Items where Subject is "N Visual Arts"

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Abbasian, Kaveh (2021) Crafting ‘Art of Persia’: Debates on National and Religious Identity in Contemporary Iran. Ajam Media Collective, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88882)

Allain, Paul (2002) After Grotowski. Total Theatre, 14 (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2387)

Allain, Paul (2002) After Grotowski - the next Generation. New Theatre Quarterly, 28 (1). pp. 59-66. ISSN 0-521-01314-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2375)

Allain, Paul (2008) British Grotowski Project. Three year AHRC funded practical and theoretical project with multiple outcomes. Project. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40776)

Allain, Paul (2000) The Cambridge Companion To Chekhov. Cambridge University Press ISBN 0-521-58917-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2361)

Allain, Paul (1995) Coming Home: The New Ecology of The Gardzienice Theatre Association of Poland. Drama Review, 39 (1). pp. 93-121. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2373)

Allain, Paul (2007) Destarsi Con One Breath Left. In: The Workcenter of Jerzy Grotowski and Thomas Richards Visioni. Bulzoni. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2366)

Allain, Paul (2008) Destarsi con One breath left. In: Opere e sentieri. Vol. 3: Testimonianze e riflessioni sull'arte come veicolo. Bulzoni, pp. 129-140. ISBN 978-88-7870-296-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13000)

Allain, Paul (1998) Gardzienice Polish Theatre in Transition. Harwood Academic Press ISBN 90-5702-105-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2360)

Allain, Paul (2002) The Gardzienice Theatre Association. In: Acting (Re)Considered (2nd ed.). Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2364)

Allain, Paul (1993) Gardzienice in the Suzuki Empire. Polityka, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2381)

Allain, Paul (2002) Gardzienice's Performance of Otherness. In: Studies in Language, Literature and Cultural Mythology in Poland: Investigating The Other. Edwin Mellen Press, pp. 99-114. ISBN 0-7734-7054-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2362)

Allain, Paul (1992) Gardzienice: At the Cultural Crossroads. New Theatre Quarterly, . ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2372)

Allain, Paul (1989) Gardzienice: a Practical Account. Music Theatre Dance Journal, (1). pp. 29-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2371)

Allain, Paul (2007) Goat Theatre Macbeth. Contemporary Theatre Review, 17 (2). pp. 255-258. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2376)

Allain, Paul (1999) The Grammar Of The Feet. Total Theatre, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2386)

Allain, Paul, ed. (2009) Grotowski's Empty Room: A Challenge to the Theatre. Enactments . University of Chicago Press, 224 pp. ISBN 978-1-906497-23-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20887)

Allain, Paul (2004) The Intercultural Training of Tadashi Suzuki. Rome, Training/Dino Audino Editore pp 138-143. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2389)

Allain, Paul (1999) Interview with Piotr Borowski: Artistic Director of Studium Teatralne, Warsaw. CUNY, New York, Slavic and East European Performance PP15-23. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2369)

Allain, Paul (2002) Japanese theatre and the international stage. Review of: Japanese theatre and the international stage by UNSPECIFIED. New Theatre Quarterly, 18 (70). p. 197. ISSN 0266-464X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2400)

Allain, Paul (1991) A Love Letter from Britain. Teatr, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2383)

Allain, Paul (2007) Macbeth. Review of: Macbeth by Kozla, P. and Wielga, K.. Didaskalia, 7 . p. 89. ISSN 1233-0477. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2390)

Allain, Paul (1991) Modesty and Vigour. Plays and Players, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2384)

Allain, Paul (1994) Movement Directing. Total Theatre, 6 (4). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2382)

Allain, Paul (2006) The Nature And Culture Of Performance. In: A Performance Cosmology: testimony from the Future, Evidence of. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2365)

Allain, Paul (2000) New sites for Shakespeare: Theatre, the audience, and Asia. Review of: New sites for Shakespeare: Theatre, the audience, and Asia by UNSPECIFIED. New Theatre Quarterly, 16 (64). pp. 391-392. ISSN 0266-464X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2398)

Allain, Paul (1999) Obituary of Jerzy Grotowski. The Independent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2367)

Allain, Paul (2010) On Ensembles. In: Ensemble Theatre, 16th September 2010, University of Huddersfield. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25516)

Allain, Paul (1990) On the Border of Europe and Asia. Zycie Warszawa, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2379)

Allain, Paul (1992) 'Polishing up on the Classics'. The Stage, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2380)

Allain, Paul (1991) Rep Paralysed by Spending Cuts. The Stage, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2385)

Allain, Paul (2010) Review about Tadeusz Kantor. Review of: Review about Tadeusz Kantor by UNSPECIFIED. New Theatre Quarterly, 26 (103). p. 301. ISSN 0266-464X. (doi:10.1017/S0266464X10000552) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2394)

Allain, Paul (2008) Review of Jerzy Grotowski by James Slowiak and Jairo Cuesta and Etienne Decroux, by Thomas Leabhart. Review of: Jerzy Grotowski by James Slowiak and Jairo Cuesta and Etienne Decroux, by Thomas Leabhart by Slowiak, James and Cuesta, Jairo and Leabhart, Thomas. Contemporary Theatre Review, 18 (1). pp. 115-117. ISSN 1048-6801. (doi:10.1080/10486800701775517) (KAR id:2407)

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Allain, Paul (2004) Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present. Review of: Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present by Meyer-Dinkgrafe, Daniel. New Theatre Quarterly, 20 (1). p. 95. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2402)

Allain, Paul (2002) Review of Dymphna's Callery's Through the Body. Review of: Review of Dymphna's Callery's Through the Body by Callery, Dymphna. New Theatre Quarterly, 18 (4). 0-0. ISSN 0 521-52405-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2401)

Allain, Paul (2004) Review of Edward Braun, A Concise History of Polish Theater from the Eleventh to the Twentieth Centuries, Lampeter: Edwin Mellen Press, 2003. Review of: Review of Edward Braun, A Concise History of Polish Theater from the Eleventh to the Twentieth Centuries, Lampeter: Edwin Mellen Press, 2003 by Braun, Edward. Theatre Research International, . pp. 84-85. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2403)

Allain, Paul (1989) Review of Gardzienice's Avvakum. Review of: Gardzienice's Avvakum by UNSPECIFIED. Event South West Magazine, . 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2391)

Allain, Paul (1997) Review of Harold B. Segel "Pinocchio's progeny". Review of: Harold B. Segel "Pinocchio's progeny" by UNSPECIFIED. New Theatre Quarterly, 13 (49). pp. 95-96. ISSN 0266-464X. (doi:10.1017/S0266464X00010939) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2395)

Allain, Paul (2005) Review of Hidden Territories, Wlodzimierz Staniewski with Alison Hodge. Theatre Research International, . 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2405)

Allain, Paul (1998) Review of Kathleen M. Cioffi "Alternative theatre in Poland 1954-1989". Review of: Kathleen M. Cioffi "Alternative theatre in Poland 1954-1989" by UNSPECIFIED. New Theatre Quarterly, 8 (55). pp. 292-293. ISSN 0266-464X. (doi:10.1017/S0266464X00012276) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2397)

Allain, Paul (2007) Review of Krzysztof Miklaszewski, Encounters with Kantor. Review of: Krzysztof Miklaszewski, Encounters with Kantor by Miklaszewski, Krzysztof. Contemporary Theatre Review, 17 (1). pp. 115-116. ISSN 1048 6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2406)

Allain, Paul (1997) Review of Michael Huxley and Noel Witts,eds. "Twentieth century performance reader". Review of: Michael Huxley and Noel Witts,eds. "Twentieth century performance reader" by UNSPECIFIED. New Theatre Quarterly, 13 (52). p. 399. ISSN 0266-464X. (doi:10.1017/S0266464X00011623) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2396)

Allain, Paul (2001) Review of Modern Czech Theatre. Review of: Review of Modern Czech Theatre by UNSPECIFIED. New Theatre Quarterly, 17 (3). 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2399)

Allain, Paul (2005) Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Chinese Theories of Theater and Performance from Confucius to the Present. Review of: Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Chinese Theories of Theater and Performance from Confucius to the Present by Leiter, Samuel and Chunfang Fei, Faye. New Theatre Quarterly, 21 (2). p. 199. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2404)

Allain, Paul (1990) Review of two performances by Scena Plastyczna of Lublin. Review of: Review of two performances by Scena Plastyczna of Lublin by UNSPECIFIED. Performance Research, . 0-0. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2392)

Allain, Paul (2000) Suzuki Training- an introductory file. Arts Archives, The Fifth Series, Exeter CD-ROM and Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2370)

Allain, Paul (1998) Suzuki Training: An Update. Drama Review, 42 (1). pp. 66-89. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2374)

Allain, Paul (2002) ‘Sztuka bezruchu’, (‘The art of stillness’- edited extracts from the book of this name). Didaskalia Gazeta Teatralne, Didaskalia Gazeta Teatralne pp62-67. (doi:1233-9477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2388)

Allain, Paul (2009) The Theatre Practice of Tadashi Suzuki A CRITICAL STUDY WITH DVD EXAMPLES. A&C Black Publishers Ltd, 224 pp. ISBN 978-1-4081-1643-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20888)

Allain, Paul (1990) Theatre in Poland. Performance Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2378)

Allain, Paul (1990) Two articles on contemporary Polish theatre. Plays International, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2377)

Allain, Paul (2013) Ways of Hearing. In: Wisniewski, Tomasz, ed. A Between Almanach for the Year 2013. Maski Press, Gdansk/Sopot, 2013. ISBN 978-83-64088-13-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40187)

Banu, Georges and Ziolkowski, Grzegorz and Allain, Paul, eds. (2009) With Grotowski. Theatre is Just a Form. Grotowski Institute, 120 pp. ISBN 978-83-923635-9-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14720)

Allain, Paul, Barbe, F.A. (2009) On the Shoulders of Tradition, East and West: a Conversation between Paul Allain and Frances Barbe. Studies in Theatre and Performance, 29 (2). pp. 149-159. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22313)

Anscomb, Claire Rebecca (2019) On the Significance of Automaticity in Image-Making Practices. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:76754)

Ayers, David S (2011) Art, Nation, and Political Discourse. In: Bru, Sascha and Nuijs, Laurence and Hjartarson, Benedikt and Nicholls, Peter and Ørum, Tania and van den Berg, Hubert, eds. Regarding the Popular: Modernism, the Avant-Garde and High and Low Culture. European Avant-garde and Modernism Studies . De Gruyter, Berlin. ISBN 978-3-11-027456-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55525)

Veivo, Harri and Montier, Jean-Pierre and Nicol, Françoise and Ayers, David S and Hjartarson, Benedikt and Bru, Sascha, eds. (2017) Beyond Given Knowledge: Investigation, Quest and Exploration in Modernism and the Avant-Gardes. De Gruyter, Berlin ISBN 978-3-11-056924-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65565)

Ayers, David S (2015) Clare Sheridan: A British Sculptress in Bolshevik Moscow. In: Friis, Elisabeth and Koch, Lene, eds. Tania Tender Thyme: Festskrift til Tania Ørum. Arena, pp. 113-121. ISBN 978-87-92684-45-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61944)

Ayers, David S (2012) Short Manual of the Inaesthetic. In: Newall, Diana M. and Pooke, Grant F., eds. Fifty Key Texts in Art History. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55526)

Ayers, David S and Hjartarson, Benedikt and Huttunen, Tomi and Veivo, Harri, eds. (2015) Utopia : the avant-garde, modernism and (im)possible life. European avant-garde and modernism studies / Etudes sur l'avant-garde et le modernisme en Europe / Studien zur europäischen Avantgarde und Moderne . De Gruyter, Berlin and Boston, 532 pp. ISBN 978-3-11-042709-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55488)

Ayers, David S and Hjartarson, Benedikt (2015) New People of a New Life. In: Ayers, David S and Hjartarson, Benedikt and Huttunen, Tomi and Veivo, Harri, eds. Utopia: The Avant-Garde, Modernism and (Im)possible life. European Avant-Garde and Modernism Studies . De Gruyter, pp. 3-13. ISBN 978-3-11-043478-1. (doi:10.1515/9783110434781-002) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61940)

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Bacon, Julie Louise, ed. (2008) Arkive City. Interface, Locus+ Archive, Belfast, Newcastle upon Tyne, 219 pp. ISBN 978-1-899377-30-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31580)

Baldwin, Thomas (2012) Photography and Painting in Proust’s 'A la recherche du temps perdu'. In: Baldwin, Thomas and Grigorian, Natasha and Rigaud-Drayton, Margaret, eds. Text and Image in Modern European Culture. Purdue University Press, West Lafayette, Indiana, pp. 76-87. ISBN 978-1-55753-628-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41914)

Barbe, F.A. (2010) Deep Training and the Portfolio Approach. In: TaPRA, 9th-11th September 2010, University of Glamorgan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25348)

Barbe, F.A. (2009) From Studio To Stage. DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23494)

Barbe, F.A. (2007) The Sensation of Butoh and Suzuki. In: SUNY, May 2007, Brockport, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9172)

Barbe, F.A. (2008) Swampsong. Performance type: Other . Solo dance work. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9171)

Barnard, Clio H. (2010) The Arbor. Artangel Media Feature film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40773)

Barnard, Clio H. (2006) Dark Glass. Mobile Phone Film - 8 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2219)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Curzon Cinema Soho. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11949)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Tate Modern. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13161)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Bristol Encounters Film Festival. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13162)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, May 2007, Site Gallery Sheffield. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13163)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, February 2007, Ikon Gallery Birmingham. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13164)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, July 2007, Galway Arts Festival. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13165)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, September 2007, Media Art Friesland Netherlands. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13166)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, October 2007, Cinema Lux, Normandy, France. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13167)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, November 2007, Museo Reina Sofia, Madrid. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13168)

Barnard, Clio H. (2008) Dark Glass. Dark Glass, February 2008, Museum of Modern Art, New York. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13169)

Barnard, Clio H. (2007) Exchange. Arts Council /Film Council Moving Image Initiative. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13174)

Barnard, Clio H. (2007) Exhibition Catalogue - Clio Barnard, Road Race:Dark Glass. Other. Herbert Read Gallery, Canterbury (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13171)

Barnard, Clio H. (2008) Plotlands - a site specific performance work incorporating film. , Friday 4 July 2008, Whitstable Biennale. Mixed. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40774)

Barnard, Clio H. (2008) Random Acts of Intimacy. Random Acts of Intimacy, January 2008, ICA Short Film Festival, Institute of Contemporary Arts. Number of pieces: 1. 16mm. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13172)

Barnard, Clio H. (2008) Random Acts of Intimacy. Random Acts of Intimacy, April 2008, Britspotting, British Irish Film Festival, Berlin. Number of pieces: 1. 16mm. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13173)

Barnard, Clio H. (2006) Solo Show - Exhibition of Road Race and Dark Glass. Solo Exhibition - Road Race and Dark Glass, October-November 2006, Herbert Read Gallery, Canterbury. Number of pieces: 2. screen film/video installation Super 16mm and DV, Single screen multiplatform /download/ video streaming/DVD. Mobile phone. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13170)

Baugh, Christopher (1999) Enter the whole army: A pictorial study of Shakespearean stagings, 1576-1616. Theatre Research International, 24 (3). pp. 293-294. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17061)

Baxter, Iain and Chodzko, Adam (2013) IAIN BAXTER& / Adam Chodzko: Two person exhibition. IAIN BAXTER& / Adam Chodzko, 11/07/2013 - 11/08/2013, Raven Row, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47273)

Bobrowicz, Ania, Choudhrey, Sara (2014) Shifting Boundaries How to Make Sense of Islamic Art. In: The Arts Society Conference, 25-27 June 2014, Rome, Italy. (KAR id:44138)

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Boenisch, Peter M (2012) Acts of Spectating: The Dramaturgy of the Audience's Experience in Contemporary Theatre. Critical Stages, 8 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40569)

Boenisch, Peter M (2004) Alienating Realities. Hygiene Heute and the Politics of Sonic Conspiracy. 3xT Tidsskrift for teori og teater, (15 & 1). pp. 40-49. ISSN 0807-6316. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2472)

Boenisch, Peter M (2001) "Alienation" and "Theater als Medium der Moderne? ". In: Theater als Paradigma der Moderne. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2635)

Boenisch, Peter M (2002) Archaeology/Alienation in Contemporary Performance. In: Fédération Internationale du Recherche Théâtrale. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2632)

Boenisch, Peter M (1999) The Body and Beyond. Theatre Semiotics in the Age of Virtual Reality. In: 5th Performance Studies Conference 1999 "Here Be Drag-ons". . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2639)

Boenisch, Peter M (2009) Book Review No Beauty for Me There Were Human Life is Rare: On Jan Lauwers’ Theatrework with Needcompany. Review of: No Beauty for Me There Were Human Life is Rare: On Jan Lauwers’ Theatrework with Needcompany by Stalpaert, Christel and Le Roy, Frederick and Bousset, Sigrid. Contemporary Theatre Review, 19 (1). pp. 115-116. ISSN ISSN 1048-6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25361)

Boenisch, Peter M (2007) Book Review: Mary Luckhurst, Dramaturgy: A Revolution in Theatre. Review of: Dramaturgy: A Revolution in Theatre by Luckhurst, Mary. Theatre Research International, 32 (2). p. 207. ISSN 0307-8833. (doi:10.1017/S0307883307002945) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2468)

Boenisch, Peter M (2005) Book Review: Simon Shepherd and Mick Wallis, “Drama/ Theatre/ Performance”,. Review of: “Drama/ Theatre/ Performance” by Shepherd, Simon and Wallis, Mick. Theatre Research International, 30 (3). pp. 306-307. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2471)

Boenisch, Peter M (2009) Co-convenor, with Una Bauer, Working Group Directors/Collectives. In: TaPRA Conference 2009, 5th-7th September 2009, Plymouth, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25377)

Boenisch, Peter M (1999) Contributions to Dictionnaire de la Danse. In: Le Moal, Philippe, ed. Dictionnaire de la Danse. Larousse. ISBN 2-03-511318-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2492)

Boenisch, Peter M (2000) Contributions to Lexikon der Kultur der Gegenwart,. In: Schnell, Ralf, ed. Lexikon der Kultur der Gegenwart. Stuttgart: Metzler. ISBN 3-476-01622-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2491)

Boenisch, Peter M (2010) Curator of Panel “Dramaturgy Abroad and Back: Transnational Reflections on a modern Western theatre paradigm” and Introductory Paper “Dramaturgic Research in Theatre Studies: Exploring Potentials and Methodologies”. In: IFTR World Congress 2010 “Cultures of Modernity”, 25th-31st July 2010, Munich. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25368)

Boenisch, Peter M (2009) Curator “Re/Placing Shakespeare: On Ivo van Hove’s Roman Tragedies” (Symposium). In: Re/Placing Shakespeare: On Ivo van Hove’s Roman Tragedies Symposium, 21st November 2009, Barbican, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25370)

Boenisch, Peter M (2006) Decreation Inc. William Forsythe’s exploration of ‘behaviour without intention’. In: Symposium "The Changing Body in Training and Performance". . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2626)

Boenisch, Peter M (2002) Der Darsteller auf der Bühne: Klangkörper <> Zeichenkörper. Zur Problematik der Korporealität (nicht nur) im Musiktheater. In: Bayerdörfer, Hans-Peter, ed. Stimmen - Töne - Klänge. Tübingen. Gunter Narr, pp. 139-152. ISBN 3-8233-5230-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2480)

Boenisch, Peter M (2002) Der Körper als Zeichen!? In: Klein, Gabriele and Zipprich, Christa, eds. Tanz.Theorie.Text. Jahrbuch Tanzforschung 12. Münster u.a.: Lit, pp. 383-395. ISBN 3-8258-5901-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2485)

Boenisch, Peter M (2002) Der Körper als Zeichen!? Zur Analyse von Körper- und Bewegungsdarstellungen. Fanzdrama, 62 (1). pp. 18-21. ISSN 0932-8688. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2484)

Boenisch, Peter M (2006) Deutsches Theater according to Michael Thalheimer: A Postcard from Berlin. In: Tapra Theatre and Performance Research Association. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2624)

Boenisch, Peter M (2000) Die Entdeckung der Korporealität (nicht nur) im Musiktheater. In: 5. Kongress der Gesellschaft für Theaterwissenschaft. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2636)

Boenisch, Peter M (1998) Die Idee vom Körper als Tastatur. Mimekunst, Kunst der Stille: Vor 100 Jahren wurde der Theatermeister Etienne Decroux geboren. Süddeutsche Zeitung/SZ am Wochenende, (18-19). ISSN 0174-4917. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2493)

Boenisch, Peter M (2010) Dramaturgy as Relational Process: On the Act of Spectating. In: 10. Kongress der Gesellschaft für Theaterwissenschaft “Theater & Subjektkonstitution”, 28th-31st October 2010, University of Mainz. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25364)

Boenisch, Peter M (1999) ElectrONic Bodies, Movement, and Meaning in the works of DV8 Physical Theatre. In: Dance Theatre: An International Investigation. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2638)

Boenisch, Peter M (2004) Ent-Körpern, Ent-Schreiben, Ent-Schöpfen. Wie sich die Tanztheorie von Forsythe's 'Decreation' zur Dekonstruktion der Diskurse über das Ballett verleiten ließ. BalletTanz, . pp. 56-61. ISSN 3617559948. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2473)

Boenisch, Peter M (1998) Etienne Decroux' Körpertheater und die Theaterästhetik der Neunziger Jahre. In: 4. Kongress der Gesellschaft für Theaterwissenschaft. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2640)

Boenisch, Peter M (2008) Exploring the Classics: Michael Thalheimer's Regie beyond the Text 1. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (doi:10.1080/10486800701741477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40568)

Boenisch, Peter M (2008) Exposing The Classics: Michael Thalheimer’s Regie beyond the Text. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (doi:10.1080/10486800701741477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2464)

Boenisch, Peter M (2010) Frank Castorf and the Berlin Volksbühne: The Humiliated and Insulted (2001). In: Bay--Cheng, Sarah and Kattenbelt, Chiel and Lavender, Andy and Nelson, Robin, eds. Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, 187,196-202. ISBN 978-90-8964-255-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25358)

Boenisch, Peter M (2008) Guest Lecture, 'Theater-Politik und Bühnen-Business: Hinter den Kulissen der englischen 'theatre industry' - Strukturen und Modelle jenseits der Subventionskultur'. In: • Guest Lecture, 'Theater-Politik und Bühnen-Business: Hinter den Kulissen der englischen 'theatre industry' - Strukturen und Modelle jenseits der Subventionskultur', 17th December 2008, Ludwig-Maximilians-Universität München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25383)

Boenisch, Peter M (2008) 'How to do things with Text: Text-Regie als Mise-en-Sens'. In: Conference 'Orbis Pictus - Theatrum Mundi', 25th October 2008, University of Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25384)

Boenisch, Peter M (1997) I doubt not I, but she will stoop in time: Frauenfiguren in Tamburlaine und The Spanish Tragedy. ZAA. Zeitschrift für Anglistik und Amerikanistik, XLV . pp. 325-338. ISSN 0044-2305. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2494)

Boenisch, Peter M (2003) In\Between.Realities. In: Working Group Meeting "Theatre and Intermediality", CSSD London. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2630)

Boenisch, Peter M (2009) Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf. In: Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf, 5th October 2009, Institut Schauspiel, Universität für Musik und darstellende Kunst, Graz/Austria. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25373)

Boenisch, Peter M (2006) Intermediality and the Classics: Updating the “old media” of theatre. In: 15th World Congress International Federation of Theatre Research. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2625)

Boenisch, Peter M (2000) Intermediality in Contemporary Theatre. In: Fédération Internationale du Recherche Théâtrale. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2637)

Boenisch, Peter M (2009) Invited Lecture, Critical Encounters 3: Encountering the Intermedial. In: Critical Encounters 3: Encountering the Intermedial, 9th May 2009, Tramway, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25379)

Boenisch, Peter M (2008) Invited Panel Member, Conference ‘Theatre Studies Today and Tomorrow’. In: Theatre Studies Today and Tomorrow, 12th March 2008, University of Surrey. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25385)

Boenisch, Peter M (2009) Invited Panel contribution "Visions of Dance Studies". In: Tanzkongress, 8th November 2009, Hamburg. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25372)

Boenisch, Peter M (2009) Invited Research Seminar, ‘(Re-)Devising Classics in Contemporary Theatre’. In: (Re-)Devising Classics in Contemporary Theatre, 6th May 2009, University of Lancaster. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25380)

Boenisch, Peter M (2009) Keynote, Symposium 'Mapping Performance: Intercultural Spaces, Negotiable Boundaries'. In: 'Mapping Performance: Intercultural Spaces, Negotiable Boundaries Symposium, 3rd June 2009, Royal Holloway. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25378)

Boenisch, Peter M (2004) Komik ist Konsumterror. 20 Jahre gegen das genussvolle Einverständnis: Forced Entertainment 1984 - 2004. In: Kongress "Komik - Ästhetik, Theorien, Vermittlungsstrategien", 7th International Congress of the German Society for Theatre Studies. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2628)

Boenisch, Peter M (2005) Komik und Konsumzwang: Zwischen Jux und Jucken – Komische Gesten bei Forced Entertainment. Maske und Kothurn. Vierteljahresschrift zur Theater-, Film- und Medienwissenschaft, 51 (4). pp. 335-345. ISSN 3-205-77434-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2470)

Boenisch, Peter M Make World: Archaeology as Alienation in Contemporary Performance. . Projekte/Kirchner Internet Article. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2486)

Boenisch, Peter M (2006) Mediation Unfinished. Choreographing Intermediality in Contemporary Dance Performance. In: Kattenbelt, Chiel and Chapple, Freda, eds. Intermediality in Theatre and Performance, Amsterdam and New York. Rodopi, pp. 151-166. ISBN 90-420-1629-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2469)

Boenisch, Peter M (2007) Multisensuality and Postdramatic Mise-en-Scène: The ro:theater's Proust-Project. In: Suguiera, Malgorzata and Borowski, Matuesz, eds. Fictional Realities/Real Fictions: Contemporary Theatre in Search of a New Mimetic Paradigm. Cambridge Scholars Publishing, pp. 121-134. ISBN 978-1-84718-138-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2466)

Boenisch, Peter M (2008) Other People Live: Rimini Protokoll and their Theatre of Experts - an interview. Contemporary Theatre Review, 18 (1). pp. 107-113. ISSN 1477-2264. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2465)

Boenisch, Peter M (2009) Panelist, Plenary Discussion ‚Jacques Rancière Study Day. In: Royal Holloway/TAPRA Working Group ‘Performance, Identity, Community’, 28th February 2009, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25382)

Boenisch, Peter M (2005) Postdramatic Mise-en-scène: The ro:theater’s Proust-Project. In: IFTR-Conference “Fictional/Real in Contemporary Theatre”. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2627)

Boenisch, Peter M (2003) Realität - Fiktion - Alienation. Hygiene Heute und die Politik der Grenzverschiebung im Performancetheater. In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds. Theater ohne Grenzen. München: Utz, pp. 456-464. ISBN 3-8316-0237-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2476)

Boenisch, Peter M (2009) Research Seminar, Forschungsprojekt SaM Sound and Movement. In: Forschungsprojekt SaM Sound and Movement, 16th March 2009, Institut für Theaterwissenschaft, LMU München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25381)

