th April 2007, The Showroom, London. Number of pieces: 3. Performance, video and installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2007) Asparagus: A Horticultural Ballet. Asparagus: A Horticultural Ballet, 12th May 2007, SAT, Montreal. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2003) Becks Futures Student Film and Video Award Show. Becks Futures Student Film and Video Award Show , 25th - 28th April 2003, ICA, London. Number of pieces: 1. Super 8mm transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2008) Better Future, Quad-Shaped. Better Future, Quad-Shaped, 28th October 2008, Cube Microplex, Bristol as part of The Sensible Stage, Media Art Bath. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2004) DaDaDa: Strategies against Marketecture. DaDaDa: Strategies against Marketecture, 21st October - 21st November 2004, temporarycontemporary gallery, London. Number of pieces: 2. Video and mixed media sculpture/installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2005) Diamonds For Workers. Diamonds For Workers, 3rd June - 10th July 2005, Kate McGarry, London. Number of pieces: 3. Sculpture/Installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2007) Emergency3. Emergency3, 1st December 2007 - 27th January 2008, Aspex, Portsmouth. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2008) Food: A Sci-Fi Banquet. Food: A Sci-Fi Banquet, 19th December 2008, Royal Academy of the Arts, London. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2007) Foreign Body(ies). Foreign Body(ies), 29th August - 22nd September 2007, White Box, New York. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2008) Futureblueperfect. Futureblueperfect, 25th June - 27th July 2008, Cafe Gallery Projects, London. Number of pieces: 1. Installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2004) Grey Goo. Grey Goo, 16th October - 28th November 2004, Flaca Gallery, London. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2006) His Life Is Full Of Miracles. His Life Is Full Of Miracles, 11th March-29th April 2006, Animation Videotheque, Site Gallery, Sheffield.. Number of pieces: 5. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2006) Little Private Governments. Little Private Governments, 20th February - 25th March 2006, University of Essex Gallery, Colchester. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2006) Metropolis Rise. Metropolis Rise, 13th April - 23rd April 2006 and 30th April - 14th May 2006, Moganshan Art Village, Shanghai and DIAF 06, 798 Space, Beijing. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2006) Modern Lovers. Modern Lovers, 12th May - 4th June 2006, Three Colts Gallery. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2008) No Haus Like Bau. No Haus Like Bau, 14th June 2008, HAU, Mes Nuits, Berlin Biennale, Berlin. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2009) Roll It To Me. Roll It To Me, 14th March - 9th May 2009, Collective, Edinburgh. Number of pieces: 3. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2005) SV05. SV05, 5th August - 11th September 2005, Studio Voltaire, London. Number of pieces: 1. Super 8mm transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2008) Seven Times Two or Three. Seven Times Two or Three, 22nd June 2008, Cubitt, London. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2006) Slider. Slider, 29th April - 21st May 2006, Project Space, London. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2009) Starmaker. Starmaker, 12th June - 12th July 2009, E:Vent Gallery, London. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2004) Surrealestate. Surrealestate, 21st April - 29th May 2004, YYZ Artists' Outlet, Toronto. Number of pieces: 1. Super 8mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2008) Svetlana. Svetlana, 11th October - 15th November 2008, S1 Artspace, Sheffield. Number of pieces: 27. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2008) The Institute of Psychoplasmics. The Institute of Psychoplasmics, 9th April - 26th May 2008, Pump House Gallery, London. Number of pieces: 1. 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kollectiv, P. and Kollectiv, G. (2009) Ventriloquist. Ventriloquist, 27th February - 28th March 2009, Timothy Taylor, London. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Laera, Margherita (2011) Translating African Plays: Ethics, ‘Foreignisation’ and Collaboration. Practics as Research Portfolio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lehmann, Hans-Thies (2012) Am grunde die steine. : Ein nachwort von Hans-Thies Lehmann. In: Das offene Geheimnis. Gedanken über Schauspielerei und Theater. Alexander Verlag Berlin, Berlin, pp. 132-153. ISBN 9783895812668. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lehmann, Hans-Thies (2008) Note sur l’anagnorisis. Réflexions sur le spectateur dans le théâtre pré- et postdramatique. In: Hunkeler, Thomas and Kiss, Corinne Fournier and Luthi, Ariane, eds. Place au public : Les spectateurs du théâtre contemporain. Metis Presses, Truccazzano (Milan). ISBN 2940406057. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lehmann, Hans-Thies (2013) Tragödie und dramatisches Theater. Berlin ISBN 9783895813085. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lehmann, Hans-Thies (2011) Versuch zum Verstehen (Theater), nach Derrida. In: Zenck, Martin and Jungling, Markus, eds. Erzeugen und Nachvollziehen von Sinn: Rationale, performative und mimetische Verstehensbegriffe in den Kulturwissenschaften. Fink Wilhelm Gmbh + Co.Kg, Germany, pp. 29-42. ISBN 9783770545216. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lyon, Dawn and Hatton, Peter and Carabelli, Giulia and Pilling, Lynn and Murray, Val (2014) Imagine Sheppey: Fast Forward. : Imagine Sheppey:Fast Forward This is a work package within a much larger Connected Communities initiative on Community Engagement and Mobilisation. The larger project is ‘The social, historical, cultural and democratic context of civic engagement: imagining different communities and making them happen’ – or Imagine for short. Tea Video & Photography. (Unpublished) (Full text available)
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Maes, Hans R.V. (2001) 'Ik ben een briljant filosoof.' Over zelfingenomenheid en ijdelheid. In: Filosofische Kring, February 2001, Kortrijk, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) A Celestial Taxonomy of Remakes? Cinemascope. An Independent Film Journal, 1 (2). pp. 1-11. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Art and Pornography. In: 6th European Congress of Analytic Philosophy (ECAP), August 2008, Krakow, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Art and Pornography. Essay Review of Jerrold Levinson’s Contemplating Art. Journal of Aesthetic Education, 42 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) Arthur Danto and the End of Art. In: Midsouth Philosophy Conference, February 2005, Memphis, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2001) Bescheidenheid en asymmetrie. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 93 (2). pp. 117-135. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) Bescheidenheid, trots en ijdelheid. Budel, Damon (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Challenging Partial Intentionalism. In: American Society for Aesthetics, October 2006, Milwaukee, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) Critical Notice of Art in Progress. A Philosophical Response to the End of the Avant-Garde by Maarten Doorman. Budel, Damon, Jaarboek voor Esthetica. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2004) Danto en het einde van de kunst. In: Vandenabeele, Bart and Verneir, Koen, eds. Transgressie in de kunst. Budel, Damon, pp. 118-128. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2004) Danto, De Duve, and The End of Art. In: Rediscovering Aesthetics, July 2004, Cork, Ireland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) David Hume over de emotie ‘trots’. In: Van Reijen, M., ed. Emoties. Van stoïcijnse apatheia tot heftige liefde. Amsterdam, Klement, pp. 81-97. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) De emotie ‘trots’. In: Internationale School voor Wijsbegeerte, March 2006, Leusden, The Netherlands. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) De emotie ‘trots’ in de hedendaagse analytische filosofie. In: Van Reijen, M., ed. Emoties. Van stoïcijnse apatheia tot heftige liefde. Amsterdam, Klement, pp. 186-204. