Items where Subject is "N Fine Arts"
Number of items at this level: 1075. A
|
Allain, Paul
(2002)
After Grotowski.
Total Theatre,
14
(1).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2002)
After Grotowski - the next Generation.
New Theatre Quarterly,
28
(1).
pp. 59-66.
ISSN 0-521-01314-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2000)
The Cambridge Companion To Chekhov.
Cambridge University Press
ISBN 0-521-58917-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2007)
Destarsi Con One Breath Left.
In:
The Workcenter of Jerzy Grotowski and Thomas Richards Visioni.
Bulzoni.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2008)
Destarsi con One breath left.
In:
Opere e sentieri. Vol. 3: Testimonianze e riflessioni sull'arte come veicolo.
Bulzoni, pp. 129-140.
ISBN 9788878702967.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(1998)
Gardzienice Polish Theatre in Transition.
Harwood Academic Press
ISBN 90-5702-105-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2002)
The Gardzienice Theatre Association.
In:
Acting (Re)Considered (2nd ed.).
Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(1993)
Gardzienice in the Suzuki Empire.
Polityka,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2002)
Gardzienice's Performance of Otherness.
In:
Studies in Language, Literature and Cultural Mythology in Poland: Investigating The Other.
Edwin Mellen Press, pp. 99-114.
ISBN ISBN 0-7734-7054-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(1992)
Gardzienice: At the Cultural Crossroads.
New Theatre Quarterly,
.
ISSN 0-521-60328-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(1989)
Gardzienice: a Practical Account.
Music Theatre Dance Journal,
(1).
pp. 29-33.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2007)
Goat Theatre Macbeth.
Contemporary Theatre Review,
17
(2).
pp. 255-258.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(1999)
The Grammar Of The Feet.
Total Theatre,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2004)
The Intercultural Training of Tadashi Suzuki.
Rome, Training/Dino Audino Editore pp 138-143.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2002)
Japanese theatre and the international stage.
Review of: Japanese theatre and the international stage
by UNSPECIFIED.
New Theatre Quarterly,
18
(70).
p. 197.
ISSN 0266-464X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(1991)
A Love Letter from Britain.
Teatr,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2007)
Macbeth.
Review of: Macbeth
by Kozla, P. and Wielga, K..
Didaskalia,
7
.
p. 89.
ISSN 1233-0477.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(1991)
Modesty and Vigour.
Plays and Players,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(1994)
Movement Directing.
Total Theatre,
6
(4).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2006)
The Nature And Culture Of Performance.
In:
A Performance Cosmology: testimony from the Future, Evidence of.
Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2000)
New sites for Shakespeare: Theatre, the audience, and Asia.
Review of: New sites for Shakespeare: Theatre, the audience, and Asia
by UNSPECIFIED.
New Theatre Quarterly,
16
(64).
pp. 391-392.
ISSN 0266-464X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(1999)
Obituary of Jerzy Grotowski.
The Independent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2010)
On Ensembles.
In: Ensemble Theatre, 16th September 2010, University of Huddersfield.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(1990)
On the Border of Europe and Asia.
Zycie Warszawa,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(1992)
'Polishing up on the Classics'.
The Stage,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(1991)
Rep Paralysed by Spending Cuts.
The Stage,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2010)
Review about Tadeusz Kantor.
Review of: Review about Tadeusz Kantor
by UNSPECIFIED.
New Theatre Quarterly,
26
(103).
p. 301.
ISSN 0266-464x.
(doi:https://doi.org/10.1017/S0266464X10000552)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2004)
Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present.
Review of: Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present
by Meyer-Dinkgrafe, Daniel.
New Theatre Quarterly,
20
(1).
p. 95.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2002)
Review of Dymphna's Callery's Through the Body.
Review of: Review of Dymphna's Callery's Through the Body
by Callery, Dymphna.
New Theatre Quarterly,
18
(4).
0-0.
ISSN 0 521-52405-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(1989)
Review of Gardzienice's Avvakum.
Review of: Gardzienice's Avvakum
by UNSPECIFIED.
Event South West Magazine,
.
0-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2007)
Review of Krzysztof Miklaszewski, Encounters with Kantor.
Review of: Krzysztof Miklaszewski, Encounters with Kantor
by Miklaszewski, Krzysztof.
Contemporary Theatre Review,
17
(1).
pp. 115-116.
ISSN 1048 6801.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2001)
Review of Modern Czech Theatre.
Review of: Review of Modern Czech Theatre
by UNSPECIFIED.
New Theatre Quarterly,
17
(3).
0-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(1990)
Review of two performances by Scena Plastyczna of Lublin.
Review of: Review of two performances by Scena Plastyczna of Lublin
by UNSPECIFIED.
Performance Research,
.
0-0.
ISSN 1352-8165.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2000)
Suzuki Training- an introductory file.
Arts Archives, The Fifth Series, Exeter
CD-ROM and Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(1998)
Suzuki Training: An Update.
Drama Review,
42
(1).
pp. 66-89.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(1990)
Theatre in Poland.
Performance Magazine,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(1990)
Two articles on contemporary Polish theatre.
Plays International,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Allain, Paul
(2013)
Ways of Hearing.
In: Wisniewski, Tomasz, ed.
A Between Almanach for the Year 2013.
Maski Press, Gdansk/Sopot, 2013.
ISBN 9788364088131.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Ayers, David S
(2011)
Art, Nation, and Political Discourse.
In: Bru, Sascha and Nuijs, Laurence and Hjartarson, Benedikt and Nicholls, Peter and Ørum, Tania and van den Berg, Hubert, eds.
Regarding the Popular: Modernism, the Avant-Garde and High and Low Culture.
European Avant-garde and Modernism Studies
.
De Gruyter, Berlin.
ISBN 978-3-11-027456-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Ayers, David S
(2015)
Clare Sheridan: A British Sculptress in Bolshevik Moscow.
In: Friis, Elisabeth and Koch, Lene, eds.
Tania Tender Thyme: Festskrift til Tania Ørum.
Arena, pp. 113-121.
ISBN 9788792684455.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Ayers, David S
(2012)
Short Manual of the Inaesthetic.
In: Newall, Diana M. and Pooke, Grant F., eds.
Fifty Key Texts in Art History.
Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Ayers, David S and Hjartarson, Benedikt
(2015)
New People of a New Life.
In: Ayers, David S and Hjartarson, Benedikt and Huttunen, Tomi and Veivo, Harri, eds.
Utopia: The Avant-Garde, Modernism and (Im)possible life.
European Avant-Garde and Modernism Studies
.
De Gruyter, pp. 3-13.
ISBN 9783110434781.
(doi:https://doi.org/10.1515/9783110434781-002)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
B
|
Baldwin, Thomas
(2012)
Photography and Painting in Proust’s 'A la recherche du temps perdu'.
In: Baldwin, Thomas and Grigorian, Natasha and Rigaud-Drayton, Margaret, eds.
Text and Image in Modern European Culture.
Purdue University Press, West Lafayette, Indiana, pp. 76-87.
ISBN 9781557536280.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barbe, F.A.
(2010)
Deep Training and the Portfolio Approach.
In: TaPRA, 9th-11th September 2010, University of Glamorgan.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barbe, F.A.
(2009)
From Studio To Stage.
DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barbe, F.A.
(2007)
The Sensation of Butoh and Suzuki.
In: SUNY, May 2007, Brockport, USA.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barbe, F.A.
(2008)
Swampsong.
Performance type: Other
.
Solo dance work.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barnard, Clio H.
(2010)
The Arbor.
Artangel Media
Feature film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barnard, Clio H.
(2006)
Dark Glass.
Mobile Phone Film - 8 minutes.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barnard, Clio H.
(2006)
Dark Glass.
Dark Glass, November 2006, Curzon Cinema Soho.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone..
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barnard, Clio H.
(2006)
Dark Glass.
Dark Glass, November 2006, Tate Modern.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone..
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barnard, Clio H.
(2006)
Dark Glass.
Dark Glass, November 2006, Bristol Encounters Film Festival.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, May 2007, Site Gallery Sheffield.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, February 2007, Ikon Gallery Birmingham.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, July 2007, Galway Arts Festival.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone..
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, September 2007, Media Art Friesland Netherlands.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, October 2007, Cinema Lux, Normandy, France.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barnard, Clio H.
(2007)
Dark Glass.
Dark Glass, November 2007, Museo Reina Sofia, Madrid.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barnard, Clio H.
(2008)
Dark Glass.
Dark Glass, February 2008, Museum of Modern Art, New York.
Number of pieces: 1.
Single screen multiplatform/download/video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barnard, Clio H.
(2007)
Exchange.
Arts Council /Film Council Moving Image Initiative.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barnard, Clio H.
(2008)
Random Acts of Intimacy.
Random Acts of Intimacy, January 2008, ICA Short Film Festival, Institute of Contemporary Arts.
Number of pieces: 1.
16mm.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barnard, Clio H.
(2008)
Random Acts of Intimacy.
Random Acts of Intimacy, April 2008, Britspotting, British Irish Film Festival, Berlin.
Number of pieces: 1.
16mm.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Barnard, Clio H.
(2006)
Solo Show - Exhibition of Road Race and Dark Glass.
Solo Exhibition - Road Race and Dark Glass, October-November 2006, Herbert Read Gallery, Canterbury.
Number of pieces: 2.
screen film/video installation Super 16mm and DV, Single screen multiplatform /download/ video streaming/DVD. Mobile phone.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Baxter, Iain and Chodzko, Adam
(2013)
IAIN BAXTER& / Adam Chodzko: Two person exhibition.
IAIN BAXTER& / Adam Chodzko, 11/07/2013 - 11/08/2013, Raven Row, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2001)
"Alienation" and "Theater als Medium der Moderne? ".
In: "Theater als Paradigma der Moderne", 14-16th June 2001, Mainz.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2002)
Archaeology/Alienation in Contemporary Performance.
In: Fédération Internationale du Recherche Théâtrale, 3rd July 2002, Amsterdam.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2005)
Book Review: Simon Shepherd and Mick Wallis, “Drama/ Theatre/ Performance”,.
Review of: “Drama/ Theatre/ Performance”
by Shepherd, Simon and Wallis, Mick.
Theatre Research International,
30
(3).
pp. 306-307.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(1999)
Contributions to Dictionnaire de la Danse.
In: Le Moal, Philippe, ed.
Dictionnaire de la Danse.
Larousse.
ISBN ISBN 2-03-511318-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2000)
Contributions to Lexikon der Kultur der Gegenwart,.
In: Schnell, Ralf, ed.
Lexikon der Kultur der Gegenwart.
Stuttgart: Metzler.
ISBN 3-476-01622-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2002)
Der Körper als Zeichen!?
In: Klein, Gabriele and Zipprich, Christa, eds.
Tanz.Theorie.Text. Jahrbuch Tanzforschung 12.
Münster u.a.: Lit, pp. 383-395.
ISBN 3825859010.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2000)
Die Entdeckung der Korporealität (nicht nur) im Musiktheater.
In: 5. Kongress der Gesellschaft für Theaterwissenschaft, 30th October 2000, Munich.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2010)
Dramaturgy as Relational Process: On the Act of Spectating.
In: 10. Kongress der Gesellschaft für Theaterwissenschaft “Theater & Subjektkonstitution”, 28th-31st October 2010, University of Mainz.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2010)
Frank Castorf and the Berlin Volksbühne: The Humiliated and Insulted (2001).
In: Bay--Cheng, Sarah and Kattenbelt, Chiel and Lavender, Andy and Nelson, Robin, eds.
Mapping Intermediality in Performance.
Amsterdam University Press, Amsterdam, 187,196-202.
ISBN 978 90 8964 255 4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2008)
'How to do things with Text: Text-Regie als Mise-en-Sens'.
In: Conference 'Orbis Pictus - Theatrum Mundi', 25th October 2008, University of Amsterdam.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2003)
In\Between.Realities.
In: Working Group Meeting "Theatre and Intermediality", 3rd April 2003, CSSD London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2009)
Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf.
In: Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf, 5th October 2009, Institut Schauspiel, Universität für Musik und darstellende Kunst, Graz/Austria.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2000)
Intermediality in Contemporary Theatre.
In: Fédération Internationale du Recherche Théâtrale, 19th September 2000, Lyon.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2007)
Multisensuality and Postdramatic Mise-en-Scène: The ro:theater's Proust-Project.
In: Suguiera, Malgorzata and Borowski, Matuesz, eds.
Fictional Realities/Real Fictions: Contemporary Theatre in Search of a New Mimetic Paradigm.
Cambridge Scholars Publishing, pp. 121-134.
ISBN 9781847181381.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2009)
Panelist, Plenary Discussion ‚Jacques Rancière Study Day.
In: Royal Holloway/TAPRA Working Group ‘Performance, Identity, Community’, 28th February 2009, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2005)
Postdramatic Mise-en-scène: The ro:theater’s Proust-Project.
In: IFTR-Conference “Fictional/Real in Contemporary Theatre”, 18th November 2007, Jagiellonian University, Krakow, Poland.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2009)
Research Seminar, Forschungsprojekt SaM Sound and Movement.
In: Forschungsprojekt SaM Sound and Movement, 16th March 2009, Institut für Theaterwissenschaft, LMU München.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2013)
Spectres of Subjectivity: On the Fetish of Identity in (Post-) Postdramatic Choreography.
In: Jurs-Munby, Karen and Carroll, Jerome and Giles, Steve, eds.
Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance.
Bloomsbury Methuen Drama, London / New Delhi / New York / Sydney.
ISBN 9781408184868.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2007)
Tanz als Körper-Zeichen: Zur Methodik der Theater-Tanz-Semiotik.
In: Klein, Gabriele and Brandstetter, Gabriele, eds.
Bewegung in Übertragung, Bielefeld.
Transcript, pp. 29-45.
ISBN 3-89942-558-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2003)
Theater als Medium der Moderne? Zum Verhältnis von Medientechnologien und Bühne im 20. Jahrhundert.
In: Balme, Christopher and Fischer-Lichte, Erika and Gratzel, Stephan, eds.
Theater als Paradigma der Moderne? Positionen zwischen historischer Avantgarde und Medienzeitalter.
Mainzer Forschungen zu Drama und Theater 28. Tübingen: Francke 2003, pp. 447-456.
ISBN 3-7720-2796-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2002)
Theater der Sensationen.
In: 6. Kongress der Gesellschaft für Theaterwissenschaft, 2nd November 2002, Hildesheim.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2004)
Theater der Sensationen. Performance als Wahrnehmungs-Labor.
In: Matzke, Annemarie and Kurzenberger, Hajo, eds.
TheorieTheaterPraxis.
Berlin: Theater der Zeit, pp. 261-268.
ISBN 3934344291.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2001)
Theatre and Media Studies: Bridging the Gap.
In: Working Group Session "Theatre and Intermediality", 31st August 2001, Utrecht.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2001)
Training Intelligence: Give Us Dance Academies!
Ballett International - Tanz Aktuell,
(8-9).
pp. 52-53.