Boenisch, Peter M (2004) See and be SCENE: Reflecting the Presentation and Perception of Restoration Theatre. In: "The Long Restoration: Leviathan to Licensing Act", Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2629)

Boenisch, Peter M (2013) Spectres of Subjectivity: On the Fetish of Identity in (Post-) Postdramatic Choreography. In: Jurs-Munby, Karen and Carroll, Jerome and Giles, Steve, eds. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Bloomsbury Methuen Drama, London / New Delhi / New York / Sydney. ISBN 978-1-4081-8486-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40570)

Boenisch, Peter M (2001) Synthesized Dreams Of Moving Men: ElectrONic Bodies, Movement, and Meaning in the works of DV8 Physical Theatre. In: Dance Theater: An International Investigation. Proceedings of the MoMentUm I Conference, Manchester 2001. . pp. 122-127. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2488)

Boenisch, Peter M (2007) Tanz als Körper-Zeichen: Zur Methodik der Theater-Tanz-Semiotik. In: Klein, Gabriele and Brandstetter, Gabriele, eds. Bewegung in Übertragung, Bielefeld. Transcript, pp. 29-45. ISBN 3-89942-558-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2467)

Boenisch, Peter M (2002) Tanz als Leben, oder: Die Erotik des Balanceakts auf der Nabelschnur. Das expressive Ballett-Theater des Jirí Kylián. In: Staatsballett, Bayerisches, ed. Porträt Jirí Kylián. München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2478)

Boenisch, Peter M (2000) Tanztheorie und Sprechtheater. Perspektiven der Analyse von Körperzeichen im zeitgenössischen Theater. In: Jeschke, Claudia and Bayerdörfer, Hans-Peter, eds. Bewegung im Blick. Berlin: Vorwerk 8. Theatralia, Documenta Choreologica, pp. 16-29. ISBN 3-930916-22-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2490)

Boenisch, Peter M (2003) Theater als Medium der Moderne? Zum Verhältnis von Medientechnologien und Bühne im 20. Jahrhundert. In: Balme, Christopher and Fischer-Lichte, Erika and Gratzel, Stephan, eds. Theater als Paradigma der Moderne? Positionen zwischen historischer Avantgarde und Medienzeitalter. Mainzer Forschungen zu Drama und Theater 28. Tübingen: Francke 2003, pp. 447-456. ISBN 3-7720-2796-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2475)

Boenisch, Peter M (2002) Theater der Sensationen. In: 6. Kongress der Gesellschaft für Theaterwissenschaft. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2631)

Boenisch, Peter M (2004) Theater der Sensationen. Performance als Wahrnehmungs-Labor. In: Matzke, Annemarie and Kurzenberger, Hajo, eds. TheorieTheaterPraxis. Berlin: Theater der Zeit, pp. 261-268. ISBN 3-934344-29-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2474)

Boenisch, Peter M (2001) Theatre and Media Studies: Bridging the Gap. In: Working Group Session "Theatre and Intermediality". . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2633)

Boenisch, Peter M (2010) Thomas Ostermeier: mission neo(n)realism and a theatre of actors and authors. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge, pp. 339-359. ISBN 978-0-415-46251-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25360)

Boenisch, Peter M (2010) Towards a Theatre of Encounter and Experience: Reflexive Dramaturgies and Classic Texts. Contemporary Theatre Review, 20 (2). pp. 162-172. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24946)

Boenisch, Peter M (2001) Training Intelligence: Give Us Dance Academies! Ballett International - Tanz Aktuell, (8-9). pp. 52-53. ISSN 0947-0484. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2489)

Boenisch, Peter M (2001) Transforming Performance in the Internet Culture. In: Fédération Internationale du Recherche Théâtrale. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2634)

Boenisch, Peter M (2010) Zeitläufte: Zur Choreografie und Wahrnehmung von Zeitlichkeit im Tanztheater der Gegenwart. In: Symposium “TIME CODES: Zeichen der Flüchtigkeit – Zeichen der Zeit”, DANCE 2010-Festival, 8th November 2010, Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25363)

Boenisch, Peter M (2003) coMEDIA electrONica. Performing intermediality in contemporary theatre. Theatre Research International, 28 (1). pp. 34-45. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2477)

Boenisch, Peter M (2009) The naked tragedy of being human: Recent productions of Shakespeare in German Theatre. In: 2009 British Shakespeare Association conference, 13th September 2009, King's College London and the Globe Theatre. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25374)

Boenisch, Peter M (2002) www dot theatre dot. Alice Croft, or: Transforming Performance in the Internet Culture. Body, Space and Technology, 2 (2). ISSN 1470-9120. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2479)

Boenisch, Peter M and Balme, Christopher (2001) Re-Play. Wiederholung der Welt - Welten der Wiederholung im zeitgenössischen britischen Drama. In: Felix, Jurgen and Kiefer, Bernd and Marschall, Susanne and Stiglegger, Marcus, eds. Die Wiederholung. Marburg: Schüren, pp. 269-284. ISBN 3-89472-334-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2487)

Boenisch, Peter M, Orozco, Lourdes (2010) Editorial: Border Collisions - Contemporary Flemish Theatre. Contemporary Theatre Review, 20 (4). pp. 397-404. ISSN 1048-6801. (doi:10.1080/10486801.2010.505763) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25357)

Boenisch, Peter M, Orozco, Lourdes (2010) Working Group “Directing & Dramaturgy”. In: TapRA 2010 Conference, 9th-11th September 2010, University of Glamorgan. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25366)

Boenisch, Peter M and Stalpaert, Christel (2010) Jan Fabres Affirmationsfalle: Von der (Un-) Möglichkeit politischen Theaters im Zeitalter der Toleranz. In: Forschungszentrum, Sound and Movement, ed. Spielart Festival Reloaded. Henschel, Berlin, pp. 62-88. ISBN 978-3-89487-661-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25359)

Bolsover, Nicola (2015) Costume and Cross-Dressing in Stand-up Comedy. Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:52927)

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Bowern, Sandra (2019) Theatre and theatricality in the work of David Hockney, 1961-1978. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:76453)

Brittain-Catlin, Timothy (2016) Grimly Amusing. Review of: Yours Critically: Writings on Architecture from Issues 1-10 of Criticat by Fromonot, Francoise and Didelon, Valery and Chabard, Pierre. Architecture today, 2016 (272). pp. 10-11. ISSN 0958-6407. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57985)

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Camilleri, Frank (2008) Collective Improvisation: The Practice and Vision of Ingemar Lindh. TDR - The Drama Review, 52 (4). pp. 82-97. ISSN 1054-2043. (doi:10.1162/dram.2008.52.4.82) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:14657)

Camilleri, Frank (2006) Dramaturgy of a Performance Process. Icarus Performance Project, Malta, 72 pp. ISBN 99932-0-418-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20302)

Camilleri, Frank (2008) Exploring the Liminal: Engaging the Space between Training and Performance Process. In: Wooding, Bruce, ed. International Theatre Movement Conference: At the Moscow Art Theatre School. Central School of Speech and Drama, London, pp. 27-30. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20308)

Camilleri, Frank (2008) Hospitality and the Ethics of Improvisation in the Work of Ingemar Lindh. New Theatre Quarterly, 24 (3). pp. 246-259. ISSN 0266-464X. E-ISSN 1474-0613. (doi:10.1017/S0266464X08000304) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:20307)

Camilleri, Frank (2003) ‘I can still feel his eyes on me’, an interview by Elzbieta Stelmaszczyk. Pogranicza, 42 . pp. 29-43. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20309)

Camilleri, Frank (2009) Of Pounds of Flesh and Trojan Horses: Performer Training in the Twenty-first Century. Performance Research, 14 (2). pp. 26-34. ISSN 1352-8165. (KAR id:23281)

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Camilleri, Frank (2010) Tekhn? Sessions: investigating dynamic aliveness in the actor's work. Theatre, Dance & Performance Training, 1 (2). pp. 157-171. (doi:10.1080/19443927.2010.504999) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:25779)

Camilleri, Frank, Schranz, John J (1996) Id-Descartes: Identity of a Dramaturgy. GHE, Malta (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20305)

Cardinal, Roger (1995) The Collages of Schwitters,Kurt - Tradition and Innovation - Dietrich,D. Art Bulletin, 77 (2). pp. 336-337. ISSN 0004-3079. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19741)

Cardinal, Roger (1997) "Il sont fous, les Anglais!". Review of: Modern Art in Britain, 1910-1914 (Exhibiton at the Barbican Art Gallery and the book by Anna Gruetzner Robins) by Gruetzner Robins, Anna. Times Literary Supplement, (4910). p. 17. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18330)

Cardinal, Roger (1992) KAHLO,FRIDA - TORMENT AND TRIUMPH IN HER LIFE AND ART - DRUCKER,M. Times Literary Supplement, (4663). p. 15. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23241)

Cardinal, Roger (1992) Manipulator Supreme. Review of: Dali by Etherington-Smith, Meredith. Times Literary Supplement, (4681). p. 15. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23238)

Cardinal, Roger (1992) Martyr to Her Art. Review of: Frida Kahlo: The Paintings; and Frida Kahlo: Torment and Triumph in Her Life and Art by UNSPECIFIED. Times Literary Supplement, (4663). p. 15. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23240)

Cardinal, Roger (1992) Mental Manipulator. Review of: Alberto Savinio (exhibition at Accademia Italiana Delle Arti) by UNSPECIFIED. Times Literary Supplement, (4638). p. 19. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23245)

Cardinal, Roger (1994) Rosso,Medardo. Burlington Magazine, 136 (1094). pp. 329-330. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20420)

Cardwell, Sarah E. (2007) Is Quality Television Any Good? Generic Distinctions, Evaluations and the Troubling Matter of Critical Judgement. In: McCabe, Janet and Akass, Kim, eds. Quality TV: Contemporary American Television and Beyond. IB Tauris, pp. 19-34. ISBN 978-1-84511-511-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2220)

Carver, Gavin P. (2002) Carnival. In: Donnell, Alison, ed. Companion to Black British Culture. Routledge, pp. 65-67. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9419)

Carver, Gavin P. (1996) Computer Aided Scenography: some observations on procedures and concepts. Studies in Theatre Production, (14). pp. 20-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9416)

Carver, Gavin P. (1995) Light the Night, the theory and practice of a community celebration. Studies in Theatre Production, 12 (1). pp. 82-98. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9418)

Carver, Gavin P. (2000) A Midsummer Night’s Dream. A Midsummer Night’s Dream, June 2000, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9421)

Carver, Gavin P. and Baugh, Christopher and Fergusson, C (1998) Exhibition of digital reconstructions of Adolphe Appia's speculative designs for the Ring Cycle (Wagner). World Congress of the International Federation of Theatre Research, 1998, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9423)

Carver, Gavin P. and Presdee, Mike (2000) The Carnival of Crime. In: Presdee, Mike, ed. Cultural Criminology and the Carnival of Crime. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9414)

Castoro, Manila (2016) The decisive moment and the moment in between: Kairos, Tyche and the play of street photography. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:60420)

Cavallo, Francesca Laura (2019) Rehearsing Disaster Pre-Enactment Between Reality and Fiction. In: Czirak, Adam and Nikoleit, Sophie and Oberkrome, Friederike and Straub, Verena and Walter-Jochum, Robert and Wetzels, Michael, eds. Performance zwischen den Zeiten: Reenactments und Preenactments in Kunst und Wissenschaft. Transcript Theater . transcript Verlag, Germany, 179 -198. ISBN 978-3-8376-4602-3. E-ISBN 978-3-8394-4602-7. (doi:10.14361/9783839446027-012) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:84679)

Chodzko, Adam (1997) 3 wege zum see: Group exhibition. 3 wege zum see, 1997, Künstlerhaus Klagenfurt, Austria. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47437)

Chodzko, Adam, ed. (2007) Adam Chodzko. Museo d'Arte Moderna di Bologna and Skira, 125 pp. ISBN 978-88-6130-566-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12986)

Chodzko, Adam (2007) Aernout Mik File Note. Other. Camden Arts Centre, ISBN: 1900470683 (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12987)

Chodzko, Adam (2011) Again, A Time Machine. Again, A Time Machine: Make the Living Look Dead, 16 September to 9 October 2011, Spike Island, Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47309)

Chodzko, Adam (2009) Altogether Elsewhere: Group Exhibition. Altogether Elsewhere, October 16–19, 2009, Zoo Art Fair, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47323)

Chodzko, Adam (2010) Apocalypse Now: Krowswork Group Exhibition. Apocalypse Now, 2010, Hot Springs Documentary Festival, Oakland, California. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47314)

Chodzko, Adam (2014) Around: Group Exhibition Time Travel and the Interzone City, Sci-Fi: Days of Fear and Wonder. BFI,Southbank,London. October - November 2014. Around, BFI Southbank, London. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47259)

Chodzko, Adam (2014) Art Moves: Ghost. Performance type: Live play , 20 - 21 September 2014, Olympic Park, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47580)

Chodzko, Adam (2009) Artworks (for sale in exchange for visitors ideas). Artworks (for sale in exchange for visitors ideas), 29 May – 16 August 2009, Wilkinson Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47325)

Chodzko, Adam (2013) Assembly: A survey of recent artists’ film and video in Britain 2008–2013. Assembly: A survey of recent artists’ film and video in Britain 2008–2013, Saturday 23 November 2013 – Saturday 15 March 2014, Tate Britain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47269)

Chodzko, Adam (1997) At one remove: Group Exhibition. At one remove, 1997, Henry Moore Institute, Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47446)

Chodzko, Adam (2010) BLOOD TEARS FAITH DOUBT: Historical & Contemporary encounters. BLOOD TEARS FAITH DOUBT, 17 June – 18 July 2010, Courtauld Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47315)

Chodzko, Adam (2003) Bad Behaviour: Group Exhibition. Bad Behaviour, 7 November 2003 - 27 February 2005, Longside Gallery, Yorkshire Sculpture Park. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47375)

Chodzko, Adam (2013) Because…Schwitters in Britain Group exhibition Examining the late work of Kurt Schwitters. Schwitters in Britain, 30 January – 12 May 2013, Tate Britain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47281)

Chodzko, Adam (2003) Better Scenery. Billboards and photographs. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2223)

Chodzko, Adam (2002) Better Scenery: Solo Exhibition. , Plains Art Museum, Fargo, North Dakota. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47121)

Chodzko, Adam (2007) Beyond The Country - Group Exhibition. Beyond The Country, 26th October 2007 - 3rd February 2008, Glucksman Gallery, Cork. Number of pieces: 1. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12985)

Chodzko, Adam (2007) Breaking Step - Group Exhibition. Breaking Step, 24th March - 10th June 2007, Museum of Contemporary Art, Belgrade. Number of pieces: 10. Mixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12983)

Chodzko, Adam (2001) Bright Paradise: Exotic History and Sublime Artifice Group Exhibition. Bright Paradise: Exotic History and Sublime Artifice, 3 March - 4 June 2001, 1st Auckland Triennial, Auckland Art Gallery, New Zealand. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47388)

Chodzko, Adam (1996) Brilliant: Group Exhibition. Brilliant, 1996, Contemporary Art Museum, Houston, Texas. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47447)

Chodzko, Adam (2005) British Art Show 6: Group Exhibition. British Art Show 6, 24 Sept 2005 - 8 Jan 2006, Baltic, Newcastle, touring to Manchester, Nottingham and Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47359)

Chodzko, Adam (1996) British Waves: Group Exhibition. British Waves, Rome. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47450)

Chodzko, Adam (2003) Cell-a. Single-screen slide projection of 81 x 35mm B&W images. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2222)

Chodzko, Adam (2010) Cinecity: Brighton Festival Group Exhibition. Cinecity, 18th November - 5th December, Brighton festival. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47313)

Chodzko, Adam (1991) City Racing: Group Exhibition. , City racing, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47548)

Chodzko, Adam (2005) Dance of the Seven Veils: Group Exhibition. Dance of the Seven Veils, 2005, Cooper Gallery, University of Dundee. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47348)

Chodzko, Adam (2009) The Dark Monarch: Magic and modernity in British art Group Exhibition. The Dark Monarch, 9 October. 2009-10 January 2010, Tate St Ives touring to Towner Gallery, Eastbourne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47324)

Chodzko, Adam (2004) Design for a Carnival: Solo Exhibition. , Els Hanappe Underground, Athens. Greece. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47118)

Chodzko, Adam (2005) Displacements: British Art 1900–2005 Group Exhibition. Displacements: British Art 1900–2005,, 2005, Tate Britain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47356)

Chodzko, Adam (2000) Dreammachines: Group Exhibition "Night Visions". Dreammachines, Dundee Centre for Contemporary Art, touring to Mappin Gallery, Sheffield; Camden Art Centre, London; Glyn Vivian Art Gallery, Swansea. Video Projection. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47393)

Chodzko, Adam (2012) ESQUIVALIENCE:Hole,2007 Group Exhibition Mistaken Presence. ESQUIVALIENCE, 29 Jun 2012 – 13 Aug 2012, GreyFrairs, Lincoln. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47284)

Chodzko, Adam (2003) Electric Earth the State Russian Museum, St Petersburg: British Council curated Group Exhibition. Electric Earth, 2003, the State Russian Museum, St Petersburg, touring Russia, and Lithuania. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47371)

Chodzko, Adam (2009) English Lounge: A Group Show of British Contemporary Art Group exhibition. English Lounge, 16 March 2009 -26 April /2009, Tang Contemporary Art, Beijing. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47330)

Chodzko, Adam (2008) Fact or Friction: Group Exhibition. Fact or Friction, 2008, Vox Populi, Philadelphia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47357)

Chodzko, Adam (2006) Fire: Group Exhibition. Fire, 2006, Galleria Franco Noero, Turin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47343)

Chodzko, Adam (2009) For the Straight Way is Lost. For the Straight Way is Lost, 13 June – 4 October 2009, Athens Biennale, Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47327)

Chodzko, Adam (2000) Found Wanting: Group Exhibition. Found Wanting, 2000, Contemporary Art Galleries Atlanta. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47394)

Chodzko, Adam (2010) Future Fictions: Group Exhibitions. Future Fictions, 2010, Latitude Contemporary Art, Latitude Festival. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47358)

Chodzko, Adam (2007) Gallery Exchange - Group Exhibition. Gallery Exchange, 22nd September - 20th October 2007, Neue Alte Brücke, Frankfurt. Number of pieces: 1. Mixed Media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12984)

Chodzko, Adam (2010) The Gathering: Group Exhibition. The Gathering, 4 March – 18 April 2010, Longside Gallery, Yorkshire Sculpture Park. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47317)

Chodzko, Adam (2005) General Ideas: Group Exhibition. General Ideas, 2005, CCA Wattis Institute for Contemporary Arts, San Francisco. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47360)

Chodzko, Adam (2012) Getting it Wrong: Group Exhibition. Getting it Wrong, 2012, Weisses Haus, Vienna. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47302)

Chodzko, Adam (2013) Ghost: Art in Romney Marsh, an annual visual arts festival Group Exhibition. Ghost, 20-21, 27-28 September 4-5 11-12 October 2014, Romney Marsh, Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47271)

Chodzko, Adam (2013) Ghost: The Urgency of Rivers and the Role of Contemporary Art. Performance type: Other , 8 – 12 January 2013, Peninsula Arts Gallery at Plymouth University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47599)

Chodzko, Adam (2009) Gone To Earth:Born Again Pagan Group Exhibition. Gone To Earth, 2nd May - 27th June 2009, Isis gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47326)

Chodzko, Adam (2010) Here, There and Everywhere: Group Exhibition. Here, There and Everywhere, 2010, Towner Gallery, Eastbourne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47320)

Chodzko, Adam (2007) Hole & M-path. Installation/Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2224)

Chodzko, Adam (2004) How would you light heaven?: Group Show, Solo Exhibition. , Carlier Gebauer, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47117)

Chodzko, Adam (2012) IN THE BELLY OF THE WHALE (ACT III) Group Exhibition. IN THE BELLY OF THE WHALE (ACT III), 2nd March - 17th June 2012, Montehermoso, Vitoria-Gasteiz, Spain. Vinyl Record. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47303)

Chodzko, Adam (2003) In Good Form: Group Exhibition. In Good Form, 27 June – 19 October 2003, Longside Gallery, Yorkshire Sculpture Park. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47373)

Chodzko, Adam (2003) Independence: Group Exhibition. Independence, South London Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47376)

Chodzko, Adam (1992) Instructions Received: Group Exhibition. , Gio Marconi, Milan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47494)

Chodzko, Adam (1997) It Always Jumps Back and Finds its Own Way: Group Exhibition. It Always Jumps Back and Finds its Own Way, Stichting de Appel, Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47428)

Chodzko, Adam (2009) Journeys With No Return. Journeys With No Return, 2009, Akbank, Istanbul Biennale. still images. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47318)

Chodzko, Adam (2010) Journeys With No Return, Second Tour. Journeys With No Return, 2010, A-Foundation, London & Galerie Kurt-Kurt, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47319)

Chodzko, Adam (2014) Knots: Group Exhibition. Knots, 01/12/2014 - 07/12/2014, Les Rencontres Internationales, Paris. Experimental fiction. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47258)

Chodzko, Adam (2010) Kraftwerk Religion: Über Gott und die Menschen Group Exhibition. Kraftwerk Religion, 2. 10. 2010 - 5. 6, 2011, Deutsches Hygiene-Museum, Dresden. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47321)

Chodzko, Adam (2013) LOOP 2013:Knots: Group Exhibition. Loop 2013, 5,6,7th June 2013, Barcelona. single screen video with sounds, 10'. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47276)

Chodzko, Adam (2005) Le Voyage Intérieur: Group Exhibition. Le Voyage Intérieur, 16 Nov 2005 - 5 march 2006, Espace EDF Electra, Paris, France. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47363)

Chodzko, Adam (2014) Leaping the Fence: Group Exhibition. Leaping the Fence,, Hestercombe, Somerset. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47265)

Chodzko, Adam (2013) Life in Film: Frieze. Frieze, (158). pp. 62-63. ISSN 0962-0672. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47133)

Chodzko, Adam (2003) Life is Beautiful: Group Exhibition. Life is Beautiful, 2003, Laing Art Gallery, Newcastle upon Tyne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47378)

Chodzko, Adam (2001) Limbo Land. DVD Installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2221)

Chodzko, Adam (2002) Limbo Land and A Place for 'The End': Solo Exhibition. , Arizona State University Art Museum, Tempe, Arizona. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47122)

Chodzko, Adam (2001) 'Limbo Land': Solo Exhibition. 'Limbo Land', 24/11/2001 - 22/12/2001, Els Hanappe Underground, Athens. DVD and sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47249)

Chodzko, Adam (2001) Liquor: Group Exhibition. Liquor, 2001, Trafo Galeria, Budapest. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47390)

Chodzko, Adam (2011) Loophole to Happiness: Group Exhibition. Loophole to Happiness, 25. 5. 2011 – 7. 8. 2011, Museum of Contemporary Art, Lodz, & Futura Centre for Contemporary Art, Prague & AMT Projects. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47311)

Chodzko, Adam (2007) MAMbo - Solo Exhibition. MAMbo - Solo Exhibition, December 2007 - February 2008, Museo d’Arte Moderna di Bologna, Bologna. Number of pieces: 3. Mixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12982)

Chodzko, Adam (2011) Made in Britain. Made in Britain, 2011, touring exhibition created in partnership with the Sichuan Provincial Museum, Xi'an Art Museum, Hong Kong Heritage Museum and Suzhou Museum.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47301)

Chodzko, Adam (2008) Martian Museum of Terrestrial Art. Martian Museum of Terrestrial Art, 6 March 2008 - 18 May 2008, Barbican Art Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47331)

Chodzko, Adam (2003) Micro/Macro: British Art 1996–2002 Group Exhibition British Council curated. , 2003, Mucsarnok Kunsthalle, Budapest. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47372)

Chodzko, Adam (2005) Monuments for the USA: Group exhibition. Monuments for the USA, April 07, 2005 to May 21, 2005, CCA Wattis Institute for Contemporary Arts, San Francisco and White Columns, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47349)

Chodzko, Adam (2013) More Than I Dare Think About: Works With Paper Group exhibition. More than I dare to think about - works with paper, 26-07-2013 - 07/09/2013, Marlborough Contemporary, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47272)

Chodzko, Adam (2005) Moving Home: Six Artists, Six Rooms Group Exhibition. Moving Home: Six Artists, Six Rooms,, 2005, Towner Art Gallery, Eastbourne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47364)

Chodzko, Adam (2002) Networks: Group Exhibition. Networks, 2002, Chapter Art Centre, Cardiff and touring to Fruitmarket Gallery, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47383)

Chodzko, Adam (2012) Night Shift: MADE IN BRITAIN. Made in Britain – Contemporary Art from the British Council Collection 1980 – 2010, 15 Feb 12 - 22 Apr 12 , 01 Jun 12 - 05 Aug 12, Benaki Museum, Athens, touring to Albanian National Gallery of Arts, Tirana. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47310)

Chodzko, Adam (1999) Nightvision: Solo Exhibition. , Ikon Gallery, Birmingham. PHotography, Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47253)

Chodzko, Adam (2004) Off the Beaten Track: Group Exhibition. Off the Beaten Track, 13 March - 16 May 2004, Longside Gallery, Yorkshire Sculpture Park. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47366)

Chodzko, Adam (1993) Okay Behaviour: Group Exhibition. , 303 Gallery, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47491)

Chodzko, Adam (2002) On a Clear Day: Group Exhibition. , Sophienholm, Lyngby-Taarbæk, Denmark. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47382)

Chodzko, Adam (2009) PLOT/09. PLOT/09 This World & Nearer Ones, 2009, Governors Island, New York, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47329)

Chodzko, Adam (2005) Pasolini e noi. Pasolini e noi, December 15, 2005 - February 12, 2006, Archivio di Stato in the Royal Palace, Turin and the Istituto Nazionale Per La Grafica, Rome. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47365)

Chodzko, Adam (2012) People and Places: The Pickers(2009)Group exhibition. The Pickers (2009), 2012-2014, The Beaney, House of Art and Knowledge, Canterbury, Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47285)

Chodzko, Adam (2014) Performance as Sculpture: Group Exhibition. Performance as Sculpture, March 19. March 23, 2014, Uovo festival, Milan. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47263)

Chodzko, Adam (2013) The Pickers: Group Exhibition. The Pickers, 16 May to 12 June 2013, Marlborough Gallery, Barcelona. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47275)

Chodzko, Adam (2010) Pier Paolo Pasolini. Pier Paolo Pasolini: We Are All In Danger, 3 November – 1 December 2010, Australian Cinémathèque at the Gallery of Modern Art in Brisbane. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47322)

Chodzko, Adam (2002) Plan for a Spell: Solo Exhibition. , Fabrica, Brighton. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47119)

Chodzko, Adam (2006) Please close the gate. Please close the gate, 2006, New Art Centre, Roche Court, Wiltshire. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47339)

Chodzko, Adam (2008) Print the Legend: The Myth of the West Group Exhibition. Print the Legend, 1 March – 4 May 2008, Fruitmarket Gallery, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47333)

Chodzko, Adam (2014) Private Utopia: Contemporary Art from the British Council Collection. Private Utopia, Tokyo Station Gallery touring to Itami City Museum of Art, Kochi Museum of Art, and Okayama Museum of Art. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47267)

Chodzko, Adam (2011) The Profane Myth. The Profane Myth - The Mining Institute, 20 October - 22 November 2011, Newcastle upon Tyne. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47307)