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) De grappenmaker en zijn publiek. Over grappen, kunst en intimiteit. In: Conference on humour organised by the University of Antwerp, May 2006, University of Antwerp, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Different Kinds of Bullshit. In: German Society for Analytic Philosophy (GAP), September 2006, Berlin, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2007) Een treffende gelijkenis. Over grappen en kunst. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 99 (4). pp. 281-296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Elephants, Microscopes and Free Beauty: Reply to Davies. Philosophical Quarterly, 59 (235). pp. 332-336. ISSN 0031-8094. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Esthetica en Theorievorming: Interview met Kendall Walton. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Grapje! Filosofische gedachten over grappen. Budel, Damon (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2001) Hypocrisie en Bescheidenheid. In: Internationale School voor Wijsbegeerte, March 2001, Leusden, The Netherlands. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2007) Intention, Interpretation, and Contemporary Visual Art. In: Annual Meeting of the Dutch-Flemish Society for Analytic Philosophy (VAF), April 2007, Antwerp, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Julia Driver on Moral Luck. In: 1st Annual Online Philosophy Conference, 2006, http://experimentalphilosophy.typepad.com/online_philosophy_confere. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) Larry Shiner and Arthur Danto on Art History. In: American Society for Aesthetics, Eastern Division Meeting, April 2005, Philadelphia, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Liefde, vriendschap en Casablanca. Streven (73). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Love, Friendship, and Casablanca. In: Love in Our World. An International Conference, November 2008, University of Manchester. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2004) Modesty, Asymmetry, and Hypocrisy. Journal of Value Inquiry, 38 (4). pp. 485-497. ISSN 0022-5363. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2009) Nawoord: Over de relatie tussen film en filosofie. In: d'Hoine, Pieter and Engelen, Bart, eds. Denkbeelden. Een inleiding tot de filosofie aan de hand van films. Antwerpen, Pelckmans, pp. 245-260. ISBN 9789086870448. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Remember that we forget. In: Cultural Memory: Forgetting to Remember / Remember to Forget, September 2008, University of Kent, Canterbury. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) Review of Aesthetics and the Philosophy of Art. The Analytic Tradition by Peter Lamarque & Stein H. Olsen. Tijdschrift voor Filosofie, 67 (3). pp. 601-602. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Review of Art and Intention. A Philosophical Study by Paisley Livingston. Tijdschrift voor Filosofie, 68 (2). pp. 414-415. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) Review of Arts & Minds by Gregory Currie. Review of Arts & Minds by Gregory Currie, 67 (3). p. 612. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Review of Contemplating Art by Jerrold Levinson. Review of: Contemplating Art by Levinson, Jerrold. Tijdschrift voor Filosofie, 70 (1). p. 186. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2004) Review of Filosofie & Film by Joost Raessens. Review of: Filosofie & Film by Raessens, Joost. Cinetext Online. Film & Philosophy . 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Review of On Images by John V. Kulvicki. Review of: On Images by Kulvicki, John V.. Tijdschrift voor Filosofie, 69 (4). p. 780. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2007) Review of Opmerkingen over het gevoel van het schone en het verhevene by Immanuel Kant. Review of: Opmerkingen over het gevoel van het schone en het verhevene by UNSPECIFIED. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 99 (2). pp. 167-168. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2007) Review of Opmerkingen over het gevoel van het schone en het verhevene by Immanuel Kant. Review of: Opmerkingen over het gevoel van het schone en het verhevene by UNSPECIFIED. Tijdschrift voor Filosofie, 69 (2). p. 389. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2007) Review of Philosophy and Conceptual Art by Peter Goldie and Elisabeth Schellekens. Review of: Philosophy and Conceptual Art by Goldie, Peter and Schellekens, Elisabeth. Tijdschrift voor Filosofie, 69 (3). pp. 612-613. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Review of Sight and Sensibility. Evaluating Pictures by Dominic McIver Lopes. Tijdschrift voor Filosofie, 68 (1). p. 434. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2007) Review of The Philosophy of Art by Stephen Davies. Review of: The Philosophy of Art by Davies, Stephen. Tijdschrift voor Filosofie, 69 (2). pp. 381-383. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2001) Review of The Subtlety of Emotions by Aaron Ben-Ze'ev. Tijdschrift voor Filosofie, 63 (4). pp. 810-811. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Review of The Task of the Interpreter. Text, Meaning, and Negotiation by Pol Vandevelde. Tijdschrift voor Filosofie, 68 (3). pp. 651-653. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2006) Review of Three Philosophical Filmmakers. Hitchcock, Welles, Renoir by Irving Singer. Tijdschrift voor Filosofie, 68 (4). pp. 840-842. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2002) Review of Uneasy Virtue by Julia Driver. Tijdschrift voor Filosofie, 64 (3). pp. 606-607. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2005) The End of Art Revisited. Postgraduate Journal of Aesthetics, 2 (3). pp. 122-132. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2004) The End of Art: A real problem or not really a problem? Postgraduate Journal of Aesthetics, 1 (2). pp. 59-68. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2003) The End of Art: A real problem or not really a problem? In: the International Congress on Arthur C. Danto and the End of Art, December 2003, Murcia, Spain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Waarom vinden we kunst waardevol? In: Vormingplus, May 2008, Leuven, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2001) Zelfwaardering. In: 23rd Vlaams-Nederlandse Filosofiedag, October 2001, Kortrijk, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2002) Zelfwaardering en het standpunt van anderen. In: Braeckman, Antoon and Devos, Rob and Verdonck, B., eds. Terugkeer van het subject. Recente ontwikkelingen binnen de filosofie,. Universitaire Pers Leuven, Leuven, pp. 223-235. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. and Schaubroeck, Katrien (2006) Different Kinds and Aspects of Bullshit. In: Hardcastle, Gary and Reisch, George A., eds. Bullshit and Philosophy. Open Court, pp. 171-182. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mei, Todd (2006) Commitment and Communication: The Aesthetics of Receptivity and Historicity. Contemporary Aesthetics, 4 . p. 30. ISSN 19328478.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Junko Theresa (2008) Cryptoglyph. In: Urban Encounters Conference, 16-17th May 2008, Centre for Urban and Community Research, Goldsmiths, University of London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Junko Theresa (2007) Eight Hours of Sleep and other works. Eight Hours of Sleep and other works, 9th May - 4th September 2007, Keynes Gallery, University of Kent. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Junko Theresa (2007) On the Walls of the Cave are Shadows. Stimulus Respond, London (1). pp. 93-96. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Junko Theresa (2006) On the Walls of the Cave are Shadows. In: Affective Imaging; Uneasy Spaces Symposium, 20th October 2006, Goldsmiths University of London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Junko Theresa (2008) Solo photographic exhibition, invited by the Hong's Foundation in Education and Culture. Meme: Antimatic 3 programme, 2nd June - 29th August 2008, Taipei, Taiwan. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Junko Theresa (2013) The Spell of Photography: A Philosophical History since Plato. I.B. Tauris, London ISBN NA. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Newall, Michael (2006) 'Pictures, Colours and Resemblance'. Philosophical Quarterly, 56 (225). pp. 587-595. ISSN 0031-8094. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Newall, Michael (2009) Pictorial Experience and Seeing. British Journal of Aesthetics, 49 (2). pp. 129-141. ISSN 0007-0904. (Full text available)