ISSN 0947-0484.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M
(2001)
Transforming Performance in the Internet Culture.
In: Fédération Internationale du Recherche Théâtrale, 9th July 2001, Sydney.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Boenisch, Peter M and Orozco, Lourdes
(2010)
Working Group “Directing & Dramaturgy”.
In: TapRA 2010 Conference, 9th-11th September 2010, University of Glamorgan.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Brittain-Catlin, Timothy
(2016)
Grimly Amusing.
Review of: Yours Critically: Writings on Architecture from Issues 1-10 of Criticat
by Fromonot, Francoise and Didelon, Valery and Chabard, Pierre.
Architecture today,
2016
(272).
pp. 10-11.
ISSN 0958-6407.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
C
|
Camilleri, Frank
(2006)
Dramaturgy of a Performance Process.
Icarus Performance Project, Malta, 72 pp.
ISBN 99932-0-418-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Camilleri, Frank and Schranz, John J
(1996)
Id-Descartes: Identity of a Dramaturgy.
GHE, Malta
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cardinal, Roger
(1992)
DALI - A BIOGRAPHY - ETHERINGTONSMITH,M.
Times Literary Supplement,
(4681).
p. 15.
ISSN 0307-661X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cardinal, Roger
(1992)
KAHLO,FRIDA - THE PAINTINGS - HERRERA,H.
Times Literary Supplement,
(4663).
p. 15.
ISSN 0307-661X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cardinal, Roger
(1994)
Rosso,Medardo.
Burlington Magazine,
136
(1094).
pp. 329-330.
ISSN 0007-6287.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cardinal, Roger
(1992)
SAVINIO,ALBERTO.
Times Literary Supplement,
(4638).
p. 19.
ISSN 0307-661X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Carver, Gavin P.
(2002)
Carnival.
In: Donnell, Alison, ed.
Companion to Black British Culture.
Routledge, pp. 65-67.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Carver, Gavin P.
(2000)
A Midsummer Night’s Dream.
A Midsummer Night’s Dream, June 2000, University of Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Carver, Gavin P. and Presdee, Mike
(2000)
The Carnival of Crime.
In: Presdee, Mike, ed.
Cultural Criminology and the Carnival of Crime.
Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(1997)
3 wege zum see: Group exhibition.
3 wege zum see, 1997, Künstlerhaus Klagenfurt, Austria.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2007)
Aernout Mik File Note.
Other.
Camden Arts Centre, ISBN: 1900470683
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2011)
Again, A Time Machine.
Again, A Time Machine: Make the Living Look Dead, 16 September to 9 October 2011, Spike Island, Bristol.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2009)
Altogether Elsewhere: Group Exhibition.
Altogether Elsewhere, October 16–19, 2009, Zoo Art Fair, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2010)
Apocalypse Now: Krowswork
Group Exhibition.
Apocalypse Now, 2010, Hot Springs Documentary Festival, Oakland, California.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2014)
Art Moves: Ghost.
Performance type: Live play
, 20 - 21 September 2014, Olympic Park, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2009)
Artworks (for sale in exchange for visitors ideas).
Artworks (for sale in exchange for visitors ideas), 29 May – 16 August 2009, Wilkinson Gallery.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2013)
Assembly: A survey of recent artists’ film and video in Britain 2008–2013.
Assembly: A survey of recent artists’ film and video in Britain 2008–2013, Saturday 23 November 2013 – Saturday 15 March 2014, Tate Britain.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(1997)
At one remove: Group Exhibition.
At one remove, 1997, Henry Moore Institute, Leeds.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2003)
Bad Behaviour: Group Exhibition.
Bad Behaviour, 7 November 2003 - 27 February 2005, Longside Gallery, Yorkshire Sculpture Park.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2003)
Better Scenery.
Billboards and photographs.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2002)
Better Scenery: Solo Exhibition.
, Plains Art Museum, Fargo, North Dakota.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2007)
Beyond The Country - Group Exhibition.
Beyond The Country, 26th October 2007 - 3rd February 2008, Glucksman Gallery, Cork.
Number of pieces: 1.
Photography.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2007)
Breaking Step - Group Exhibition.
Breaking Step, 24th March - 10th June 2007, Museum of Contemporary Art, Belgrade.
Number of pieces: 10.
Mixed media.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2001)
Bright Paradise: Exotic History and Sublime Artifice
Group Exhibition.
Bright Paradise: Exotic History and Sublime Artifice, 3 March - 4 June 2001, 1st Auckland Triennial, Auckland Art Gallery, New Zealand.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(1996)
Brilliant: Group Exhibition.
Brilliant, 1996, Contemporary Art Museum, Houston, Texas.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2005)
British Art Show 6: Group Exhibition.
British Art Show 6, 24 Sept 2005 - 8 Jan 2006, Baltic, Newcastle, touring to Manchester, Nottingham and Bristol.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(1996)
British Waves: Group Exhibition.
British Waves, Rome.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2003)
Cell-a.
Single-screen slide projection of 81 x 35mm B&W images.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2010)
Cinecity: Brighton Festival
Group Exhibition.
Cinecity, 18th November - 5th December, Brighton festival.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(1991)
City Racing: Group Exhibition.
, City racing, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2005)
Dance of the Seven Veils: Group Exhibition.
Dance of the Seven Veils, 2005, Cooper Gallery, University of Dundee.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2004)
Design for a Carnival: Solo Exhibition.
, Els Hanappe Underground, Athens. Greece.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2005)
Displacements: British Art 1900–2005
Group Exhibition.
Displacements: British Art 1900–2005,, 2005, Tate Britain.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2000)
Dreammachines: Group Exhibition
"Night Visions".
Dreammachines, Dundee Centre for Contemporary Art, touring to Mappin Gallery, Sheffield; Camden Art Centre, London; Glyn Vivian Art Gallery, Swansea.
Video Projection.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2008)
Fact or Friction: Group Exhibition.
Fact or Friction, 2008, Vox Populi, Philadelphia.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2006)
Fire: Group Exhibition.
Fire, 2006, Galleria Franco Noero, Turin.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2009)
For the Straight Way is Lost.
For the Straight Way is Lost, 13 June – 4 October 2009, Athens Biennale, Athens.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2000)
Found Wanting: Group Exhibition.
Found Wanting, 2000, Contemporary Art Galleries Atlanta.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2010)
Future Fictions: Group Exhibitions.
Future Fictions, 2010, Latitude Contemporary Art, Latitude Festival.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2007)
Gallery Exchange - Group Exhibition.
Gallery Exchange, 22nd September - 20th October 2007, Neue Alte Brücke, Frankfurt.
Number of pieces: 1.
Mixed Media.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2010)
The Gathering: Group Exhibition.
The Gathering, 4 March – 18 April 2010, Longside Gallery, Yorkshire Sculpture Park.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2005)
General Ideas: Group Exhibition.
General Ideas, 2005, CCA Wattis Institute for Contemporary Arts, San Francisco.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2012)
Getting it Wrong: Group Exhibition.
Getting it Wrong, 2012, Weisses Haus, Vienna.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2013)
Ghost: The Urgency of Rivers and the Role of Contemporary Art.
Performance type: Other
, 8 – 12 January 2013, Peninsula Arts Gallery at Plymouth University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2009)
Gone To Earth:Born Again Pagan
Group Exhibition.
Gone To Earth, 2nd May - 27th June 2009, Isis gallery, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2010)
Here, There and Everywhere: Group Exhibition.
Here, There and Everywhere, 2010, Towner Gallery, Eastbourne.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2007)
Hole & M-path.
Installation/Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2012)
IN THE BELLY OF THE WHALE (ACT III) Group Exhibition.
IN THE BELLY OF THE WHALE (ACT III), 2nd March - 17th June 2012, Montehermoso, Vitoria-Gasteiz, Spain.
Vinyl Record.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2003)
In Good Form: Group Exhibition.
In Good Form, 27 June – 19 October 2003, Longside Gallery, Yorkshire Sculpture Park.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2003)
Independence: Group Exhibition.
Independence, South London Gallery.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(1992)
Instructions Received: Group Exhibition.
, Gio Marconi, Milan.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2009)
Journeys With No Return.
Journeys With No Return, 2009, Akbank, Istanbul Biennale.
still images.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2010)
Journeys With No Return, Second Tour.
Journeys With No Return, 2010, A-Foundation, London & Galerie Kurt-Kurt, Berlin.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2014)
Knots: Group Exhibition.
Knots, 01/12/2014 - 07/12/2014, Les Rencontres Internationales, Paris.
Experimental fiction.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2013)
LOOP 2013:Knots: Group Exhibition.
Loop 2013, 5,6,7th June 2013, Barcelona.
single screen video with sounds, 10'.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2005)
Le Voyage Intérieur: Group Exhibition.
Le Voyage Intérieur, 16 Nov 2005 - 5 march 2006, Espace EDF Electra, Paris, France.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2014)
Leaping the Fence: Group Exhibition.
Leaping the Fence,, Hestercombe, Somerset.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2013)
Life in Film: Frieze.
Frieze,
(158).
pp. 62-63.
ISSN 09620672.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2003)
Life is Beautiful: Group Exhibition.
Life is Beautiful, 2003, Laing Art Gallery, Newcastle upon Tyne.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2001)
Limbo Land.
DVD Installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2001)
'Limbo Land': Solo Exhibition.
'Limbo Land', 24/11/2001 - 22/12/2001, Els Hanappe Underground, Athens.
DVD and sound installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2001)
Liquor: Group Exhibition.
Liquor, 2001, Trafo Galeria, Budapest.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2011)
Loophole to Happiness: Group Exhibition.
Loophole to Happiness, 25. 5. 2011 – 7. 8. 2011, Museum of Contemporary Art, Lodz, & Futura Centre for Contemporary Art, Prague & AMT Projects.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2007)
MAMbo - Solo Exhibition.
MAMbo - Solo Exhibition, December 2007 - February 2008, Museo d’Arte Moderna di Bologna, Bologna.
Number of pieces: 3.
Mixed media.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2011)
Made in Britain.
Made in Britain, 2011, touring exhibition created in partnership with the Sichuan Provincial Museum, Xi'an Art Museum, Hong Kong Heritage Museum and Suzhou Museum..
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2008)
Martian Museum of Terrestrial Art.
Martian Museum of Terrestrial Art, 6 March 2008 - 18 May 2008, Barbican Art Gallery, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2005)
Monuments for the USA: Group exhibition.
Monuments for the USA, April 07, 2005 to May 21, 2005, CCA Wattis Institute for Contemporary Arts, San Francisco and White Columns, New York.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2013)
More Than I Dare Think About: Works With Paper Group exhibition.
More than I dare to think about - works with paper, 26-07-2013 - 07/09/2013, Marlborough Contemporary, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2005)
Moving Home: Six Artists, Six Rooms
Group Exhibition.
Moving Home: Six Artists, Six Rooms,, 2005, Towner Art Gallery, Eastbourne.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2002)
Networks: Group Exhibition.
Networks, 2002, Chapter Art Centre, Cardiff and touring to Fruitmarket Gallery, Edinburgh.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2012)
Night Shift: MADE IN BRITAIN.
Made in Britain – Contemporary Art from the British Council Collection 1980 – 2010, 15 Feb 12 - 22 Apr 12 , 01 Jun 12 - 05 Aug 12, Benaki Museum, Athens, touring to Albanian National Gallery of Arts, Tirana.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(1999)
Nightvision: Solo Exhibition.
, Ikon Gallery, Birmingham.
PHotography, Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2004)
Off the Beaten Track: Group Exhibition.
Off the Beaten Track, 13 March - 16 May 2004, Longside Gallery, Yorkshire Sculpture Park.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(1993)
Okay Behaviour: Group Exhibition.
, 303 Gallery, New York.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2002)
On a Clear Day: Group Exhibition.
, Sophienholm, Lyngby-Taarbæk, Denmark.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2009)
PLOT/09.
PLOT/09 This World & Nearer Ones, 2009, Governors Island, New York, USA.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2005)
Pasolini e noi.
Pasolini e noi, December 15, 2005 - February 12, 2006, Archivio di Stato in the Royal Palace, Turin and the Istituto Nazionale Per La Grafica, Rome.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2012)
People and Places: The Pickers(2009)Group exhibition.
The Pickers (2009), 2012-2014, The Beaney, House of Art and Knowledge, Canterbury, Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2014)
Performance as Sculpture: Group Exhibition.
Performance as Sculpture, March 19. March 23, 2014, Uovo festival, Milan.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2013)
The Pickers: Group Exhibition.
The Pickers, 16 May to 12 June 2013, Marlborough Gallery, Barcelona.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2010)
Pier Paolo Pasolini.
Pier Paolo Pasolini: We Are All In Danger, 3 November – 1 December 2010, Australian Cinémathèque at the Gallery of Modern Art in Brisbane.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2002)
Plan for a Spell: Solo Exhibition.
, Fabrica, Brighton.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2006)
Please close the gate.
Please close the gate, 2006, New Art Centre, Roche Court, Wiltshire.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2008)
Print the Legend: The Myth of the West
Group Exhibition.
Print the Legend, 1 March – 4 May 2008, Fruitmarket Gallery, Edinburgh.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2014)
Private Utopia: Contemporary Art from the British Council Collection.
Private Utopia, Tokyo Station Gallery touring to Itami City Museum of Art, Kochi Museum of Art, and Okayama Museum of Art.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2011)
The Profane Myth.
The Profane Myth - The Mining Institute, 20 October - 22 November 2011, Newcastle upon Tyne.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2008)
Proxigean Tide.
Proxigean Tide, 24/5/08-21/9/08, Tate St Ives.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2008)
Pyramid.
Folkestone Triennial ‘Tales of Time and Space’, 14/6/08-14/9/08, Folkestone.
Video Installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2000)
Reunion: Salò: Solo Exhibition.
, 18/1/2000 - 19/2/2000, Accademia Britannica, Roma.
video, photography and installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2014)
Rising.
Rising, National Maritime Museum.
atmospheric audio work.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2013)
Rising: The Future of the Race.
Performance type: Video/Film (documentary)
, Newcastle.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2004)
Romantic Detachment: Group Exhibition.
Romantic Detachment, 2004, PS1, NY, touring to Chapter Art Gallery, Cardiff.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2005)
Seeing God: Group Exhibition.
Seeing God, 2005, Museum of Fine Arts of Thurgau, Kartause Ittingen, Warth, Switzerland.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2005)
Showcase: Group Exhibition.
Showcase, 2005, City Art Centre, Edinburgh.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(1999)
Sleuth: Group Exhibition.
Sleuth, 1999, ffotogallery, Cardiff.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2007)
Solo Exhibition.
Solo Exhibition, 26th January - 4th March 2007, Signal, Malmö, Sweden.
Number of pieces: 4.
Mixed media.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2001)
Solo Exhibition.
, 20/09/2001 - 10/11/2001, Galleria Franco Noero, Turin Italy.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(1999)
Solo Exhibition.
, 16 Apr - 16 May 1999, Galleria Franco Noero, Turin, Italy.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(1998)
Solo Exhibition.