Chodzko, Adam (2008) Proxigean Tide. Proxigean Tide, 24/5/08-21/9/08, Tate St Ives. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4626)

Chodzko, Adam (2008) Pyramid. Folkestone Triennial ‘Tales of Time and Space’, 14/6/08-14/9/08, Folkestone. Video Installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4628)

Chodzko, Adam (2000) Reunion: Salò: Solo Exhibition. , 18/1/2000 - 19/2/2000, Accademia Britannica, Roma. video, photography and installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47251)

Chodzko, Adam (2014) Rising. Rising, National Maritime Museum. atmospheric audio work. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47256)

Chodzko, Adam (2013) Rising: The Future of the Race. Performance type: Video/Film (documentary) , Newcastle. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47598)

Chodzko, Adam (2004) Romantic Detachment: Group Exhibition. Romantic Detachment, 2004, PS1, NY, touring to Chapter Art Gallery, Cardiff. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47369)

Chodzko, Adam (2013) Room for Laarni, Image Moderator: Solo Exhibitions. , Marlborough Contemporary, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47105)

Chodzko, Adam (2005) Seeing God: Group Exhibition. Seeing God, 2005, Museum of Fine Arts of Thurgau, Kartause Ittingen, Warth, Switzerland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47362)

Chodzko, Adam (2013) Shortcuts & Digressions: untitled teenage stile (1992): Contemporary Sculpture from the Arts Council Collection Group exhibition: Contemporary Sculpture from the Arts Council Collection Group exhibition. Shortcuts & Digressions: Contemporary Sculpture from the Arts Council Collection, 11 May – 8 September 2013, Norwich Castle Museum and Art Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47280)

Chodzko, Adam (2005) Showcase: Group Exhibition. Showcase, 2005, City Art Centre, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47346)

Chodzko, Adam (1999) Sleuth: Group Exhibition. Sleuth, 1999, ffotogallery, Cardiff. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47404)

Chodzko, Adam (2007) Solo Exhibition. Solo Exhibition, 26th January - 4th March 2007, Signal, Malmö, Sweden. Number of pieces: 4. Mixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12980)

Chodzko, Adam (2001) Solo Exhibition. , 20/09/2001 - 10/11/2001, Galleria Franco Noero, Turin Italy. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47250)

Chodzko, Adam (1999) Solo Exhibition. , 16 Apr - 16 May 1999, Galleria Franco Noero, Turin, Italy. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47252)

Chodzko, Adam (1998) Solo Exhibition. , 1998, Viewpoint Gallery, Salford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47254)

Chodzko, Adam (1998) Solo Exhibition: Gallery II, University of Bradford. , 5th - 29th May 1998, Gallery II, University of Bradford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47231)

Chodzko, Adam (1996) Solo Exhibition: Lotta Hammer Gallery. , 1996, Lotta Hammer, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47255)

Chodzko, Adam (2011) Solo Exhibition: Neue Alte Brucke. , Frankfurt. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47114)

Chodzko, Adam (1998) Solo Exhibition: Northern Gallery of Contemporary Art, Sunderland. , Northern Gallery of Contemporary Art, Sunderland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47233)

Chodzko, Adam (2010) Solo Exhibition: SIAKOS.HANAPPE House of Art. , Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47115)

Chodzko, Adam (2014) Somewhat Abstract: Group Exhibition. Somewhat Abstract, 11 Apr 2014 - 28 Jun 2014, Nottingham Contemporary. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47262)

Chodzko, Adam (2001) Soon: Solo Exhibition. Soon, 7th September 2001 - 10th October 2001, Sandroni.Rey Gallery, Venice, California. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47132)

Chodzko, Adam (2014) Spare Room: Thinking City. Performance type: Video/Film (fiction) , 02 October 2014, 6.30pm, Liverpool Biennale, Liverpool. film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47579)

Chodzko, Adam (2003) Strangers to Ourselves: Solo Exhibition. , Herbert Read Gallery, KIAD, Canterbury. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47116)

Chodzko, Adam (2000) Tabley: Group Exhibition. Tabley, 2000, Tabley House, Cheshire. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47399)

Chodzko, Adam (2008) Tales of Time and Space: Group Exhibition. Tales of Time and Space, 14 June to 14 September 2008, Folkestone Triennial, Folkestone, Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47332)

Chodzko, Adam (2007) "Then" - Solo Exhibition. Then, 16th November 2007 - 13th January 2008, Dublin City Gallery The Hugh Lane and various sites across Dublin. Number of pieces: 4. Mixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12981)

Chodzko, Adam (2011) To Pay Respect to the Generosity of the Three-Minute Punk-Rock Song: Group Exhibition. To Pay Respect to the Generosity of the Three-Minute Punk-Rock Song, 19 Nov 2011 – 18 Dec 2011, Margate. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47306)

Chodzko, Adam (2004) Tonight: Group Exhibition. Tonight, 2004, Studio Voltaire, London, Sandroni.Rey, LA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47367)

Chodzko, Adam (2006) Unfinished Business: Group Exhibition. Unfinished Business, Museum of Contemporary Art, Belgrade. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47341)

Chodzko, Adam (2005) Video Spirit: Mysteries, Myths, Meditations & the Moving Image Group Exhibition. Video Spirit: Mysteries, Myths, Meditations & the Moving Image, 2005, Cheekwood, Nashville. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47361)

Chodzko, Adam (2009) Vlassis Caniaris: In Contrapunto Group Exhibition. Vlassis Caniaris, 13 May – 19 July 2009, ITYS, Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47328)

Chodzko, Adam (2000) Waiting: Group Exhibition. Waiting, 2000, Mjellby Konstgård, Sweden. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47397)

Chodzko, Adam (2010) Whitstable Biennale: Ghost, Echo and The Pickers. Whitstable Biennale, 19th June - 4th July 2010, Whitstable, Kent. video installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47316)

Chodzko, Adam (1998) Wrapped: Group Exhibition. Wrapped, Vestjælands Kunstmuseum, Sorø, Denmark. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47415)

Chodzko, Adam (2013) You'll see; next time it'll be different. , Benaki Museum Piraios Street Annexe, Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47106)

Chodzko, Adam (2002) cell-a 2006: Solo Exhibition. , Cubitt, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47120)

Chodzko, Adam (2013) ‘…how is it towards the east?’ Group exhibition. ‘…how is it towards the east?’, 01 May - 02 June 2013, Calvert 22 Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47283)

Chodzko, Adam (1998) A to Z: Group Exhibition. A to Z, 2nd April 1998 - 3rd May 1998, The Approach Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47413)

Chodzko, Adam and Antille, Emmanuelle and Antoni, Janine and Bassanini, Katia and Bonvicini, Monica and Flückiger, Edith and Gerosa, Gabriella and Walpen, Sibylla and Visser, Barbara and Oertli, Christoph and Küng, Max and Leutenegger, Zilla and Köppl, Zacek and Hofer, Susanne and Halter, Marianne (2001) Helle Nächte: Projections. Helle Nächte, 21/22 September 2001, Bottmingen, Baselland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47391)

Chodzko, Adam and Aranberri, Ibon and Buchannan, Roderck and García, Dora and Wood, John and Harrison, Paul (2014) Bergé Collection: 'A Place For the End'. Bergé Collection, 29/05/2014 - 10/06/2014, Real Círculo Artístico de Barcelona, Loop Festival, Barcelona. Video Art. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47261)

Chodzko, Adam and Atkinson, Ewan and Boyce, Sonia and Gordon, Leah and Griffith, marlon and Rime, Marie and Theuring, Corinna (2014) Alles Maskerade!Group Exhibition. Alles Maskerade!, 22/11/2014 - 22/02/2015, MEWO Kunsthalle, Memmingen, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47257)

Chodzko, Adam and Banner, Fiona and Chapman, Jake & Dinos and Dalziel, Matthew and Dean, Tacita and Wyn Evans, Cerith and Floyer, Ceal and Gidley, Tom and Gordon, Douglas and Gunning, Lucy and Hume, Gary and Irvine, Jaki and Scullion, Louise and Taylor-Wood, Sam and Wilson, Jane & Louise and Wright, Elizabeth (1995) General Release: Young British Artists Group Exhibition. , British Council selection for Venice Biennale, Scoula San Pasquale, Venice. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47454)

Chodzko, Adam and Beech, Dave and Cook, Maria and Creed, Martin and Doig, Peter and Higgs, Matthew and Lewin, Sivan and Stezaker, John (1995) Zombie Golf:Group Exhibition BANK. Zombie Golf, Bank, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47453)

Chodzko, Adam and Billingham, Richard and Curtis, Layla and Dawood, Shez and Day, Corinne and Golden, Pamela and Hunter, Tom and Kennard, Peter and Lewis, Andrew and Lucas, Sarah and Luxemburg, Rut Blees and Maybank, Hannah and Parr, Martin and Pollard, Ingrid and Starkey, Hannah and Stewart, Christopher and Shaw, George and Syed, Alia and Wallinger, Mark (2002) Location: UK Group Exhibition. Location: UK, 24 July - 7 September 2002, Gimpel Fils, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47380)

Chodzko, Adam and Bismuth, Pierre and Blondeel, Maria and de Boer, Manon and Bournigault, Rebecca and Curran, Michael and Emin, Tracey and García, Dora and Gonzalez-Foerster, Dominique and Gordon, Douglas and Grigely, Joseph and Huyghe, Pierre and Kool, Renee and Lamelas, David and Matthys, Kobe and van Riessen, Wouter and Wilson, Ian (1996) Perfect: Group Exhibition. Perfect, 03/07/96 - 03/08/96, Jan Mot and Oscar van den Boogaard, Brussels. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47449)

Chodzko, Adam and Bond, Henry and Declerq, Alain and Deutsch, David and Waha, Serge De and Doherty, Willie and Framis, Alicia and Lee, Hatty and Nicolson, Seamus and McCaslin, Matthew and Rickett, Sophy and Schneider, Stefanie (2001) Night on Earth: Group Exhibition. Night on Earth, Städtische Ausstellungshalle Am Hawerkamp, Münster. photographs and videoworks. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47389)

Chodzko, Adam and Bond, Terrence and Gidley, Thomas and Gordon, Douglas and Hammick, Magnus and Lewandowska, Marysia and Martin, Jason and Patterson, Simon (1993) Wonderful Life: Group Exhibition. Wonderful Life, 17 July – 16 October 1993, Lisson Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47492)

Chodzko, Adam and Bornstein, Jennifer and Buchanan, Roderick and Lorca-diCorcia, Philip and Laderman Ukeles, Mierle and Jaar, Alfredo (2000) FaceOn: Group Exhibition. Face On, 9 September - 28 October 2000, Site Gallery, Sheffield touring to Milton Keynes Gallery; Open Eye Gallery, Liverpool; Stills, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47400)

Chodzko, Adam and Bradley, Slater and Chan, Paul and Charlesworth, Sarah and Mehretu, Julie and Steen, Brent and Zmijewski, Artur (2006) Belief and Doubt: Group Exhibition. Belief and Doubt, 2006, The Aspen Art Museum, Colorado. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47344)

Chodzko, Adam and Buckingham, Matthew and Dean, Tacita and Boer, Manon de and Hugonnier, Marine and Newman, Hayley and Sandison, Charles and Sawyer, Mathew and Ohanian, Melik and Gordan, Douglas (2005) Documentary Creations: Group Exhibition. Documentary Creations, 26 Feb - 29 May 2005, Kunst Museum, Luzern, Switzerland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47347)

Chodzko, Adam and Carne, Sarah and Coley, Nathan and Curtis, Layla and Himid, Lubaina and Waring, Sarah (2002) Fabrications: New Art and Urban Memory Group Exhibition. Fabrications, 11 September - 2 November 2002, Cube Gallery, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47381)

Chodzko, Adam and Carvalho, Melanie and Housley, Paul and Donachie, Kaye and Harrison, Lucy (1999) The Poster Show. The Poster Show, 1999, Gavin Brown Enterprises, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47405)

Chodzko, Adam and Chapman, Jake & Dinos and Collishaw, Mat and Emin, Tracey and Harvey, Marcus and Hirst, Damien and Hume, Gary and Landy, Michael and Lane, Abigail and Lucas, Sarah and Mueck, Ron and Ofili, Chris and Patterson, Richard & Simon and Quinn, Marc and Rae, Fiona and Taylor-Wood, Sam and Turk, Gavin and Wearing, Gillian and Whiteread, Rachel (1997) Sensation: Group Exhibition. Sensation, 18 September – 28 December 1997, Royal Academy, London, touring to Museum für Gegenwart, Berlin; Brooklyn Museum of Art, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47438)

Chodzko, Adam and Coleman, James and de Boer, Anneke and Walker, Zoe and Dean, Tacita and Jan Ader, Bas and Boodtgaers, Marcel and Hill, Gary and Fishi, & Weiss (2000) Somewhere Near Vada: Group Exhibition. Somewhere Near Vada, Project Art Centre, Dublin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47395)

Chodzko, Adam and Coles, Sadie and Lloyd, Hilary and Dowson, Steven and Rothschild, Eva (2001) The seat with the clearest view,: Group Exhibition. The seat with the clearest view,, Grey Matter Contemporary Art, Sydney. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47387)

Chodzko, Adam and Cornford, & Cross and Macuga, Goshka and Parris, Janette and Roush, Paula (2004) Perfectly Placed: Group Exhibition 'Settlement'. Perfectly Placed, 6-29 August 2004, South London Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47368)

Chodzko, Adam and Cristea, Alan and Wilson, Keith and Dawson, Ian and Fletcher, Carroll (1999) Holding Court: Group Exhibition. Holding Court, 1999, Entwistle, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47403)

Chodzko, Adam and Dean, Mark and Sinclair, Ross and Gordon, Douglas and Fagen, Graham and Gussin, Graham and Buchannan, Roderck and Mackie, Christina and Weiler, Carl Von and Macleod, Kenny (2000) Black Box Recorder: Group Exhibition. Black Box Recorder, 15 July-20 September 2000., Museum Ludwig, Cologne, touring to Croatia, and the Czech Republic. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47398)

Chodzko, Adam and Dodds, Andrew and Large, Kelly and Van Harskamp, Nicoline (2012) Among Other Things: Group Exhibition. Among Other Things, 10 January – 10 February 2012, Camberwell Space, Camberwell College of Arts, london. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47305)

Chodzko, Adam and Douglas, Stan and Macgill, Elizabeth (2000) Places in Mind: Group Exhibition. Places in Mind, 2000, Ormeau Baths Gallery, Belfast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47402)

Chodzko, Adam and Eggebert, Anne (1994) Remote Control: Group Exhibition. Remote Control, Royal College of Art, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47457)

Chodzko, Adam and Egolf, Gretchen and Collar, Beth and Peake, Florence and Judd, Ben and Becker, Paul and Pedraglio, Francesco and Macbeth, Rory and Whittlesea, Ian and Birch, Rebecca and Smith, Rob (2014) Scene on a Navigable River. Performance type: Live play , 9 – 15 July 2014, Field Broadcast, Dedham Vale, Suffolk. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47581)

Chodzko, Adam and Eichhorn, Maria and Knowles, Eddy and Price, Elizabeth (2006) One Brief Moment: Group Exhibition. One Brief Moment, January 11 - February 18, 2006, Apexart, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47334)

Chodzko, Adam and Eide Einarsson, Eide and Fontaine, Claire and Gordon, Douglas (2012) Notes from Nowhere: Group Exhibition. Notes from Nowhere, 6th May – 3rd June 2012, Frome, Somerset. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47286)

Chodzko, Adam and Emin, Tracey and Shrigley, David and Starkey, Hannah (1998) Real Life: Group Exhibition. Real Life, Galleria S.A.L.E.S., Rome. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47414)

Chodzko, Adam and Feriancova, Petra and Halilaj, Petrit and Rui An, Ho and Lempert, Jochen and Maak, Flo and Marker, Chris and Meuris, Wesley and Murphy, Ciarán and Safavi, Vanessa and Schmid, Julia and Shiel, Sonia and van Beek, Ruth (2014) Fieldworks: Animal Habitats in Contemporary Art. Fieldworks, 1 August – 2 November 2014, Lewis Glucksman Gallery University College Cork. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47260)

Chodzko, Adam and Fox, Jason and Periton, Simon and Borland, Christine and Millar, Neil and Palacin, Mabel and Miller, Lee and Marshall, Darren (1996) 21 Days of Darkness: Group Exhibition. 21 Days of Darkness, Transmission Gallery, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47448)

Chodzko, Adam and Gearon, Tierney and Goldin, Nan and Gursky, Andreas and Sherman, Cindy (2001) I am a Camera: Group Exhibition. , Jan - Mar 2001, Saatchi Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47384)

Chodzko, Adam and Grasso, Laurent and Deshayes, Nicholas and Mackinnon, Lee and Mundt, Wilhelm (2006) From There. From There, 9 June – 22 July 2006, Bloomberg Space, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47340)

Chodzko, Adam and Gussin, Graham and Wilson, Jane & Louise and Starling, Simon and Hapaska, Siobhan and Murphy, Stephen and Dean, Tacita (1999) ARTIFICE: Group Exhibition. ARTIFICE, 24.6-11.10/1999, DESTE FOUNDATION, NEO PSYCHICO, ATHENS. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47396)

Chodzko, Adam and Hapaska, Siobhan and Roberts, Maggie and Lowe, Colin and Lloyd, Hilary and Higgs, Matthew (1993) Making People Disappear: Group Exhibition. Making People Disappear, Thursday 1 April 1993 to Sunday 25 April 1993, Cubitt Street Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47458)

Chodzko, Adam and Kötting, Andrew and Finer, Jem and Rudkin, David and Sinclair, Iain and Baker, Tom and Brownlow, Kevin and Sherwin, Guy and Thew, Anna and Rowe, Doc (2003) Visionary Landscapes: Group Exhibition Adam Chodzko's ' Plan for a Spell' installation. Visionary Landscapes, 23-25 May 2003, Cecil Sharp House, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47377)

Chodzko, Adam and Liversidge, Peter (2000) Better Scenery: Group Exhibition. Better Scenery, 2000, Pand Paulus Gallery, Schiedam, The Netherlands. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47401)

Chodzko, Adam and Lowe, B and Allington, E and Baseman, J and Billingham, R and Burge, C and Camrass, L and Coutts, M and Crisp, F and Currie, A and Glanville, T and Holmwood, S and Irvine, J and Stoner, T and Trangmar, S and Turnbull, A and Uglow, G and Wallinger, M and Wilding, A and Williamson, A and Wise, K (2006) Responding to Rome: British Artists in Rome 1995-2005. Responding to Rome, 18/01/2006 - 26/03/2006, estorick Collection, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47335)

Chodzko, Adam and McNab, Janice and Tellez, Javier and Yang, Jun and Walde, Martin and Kool, Renee and Billingham, Richard and Keller, Sam and Wood, Simon and Calle, Sophie and Leutenegger, Zilla (2002) Tabu. Tabu, Saturday, January 26, 2002 - Sunday, March 17, 2002, Kunsthaus Baselland, Switzerland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47379)

Chodzko, Adam and Monchaux, Cathy de (2001) Sacred and Profane: Group Exhibition. Sacred and Profane, 2001, Mappin Art Gallery, Sheffield. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47392)

Chodzko, Adam and Patterson, Simon (1994) High Fidelity: Group Exhibition. , Kohji Ogura Gallery, Nagoya; tour to Röntgen Kunst Institut, Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47456)

Chodzko, Adam and Whiteread, Rachel and Brown, Glenn and Wearing, Gillian and Gallaccio, Anya and Chapman, Jake & Dinos and Raho, Alessandro and Emin, Tracey and Collishaw, Mat and Hume, Gary and Fairhurst, Angus and Bond, Henry and Landy, Michael and Hirst, Damien and Pippen, Steven and Starr, Georgina and Taylor-Wood, Sam and Ofili, Chris and Lucas, Sarah and Gillick, Liam and Lane, Abigail (1995) Brilliant: Group Exhibition. , 22 October 1995 - 7 January 1996, Walker Arts Center, Minneapolis. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47455)

Chodzko, Adam and large, Kelly and Dodds, Andrew and Van Harskamp, Nicoline (2013) Among Other Things, Second Showing: Group Exhibition. Among Other Things, 2 – 31 January 2013, Ruskin Gallery, Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47282)

Choi, Jinhee (2003) All the Right Responses: Fiction Films and Warranted Emotions. British Journal of Aesthetics, 43 (1). pp. 308-321. ISSN 0007-0904. (doi:10.1093/bjaesthetics/43.3.308) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14649)

Choi, Jinhee (2008) Am I Your Sidekick? Contemporary Korean Gangster Cinema, ‘Beat’ and ‘Friend’. Post Script, 27 (3). pp. 116-131. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14637)

Choi, Jinhee (2006) Apperception on Display: Structural Films and Philosophy. In: Smith, Murray and Wartenberg, Thomas, eds. Thinking Through Cinema: Film as Philosophy. Blackwell, pp. 165-172. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14642)

Choi, Jinhee (2006) Apperception on Display: Structural Films and Philosophy. Journal of Aesthetics and Art Criticism, 64 (1). pp. 165-172. ISSN 0021-8529. (doi:10.1111/j.0021-8529.2006.00238.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14643)

Choi, Jinhee (2002) Chunhyang, Chunhyang, Chunhyang: Poetics of Im Kwon Taek. Asian Cinema, 13 (1). pp. 57-66. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14651)

Choi, Jinhee (2003) Fits and Startles: Cognitivism Revisited. Journal of Aesthetics and Art Criticism, 61 (2). pp. 149-157. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14650)

Choi, Jinhee (2004) Is the Balcony Closed? Philosophy of Film sans Film. Aesthetics Newsletter, 23 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14648)

Choi, Jinhee (2005) Leaving It up to the Imagination: POV shots and Imagining from Inside. Journal of Aesthetics and Art Criticism, 63 (1). pp. 17-25. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14646)

Choi, Jinhee (2005) National Cinema, the Very Idea. In: Choi, Jinhee and Carroll, Noel, eds. Philosophy of Film and Motion Pictures. Blackwell, pp. 310-319. ISBN 978-1-4051-2027-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14644)

Choi, Jinhee (2006) Naturalizing Hollywood: Against the Naturalistic Account of the Filmic Communication. Film Studies: An International Review, (8). pp. 149-153. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14641)

Choi, Jinhee (2004) Preface to The Cinema of Japan and Korea. In: Bowyer, Justin, ed. The Cinema of Japan and Korea. Wallflower Press. ISBN 978-1-904764-11-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14647)

Choi, Jinhee (2001) A Reply to Gregory Currie on Documentaries. Journal of Aesthetics and Art Criticism, 59 (3). pp. 317-319. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14652)

Choi, Jinhee (2008) Sentimentality and the Cinema of the Extreme. Jump Cut, (50). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14639)

Choi, Jinhee (2005) Shocking Corridors: Girls’ High School Horror Series and Female Sexuality. In: ACSS. . pp. 318-321. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14645)

Choi, Jinhee (2010) The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs. Wesleyan University Press, 260 pp. ISBN 978-0-8195-6939-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23602)

Cinquegrani, Maurizio (2021) De Varsovia a Treblinka: un viaje documental en el tiempo y en el espacio [From Warsaw to Treblinka: a documentary journey through time and space]. In: Migliucci, Dario and López-Rodríguez, Lucía, eds. El conflicto humano: orígenes, dinámicas, secuelas y resolución de los conflictos contemporaneous [Human conflict: origins, dynamics, consequences and resolution of contemporary conflicts]. Sanz y Torres, Madrid, Spain, pp. 133-155. ISBN 978-84-18316-11-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:87058)

Cinquegrani, Maurizio (2014) Of Empire and the City: Remapping Early British Cinema. New Studies in European Cinema . Peter Lang, Bern, Switzerland, 319 pp. ISBN 978-3-0343-0823-6. E-ISBN 978-3-0353-9946-2. (doi:10.3726/978-3-0353-0585-2) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50335)

Cinquegrani, Maurizio (2006) Thinking Silent Cinema and Philology: The Case of Victor Sjöström’s The Strike. In: North-West Passage. Yearly Review of the Centre for Northern Performing Arts Studies . Turin University Press, pp. 105-128. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56959)

Clayton, Alex (2007) The Body In Hollywood Slapstick. McFarland and Co, Inc, 237 pp. ISBN 978-0-7864-3063-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2226)

Clayton, Alex (2007) Music In The Style Of Jean Reoir. Cineaction, 66 . pp. 61-72. ISSN 0826-9866. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2225)

Connelly, Mark L. (2007) Bomber Harris: Raking through the ashes of the Strategic Air Campaign against Germany. In: Paris, Michael, ed. Repicturing the Second World War. Representations in Film and Television. Palgrave MacMillan, United Kingdom, pp. 162-176. ISBN 978-0-230-00257-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6829)

Cowie, Elizabeth (2006) ‘The Art of Paranoia’. In: Pajdic, Predrag and Pasolini, Antonio and Ryan, Paul, eds. Paranoia. Southend/Leeds/London, London, pp. 138-148. ISBN 139780955330902. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2991)

Cowie, Elizabeth (1986) A Discussion of Coma. In: Brunsden, Charlotte, ed. Hollywood’s New Women. British Film Institute. ISBN 0857101558. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3010)

Cowie, Elizabeth (1997) Documenting Fictions. Continuum, Australian Journal of Media & Culture, 11 (1). pp. 54-66. ISSN 1030-4312. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3034)

Cowie, Elizabeth (2005) 'Dokumentarische Kunst: das Reale begehren, der Wirklichkeit eine Stimme geben' (‘Desiring the Real, Voicing Reality in Documentry Art'). In: Gludovatz, Karin, ed. Auf den Spuren des Realen Kunst und Dokumentarismus. Museum Moderner Kunst Stiftung Ludwig, Wien, pp. 15-41. ISBN 3-902490-05-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2993)

Cowie, Elizabeth (2001) The Enigma of the Message. Review of: Essays on Otherness by Laplanche, Jean. New Formations, (43). pp. 148-150. ISSN 0950-2378. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3043)

Cowie, Elizabeth (1999) Fantasia. In: Evans, Jessica and Hall, Stuart, eds. Visual Culture, The Reader. Sage, pp. 356-378. ISBN 0-7619-6247-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2999)

Cowie, Elizabeth (1975) ‘Feminist Film Criticism - a reply’. Screen, 16 (1). pp. 134-139. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3042)

Cowie, Elizabeth (2000) Figuracija/Razumevanje fetiöa. Filmsek Sveske, 2-3 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3011)

Cowie, Elizabeth (1995) Film - Zenska Tovarna Sanji. Vsebina, (23). pp. 46-80. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3036)

Cowie, Elizabeth (1993) Film Noir and Women. In: Copjec, Joan, ed. Shades of Noir. Verso, pp. 121-166. ISBN 0-86091-625-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3002)

Cowie, Elizabeth (1989) Film in teorija v osemdesetih letih. Ekran, 14 (5/6). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3037)

Cowie, Elizabeth (1993) From Fantasia. In: Easthope, Anthony, ed. Contemporary Film Theory. Longman, pp. 147-161. ISBN 0-582-09032-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3003)

Cowie, Elizabeth (1985) Het verschil in de film. Vrouwen in de films van Hawks. Het Tidschrift voor Vrouwen Studies, (24). ISSN 0167-8361. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3039)