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O'Connor, Marion F (1992) Poel, William Staging Of The 'Alchemist' - Some Corrections. Theatre Notebook, 46 (2). pp. 95-104. ISSN 0040-5523. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Pavis, Patrice (2003) Analyzing Performance: Theater, Dance and Film. University of Michigan Press, 362 pp. ISBN 978-0472096893. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) La Mise en Scène Contemporaine. Armand Colin, 332 pp. ISBN 9782200340438. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Le Théâtre Contemporain: Analyse des Textes, de Sarraute à Vinaver. Armand Colin, France , 232 pp. ISBN 9782200259310. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Verse une Théorie de la Pratique Théâtrale : Voix et Images de la Scene. Septentrion Presses Universitaires, 485 pp. ISBN 9782757400098. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2003) Avignon in 2002 : five moments captured by Guy Delahaye. Studies in Theatre and Performance, 22 (3). pp. 139-144. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2003) Bernard-Marie Koltès. In der Einsamkeit der Baumwollfelder, oder die Welt in der man dealt. In: Weiler, Christel and Lehmann, Hans-Thies, eds. Szenarien von Theater und Wissenschaft. Festschrift für Erika Fischer-Lichte. Recherchen 15, pp. 100-126. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Das zeitgenössische französische Theater. E Podium Verlag, München, 250 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2003) De donde viene la puesta en escena y hacia donde va ? Revista de la escuela Navarra de Teatro (20). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) De la critica. Conjunto. Revista de teatro latinoamericano (144). pp. 8-13. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Dialogue. A lexikon. Performance research, 11 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Die Inszenierung zeitgenössischer Theaterstücke. Lendemains . pp. 52-68. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2002) D’une photo à l’autre ou comment le off réinvente la mise en scène. Théâtre/Public (165). pp. 49-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Entrevue avec Kim Hye-Jin. Revue de la Korean National University of the Arts . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Generacion. Teatro (21). pp. 201-209. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Generation. Performance Research, 9 (3). pp. 97-105. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Génération. Culture Coréenne (68). pp. 24-28. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2005) Impressions de théâtre à Séoul. Culture Coréenne (70). pp. 12-15. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Impressions d’un Séoulite de passage. Revue du Théâtre Coréen . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2005) Iscenesættelsen af samtidige stykker. Peripeti . pp. 35-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2003) Jean-Luc Lagarce : J’étais dans ma maison et j’attendais que la pluie vienne, oder die Pavane der Frauen um das Bett eines schlafenden Mannes. Forum Modernes Theater, 18 (1). pp. 73-85. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2005) Koltès’ Black battles with dogs on the stage. Cliché Europe. About cliché in life & on the stage . pp. 63-71. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2003) Kunst oder die Kunst der Fugue. In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds. Theater ohne Grenzen, Festschrift für Hans-Peter Bayerdörfer zum 65. Geburtstag. Herbert Utz Verlag, München, pp. 194-208. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Le 11 septembre 2001 et sa première mise en scène aux Etats-Unis. Europe (924). pp. 164-175. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2002) Le Théâtre contemporain. Analyses des textes de Sarraute à Vinaver. Armand Colin, Paris, 232 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Les médias auront-ils la peau du spectacle vivant ? In: Morizot, Jacques and Pouivet, Roger, eds. Dictionnaire d’esthétique et de philosophie de l’art. Armand Colin, Paris, pp. 413-415. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2005) Les écritures dramatiques contemporaines. In: Thomasseau, Jean-Marie, ed. Le Théâtre au plus près. Presses Universitaires de Vincennes, Saint-Denis, pp. 71-82. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Mes Trois Sœurs, Mis tres Hermanas, My three Sisters. Ateneo de Madrid, 267 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Mes trois sœurs. Forum of Theatre and Drama, Seoul . pp. 314-356. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Préface au livre de Cathy Rapin et Im Hye-Gyông Théâtre Coréen d’hier et d’aujourd’hui. In: Rapin, Cathy and Hye-Gyong, Im, eds. Théâtre Coréen d’hier et d’aujourd’hui. Les Éditions de l’Amandier, Paris, pp. 9-18. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Préface au livre de Michel Liard Parole écrite, parole scénique. In: Liard, Michel, ed. Parole écrite, parole scénique. Éditions Joca Seria, Nantes, pp. 7-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Préface au livre de Sophie Proust La Direction d’acteurs dans la mise en scène contemporaine. In: Proust, Sophie, ed. La Direction d’acteurs dans la mise en scène contemporaine. L’Entretemps Éditions, pp. 9-18. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Quatre ouvrages en langues anglaise et allemande. Théâtre/Public (184). p. 121. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Quelques mois en Corée. Théâtre/Public (175). pp. 34-62. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Ravenhill and Durringer, or the Entente cordiale misunderstood. Contemporary Theatre Review, 14 (2). pp. 1-13. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Ravenhill et Durringer ou les malentendus de l’entente cordiale. Théartre (5). pp. 11-30. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Reflexions introductoriès sobre el final en el teatre. Pausa, 23 . pp. 94-114. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2005) Ritualité et mise en scène dans les vidéos graffitis de Gómez-Peña. Henmès (43). pp. 131-139. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2005) Réflexions liminaires sur la fin au théâtre. In: Egger, Carol, ed. Rideau ou la fin du théâtre. Lansman, pp. 35-48. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Staging September 11th in the United States. Theater Forum (25). pp. 91-96. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Staging calamity : mise-en-scène and performance at Avignon 2005. In: Ben-Zvi, Linda and Davis, Tracy C., eds. Considering Calamity : Methods for Performance Research. Assaph Books, Tel Aviv university, pp. 13-38. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Staging calamity. Mise-en-scène and Performance at Avignon 2005. Theater, 36 (3). pp. 5-27. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2002) Tesis para el analisis del texto dramatico. Gestos, 17 (33). pp. 9-47. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) The effect produced. In: Christie, Judie and Gough, Richard and Watt, David, eds. A Performance Cosmology,. Routledge, London & New York, pp. 173-178. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Theatralia. Du texte au spectacle. Mélanges offerts à Halina Sawecka. Wydawnictwo UMCS . pp. 37-49. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Théâtre et calamité. Théâtre/Public (180). pp. 81-91. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2007) Traduction (avec Philippe Ivernel) et édition de Woyzeck de Georg Büchner. Classiques Larousse (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Woyzeck à la Cour d’Honneur. Théâtre/Public (175). pp. 67-72. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2006) Wymiana czy unterakcja ? Dialog (5-6). pp. 8-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2005) Yasmina Reza : Sztuka, czyli sztuka fugi. Etos życia – etos sztuki . pp. 283-299. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (1998) Army and University in conflict. New Zealand Herald . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (2007) Cross-cultural Filmmaking in Aotearoa New Zealand. In: MEDIANZ Conference, 8th-10th February 2007, Victoria University, Wellington, New Zealand. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (2003) Fleeting Beauty. New Zealand Film Commission Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (1999) Form and Politics in Punitive Damage. Australian Screen Education (20/21). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (1997) From novel to film : Le journal d’un curé de campagne and the art of adaptation. European Connection (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (2004) Homophobia has no place in tale of fatal love triangle. New Zealand Herald . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (2008) Igniting the Peripheries: Digital Cinema in Aotearoa New Zealand. In: Screen Studies Conference, 4th-6th July 2008, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (2006) Intercultural Short Filmmaking in Aotearoa New Zealand. Metro Film, Television, Radio & Multimedia journal (148). pp. 140-146. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (2000) Trust Me. New Zealand Film Commission Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (1999) “Searching for context” Article about the making of Punitive Damage & i/v with director Annie Goldson. Loose (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2008) Art History: The Basics. Routledge ISBN 978-0415373081. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2008) Art, Abjection and the Sadian Imaginary: Installations and Sculptures by Kamilla Sztyber. Kent University Fine Art, pp47-50. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2007) Francis D. Klingender, ‘Exodus and Exile’. Socialist History 30: 1956 and the New Left (30). pp. 22-42. ISSN 0969 4331. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2007) Francis Klingender 1907-1955: A Marxist Art Historian Out of Time. Gill Vista Marx Press, London, 316 pp. ISBN 9780955723902. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2003) Marxism, Art & Engagement: Francis Klingender. Bulletin of the Marx Memorial Library (137). pp. 19-26. ISSN 0969-1154. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2003) Museology. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2011) Sade, Entropy and the Neo-Baroque: Self Becoming in the Aesthetic of Michaȅl Aerts. . Deweer Gallery, Otegem, Belgium Text. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2003) Teach Yourself Art History. Hodder & Stoughton ISBN 0340869216. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2006) The Anal Sadistic Universe of Gilbert & George. In: Sculpture & Psychoanalysis. Ashgate Press in association with the Henry Moore Foundation, pp. 139-160. ISBN 0-7546-0984-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. and Newall, Diana M. (2003) Art in Context. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. and Newall, Diana M. (2004) Contemporary Art Practice. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. and Newall, Diana M. (2003) Cross Curricular Issues. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. and Newall, Diana M. (2003) Engaging Students. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. and Newall, Diana M. (2003) Looking at Paintings. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. and Newall, Diana M. (2003) Why Teach Art and Design? Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. and Whitham, Graham (2010) Understand Contemporary Art: Teach Yourself. Hodder & Stoughton, 224 pp. ISBN 9781444111255. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Radosavljevic, Duška (2010) A Reflection on Internal. Contemporary Theatre Review, 20 (2). pp. 249-251. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2010) Affairs of the Heart and Issues of Fidelity: Perspectives on Kneehigh’s Adaptation Method. In: AAS Berlin Conference , 29th September - 1st October 2010, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2001) Beginner’s Serbo-Croatian. Hippocrene Books, 257 pp. ISBN 978-0781808453 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2006) Believe it or Not? Suspension of Disbelief and Emotional Responses to Fiction. In: Meyer-Dinkgrafe, Daniel, ed. Consciousness, Theatre, Literature and the Arts. Cambridge Scholars Press, pp. 70-82. ISBN 1-904303-63-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2012) Circus as the Time and Space for Thinking. . PDF. (Full text available)
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Radosavljevic, Duška (2013) Community Innovation. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2010) Emma Rice in Interview with Duska Radosavljevic. Journal of Adaptation in Film and Performance, 3 (1). pp. 89-98. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2012) Encounters in Stratford-upon-Avon. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2004) Foreword. In: Kaput! New Writing North. ISBN 978-0954145637. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2005) From Dramaturg to Chocolatier: The Working Process on Margaret Wilkinson's new play Kaput! Dram Forum . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2009) Huddersfield as a Balkan Casablanca. In: International Federation for Theatre Research, Lisbon. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2004) Introduction. In: Sajtinac, Ugljesa, ed. Huddersfield. Oberon Books, pp. 15-16. ISBN 9781840024494. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2008) Kako pokrenuti kritičara: Edinburg 2008 - Eksperimenti u političkom teatru. TFT: Teatar Film Televizija . ISSN 1821-0120. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2012) Kotor Festival of Children's Theatre. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2003) Lindzi Kemp, jedna karijera - Scena. Sterijino Pozorje (39). ISSN 0036-5734. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2010) Northern Stage Ensemble as an Adaptation of the Russian Theatre Model. In: International Federation for Theatre Research Translation, Adaptation, and Dramaturgy Working Group, 25th-26th July 2010, Munich. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2008) Sarah Kane's Illyria: A Balkan reading of Blasted. In: 'Sarah Kane: Reassessments', 16th February 2008, University of Cambridge. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2005) Staging Theatricalised Reality: Yugoslav Metatheatre and its Political Significance. In: Haas, Birgit, ed. Macht Performanz, Performativität, Polittheater seit 1990. Würzburg: Königshausen & Neumann, pp. 283-302. ISBN 3-8260-3040-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2009) The Alchemy of Power and Freedom – A Contextualisation of Slobodan Šnajder’s Hrvatski Faust (The Croatian Faust). Contemporary Theatre Review, 19 (4). pp. 428-447. ISSN 1048-6801 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2006) The Canterbury Tales Study Day: Learning and Teaching Methodology at the CAPITAL Centre. English Subject Centre Newsletter (10). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2008) The Golden Age of Kneehigh. In: at Cultures of Translation: Adaptation in Film and Performance, 26th-28th June 2008, Glamorgan University, Cardiff. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2009) The Need to Keep Moving: Remarks on the Place of a Dramaturg in 21st Century England. Performance Research, 14 (3). 45 -51. ISSN 1352-8165 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2007) Translating the City: A Community Theatre Version of Wenders’ Wings of Desire in Newcastle upon Tyne. Journal of Adaptation in Film and Performance, 1 (1). pp. 57-70. ISSN 17536421. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška and Awde, Nick (2004) Serbian Dictionary and Phrasebook. Hippocrene Books, 239 pp. ISBN 978-0781810494 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2007) Apollinaire et le brigadier masqué - lecture de trois aquarelles. In: Burgos, Jean, ed. Apollinaire, le dessin et les traces. Guillaume Apollinaire (22). Lettres modernes Minard, Caen, pp. 91-108. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2006) Body Count in the Library. The Liberating Carnage of George Bataille's "Documents". Review of: "Undercover Surrealism. Picasso, Miro, Masson and the vision of Georges Bataille" at the Hayward Gallery, London, May to July 2006. by UNSPECIFIED. Times Literary Supplement (5388). pp. 18-19. ISSN 0307-661. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2008) A Cure for Every Conviction: Francis Picabia and the Monstrous Birth of Dada. Times Literary Supplement (5469). pp. 14-15. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2003) Dans 'La Cuisine' du peintre: connotations littéraires et politiques d'une oeuvre de Picasso. La Revue du Louvre (4). pp. 75-84. ISSN 0035-2608. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2006) First Frottage. Review of: Max Ernst Life and Work (London, Thames and Hudson, 2005). by Spies, Werner. Times Literary Supplement (5374). p. 8. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2008) Guernica, un cri contre la guerre. L'Histoire (335). pp. 58-59. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2001) Le portrait cubiste d'Apollinaire par Picasso, frontispice d''Alcools'. In: Décaudin, Michel, ed. Apollinaire et le portrait. Guillaume Apollinaire (21). Lettres modernes Minard, Paris, Caen, pp. 49-69. ISBN 2 256 91026 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2004) Obscure Objects of Desire. Review of: Obscure Objects of Desire. Surrealism, fetishism and politics by Malt, Johanna. Times Literary Supplement (5302). p. 31. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2004) Painting as a site of cultural memory: Picasso's 'The Kitchen'. . Picasso Administration (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2004) Picasso From Caricature to Metamorphosis of Style. Review of: Picasso from Caricature to Metamorphosis of Style, exhibition catalogue, B. Léal and M.-T. Ocana (eds.) (London: Lund Humphries, 2003). by Léal, Brigitte and Ocana, M.T.. The Art Book, 11 (2). pp. 18-19. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2008) Picasso and Apollinaire: The Persistence of Memory. Ahmanson-Murphy Fine Arts Books . University of California Press, Berkeley, Los Angeles, London, 334 pp. ISBN 9780520243613. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2008) Picasso: Une traversée du siècle. L'Histoire (335). pp. 52-65. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2007) Pierre Louÿs, Rodin and Aphrodite: Sculpture in Fiction and on the Stage, 1895-1914. French Studies, 61 (1). pp. 56-67. ISSN 0016-1128 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2006) True Lie of the Land. Review of: Charles Rennie Mackintosh in France (exhibition, Dean Gallery, Edinburgh, 2005-2006). by UNSPECIFIED. Times Literary Supplement (5365). p. 18. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2011) 'All Fields of Knowledge': Picasso's Art and the Intellectual Environment of his Early Years in Paris. In: McCully, M., ed. Picasso in Paris 1900-1907. Eating Fire. Thames and Hudson, London and Amsterdam, pp. 154-173. ISBN 9789079310210. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2005) Automatic Travel. Review of: Ghost Ships: A Surrealist Love Triangle, by Robert McNab (Yale, 2004). by McNab, R.. Times Literary Supplement (5328). p. 27. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2008) L’Eclat du noir: du Bestiaire au Poète assassiné, Dufy illustrateur d’Apollinaire. In: Krebs, Sophie, ed. Raoul Dufy Le Plaisir. Musee d'art moderne de la Ville de Paris, Paris, pp. 91-98. ISBN 9782759600434. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2005) Picasso The Real Family Story. Review of: Picasso The Real Family Story by Widmaier Picasso, O.. The Art Book, 12 (4). pp. 31-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2010) Preface. In: Warnod, J., ed. Serge Férat : Un Cubiste russe à Paris. Editions de Conti, Paris. ISBN 978-2351030219 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2005) The Great Parade Portrait of the Artist as Clown. Review of: The Great Parade. Portrait of the Artist as Clown, exhibition catalogue by Gérard Régnier (ed.) (Yale, 2004). by Régnier, G.. The Art Book, 12 (2). p. 18. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Rodosthenous, George and Radosavljevic, Duška and Zavros, Demetris (2009) The Fall of Ikarus. Performance type: Live play , Koln. live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2008) The politics of the polyphony of performance: Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1477-2264. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Sayad, Cecilia (2008) O jogo da reinvenção: Charlie Kaufman e o lugar do autor no cinema. Alameda, Sao Paulo, 64 pp. ISBN 9788598325729. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2008) Um cinema desenquadrado: a política da linguagem e a linguagem da política em Duas ou três coisas que eu sei dela. In: Estudos de cinema – SOCINE IX. Annablume, Sao Paulo. ISBN 9788574198644. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayers, Janet V. Bion's Transformations: Art & Psychoanalysis. In: Mawson, Chris, ed. Bion Today. Routledge. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayers, Janet V. (2007) Freud's Art: Psychoanalysis Retold. Routledge, London & New York, 212 pp. ISBN 9780415415682. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayers, Janet V. Healing art, healing Stokes. In: Bann, Stephen, ed. The Coral Mind. Penn State Press, USA, pp. 123-138. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayers, Janet V. (2007) Picasso cure: Personality, psychoanalysis, Les demoiselles d'Avignon centenary. International Journal of Art Therapy, 12 (1). pp. 39-48. ISSN 1745-4832. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayers, Janet V. (2009) Psy-art: Re-imagining identity. In: Elliott, Anthony and Du Gay, Paul, eds. Identity in Question. Sage, pp. 198-215. ISBN 9781412922432. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayers, Janet V. (2007) Thinking art and psychoanalysis. In: Bainbridge, Caroline and Radstone, Susannah and Rustin, Michael and Yates, Candida, eds. Culture and the Unconscious. Palgrave MacMillan, pp. 74-87. ISBN 9781403986221. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Schaffner, Anna Katharina (2015) The Twee Tribe. Review of: Twee: The Gentle Revolution in Music, Books, Television, Fashion, and Film by Spitz, Marc. The Twee Tribe . p. 13. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Schoenefeldt, Henrik (2014) First Report on the Victorian ventilation system of the House of Lords. : Its design and evolution 1839-54. Report on study by Dr. Henrik Schoenefeldt, presented to Parliamentary Estate in January 2014, 100 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (1997) Between the Scenes: Virginia Woolf’s Freshwater. Women and Theatre: Occasional papers (4). pp. 35-67. ISSN 0-951-88753. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (2008) Does it Work? Prove it! Reflections on Efficacy and Ethics. In: Theatre and Performance Research Association, September 2008. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (2008) Double Acts: Mirror Neurons & Applied Performance. In: Researching Applied Theatre and Performance Conference, April 2008, University of Exeter. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (1996) Is s/he or isn’t s/he?: Screening Orlando. In: Cartmell, Deborah, ed. Pulping Fictions: Consuming Culture across the Literature/Media Divide. Pluto Press, pp. 43-56. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (2000) One, Two, Three: Sylvia Plath’s Verse Dramas. In: Donnell, Alison and Polkey, Pauline, eds. Representing Lives: Women and Auto/biography. Macmillan, pp. 241-250. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (2013) Perceiving Differently: The Neuro-Divergent Aesthetic and Contemporary Performance. Interdisciplinary Science Reviews, 38 (4). pp. 321-334. ISSN 0308-0188. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (1996) Theatres of Absurdity: pedagogy, performance and institutional politics. Studies in Theatre Production (13). pp. 39-53. ISSN 1357-5341. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (1994) When this you see remember me: Three plays by Gertrude Stein. In: Griffin, Gabrielle, ed. Difference in View. Taylor & Francis. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2007) "I do, I will": Hal, Falstaff and the Performative. In: Henderson, Diana E., ed. Alternative Shakespeares 3. New accents . Routledge, Abingdon, pp. 14-33. ISBN 9780415423335. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1997) "Ragging the Bard”: Terence Gray, Shakespeare and Henry VIII. Theatre Notebook, 51 (2). pp. 92-111. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2004) Approaching the Globe. In: Shakespeare Association of America Annual Conference, April 2004, New Orleans. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2008) Behind the Scenes. In: Thirty-third International Shakespeare Conference, August 2008, The Shakespeare Institute. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Dreaming the Globe: Poel, Guthrie, and the quest for authenticity. In: Shakespeare and Tudor Traditions, September 2006, Queen Mary and Westfield College & Shakespeare’s Globe. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2005) Dreams of England. In: Massai, Sonia, ed. World-Wide Shakespeares: Local appropriations in film and performance. London and New York: Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2001) Edward Bond. In: Dobson, Michael and Wells, Simon, eds. The Oxford Companion to Shakespeare Studies. Oxford: Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1998) Eugene O’Neill and American Drama to 1945. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2005) Hamlet. Performance Research, 10 (3). p. 103. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1989) Howard Barker, The Wrestling School and the Cult of the Author. New Theatre Quarterly (15). pp. 264-271. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2001) In his Entirety: Tyrone Guthrie, Hamlet and Psychoanalysis. In: London Renaissance Seminar, February 2001, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Introduction to Shakespearean Tragedy. In: Bradley, A.C., ed. Shakespearean Tragedy 4th revised edition. Palgrave Macmillan, xii-xlvi. ISBN 9780230001893. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2005) On Location: de Certeau, Shakespeare and the pedestrian. In: Trinity College, Dublin, February 2005, Trinity College, Dublin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2007) One Piece at a Time. Shakespeare Bulletin, 25 (3). pp. 11-26. ISSN 0748-2558. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) One Piece at a Time. In: Watching Ourselves Watching Shakespeare, November 2006, University of Michigan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Our Shakespeares. In: Shakespeare on Film, May 2006, Royal Holloway, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Our Shakespeares. In: Shakespeare on Television seminar, April 2006, Shakespeare Association of America Annual Conference, Philadelphia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Our Shakespeares: British Television Shakespeare and the Strains of Multiculturalism. In: Thornton Burnett, Mark and Wray, Ramona, eds. Screening Shakespeare in the Twenty-First Century. Edinburgh: Edinburgh University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1997) Postmodernism, interculturalism and a recurring Dream. In: Shakespeare Association of Korea First Annual Conference, May 1997, Seoul University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1994) Representing Shakespeare: England, History and the RSC. Hemel Hempstead: Harvester Wheatsheaf (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2003) Romeo and Juliet: the rock and roll years. In: Aebischer, Pascale and Esche, Edward J. and Wheale, Nigel, eds. Remaking Shakespeare: Performance Across Media, Genres and Cultures. Basingstoke and New York: Palgrave. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2001) Romeo and Juliet: the rock and roll years. In: SCAENA: Shakespeare and his Contemporaries in Performance, August 2001, Anglia Polytechnic University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2002) Setting the Scene: A Midsummer Night’s Dream. In: Shakespeare’s Globe, May 2002, Shakespeare’s Globe. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1999) Shakespeare Goes Pop. In: Millennium Shakespeares, November 1999, Hofstra University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2005) Shakespeare and 21st Century Film. In: British Shakespeare Association Conference, September 2005, University of Newcastle. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2003) Shakespeare at Ground Level. In: London Shakespeare Seminar, November 2003, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2001) Shakespeare versus Performance. In: London Shakespeare Seminar, April 2001, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2000) Shakespearean Utopias. Shakespeare Survey (54). pp. 233-243. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1998) Shakespearean Utopias. In: The Shakespeare Institute, February 1998, The Shakespeare Institute. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Stage, Screen and Nation: Hamlet and the Recovery of History. In: Henderson, Diana E., ed. A Concise Companion to Shakespeare on Screen. Oxford: Blackwell. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2005) Stage, Screen and Nation: Hamlet and the recovery of history. In: The Shakespeare Institute, March 2005, The Shakespeare Institute. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1994) Terence Gray’s Shakespeare. In: Shakespeare on the British Stage 1990-1945, July 1994, Leicester University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2008) The Falstaff Syndrome: Pathos, Prosthetics and Performance. In: Filming and Performing Renaissance History symposium, April 2008, Queen's University Belfast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1996) The Last Post. In: Shakespeare’s Language in Performance Seminar, 27th International Shakespeare Conference, August 1996, The Shakespeare Institute. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1998) The Last Post: Henry V, war culture and the postmodern Shakespeare. Theatre Survey, 39 (1). pp. 41-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2004) The Shakespeare Revolution will not be televised. In: Shakespeare: Remembering Performance, November 2004, University of Notre Dame. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1992) Three Socialist Plays: Lear, Roots, Serjeant Musgrave’s Dance. Buckingham and Philadelphia: Open University Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2002) Twentieth-Century Fox: Volpone’s Metamorphosis. Theatre Research International, 27 (1). pp. 27-48. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1997) Volpone, anthropomorphism, and the discourses of late capitalism. In: SCAENA: Shakespeare and his Contemporaries in Performance, August 1997, Anglia Polytechnic University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1994) Voltaire’s Brain: Strategies for Enlightenment and Studies in the Death of the Author. Studies in Theatre Production (9). pp. 22-37. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2001) What have the Romans ever done for us? In: Royal Shakespeare Company Summer School, August 2001, Royal Shakespeare Company Summer School. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2004) ‘Robert Bensley’, ‘Francis Gentleman’, ‘William Havard’, ‘Charles Lee Lewes’, ‘Charles Macklin’, ‘Sarah Siddons’. In: Oxford Dictionary of National Biography. Oxford: Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1996) ‘William, Gaskill’, ‘Terence Gray’, ‘Bill Alexander’. In: Hawkins-Dady, Mark, ed. International Dictionary of Theatre, Volume 3: Actors, Directors and Designers. London: St James’s Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2005) Against Nature. In: The Cognitive Neuroscience of Film, April 2005, University of Washington-St-Louis. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2005) Cinema and Cognition. In: Cinema and Cognition, Society for Cinema and Media Studies, April 2005, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (1995) Engaging Characters: Fiction, Emotion, and the Cinema. Oxford: Clarendon Press, 265 pp. ISBN 978-0198183471. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2005) What Difference Does it Make. In: Representing and Conveying Emotions in Audio-Visual Forms of Media, December 2005, University of Hamburg. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray and Wartenburg, Thomas (2006) Thinking Through Cinema: Film as Philosophy. Journal of Aesthetics and Art Criticism 64(1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2002) ‘An Excursion into the Lower Depths: Hollywood, St. Louis Blues, and Urban Primitivism.’. Cinema Journal, 41 (2). pp. 84-108. ISSN 0009-7101. (Full text available)
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Stanfield, Peter (2000) ‘From the Vulgar to the Refined: American Vernacular & Blackface Minstrelsy in Showboat (1936)’. In: Marshall, Bill and Stillwell, Robynn, eds. Musicals: Hollywood and Beyond. Intellect Press, pp. 147-156. ISBN 1-84150-003-8. (Full text available)
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Stanfield, Peter (2008) Maximum Movies: Lawrence Alloway’s Pop Art Film Criticism. Screen, 49 (2). pp. 179-193. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2008) Notes Toward a History of the Edinburgh International Film Festival, 1969-77. Film International, 6 (4). pp. 62-71. ISSN 1651-6826. (Full text available)
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Stanfield, Peter (1997) ‘“An Octoroon in the Kindling”: American Vernacular & Blackface Minstrelsy in 1930s Hollywood.’. Journal of American Studies, 31 (3). pp. 407-438. ISSN 0021-8758. (Full text available)