, 1998, Viewpoint Gallery, Salford.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(1998)
Solo Exhibition: Gallery II, University of Bradford.
, 5th - 29th May 1998, Gallery II, University of Bradford.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(1996)
Solo Exhibition: Lotta Hammer Gallery.
, 1996, Lotta Hammer, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2011)
Solo Exhibition: Neue Alte Brucke.
, Frankfurt.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2014)
Somewhat Abstract: Group Exhibition.
Somewhat Abstract, 11 Apr 2014 - 28 Jun 2014, Nottingham Contemporary.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2001)
Soon: Solo Exhibition.
Soon, 7th September 2001 - 10th October 2001, Sandroni.Rey Gallery, Venice, California.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2014)
Spare Room: Thinking City.
Performance type: Video/Film (fiction)
, 02 October 2014, 6.30pm, Liverpool Biennale, Liverpool.
film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2003)
Strangers to Ourselves: Solo Exhibition.
, Herbert Read Gallery, KIAD, Canterbury.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2000)
Tabley: Group Exhibition.
Tabley, 2000, Tabley House, Cheshire.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2008)
Tales of Time and Space: Group Exhibition.
Tales of Time and Space, 14 June to 14 September 2008, Folkestone Triennial, Folkestone, Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2007)
"Then" - Solo Exhibition.
Then, 16th November 2007 - 13th January 2008, Dublin City Gallery The Hugh Lane and various sites across Dublin.
Number of pieces: 4.
Mixed media.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2004)
Tonight: Group Exhibition.
Tonight, 2004, Studio Voltaire, London, Sandroni.Rey, LA.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2006)
Unfinished Business: Group Exhibition.
Unfinished Business, Museum of Contemporary Art, Belgrade.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2009)
Vlassis Caniaris: In Contrapunto
Group Exhibition.
Vlassis Caniaris, 13 May – 19 July 2009, ITYS, Athens.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2000)
Waiting: Group Exhibition.
Waiting, 2000, Mjellby Konstgård, Sweden.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2010)
Whitstable Biennale: Ghost, Echo and The Pickers.
Whitstable Biennale, 19th June - 4th July 2010, Whitstable, Kent.
video installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(1998)
Wrapped: Group Exhibition.
Wrapped, Vestjælands Kunstmuseum, Sorø, Denmark.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2013)
You'll see; next time it'll be different.
, Benaki Museum Piraios Street Annexe, Athens.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2002)
cell-a 2006: Solo Exhibition.
, Cubitt, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(2013)
‘…how is it towards the east?’ Group exhibition.
‘…how is it towards the east?’, 01 May - 02 June 2013, Calvert 22 Gallery, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam
(1998)
A to Z: Group Exhibition.
A to Z, 2nd April 1998 - 3rd May 1998, The Approach Gallery, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Antille, Emmanuelle and Antoni, Janine and Bassanini, Katia and Bonvicini, Monica and Flückiger, Edith and Gerosa, Gabriella and Walpen, Sibylla and Visser, Barbara and Oertli, Christoph and Küng, Max and Leutenegger, Zilla and Köppl, Zacek and Hofer, Susanne and Halter, Marianne
(2001)
Helle Nächte: Projections.
Helle Nächte, 21/22 September 2001, Bottmingen, Baselland.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Aranberri, Ibon and Buchannan, Roderck and García, Dora and Wood, John and Harrison, Paul
(2014)
Bergé Collection: 'A Place For the End'.
Bergé Collection, 29/05/2014 - 10/06/2014, Real Círculo Artístico de Barcelona, Loop Festival, Barcelona.
Video Art.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Atkinson, Ewan and Boyce, Sonia and Gordon, Leah and Griffith, marlon and Rime, Marie and Theuring, Corinna
(2014)
Alles Maskerade!Group Exhibition.
Alles Maskerade!, 22/11/2014 - 22/02/2015, MEWO Kunsthalle, Memmingen, Germany.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Banner, Fiona and Chapman, Jake & Dinos and Dalziel, Matthew and Dean, Tacita and Wyn Evans, Cerith and Floyer, Ceal and Gidley, Tom and Gordon, Douglas and Gunning, Lucy and Hume, Gary and Irvine, Jaki and Scullion, Louise and Taylor-Wood, Sam and Wilson, Jane & Louise and Wright, Elizabeth
(1995)
General Release: Young British Artists Group Exhibition.
, British Council selection for Venice Biennale, Scoula San Pasquale, Venice.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Beech, Dave and Cook, Maria and Creed, Martin and Doig, Peter and Higgs, Matthew and Lewin, Sivan and Stezaker, John
(1995)
Zombie Golf:Group Exhibition
BANK.
Zombie Golf, Bank, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Billingham, Richard and Curtis, Layla and Dawood, Shez and Day, Corinne and Golden, Pamela and Hunter, Tom and Kennard, Peter and Lewis, Andrew and Lucas, Sarah and Luxemburg, Rut Blees and Maybank, Hannah and Parr, Martin and Pollard, Ingrid and Starkey, Hannah and Stewart, Christopher and Shaw, George and Syed, Alia and Wallinger, Mark
(2002)
Location: UK
Group Exhibition.
Location: UK, 24 July - 7 September 2002, Gimpel Fils, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Bismuth, Pierre and Blondeel, Maria and de Boer, Manon and Bournigault, Rebecca and Curran, Michael and Emin, Tracey and García, Dora and Gonzalez-Foerster, Dominique and Gordon, Douglas and Grigely, Joseph and Huyghe, Pierre and Kool, Renee and Lamelas, David and Matthys, Kobe and van Riessen, Wouter and Wilson, Ian
(1996)
Perfect: Group Exhibition.
Perfect, 03/07/96 - 03/08/96, Jan Mot and Oscar van den Boogaard, Brussels.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Bond, Henry and Declerq, Alain and Deutsch, David and Waha, Serge De and Doherty, Willie and Framis, Alicia and Lee, Hatty and Nicolson, Seamus and McCaslin, Matthew and Rickett, Sophy and Schneider, Stefanie
(2001)
Night on Earth: Group Exhibition.
Night on Earth, Städtische Ausstellungshalle Am Hawerkamp, Münster.
photographs and videoworks.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Bond, Terrence and Gidley, Thomas and Gordon, Douglas and Hammick, Magnus and Lewandowska, Marysia and Martin, Jason and Patterson, Simon
(1993)
Wonderful Life: Group Exhibition.
Wonderful Life, 17 July – 16 October 1993, Lisson Gallery, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Bornstein, Jennifer and Buchanan, Roderick and Lorca-diCorcia, Philip and Laderman Ukeles, Mierle and Jaar, Alfredo
(2000)
FaceOn: Group Exhibition.
Face On, 9 September - 28 October 2000, Site Gallery, Sheffield touring to Milton Keynes Gallery; Open Eye Gallery, Liverpool; Stills, Edinburgh.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Bradley, Slater and Chan, Paul and Charlesworth, Sarah and Mehretu, Julie and Steen, Brent and Zmijewski, Artur
(2006)
Belief and Doubt: Group Exhibition.
Belief and Doubt, 2006, The Aspen Art Museum, Colorado.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Buckingham, Matthew and Dean, Tacita and Boer, Manon de and Hugonnier, Marine and Newman, Hayley and Sandison, Charles and Sawyer, Mathew and Ohanian, Melik and Gordan, Douglas
(2005)
Documentary Creations: Group Exhibition.
Documentary Creations, 26 Feb - 29 May 2005, Kunst Museum, Luzern, Switzerland.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Carne, Sarah and Coley, Nathan and Curtis, Layla and Himid, Lubaina and Waring, Sarah
(2002)
Fabrications: New Art and Urban Memory
Group Exhibition.
Fabrications, 11 September - 2 November 2002, Cube Gallery, Manchester.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Carvalho, Melanie and Housley, Paul and Donachie, Kaye and Harrison, Lucy
(1999)
The Poster Show.
The Poster Show, 1999, Gavin Brown Enterprises, New York.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Chapman, Jake & Dinos and Collishaw, Mat and Emin, Tracey and Harvey, Marcus and Hirst, Damien and Hume, Gary and Landy, Michael and Lane, Abigail and Lucas, Sarah and Mueck, Ron and Ofili, Chris and Patterson, Richard & Simon and Quinn, Marc and Rae, Fiona and Taylor-Wood, Sam and Turk, Gavin and Wearing, Gillian and Whiteread, Rachel
(1997)
Sensation: Group Exhibition.
Sensation, 18 September – 28 December 1997, Royal Academy, London, touring to Museum für Gegenwart, Berlin; Brooklyn Museum of Art, New York.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Coleman, James and de Boer, Anneke and Walker, Zoe and Dean, Tacita and Jan Ader, Bas and Boodtgaers, Marcel and Hill, Gary and Fishi, & Weiss
(2000)
Somewhere Near Vada: Group Exhibition.
Somewhere Near Vada, Project Art Centre, Dublin.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Coles, Sadie and Lloyd, Hilary and Dowson, Steven and Rothschild, Eva
(2001)
The seat with the clearest view,: Group Exhibition.
The seat with the clearest view,, Grey Matter Contemporary Art, Sydney.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Cornford, & Cross and Macuga, Goshka and Parris, Janette and Roush, Paula
(2004)
Perfectly Placed: Group Exhibition
'Settlement'.
Perfectly Placed, 6-29 August 2004, South London Gallery.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Cristea, Alan and Wilson, Keith and Dawson, Ian and Fletcher, Carroll
(1999)
Holding Court: Group Exhibition.
Holding Court, 1999, Entwistle, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Dean, Mark and Sinclair, Ross and Gordon, Douglas and Fagen, Graham and Gussin, Graham and Buchannan, Roderck and Mackie, Christina and Weiler, Carl Von and Macleod, Kenny
(2000)
Black Box Recorder: Group Exhibition.
Black Box Recorder, 15 July-20 September 2000., Museum Ludwig, Cologne, touring to Croatia, and the Czech Republic.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Dodds, Andrew and Large, Kelly and Van Harskamp, Nicoline
(2012)
Among Other Things: Group Exhibition.
Among Other Things, 10 January – 10 February 2012, Camberwell Space, Camberwell College of Arts, london.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Douglas, Stan and Macgill, Elizabeth
(2000)
Places in Mind: Group Exhibition.
Places in Mind, 2000, Ormeau Baths Gallery, Belfast.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Eggebert, Anne
(1994)
Remote Control: Group Exhibition.
Remote Control, Royal College of Art, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Egolf, Gretchen and Collar, Beth and Peake, Florence and Judd, Ben and Becker, Paul and Pedraglio, Francesco and Macbeth, Rory and Whittlesea, Ian and Birch, Rebecca and Smith, Rob
(2014)
Scene on a Navigable River.
Performance type: Live play
, 9 – 15 July 2014, Field Broadcast, Dedham Vale, Suffolk.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Eichhorn, Maria and Knowles, Eddy and Price, Elizabeth
(2006)
One Brief Moment: Group Exhibition.
One Brief Moment, January 11 - February 18, 2006, Apexart, New York.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Eide Einarsson, Eide and Fontaine, Claire and Gordon, Douglas
(2012)
Notes from Nowhere: Group Exhibition.
Notes from Nowhere, 6th May – 3rd June 2012, Frome, Somerset.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Emin, Tracey and Shrigley, David and Starkey, Hannah
(1998)
Real Life: Group Exhibition.
Real Life, Galleria S.A.L.E.S., Rome.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Feriancova, Petra and Halilaj, Petrit and Rui An, Ho and Lempert, Jochen and Maak, Flo and Marker, Chris and Meuris, Wesley and Murphy, Ciarán and Safavi, Vanessa and Schmid, Julia and Shiel, Sonia and van Beek, Ruth
(2014)
Fieldworks: Animal Habitats in Contemporary Art.
Fieldworks, 1 August – 2 November 2014, Lewis Glucksman Gallery University College Cork.
Photography.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Fox, Jason and Periton, Simon and Borland, Christine and Millar, Neil and Palacin, Mabel and Miller, Lee and Marshall, Darren
(1996)
21 Days of Darkness: Group Exhibition.
21 Days of Darkness, Transmission Gallery, Glasgow.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Gearon, Tierney and Goldin, Nan and Gursky, Andreas and Sherman, Cindy
(2001)
I am a Camera: Group Exhibition.
, Jan - Mar 2001, Saatchi Gallery.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Grasso, Laurent and Deshayes, Nicholas and Mackinnon, Lee and Mundt, Wilhelm
(2006)
From There.
From There, 9 June – 22 July 2006, Bloomberg Space, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Gussin, Graham and Wilson, Jane & Louise and Starling, Simon and Hapaska, Siobhan and Murphy, Stephen and Dean, Tacita
(1999)
ARTIFICE: Group Exhibition.
ARTIFICE, 24.6-11.10/1999, DESTE FOUNDATION, NEO PSYCHICO, ATHENS.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Hapaska, Siobhan and Roberts, Maggie and Lowe, Colin and Lloyd, Hilary and Higgs, Matthew
(1993)
Making People Disappear: Group Exhibition.
Making People Disappear, Thursday 1 April 1993 to Sunday 25 April 1993, Cubitt Street Gallery, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Kötting, Andrew and Finer, Jem and Rudkin, David and Sinclair, Iain and Baker, Tom and Brownlow, Kevin and Sherwin, Guy and Thew, Anna and Rowe, Doc
(2003)
Visionary Landscapes: Group Exhibition
Adam Chodzko's ' Plan for a Spell' installation.
Visionary Landscapes, 23-25 May 2003, Cecil Sharp House, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Liversidge, Peter
(2000)
Better Scenery: Group Exhibition.
Better Scenery, 2000, Pand Paulus Gallery, Schiedam, The Netherlands.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Lowe, B and Allington, E and Baseman, J and Billingham, R and Burge, C and Camrass, L and Coutts, M and Crisp, F and Currie, A and Glanville, T and Holmwood, S and Irvine, J and Stoner, T and Trangmar, S and Turnbull, A and Uglow, G and Wallinger, M and Wilding, A and Williamson, A and Wise, K
(2006)
Responding to Rome: British Artists in Rome 1995-2005.
Responding to Rome, 18/01/2006 - 26/03/2006, estorick Collection, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and McNab, Janice and Tellez, Javier and Yang, Jun and Walde, Martin and Kool, Renee and Billingham, Richard and Keller, Sam and Wood, Simon and Calle, Sophie and Leutenegger, Zilla
(2002)
Tabu.
Tabu, Saturday, January 26, 2002 - Sunday, March 17, 2002, Kunsthaus Baselland, Switzerland.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Monchaux, Cathy de
(2001)
Sacred and Profane: Group Exhibition.
Sacred and Profane, 2001, Mappin Art Gallery, Sheffield.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Patterson, Simon
(1994)
High Fidelity: Group Exhibition.