Cowie, Elizabeth (2001) Identifizierung mit dem Realen - Spektakel der Realität. In: Angerer, Marie-Luise and Krips, H., eds. Der Andere Schauplatz Psychoanalyse - Kultur - Medien. Vienna: Turia + Kant, pp. 151-180. ISBN 3-85132-287-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2995)

Cowie, Elizabeth (1996) Images of Women and Filmic Identification. In: Dakovic, Nevena and Derman, Denis and Ross, Karen, eds. Gender & Media. Med-Campus Project no A126 Publications, pp. 35-60. ISBN 975-96120-0-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3001)

Cowie, Elizabeth (1981) Introduction to Mary Kelly’s Post-Partum Document. M/F, (5/6). pp. 115-123. ISSN 0141-948X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3040)

Cowie, Elizabeth (2000) Perceiving Memory and Tales of the Other: the work of Milica Tomic. Camera Austria, (72). pp. 14-16. ISSN 1015-1915. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3012)

Cowie, Elizabeth (1979) The Popular Film as Progressive Text - a discussion of Coma. M/F, (3). pp. 59-82. ISSN 0141-948X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3041)

Cowie, Elizabeth (1989) The Popular Film as a Progressive Text – a Discussion of Coma. In: Penley, Constance, ed. Feminism and Film Theory. Methuen. ISBN 0-415-90107-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3009)

Cowie, Elizabeth (1992) Pornography and Fantasy. In: Segal, Lynne and McIntosh, Mary, eds. Sex Exposed: Sexuality and the Pornography Debate. Virago, pp. 132-152. ISBN 1-85381-385-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3006)

Cowie, Elizabeth (1990) Psychoanalysis and Cinema: Film and Theory in the 1980's. In: Donald, James, ed. Psychoanalysis and Cultural Theory: Thresholds. Macmillan, pp. 104-138. ISBN 0-312-05232-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3008)

Cowie, Elizabeth (1997) Representing the Woman: Psychoanalysis and Cinema. University of Minnesota Press, 397 pp. ISBN 033330576. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2987)

Cowie, Elizabeth (1980) Review article of The Song of the Shirt. Review of: The Song of the Shirt by Clayton, Sue and Curling, Jonathan. Camera Obscura, (5). pp. 87-97. ISSN 0270-5346. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3050)

Cowie, Elizabeth (1987) Review article on Mary Kelly’s Interim. Review of: Interim by Kelly, Mary. New Formations, (2). pp. 20-28. ISSN 0950-2378. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3048)

Cowie, Elizabeth (1990) Review of Psychoanalysis and Cinema. Review of: Psychoanalysis and Cinema by Kaplan, Anne E.. Times Higher Education Supplement, . 0-0. ISSN 0049-3929. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3045)

Cowie, Elizabeth (1992) The Seductive Theories of Jean Laplanche: a new view of the drive, passivity and femininity. In: Stanton, Martin and Fletcher, John W. J., eds. Situating Laplanche. Institute of Contemporary Arts, pp. 121-136. ISBN 0-905263-68-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3005)

Cowie, Elizabeth (2005) Seeing and hearing for ourselves: the spectacle of reality in the Holocaust Documentary. In: Haggith, Toby and Newman, Joanna, eds. The Holocaust and the Moving Image: Film and Television Representations Since 1933. Wallflower Press, pp. 182-188. ISBN 1-904764-51-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2992)

Cowie, Elizabeth (1999) The Spectacle of Actuality. In: Gaines, Jane and Renov, Michael, eds. Collecting Visible Evidence. University of Minnesota Press, pp. 19-45. ISBN 0-8166-3135-2/3136-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2998)

Cowie, Elizabeth (1997) The Spectacle of Reality and Documentary Film. Documentary Box, (10). pp. 1-8. ISSN 1340-0832. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3035)

Cowie, Elizabeth (2007) Specters of the Real: Documentary Time and Art. Differences: A Journal of Feminist Cultural Studies, 18 (1). pp. 87-127. ISSN 1040-7391. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2227)

Cowie, Elizabeth (1998) Storytelling: classical Hollywood cinema and classical narrative. In: Neale, Steve and Smith, Murray, eds. Contemporary Hollywood Cinema. Routledge, pp. 178-190. ISBN 0-415-17010-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3000)

Cowie, Elizabeth (1986) Strategems of Identification. Oxford Literary Review, 8 (1/2). pp. 66-67. ISSN 0-9511080 0 X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3038)

Cowie, Elizabeth (2000) Traumatic Memories of Remembering and Forgetting. In: Rossington, Michael and Whitehead, Anne, eds. Between the Psyche and the Polis: Refiguring history in literature and theory. Ashgate Publishing, pp. 191-204. ISBN 0-7546-0228-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2997)

Cowie, Elizabeth (1995) A Tunisian Search for Independence - a review of The Silences of the Palace. Review of: The Silences of the Palace by Tlatli, Moufida. Women: A Cultural Review, 6 (1). pp. 124-128. ISSN 0957-4042. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3046)

Cowie, Elizabeth (2007) Ways of Seeing and Knowing: Documentary Film and the Surreal of Reality. In: Ten Brink, Joram, ed. Building Bridges: The Cinema of Jean Rouch. Wallflower Press, pp. 201-218. ISBN 978-1-905674-47-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2228)

Cowie, Elizabeth (2007) ‘What do you see? Would you like to move on to another image? Yes’. In: Barnard, Clio H., ed. Road Race and Dark Glass Catalogue. Herbert Read Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2990)

Cowie, Elizabeth (2001) Woman as Sign. In: Andjelkovic, Branislava, ed. Feminist Visual Theories. Belgrade: Cenre For Contemporary Arts. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2994)

Cowie, Elizabeth (1993) Women, Representation and the Image. In: Alvarado, Manuel and Buscombe, Edward and Collins, Richard, eds. The Screen Education Reader: Cinema, Television, Culture. Macmillan, pp. 48-60. ISBN 0-231-08111-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3004)

Cowie, Elizabeth (2000) Working Images: the representations of documentary film. In: Pollock, Griselda and Mainz, Valerie, eds. Work and the Image II. Ashgate Press, pp. 173-192. ISBN 0-7546-0233-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2996)

Cowie, Elizabeth (1991) Zenska Seksualnost. In: Bahovec, Eva D., ed. Zenska Seksualnost - Freud & Lacan. Analecta, pp. 146-169. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3007)

Cowie, Elizabeth (2004) A commentary on Juan delGado’s video work, ‘Who are You Entertaining To?’. Aspect DVD Journal DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3051)

Cowie, Elizabeth (2015) The difference in figuring women now. Moving Image Review & Art Journal, 4 (1-2). pp. 46-61. ISSN 2045-6298. (doi:10.1386/miraj.4.1-2.46_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61757)

Cowie, Elizabeth (2014) The time of gesture in cinema and its ethics. Journal for Cultural Research, 19 (1). pp. 82-95. ISSN 1479-7585. E-ISSN 1740-1666. (doi:10.1080/14797585.2014.920181) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61756)

Cowie, Elizabeth and Adams, Parveen (1990) The Woman in Question. Cambridge/MIT Press/October Books, 383 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2988)

Cunningham, Karen and Chodzko, Adam and Govender, Ravi (2013) MAP Screen: The Anthropology Effect Group Exhibition. MAP Screen | The Anthropology Effect, MAP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47274)

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Davis, Jill (1999) Goodnight ladies ... On the 'Explicit Body in Performance'. New Theatre Quarterly, 15 (58). pp. 183-187. ISSN 0266-464X. (doi:10.1017/S0266464X00012860) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17274)

Debon, Claude, Read, Peter (2008) Les Dessins de Guillaume Apollinaire. Les cahiers dessinés . Buchet-Chastel, Paris, 160 pp. ISBN 978-2-283-02194-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13478)

Declercq, Dieter (2017) A Philosophy of Satire. Critique, Entertainment, Therapy. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:64125)

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Dennis, Krysta (2015) Globalizing McDonagh: The Playwright in Performance on the World Stage. Doctor of Philosophy (PhD) thesis, University of Kent, Universite de Paris 3 Sorbonne Nouvelle. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54754)

Dieterich, Vera, Rooney, Caroline R., Hillward-Harris, Ben, Kivland, Sharon (2005) Book Unbinding: The Ontological Stain. Transmission: the Rules of Engagement . Artwords Press, London, 62 pp. ISBN 978-0-9543908-5-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5491)

Dunworth, F. (1993) Suffocating Mothers - Fantasies of Maternal Origins in Shakespeare Plays, 'Hamlet' to the 'Tempest' - Adelman, J. Theatre Research International, 18 (1). pp. 65-66. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22076)

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Fontana-Giusti Korolija, Gordana (2014) Transgression and Ekphrasis in Le Corbusier's Journey to the East. In: Rice, Louis and Littlefield, David, eds. Transgression: Towards an expanded field of architecture. Critiques . Routledge, London, pp. 57-75. ISBN 978-1-138-81891-0. (KAR id:44862)

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Fontana-Giusti, Gordana (2012) The Urban Language of Early Constantinople: The Changing Roles of the Arts and Architecture in the Formation of the New Capital and the New Consciousness. In: Hathaway, Stephanie L and Kim, David W, eds. Intercultural Transmission in the Medieval Mediterranean. Continuum / Bloomsbury, London, 165 -203. ISBN 978-1-4411-3908-5. (KAR id:34136)

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Frey, Mattias (2010) Art and Artifice: German Films at the 60th Berlin International Film Festival. Senses of Cinema, (55). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25351)

Frey, Mattias (2006) Benny’s Video, Caché, and the Desubstantiated Image. Framework: The Journal of Cinema and Media, 47 (2). pp. 30-36. ISSN 0306-7661. (doi:10.1353/frm.2006.0011) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20319)

Frey, Mattias (2004) Border Zones: The Films of Ulrich Seidl. Senses of Cinema, (32). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20323)

Frey, Mattias (2003) A Cinema of Disturbance: The Films of Michael Haneke in Context. Senses of Cinema, (28). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20324)

Frey, Mattias (2007) The End of Innocence: Scandinavian Films at the 30th Gothenburg International Film Festival. Review of: Scandinavian Films at the 30th Gothenburg International Film Festival by UNSPECIFIED. Senses of Cinema, 43 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20768)

Frey, Mattias (2006) Fidelio: Love, Adaptation, and Eyes Wide Shut. Literature/Film Quarterly, 34 (1). pp. 39-45. ISSN 0090-4260. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20322)

Frey, Mattias (2010) From Crisis Structure to Schadenfreude: Emotional Underpinnings of the New Documentary. In: Society of Cinema and Media Studies Annual Conference, 18th March 2010, Los Angeles. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25356)

Frey, Mattias (2008) Gazing Lessons: German Films at the 58th Berlin International Film Festival. Review of: 58th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, 47 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20765)

Frey, Mattias (2010) Goodbye Germany: Emigration, Reality TV and Schadenfreude. Jump Cut, (52). ISSN 0146-5546. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25349)

Frey, Mattias (2007) In/Flux: German Films at the 57th Berlin International Film Festival. Review of: German Films at the 57th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, 43 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20767)

Frey, Mattias (2009) Insecure Times, Confident Localities: German Films at the 59th Berlin International Film Festival. Review of: 59th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, (50). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20763)

Frey, Mattias (2006) London à la Mod: Fashion, Genre, and Historical Space in Performance. Quarterly Review of Film and Video, 23 (4). pp. 369-376. ISSN 1050-9208. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20320)

Frey, Mattias (2010) Medien aus filmwissenschaftlicher Sicht. In: Masterclasses, 29th June-2nd July 2010, Universitat Passau. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25352)

Frey, Mattias (2010) The Message and the Medium: Haneke's Film Theory and Digital Praxis. In: Price, Brian and Rhodes, John David, eds. On Michael Haneke. Wayne State University Press, Detroit, pp. 153-165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25350)

Frey, Mattias (2006) No(ir) Place to Go: Spatial Anxiety and Sartorial Intertextuality in Die Unberührbare. Cinema Journal, 45 (4). pp. 64-80. ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20318)

Frey, Mattias (2010) Paris' Threat to German Film Criticism: Denounce and Recycle. In: European Network for Cinema and Media Studies Annual Conference, 25th June 2010, Istanbul. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25354)

Frey, Mattias (2010) A Persistent Allure: The Reception of Michael Haneke. In: Invited speaker, On Michael Haneke, 2nd June 2010, University of Sussex. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25355)

Frey, Mattias (2006) “Postmodernism” and “Guy Maddin". In: Grant, Barry Keith, ed. Schirmer Encyclopedia of Film. Schirmer Press, Detroit, pp. 291-296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20315)

Frey, Mattias (2006) Re-Connecting the Body ‘in’ to the Body ‘of’ Pasolini with Porcile. In: Hart, Kylo, ed. Film and Sexual Politics: A Critical Reader. Cambridge Scholars Press, Newcastle, pp. 128-134. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20321)

Frey, Mattias (2007) Review of Screening the Past: Memory and Nostalgia in Cinema. Review of: Screening the Past: Memory and Nostalgia in Cinema by Cook, Pam. Film International, 5 (5). pp. 87-89. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20766)

Frey, Mattias (2006) Review of: Graeme Harper and Andrew Moor, eds., Signs of Life: Medicine and Cinema. Review of: Signs of Life: Medicine and Cinema by Harper, Graeme and Moor, Andrew. Film International, 4 (2). pp. 78-81. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20770)

Frey, Mattias (2008) Review of: Jörn Ahrens und Stephan Braese, Hg., Im Zauber der Zeichen: Beiträge zu einer Kulturgeschichte des Mediums. Review of: Im Zauber der Zeichen: Beiträge zu einer Kulturgeschichte des Mediums by Ahrens, Jorn and Braese, Stephan. MEDIENwissenschaft, (2). pp. 145-147. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20764)

Frey, Mattias (2007) Review of: Rosalind Galt, The New European Cinema: Redrawing the Map. Review of: The New European Cinema: Redrawing the Map by Galt, Rosalind. Film International, 5 (1). pp. 70-71. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20769)

Frey, Mattias (2010) Safe to Remember: the post-Wende Cinema of Retrospection. In: Invited Talk, 2nd November 2010, University of Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25353)

Frey, Mattias (2006) Structuralism and Poststructuralism. In: Grant, Barry Keith, ed. Schirmer Encyclopedia of Film. Schirmer Press, Detroit, pp. 165-168. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20317)

Frey, Mattias (2002) Supermodernity, Capital, and Narcissus: The French Connection to Michael Haneke’s Benny’s Video. Cinetext, . ISSN 1605-6035. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20325)

Frey, Mattias (2007) Theorizing Cinema in Sebald and Sebald with Cinema. In: Patt, Lise, ed. Searching for Sebald: Photography After W.G. Sebald. Los Angeles: Institute of Cultural Inquiry Press, Los Angeles, pp. 226-241. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20314)

Friday, Jonathan (2007) The Art Seminar. In: Elkins, James, ed. Photographic Theory. Routledge, pp. 129-204. ISBN 0-415-97783-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6590)

Friday, Jonathan (2004) Art and Enlightenment: Aesthetics in the 18th Century. Imprint Academic, 212 pp. ISBN 0-907845-76-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6564)

Friday, Jonathan (2000) Demonic Curiosity and the Aesthetics of Documentary Photography. British Journal of Aesthetics, 40 (3). pp. 356-375. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6581)

Friday, Jonathan (2002) Demonic Curiosity and the Aesthetics of Documentary Photography. In: Rubene, Mara, ed. Homo Aestheticus. Tapals, pp. 245-266. ISBN 9984-720-00-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6583)

Friday, Jonathan (1997) Digital Imaging, Photographic Representation and Aesthetics. Ends and Means, 2 (2). pp. 7-11. ISSN 1472-5819. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6570)

Friday, Jonathan (1998) Hume’s Sceptical Standard of Taste. Journal of the History of Philosophy, 36 (4). pp. 545-566. ISSN 0022-5053. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6573)

Friday, Jonathan (1999) Looking at Nature Through Photographs. Journal of Aesthetic Education, 33 (1). pp. 25-35. ISSN 0021-8510. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6576)

Friday, Jonathan (2004) Moral Equality and the Foundations of Liberal Moral Theory. Journal of Value Inquiry, 38 (1). pp. 61-74. ISSN 0022-5363. (doi:10.1023/B:INQU.0000040016.68565.83) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6567)

Friday, Jonathan (2004) Moral Theory and the Improvement of Moral Thought. Journal of Moral Education, 33 (1). pp. 23-33. ISSN 0305-7240. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6585)

Friday, Jonathan (2004) Photography and Art – Responses to questions set by Artis Svece. Res Publica, 2 . ISSN 1691-2004. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6588)

Friday, Jonathan (1999) Quem Tem Medo De Uma Sociedade On-line? Cadernos Da Escola Do Legislativo, . pp. 39-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6580)

Friday, Jonathan (1996) Transparency and the Photographic Image. British Journal of Aesthetics, 36 (1). pp. 30-42. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6568)

Friday, Jonathan (1998) Who’s Afraid of an On-line Society? Ends and Means, 3 (2). pp. 2-7. ISSN 1472-5819. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6579)

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Grant, Catherine A. (2008) Auteur machines? Auteurism and the DVD. In: Bennett, James and Brown, Tom, eds. Film and Television After DVD. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7819)

Grant, Catherine A. (2000) Intimista Transformations: María Luisa Bemberg's First Feature Films. In: King, John and Whittaker, Sheila and Bosch, Rosa, eds. The Films of María Luisa Bemberg: An Argentine Passion. Verso. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7925)

Grant, Catherine A. (2006) 'Introduction' in Screening World Cinema: A Screen Reader. In: Grant, Catherine A. and Kuhn, Annette, eds. Screening World Cinema: A Screen Reader. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7823)

Grant, Catherine A. (2002) 'La función de "los autores": la adaptación cinematográfica transnacional de El lugar sin límites'. Revista Iberoamericana, LXVIII (199). pp. 253-268. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7866)

Grant, Catherine A. (2000) www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7926)

Grantley, Darryll (1994) The American Stage - Social and Economic-Issues for the Colonial Period to the Present - Engle,R, Miller,TL. Theatre Research International, 19 (1). p. 79. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20224)

Grantley, Darryll (1994) The Cambridge Guid to American Theater - Wilmeth, DB. Theatre Research International, 19 (3). pp. 285-286. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20223)

Grantley, Darryll (1996) ‘“The Ceremonialization of Secular Power in Medieval Scriptural and Hagiographical Drama’. In: Aspects of Medieval Drama. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2679)

Grantley, Darryll (2005) ‘Dramatic Representations of the Emerging Metropolis of London in the Sixteenth Century’. In: Medieval English Theatre Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2675)

Grantley, Darryll (1987) ‘Dramatizing Chaucer’. In: 22nd International Congress on Medieval Studies. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2683)

Grantley, Darryll (1989) ‘La Madeleine dans la Poésie et Prose d’Angleterre aux 16ième et 17ième Siècles’. In: Colloque International: Le Visage de la Madeleine dans la Littérature et la Critique en Europe entre 1450 et 1650. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2682)

Grantley, Darryll (1990) ‘Les Représentations de la Madeleine dans la Poésie et le Drame en Angleterre aux XVI et XVIIe Siècles’. In: Chocheyras, Jacques, ed. Visages de la Madeleine dans la Littérature Européenne (1500-1700). Univ Stendhal U.F.R. Lettres. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2651)

Grantley, Darryll (2008) London in Early Modern English Drama: Representing the Built Environment. Palgrave Macmillan ISBN 0-230-55429-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7645)

Grantley, Darryll (1995) ‘Marsha Norman’. In: Bloom, C., ed. American Drama. Macmillan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2654)

Grantley, Darryll (1988) ‘Masques and Murderers: Dramatic Form and Ideology in Jacobean Revenge Tragedy and the Court Masque’. In: Bloom, C., ed. Jacobean Poetry and Prose. Macmillan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2650)

Grantley, Darryll (1986) The National Theatre’s Production of The Mysteries: Some Observations. Theatre Notebook, 40 (2). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2672)

Grantley, Darryll (2003) ‘Perilous Childhood in the Tudor Interlude’. In: Shakespeare’s Children/Children’s Shakespeare. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2676)

Grantley, Darryll (1983) ‘Producing Miracles’. In: Neuss, P., ed. Aspects of Early English Drama. Brewer. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2649)

Grantley, Darryll (2005) Review of Anne Lancashire London Civic Theatre: City Drama and Pageantry from Roman Times to 1558. Review of: London Civic Theatre: City Drama and Pageantry from Roman Times to 1558 by Lancashire, Anne. Early Theatre, 8 (1). pp. 122-125. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2723)

Grantley, Darryll (1986) Review of B. Dukore American Dramatists 1919-1945 and G Weales Odets: The Playwright. Review of: American Dramatists 1919-1945 and The Playwright by Dukore, B and Weales Odets, G. Speech and Drama, 35 (1). pp. 46-48. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2689)

Grantley, Darryll (1992) Review of C. Bigsby Arthur Miller and Company. Review of: Arthur Miller and Company by Bigsby, Christopher. New Theatre Quarterly, (30). p. 197. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2698)

Grantley, Darryll (1987) Review of C. Davidson (ed) The Saint Play in Medieval Europe. Review of: The Saint Play in Medieval Europe by Davidson, C. Comparitive Drama, 21 (3). pp. 295-297. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2694)

Grantley, Darryll (1998) Review of Christopher Bigsby (ed) The Cambridge Companion to Arthur Miller. Review of: The Cambridge Companion to Arthur Miller by Bigsby, Christopher. Theatre Research International, 23 (2). p. 188. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2719)

Grantley, Darryll (1992) Review of D. George Records of Early English Drama: Lancashire in The Early Drama. Review of: Records of Early English Drama: Lancashire in The Early Drama by George, David. Art and Music Review, 15 (1). 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2700)

Grantley, Darryll (1990) Review of D. Gilman (ed) Everyman and Company. Review of: Everyman and Company by Gilman, D. Comparitive Drama, 24 (4). pp. 367-370. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2697)

Grantley, Darryll (1994) Review of D. Wilmeth and T Miller (eds) The Cambridge Guide to American Theatre. Review of: The Cambridge Guide to American Theatre by Wilmeth, Don B. and Miller, Tice L.. Theatre Research International, 19 (3). pp. 285-286. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2704)

Grantley, Darryll (1993) Review of G. M. Berkowitz American Drama of the Twentieth Century. Review of: American Drama of the Twentieth Century by Berkowitz, G.M.. Notes and Queries, . pp. 571-572. ISSN 0029-3970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2701)

Grantley, Darryll (2002) Review of Ian McAdam The Irony of Identity: Self and Imagination in the Drama of Christopher Marlowe and Fred B. Tromly Playing With Desire: Christopher Marlowe and the Art of Tantalization. Review of: The Irony of Identity: Self and Imagination in the Drama of Christopher Marlowe and Playing With Desire: Christopher Marlowe and the Art of Tantalization by McAdam, Ian and Tromly, Fred B.. Yearbook of English Studies, (32). pp. 271-273. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2721)

Grantley, Darryll (1987) Review of J. Lahr The Orton Diaries. Review of: The Orton Diaries by Lahr, J. Speech and Drama, 36 (1). pp. 50-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2693)

Grantley, Darryll (1996) Review of J. Somerset Records of Early English Drama: Shropshire. Review of: Records of Early English Drama: Shropshire by Somerset, J. Alan B.. Comparitive Drama, 30 (2). pp. 282-285. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2706)

Grantley, Darryll (1988) Review of J. Wasson (ed) Records of Early English Drama: Devon. Review of: Records of Early English Drama: Devon by Wasson, J. Comparitive Drama, 21 (4). pp. 399-401. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2695)

Grantley, Darryll (1998) Review of James Stokes (ed) Records of Early English Drama: Somerset. Review of: Records of Early English Drama: Somerset by Stokes, James. Theatre Notebook, 23 (1). pp. 55-56. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2720)

Grantley, Darryll (2005) Review of Katie Normington Gender and Medieval Drama. Review of: Gender and Medieval Drama by Normington, Katie. Theatre Research International, 30 (3). pp. 298-299. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2722)

Grantley, Darryll (1996) Review of L. Muir The Biblical Drama of Medieval Europe. Review of: The Biblical Drama of Medieval Europe by Muir, Lynette R.. Theatre Research International, 21 (1). pp. 79-80. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2705)

Grantley, Darryll (2007) Review of Lucy Munro - The Children of the Queen’s Revels: A Jacobean Theatre Repertory. Review of: The Children of the Queen’s Revels: A Jacobean Theatre Repertory by Munro, Lucy. Shakespeare Studies, (35). pp. 292-296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2724)

Grantley, Darryll (1992) Review of M. Baer Theatre and Disorder in Late Georgian London. Review of: Theatre and Disorder in Late Georgian London by Baer, Marc. New Theatre Quarterly, (31). p. 91. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2699)

Grantley, Darryll (1997) Review of M. Twycross (ed) Festive Drama. Review of: Festive Drama by Twycross, M. Theatre Research International, 22 (1). p. 74. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2707)

Grantley, Darryll (1993) Review of P. Kolin (ed) Confronting Tennessee Williams’s ‘A Streetcar Named Desire’: Essays in Critical Pluralism. Review of: Confronting Tennessee Williams’s ‘A Streetcar Named Desire’: Essays in Critical Pluralism by Kolin, P. New Theatre Quarterly, (35). p. 301. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2702)

Grantley, Darryll (1984) Review of R M Lumiansky and D Mills The Chester Mystery Cycle: Essays and Documents. Review of: The Chester Mystery Cycle: Essays and Documents by Lumiansky, R.M. and Mills, David. Theatre Notebook, 38 (3). pp. 146-147. ISSN 0040-5523. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2687)

Grantley, Darryll (1986) Review of R. Beadle and P. King (eds) York Mystery Plays: A Selection in Modern Spelling. Review of: York Mystery Plays: A Selection in Modern Spelling by Beadle, Richard and King, Pamela M.. Studies in the Age of Chaucer, (8). pp. 164-166. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2690)

Grantley, Darryll (1988) Review of R. Boxhill Tennessee Williams and G McCarthy Edward Albee. Review of: Tennessee Williams and Edward Albee by Boxhill, R and McCarthy, G. Speech and Drama, 37 (1). pp. 57-58. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2696)

Grantley, Darryll (1994) Review of R. Engle and T. L. Miller (eds) The American Stage (Cambridge, C.U.P., 1993. Review of: The American Stage (Cambridge, C.U.P., 1993) by Engle, Ron and Miller, Tice L.. Theatre Research International, 19 (1). p. 79. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2703)

Grantley, Darryll (1986) Review of T. Parr (ed) Coriolanus, D Male (ed) Dr Faustus, D Devlin (ed) The Winter’s Tale, and P Ranger (ed) She Stoops to Conquer. Review of: Coriolanus, Dr Faustus, The Winter's Tale and She Stoops To Conquer by Parr, T and Male, D and Devlin, D and Ranger, P. Speech and Drama, 35 (1). pp. 32-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2692)

Grantley, Darryll (1995) ‘Richard Mulcaster: Education and the Elite Body’. In: Conference on Bodily Fictions. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2680)

Grantley, Darryll (2008) 'Saints and Miracles'. In: Beadle, Richard, ed. The Cambridge Companion to Medieval English Theatre. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2660)

Grantley, Darryll (1994) ‘Saints’ Plays’. In: Beadle, Richard, ed. The Cambridge Companion to Medieval English Theatre. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2652)