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Stanfield, Peter (2005) ‘A Monarch for the Millions: Jewish Filmmakers, Social Commentary & the Postwar Cycle of Boxing Films’. Film Studies: An International Review (7). pp. 66-82. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2007) ‘A Monarch for the Millions: Jewish Filmmakers, Social Commentary & the Postwar Cycle of Boxing Films’. In: Krutnik, Frank and Neale, Steve and Neve, Brian and Stanfield, Peter, eds. “Un-American” Hollywood: Politics & Film in the Blacklist Era. Rutgers University Press. ISBN 0-8135-4198-3 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (1996) ‘Country Music & the 1939 Western: From Hillbillies to Cowboys’. In: Cameron, Ian and Pye, Douglas, eds. The Movie Book of the Western. Studio Vista, pp. 22-33. ISBN 0-289-80140-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (1998) ‘Dixie Cowboys & Blue Yodels: The Strange History of the Singing Cowboy’. In: Buscombe, Edward and Pearson, Roberta, eds. Back in the Saddle Again: New Essays on the Western. British Film Institute, pp. 96-117. ISBN 0-85170661-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (1992) ‘Heritage Design: The Harley-Davidson Motor Company.’. Journal of Design History, 5 (2). pp. 141-155. ISSN 0952-4649. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2003) ‘The Last Scene of the Titanic: Vernacular American Phonograph Recordings’. Interdisciplinary Literary Studies, 5 (1). pp. 21-33. ISSN 1524-8429. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (1987) ‘The Western 1909-14: A Cast of Villains.’. Film History, 1 (2). pp. 97-112. ISSN 0892-2160. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2005) ‘Walking the Streets: Black Gangsters and the “Abandoned City” in the 1970s Blaxploitation Cycle’. In: Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 281-300. ISBN 1845203305. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2001) ‘“Extremely Dangerous Material”: Hollywood and the Ballad of Frankie and Johnny’. In: Bernardi, Daniel, ed. Classic Hollywood, Classic Whiteness. University of Minnesota Press, pp. 442-465. ISBN 0-166-3239-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2002) ‘“Film Noir Like You’ve Never Seen”: Jim Thompson Adaptations and Cycles of Neo Noir’. In: Neale, Stephen, ed. Genre and Contemporary Hollywood. British Film Institute, pp. 251-268. ISBN 0-8517-08870. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter and Sonnet, Esther (2005) ‘“Good Evening, Gentleman, Can I Check Your Hats Please?”: Masculinity, Dress and the Retro Gangster Cycles of the 1990s’. In: Grieveson, Lee and Sonnet, Esther and Stanfield, Peter, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 163-184. ISBN 1845203305. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stähler, Axel (2008) Writ(h)ing Images: Imagination, the Human Form, and the Divine in William Blake, Salman Rushdie, and Simon Louvish. English Studies, 89 (1). pp. 94-117. ISSN 0013-838X. (Full text available)
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Thomas, Ben D. H. (2000) Artefici and Huomini Intendenti: Questions of Artistic Value in Sixteenth-Century Italy. In: Shepherd, Rupert and Neher, Gabriele, eds. Revaluing Renaissance Art. Ashgate Press, pp. 43-56. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (1999) Artefici and huomini intendenti: questions of artistic value in sixteenth-century Italy. In: Images and Values, Association of Art Historian’s 25th Annual Conference, 9-11th April 1999, University of Southampton. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (1999) Calendar of the Fortnum Papers at the Ashmolean Museum, 1999. National Art Library. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2007) Casa Vasari: writing and decorating the artist’s house. In: Hendrix, Harald, ed. Writers’ Houses and the Making of Memory. Routledge, pp. 139-148. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2005) Casa Vasari: writing and decorating the artist’s house. In: Writers’ Houses and the Construction of (Trans)National Cultural Memory, ACUME European Thematic Network Conference, 11th-15th May 2005, Rome. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) Disegno. In: Renaissance Keywords, 19th September 2008, University of Birmingham. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2002) Edgar Wind and Leonardo da Vinci. In: University of Oxford, Renaissance History Seminar, 4th February 2002, University of Oxford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2005) Enea Vico, The Academy of Baccio Bandinelli. National Gallery of Canada, Leonardo da Vinci, Michelangelo and the Renaissance in Florence, exhibition catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2002) Finding Ovid through Raphael in the Schools of the Tombs. In: Monkeying about with Antiquity, AHRB Centre for Cultural Analysis, Theory and History, 17th May 2002, University of Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2003) Finding Ovid through Raphael in the Schools of the Tombs. Art on the Line, 1 (2). pp. 1-11. ISSN 1478-6818. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2006) Framing Giambologna’s Rape of a Sabine. In: Renaissance Society of America Annual Conference, 22nd-25th March 2006, San Francisco. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (1999) Hercules and the Hydra: C. D. E. Fortnum, Arthur Evans and the Ashmolean Museum. Journal of the History of Collections , 11 (2). pp. 159-169. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2012) In Defence of Marginal Anarchy: Edgar Wind and the Congress for Cultural Freedom. In: Art History and the Cold War. Ashgate. ISBN ???. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2012) John Evelyn's Project of Translation. Art in Print . (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) Noble or Commercial? The Early History of Mezzotint in Britain. In: British Printed Images to 1700, 12th-13th September 2008, Victoria & Albert Museum. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2010) Noble or Commercial? The Early History of Mezzotint in Britain. In: Hunter, Michael, ed. Printed Images In Early Modern Britain. Essays in Interpretation. Ashgate, Farnham and Burlington, pp. 279-296. ISBN 9780754666547. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2005) Parallel Lives: Dante, Michelangelo and the Reception of the Medici Chapel Sculpture. In: Conception: Reception, 31st Annual Conference of the Association of Art Historians, 31st March - 2nd April 2005, University of Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2005) The Academy of Baccio Bandinelli. Print Quarterly, XXII (1). pp. 3-14. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2005) The Academy of Baccio Bandinelli by Enea Vico. In: Renaissance Society of America Annual Conference, 7-9th April 2005, University of Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2003) The Dissemination of Disegno: Baccio Bandinelli and Anton Francesco Doni. In: The Business of Prints in Rome, 24th-25th March 2003, University of Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (1999) The Fortnum Archive in the Ashmolean Museum. Journal of the History of Collections , 11 (2). pp. 253-268. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) The Locations of Art in the Mezzotints of Wallerant Vaillant. In: Early Modern Prints Symposium and Study Day, 2nd April 2008, Courtauld Institute Research Forum. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2006) The Many Faces of Lucas van Leyden and Other Stories: Some Historiographical Reflections on the Pictorum aliquot celebrium Germaniae inferioris effigies of Domenicus Lampsonius. In: Courtauld Institute Research Seminar, 16th May 2006, Courtald Institute. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) The Paradox of Mezzotint. The Paradox of Mezzotint, 12th April - 11th June 2008/2nd July-31st October 2008, Museum of Canterbury/Strang Print Room, University College London. Prints. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) The Paradox of Mezzotint. In: Centre for Medieval and Early Modern Studies, 24th January 2008, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) The Paradox of Mezzotint, exhibition catalogue. Canterbury ISBN 978-1-902671-55-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2000) The Renaissance artist’s sense of history. In: 30th International Congress of the History of Art, 3rd-8th September 2000, National Portrait Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) The Truest Poetry is the Most Feigning: Edgar Wind on Art and Morals during the Cold War. In: Cultural Memory:Forgetting to Remember/Remembering to Forget, KIASH conference, 10th-13th September 2008, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2004) Tracing the Course of Forms: John Obadiah Westwood. In: Connecting Cultures, Kent Institute for Advanced Studies in the Humanities biannual conference, 2-4th April 2004, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2006) Van Dyck pinxit/After Van Dyck. Van Dyck pinxit/After Van Dyck, May-November 2006, Museum of Canterbury. Prints. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2004) ‘Wind, Edgar Marcel (1900-1971). Oxford University Press, Oxford Dictionary of National Biography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2000) “A beautiful and rare invention”: Gian Girolamo Savoldo’s so-called portrait of Gaston de Foix. In: University of Oxford, Oxford Brookes University and Ashmolean Museum Art History Seminar, 26th January 2000, Oxford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (1996) “The Spaniard’s Peccadillo”: The Interrelation of Painting and Sculpture in Sixteenth-Century Italy. In: University of Oxford, Renaissance History Seminar, 16th February 1996, University of Oxford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2003) “The art consists of hiding the art”: Castiglione and Raphael. In: Braida, Antonella and Pieri, Giuliana, eds. Image and Word. Reflections of Art and Literature from the Middle Ages to the Present. Legenda/Oxford University Press, pp. 134-150. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. and Clayton, Timothy (2000) George Clarke Print Collection, Worcester College, Oxford, 2000. Worcester College Oxford, http://prints.worc.ox.ac.uk/. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Trimingham, Melissa (2012) bauhaus lighthouse: der bau als buehne das buehne als bau. In: bauhaus art as life. Konig, Cologne, pp. 200-203. ISBN 9783863351632. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Turner, Sarah E. (1996) A Life in a Day with Helena Goldwater. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Turner, Sarah E. (1991) A Tale Part Told. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Turner, Sarah E. (1998) Beacons of Style: A history of Experimental Cinema. Beacons of Style: A history of Experimental Cinema , 1998, Nationwide Tour. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Turner, Sarah E. (2007) Ecology. DVD 87mins. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Turner, Sarah E. (1992) Flesh Histories. Flesh Histories, 1992, Nationwide Tour. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Turner, Sarah E. (1990) One and the other time. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Turner, Sarah E. (1989) She Wanted Green Lawns. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Turner, Sarah E. (1994) Sheller Shares her Secret. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Turner, Sarah E. (1995) Sight & Sound/BFI Women Making Movies Tour. Sight & Sound/BFI Women Making Movies Tour, 1995, Nationwide Tour. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Turner, Sarah E. (2008) The Raw and The Cooked. Fourth ICA Biennial. The Raw and The Cooked. Fourth ICA Biennial , 2008, Nationwide tour. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Vaage, Margrethe Bruun (2010) Fiction Film and the Varieties of Empathic Engagement. Midwest Studies In Philosophy, 34 (1). pp. 158-179. ISSN 0363-6550. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2013) Fictional reliefs and reality checks. Screen, 54 (2). pp. 218-237. ISSN 1460-2474. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2009) The Role of Empathy in Gregory Currie's Philosophy of Film. British Journal of Aesthetics, 49 (2). pp. 109-128. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2008) 'Body and Mask’ in Performances of Classical Drama on the Modern Stage. In: Hardwick, Lorna and Stray, Christopher, eds. The Blackwell Companion to Classical Reception. Oxford: Blackwell. ISBN 9781405151672. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2007) 'The Use of Masks in Koun's Stage Interpretations of Aristophanes' Birds, Frogs and Peace'. In: Hall, Edith and Wrigley, Amanda, eds. Aristophanes in Performance, 421BC-AD2007, Peace, Birds and Frogs. Legenda Press, pp. 179-193. ISBN 9781904350613. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2008) Mask & Performance In Greek Tragedy: From Ancient Festival To Modern Experimentation. Review of: Mask & Performance In Greek Tragedy: From Ancient Festival To Modern Experimentation by Wiles, David. Theatre Research International, 33 (3). pp. 325-326. ISSN 0307-8833 . (Full text available)
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Varakis-Martin, Angeliki (2008) Review of Oedipus. Review of: Oedipus by Edmunds, Lowell. Classical Review, 58 (2). p. 619. ISSN 0009-840X . (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Vigneron, Sophie (2008) The Authenticity of Art: an Insight into French Law. Art Antiquity and Law, 13 (3). pp. 297-312. ISSN 1362-2331. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Wilson, Colette E. (2007) Paris Photography after the Commune: remembering to forget. In: Photography: theory, practice, debate, 22 October 2007, Institute of Germanic & Romance Studies, School of Advanced Study, University of London, Stewart House, Russell Square.. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wilson, Colette E. (2004) The Politics and Aesthetics of a Phantom Palace: Le Palais des Tuileries in Charles Soulier’s Paris incendié, mai 1871. Romance Studies, 22 (3). pp. 197-207. ISSN 0263-9904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wilson, Colette E. (2007) Paris and the Commune 1871-78: the politics of forgetting. Cultural HIstory of Modern War . Manchester University Press and Palgrave in the USA, Manchester and New York, 236 pp. ISBN 978 0 7190 7476 9. (Full text available)
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Wilson, Colette E. (2008) Photography & Cultural Memory: Four Contemporary Photographers. Cultural Memory Conference: Forgetting to Remember/Remembering to Forget, Conference 10-12 September. Exhibition 10 Sept to 28 October 2008, Keynes College, University of Kent, Canterbury, UK. Number of pieces: 36. Paper-based catalogue. ISBN 978-1-902671-58-1. (Full text available)
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Wood, Aylish (1998) "You ever fuck a mutant?" Technology, Gender and Identity in Total Recall. In: Ainley, Rosa, ed. New Frontiers of Space, Bodies and Gender. Routledge, pp. 191-202. ISBN 0415154901. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2007) 'Pixel Visions: Digital Intermediates and Micromanipulations of the Image'. Quarterly Review of Film and Video, Film Criticism 32 (1). pp. 72-94. ISSN 0163-5069. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2008) Cinema as Technology: Encounters with an Interface. In: Furstenau, Marc and Mackenzie, Adrian and Bennett, Bruce, eds. Cinema and Technology. Palgrave Press. ISBN 9780230524774. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2007) Digital Encounters. Routledge, Taylor and Francis Group, 200 pp. ISBN 9780415410663. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2001) Fresh Kill: Information Technologies as Sites of Resistance. In: Munt, Sally, ed. Technospaces: inside the new media. Continuum, pp. 161-174. ISBN 0826450032. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2010) Making the Dark Knight. In: MeCCSa Conference 2010, 6th-8th January 2010, London School of Economics. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2008) Proliferating Connections and Communicating Convergence. Fibreculture (13). ISSN 1449-1443 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2006) Re-Animating Space. Animation: An Interdisciplinary Journal, 1 (2). pp. 133-152. ISSN 1746-8477 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2010) Resolving the Posthuman. In: The Posthuman Subject, 2nd-3rd July 2010, University of Surrey. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2005) The Animated Queer. In: Griffiths, Robin, ed. Queer Cinema in Europe. Intellect. ISBN 1841500798 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2004) The Expansion of Narrative Space: Titanic and CGI Technology. In: Street, Sarah and Bergfelder, Tim, eds. Titanic as Myth and Memory: Representations in Visual and Literary Culture. I.B.Tauris, pp. 225-234. ISBN 1850434328. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2004) The Metaphysical Fabric that Binds Us’: Proprioceptive Coherence and Performative Space in Minority Report. New Review of Film and Television Studies, 2 (1). pp. 1-18. ISSN 1740-0309. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2004) The collapse of reality and illusion in The Matrix. In: Tasker, Yvonne, ed. The Action Reader. Routledge, pp. 119-129. ISBN 0415235073. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

This list was generated on Wed Apr 1 22:00:24 2015 BST.