, Kohji Ogura Gallery, Nagoya; tour to Röntgen Kunst Institut, Tokyo.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and Whiteread, Rachel and Brown, Glenn and Wearing, Gillian and Gallaccio, Anya and Chapman, Jake & Dinos and Raho, Alessandro and Emin, Tracey and Collishaw, Mat and Hume, Gary and Fairhurst, Angus and Bond, Henry and Landy, Michael and Hirst, Damien and Pippen, Steven and Starr, Georgina and Taylor-Wood, Sam and Ofili, Chris and Lucas, Sarah and Gillick, Liam and Lane, Abigail
(1995)
Brilliant: Group Exhibition.
, 22 October 1995 - 7 January 1996, Walker Arts Center, Minneapolis.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Chodzko, Adam and large, Kelly and Dodds, Andrew and Van Harskamp, Nicoline
(2013)
Among Other Things, Second Showing: Group Exhibition.
Among Other Things, 2 – 31 January 2013, Ruskin Gallery, Cambridge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Choi, Jinhee
(2006)
Apperception on Display: Structural Films and Philosophy.
In: Smith, Murray and Wartenberg, Thomas, eds.
Thinking Through Cinema: Film as Philosophy.
Blackwell, pp. 165-172.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Choi, Jinhee
(2003)
Fits and Startles: Cognitivism Revisited.
Journal of Aesthetics and Art Criticism,
61
(2).
pp. 149-157.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Choi, Jinhee
(2005)
National Cinema, the Very Idea.
In: Choi, Jinhee and Carroll, Noel, eds.
Philosophy of Film and Motion Pictures.
Blackwell, pp. 310-319.
ISBN 9781405120272.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Choi, Jinhee
(2004)
Preface to The Cinema of Japan and Korea.
In: Bowyer, Justin, ed.
The Cinema of Japan and Korea.
Wallflower Press.
ISBN 978-1904764113.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Choi, Jinhee
(2001)
A Reply to Gregory Currie on Documentaries.
Journal of Aesthetics and Art Criticism,
59
(3).
pp. 317-319.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Choi, Jinhee
(2005)
Shocking Corridors: Girls’ High School Horror Series and Female Sexuality.
In: National, Transnational, and International: Chinese Cinema and Asian Cinema in the Context of Globalization—Centennial Celebration of Chinese Cinema, 6th-10th June 2005, Beijing and Shanghai, China.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cinquegrani, Maurizio
(2014)
Of Empire and the City: Remapping Early British Cinema.
Peter Lang, Bern, Switzerland, 319 pp.
ISBN 978-3-0343-0823-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Clayton, Alex
(2007)
The Body In Hollywood Slapstick.
McFarland and Co, Inc, 237 pp.
ISBN 9780786430635.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Clayton, Alex
(2007)
Music In The Style Of Jean Reoir.
Cineaction,
66
.
pp. 61-72.
ISSN 0826-9866.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(2006)
‘The Art of Paranoia’.
In: Pajdic, Predrag and Pasolini, Antonio and Ryan, Paul, eds.
Paranoia.
Southend/Leeds/London, London, pp. 138-148.
ISBN 13-978-0-9553309-0-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1986)
A Discussion of Coma.
In: Brunsden, Charlotte, ed.
Hollywood’s New Women.
British Film Institute.
ISBN 0-85710-155-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1997)
Documenting Fictions.
Continuum, Australian Journal of Media & Culture,
11
(1).
pp. 54-66.
ISSN 10304312.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(2001)
The Enigma of the Message.
Review of: Essays on Otherness
by Laplanche, Jean.
New Formations,
(43).
pp. 148-150.
ISSN 0950-2378.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1999)
Fantasia.
In: Evans, Jessica and Hall, Stuart, eds.
Visual Culture, The Reader.
Sage, pp. 356-378.
ISBN 0 7619 6247 6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1975)
‘Feminist Film Criticism - a reply’.
Screen,
16
(1).
pp. 134-139.
ISSN 0036-9543.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(2000)
Figuracija/Razumevanje fetiöa.
Filmsek Sveske,
2-3
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1995)
Film - Zenska Tovarna Sanji.
Vsebina,
(23).
pp. 46-80.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1993)
Film Noir and Women.
In: Copjec, Joan, ed.
Shades of Noir.
Verso, pp. 121-166.
ISBN 0-86091-625-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1989)
Film in teorija v osemdesetih letih.
Ekran,
14
(5/6).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1993)
From Fantasia.
In: Easthope, Anthony, ed.
Contemporary Film Theory.
Longman, pp. 147-161.
ISBN 0-582-09032-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1985)
Het verschil in de film. Vrouwen in de films van Hawks.
Het Tidschrift voor Vrouwen Studies,
(24).
ISSN 0167-8361.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(2001)
Identifizierung mit dem Realen - Spektakel der Realität.
In: Angerer, Marie-Luise and Krips, H., eds.
Der Andere Schauplatz Psychoanalyse - Kultur - Medien.
Vienna: Turia + Kant, pp. 151-180.
ISBN 3-85132-287-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1996)
Images of Women and Filmic Identification.
In: Dakovic, Nevena and Derman, Denis and Ross, Karen, eds.
Gender & Media.
Med-Campus Project no A126 Publications, pp. 35-60.
ISBN 975-96120-0-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1981)
Introduction to Mary Kelly’s Post-Partum Document.
M/F,
(5/6).
pp. 115-123.
ISSN 0141-948X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1992)
Pornography and Fantasy.
In: Segal, Lynne and McIntosh, Mary, eds.
Sex Exposed: Sexuality and the Pornography Debate.
Virago, pp. 132-152.
ISBN 1-85381-385-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1990)
Psychoanalysis and Cinema: Film and Theory in the 1980's.
In: Donald, James, ed.
Psychoanalysis and Cultural Theory: Thresholds.
Macmillan, pp. 104-138.
ISBN 0-312052-324.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1997)
Representing the Woman: Psychoanalysis and Cinema.
University of Minnesota Press, 397 pp.
ISBN 033330576.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1980)
Review article of The Song of the Shirt.
Review of: The Song of the Shirt
by Clayton, Sue and Curling, Jonathan.
Camera Obscura,
(5).
pp. 87-97.
ISSN 0270-5346.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1987)
Review article on Mary Kelly’s Interim.
Review of: Interim
by Kelly, Mary.
New Formations,
(2).
pp. 20-28.
ISSN 0950-2378.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1990)
Review of Psychoanalysis and Cinema.
Review of: Psychoanalysis and Cinema
by Kaplan, Anne E..
Times Higher Education Supplement,
.
0-0.
ISSN 0049-3929.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1999)
The Spectacle of Actuality.
In: Gaines, Jane and Renov, Michael, eds.
Collecting Visible Evidence.
University of Minnesota Press, pp. 19-45.
ISBN 0-8166-3135-2/3136-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1997)
The Spectacle of Reality and Documentary Film.
Documentary Box,
(10).
pp. 1-8.
ISSN 1340-0832.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(2007)
Specters of the Real: Documentary Time and Art.
Differences: A Journal of Feminist Cultural Studies,
18
(1).
pp. 87-127.
ISSN 1040-7391.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1998)
Storytelling: classical Hollywood cinema and classical narrative.
In: Neale, Steve and Smith, Murray, eds.
Contemporary Hollywood Cinema.
Routledge, pp. 178-190.
ISBN 0-415-17010-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1986)
Strategems of Identification.
Oxford Literary Review,
8
(1/2).
pp. 66-67.
ISSN 0-9511080 0 X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(2000)
Traumatic Memories of Remembering and Forgetting.
In: Rossington, Michael and Whitehead, Anne, eds.
Between the Psyche and the Polis: Refiguring history in literature and theory.
Ashgate Publishing, pp. 191-204.
ISBN 0 7546 0228 1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(2007)
Ways of Seeing and Knowing: Documentary Film and the Surreal of Reality.
In: Ten Brink, Joram, ed.
Building Bridges: The Cinema of Jean Rouch.
Wallflower Press, pp. 201-218.
ISBN 978-1-905674-47-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(2001)
Woman as Sign.
In: Andjelkovic, Branislava, ed.
Feminist Visual Theories.
Belgrade: Cenre For Contemporary Arts.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1993)
Women, Representation and the Image.
In: Alvarado, Manuel and Buscombe, Edward and Collins, Richard, eds.
The Screen Education Reader: Cinema, Television, Culture.
Macmillan, pp. 48-60.
ISBN 0-2310-8111-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(2000)
Working Images: the representations of documentary film.
In: Pollock, Griselda and Mainz, Valerie, eds.
Work and the Image II.
Ashgate Press, pp. 173-192.
ISBN 0 7546 0233 8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth
(1991)
Zenska Seksualnost.
In: Bahovec, Eva D., ed.
Zenska Seksualnost - Freud & Lacan.
Analecta, pp. 146-169.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cowie, Elizabeth and Adams, Parveen
(1990)
The Woman in Question.
Cambridge/MIT Press/October Books, 383 pp.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Cunningham, Karen and Chodzko, Adam and Govender, Ravi
(2013)
MAP Screen: The Anthropology Effect
Group Exhibition.
MAP Screen | The Anthropology Effect, MAP.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
D
|
Debon, Claude and Read, Peter
(2008)
Les Dessins de Guillaume Apollinaire.
Les cahiers dessinés
.
Buchet-Chastel, Paris, 160 pp.
ISBN 9782283021941.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Dieterich, Vera and Rooney, Caroline R. and Hillward-Harris, Ben and Kivland, Sharon
(2005)
Book Unbinding: The Ontological Stain.
Transmission: the Rules of Engagement
.
Artwords Press, London, 62 pp.
ISBN 9780954390853.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
F
|
Fontana-Giusti Korolija, Gordana
(2014)
Transgression and Ekphrasis in Le Corbusier's Journey to the East.
In: Rice, Louis and Littlefield, David, eds.
Transgression: Towards the Expanded Field in Architecture.
Critiques
.
Routledge, London, pp. 57-75.
ISBN 978-1-13-881892-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Frey, Mattias
(2004)
Border Zones: The Films of Ulrich Seidl.
Senses of Cinema,
(32).
ISSN 1443-4059.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Frey, Mattias
(2006)
Fidelio: Love, Adaptation, and Eyes Wide Shut.
Literature/Film Quarterly,
34
(1).
pp. 39-45.
ISSN 0090-4260.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Frey, Mattias
(2007)
In/Flux: German Films at the 57th Berlin International Film Festival.
Review of: German Films at the 57th Berlin International Film Festival
by UNSPECIFIED.
Senses of Cinema,
43
(1).
0-0.
ISSN 1443-4059.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Frey, Mattias
(2010)
Medien aus filmwissenschaftlicher Sicht.
In: Masterclasses, 29th June-2nd July 2010, Universitat Passau.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Frey, Mattias
(2010)
The Message and the Medium: Haneke's Film Theory and Digital Praxis.
In: Price, Brian and Rhodes, John David, eds.
On Michael Haneke.
Wayne State University Press, Detroit, pp. 153-165.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Frey, Mattias
(2010)
Paris' Threat to German Film Criticism: Denounce and Recycle.
In: European Network for Cinema and Media Studies Annual Conference, 25th June 2010, Istanbul.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Frey, Mattias
(2010)
A Persistent Allure: The Reception of Michael Haneke.
In: Invited speaker, On Michael Haneke, 2nd June 2010, University of Sussex.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Frey, Mattias
(2006)
“Postmodernism” and “Guy Maddin".
In: Grant, Barry Keith, ed.
Schirmer Encyclopedia of Film.
Schirmer Press, Detroit, pp. 291-296.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Frey, Mattias
(2006)
Re-Connecting the Body ‘in’ to the Body ‘of’ Pasolini with Porcile.
In: Hart, Kylo, ed.
Film and Sexual Politics: A Critical Reader.
Cambridge Scholars Press, Newcastle, pp. 128-134.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Frey, Mattias
(2007)
Review of Screening the Past: Memory and Nostalgia in Cinema.
Review of: Screening the Past: Memory and Nostalgia in Cinema
by Cook, Pam.
Film International,
5
(5).
pp. 87-89.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Frey, Mattias
(2006)
Structuralism and Poststructuralism.
In: Grant, Barry Keith, ed.
Schirmer Encyclopedia of Film.
Schirmer Press, Detroit, pp. 165-168.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Frey, Mattias
(2007)
Theorizing Cinema in Sebald and Sebald with Cinema.
In: Patt, Lise, ed.
Searching for Sebald: Photography After W.G. Sebald.
Los Angeles: Institute of Cultural Inquiry Press, Los Angeles, pp. 226-241.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Friday, Jonathan
(2007)
The Art Seminar.
In: Elkins, James, ed.
Photographic Theory.
Routledge, pp. 129-204.
ISBN 0415977835.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Friday, Jonathan
(1998)
Hume’s Sceptical Standard of Taste.
Journal of the History of Philosophy,
36
(4).
pp. 545-566.
ISSN 0022-5053.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Friday, Jonathan
(1999)
Looking at Nature Through Photographs.
Journal of Aesthetic Education,
33
(1).
pp. 25-35.
ISSN 0021-8510.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Friday, Jonathan
(2004)
Moral Theory and the Improvement of Moral Thought.
Journal of Moral Education,
33
(1).
pp. 23-33.
ISSN 0305-7240.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Friday, Jonathan
(1999)
Quem Tem Medo De Uma Sociedade On-line?
Cadernos Da Escola Do Legislativo,
.
pp. 39-51.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Friday, Jonathan
(1996)
Transparency and the Photographic Image.
British Journal of Aesthetics,
36
(1).
pp. 30-42.
ISSN 00070904.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Friday, Jonathan
(1998)
Who’s Afraid of an On-line Society?
Ends and Means,
3
(2).
pp. 2-7.
ISSN 1472-5819.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
G
|
Grant, Catherine A.
(2008)
Auteur machines? Auteurism and the DVD.
In: Bennett, James and Brown, Tom, eds.
Film and Television After DVD.
Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grant, Catherine A.
(2000)
Intimista Transformations: María Luisa Bemberg's First Feature Films.
In: King, John and Whittaker, Sheila and Bosch, Rosa, eds.
The Films of María Luisa Bemberg: An Argentine Passion.
Verso.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grant, Catherine A.
(2006)
'Introduction' in Screening World Cinema: A Screen Reader.
In: Grant, Catherine A. and Kuhn, Annette, eds.
Screening World Cinema: A Screen Reader.
Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grant, Catherine A.
(2000)
www.auteur.com?
Screen,
41
(1).
pp. 101-108.
ISSN 0036-9543.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1994)
The Cambridge Guid to American Theater - Wilmeth, DB.
Theatre Research International,
19
(3).
pp. 285-286.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1987)
‘Dramatizing Chaucer’.
In: 22nd International Congress on Medieval Studies, 7th-10th May 1987, Western Michigan University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1995)
‘Marsha Norman’.
In: Bloom, C., ed.
American Drama.
Macmillan.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(2003)
‘Perilous Childhood in the Tudor Interlude’.
In: Shakespeare’s Children/Children’s Shakespeare, 11th & 12th October 2003, University of Surrey, Roehampton.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1983)
‘Producing Miracles’.
In: Neuss, P., ed.