Grantley, Darryll (1985) Sam Shepard Fool for Love, Arthur Miller The American Clock, David Mamet American Buffalo and Marsha Norman ’night Mother. Review of: Fool for Love, The American Clock, American Buffalo and 'night Mother by Shepard, S and Miller, A and Mamet, D and Norman, M. Speech and Drama, 34 (2). pp. 67-69. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2688)

Grantley, Darryll (1996) ‘Schooling the Audience’. In: Shakespeare and Tudor Theatrical Traditions. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2678)

Grantley, Darryll (2006) ‘“Secret Conclaves”: Deviant Space in Sixteenth-Century Drama’. In: Queer People conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2674)

Grantley, Darryll (1984) The Source of the Digby Mary Magdalen. Notes and Queries, 31 (4). ISSN 0029-3970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2670)

Grantley, Darryll (1997) ‘“To Swell a Progress”: Retainers, Subordinates and the Ceremonialisation of Secular Power in Medieval Scriptural and Hagiographical Drama’. European Medieval Drama, (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2673)

Grantley, Darryll (2000) ‘The Upbringing of Youth in the Tudor Interlude’. In: Gender and Life Cycle in the Middle Ages. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2677)

Grantley, Darryll (1993) ‘"What meanes this shew?": Theatricalism, Camp and Subversion in Doctor Faustus and The Jew of Malta’. In: Conference on Christopher Marlowe and English Renaissance Culture. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2681)

Grantley, Darryll (1996) '“What meanes this shew”: Theatricalism, Camp and Subversion in Doctor Faustus and The Jew of Malta’. In: Grantley, Darryll and Robertson, Peter A., eds. Christopher Marlowe and English Renaissance Culture. Scolar. ISBN 1-85928-260-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2657)

Grantley, Darryll (1986) The Winter’s Tale and Early Religious Drama. Comparative Drama, 20 (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2671)

Grantley, Darryll (1994) ‘The Winter’s Tale and Early Religious Drama’. In: Battenhouse, Roy W., ed. Shakespeare’s Christian Dimension. Indiana University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2655)

Grantley, Darryll (2000) Wit’s Pilgrimage: Drama and the Social Impact of Education in Early Modern England. Ashgate, 270 pp. ISBN 0-7546-0167-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2641)

Grantley, Darryll (2000) ‘“A bodie of presence”: Education and the elite body in the writings of Richard Mulcaster’. In: Grantley, Darryll and Taunton, Nina, eds. The Body in Late Medieval and Early Modern Culture. Ashgate. ISBN 0-7546-0115-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2658)

Gravanis, Konstantinos (2021) Raphael’s Drawing of Countess Matilda and the Original Dado in the Stanza dell’Incendio. Master Drawings, 59 (3). pp. 321-344. ISSN 0025-5025. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:90683)

Graye, Sarah Marie (2021) Chipped Tooth. Albany Poets Video. (KAR id:89938)

Graye, Sarah Marie (2021) Nature's Fireworks. Poetry Film Live Video. (KAR id:88661)

Graye, Sarah Marie (2021) The Space In Between. The Banyan Review Video. (KAR id:90637)

Graye, Sarah Marie (2021) The Week's Walk. The Banyan Review Video. (KAR id:90640)

Green, Nigel (2021) Photography and the representation of modernist architectural space: from the melancholy fragment to the colour of utopia. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86398) (KAR id:86398)

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Grief, Nick, Illingworth, Shona (2018) We need a new human right – to protect our freedom to live without threat from the skies. The Conversation, (online). online-online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84656)

Guerci, Manolo (2010) 4 milioni per 'la Saracena' di Moretti. Il Giornale dell’Architettura, (87). p. 18. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35821)

Guerci, Manolo (2010) Il Maxxi conquista gli Inglesi. Il Giornale dell’Architettura, (88). p. 18. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35820)

Guerci, Manolo (2010) ‘The construction of Northumberland House and the patronage of its original builder, Lord Henry Howard, 1605-1614’. Antiquaries Journal, 90 (2010). pp. 341-400. ISSN 0003-5815. (doi:10.1017/S0003581510000016) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:28125)

Guerin, Frances (2019) Aesthetic Spaces: The Place of Art in Film by Brigitte Peucker. Review of: Aesthetic Spaces: The Place of Film in Art by Peucker, Brigitte. Film Quarterly, 73 (1). pp. 107-109. ISSN 0015-1386. (doi:10.1525/fq.2019.73.1.107) (KAR id:76295)

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Guerin, Frances (2014) The Corporealization of Memory in Christian Boltanski's Installations. In: Memoryscapes. Diaphanes, Zurich, pp. 157-177. ISBN 978-3-03734-662-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44341)

Guerin, Frances (2003) Dazzled by the Light. Cinema Journal, 42 (4). pp. 98-115. ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45489)

Guerin, Frances (2013) En Grisaille nowadays. . Catalogue and exhibition blurb. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45712)

Guerin, Frances (1994) Enduring the Vagaries: The Viewer as Master and Slave in Pasolini's Salò,. Melbourne Journal of Politics, 22 (N/A). pp. 45-65. ISSN 0085-3224. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44338)

Guerin, Frances (2012) Frances Guerin on her book Through Amateur Eyes: Film and Photography in Nazi Germany: An Interview. . online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45713)

Guerin, Frances (2016) Friedrich Wilhelm Murnau. In: Gabbard, Krin, ed. Oxford Bibliographies in Cinema and Media Studies. Oxford Bibliographies . Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56571)

Guerin, Frances (2007) The Gray Space Between: Gerhard Richter’s 18. Oktober 1977 (1989). In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, London, pp. 111-126. ISBN ISBN-13: 978-1905674206. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45716)

Guerin, Frances (2008) Infinite Rotations in a Finite Frame: A Tacita Dean Tryptich. Cinéma e Cie: International Film Studies Journal, N/A (8). pp. 119-134. ISSN 2035-5270. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43596)

Guerin, Frances (2017) Introduction: European Photography Today. Journal of European Studies, 47 (4). pp. 331-341. ISSN 0047-2441. (doi:10.1177/0047244117733893) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64153)

Guerin, Frances (2018) Invisibility Adores and Abhors a Photograph: Jane and Louise Wilson’s Moving Image Installations. Journal of Visual Art Practice, 17 (2-3). pp. 188-205. ISSN 1470-2029. (doi:10.1080/14702029.2018.1466453) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:55987)

Guerin, Frances (2009) Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema,. Review of: Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema, by UNSPECIFIED. Screening the Past, n/a (26). n/a-n/a. ISSN 1328-9756. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45499)

Guerin, Frances (2011) Locating Shadows: What’s inside William Kentridge’s Black Box? In: John David, Rhodes, ed. Taking Place: Location and the Moving Image. University of Minnesota Press, Minneapolis, pp. 233-253. ISBN 0-8166-6517-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44814)

Guerin, Frances (2006) McCormick and Guenther-Pal, eds, German Essays on Film (2004). Review of: McCormick and Guenther-Pal, eds, German Essays on Film (2004) by McCormick, Richard. Film-Philosophy, 10 (3). pp. 95-100. ISSN 1466-4615. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45500)

Guerin, Frances (2013) Memory through the Perpetrator's Lens: Witnessing via Images Taken by Wehrmacht Soldiers and Officers on the Eastern Front. In: Rhetoric, Remembrance, and Visual Form: Sighting Memory. Routledge, New York, pp. 163-179. ISBN 0-415-74416-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43416)

Guerin, Frances (2012) Obfuscations of the Visible: Creating Memory through not looking at Christian Boltanski’s Archives. Cinema e Cie: International Film Studies Journal, (9). pp. 279-284. ISSN 2035-5270. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45487)

Guerin, Frances (2003) Opposite or Complementary Conceptions? What do Rudolf Arnheim and Michel Chion have in Common? Cinema e Cie: International Film Studies Journal, 32 (2). pp. 129-140. ISSN 2035-5270. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45490)

Guerin, Frances (2017) Physically absent, visually present: Joachim Schumacher’s photographs of Germany’s Ruhr Valley. Journal of European Studies, 47 (4). pp. 392-410. ISSN 0047-2441. (doi:10.1177/0047244117733899) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64154)

Guerin, Frances (2008) Radical Aspirations Historicized: The European Commitment to Political Documentary. In: Kolker, Robert, ed. The Oxford Handbook of Film and Media Studies. Oxford university Press, New York, pp. 114-151. ISBN 0-19-517596-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44815)

Guerin, Frances (2021) Re-presenting Histories: Documentary Film and Architectural Ruins in Brutality in Stone. Alphaville: Journal of Film and Screen Media, (21). pp. 13-34. ISSN 2009-4078. (doi:10.33178/alpha.21.01) (KAR id:89671)

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Guerin, Frances (2002) Reframing the Photographer and his Photographs: Photographer (1995). Film and History: An Interdisciplinary Journal of Film and Television Studies, 32 (1). pp. 43-54. ISSN 0360-3695. (doi:10.1353/flm.2002.0064) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43403)

Guerin, Frances (2015) Searching in Grey: Cy Twombly's Untitled Paintings. In: Wedekind, Gregor, ed. Die Farbe Grau. DeGruyter. (KAR id:44808)

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Guerin, Frances (2011) Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement. Review of: Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement by UNSPECIFIED. Holocaust Studies: A Journal of Culture and History, 17 (1). pp. 137-139. ISSN 1359-1371. E-ISSN 2048-4887. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45493)

Guerin, Frances (2003) Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002. Review of: Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002 by Hoffmann, Kay. The Moving Image: Association of Moving Image Archivists, 4 (2). pp. 123-126. ISSN 2167-8464. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45501)

Guerin, Frances (2019) What Giacometti's Obsession with the Color Gray Really Meant. . Zocalo Public Square, 5 pp. Internet. (KAR id:73494)

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Guerin, Frances (2004) When Beginnings and Endings Distort the Past. In: Limina/le Soglie del Film. Lithostampa, Pasian di Prato, Udine, pp. 247-254. ISBN 978-88-8420-191-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44337)

Guerin, Frances (2008) www.artslant.com. . online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45711)

guerin, Frances (2003) Technological Adventures in German Cinema on Either Side of World War I. In: Pitassio, Francesco, ed. Film and its Multiples. Udine, Udine, pp. 147-153. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45486)

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Hammer, Martin (2015) 1965; Culture and Sculpture in Britain. In: Sculpture: 1965, 25-6 September 2015, Henry Moore Institute, Leeds. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55941)

Hammer, Martin (2005) Bacon and Sutherland : Patterns of Affinity in British Culture of the 1940s. The Paul Mellon Centre for Studies in British Art . Yale University Press, 296 pp. ISBN 978-0-300-10796-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55903)

Hammer, Martin (2016) Crossing the border and closing the gap: David Hockney and abstraction. In: Generation Painting: Abstraction and British Art, 1955–65, 5 March 2016, Downing College, Cambridge. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55910)

Hammer, Martin (2015) David Hockney’s Tired Indians and Rocky Mountains. In: UNSPECIFIED, 16 March 2015, National Gallery of Scotland, Edinburgh. (Unpublished) (KAR id:55948)

Hammer, Martin (2016) Food for Artists: the exhibition as resource. In: Exhibiting Contemporary Art in Post-War Britain, 28-29th January 2016, Tate Britain. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55939)

Hammer, Martin (2015) Francis Bacon’s ‘Crucifixion’: The presence of the Nazi past. In: UNSPECIFIED, 29 Oct 2015, Moderne Pinakothek, Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55947)

Hammer, Martin (2005) Graham Sutherland. Graham Sutherland, 2005, Dulwich Picture Gallery and Djanogly Gallery, University of Nottingham. exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55943)

Hammer, Martin (2005) Graham Sutherland: Landscapes, War Scenes, Portraits 1924-1950. Scala, 192 pp. ISBN 978-1-85759-404-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55907)

Hammer, Martin (2014) The Independent Group take on Francis Bacon. Visual Culture in Britain, 15 (1). pp. 69-89. ISSN 1471-4787. E-ISSN 1941-8361. (doi:10.1080/14714787.2014.870369) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41078)

Hammer, Martin (2013) Mainly Nourishment: Echoes of Sickert in the Work of Francis Bacon and Lucian Freud. Visual Culture in Britain, 14 (1). pp. 87-100. ISSN 1471-4787. (doi:10.1080/14714787.2013.750985) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:33184)

Hammer, Martin (2016) Making transatlantic sense of Hockney’s A Rake’s Progress. In: History of Art department research seminar, University of York, 11 Jan 2016, York. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55946)

Hammer, Martin (2015) My Generation: A Festival of British Art in the 1960s. , Kent. exhibitions. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55945)

Hammer, Martin (2007) The Naked Portrait 1900 to 2007. National Galleries of Scotland, Edinburgh, UK, 176 pp. ISBN 978-1-903278-95-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55908)

Hammer, Martin (2007) The Naked Portrait. The Naked Portrait, Scottish National Portrait Gallery and Compton Verney. exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55944)

Hammer, Martin (2015) The Silent Kingdom of Panting: Sickert and Hopper. In: Walter Sickert: The Document and the Documentary, 4 Dec 2015, Paul Mellon Centre, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55940)

Hammer, Martin (2015) There is no such thing as British Art. British Art Studies, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55942)

Hammer, Martin, Lodder, Christina (2000) Gabo on Gabo: Texts and Interviews. Artists Bookworks, Forest Row, 295 pp. ISBN 978-0-946311-11-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55906)

Haney, David H. (2013) Admiration and Apprehension of the American Metropolis: European Responses to the Plan of Chicago. In: Eisenschmidt, Alexander and Mekinda, Jonathan, eds. Chicagoisms : the city as catalyst for architectural speculation. University of Chicago Press. (KAR id:64209)

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Hatton, Peter (2014) 51zero voyager: Film, Video and Digital Arts Festival Group exhibition. , 10 October 2014, POP Gallery and Outdoor Spaces Exhibition, Chatham, Kent.. Film, Video and Digital Arts. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47412)

Hatton, Peter (2008) Eventful Places. In: Eventful Places, 24th August 2008, Kent Architecture Centre, Faculty of Arts and Architecture, University of Brighton. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9473)

Hatton, Peter (2000) TEA. TEA, 2000, The Ferens Art Gallery, Hull. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9429)

Hatton, Peter (2000) TEA. TEA, 2000, Burnley, Blackburn, Accrington. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9431)

Hatton, Peter (2000) TEA. TEA, 2000, National Museum of Labour History, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9433)

Hatton, Peter (2001) TEA. TEA, 2001, Piccadilly Gardens, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9435)

Hatton, Peter (2002) TEA. TEA, 2002, Manchester and St Petersburg. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9436)

Hatton, Peter (2003) TEA. TEA, 2003, Urbis, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9439)

Hatton, Peter TEA. TEA, April 2005, Platform Gallery, Vaasa, Finland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9443)

Hatton, Peter (2007) TEA. TEA, 2006/7, University of Missouri, St. Louis, USA and other international venues. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9446)

Hatton, Peter (2006) TEA. TEA, January 2006, Barents Spektakel, Kirkenes, Norway. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9447)

Hatton, Peter (2007) TEA. TEA, August 2007 - March 2008, Widnes Waterfront, Widnes Cheshire. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9466)

Hatton, Peter (2008) TEA. TEA, January 2008 - ongoing, Bluecoat Arts Centre, Liverpool. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9469)

Hatton, Peter (2008) TEA. TEA, 16th June - 22nd June 2008, Urbis, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9476)

Hatton, Peter (2004) TEA - Boat Trip: Nothing But Flowers Book and DVD. DVD and Book. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9441)

Hatton, Peter (2008) TEA on Intute. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9465)

Hatton, Peter (2005) e-space lab. e-space lab, June 2005, The RENEW Rooms, Liverpool. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9444)

Hatton, Peter (2006) e-space lab. e-space lab, 24th-27th February 2006, Z Museum, Shanghai & Out of the Bluecoat Space, Liverpool. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9450)

Hatton, Peter (2006) e-space lab. e-space lab, 5th September - 5th November 2006, 6th Shanghai Biennale. Salon Vogue, Citic Square, Shanghai. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9452)

Hatton, Peter (2008) e-space lab. e-space lab, 5th March 2008, Fact, Liverpool. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9472)

Hatton, Peter (2008) e-space lab. e-space lab, July 2008, Bluecoat Arts Centre, Liverpool. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9477)

Hatton, Peter, Courtenay, Philip, Hadfield, Peter, Kearney, Jonathan (2006) E Space Lab Projects. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2232)

Hatton, Peter and Lyon, Dawn and Carabelli, Giulia and Pilling, Lynn and Murray, Val (2014) Imagine Sheppey: Fast Forward: Imagine Sheppey:Fast Forward This is a work package within a much larger Connected Communities initiative on Community Engagement and Mobilisation. The larger project is ‘The social, historical, cultural and democratic context of civic engagement: imagining different communities and making them happen’ – or Imagine for short. Tea Video & Photography. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45505)

Hatton, Peter and Murray, Val and Pilling, Lynn (2009) Bluecoat Arts Centre Heritage Trail. Interactive Digital Archive and Heritage Trail. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31689)

Hatton, Peter and Murray, Val and Pilling, Lynn (2003) TEA - Boat Trip: Nothing But Flowers. TEA - Boat Trip: Nothing But Flowers, 14/10/03 - 2/8/06, The Lowry Centre. Number of pieces: 3. Live Event, Exhibition and DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2231)

Heinrich, Tobias (2020) Migration im österreichischen Film: Raum, Gender, Sprache. In: Hebenstreit, Desiree and Herberth, Arno and Kaufmann, Kira and Schönsee, Dorothea Rebecca and Tezarek, Laura and Zolles, Christian, eds. Austrian Studies: Literaturen und Kulturen: Eine Einführung. Praesens. ISBN 978-3-7069-1057-6. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:90496)

Heinrich, Tobias (2020) Too close to home: Heimatkonzepte im österreichischen Migrantenfilm. In: Alpensagas und Modelldörfer: Heimatbesichtigungen in Literatur und Film. Archiv der Zeitgenossen - Sammlung künstlerischer Vor- und Nachlässe, Krems Schriften . Studienverlag, Innsbruck, Wien, Austria, pp. 203-214. ISBN 978-3-7065-6043-6. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:90497)

Henry, Tom F. K. (2012) ‘“Gli gettò addosso il suo mantello”’ and ‘La casa di Luca Signorelli’, in ed. F. De Chirico, V. Garibaldi, T. Henry and F.F. Mancini, Luca Signorelli, exh. cat., Perugia (Galleria Nazionale), Orvieto (Museo dell’Opera del Duomo) and Città di Castello (Pinacoteca), 2012, pp. 143-151 (and cats. 8, 24, 26-29, 39, 53, 86 and 95-97). Silvana, Milan, 358 pp. ISBN no ISBN copy deposited at HPA. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31669)

Henry, Tom F. K. (2016) Italian Renaissance Documents Site. internet publication/database. Located at: http://irds-project.org/. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:79832)

Higgins, Chris and Hinman, Niki and de Lanerolle, Ayisha and Marshall, Julian and Moore, Katie and Newport, Robert J. and Park, Andrew and Osborne, Matt and Quintanilla, Jorge and Wheatley, Jan (2013) 'Copper, Aluminium, Green and Red' - Artists And Scientists Discuss Carl Andre's Work. Turner Contemporary Art Gallery Youtube. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75233)

Holmes, Su (2004) “All you’ve got to worry about is the task, having a cup of tea, and what you’re going to eat for dinner”: Approaching Celebrity in Big Brother. In: Holmes, Su and Jermyn, Deborah, eds. Understanding Reality Television. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9316)

Holmes, Su (2001) ‘As they Really Are and in Close-up’: Film Stars on 1950’s British Television. Screen, 42 (2). pp. 167-187. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9329)

Holmes, Su (2006) ‘Coming to you Live!’: An Evening at the Film Premiere. Journal of British Cinema and Television, 2 (2). pp. 208-226. ISSN 1743-4521. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9339)

Holmes, Su (2005) Designed ‘Specially for Television Purposes and Technique’: The Development of the Television Cinema Programme. Historical Journal of Film, Radio and Television, 25 (3). pp. 455-475. ISSN 0143-9685. (doi:10.1080/01439680500236433) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9336)

Holmes, Su (2006) ‘A Friendly Style of Presentation that the BBC had always found elusive’: The 1950’s Cinema Programme and the Construction of British Television History. In: Wheatley, Helen, ed. Re-viewing Television History: Critical Issues in Television History. I.B. Tauris & Co Ltd, London, pp. 67-81. ISBN 978-1-84511-188-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9323)

Holmes, Su (2006) The “Give-Away” Shows – Who is Really Paying?’: ‘Ordinary’ People and the Development of the British Quiz Show (1945-58). Journal of British Cinema and Television, 3 (2). pp. 284-303. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9342)

Holmes, Su (2001) ‘The Infant Medium with the Adult Manner’: Television promotes the ‘X’ film (1952-62’). Historical Journal of Film, Radio and Television, 21 (4). pp. 379-397. ISSN 0143-9685. (doi:10.1080/01439680120075509) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9330)

Holmes, Su (2006) It’s a Jungle Out There!: The Game of Fame in Celebrity Reality TV. In: Holmes, Su and Redmond, Sean, eds. Framing Celebrity: New Directions in Celebrity Culture. Routledge, pp. 45-66. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9317)

Holmes, Su (2004) Looking at the Wider Picture on the Small Screen: Reconsidering Television and Widescreen Cinema in the 1950s. Quarterly Review of Film and Video, 21 (2). pp. 131-147. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9332)

Holmes, Su (2005) The ‘Moron Factory?’: Debating ‘Ordinary’ People and Reality TV. Anglo Files: The Journal of English Teaching, . pp. 12-19. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9337)

Holmes, Su (2005) ‘Not the Final Answer’: Who Wants to be a Millionaire and Revisiting Critical Approaches to the Quiz Show. European Journal of Cultural Studies, 8 (4). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9335)

Holmes, Su (2005) ”Off guard, Unkempt, Unready?”: Deconstructing Contemporary Celebrity in heat Magazine. Continuum: Journal of Media and Cultural Studies, 19 (1). pp. 21-38. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9334)

Holmes, Su (2004) The Only Place where “Success” Comes Before Work is in the Dictionary…?’: Conceptualising Fame in Reality TV. Media-Culture.org, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9333)

Holmes, Su (2006) (Re)visiting The Grove Family - ‘Neighbours to the Nation’ (1954-57): Television History and Approaches to Genre. New Review of Film and Television Studies, 4 (3). pp. 287-310. ISSN 1740-0309. (doi:10.1080/17400300600982080) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9344)

Holmes, Su and Redmond, Sean, eds. (2007) Stardom and Celebrity: A Reader. Sage Publications Ltd, London, 400 pp. ISBN 978-1-4129-2320-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9314)

Holmes, Su (2005) ‘Starring… Dyer?’: Re-visiting Star Studies and Contemporary Celebrity Culture’, in edition on ‘Celebrity’. Westminster Papers in Communication and Culture (WPCC), 2 (2). pp. 6-21. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9340)

Holmes, Su (2007) ‘Torture, Treacle, Tears and Trickery’: Celebrities, ‘Ordinary’ People, and This is Your Life (1955-65). In: Redmond, Sean and Holmes, Su, eds. A Reader in Stardom and Celebrity. Sage Publications Ltd, London, pp. 156-170. ISBN 978-1-4129-2320-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9326)

Holmes, Su (2006) ‘When Will I be Famous?’: Reappraising the Debate about Fame in Reality TV. In: Escoffery, David S., ed. Essays on Truth and Representation: How Real is Reality TV? McFarland & Company. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9318)

Holmes, Su, Jermyn, Deborah (2006) The audience is dead; Long live the audience!: Interactivity, ‘telephilia’ and the contemporary television audience. Critical Ideas in Television Studies, 1 (1). pp. 49-57. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9346)

Hoskins, Andrew, Illingworth, Shona (2020) Inaccessible war: media, memory, trauma and the blueprint. Digital War, . ISSN 2662-1975. E-ISSN 2662-1983. (doi:10.1057/s42984-020-00025-8) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:84631)

Hudson, Ben (2015) The New Comedian: Media and Technology in Stand-up Comedy. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:50238)

Hurst, Andrew (2017) Dynamic Light Structures: The Aesthetic and Performative Qualities of Solid Light Scenography for Performance and Installation. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:65202)

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Illingworth, Shona (2017) 216 Westbound - Age of Terror: Art Since 9/11. , 26 October 2017 – 28 May 2018, Imperial War Museum, London. 216 Westbound - video installation - duration 17 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84649)

Illingworth, Shona (2014) 216 Westbound - panel discussion. In: Anxious Places Angst, environments and affective contamination, 26 June 2014, Central Saint Martins College, University of the Arts London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45451)

Illingworth, Shona (2019) Airspace Tribunal. In: UNSPECIFIED. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84658)

Illingworth, Shona (2018) The Airspace Tribunal - Doughty Street Chambers. In: UNSPECIFIED, 21 September 2018, Doughty Street Chambers, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84657)

Illingworth, Shona (2020) Airspace Tribunal - The Power Plant. In: UNSPECIFIED. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84660)

Illingworth, Shona (2016) Amnesia Lab - Art and science research collaboration. In: IVOM International Conference on Memory, 16 - 22 June 2016, Budapest. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84661)

Illingworth, Shona (2016) Amnesia Museum Forum. UNSW, Australia. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84026)

Illingworth, Shona (2015) The Amnesia Museum. Item format: A Substantial body of films, photographs, text works, sculptures and art objects - over 15 individual artworks. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84664)

Illingworth, Shona (2009) Balnakiel. Balnakiel, 17 February - 4 April 2009, John Hansard Gallery, Southampton. video and sound installation; photography series; single screen video artwork; wall painting; drawing series and photo/text works. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31618)

Illingworth, Shona (2018) Bare Dust - Living with Buildings. , 4 October 2018—3 March 2019, Wellcome Collection, London. video installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84653)

Illingworth, Shona (2015) Capture (2015). Video transfer from Super 8 film - gallery installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84644)

Illingworth, Shona (2015) EEG Amnesic Sound Map. Item format: 32-channel sound installation sculpture - 32 audio files, 32 speakers, 32 audio players. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84641)

Illingworth, Shona (2015) Lesion 1:1. Item format: Media file for art installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84642)

Illingworth, Shona (2016) Lesions in the Landscape - Shona Illingworth. Lesions in the Landscape - Shona Illingworth, 13 OCTOBER - 27 NOVEMBER 2016, Southwark Park Galleries , London. Solo Exhibition: including immersive muliti-screen video and ambisonic sound Installation, Sculptures, Photographs, sound installations, drawings, objects. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84024)

Illingworth, Shona (2016) Lesions in the Landscape - Shona Illingworth - solo survey exhibition. Lesions in the Landscape - Shona Illingworth - solo survey exhibition, 4 MAR - 21 MAY 2016, UNSW Galleries, Sydney, Australia. Solo Survey Exhibition: including immersive muliti-screen video and ambisonic sound installations, sculptures, photographs, sound installations, drawings, objects. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84025)

Illingworth, Shona (2015) Lesions in the Landscape - amnesia and landscape. In: Brains in the Making, 19 - 20 March 2015. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84662)

Illingworth, Shona (2015) Lesions in the Landscape - multi-screen video and multi-channel sound installation. Major three screen video and multi-channel sound installation - duration 45 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:83526)

Illingworth, Shona (2016) Searching - film for Channel 4. Channel 4 television and Film London video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84645)

Illingworth, Shona (2016) Shona Illingworth – Sgoran san Àrainneached | Lesions in the Landscape. Shona Illingworth – Sgoran san Àrainneached | Lesions in the Landscape, Date Saturday 18th June – Saturday 17th September 2016, Taigh Chaersabbhagh Museum and Art Centre, Scotland. Solo Exhibition: including major immersive muliti-screen video and ambisonic sound Installation, Sculptures, Photographs, sound installations, drawings, objects. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84022)

Illingworth, Shona (2019) Time Present - Shenzhen New Media Art Festival. Shenzhen New Media Art Festival, China, Apr 20 - Jun 19, 2019, Shenzhen New Media Art Festival, China. Two screen video and sound installation - duration 35 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84655)

Illingworth, Shona (2016) Time Present - multi-screen video and multi-channel sound installation. Two screen video and sound gallery installation - duration 35 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84640)

Illingworth, Shona (2021) Topologies of Air - Bahrain National Museum. , 2021, Bahrain National Museum. Major three screen video and multi-channel sound installation - duration 45 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84652)

Illingworth, Shona (2021) Topologies of Air - The Power Plant. , The Power Plant contemporary Art Gallery, Toronto. Two major three screen video and multi-channel gallery installations - each 45 minutes duration and a substantial body of artworks related to the Airspace Tribunal including photographs, drawings, video works. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84651)

Illingworth, Shona (2021) Topologies of Air - artist monograph. Sternberg Press/MIT and The Power Plant, Berlin, 272 pp. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84647)

Illingworth, Shona (2019) Topologies of Air - multi screen video and multi-channel sound installation. Major three screen video and multi-channel sound installation - duration 45 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84648)

Illingworth, Shona and Albano, C and Tulloch, J (2021) 216 Westbound - Precarious Times. In: Precarious Times. IB Tauris. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84646)

Ivanic, Suzanna and Galandra Cooper, Irene (2020) Shaping confessional identities in the urban home. In: Eibach, Joachim and Lanzinger, Margareth, eds. The Routledge History of the Domestic Sphere in Europe 16th to 19th Century. Routledge, Abingdon, UK, pp. 417-434. ISBN 978-0-367-14367-1. (doi:10.4324/9780429031588) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84406)

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Jeffers McDonald, Tamar E. L. (2007) 'Carrying Concealed Weapons': Gendered Makeover in Calamity Jane. Journal of Popular Film and Television, 34 (4). pp. 179-187. ISSN 0195-6051. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2239)

Jeffers McDonald, Tamar E. L. (2010) Hollywood Catwalk: Exploring Costume and Transformation in American Film. International Library of Cultural Studies . I B Tauris, London, 256 pp. ISBN 978-1-84885-040-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31619)

Jeffers McDonald, Tamar E. L. (2010) 'I even cry funny!' Doris Day, Performance and Genre. In: Acting In Film, 2nd-4th September 2010, Potsdam University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25347)

Jeffers McDonald, Tamar E. L. (2007) Romantic Comedy: Boy Meets Girl Meets Genre. Columbia University Press, 144 pp. ISBN 1905671023. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2234)

Jeffers McDonald, Tamar E. L. (2005) 'Under All Those Dirndls': Pillow Talk's Repackaging of Doris Day. In: Moseley, Rachel, ed. Fashioning Stars: Dress, Culture, Identity. BFI Publishing, pp. 50-61. ISBN 1-84457-068-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2233)

Jeffers McDonald, Tamar E. L. (2006) 'Very Little Wrist Movement': Rock Hudson Acts Out Sexual Heterodoxy. Canadian Journal of Communication, 31 (4). pp. 843-858. ISSN 0705-3657. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2238)

Jeffers McDonald, Tamar E. L., ed. (2010) Virgin Territory: Representing Sexual Innocence in Film. Wayne State University Press, 296 pp. ISBN 978-0-8143-3318-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24810)

Joannides, M. (1998) Correggio's study of 'Christ the Redeemer' for S. Giovanni Evangelista. Master Drawings, 36 (4). pp. 409-416. ISSN 0025-5025. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17385)

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Kear, Jon (1996) Black Vénus:Josephine Baker at the Follies- Bergère. In: Sheringham, Michael, ed. Parisian Fields. Reaktion, pp. 46-71. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5718)

Kear, Jon (2001) “Cézanne". In: The Oxford Companion to Western Art. Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5709)

Kear, Jon (2004) Death and the Maiden: Cindy Sherman's Untitled Film Stills. In: Fortunati, Vita and Lamarra, Annamaria and Federici, Eleonora, eds. The Controversial Women's Body: Images and Representations in Literature and Art. Bononia University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5702)

Kear, Jon (1996) The Exposition Universelle of 1900. In: Banham, Joanna, ed. History of Interior Design. Fitzroy Dearborn. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5728)

Kear, Jon (2006) Frenhofer C’est Moi; Cézanne and Balzac’s Le Chief d’oeuvre inconnu. Cambridge Quarterly, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5699)

Kear, Jon (2007) A Game That Must Be Lost: Chris Marker Replays Alain Resnais' Hiroshima mon amour. In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, pp. 129-142. ISBN 978-1-905674-20-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5697)

Kear, Jon (2007) In the Brute Net of Sense: Merleau-Ponty’s Aesthetics. In: The Flesh in the Text, 2 day Conference, October 2007, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7965)

Kear, Jon (2007) In the Net of Brute Sense: Merleau Ponty’s Aesthetics. In: Weller, Shane and Baldwin, Thomas and Fowler, James, eds. Flesh In The Text. Peter Lang. ISBN 978-3-03911-102-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4671)

Kear, Jon (2003) Leaving L’Estaque: Cézanne’s Representations of Provence in the 1880s. Art on the Line, . pp. 1-20. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5706)

Kear, Jon (1991) Making Hay with Monet; Monets of the 90s. Art History, . pp. 593-599. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5750)

Kear, Jon (1999) Manet's Modernism. Burlington Magazine, . pp. 139-144. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5713)

Kear, Jon (2007) Marker’s Bergson. In: Invited Talk, 29th November 2007, University of Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7962)

Kear, Jon (2002) Masters of Colour: From Derain to Kandinsky. Royal Academy. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5707)

Kear, Jon (2009) The Melancholy Image: Chris Marker’s Cine-Essays and the Ontology of the Photograph. In: Tormey, Jane and Whiteley, Gillian, eds. Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge Scholars Press. ISBN 978-1-4438-0532-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4667)

Kear, Jon (2007) Melancholy Images: Chris Marker’s Cine-Essays and the Ontology of the Photography. In: The Cine-Essay symposium, 8th February 2007, Loughborough University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7960)

Kear, Jon (1996) Modernism Revisited. Oxford Art Journal, 19 (2). pp. 119-122. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5726)

Kear, Jon (1996) Monet Re-viewed. Burlington Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5735)

Kear, Jon (1995) Montage, Modernism and its Histories. Word & Image, . pp. 320-326. ISSN 0266-6286. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5738)

Kear, Jon (1996) Odd Man Out; Cézanne in Context. LQ, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5733)

Kear, Jon (2007) The Origin of the Fragment in Balzac’s Le Chef d’oeuvre inconnu. In: ‘The Fragment’ 3 day conference, 28th-30th June 2007, University of Aberysthwyth. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7958)

Kear, Jon (1995) Review of Nineteenth Century Painting: A Critical History. Review of: Nineteenth Century Painting: A Critical History by Eisenmann, Stephen F.. Apollo, . pp. 60-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5742)

Kear, Jon (1997) Seurat's Bathers at Asnières. Burlington Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5715)

Kear, Jon (2007) Spectres of Painting. University of Kent Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4663)

Kear, Jon (1998) Sunless (Chris Marker). Flicks Books (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4662)

Kear, Jon (2004) Through A Veil: Reflections on the History of Australian Landscape Painting. In: Balbari, M., ed. Paesaggi australiani: Australian Landscapes. Pendragon Press, pp. 36-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5703)

Kear, Jon (1995) Travellin' Light. Wasafiri, . ISSN 0269-0055. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5745)

Kear, Jon (2008) The Treasures of the Impressionists. Andre Deutsch, 88 pp. ISBN 978-0-233-00234-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4665)

Kear, Jon (1996) Viewfinders: Looking at the Overlooked: Black Women photographers. Wasafiri, . pp. 72-73. ISSN 0269-0055. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5722)

Kear, Jon (1994) Watching the Detectives. Art History, . pp. 112-118. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5747)

Kear, Jon, Thomas, Ben D. H. (2010) In Elysium: Prints by James Barry. Studio 3 Gallery, University of Kent, Canterbury, UK, 63 pp. ISBN 978-1-902671-69-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64918)

Kear, Jon, Turci, Monica (1999) Absorbing Mythologies: Michael Ondaatje's Bill the Kid. Englishes, 4 (2). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5711)

Klevan, Andrew (1999) The Composition of Charisma: The Lines of Sporting Seduction in Ron Shelton's Tin Cup. Journal of Film Studies, 1 (1). pp. 51-62. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9166)

Klevan, Andrew (2000) Disclosure of the Everyday: Undramatic Achievement in Narrative Film. Trowbridge (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9163)

Klevan, Andrew (2000) The Mysterious Disappearance of Style: Some Critical Notes about the Writing on Dead Ringers. In: Grant, Michael, ed. The Films of David Cronenberg. Flicks Books. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9165)

Klich, Rosemary E. (2007) Between Realities: Intermediality and the Blurring of Boundaries in Multimedia Theatre. In: Sugiera, Malgorzata and Borowski, Matuesz, eds. Fictional Realities / Real Fictions:Contemporary Theatre in Search of a New Mimetic Paradigm. Cambridge Scholars Press, United Kingdom. ISBN 978-1-84718-138-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7646)

Klich, Rosemary E. (2005) David Pledger: On Eavesdrop and New Media: Interview. Performance Paradigm Journal, (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7784)

Klich, Rosemary E. (2007) Performing Posthuman Perspective: Can You See Me Now? Scan: Journal of Media Arts Culture, 4 (1). ISSN 1449-1818. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2240)

Klich, Rosemary E. (2005) The Play’s The Thing No Longer: Non-Linear Narrative in Kate Champion’s ‘Same, Same But Different'. Australasian Drama Studies Journal, 46 . pp. 58-69. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7785)

Klich, Rosemary E., Scheer, Edward (2011) Multimedia Performance. Basingstoke: Palgrave Macmillan, 240 pp. ISBN ISBN-10: 023057467X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7787)

Kollectiv, G. and Kollectiv, P. (2010) Co-Operative Explanatory Capabilities in Organizational Design and Personnel Management, 2010. Testbed1, 18th-19th September 2010, Beaconsfield Gallery. Number of pieces: 1. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25392)

Kollectiv, G. and Kollectiv, P. (2002) "Fear of a Black and White Planet", Wonderyears. Neue Gesellschaft für Bildende Kunst. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22177)

Kollectiv, G. and Kollectiv, P. (2008) "Introduction" and "Capitalism as Cult", The Institute of Psychoplasmics. Pump House Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22176)

Kollectiv, G., Kollectiv, P. (2005) Militant Ironies: Art as a Strategic Weapon in Israel’s Culture Wars. Art Papers, 30 (5). pp. 24-27. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22179)

Kollectiv, G. and Kollectiv, P. (2006) Notes Towards the Scientific Understanding of an Enlightened Xenulogy, Concerning the Recent Discovery of the MARSH Archives. In: Marsh, Lynne, ed. Volcano. Platform, pp. 13-17. ISBN 0-9538800-1-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22180)

Kollectiv, G., Kollectiv, P. (2007) The Political Theology of Battlestar Galactica. In: BSG 2007: The Politics, Poetics and Philosophy of Battlestar Galactica, 28th July 2007, Buckinghamshire Chilterns University College. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22181)

Kollectiv, G., Kollectiv, P. (2007) RETRO/NECRO: From Beyond the Grave of the Politics of Re-Enactment. Art Papers, 31 (6). pp. 44-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22178)

Kollectiv, G., Kollectiv, P. (2006) The Spectre of Manual Labour. In: On Liberty and Art, 18th October 2006, Tate Britain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22182)

Kollectiv, G. and Kollectiv, P. (2010) We. Performance type: Musical event We, 29th August 2010, Kunsthall, Oslo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25391)

Kollectiv, P. and Kollectiv, G. (2008) Art and the New Town. Art and the New Town, 11th - 15th December 2008, Harlow Temple of Utopias, Harlow. Number of pieces: 1. Silkscreen print. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20640)

Kollectiv, P. and Kollectiv, G. (2007) Asparagus: A Horticultural Ballet. Asparagus: A Horticultural Ballet, 7th March - 15th April 2007, The Showroom, London. Number of pieces: 3. Performance, video and installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20636)

Kollectiv, P. and Kollectiv, G. (2007) Asparagus: A Horticultural Ballet. Asparagus: A Horticultural Ballet, 12th May 2007, SAT, Montreal. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20646)

Kollectiv, P. and Kollectiv, G. (2003) Becks Futures Student Film and Video Award Show. Becks Futures Student Film and Video Award Show, 25th - 28th April 2003, ICA, London. Number of pieces: 1. Super 8mm transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20762)

Kollectiv, P. and Kollectiv, G. (2008) Better Future, Quad-Shaped. Better Future, Quad-Shaped, 28th October 2008, Cube Microplex, Bristol as part of The Sensible Stage, Media Art Bath. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20645)

Kollectiv, P. and Kollectiv, G. (2004) DaDaDa: Strategies against Marketecture. DaDaDa: Strategies against Marketecture, 21st October - 21st November 2004, temporarycontemporary gallery, London. Number of pieces: 2. Video and mixed media sculpture/installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20634)

Kollectiv, P. and Kollectiv, G. (2005) Diamonds For Workers. Diamonds For Workers, 3rd June - 10th July 2005, Kate McGarry, London. Number of pieces: 3. Sculpture/Installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20758)

Kollectiv, P. and Kollectiv, G. (2007) Emergency3. Emergency3, 1st December 2007 - 27th January 2008, Aspex, Portsmouth. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20751)

Kollectiv, P. and Kollectiv, G. (2008) Food: A Sci-Fi Banquet. Food: A Sci-Fi Banquet, 19th December 2008, Royal Academy of the Arts, London. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20642)

Kollectiv, P. and Kollectiv, G. (2007) Foreign Body(ies). Foreign Body(ies), 29th August - 22nd September 2007, White Box, New York. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20752)

Kollectiv, P. and Kollectiv, G. (2008) Futureblueperfect. Futureblueperfect, 25th June - 27th July 2008, Cafe Gallery Projects, London. Number of pieces: 1. Installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20641)

Kollectiv, P. and Kollectiv, G. (2004) Grey Goo. Grey Goo, 16th October - 28th November 2004, Flaca Gallery, London. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20759)

Kollectiv, P. and Kollectiv, G. (2006) His Life Is Full Of Miracles. His Life Is Full Of Miracles, 11th March-29th April 2006, Animation Videotheque, Site Gallery, Sheffield.. Number of pieces: 5. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20755)

Kollectiv, P. and Kollectiv, G. (2008) The Institute of Psychoplasmics. The Institute of Psychoplasmics, 9th April - 26th May 2008, Pump House Gallery, London. Number of pieces: 1. 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20331)

Kollectiv, P. and Kollectiv, G. (2006) Little Private Governments. Little Private Governments, 20th February - 25th March 2006, University of Essex Gallery, Colchester. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20756)

Kollectiv, P. and Kollectiv, G. (2006) Metropolis Rise. Metropolis Rise, 13th April - 23rd April 2006 and 30th April - 14th May 2006, Moganshan Art Village, Shanghai and DIAF 06, 798 Space, Beijing. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20754)

Kollectiv, P. and Kollectiv, G. (2006) Modern Lovers. Modern Lovers, 12th May - 4th June 2006, Three Colts Gallery. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20633)

Kollectiv, P. and Kollectiv, G. (2008) No Haus Like Bau. No Haus Like Bau, 14th June 2008, HAU, Mes Nuits, Berlin Biennale, Berlin. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20644)

Kollectiv, P. and Kollectiv, G. (2009) Roll It To Me. Roll It To Me, 14th March - 9th May 2009, Collective, Edinburgh. Number of pieces: 3. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20638)

Kollectiv, P. and Kollectiv, G. (2005) SV05. SV05, 5th August - 11th September 2005, Studio Voltaire, London. Number of pieces: 1. Super 8mm transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20757)

Kollectiv, P. and Kollectiv, G. (2008) Seven Times Two or Three. Seven Times Two or Three, 22nd June 2008, Cubitt, London. Number of pieces: 1. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20643)

Kollectiv, P. and Kollectiv, G. (2006) Slider. Slider, 29th April - 21st May 2006, Project Space, London. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20753)

Kollectiv, P. and Kollectiv, G. (2009) Starmaker. Starmaker, 12th June - 12th July 2009, E:Vent Gallery, London. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20637)

Kollectiv, P. and Kollectiv, G. (2004) Surrealestate. Surrealestate, 21st April - 29th May 2004, YYZ Artists' Outlet, Toronto. Number of pieces: 1. Super 8mm film transferred to DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20760)

Kollectiv, P. and Kollectiv, G. (2008) Svetlana. Svetlana, 11th October - 15th November 2008, S1 Artspace, Sheffield. Number of pieces: 27. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20635)

Kollectiv, P. and Kollectiv, G. (2009) Ventriloquist. Ventriloquist, 27th February - 28th March 2009, Timothy Taylor, London. Number of pieces: 1. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20639)

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Laera, Margherita (2011) Translating African Plays: Ethics, ‘Foreignisation’ and Collaboration. Practics as Research Portfolio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40785)

Lang, Martin (2015) Militant Art. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:50237)

Lehmann, Hans-Thies (2012) Am grunde die steine: Ein nachwort von Hans-Thies Lehmann. In: Das offene Geheimnis. Gedanken über Schauspielerei und Theater. Alexander Verlag Berlin, Berlin, pp. 132-153. ISBN 978-3-89581-266-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40782)

Lehmann, Hans-Thies (2008) Note sur l’anagnorisis. Réflexions sur le spectateur dans le théâtre pré- et postdramatique. In: Hunkeler, Thomas and Kiss, Corinne Fournier and Luthi, Ariane, eds. Place au public : Les spectateurs du théâtre contemporain. Metis Presses, Truccazzano (Milan). ISBN 2-940406-05-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40783)

Lehmann, Hans-Thies (2013) Tragödie und dramatisches Theater. Berlin ISBN 978-3-89581-308-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40781)

Lehmann, Hans-Thies (2011) Versuch zum Verstehen (Theater), nach Derrida. In: Zenck, Martin and Jungling, Markus, eds. Erzeugen und Nachvollziehen von Sinn: Rationale, performative und mimetische Verstehensbegriffe in den Kulturwissenschaften. Fink Wilhelm Gmbh + Co.Kg, Germany, pp. 29-42. ISBN 978-3-7705-4521-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40784)

Leigh, Jennifer S (2018) Exploring academic identity. SRHE, 7 pp. (KAR id:69919)

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Leigh, Jennifer S (2018) Jennifer Leigh in conversation with Mike Poltorak. In: Leigh, Jennifer S, ed. Conversations on embodiment across higher education: Teaching, practice and research. Routledge Research in Higher Education . Routledge, Abingdon, UK, 209 -210. ISBN 978-1-138-29004-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:69917)

Leigh, Jennifer S (2016) Reflective practice across the CDD. CDD (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:69920)

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Maes, Hans R.V. (2008) Art and Pornography. In: 6th European Congress of Analytic Philosophy (ECAP), August 2008, Krakow, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9706)

Maes, Hans R.V. (2008) Art and Pornography. Essay Review of Jerrold Levinson’s Contemplating Art. Journal of Aesthetic Education, 42 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9513)

Maes, Hans R.V. (2005) Arthur Danto and the End of Art. In: Midsouth Philosophy Conference, February 2005, Memphis, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9695)

Maes, Hans R.V. (2001) Bescheidenheid en asymmetrie. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 93 (2). pp. 117-135. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9528)

Maes, Hans R.V. (2005) Bescheidenheid, trots en ijdelheid. Budel, Damon (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9524)

Maes, Hans R.V. (2005) A Celestial Taxonomy of Remakes? Cinemascope. An Independent Film Journal, 1 (2). pp. 1-11. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9511)

Maes, Hans R.V. (2006) Challenging Partial Intentionalism. In: American Society for Aesthetics, October 2006, Milwaukee, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9701)

Maes, Hans R.V. (2005) Critical Notice of Art in Progress. A Philosophical Response to the End of the Avant-Garde by Maarten Doorman. Budel, Damon, Jaarboek voor Esthetica. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9674)

Maes, Hans R.V. (2004) Danto en het einde van de kunst. In: Vandenabeele, Bart and Verneir, Koen, eds. Transgressie in de kunst. Budel, Damon, pp. 118-128. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9535)

Maes, Hans R.V. (2004) Danto, De Duve, and The End of Art. In: Rediscovering Aesthetics, July 2004, Cork, Ireland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9694)

Maes, Hans R.V. (2005) David Hume over de emotie ‘trots’. In: Van Reijen, M., ed. Emoties. Van stoïcijnse apatheia tot heftige liefde. Amsterdam, Klement, pp. 81-97. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9537)

Maes, Hans R.V. (2006) De emotie ‘trots’. In: Internationale School voor Wijsbegeerte, March 2006, Leusden, The Netherlands. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9697)

Maes, Hans R.V. (2005) De emotie ‘trots’ in de hedendaagse analytische filosofie. In: Van Reijen, M., ed. Emoties. Van stoïcijnse apatheia tot heftige liefde. Amsterdam, Klement, pp. 186-204. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9581)

Maes, Hans R.V. (2006) De grappenmaker en zijn publiek. Over grappen, kunst en intimiteit. In: Conference on humour organised by the University of Antwerp, May 2006, University of Antwerp, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9698)

Maes, Hans R.V. (2006) Different Kinds of Bullshit. In: German Society for Analytic Philosophy (GAP), September 2006, Berlin, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9700)

Maes, Hans R.V. (2007) Een treffende gelijkenis. Over grappen en kunst. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 99 (4). pp. 281-296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9531)

Maes, Hans R.V. (2008) Elephants, Microscopes and Free Beauty: Reply to Davies. Philosophical Quarterly, 59 (235). pp. 332-336. ISSN 0031-8094. (doi:10.1111/j.1467-9213.2008.592.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9516)

Maes, Hans R.V. (2005) The End of Art Revisited. Postgraduate Journal of Aesthetics, 2 (3). pp. 122-132. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9512)

Maes, Hans R.V. (2004) The End of Art: A real problem or not really a problem? Postgraduate Journal of Aesthetics, 1 (2). pp. 59-68. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9509)

Maes, Hans R.V. (2003) The End of Art: A real problem or not really a problem? In: the International Congress on Arthur C. Danto and the End of Art, December 2003, Murcia, Spain. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9693)

Maes, Hans R.V. (2008) Esthetica en Theorievorming: Interview met Kendall Walton. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9675)

Maes, Hans R.V. (2006) Grapje! Filosofische gedachten over grappen. Budel, Damon (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9526)

Maes, Hans R.V. (2001) Hypocrisie en Bescheidenheid. In: Internationale School voor Wijsbegeerte, March 2001, Leusden, The Netherlands. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9691)

Maes, Hans R.V. (2001) 'Ik ben een briljant filosoof.' Over zelfingenomenheid en ijdelheid. In: Filosofische Kring, February 2001, Kortrijk, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9690)

Maes, Hans R.V. (2007) Intention, Interpretation, and Contemporary Visual Art. In: Annual Meeting of the Dutch-Flemish Society for Analytic Philosophy (VAF), April 2007, Antwerp, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12961)

Maes, Hans R.V. (2006) Julia Driver on Moral Luck. In: 1st Annual Online Philosophy Conference, 2006, http://experimentalphilosophy.typepad.com/online_philosophy_confere. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9520)

Maes, Hans R.V. (2010) Kunst of Pornografie? Karakter: Tijdschrift van Wetenschap, . pp. 15-16. ISSN 1379-0390. E-ISSN 1379-0390. (KAR id:56972)

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Maes, Hans R.V. (2005) Larry Shiner and Arthur Danto on Art History. In: American Society for Aesthetics, Eastern Division Meeting, April 2005, Philadelphia, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9696)

Maes, Hans R.V. (2006) Liefde, vriendschap en Casablanca. Streven, (73). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9530)

Maes, Hans R.V. (2008) Love, Friendship, and Casablanca. In: Love in Our World. An International Conference, November 2008, University of Manchester. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9711)

Maes, Hans R.V. (2004) Modesty, Asymmetry, and Hypocrisy. Journal of Value Inquiry, 38 (4). pp. 485-497. ISSN 0022-5363. (doi:10.1007/s10790-005-3335-1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9508)

Maes, Hans R.V. (2009) Nawoord: Over de relatie tussen film en filosofie. In: d'Hoine, Pieter and Engelen, Bart, eds. Denkbeelden. Een inleiding tot de filosofie aan de hand van films. Antwerpen, Pelckmans, pp. 245-260. ISBN 978-90-8687-044-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9583)

Maes, Hans R.V., ed. (2013) Pornographic Art and the Aesthetics of Pornography. Palgrave, 306 pp. ISBN 978-0-230-36820-0. (KAR id:50381)

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Maes, Hans R.V. (2011) Preface, Catalogue of "Transgression: Sexuality, Gender, and Censorship" (Beers.Lambert gallery). , London. Exhibition Catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56977)

Maes, Hans R.V. (2011) ¿Quién dice que la pornografía no puede ser arte? La Balsa de Medusa, . pp. 5-24. ISSN 0214-9982. (KAR id:56971)

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Maes, Hans R.V. (2008) Remember that we forget. In: Cultural Memory: Forgetting to Remember / Remember to Forget, September 2008, University of Kent, Canterbury. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9709)

Maes, Hans R.V. (2005) Review of Aesthetics and the Philosophy of Art. The Analytic Tradition by Peter Lamarque & Stein H. Olsen. Tijdschrift voor Filosofie, 67 (3). pp. 601-602. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9679)

Maes, Hans R.V. (2006) Review of Art and Intention. A Philosophical Study by Paisley Livingston. Tijdschrift voor Filosofie, 68 (2). pp. 414-415. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9681)

Maes, Hans R.V. (2005) Review of Arts & Minds by Gregory Currie. Review of Arts & Minds by Gregory Currie, 67 (3). p. 612. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9678)

Maes, Hans R.V. (2008) Review of Contemplating Art by Jerrold Levinson. Review of: Contemplating Art by Levinson, Jerrold. Tijdschrift voor Filosofie, 70 (1). p. 186. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9689)

Maes, Hans R.V. (2004) Review of Filosofie & Film by Joost Raessens. Review of: Filosofie & Film by Raessens, Joost. Cinetext Online. Film & Philosophy, . 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9522)

Maes, Hans R.V. (2008) Review of On Images by John V. Kulvicki. Review of: On Images by Kulvicki, John V.. Tijdschrift voor Filosofie, 69 (4). p. 780. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9688)

Maes, Hans R.V. (2007) Review of Opmerkingen over het gevoel van het schone en het verhevene by Immanuel Kant. Review of: Opmerkingen over het gevoel van het schone en het verhevene by UNSPECIFIED. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 99 (2). pp. 167-168. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9684)