Aspects of Early English Drama.
Brewer.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1992)
Review of C. Bigsby Arthur Miller and Company.
Review of: Arthur Miller and Company
by Bigsby, Christopher.
New Theatre Quarterly,
(30).
p. 197.
ISSN 0-521-60328-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1987)
Review of C. Davidson (ed) The Saint Play in Medieval Europe.
Review of: The Saint Play in Medieval Europe
by Davidson, C.
Comparitive Drama,
21
(3).
pp. 295-297.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1998)
Review of Christopher Bigsby (ed) The Cambridge Companion to Arthur Miller.
Review of: The Cambridge Companion to Arthur Miller
by Bigsby, Christopher.
Theatre Research International,
23
(2).
p. 188.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1990)
Review of D. Gilman (ed) Everyman and Company.
Review of: Everyman and Company
by Gilman, D.
Comparitive Drama,
24
(4).
pp. 367-370.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1994)
Review of D. Wilmeth and T Miller (eds) The Cambridge Guide to American Theatre.
Review of: The Cambridge Guide to American Theatre
by Wilmeth, Don B. and Miller, Tice L..
Theatre Research International,
19
(3).
pp. 285-286.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1993)
Review of G. M. Berkowitz American Drama of the Twentieth Century.
Review of: American Drama of the Twentieth Century
by Berkowitz, G.M..
Notes and Queries,
.
pp. 571-572.
ISSN 0029-3970.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1987)
Review of J. Lahr The Orton Diaries.
Review of: The Orton Diaries
by Lahr, J.
Speech and Drama,
36
(1).
pp. 50-51.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1996)
Review of J. Somerset Records of Early English Drama: Shropshire.
Review of: Records of Early English Drama: Shropshire
by Somerset, J. Alan B..
Comparitive Drama,
30
(2).
pp. 282-285.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1988)
Review of J. Wasson (ed) Records of Early English Drama: Devon.
Review of: Records of Early English Drama: Devon
by Wasson, J.
Comparitive Drama,
21
(4).
pp. 399-401.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(2005)
Review of Katie Normington Gender and Medieval Drama.
Review of: Gender and Medieval Drama
by Normington, Katie.
Theatre Research International,
30
(3).
pp. 298-299.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1996)
Review of L. Muir The Biblical Drama of Medieval Europe.
Review of: The Biblical Drama of Medieval Europe
by Muir, Lynette R..
Theatre Research International,
21
(1).
pp. 79-80.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1992)
Review of M. Baer Theatre and Disorder in Late Georgian London.
Review of: Theatre and Disorder in Late Georgian London
by Baer, Marc.
New Theatre Quarterly,
(31).
p. 91.
ISSN 0-521-60328-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1997)
Review of M. Twycross (ed) Festive Drama.
Review of: Festive Drama
by Twycross, M.
Theatre Research International,
22
(1).
p. 74.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1988)
Review of R. Boxhill Tennessee Williams and G McCarthy Edward Albee.
Review of: Tennessee Williams and Edward Albee
by Boxhill, R and McCarthy, G.
Speech and Drama,
37
(1).
pp. 57-58.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1986)
Review of T. Parr (ed) Coriolanus, D Male (ed) Dr Faustus, D Devlin (ed) The Winter’s Tale, and P Ranger (ed) She Stoops to Conquer.
Review of: Coriolanus, Dr Faustus, The Winter's Tale and She Stoops To Conquer
by Parr, T and Male, D and Devlin, D and Ranger, P.
Speech and Drama,
35
(1).
pp. 32-33.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1995)
‘Richard Mulcaster: Education and the Elite Body’.
In: Conference on Bodily Fictions, July 1995, Brunel University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(2008)
'Saints and Miracles'.
In: Beadle, Richard, ed.
The Cambridge Companion to Medieval English Theatre.
Cambridge University Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1994)
‘Saints’ Plays’.
In: Beadle, Richard, ed.
The Cambridge Companion to Medieval English Theatre.
Cambridge University Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1985)
Sam Shepard Fool for Love, Arthur Miller The American Clock, David Mamet American Buffalo and Marsha Norman ’night Mother.
Review of: Fool for Love, The American Clock, American Buffalo and 'night Mother
by Shepard, S and Miller, A and Mamet, D and Norman, M.
Speech and Drama,
34
(2).
pp. 67-69.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1996)
‘Schooling the Audience’.
In: Shakespeare and Tudor Theatrical Traditions, 10th-11th September 1996, International Shakespeare Globe Centre, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1984)
The Source of the Digby Mary Magdalen.
Notes and Queries,
31
(4).
ISSN 0029-3970.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(2000)
‘The Upbringing of Youth in the Tudor Interlude’.
In: Gender and Life Cycle in the Middle Ages, 21st-23rd January 2000, University of Kent, Canterbury.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1986)
The Winter’s Tale and Early Religious Drama.
Comparative Drama,
20
(1).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Grantley, Darryll
(1994)
‘The Winter’s Tale and Early Religious Drama’.
In: Battenhouse, Roy W., ed.
Shakespeare’s Christian Dimension.
Indiana University Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Guerci, Manolo
(2010)
4 milioni per 'la Saracena' di Moretti.
Il Giornale dell’Architettura,
(87).
p. 18.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Guerci, Manolo
(2010)
Il Maxxi conquista gli Inglesi.
Il Giornale dell’Architettura,
(88).
p. 18.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Guerin, Frances
(2003)
Dazzled by the Light.
Cinema Journal,
42
(4).
pp. 98-115.
ISSN 0009-7101.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Guerin, Frances
(2013)
En Grisaille nowadays.
.
Catalogue and exhibition blurb.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Guerin, Frances
(2016)
Friedrich Wilhelm Murnau.
In: Gabbard, Krin, ed.
Oxford Bibliographies in Cinema and Media Studies.
Oxford Bibliographies
.
Oxford University Press.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Guerin, Frances
(2007)
The Gray Space Between: Gerhard Richter’s 18. Oktober 1977 (1989).
In: Guerin, Frances and Hallas, Roger, eds.
The Image and the Witness: Trauma, Memory and Visual Culture.
Wallflower Press, London, pp. 111-126.
ISBN ISBN-13: 978-1905674206.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Guerin, Frances
(2009)
Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema,.
Review of: Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema,
by UNSPECIFIED.
Screening the Past,
n/a
(26).
n/a-n/a.
ISSN 1328-9756.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Guerin, Frances
(2011)
Locating Shadows: What’s inside William Kentridge’s Black Box?
In: John David, Rhodes, ed.
Taking Place: Location and the Moving Image.
University of Minnesota Press, Minneapolis, pp. 233-253.
ISBN 0816665176.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Guerin, Frances
(2006)
McCormick and Guenther-Pal, eds, German Essays on Film (2004).
Review of: McCormick and Guenther-Pal, eds, German Essays on Film (2004)
by McCormick, Richard.
Film-Philosophy,
10
(3).
pp. 95-100.
ISSN 1466-4615.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Guerin, Frances
(2015)
Searching in Grey: Cy Twombly's Untitled Paintings.
In: Wedekind, Gregor, ed.
Die Farbe Grau.
Unknown.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Guerin, Frances
(2011)
Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement.
Review of: Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement
by UNSPECIFIED.
Holocaust Studies: A Journal of Culture and History,
17
(1).
pp. 137-139.
ISSN 1359-1371.
E-ISSN 2048-4887.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Guerin, Frances
(2003)
Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002.
Review of: Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002
by Hoffmann, Kay.
The Moving Image: Association of Moving Image Archivists,
4
(2).
pp. 123-126.
ISSN 2167-8464.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Guerin, Frances
(2004)
When Beginnings and Endings Distort the Past.
In:
Limina/le Soglie del Film.
Lithostampa, Pasian di Prato, Udine, pp. 247-254.
ISBN 9788884201911.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Guerin, Frances
(2008)
www.artslant.com.
.
online.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
H
|
Hammer, Martin
(2015)
1965; Culture and Sculpture in Britain.
In: Sculpture: 1965, 25-6 September 2015, Henry Moore Institute, Leeds.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hammer, Martin
(2016)
Food for Artists: the exhibition as resource.
In: Exhibiting Contemporary Art in Post-War Britain, 28-29th January 2016, Tate Britain.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hammer, Martin
(2005)
Graham Sutherland.
Graham Sutherland, 2005, Dulwich Picture Gallery and Djanogly Gallery, University of Nottingham.
exhibition.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hammer, Martin
(2016)
Making transatlantic sense of Hockney’s A Rake’s Progress.
In: History of Art department research seminar, University of York, 11 Jan 2016, York.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hammer, Martin
(2007)
The Naked Portrait 1900 to 2007.
National Galleries of Scotland, Edinburgh, UK, 176 pp.
ISBN 978-1903278956.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hammer, Martin
(2007)
The Naked Portrait.
The Naked Portrait, Scottish National Portrait Gallery and Compton Verney.
exhibition.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hammer, Martin
(2015)
The Silent Kingdom of Panting: Sickert and Hopper.
In: Walter Sickert: The Document and the Documentary, 4 Dec 2015, Paul Mellon Centre, London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hammer, Martin
(2015)
There is no such thing as British Art.
British Art Studies,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hammer, Martin and Lodder, Christina
(2000)
Gabo on Gabo: Texts and Interviews.
Artists Bookworks, Forest Row, 295 pp.
ISBN 978-0946311118.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2008)
Eventful Places.
In: Eventful Places, 24th August 2008, Kent Architecture Centre, Faculty of Arts and Architecture, University of Brighton.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2000)
TEA.
TEA, 2000, The Ferens Art Gallery, Hull.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2000)
TEA.
TEA, 2000, Burnley, Blackburn, Accrington.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2000)
TEA.
TEA, 2000, National Museum of Labour History, Manchester.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2001)
TEA.
TEA, 2001, Piccadilly Gardens, Manchester.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2002)
TEA.
TEA, 2002, Manchester and St Petersburg.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2003)
TEA.
TEA, 2003, Urbis, Manchester.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
TEA.
TEA, April 2005, Platform Gallery, Vaasa, Finland.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2007)
TEA.
TEA, 2006/7, University of Missouri, St. Louis, USA and other international venues.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2006)
TEA.
TEA, January 2006, Barents Spektakel, Kirkenes, Norway.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2007)
TEA.
TEA, August 2007 - March 2008, Widnes Waterfront, Widnes Cheshire.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2008)
TEA.
TEA, January 2008 - ongoing, Bluecoat Arts Centre, Liverpool.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2008)
TEA.
TEA, 16th June - 22nd June 2008, Urbis, Manchester.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2008)
TEA on Intute.
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2005)
e-space lab.
e-space lab, June 2005, The RENEW Rooms, Liverpool.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2006)
e-space lab.
e-space lab, 24th-27th February 2006, Z Museum, Shanghai & Out of the Bluecoat Space, Liverpool.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2006)
e-space lab.
e-space lab, 5th September - 5th November 2006, 6th Shanghai Biennale. Salon Vogue, Citic Square, Shanghai.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2008)
e-space lab.
e-space lab, 5th March 2008, Fact, Liverpool.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter
(2008)
e-space lab.
e-space lab, July 2008, Bluecoat Arts Centre, Liverpool.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter and Courtenay, Philip and Hadfield, Peter and Kearney, Jonathan
(2006)
E Space Lab Projects.
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter and Murray, Val and Pilling, Lynn
(2009)
Bluecoat Arts Centre Heritage Trail.
Interactive Digital Archive and Heritage Trail.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Hatton, Peter and Murray, Val and Pilling, Lynn
(2003)
TEA - Boat Trip: Nothing But Flowers.
TEA - Boat Trip: Nothing But Flowers, 14/10/03 - 2/8/06, The Lowry Centre.
Number of pieces: 3.
Live Event, Exhibition and DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Henry, Tom F. K.
(2012)
‘“Gli gettò addosso il suo mantello”’ and ‘La casa di Luca Signorelli’, in ed. F. De Chirico, V. Garibaldi, T. Henry and F.F. Mancini, Luca Signorelli, exh. cat., Perugia (Galleria Nazionale), Orvieto (Museo dell’Opera del Duomo) and Città di Castello (Pinacoteca), 2012, pp. 143-151 (and cats. 8, 24, 26-29, 39, 53, 86 and 95-97).
Silvana, Milan, 358 pp.
ISBN no ISBN copy deposited at HPA.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
|
|
|
Holmes, Su
(2006)
‘Coming to you Live!’: An Evening at the Film Premiere.
Journal of British Cinema and Television,
2
(2).
pp. 208-226.
ISSN 1743-4521.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Holmes, Su
(2006)
It’s a Jungle Out There!: The Game of Fame in Celebrity Reality TV.
In: Holmes, Su and Redmond, Sean, eds.
Framing Celebrity: New Directions in Celebrity Culture.
Routledge, pp. 45-66.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Holmes, Su
(2007)
‘Torture, Treacle, Tears and Trickery’: Celebrities, ‘Ordinary’ People, and This is Your Life (1955-65).
In: Redmond, Sean and Holmes, Su, eds.
A Reader in Stardom and Celebrity.
Sage Publications Ltd, London, pp. 156-170.
ISBN 9781412923200.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
I
|
Illingworth, Shona
(2014)
216 Westbound - panel discussion.
In: Anxious Places Angst, environments and affective contamination, 26 June 2014, Central Saint Martins College, University of the Arts London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Illingworth, Shona
(2009)
Balnakiel.
Balnakiel, 17 February - 4 April 2009, John Hansard Gallery, Southampton.
video and sound installation; photography series; single screen video artwork; wall painting; drawing series and photo/text works.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
J
|
Jeffers McDonald, Tamar E. L.
(2010)
'I even cry funny!' Doris Day, Performance and Genre.
In: Acting In Film, 2nd-4th September 2010, Potsdam University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Jeffers McDonald, Tamar E. L.
(2007)
Romantic Comedy: Boy Meets Girl Meets Genre.
Columbia University Press, 144 pp.
ISBN 1-905671-02-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Jeffers McDonald, Tamar E. L.
(2005)
'Under All Those Dirndls': Pillow Talk's Repackaging of Doris Day.
In: Moseley, Rachel, ed.
Fashioning Stars: Dress, Culture, Identity.
BFI Publishing, pp. 50-61.
ISBN 1844570681.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
K
|
Kear, Jon
(1996)
Black Vénus:Josephine Baker at the Follies- Bergère.
In: Sheringham, Michael, ed.
Parisian Fields.
Reaktion, pp. 46-71.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(2001)
“Cézanne".
In:
The Oxford Companion to Western Art.
Oxford University Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(2004)
Death and the Maiden: Cindy Sherman's Untitled Film Stills.
In: Fortunati, Vita and Lamarra, Annamaria and Federici, Eleonora, eds.
The Controversial Women's Body: Images and Representations in Literature and Art.
Bononia University Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(1996)
The Exposition Universelle of 1900.
In: Banham, Joanna, ed.
History of Interior Design.
Fitzroy Dearborn.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(2007)
In the Brute Net of Sense: Merleau-Ponty’s Aesthetics.