Maes, Hans R.V. (2007) Review of Opmerkingen over het gevoel van het schone en het verhevene by Immanuel Kant. Review of: Opmerkingen over het gevoel van het schone en het verhevene by UNSPECIFIED. Tijdschrift voor Filosofie, 69 (2). p. 389. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9686)

Maes, Hans R.V. (2007) Review of Philosophy and Conceptual Art by Peter Goldie and Elisabeth Schellekens. Review of: Philosophy and Conceptual Art by Goldie, Peter and Schellekens, Elisabeth. Tijdschrift voor Filosofie, 69 (3). pp. 612-613. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9687)

Maes, Hans R.V. (2006) Review of Sight and Sensibility. Evaluating Pictures by Dominic McIver Lopes. Tijdschrift voor Filosofie, 68 (1). p. 434. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9680)

Maes, Hans R.V. (2007) Review of The Philosophy of Art by Stephen Davies. Review of: The Philosophy of Art by Davies, Stephen. Tijdschrift voor Filosofie, 69 (2). pp. 381-383. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9685)

Maes, Hans R.V. (2001) Review of The Subtlety of Emotions by Aaron Ben-Ze'ev. Tijdschrift voor Filosofie, 63 (4). pp. 810-811. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9676)

Maes, Hans R.V. (2006) Review of The Task of the Interpreter. Text, Meaning, and Negotiation by Pol Vandevelde. Tijdschrift voor Filosofie, 68 (3). pp. 651-653. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9682)

Maes, Hans R.V. (2006) Review of Three Philosophical Filmmakers. Hitchcock, Welles, Renoir by Irving Singer. Tijdschrift voor Filosofie, 68 (4). pp. 840-842. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9683)

Maes, Hans R.V. (2002) Review of Uneasy Virtue by Julia Driver. Tijdschrift voor Filosofie, 64 (3). pp. 606-607. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9677)

Maes, Hans R.V. (2008) Waarom vinden we kunst waardevol? In: Vormingplus, May 2008, Leuven, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9704)

Maes, Hans R.V. (2001) Zelfwaardering. In: 23rd Vlaams-Nederlandse Filosofiedag, October 2001, Kortrijk, Belgium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9692)

Maes, Hans R.V. (2002) Zelfwaardering en het standpunt van anderen. In: Braeckman, Antoon and Devos, Rob and Verdonck, B., eds. Terugkeer van het subject. Recente ontwikkelingen binnen de filosofie,. Universitaire Pers Leuven, Leuven, pp. 223-235. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9533)

Maes, Hans R.V., Deprez, Eleen (2013) Kunst of porno: duidelijk onderscheid of vals dilemma? Kunsttijdschrift Vlaanderen, (346). pp. 175-177. ISSN ISSN 1780-6461. (KAR id:56973)

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Maes, Hans R.V. and Schaubroeck, Katrien (2006) Different Kinds and Aspects of Bullshit. In: Hardcastle, Gary and Reisch, George A., eds. Bullshit and Philosophy. Open Court, pp. 171-182. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9519)

Marsh, Ben (2017) Visitor from South Carolina: Mrs Eliza Pinckney. In: Marschner, Joanna, ed. Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World. Yale University Press. ISBN 978-0-300-21710-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:62175)

Mei, Todd (2006) Commitment and Communication: The Aesthetics of Receptivity and Historicity. Contemporary Aesthetics, 4 . p. 30. ISSN 19328478.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:23357)

Mikuriya, Junko Theresa (2008) Cryptoglyph. In: Urban Encounters Conference, 16-17th May 2008, Centre for Urban and Community Research, Goldsmiths, University of London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9405)

Mikuriya, Junko Theresa (2007) Eight Hours of Sleep and other works. Eight Hours of Sleep and other works, 9th May - 4th September 2007, Keynes Gallery, University of Kent. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9409)

Mikuriya, Junko Theresa (2007) On the Walls of the Cave are Shadows. Stimulus Respond, London, (1). pp. 93-96. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9404)

Mikuriya, Junko Theresa (2006) On the Walls of the Cave are Shadows. In: Affective Imaging; Uneasy Spaces Symposium, 20th October 2006, Goldsmiths University of London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9406)

Mikuriya, Junko Theresa (2008) Solo photographic exhibition, invited by the Hong's Foundation in Education and Culture. Meme: Antimatic 3 programme, 2nd June - 29th August 2008, Taipei, Taiwan. Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9408)

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Nasim, Omar W. (2014) Nebulae. In: Azzouni, Safia and Wittmann, Barbara and Schmidgen, Henning, eds. Eine Naturgeschichte für das 21. Jahrhundert. Alpheus Verlag. ISBN 978-3-9813184-5-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:48640)

Nasim, Omar W. (2012) On Scribbles in Space. In: Driesen, Christian and Koppel, Rea and Meyer-Krahmer, Benjamin and Wittrock, Eike, eds. Über Kritzeln Graphismen zwischen Schrift, Bild, Text und Zeichen. Diaphanes, Zurich and Berlin, pp. 71-90. ISBN 978-3-03734-258-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:48642)

Nasim, Omar W. (2010) Zeichnen als Mittel der ‘Familiarization’ zur Erkundung der Nebel im Lord Rosse-projekt. In: Krauthausen, Karin and Nasim, Omar W., eds. Notieren, Skizzieren: Schreiben und Zeichnen als Verfahren des Entwurfs. Diaphanes, Zurich and Berlin, pp. 159-188. ISBN 978-3-03734-053-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:48639)

Newall, Michael (2015) Painterly and Planar: Wölfflinian Analysis Beyond Classical and Baroque. The Journal of Aesthetics and Art Criticism, 73 (2). pp. 171-178. (doi:10.1111/jaac.12156) (KAR id:60713)

Newall, Michael (2009) Pictorial Experience and Seeing. British Journal of Aesthetics, 49 (2). pp. 129-141. ISSN 0007-0904. (doi:10.1093/aesthj/ayp002) (KAR id:31630)

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Newall, Michael (2006) 'Pictures, Colours and Resemblance'. Philosophical Quarterly, 56 (225). pp. 587-595. ISSN 0031-8094. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2241)

Newall, Michael (2018) Pyke's Portraits of Philosophers. . blog post. (KAR id:71403)

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O'Connor, Marion F (1992) Poel, William Staging Of The 'Alchemist' - Some Corrections. Theatre Notebook, 46 (2). pp. 95-104. ISSN 0040-5523. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22385)

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Pavis, Patrice (2003) Analyzing Performance: Theater, Dance and Film. University of Michigan Press, 362 pp. ISBN 978-0-472-09689-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2242)

Pavis, Patrice (2003) Avignon in 2002 : five moments captured by Guy Delahaye. Studies in Theatre and Performance, 22 (3). pp. 139-144. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11934)

Pavis, Patrice (2003) Bernard-Marie Koltès. In der Einsamkeit der Baumwollfelder, oder die Welt in der man dealt. In: Weiler, Christel and Lehmann, Hans-Thies, eds. Szenarien von Theater und Wissenschaft. Festschrift für Erika Fischer-Lichte. Recherchen 15, pp. 100-126. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11936)

Pavis, Patrice (2007) Das zeitgenössische französische Theater. E Podium Verlag, München, 250 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11892)

Pavis, Patrice (2003) De donde viene la puesta en escena y hacia donde va ? Revista de la escuela Navarra de Teatro, (20). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11935)

Pavis, Patrice (2007) De la critica. Conjunto. Revista de teatro latinoamericano, (144). pp. 8-13. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11896)

Pavis, Patrice (2006) Dialogue. A lexikon. Performance research, 11 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11906)

Pavis, Patrice (2007) Die Inszenierung zeitgenössischer Theaterstücke. Lendemains, . pp. 52-68. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11905)

Pavis, Patrice (2002) D’une photo à l’autre ou comment le off réinvente la mise en scène. Théâtre/Public, (165). pp. 49-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11941)

Pavis, Patrice (2004) Entrevue avec Kim Hye-Jin. Revue de la Korean National University of the Arts, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11925)

Pavis, Patrice (2007) Generacion. Teatro, (21). pp. 201-209. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11891)

Pavis, Patrice (2004) Generation. Performance Research, 9 (3). pp. 97-105. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11933)

Pavis, Patrice (2004) Génération. Culture Coréenne, (68). pp. 24-28. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11929)

Pavis, Patrice (2005) Impressions de théâtre à Séoul. Culture Coréenne, (70). pp. 12-15. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11922)

Pavis, Patrice (2004) Impressions d’un Séoulite de passage. Revue du Théâtre Coréen, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11926)

Pavis, Patrice (2005) Iscenesættelsen af samtidige stykker. Peripeti, . pp. 35-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11919)

Pavis, Patrice (2003) Jean-Luc Lagarce : J’étais dans ma maison et j’attendais que la pluie vienne, oder die Pavane der Frauen um das Bett eines schlafenden Mannes. Forum Modernes Theater, 18 (1). pp. 73-85. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11937)

Pavis, Patrice (2005) Koltès’ Black battles with dogs on the stage. Cliché Europe. About cliché in life & on the stage, . pp. 63-71. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11920)

Pavis, Patrice (2003) Kunst oder die Kunst der Fugue. In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds. Theater ohne Grenzen, Festschrift für Hans-Peter Bayerdörfer zum 65. Geburtstag. Herbert Utz Verlag, München, pp. 194-208. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11938)

Pavis, Patrice (2007) La Mise en Scène Contemporaine. Armand Colin, 332 pp. ISBN 978-2-200-34043-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2245)

Pavis, Patrice (2004) Le 11 septembre 2001 et sa première mise en scène aux Etats-Unis. Europe, (924). pp. 164-175. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11927)

Pavis, Patrice (2004) Le Théâtre Contemporain: Analyse des Textes, de Sarraute à Vinaver. Armand Colin, France, 232 pp. ISBN 978-2-200-25931-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2243)

Pavis, Patrice (2002) Le Théâtre contemporain. Analyses des textes de Sarraute à Vinaver. Armand Colin, Paris, 232 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11939)

Pavis, Patrice (2007) Les médias auront-ils la peau du spectacle vivant ? In: Morizot, Jacques and Pouivet, Roger, eds. Dictionnaire d’esthétique et de philosophie de l’art. Armand Colin, Paris, pp. 413-415. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11904)

Pavis, Patrice (2005) Les écritures dramatiques contemporaines. In: Thomasseau, Jean-Marie, ed. Le Théâtre au plus près. Presses Universitaires de Vincennes, Saint-Denis, pp. 71-82. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11917)

Pavis, Patrice (2007) Mes Trois Sœurs, Mis tres Hermanas, My three Sisters. Ateneo de Madrid, 267 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11889)

Pavis, Patrice (2006) Mes trois sœurs. Forum of Theatre and Drama, Seoul, . pp. 314-356. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11915)

Pavis, Patrice (2006) Préface au livre de Cathy Rapin et Im Hye-Gyông Théâtre Coréen d’hier et d’aujourd’hui. In: Rapin, Cathy and Hye-Gyong, Im, eds. Théâtre Coréen d’hier et d’aujourd’hui. Les Éditions de l’Amandier, Paris, pp. 9-18. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11913)

Pavis, Patrice (2006) Préface au livre de Michel Liard Parole écrite, parole scénique. In: Liard, Michel, ed. Parole écrite, parole scénique. Éditions Joca Seria, Nantes, pp. 7-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11911)

Pavis, Patrice (2006) Préface au livre de Sophie Proust La Direction d’acteurs dans la mise en scène contemporaine. In: Proust, Sophie, ed. La Direction d’acteurs dans la mise en scène contemporaine. L’Entretemps Éditions, pp. 9-18. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11912)

Pavis, Patrice (2007) Quatre ouvrages en langues anglaise et allemande. Théâtre/Public, (184). p. 121. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11890)

Pavis, Patrice (2004) Quelques mois en Corée. Théâtre/Public, (175). pp. 34-62. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11931)

Pavis, Patrice (2004) Ravenhill and Durringer, or the Entente cordiale misunderstood. Contemporary Theatre Review, 14 (2). pp. 1-13. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11923)

Pavis, Patrice (2004) Ravenhill et Durringer ou les malentendus de l’entente cordiale. Théartre, (5). pp. 11-30. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11924)

Pavis, Patrice (2006) Reflexions introductoriès sobre el final en el teatre. Pausa, 23 . pp. 94-114. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11914)

Pavis, Patrice (2005) Ritualité et mise en scène dans les vidéos graffitis de Gómez-Peña. Henmès, (43). pp. 131-139. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11918)

Pavis, Patrice (2005) Réflexions liminaires sur la fin au théâtre. In: Egger, Carol, ed. Rideau ou la fin du théâtre. Lansman, pp. 35-48. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11916)

Pavis, Patrice (2004) Staging September 11th in the United States. Theater Forum, (25). pp. 91-96. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11928)

Pavis, Patrice (2007) Staging calamity : mise-en-scène and performance at Avignon 2005. In: Ben-Zvi, Linda and Davis, Tracy C., eds. Considering Calamity : Methods for Performance Research. Assaph Books, Tel Aviv university, pp. 13-38. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11895)

Pavis, Patrice (2006) Staging calamity. Mise-en-scène and Performance at Avignon 2005. Theater, 36 (3). pp. 5-27. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11909)

Pavis, Patrice (2002) Tesis para el analisis del texto dramatico. Gestos, 17 (33). pp. 9-47. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11940)

Pavis, Patrice (2007) Theatralia. Du texte au spectacle. Mélanges offerts à Halina Sawecka. Wydawnictwo UMCS, . pp. 37-49. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11893)

Pavis, Patrice (2006) Théâtre et calamité. Théâtre/Public, (180). pp. 81-91. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11908)

Pavis, Patrice (2007) Traduction (avec Philippe Ivernel) et édition de Woyzeck de Georg Büchner. Classiques Larousse (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11888)

Pavis, Patrice (2007) Verse une Théorie de la Pratique Théâtrale : Voix et Images de la Scene. Septentrion Presses Universitaires, 485 pp. ISBN 978-2-7574-0009-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2244)

Pavis, Patrice (2004) Woyzeck à la Cour d’Honneur. Théâtre/Public, (175). pp. 67-72. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11930)

Pavis, Patrice (2006) Wymiana czy unterakcja ? Dialog, (5-6). pp. 8-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11907)

Pavis, Patrice (2005) Yasmina Reza : Sztuka, czyli sztuka fugi. Etos ?ycia – etos sztuki, . pp. 283-299. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11921)

Pavis, Patrice (2006) The effect produced. In: Christie, Judie and Gough, Richard and Watt, David, eds. A Performance Cosmology,. Routledge, London & New York, pp. 173-178. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11910)

Peluso, Daniela M. (2017) Fearless girl facing Charging Bull simply restates outdated gender stereotypes. Public art and gender politics clash in corporate America. The Conversation, . ISSN 2201-5639. E-ISSN 2201-5639. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:63720)

Pitts, Virginia (1998) Army and University in conflict. New Zealand Herald, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24153)

Pitts, Virginia (2007) Cross-cultural Filmmaking in Aotearoa New Zealand. In: MEDIANZ Conference, 8th-10th February 2007, Victoria University, Wellington, New Zealand. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24156)

Pitts, Virginia (2003) Fleeting Beauty. New Zealand Film Commission Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24158)

Pitts, Virginia (1999) Form and Politics in Punitive Damage. Australian Screen Education, (20/21). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24151)

Pitts, Virginia (1997) From novel to film : Le journal d’un curé de campagne and the art of adaptation. European Connection, (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24154)

Pitts, Virginia (2004) Homophobia has no place in tale of fatal love triangle. New Zealand Herald, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24150)

Pitts, Virginia (2008) Igniting the Peripheries: Digital Cinema in Aotearoa New Zealand. In: Screen Studies Conference, 4th-6th July 2008, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24155)

Pitts, Virginia (2006) Intercultural Short Filmmaking in Aotearoa New Zealand. Metro Film, Television, Radio & Multimedia journal, (148). pp. 140-146. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24149)

Pitts, Virginia (1999) “Searching for context” Article about the making of Punitive Damage & i/v with director Annie Goldson. Loose, (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24152)

Pitts, Virginia (2000) Trust Me. New Zealand Film Commission Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24157)

Polley, Sarah Jayne (2017) Embracing Star Couples: Contextualising Star Images in Hollywood's Studio Era. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:65201)

Leigh, Jennifer S, ed. (2018) Conversations on embodiment across higher education: Teaching, practice and research. Routledge Research in Higher Education . Routledge, Abingdon, UK, 242 pp. ISBN 978-1-138-29004-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:69914)

Poltorak, Mike (2019) The Healer and the Psychiatrist. Dr Mike Poltorak Mp4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80011)

Pooke, Grant F. (2006) The Anal Sadistic Universe of Gilbert & George. In: Sculpture & Psychoanalysis. Ashgate Press in association with the Henry Moore Foundation, pp. 139-160. ISBN 0-7546-0984-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5880)

Pooke, Grant F., ed. (2008) Appreciating Art: An Expert Companion. Penguin Viking ISBN 978-0-670-07284-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7997)

Pooke, Grant F. (2008) Art History: The Basics. Routledge ISBN 978-0-415-37308-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5867)

Pooke, Grant F. (2008) Art, Abjection and the Sadian Imaginary: Installations and Sculptures by Kamilla Sztyber. Kent University Fine Art, pp47-50. (doi:ISBN 978-0-9559230-0-5) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5881)

Pooke, Grant F. (2007) Francis D. Klingender, ‘Exodus and Exile’. Socialist History 30: 1956 and the New Left, (30). pp. 22-42. ISSN 0969 4331. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5883)

Pooke, Grant F. (2007) Francis Klingender 1907-1955: A Marxist Art Historian Out of Time. Gill Vista Marx Press, London, 316 pp. ISBN 978-0-9557239-0-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31593)

Pooke, Grant F. (2003) Marxism, Art & Engagement: Francis Klingender. Bulletin of the Marx Memorial Library, (137). pp. 19-26. ISSN 0969-1154. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5884)

Pooke, Grant F. (2003) Museology. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6370)

Pooke, Grant F. (2011) Sade, Entropy and the Neo-Baroque: Self Becoming in the Aesthetic of Micha?l Aerts. . Deweer Gallery, Otegem, Belgium Text. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31597)

Pooke, Grant F. (2003) Teach Yourself Art History. Hodder & Stoughton ISBN 0-340-86921-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5866)

Pooke, Grant F. and Newall, Diana M. (2003) Art in Context. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6373)

Pooke, Grant F. and Newall, Diana M. (2004) Contemporary Art Practice. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6378)

Pooke, Grant F. and Newall, Diana M. (2003) Cross Curricular Issues. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6377)

Pooke, Grant F. and Newall, Diana M. (2003) Engaging Students. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6374)

Pooke, Grant F. and Newall, Diana M. (2003) Looking at Paintings. Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6371)

Pooke, Grant F. and Newall, Diana M. (2003) Why Teach Art and Design? Open University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6375)

Pooke, Grant F., Whitham, Graham (2010) Understand Contemporary Art: Teach Yourself. Hodder & Stoughton, 224 pp. ISBN 978-1-4441-1125-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6812)

Posman, Sarah and Reverseau, Anne and Ayers, David S and Bru, Sascha and Hjartarson, Benedikt, eds. (2013) The aesthetics of matter : modernism, the avant-garde and material exchange. European avant-garde and modernism studies . De Gruyter, Berlin, 435 pp. ISBN 978-3-11-031737-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55489)

Powers, Alan (2019) Bauhaus Goes West Modern Design in Britain in America. Thames and Hudson, London, UK, 304 pp. ISBN 978-0-500-51992-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78896)

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Radosavljevic, Duška (2010) Affairs of the Heart and Issues of Fidelity: Perspectives on Kneehigh’s Adaptation Method. In: AAS Berlin Conference, 29th September - 1st October 2010, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25441)

Radosavljevic, Duška (2009) The Alchemy of Power and Freedom – A Contextualisation of Slobodan Šnajder’s Hrvatski Faust (The Croatian Faust). Contemporary Theatre Review, 19 (4). pp. 428-447. ISSN 1048-6801. (KAR id:23452)

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Radosavljevic, Duška (2001) Beginner’s Serbo-Croatian. Hippocrene Books, 257 pp. ISBN 978-0-7818-0845-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13443)

Radosavljevic, Duška (2006) Believe it or Not? Suspension of Disbelief and Emotional Responses to Fiction. In: Meyer-Dinkgrafe, Daniel, ed. Consciousness, Theatre, Literature and the Arts. Cambridge Scholars Press, pp. 70-82. ISBN 1-904303-63-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13439)

Radosavljevic, Duška (2006) The Canterbury Tales Study Day: Learning and Teaching Methodology at the CAPITAL Centre. English Subject Centre Newsletter, (10). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13436)

Radosavljevic, Duška (2012) Circus as the Time and Space for Thinking. . PDF. (KAR id:36830)

Radosavljevic, Duška (2013) Community Innovation. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36831)

Radosavljevic, Duška (2010) Emma Rice in Interview with Duska Radosavljevic. Journal of Adaptation in Film and Performance, 3 (1). pp. 89-98. (doi:10.1386/jafp.3.1.89/7) (KAR id:24280)

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Radosavljevic, Duška (2012) Encounters in Stratford-upon-Avon. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36835)

Radosavljevic, Duška (2004) Foreword. In: Kaput! New Writing North. ISBN 978-0-9541456-3-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13441)

Radosavljevic, Duška (2005) From Dramaturg to Chocolatier: The Working Process on Margaret Wilkinson's new play Kaput! Dram Forum, . (KAR id:13437)

Radosavljevic, Duška (2008) The Golden Age of Kneehigh. In: at Cultures of Translation: Adaptation in Film and Performance, 26th-28th June 2008, Glamorgan University, Cardiff. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13434)

Radosavljevic, Duška (2009) Huddersfield as a Balkan Casablanca. In: International Federation for Theatre Research, Lisbon. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45340)

Radosavljevic, Duška (2004) Introduction. In: Sajtinac, Ugljesa, ed. Huddersfield. Oberon Books, pp. 15-16. ISBN 978-1-84002-449-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13442)

Radosavljevic, Duška (2008) Kako pokrenuti kriti?ara: Edinburg 2008 - Eksperimenti u politi?kom teatru. TFT: Teatar Film Televizija, . ISSN 1821-0120. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22822)

Radosavljevic, Duška (2012) Kotor Festival of Children's Theatre. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36834)

Radosavljevic, Duška (2003) Lindzi Kemp, jedna karijera - Scena. Sterijino Pozorje, (39). ISSN 0036-5734. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13438)

Radosavljevic, Duška (2009) The Need to Keep Moving: Remarks on the Place of a Dramaturg in 21st Century England. Performance Research, 14 (3). 45 -51. ISSN 1352-8165. (doi:10.1080/13528160903519500) (KAR id:24281)

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Radosavljevic, Duška (2010) Northern Stage Ensemble as an Adaptation of the Russian Theatre Model. In: International Federation for Theatre Research Translation, Adaptation, and Dramaturgy Working Group, 25th-26th July 2010, Munich. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25440)

Radosavljevic, Duška (2010) A Reflection on Internal. Contemporary Theatre Review, 20 (2). pp. 249-251. (KAR id:24947)

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Radosavljevic, Duška (2008) Sarah Kane's Illyria: A Balkan reading of Blasted. In: 'Sarah Kane: Reassessments', 16th February 2008, University of Cambridge. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13435)

Radosavljevic, Duška (2005) Staging Theatricalised Reality: Yugoslav Metatheatre and its Political Significance. In: Haas, Birgit, ed. Macht Performanz, Performativität, Polittheater seit 1990. Würzburg: Königshausen & Neumann, pp. 283-302. ISBN 3-8260-3040-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13440)

Radosavljevic, Duška (2007) Translating the City: A Community Theatre Version of Wenders’ Wings of Desire in Newcastle upon Tyne. Journal of Adaptation in Film and Performance, 1 (1). pp. 57-70. ISSN 1753-6421. (KAR id:13433)

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Radosavljevic, Duška, Awde, Nick (2004) Serbian Dictionary and Phrasebook. Hippocrene Books, 239 pp. ISBN 978-0-7818-1049-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13444)

Rahman, Kaz (2018) Contemporary Islamic Art and The Jameel Prize 2018. Review of: The Jameel Prize Exhibition at the Victoria and Albert Museum by UNSPECIFIED. Politics Today, . (KAR id:88212)

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Rahman, Kaz (2012) DLN Reddy. Focus Art Gallery, Chennai, India. (KAR id:88217)

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Rahman, Kaz (2016) Istanbul and Contemporary Islamic Art. . Politics Today Website. (KAR id:88207)

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Rahman, Kaz (2016) The Jameel Prize in Istanbul. Review of: The Jameel Prize Exhibition at Pera Museum by UNSPECIFIED. Politics Today, . (KAR id:88213)

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Rahman, Kaz (2016) Turkey 2016: Black Dogs and a Vanquished Coup. . Politics Today Website. (KAR id:88204)

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Read, Peter (2011) 'All Fields of Knowledge': Picasso's Art and the Intellectual Environment of his Early Years in Paris. In: McCully, M., ed. Picasso in Paris 1900-1907. Eating Fire. Thames and Hudson, London and Amsterdam, pp. 154-173. ISBN 978-90-79310-21-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30152)

Read, Peter (2016) Apollinaire et Adolphe Basler: passeurs culturels franco-polonais, médiateurs sans frontières. Europe -Paris- Revue Litteraire Mensuelle, 94 (1043). pp. 204-215. ISSN 0014-2751. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60398)

Read, Peter (2007) Apollinaire et le brigadier masqué - lecture de trois aquarelles. In: Burgos, Jean, ed. Apollinaire, le dessin et les traces. Guillaume Apollinaire (22). Lettres modernes Minard, Caen, pp. 91-108. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5683)

Read, Peter (2016) Apollinaire, Matisse et la Méditerranée : ‘l’espèce de paradis trouvé’. In: Debon, Claude, ed. Apollinaire méditerranéen. Calliopées, Paris, France, pp. 265-286. ISBN 978-2-916608-66-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60399)

Read, Peter (2016) Apollinaire: Lettres, Calligrammes et Manuscrits. Textuel / BnF Éditions, Paris, France, 312 pp. ISBN 978-2-84597-562-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61994)

Read, Peter (2005) Automatic Travel. Review of: Ghost Ships: A Surrealist Love Triangle, by Robert McNab (Yale, 2004). by McNab, R.. Times Literary Supplement, (5328). p. 27. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5626)

Read, Peter (2006) Body Count in the Library. The Liberating Carnage of George Bataille's "Documents". Review of: "Undercover Surrealism. Picasso, Miro, Masson and the vision of Georges Bataille" at the Hayward Gallery, London, May to July 2006. by UNSPECIFIED. Times Literary Supplement, (5388). pp. 18-19. ISSN 0307-661. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5580)

Read, Peter (2008) A Cure for Every Conviction: Francis Picabia and the Monstrous Birth of Dada. Times Literary Supplement, (5469). pp. 14-15. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5578)

Read, Peter (2003) Dans 'La Cuisine' du peintre: connotations littéraires et politiques d'une oeuvre de Picasso. La Revue du Louvre, (4). pp. 75-84. ISSN 0035-2608. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5741)

Read, Peter (2006) First Frottage. Review of: Max Ernst: Life and Work (London, Thames and Hudson, 2005) by Spies, Werner. Times Literary Supplement, (5374). p. 8. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5603)