In: The Flesh in the Text, 2 day Conference, October 2007, University of Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(2007)
In the Net of Brute Sense: Merleau Ponty’s Aesthetics.
In: Weller, Shane and Baldwin, Thomas and Fowler, James, eds.
Flesh In The Text.
Peter Lang.
ISBN 9783039111022.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(1991)
Making Hay with Monet; Monets of the 90s.
Art History,
.
pp. 593-599.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(1999)
Manet's Modernism.
Burlington Magazine,
.
pp. 139-144.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(2007)
Marker’s Bergson.
In: Invited Talk, 29th November 2007, University of Leeds.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(1996)
Modernism Revisited.
Oxford Art Journal,
19
(2).
pp. 119-122.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(1996)
Monet Re-viewed.
Burlington Magazine,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(1995)
Montage, Modernism and its Histories.
Word & Image,
.
pp. 320-326.
ISSN 0266-6286.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(1996)
Odd Man Out; Cézanne in Context.
LQ,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(1995)
Review of Nineteenth Century Painting: A Critical History.
Review of: Nineteenth Century Painting: A Critical History
by Eisenmann, Stephen F..
Apollo,
.
pp. 60-61.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(1997)
Seurat's Bathers at Asnières.
Burlington Magazine,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(2007)
Spectres of Painting.
University of Kent Press
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(1998)
Sunless (Chris Marker).
Flicks Books
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(1995)
Travellin' Light.
Wasafiri,
.
ISSN 0269-0055.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(2008)
The Treasures of the Impressionists.
Andre Deutsch, 88 pp.
ISBN 9780233002347.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon
(1994)
Watching the Detectives.
Art History,
.
pp. 112-118.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kear, Jon and Thomas, Ben D. H.
(2010)
In Elysium: Prints by James Barry.
Studio 3 Gallery, University of Kent, Canterbury, UK, 63 pp.
ISBN 9781902671697.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Klich, Rosemary E.
(2007)
Between Realities: Intermediality and the Blurring of Boundaries in Multimedia Theatre.
In: Sugiera, Malgorzata and Borowski, Matuesz, eds.
Fictional Realities / Real Fictions:Contemporary Theatre in Search of a New Mimetic Paradigm.
Cambridge Scholars Press, United Kingdom.
ISBN 9781847181381.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Klich, Rosemary E.
(2007)
Performing Posthuman Perspective: Can You See Me Now?
Scan: Journal of Media Arts Culture,
4
(1).
ISSN 1449-1818.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Klich, Rosemary E. and Scheer, Edward
(2011)
Multimedia Performance.
Basingstoke: Palgrave Macmillan, 240 pp.
ISBN ISBN-10: 023057467X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, G. and Kollectiv, P.
(2002)
"Fear of a Black and White Planet", Wonderyears.
Neue Gesellschaft für Bildende Kunst.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, G. and Kollectiv, P.
(2007)
The Political Theology of Battlestar Galactica.
In: BSG 2007: The Politics, Poetics and Philosophy of Battlestar Galactica, 28th July 2007, Buckinghamshire Chilterns University College.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, G. and Kollectiv, P.
(2006)
The Spectre of Manual Labour.
In: On Liberty and Art, 18th October 2006, Tate Britain.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, G. and Kollectiv, P.
(2010)
We.
Performance type: Musical event
We, 29th August 2010, Kunsthall, Oslo.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2008)
Art and the New Town.
Art and the New Town, 11th - 15th December 2008, Harlow Temple of Utopias, Harlow.
Number of pieces: 1.
Silkscreen print.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2007)
Asparagus: A Horticultural Ballet.
Asparagus: A Horticultural Ballet, 7th March - 15th April 2007, The Showroom, London.
Number of pieces: 3.
Performance, video and installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2007)
Asparagus: A Horticultural Ballet.
Asparagus: A Horticultural Ballet, 12th May 2007, SAT, Montreal.
Number of pieces: 1.
Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2003)
Becks Futures Student Film and Video Award Show.
Becks Futures Student Film and Video Award Show, 25th - 28th April 2003, ICA, London.
Number of pieces: 1.
Super 8mm transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2008)
Better Future, Quad-Shaped.
Better Future, Quad-Shaped, 28th October 2008, Cube Microplex, Bristol as part of The Sensible Stage, Media Art Bath.
Number of pieces: 1.
Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2004)
DaDaDa: Strategies against Marketecture.
DaDaDa: Strategies against Marketecture, 21st October - 21st November 2004, temporarycontemporary gallery, London.
Number of pieces: 2.
Video and mixed media sculpture/installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2005)
Diamonds For Workers.
Diamonds For Workers, 3rd June - 10th July 2005, Kate McGarry, London.
Number of pieces: 3.
Sculpture/Installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2007)
Emergency3.
Emergency3, 1st December 2007 - 27th January 2008, Aspex, Portsmouth.
Number of pieces: 1.
Super 8mm and 16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2008)
Food: A Sci-Fi Banquet.
Food: A Sci-Fi Banquet, 19th December 2008, Royal Academy of the Arts, London.
Number of pieces: 1.
Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2007)
Foreign Body(ies).
Foreign Body(ies), 29th August - 22nd September 2007, White Box, New York.
Number of pieces: 1.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2008)
Futureblueperfect.
Futureblueperfect, 25th June - 27th July 2008, Cafe Gallery Projects, London.
Number of pieces: 1.
Installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2004)
Grey Goo.
Grey Goo, 16th October - 28th November 2004, Flaca Gallery, London.
Number of pieces: 1.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2006)
His Life Is Full Of Miracles.
His Life Is Full Of Miracles, 11th March-29th April 2006, Animation Videotheque, Site Gallery, Sheffield..
Number of pieces: 5.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2008)
The Institute of Psychoplasmics.
The Institute of Psychoplasmics, 9th April - 26th May 2008, Pump House Gallery, London.
Number of pieces: 1.
16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2006)
Little Private Governments.
Little Private Governments, 20th February - 25th March 2006, University of Essex Gallery, Colchester.
Number of pieces: 1.
Super 8mm and 16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2006)
Metropolis Rise.
Metropolis Rise, 13th April - 23rd April 2006 and 30th April - 14th May 2006, Moganshan Art Village, Shanghai and DIAF 06, 798 Space, Beijing.
Number of pieces: 1.
Super 8mm and 16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2006)
Modern Lovers.
Modern Lovers, 12th May - 4th June 2006, Three Colts Gallery.
Number of pieces: 1.
Super 8mm and 16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2008)
No Haus Like Bau.
No Haus Like Bau, 14th June 2008, HAU, Mes Nuits, Berlin Biennale, Berlin.
Number of pieces: 1.
Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2009)
Roll It To Me.
Roll It To Me, 14th March - 9th May 2009, Collective, Edinburgh.
Number of pieces: 3.
Super 8mm and 16mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2005)
SV05.
SV05, 5th August - 11th September 2005, Studio Voltaire, London.
Number of pieces: 1.
Super 8mm transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2008)
Seven Times Two or Three.
Seven Times Two or Three, 22nd June 2008, Cubitt, London.
Number of pieces: 1.
Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2006)
Slider.
Slider, 29th April - 21st May 2006, Project Space, London.
Number of pieces: 1.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2009)
Starmaker.
Starmaker, 12th June - 12th July 2009, E:Vent Gallery, London.
Number of pieces: 1.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2004)
Surrealestate.
Surrealestate, 21st April - 29th May 2004, YYZ Artists' Outlet, Toronto.
Number of pieces: 1.
Super 8mm film transferred to DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2008)
Svetlana.
Svetlana, 11th October - 15th November 2008, S1 Artspace, Sheffield.
Number of pieces: 27.
Photography.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Kollectiv, P. and Kollectiv, G.
(2009)
Ventriloquist.
Ventriloquist, 27th February - 28th March 2009, Timothy Taylor, London.
Number of pieces: 1.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
L
|
Lang, Martin
(2015)
Militant Art.
Doctor of Philosophy (PhD) thesis, University of Kent,.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
|
|
|
Lehmann, Hans-Thies
(2012)
Am grunde die steine: Ein nachwort von Hans-Thies Lehmann.
In:
Das offene Geheimnis. Gedanken über Schauspielerei und Theater.
Alexander Verlag Berlin, Berlin, pp. 132-153.
ISBN 9783895812668.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Lehmann, Hans-Thies
(2013)
Tragödie und dramatisches Theater.
Berlin
ISBN 9783895813085.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Lehmann, Hans-Thies
(2011)
Versuch zum Verstehen (Theater), nach Derrida.
In: Zenck, Martin and Jungling, Markus, eds.
Erzeugen und Nachvollziehen von Sinn: Rationale, performative und mimetische Verstehensbegriffe in den Kulturwissenschaften.
Fink Wilhelm Gmbh + Co.Kg, Germany, pp. 29-42.
ISBN 9783770545216.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
M
|
Maes, Hans R.V.
(2008)
Art and Pornography.
In: 6th European Congress of Analytic Philosophy (ECAP), August 2008, Krakow, Poland.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2005)
Arthur Danto and the End of Art.
In: Midsouth Philosophy Conference, February 2005, Memphis, USA.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2001)
Bescheidenheid en asymmetrie.
Algemeen Nederlands Tijdschrift voor Wijsbegeerte,
93
(2).
pp. 117-135.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2005)
Bescheidenheid, trots en ijdelheid.
Budel, Damon
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2005)
A Celestial Taxonomy of Remakes?
Cinemascope. An Independent Film Journal,
1
(2).
pp. 1-11.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2006)
Challenging Partial Intentionalism.
In: American Society for Aesthetics, October 2006, Milwaukee, USA.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2004)
Danto en het einde van de kunst.
In: Vandenabeele, Bart and Verneir, Koen, eds.
Transgressie in de kunst.
Budel, Damon, pp. 118-128.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2004)
Danto, De Duve, and The End of Art.
In: Rediscovering Aesthetics, July 2004, Cork, Ireland.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2005)
David Hume over de emotie ‘trots’.
In: Van Reijen, M., ed.
Emoties. Van stoïcijnse apatheia tot heftige liefde.
Amsterdam, Klement, pp. 81-97.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2006)
De emotie ‘trots’.
In: Internationale School voor Wijsbegeerte, March 2006, Leusden, The Netherlands.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2005)
De emotie ‘trots’ in de hedendaagse analytische filosofie.
In: Van Reijen, M., ed.
Emoties. Van stoïcijnse apatheia tot heftige liefde.
Amsterdam, Klement, pp. 186-204.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2006)
De grappenmaker en zijn publiek. Over grappen, kunst en intimiteit.
In: Conference on humour organised by the University of Antwerp, May 2006, University of Antwerp, Belgium.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2006)
Different Kinds of Bullshit.
In: German Society for Analytic Philosophy (GAP), September 2006, Berlin, Germany.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2007)
Een treffende gelijkenis. Over grappen en kunst.
Algemeen Nederlands Tijdschrift voor Wijsbegeerte,
99
(4).
pp. 281-296.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2005)
The End of Art Revisited.
Postgraduate Journal of Aesthetics,
2
(3).
pp. 122-132.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2003)
The End of Art: A real problem or not really a problem?
In: the International Congress on Arthur C. Danto and the End of Art, December 2003, Murcia, Spain.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2001)
Hypocrisie en Bescheidenheid.
In: Internationale School voor Wijsbegeerte, March 2001, Leusden, The Netherlands.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2007)
Intention, Interpretation, and Contemporary Visual Art.
In: Annual Meeting of the Dutch-Flemish Society for Analytic Philosophy (VAF), April 2007, Antwerp, Belgium.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2006)
Julia Driver on Moral Luck.
In: 1st Annual Online Philosophy Conference, 2006, http://experimentalphilosophy.typepad.com/online_philosophy_confere.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2010)
Kunst of Pornografie?
Karakter: Tijdschrift van Wetenschap,
.
pp. 15-16.
ISSN 1379-0390.
E-ISSN 1379-0390.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2005)
Larry Shiner and Arthur Danto on Art History.
In: American Society for Aesthetics, Eastern Division Meeting, April 2005, Philadelphia, USA.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2006)
Liefde, vriendschap en Casablanca.
Streven,
(73).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2008)
Love, Friendship, and Casablanca.
In: Love in Our World. An International Conference, November 2008, University of Manchester.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2009)
Nawoord: Over de relatie tussen film en filosofie.
In: d'Hoine, Pieter and Engelen, Bart, eds.
Denkbeelden. Een inleiding tot de filosofie aan de hand van films.
Antwerpen, Pelckmans, pp. 245-260.
ISBN 9789086870448.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2008)
Remember that we forget.
In: Cultural Memory: Forgetting to Remember / Remember to Forget, September 2008, University of Kent, Canterbury.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2005)
Review of Arts & Minds by Gregory Currie.
Review of Arts & Minds by Gregory Currie,
67
(3).
p. 612.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2008)
Review of Contemplating Art by Jerrold Levinson.
Review of: Contemplating Art
by Levinson, Jerrold.
Tijdschrift voor Filosofie,
70
(1).
p. 186.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2004)
Review of Filosofie & Film by Joost Raessens.
Review of: Filosofie & Film
by Raessens, Joost.
Cinetext Online. Film & Philosophy,
.
0-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2008)
Review of On Images by John V. Kulvicki.
Review of: On Images
by Kulvicki, John V..
Tijdschrift voor Filosofie,
69
(4).
p. 780.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2007)
Review of The Philosophy of Art by Stephen Davies.
Review of: The Philosophy of Art
by Davies, Stephen.
Tijdschrift voor Filosofie,
69
(2).
pp. 381-383.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2002)
Review of Uneasy Virtue by Julia Driver.
Tijdschrift voor Filosofie,
64
(3).
pp. 606-607.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2008)
Waarom vinden we kunst waardevol?
In: Vormingplus, May 2008, Leuven, Belgium.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2001)
Zelfwaardering.
In: 23rd Vlaams-Nederlandse Filosofiedag, October 2001, Kortrijk, Belgium.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V.
(2002)
Zelfwaardering en het standpunt van anderen.
In: Braeckman, Antoon and Devos, Rob and Verdonck, B., eds.
Terugkeer van het subject. Recente ontwikkelingen binnen de filosofie,.
Universitaire Pers Leuven, Leuven, pp. 223-235.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V. and Deprez, Eleen
(2013)
Kunst of porno: duidelijk onderscheid of vals dilemma?
Kunsttijdschrift Vlaanderen,
(346).
pp. 175-177.
ISSN ISSN 1780-6461.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
|
|
|
Maes, Hans R.V. and Schaubroeck, Katrien
(2006)
Different Kinds and Aspects of Bullshit.
In: Hardcastle, Gary and Reisch, George A., eds.
Bullshit and Philosophy.
Open Court, pp. 171-182.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Marsh, Ben
(2017)
Visitor from South Carolina: Mrs Eliza Pinckney.
In: Marschner, Joanna, ed.
Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World.
Yale University Press.
ISBN 9780300217100.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Mikuriya, Junko Theresa
(2008)
Cryptoglyph.