Read, Peter and Kelly, Julia, eds. (2009) Giacometti Critical Essays. Subject/Object: New Studies in Sculpture . Ashgate, Farnham, 256 pp. ISBN 978-0-7546-5446-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30147)

Read, Peter (2008) Guernica, un cri contre la guerre. L'Histoire, (335). pp. 58-59. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13480)

Read, Peter, ed. (2016) Guillaume Apollinaire, Paul Guillaume: Correspondance (1913-1918). Gallimard, Musée de l’Orangerie, Paris, France, 183 pp. ISBN 978-2-07-017792-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60396)

Read, Peter (2001) Le portrait cubiste d'Apollinaire par Picasso, frontispice d''Alcools'. In: Décaudin, Michel, ed. Apollinaire et le portrait. Guillaume Apollinaire (21). Lettres modernes Minard, Paris, Caen, pp. 49-69. ISBN 2-256-91026-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5799)

Read, Peter (2004) Painting as a site of cultural memory: Picasso's 'The Kitchen'. . Picasso Administration (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5732)

Read, Peter (2008) Picasso and Apollinaire: The Persistence of Memory. Ahmanson-Murphy Fine Arts Books . University of California Press, Berkeley, Los Angeles, London, 334 pp. ISBN 978-0-520-24361-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3126)

Read, Peter (2008) Picasso: Une traversée du siècle. L'Histoire, (335). pp. 52-65. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13479)

Read, Peter (2007) Pierre Louÿs, Rodin and Aphrodite: Sculpture in Fiction and on the Stage, 1895-1914. French Studies, 61 (1). pp. 56-67. ISSN 0016-1128. (doi:10.1093/fs/knl233) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3123)

Read, Peter (2010) Preface. In: Warnod, J., ed. Serge Férat : Un Cubiste russe à Paris. Editions de Conti, Paris. ISBN 978-2-35103-021-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30149)

Read, Peter (2004) Review of Johanna Malt, 'Obscure Objects of Desire. Surrealism, fetishism and politics'. Review of: Obscure Objects of Desire. Surrealism, fetishism and politics by Malt, Johanna. Times Literary Supplement, (5302). p. 31. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5629)

Read, Peter (2005) Review of Olivier Widmaier Picasso, 'Picasso: The Real Family Story'. Review of: Picasso: The Real Family Story by Widmaier Picasso, O.. The Art Book, 12 (4). pp. 31-33. (doi:10.1111/j.1467-8357.2005.00598.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5611)

Read, Peter (2004) Review of exhibition catalogue by B. Léal and M.-T. Ocana (eds), 'Picasso From Caricature to Metamorphosis of Style'. Review of: Picasso from Caricature to Metamorphosis of Style, exhibition catalogue, B. Léal and M.-T. Ocana (eds.) (London: Lund Humphries, 2003). by Léal, Brigitte and Ocana, M.T.. The Art Book, 11 (2). pp. 18-19. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5631)

Read, Peter (2005) Review of exhibition catalogue by Gérard Régnier (ed.), 'The Great Parade. Portrait of the Artist as Clown'. Review of: The Great Parade. Portrait of the Artist as Clown, exhibition catalogue by Gérard Régnier (ed.) (Yale, 2004). by Régnier, G.. The Art Book, 12 (2). p. 18. (doi:10.1111/j.1467-8357.2005.523_5.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5619)

Read, Peter (2006) True Lie of the Land. Review of: Charles Rennie Mackintosh in France (exhibition, Dean Gallery, Edinburgh, 2005-2006) by UNSPECIFIED. Times Literary Supplement, (5365). p. 18. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5606)

Richardson, Robbie J (2015) “[T]he most mysterious thing in the World”: British Interpretations of First Nations Material Culture. Cambridge University Press Item format: Online mp3, iTunes. (KAR id:71398)

Rodosthenous, George and Radosavljevic, Duška and Zavros, Demetris (2009) The Fall of Ikarus. Performance type: Live play , Koln. live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41725)

Roesner, David P. (2008) The politics of the polyphony of performance: Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1477-2264. (doi:10.1080/10486800701749587) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40778)

Romero, Norma L. Perez (2006) Transformation and authenticity in contemporary Latina stardom. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86342) (KAR id:86342)

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Rooney, Caroline R. (2013) The Contemporary Egyptian Maqama or Short Story Novel in Egypt as a Form of Democracy. In: March-Russell, Paul and Awadalla, Maggie, eds. The Postcolonial Short Story, Contemporary Essays. Palgrave Macmillan UK, pp. 111-132. ISBN 978-0-230-31338-5. E-ISBN 978-1-137-29208-7. (doi:10.1057/9781137292087_8) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55086)

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Sackville, Amy (2018) Amy Sackville on the top ten novels about painters. . Guardian News and Media ISSN 0261-3077. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88995)

Sayad, Cecilia (2008) O jogo da reinvenção: Charlie Kaufman e o lugar do autor no cinema. Alameda, Sao Paulo, 64 pp. ISBN 978-85-98325-72-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13094)

Sayad, Cecilia (2008) Um cinema desenquadrado: a política da linguagem e a linguagem da política em Duas ou três coisas que eu sei dela. In: Estudos de cinema – SOCINE IX. Annablume, Sao Paulo. ISBN 978-85-7419-864-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14622)

Sayers, Janet V. (2010) Bion's Transformations: Art & Psychoanalysis. In: Mawson, Chris, ed. Bion Today. The New Library of Psychoanalysis . Routledge. ISBN 978-0-415-57072-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12549)

Sayers, Janet V. (2007) Freud's Art: Psychoanalysis Retold. Routledge, London & New York, 212 pp. ISBN 978-0-415-41568-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12386)

Sayers, Janet V. Healing art, healing Stokes. In: Bann, Stephen, ed. The Coral Mind. Penn State Press, USA, pp. 123-138. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12543)

Sayers, Janet V. (2007) Picasso cure: Personality, psychoanalysis, Les demoiselles d'Avignon centenary. International Journal of Art Therapy, 12 (1). pp. 39-48. ISSN 1745-4832. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12569)

Sayers, Janet V. (2009) Psy-art: Re-imagining identity. In: Elliott, Anthony and Du Gay, Paul, eds. Identity in Question. Sage, pp. 198-215. ISBN 978-1-4129-2243-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12548)

Sayers, Janet V. (2007) Thinking art and psychoanalysis. In: Bainbridge, Caroline and Radstone, Susannah and Rustin, Michael and Yates, Candida, eds. Culture and the Unconscious. Palgrave MacMillan, pp. 74-87. ISBN 978-1-4039-8622-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35427)

Schaffner, Anna Katharina (2015) The Twee Tribe. Review of: Twee: The Gentle Revolution in Music, Books, Television, Fashion, and Film by Spitz, Marc. Times Literary Supplement, . p. 13. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47813)

Schoenefeldt, Henrik (2014) First Report on the Victorian ventilation system of the House of Lords: Its design and evolution 1839-54. Report on study by Dr. Henrik Schoenefeldt, presented to Parliamentary Estate in January 2014, 100 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44560)

Shaughnessy, Nicola (1997) Between the Scenes: Virginia Woolf’s Freshwater. Women and Theatre: Occasional papers, (4). pp. 35-67. ISSN 0-951-88753. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5862)

Shaughnessy, Nicola (2008) Does it Work? Prove it! Reflections on Efficacy and Ethics. In: Theatre and Performance Research Association. . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5865)

Shaughnessy, Nicola (2008) Double Acts: Mirror Neurons & Applied Performance. In: Researching Applied Theatre and Performance Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5864)

Shaughnessy, Nicola (2013) Imagining Otherwise: Autism, Neuroaesthetics and Contemporary Performance. Interdisciplinary Science Reviews, 38 (4). pp. 321-334. ISSN 0308-0188. E-ISSN 1743-2790. (doi:10.1179/0308018813Z.00000000062) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40775)

Shaughnessy, Nicola (1996) Is s/he or isn’t s/he?: Screening Orlando. In: Cartmell, Deborah, ed. Pulping Fictions: Consuming Culture across the Literature/Media Divide. Pluto Press, pp. 43-56. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5860)

Shaughnessy, Nicola (2000) One, Two, Three: Sylvia Plath’s Verse Dramas. In: Donnell, Alison and Polkey, Pauline, eds. Representing Lives: Women and Auto/biography. Macmillan, pp. 241-250. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5859)

Shaughnessy, Nicola (1996) Theatres of Absurdity: pedagogy, performance and institutional politics. Studies in Theatre Production, (13). pp. 39-53. ISSN 1357-5341. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5863)

Shaughnessy, Nicola (1994) When this you see remember me: Three plays by Gertrude Stein. In: Griffin, Gabrielle, ed. Difference in View. Taylor & Francis. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5861)

Shaughnessy, Nicola and Turner, Sarah (2016) Imagining Autism: Now I see the World. Routledge, Taylor and Francis DVD. (KAR id:59751)

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Shaughnessy, Robert (2004) Approaching the Globe. In: Shakespeare Association of America Annual Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6511)

Shaughnessy, Robert (2008) Behind the Scenes. In: Thirty-third International Shakespeare Conference. . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6501)

Shaughnessy, Robert (2007) The Cambridge Companion to Shakespeare and Popular Culture. Cambridge Companions to Literature . Cambridge University Press, Cambridge, 304 pp. ISBN 978-0-521-84429-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6384)

Shaughnessy, Robert (2006) Dreaming the Globe: Poel, Guthrie, and the quest for authenticity. In: Shakespeare and Tudor Traditions. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6546)

Shaughnessy, Robert (2005) Dreams of England. In: Massai, Sonia, ed. World-Wide Shakespeares: Local appropriations in film and performance. London and New York: Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6397)

Shaughnessy, Robert (2001) Edward Bond. In: Dobson, Michael and Wells, Simon, eds. The Oxford Companion to Shakespeare Studies. Oxford: Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6402)

Shaughnessy, Robert (1998) Eugene O’Neill and American Drama to 1945. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6499)

Shaughnessy, Robert (2008) The Falstaff Syndrome: Pathos, Prosthetics and Performance. In: Filming and Performing Renaissance History symposium. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6502)

Shaughnessy, Robert (2005) Hamlet. Performance Research, 10 (3). p. 103. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6396)

Shaughnessy, Robert (1989) Howard Barker, The Wrestling School and the Cult of the Author. New Theatre Quarterly, (15). pp. 264-271. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6412)

Shaughnessy, Robert (2007) "I do, I will": Hal, Falstaff and the Performative. In: Henderson, Diana E., ed. Alternative Shakespeares 3. New accents . Routledge, Abingdon, pp. 14-33. ISBN 978-0-415-42333-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2246)

Shaughnessy, Robert (2001) In his Entirety: Tyrone Guthrie, Hamlet and Psychoanalysis. In: London Renaissance Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6539)

Shaughnessy, Robert (2006) Introduction to Shakespearean Tragedy. In: Bradley, A.C., ed. Shakespearean Tragedy 4th revised edition. Palgrave Macmillan, xii-xlvi. ISBN 978-0-230-00189-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2247)

Shaughnessy, Robert (1996) The Last Post. In: Shakespeare’s Language in Performance Seminar, 27th International Shakespeare Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6547)

Shaughnessy, Robert (1998) The Last Post: Henry V, war culture and the postmodern Shakespeare. Theatre Survey, 39 (1). pp. 41-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6407)

Shaughnessy, Robert (2005) On Location: de Certeau, Shakespeare and the pedestrian. In: Trinity College, Dublin. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6509)

Shaughnessy, Robert (2007) One Piece at a Time. Shakespeare Bulletin, 25 (3). pp. 11-26. ISSN 0748-2558. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6391)

Shaughnessy, Robert (2006) One Piece at a Time. In: Watching Ourselves Watching Shakespeare. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6503)

Shaughnessy, Robert (2006) Our Shakespeares. In: Shakespeare on Film. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6504)

Shaughnessy, Robert (2006) Our Shakespeares. In: Shakespeare on Television seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6505)

Shaughnessy, Robert (2006) Our Shakespeares: British Television Shakespeare and the Strains of Multiculturalism. In: Thornton Burnett, Mark and Wray, Ramona, eds. Screening Shakespeare in the Twenty-First Century. Edinburgh: Edinburgh University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6392)

Shaughnessy, Robert (1997) Postmodernism, interculturalism and a recurring Dream. In: Shakespeare Association of Korea First Annual Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6544)

Shaughnessy, Robert (1997) "Ragging the Bard”: Terence Gray, Shakespeare and Henry VIII. Theatre Notebook, 51 (2). pp. 92-111. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6408)

Shaughnessy, Robert (1994) Representing Shakespeare: England, History and the RSC. Hemel Hempstead: Harvester Wheatsheaf (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6380)

Shaughnessy, Robert (2004) ‘Robert Bensley’, ‘Francis Gentleman’, ‘William Havard’, ‘Charles Lee Lewes’, ‘Charles Macklin’, ‘Sarah Siddons’. In: Oxford Dictionary of National Biography. Oxford: Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6398)

Shaughnessy, Robert (2003) Romeo and Juliet: the rock and roll years. In: Aebischer, Pascale and Esche, Edward J. and Wheale, Nigel, eds. Remaking Shakespeare: Performance Across Media, Genres and Cultures. Basingstoke and New York: Palgrave. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6400)

Shaughnessy, Robert (2001) Romeo and Juliet: the rock and roll years. In: SCAENA: Shakespeare and his Contemporaries in Performance. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6536)

Shaughnessy, Robert (2002) Setting the Scene: A Midsummer Night’s Dream. In: Shakespeare’s Globe. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6513)

Shaughnessy, Robert (1999) Shakespeare Goes Pop. In: Millennium Shakespeares. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6540)

Shaughnessy, Robert (2004) The Shakespeare Revolution will not be televised. In: Shakespeare: Remembering Performance. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6510)

Shaughnessy, Robert (2005) Shakespeare and 21st Century Film. In: British Shakespeare Association Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6507)

Chedgzoy, Kate and Greenhalgh, Susanne and Shaughnessy, Robert, eds. (2007) Shakespeare and Childhood. Cambridge University Press, Cambridge, 296 pp. ISBN 978-0-521-87125-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6385)

Shaughnessy, Robert (2003) Shakespeare at Ground Level. In: London Shakespeare Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6512)

Shaughnessy, Robert (2001) Shakespeare versus Performance. In: London Shakespeare Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6538)

Shaughnessy, Robert (2000) Shakespearean Utopias. Shakespeare Survey, (54). pp. 233-243. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6405)

Shaughnessy, Robert (1998) Shakespearean Utopias. In: The Shakespeare Institute. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6541)

Shaughnessy, Robert (2006) Stage, Screen and Nation: Hamlet and the Recovery of History. In: Henderson, Diana E., ed. A Concise Companion to Shakespeare on Screen. Oxford: Blackwell. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6394)

Shaughnessy, Robert (2005) Stage, Screen and Nation: Hamlet and the recovery of history. In: The Shakespeare Institute. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6508)

Shaughnessy, Robert (1994) Terence Gray’s Shakespeare. In: Shakespeare on the British Stage 1990-1945. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6548)

Shaughnessy, Robert (1992) Three Socialist Plays: Lear, Roots, Serjeant Musgrave’s Dance. Buckingham and Philadelphia: Open University Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6383)

Shaughnessy, Robert (2002) Twentieth-Century Fox: Volpone’s Metamorphosis. Theatre Research International, 27 (1). pp. 27-48. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6401)

Shaughnessy, Robert (1997) Volpone, anthropomorphism, and the discourses of late capitalism. In: SCAENA: Shakespeare and his Contemporaries in Performance. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6543)

Shaughnessy, Robert (1994) Voltaire’s Brain: Strategies for Enlightenment and Studies in the Death of the Author. Studies in Theatre Production, (9). pp. 22-37. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6411)

Shaughnessy, Robert (2001) What have the Romans ever done for us? In: Royal Shakespeare Company Summer School. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6535)

Shaughnessy, Robert (1996) ‘William, Gaskill’, ‘Terence Gray’, ‘Bill Alexander’. In: Hawkins-Dady, Mark, ed. International Dictionary of Theatre, Volume 3: Actors, Directors and Designers. London: St James’s Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6410)

Shaw, Michael (2018) Aestheticism and Decadence in Patrick Geddes's Socioeconomics. In: Parkins, Wendy J., ed. Victorian Sustainability in Literature and Culture. Among the Victorians and Modernists . Routledge, Abingdon, pp. 165-179. ISBN 978-1-4724-7098-0. E-ISBN 978-1-315-54826-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:69126)

Shaw, Michael (2019) The Fin-de-Siècle Scottish Revival: Romance, Decadence and Celtic Identity. Edinburgh Critical Studies in Victorian Culture . Edinburgh University Press, Edinburgh, 320 pp. ISBN 978-1-4744-3395-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:69129)

Shaw, Michael (2018) Theosophy in Scotland: Oriental Occultism and National Identity. In: Ferguson, Christine and Radford, Andrew, eds. The Occult Imagination in Britain, 1875-1947. Routledge, Abingdon, pp. 23-40. ISBN 978-1-4724-8698-1. E-ISBN 978-1-351-16832-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:69125)

Shawa, Laila and Zurob, Hani (2013) Resilience & Light: Contemporary Palestinian Art. , 11 April - 18 May 2013, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61964)

Sleigh, Charlotte and Lloyd, Daniel R. (2013) Chain Reaction! Chain Reaction!, 21 November-22 December 2013, Sidney Cooper Gallery, Canterbury. mixed artistic media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53080)

Smith, Murray (2005) Against Nature. In: The Cognitive Neuroscience of Film. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3098)

Smith, Murray (1994) Altered States: Character and Emotional Response in the Cinema. Cinema Journal, 33 (4). pp. 34-56. ISSN 0009-7101. (KAR id:20046)

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Smith, Murray (2005) Cinema and Cognition. In: Cinema and Cognition, Society for Cinema and Media Studies. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3097)

Smith, Murray (1995) Engaging Characters: Fiction, Emotion, and the Cinema. Oxford: Clarendon Press, 265 pp. ISBN 978-0-19-818347-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3096)

Smith, Murray (2005) What Difference Does it Make. In: Representing and Conveying Emotions in Audio-Visual Forms of Media. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3099)

Smith, Murray and Wartenburg, Thomas (2006) Thinking Through Cinema: Film as Philosophy. Journal of Aesthetics and Art Criticism 64(1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2248)

South, Daniel (2015) Watching As The World Turns: Performance, Everyday Life, and the Self in the Novels of David Foster Wallace. Master of Arts by Research (MARes) thesis, University of Kent. (KAR id:54755)

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Stanfield, Peter (1996) ‘Country Music & the 1939 Western: From Hillbillies to Cowboys’. In: Cameron, Ian and Pye, Douglas, eds. The Movie Book of the Western. Studio Vista, pp. 22-33. ISBN 0-289-80140-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2743)

Stanfield, Peter (1998) ‘Dixie Cowboys & Blue Yodels: The Strange History of the Singing Cowboy’. In: Buscombe, Edward and Pearson, Roberta, eds. Back in the Saddle Again: New Essays on the Western. British Film Institute, pp. 96-117. ISBN 0-85170-661-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2742)

Stanfield, Peter (2002) ‘An Excursion into the Lower Depths: Hollywood, St. Louis Blues, and Urban Primitivism.’. Cinema Journal, 41 (2). pp. 84-108. ISSN 0009-7101. (KAR id:2732)

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Stanfield, Peter (2001) ‘“Extremely Dangerous Material”: Hollywood and the Ballad of Frankie and Johnny’. In: Bernardi, Daniel, ed. Classic Hollywood, Classic Whiteness. University of Minnesota Press, pp. 442-465. ISBN 016632391. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2740)

Stanfield, Peter (2002) ‘“Film Noir Like You’ve Never Seen”: Jim Thompson Adaptations and Cycles of Neo Noir’. In: Neale, Stephen, ed. Genre and Contemporary Hollywood. British Film Institute, pp. 251-268. ISBN 0-85170-887-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2739)

Stanfield, Peter (2000) ‘From the Vulgar to the Refined: American Vernacular & Blackface Minstrelsy in Showboat (1936)’. In: Marshall, Bill and Stillwell, Robynn, eds. Musicals: Hollywood and Beyond. Intellect Press, pp. 147-156. ISBN 1-84150-003-8. (KAR id:2741)

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Stanfield, Peter (1992) ‘Heritage Design: The Harley-Davidson Motor Company.’. Journal of Design History, 5 (2). pp. 141-155. ISSN 0952-4649. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2734)

Stanfield, Peter (2003) ‘The Last Scene of the Titanic: Vernacular American Phonograph Recordings’. Interdisciplinary Literary Studies, 5 (1). pp. 21-33. ISSN 1524-8429. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2731)

Stanfield, Peter (2008) Maximum Movies: Lawrence Alloway’s Pop Art Film Criticism. Screen, 49 (2). pp. 179-193. ISSN 0036-9543. (doi:10.1093/screen/hjn032) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12944)

Stanfield, Peter (2005) A Monarch for the Millions: Jewish Filmmakers, Social Commentary & the Postwar Cycle of Boxing Films. Film Studies: An International Review, (7). pp. 66-82. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2730)

Stanfield, Peter (2007) A Monarch for the Millions: Jewish Filmmakers, Social Commentary & the Postwar Cycle of Boxing Films. In: Krutnik, Frank and Neale, Steve and Neve, Brian and Stanfield, Peter, eds. “Un-American” Hollywood: Politics & Film in the Blacklist Era. Rutgers University Press. ISBN 0813541983. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2736)

Stanfield, Peter (2008) Notes Toward a History of the Edinburgh International Film Festival, 1969-77. Film International, 6 (4). pp. 62-71. ISSN 1651-6826. (KAR id:12945)

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Stanfield, Peter (1997) ‘“An Octoroon in the Kindling”: American Vernacular & Blackface Minstrelsy in 1930s Hollywood.’. Journal of American Studies, 31 (3). pp. 407-438. ISSN 0021-8758. (KAR id:2733)

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Stanfield, Peter and Krutnik, Frank and Neale, Steve and Neve, Brian, eds. (2007) “Un-American” Hollywood: Politics & Film in the Blacklist Era. Rutgers University Press, 362 pp. ISBN 0813541983. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2727)

Stanfield, Peter (2005) ‘Walking the Streets: Black Gangsters and the “Abandoned City” in the 1970s Blaxploitation Cycle’. In: Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 281-300. ISBN 1-84520-330-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2737)

Stanfield, Peter (1987) ‘The Western 1909-14: A Cast of Villains.’. Film History, 1 (2). pp. 97-112. ISSN 0892-2160. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2735)

Stanfield, Peter and Sonnet, Esther (2005) ‘“Good Evening, Gentleman, Can I Check Your Hats Please?”: Masculinity, Dress and the Retro Gangster Cycles of the 1990s’. In: Grieveson, Lee and Sonnet, Esther and Stanfield, Peter, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 163-184. ISBN 1-84520-330-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2738)

Stähler, Axel (2008) Writ(h)ing Images: Imagination, the Human Form, and the Divine in William Blake, Salman Rushdie, and Simon Louvish. English Studies, 89 (1). pp. 94-117. ISSN 0013-838X. (doi:10.1080/00138380701770951) (KAR id:2424)

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Tan, Harun (2016) Divine Ground Exhibition Catalogue. In: Divine Ground Exhibitions Diyanet Center of America. Simurg Interdisciplinary Studio, Istanbul, Turkey, p. 5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88215)

Tavassoli Zea, Zahra (2016) La Bande Des Quatre: Nineteenth-century Artistic and Literary Sources in Late Nouvelle Vague Filmmaking. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:61010)

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Thomas, Ben (2020) Edgar Wind and Modern Art: In Defence of Marginal Anarchy. Bloomsbury Visual Arts, 256 pp. ISBN 978-1-5013-4175-5. E-ISBN 978-1-5013-4174-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:83220)

Thomas, Ben D. H. (2005) The Academy of Baccio Bandinelli by Enea Vico. In: Renaissance Society of America Annual Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3088)

Thomas, Ben D. H. (2005) The Academy of Baccio Bandinelli. Print Quarterly, XXII (1). pp. 3-14. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4609)

Read, Benedict and Drury, Jolyon and Landy, Brian and Winfrey, Jane and Matjyjaskiewicz, Krystyna and Thomas, Ben D. H., eds. (2013) Alfred Drury and the New Sculpture. Studio 3 Gallery, University of Kent (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65279)

Thomas, Ben D. H. (2013) Alfred Drury and the New Sculpture. , 30 Sep - 20 Dec 2013; 15 Jan - 13 Apr 2014, Studio 3 Gallery, University of Kent and The Stanley and Audrey Burton Gallery, University of Leeds. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65284)

Thomas, Ben D. H. (2011) Ana Maria Pacheco: Shadows of the Wanderer. , 17 Jan - 17 May 2011, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65288)

Thomas, Ben D. H., ed. (2008) The Art of Comedy, exhibition catalogue. Canterbury ISBN 978-1-902671-56-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4617)

Thomas, Ben D. H. (2000) Artefici and Huomini Intendenti: Questions of Artistic Value in Sixteenth-Century Italy. In: Shepherd, Rupert and Neher, Gabriele, eds. Revaluing Renaissance Art. Ashgate Press, pp. 43-56. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3059)

Thomas, Ben D. H. (1999) Artefici and huomini intendenti: questions of artistic value in sixteenth-century Italy. In: Images and Values, Association of Art Historian’s 25th Annual Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3080)

Thomas, Ben D. H. (1999) Calendar of the Fortnum Papers at the Ashmolean Museum, 1999. National Art Library. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4611)

Thomas, Ben D. H. (2007) Casa Vasari: writing and decorating the artist’s house. In: Hendrix, Harald, ed. Writers’ Houses and the Making of Memory. Routledge, pp. 139-148. ISBN 0-415-54082-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3069)

Thomas, Ben D. H. (2005) Casa Vasari: writing and decorating the artist’s house. In: Writers’ Houses and the Construction of (Trans)National Cultural Memory, ACUME European Thematic Network Conference. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3089)

Thomas, Ben D. H. (2008) Disegno. In: Renaissance Keywords, 19th September 2008, University of Birmingham. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13085)

Thomas, Ben D. H. (2003) The Dissemination of Disegno: Baccio Bandinelli and Anton Francesco Doni. In: The Business of Prints in Rome, University of Edinburgh, 24-25 March, 2003. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3085)

Thomas, Ben D. H. (2017) Drawing Together. Paul Holberton Publishing, 48 pp. ISBN 978-1-911300-33-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64079)

Thomas, Ben D. H. (2016) Dungeness: Philip Hughes with Psiche Hughes. , 13 May - 10 June 2016, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61963)

Thomas, Ben D. H. (2002) Edgar Wind and Leonardo da Vinci. In: University of Oxford, Renaissance History Seminar. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3083)

Thomas, Ben D. H. (2005) Enea Vico, The Academy of Baccio Bandinelli. National Gallery of Canada, Leonardo da Vinci, Michelangelo and the Renaissance in Florence, exhibition catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3078)

Thomas, Ben D. H. (2002) Finding Ovid through Raphael in the Schools of the Tombs. In: Art on the Line. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3084)

Thomas, Ben D. H. (2003) Finding Ovid through Raphael in the Schools of the Tombs. Art on the Line, 1 (2). pp. 1-11. ISSN 1478-6818. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13082)

Thomas, Ben D. H. (1999) The Fortnum Archive in the Ashmolean Museum. Journal of the History of Collections, 11 (2). pp. 253-268. (The full text of this publication is not currently avail