In: Urban Encounters Conference, 16-17th May 2008, Centre for Urban and Community Research, Goldsmiths, University of London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Mikuriya, Junko Theresa
(2007)
Eight Hours of Sleep and other works.
Eight Hours of Sleep and other works, 9th May - 4th September 2007, Keynes Gallery, University of Kent.
Photography.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Mikuriya, Junko Theresa
(2007)
On the Walls of the Cave are Shadows.
Stimulus Respond, London,
(1).
pp. 93-96.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Mikuriya, Junko Theresa
(2006)
On the Walls of the Cave are Shadows.
In: Affective Imaging; Uneasy Spaces Symposium, 20th October 2006, Goldsmiths University of London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
N
|
Nasim, Omar W.
(2014)
Nebulae.
In: Azzouni, Safia and Wittmann, Barbara and Schmidgen, Henning, eds.
Eine Naturgeschichte für das 21. Jahrhundert.
Alpheus Verlag.
ISBN 9783981318456.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Nasim, Omar W.
(2012)
On Scribbles in Space.
In: Driesen, Christian and Koppel, Rea and Meyer-Krahmer, Benjamin and Wittrock, Eike, eds.
Über Kritzeln Graphismen zwischen Schrift, Bild, Text und Zeichen.
Diaphanes, Zurich and Berlin, pp. 71-90.
ISBN 9783037342589.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Newall, Michael
(2006)
'Pictures, Colours and Resemblance'.
Philosophical Quarterly,
56
(225).
pp. 587-595.
ISSN 0031-8094.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
O
P
|
Pavis, Patrice
(2003)
Analyzing Performance: Theater, Dance and Film.
University of Michigan Press, 362 pp.
ISBN 978-0472096893.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2007)
Das zeitgenössische französische Theater.
E Podium Verlag, München, 250 pp.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2007)
De la critica.
Conjunto. Revista de teatro latinoamericano,
(144).
pp. 8-13.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2006)
Dialogue.
A lexikon. Performance research,
11
(3).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2004)
Entrevue avec Kim Hye-Jin.
Revue de la Korean National University of the Arts,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2007)
Generacion.
Teatro,
(21).
pp. 201-209.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2004)
Generation.
Performance Research,
9
(3).
pp. 97-105.
ISSN 1352-8165.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2004)
Génération.
Culture Coréenne,
(68).
pp. 24-28.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2005)
Impressions de théâtre à Séoul.
Culture Coréenne,
(70).
pp. 12-15.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2004)
Impressions d’un Séoulite de passage.
Revue du Théâtre Coréen,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2005)
Iscenesættelsen af samtidige stykker.
Peripeti,
.
pp. 35-51.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2005)
Koltès’ Black battles with dogs on the stage.
Cliché Europe. About cliché in life & on the stage,
.
pp. 63-71.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2003)
Kunst oder die Kunst der Fugue.
In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds.
Theater ohne Grenzen, Festschrift für Hans-Peter Bayerdörfer zum 65. Geburtstag.
Herbert Utz Verlag, München, pp. 194-208.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2007)
La Mise en Scène Contemporaine.
Armand Colin, 332 pp.
ISBN 9782200340438.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2007)
Les médias auront-ils la peau du spectacle vivant ?
In: Morizot, Jacques and Pouivet, Roger, eds.
Dictionnaire d’esthétique et de philosophie de l’art.
Armand Colin, Paris, pp. 413-415.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2005)
Les écritures dramatiques contemporaines.
In: Thomasseau, Jean-Marie, ed.
Le Théâtre au plus près.
Presses Universitaires de Vincennes, Saint-Denis, pp. 71-82.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2006)
Mes trois sœurs.
Forum of Theatre and Drama, Seoul,
.
pp. 314-356.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2004)
Quelques mois en Corée.
Théâtre/Public,
(175).
pp. 34-62.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2005)
Réflexions liminaires sur la fin au théâtre.
In: Egger, Carol, ed.
Rideau ou la fin du théâtre.
Lansman, pp. 35-48.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2004)
Staging September 11th in the United States.
Theater Forum,
(25).
pp. 91-96.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2007)
Staging calamity : mise-en-scène and performance at Avignon 2005.
In: Ben-Zvi, Linda and Davis, Tracy C., eds.
Considering Calamity : Methods for Performance Research.
Assaph Books, Tel Aviv university, pp. 13-38.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2002)
Tesis para el analisis del texto dramatico.
Gestos,
17
(33).
pp. 9-47.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2006)
Théâtre et calamité.
Théâtre/Public,
(180).
pp. 81-91.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2004)
Woyzeck à la Cour d’Honneur.
Théâtre/Public,
(175).
pp. 67-72.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2006)
Wymiana czy unterakcja ?
Dialog,
(5-6).
pp. 8-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2005)
Yasmina Reza : Sztuka, czyli sztuka fugi.
Etos życia – etos sztuki,
.
pp. 283-299.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pavis, Patrice
(2006)
The effect produced.
In: Christie, Judie and Gough, Richard and Watt, David, eds.
A Performance Cosmology,.
Routledge, London & New York, pp. 173-178.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pitts, Virginia
(1998)
Army and University in conflict.
New Zealand Herald,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pitts, Virginia
(2007)
Cross-cultural Filmmaking in Aotearoa New Zealand.
In: MEDIANZ Conference, 8th-10th February 2007, Victoria University, Wellington, New Zealand.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pitts, Virginia
(2003)
Fleeting Beauty.
New Zealand Film Commission
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pitts, Virginia
(1999)
Form and Politics in Punitive Damage.
Australian Screen Education,
(20/21).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pitts, Virginia
(2006)
Intercultural Short Filmmaking in Aotearoa New Zealand.
Metro Film, Television, Radio & Multimedia journal,
(148).
pp. 140-146.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pitts, Virginia
(2000)
Trust Me.
New Zealand Film Commission
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pooke, Grant F.
(2006)
The Anal Sadistic Universe of Gilbert & George.
In:
Sculpture & Psychoanalysis.
Ashgate Press in association with the Henry Moore Foundation, pp. 139-160.
ISBN 0-7546-0984-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pooke, Grant F.
(2008)
Art History: The Basics.
Routledge
ISBN 978-0415373081.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pooke, Grant F.
(2007)
Francis D. Klingender, ‘Exodus and Exile’.
Socialist History 30: 1956 and the New Left,
(30).
pp. 22-42.
ISSN 0969 4331.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pooke, Grant F.
(2003)
Marxism, Art & Engagement: Francis Klingender.
Bulletin of the Marx Memorial Library,
(137).
pp. 19-26.
ISSN 0969-1154.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pooke, Grant F.
(2003)
Museology.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pooke, Grant F.
(2003)
Teach Yourself Art History.
Hodder & Stoughton
ISBN 0340869216.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pooke, Grant F. and Newall, Diana M.
(2003)
Art in Context.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pooke, Grant F. and Newall, Diana M.
(2004)
Contemporary Art Practice.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pooke, Grant F. and Newall, Diana M.
(2003)
Cross Curricular Issues.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pooke, Grant F. and Newall, Diana M.
(2003)
Engaging Students.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pooke, Grant F. and Newall, Diana M.
(2003)
Looking at Paintings.
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pooke, Grant F. and Newall, Diana M.
(2003)
Why Teach Art and Design?
Open University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Pooke, Grant F. and Whitham, Graham
(2010)
Understand Contemporary Art: Teach Yourself.
Hodder & Stoughton, 224 pp.
ISBN 9781444111255.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Posman, Sarah and Reverseau, Anne and Ayers, David S and Bru, Sascha and Hjartarson, Benedikt, eds.
(2013)
The aesthetics of matter : modernism, the avant-garde and material exchange.
European avant-garde and modernism studies
.
De Gruyter, Berlin, 435 pp.
ISBN 9783110317374.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
R
|
Radosavljevic, Duška
(2001)
Beginner’s Serbo-Croatian.
Hippocrene Books, 257 pp.
ISBN 978-0781808453.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Radosavljevic, Duška
(2013)
Community Innovation.
.
website.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Radosavljevic, Duška
(2012)
Encounters in Stratford-upon-Avon.
.
website.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Radosavljevic, Duška
(2004)
Foreword.
In:
Kaput!
New Writing North.
ISBN 978-0954145637.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Radosavljevic, Duška
(2008)
The Golden Age of Kneehigh.
In: at Cultures of Translation: Adaptation in Film and Performance, 26th-28th June 2008, Glamorgan University, Cardiff.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Radosavljevic, Duška
(2009)
Huddersfield as a Balkan Casablanca.
In: International Federation for Theatre Research, Lisbon.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Radosavljevic, Duška
(2004)
Introduction.
In: Sajtinac, Ugljesa, ed.
Huddersfield.
Oberon Books, pp. 15-16.
ISBN 9781840024494.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Radosavljevic, Duška
(2012)
Kotor Festival of Children's Theatre.
.
website.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Radosavljevic, Duška
(2003)
Lindzi Kemp, jedna karijera - Scena.
Sterijino Pozorje,
(39).
ISSN 0036-5734.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Radosavljevic, Duška
(2010)
Northern Stage Ensemble as an Adaptation of the Russian Theatre Model.
In: International Federation for Theatre Research Translation, Adaptation, and Dramaturgy Working Group, 25th-26th July 2010, Munich.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Radosavljevic, Duška
(2010)
A Reflection on Internal.
Contemporary Theatre Review,
20
(2).
pp. 249-251.
(Full text available)
|
![[img]](/24947/1.hassmallThumbnailVersion/backpages202_1_.pdf)  Preview |
|
|
Radosavljevic, Duška
(2008)
Sarah Kane's Illyria: A Balkan reading of Blasted.
In: 'Sarah Kane: Reassessments', 16th February 2008, University of Cambridge.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Radosavljevic, Duška and Awde, Nick
(2004)
Serbian Dictionary and Phrasebook.
Hippocrene Books, 239 pp.
ISBN 978-0781810494.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Read, Peter
(2016)
Apollinaire Lettres calligrammes manuscrits.
Textuel / BnF Éditions, Paris, France, 312 pp.
ISBN 9782845975620.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Read, Peter
(2007)
Apollinaire et le brigadier masqué - lecture de trois aquarelles.
In: Burgos, Jean, ed.
Apollinaire, le dessin et les traces.
Guillaume Apollinaire
(22).
Lettres modernes Minard, Caen, pp. 91-108.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Read, Peter
(2005)
Automatic Travel.
Review of: Ghost Ships: A Surrealist Love Triangle, by Robert McNab (Yale, 2004).
by McNab, R..
Times Literary Supplement,
(5328).
p. 27.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Read, Peter
(2006)
Body Count in the Library. The Liberating Carnage of George Bataille's "Documents".
Review of: "Undercover Surrealism. Picasso, Miro, Masson and the vision of Georges Bataille" at the Hayward Gallery, London, May to July 2006.
by UNSPECIFIED.
Times Literary Supplement,
(5388).
pp. 18-19.
ISSN 0307-661.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Read, Peter
(2006)
First Frottage. Review of Werner Spies, 'Max Ernst: Life and Work'.
Review of: Max Ernst: Life and Work (London, Thames and Hudson, 2005).
by Spies, Werner.
Times Literary Supplement,
(5374).
p. 8.
ISSN 0307-661X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Read, Peter
(2008)
Guernica, un cri contre la guerre.
L'Histoire,
(335).
pp. 58-59.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Read, Peter
(2001)
Le portrait cubiste d'Apollinaire par Picasso, frontispice d''Alcools'.
In: Décaudin, Michel, ed.
Apollinaire et le portrait.
Guillaume Apollinaire
(21).
Lettres modernes Minard, Paris, Caen, pp. 49-69.
ISBN 2 256 91026 1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Read, Peter
(2008)
Picasso and Apollinaire: The Persistence of Memory.
Ahmanson-Murphy Fine Arts Books
.
University of California Press, Berkeley, Los Angeles, London, 334 pp.
ISBN 9780520243613.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Read, Peter
(2008)
Picasso: Une traversée du siècle.
L'Histoire,
(335).
pp. 52-65.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Read, Peter
(2010)
Preface.
In: Warnod, J., ed.
Serge Férat : Un Cubiste russe à Paris.
Editions de Conti, Paris.
ISBN 978-2351030219.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Read, Peter
(2006)
True Lie of the Land.
Review of: Charles Rennie Mackintosh in France (exhibition, Dean Gallery, Edinburgh, 2005-2006).
by UNSPECIFIED.
Times Literary Supplement,
(5365).
p. 18.
ISSN 0307-661X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Rodosthenous, George and Radosavljevic, Duška and Zavros, Demetris
(2009)
The Fall of Ikarus.
Performance type: Live play
, Koln.
live performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
S
|
Sayers, Janet V.
(2010)
Bion's Transformations: Art & Psychoanalysis.
In: Mawson, Chris, ed.
Bion Today.
The New Library of Psychoanalysis
.
Routledge.
ISBN 9780415570725.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Sayers, Janet V.
(2007)
Freud's Art: Psychoanalysis Retold.
Routledge, London & New York, 212 pp.
ISBN 9780415415682.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Sayers, Janet V.
Healing art, healing Stokes.
In: Bann, Stephen, ed.
The Coral Mind.
Penn State Press, USA, pp. 123-138.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Sayers, Janet V.
(2009)
Psy-art: Re-imagining identity.
In: Elliott, Anthony and Du Gay, Paul, eds.
Identity in Question.
Sage, pp. 198-215.
ISBN 9781412922432.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Sayers, Janet V.
(2007)
Thinking art and psychoanalysis.
In: Bainbridge, Caroline and Radstone, Susannah and Rustin, Michael and Yates, Candida, eds.
Culture and the Unconscious.
Palgrave MacMillan, pp. 74-87.
ISBN 9781403986221.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Schaffner, Anna Katharina
(2015)
The Twee Tribe.
Review of: Twee: The Gentle Revolution in Music, Books, Television, Fashion, and Film
by Spitz, Marc.
Times Literary Supplement,
.
p. 13.
ISSN 0307-661X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Nicola
(1997)
Between the Scenes: Virginia Woolf’s Freshwater.
Women and Theatre: Occasional papers,
(4).
pp. 35-67.
ISSN 0-951-88753.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Nicola
(2008)
Does it Work? Prove it! Reflections on Efficacy and Ethics.
In: Theatre and Performance Research Association, September 2008.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Nicola
(2008)
Double Acts: Mirror Neurons & Applied Performance.
In: Researching Applied Theatre and Performance Conference, April 2008, University of Exeter.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Nicola
(1996)
Is s/he or isn’t s/he?: Screening Orlando.
In: Cartmell, Deborah, ed.
Pulping Fictions: Consuming Culture across the Literature/Media Divide.
Pluto Press, pp. 43-56.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Nicola
(2000)
One, Two, Three: Sylvia Plath’s Verse Dramas.
In: Donnell, Alison and Polkey, Pauline, eds.
Representing Lives: Women and Auto/biography.
Macmillan, pp. 241-250.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2004)
Approaching the Globe.
In: Shakespeare Association of America Annual Conference, April 2004, New Orleans.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2008)
Behind the Scenes.
In: Thirty-third International Shakespeare Conference, August 2008, The Shakespeare Institute.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2006)
Dreaming the Globe: Poel, Guthrie, and the quest for authenticity.
In: Shakespeare and Tudor Traditions, September 2006, Queen Mary and Westfield College & Shakespeare’s Globe.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2005)
Dreams of England.
In: Massai, Sonia, ed.
World-Wide Shakespeares: Local appropriations in film and performance.
London and New York: Routledge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2001)
Edward Bond.
In: Dobson, Michael and Wells, Simon, eds.
The Oxford Companion to Shakespeare Studies.
Oxford: Oxford University Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(1998)
Eugene O’Neill and American Drama to 1945.
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2008)
The Falstaff Syndrome: Pathos, Prosthetics and Performance.
In: Filming and Performing Renaissance History symposium, April 2008, Queen's University Belfast.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2005)
Hamlet.
Performance Research,
10
(3).
p. 103.
ISSN 1352-8165.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2007)
"I do, I will": Hal, Falstaff and the Performative.
In: Henderson, Diana E., ed.
Alternative Shakespeares 3.
New accents
.
Routledge, Abingdon, pp. 14-33.
ISBN 9780415423335.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2006)
Introduction to Shakespearean Tragedy.
In: Bradley, A.C., ed.
Shakespearean Tragedy 4th revised edition.
Palgrave Macmillan, xii-xlvi.
ISBN 9780230001893.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(1996)
The Last Post.
In: Shakespeare’s Language in Performance Seminar, 27th International Shakespeare Conference, August 1996, The Shakespeare Institute.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2005)
On Location: de Certeau, Shakespeare and the pedestrian.
In: Trinity College, Dublin, February 2005, Trinity College, Dublin.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2007)
One Piece at a Time.
Shakespeare Bulletin,
25
(3).
pp. 11-26.
ISSN 0748-2558.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2006)
One Piece at a Time.
In: Watching Ourselves Watching Shakespeare, November 2006, University of Michigan.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2006)
Our Shakespeares.
In: Shakespeare on Film, May 2006, Royal Holloway, University of London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2006)
Our Shakespeares.
In: Shakespeare on Television seminar, April 2006, Shakespeare Association of America Annual Conference, Philadelphia.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(1997)
Postmodernism, interculturalism and a recurring Dream.
In: Shakespeare Association of Korea First Annual Conference, May 1997, Seoul University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2003)
Romeo and Juliet: the rock and roll years.
In: Aebischer, Pascale and Esche, Edward J. and Wheale, Nigel, eds.
Remaking Shakespeare: Performance Across Media, Genres and Cultures.
Basingstoke and New York: Palgrave.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2001)
Romeo and Juliet: the rock and roll years.
In: SCAENA: Shakespeare and his Contemporaries in Performance, August 2001, Anglia Polytechnic University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2002)
Setting the Scene: A Midsummer Night’s Dream.
In: Shakespeare’s Globe, May 2002, Shakespeare’s Globe.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(1999)
Shakespeare Goes Pop.
In: Millennium Shakespeares, November 1999, Hofstra University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2004)
The Shakespeare Revolution will not be televised.
In: Shakespeare: Remembering Performance, November 2004, University of Notre Dame.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2005)
Shakespeare and 21st Century Film.
In: British Shakespeare Association Conference, September 2005, University of Newcastle.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2003)
Shakespeare at Ground Level.
In: London Shakespeare Seminar, November 2003, University of London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2001)
Shakespeare versus Performance.
In: London Shakespeare Seminar, April 2001, University of London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2000)
Shakespearean Utopias.
Shakespeare Survey,
(54).
pp. 233-243.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(1998)
Shakespearean Utopias.
In: The Shakespeare Institute, February 1998, The Shakespeare Institute.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2006)
Stage, Screen and Nation: Hamlet and the Recovery of History.
In: Henderson, Diana E., ed.
A Concise Companion to Shakespeare on Screen.
Oxford: Blackwell.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(1994)
Terence Gray’s Shakespeare.
In: Shakespeare on the British Stage 1990-1945, July 1994, Leicester University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2002)
Twentieth-Century Fox: Volpone’s Metamorphosis.
Theatre Research International,
27
(1).
pp. 27-48.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(1997)
Volpone, anthropomorphism, and the discourses of late capitalism.
In: SCAENA: Shakespeare and his Contemporaries in Performance, August 1997, Anglia Polytechnic University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(2001)
What have the Romans ever done for us?
In: Royal Shakespeare Company Summer School, August 2001, Royal Shakespeare Company Summer School.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shaughnessy, Robert
(1996)
‘William, Gaskill’, ‘Terence Gray’, ‘Bill Alexander’.
In: Hawkins-Dady, Mark, ed.
International Dictionary of Theatre, Volume 3: Actors, Directors and Designers.
London: St James’s Press.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Shawa, Laila and Zurob, Hani
(2013)
Resilience & Light: Contemporary Palestinian Art.
, 11 April - 18 May 2013, Studio 3 Gallery, University of Kent.
Exhibition.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Sleigh, Charlotte and Lloyd, Daniel R.
(2013)
Chain Reaction!
Chain Reaction!, 21 November-22 December 2013, Sidney Cooper Gallery, Canterbury.
mixed artistic media.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Smith, Murray
(2005)
Against Nature.
In: The Cognitive Neuroscience of Film, April 2005, University of Washington-St-Louis.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Smith, Murray
(2005)
Cinema and Cognition.
In: Cinema and Cognition, Society for Cinema and Media Studies, April 2005, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Smith, Murray
(2005)
What Difference Does it Make.
In: Representing and Conveying Emotions in Audio-Visual Forms of Media, December 2005, University of Hamburg.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Smith, Murray and Wartenburg, Thomas
(2006)
Thinking Through Cinema: Film as Philosophy.
Journal of Aesthetics and Art Criticism 64(1).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Stanfield, Peter
(1996)
‘Country Music & the 1939 Western: From Hillbillies to Cowboys’.
In: Cameron, Ian and Pye, Douglas, eds.
The Movie Book of the Western.
Studio Vista, pp. 22-33.
ISBN 0-289-80140-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Stanfield, Peter
(1998)
‘Dixie Cowboys & Blue Yodels: The Strange History of the Singing Cowboy’.
In: Buscombe, Edward and Pearson, Roberta, eds.
Back in the Saddle Again: New Essays on the Western.
British Film Institute, pp. 96-117.
ISBN 0-85170661-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Stanfield, Peter
(1992)
‘Heritage Design: The Harley-Davidson Motor Company.’.
Journal of Design History,
5
(2).
pp. 141-155.
ISSN 0952-4649.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Stanfield, Peter
(1987)
‘The Western 1909-14: A Cast of Villains.’.
Film History,
1
(2).
pp. 97-112.
ISSN 0892-2160.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Stanfield, Peter and Sonnet, Esther
(2005)
‘“Good Evening, Gentleman, Can I Check Your Hats Please?”: Masculinity, Dress and the Retro Gangster Cycles of the 1990s’.
In: Grieveson, Lee and Sonnet, Esther and Stanfield, Peter, eds.
Mob Culture: Hidden Histories of American the Gangster Film.
Berg, pp. 163-184.
ISBN 1845203305.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
T
|
Thomas, Ben D. H.
(2005)
The Academy of Baccio Bandinelli by Enea Vico.
In: Renaissance Society of America Annual Conference, 7-9th April 2005, University of Cambridge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2005)
The Academy of Baccio Bandinelli.
Print Quarterly,
XXII
(1).
pp. 3-14.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2013)
Alfred Drury and the New Sculpture.
, 30 Sep - 20 Dec 2013; 15 Jan - 13 Apr 2014, Studio 3 Gallery, University of Kent and The Stanley and Audrey Burton Gallery, University of Leeds.
Exhibition.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2011)
Ana Maria Pacheco: Shadows of the Wanderer.
, 17 Jan - 17 May 2011, Studio 3 Gallery, University of Kent.
Exhibition.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2007)
Casa Vasari: writing and decorating the artist’s house.
In: Hendrix, Harald, ed.
Writers’ Houses and the Making of Memory.
Routledge, pp. 139-148.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2005)
Casa Vasari: writing and decorating the artist’s house.
In: Writers’ Houses and the Construction of (Trans)National Cultural Memory, ACUME European Thematic Network Conference, 11th-15th May 2005, Rome.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2008)
Disegno.
In: Renaissance Keywords, 19th September 2008, University of Birmingham.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2018)
Drawing Together.
Drawing Together, 30 Sep 2017 - 2 Jan 2018, The Courtauld Gallery, London.
Exhibition.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2017)
Drawing Together.
Paul Holberton Publishing, 48 pp.
ISBN 9781911300335.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2016)
Dungeness: Philip Hughes with Psiche Hughes.
, 13 May - 10 June 2016, Studio 3 Gallery, University of Kent.
Exhibition.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2002)
Edgar Wind and Leonardo da Vinci.
In: University of Oxford, Renaissance History Seminar, 4th February 2002, University of Oxford.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2005)
Enea Vico, The Academy of Baccio Bandinelli.
National Gallery of Canada, Leonardo da Vinci, Michelangelo and the Renaissance in Florence, exhibition catalogue.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2002)
Finding Ovid through Raphael in the Schools of the Tombs.
In: Monkeying about with Antiquity, AHRB Centre for Cultural Analysis, Theory and History, 17th May 2002, University of Leeds.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(1999)
The Fortnum Archive in the Ashmolean Museum.
Journal of the History of Collections,
11
(2).
pp. 253-268.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2006)
Framing Giambologna’s Rape of a Sabine.
In: Renaissance Society of America Annual Conference, 22nd-25th March 2006, San Francisco.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2017)
Jim Dine and Pinocchio.
Arabeschi,
10
(1.6).
ISSN 2282-0876.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2008)
The Locations of Art in the Mezzotints of Wallerant Vaillant.
In: Early Modern Prints Symposium and Study Day, 2nd April 2008, Courtauld Institute Research Forum.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2008)
Noble or Commercial? The Early History of Mezzotint in Britain.
In: British Printed Images to 1700, 12th-13th September 2008, Victoria & Albert Museum.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2010)
Noble or Commercial? The Early History of Mezzotint in Britain.
In: Hunter, Michael, ed.
Printed Images In Early Modern Britain. Essays in Interpretation.
Ashgate, Farnham and Burlington, pp. 279-296.
ISBN 9780754666547.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2015)
Palindrome: The Sixties Art of Brian Rice and Richard Rome.
, 19 Jan - 10 Apr 2015, Studio 3 Gallery, University of Kent.
Exhibition.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2008)
The Paradox of Mezzotint.
The Paradox of Mezzotint, 12th April - 11th June 2008/2nd July-31st October 2008, Museum of Canterbury/Strang Print Room, University College London.
Prints.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2008)
The Paradox of Mezzotint.
In: Centre for Medieval and Early Modern Studies, 24th January 2008, University of Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2008)
The Paradox of Mezzotint, exhibition catalogue.
Canterbury
ISBN 978-1-902671-55-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2013)
Paul Coldwell: A Layered Practice - Graphic Works 1992-2012.
, 14 Jan - 5 Apr 2013; 14 Jun - 11 Jul 2013, Studio 3 Gallery, University of Kent and The Stephen Lawrence Gallery, University of Greenwich.
Exhibition.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2017)
Raphael and the Idea of Drawing.
In:
Raphael: The Drawings.
Ashmolean, pp. 43-55.
ISBN 9781910807156.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2017)
Raphael's drawings: invention, disposition, and demonstration.
In: Raffaels Zeichnungen, Internationales Symposium, 21-22 November 2017, Albertina, Vienna.
(Submitted)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2017)
Raphael: Singular Acts of Drawing.
In: Singular Acts: The Role of the Individual in the Transformation of Collective Culture, The Warburg Institute Second Postgraduate Symposium, 16 November 2017, The Warburg Institute, London.
(Submitted)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2000)
The Renaissance artist’s sense of history.
In: 30th International Congress of the History of Art, 3rd-8th September 2000, National Portrait Gallery, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2004)
Tracing the Course of Forms: John Obadiah Westwood.
In: Connecting Cultures, Kent Institute for Advanced Studies in the Humanities biannual conference, 2-4th April 2004, University of Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2006)
Van Dyck pinxit/After Van Dyck.
Van Dyck pinxit/After Van Dyck, May-November 2006, Museum of Canterbury.
Prints.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2004)
‘Wind, Edgar Marcel (1900-1971).
Oxford University Press, Oxford Dictionary of National Biography.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H.
(2003)
“The art consists of hiding the art”: Castiglione and Raphael.
In: Braida, Antonella and Pieri, Giuliana, eds.
Image and Word. Reflections of Art and Literature from the Middle Ages to the Present.
Legenda/Oxford University Press, pp. 134-150.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H. and Kear, Jon
(2010)
In Elysium: Prints by James Barry.
In Elysium: Prints by James Barry, 4 October - 17 December 2010, Studio 3 Gallery, University of Kent.
Exhibition.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Thomas, Ben D. H. and Whistler, Catherine
(2016)
Eloquence in Raphael Drawings.
Artibus et Historiae,
74
.
pp. 25-36.
ISSN 0391-9064.
(Full text available)
|
![[img]](/59547/1.hassmallThumbnailVersion/Thomas%20%26%20Whistler-%20Eloquence%20in%20Raphael%20Drawings.pdf)  Preview |
|
|
Trimingham, M F
(2017)
Agency and Empathy: Artists Touch the Body.
In: Barbieri, Donatella, ed.
Costume in Performance: Materiality, Culture, and the Body.
Bloomsbury, London UK, pp. 137-165.
ISBN 9781474236874.
E-ISBN 9781474236881.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Trimingham, Melissa
(2016)
Gesamtkunstwerk, Gestaltung and the Bauhaus Stage.
In: Menninger, Margaret and Imhoof, David and Steinhoff, Anthony, eds.
The Total Work of Art : Foundatio, Articulations, Inspirations.
Spektrum: Publications of the German Studies Association
.
Berghahn Books, New York and Oxford, 95 to 114.
ISBN 9781785331848.
E-ISBN 9781785331855.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Trimingham, Melissa
(2012)
bauhaus lighthouse: der bau als buehne das buehne als bau.
In:
bauhaus art as life.
Konig, Cologne, pp. 200-203.
ISBN 9783863351632.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Turner, Sarah E.
(1998)
Beacons of Style: A history of Experimental Cinema.
Beacons of Style: A history of Experimental Cinema, 1998, Nationwide Tour.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Turner, Sarah E.
(2007)
Ecology.
DVD 87mins.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Turner, Sarah E.
(1992)
Flesh Histories.
Flesh Histories, 1992, Nationwide Tour.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Turner, Sarah E.
(1996)
A Life in a Day with Helena Goldwater.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Turner, Sarah E.
(1990)
One and the other time.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Turner, Sarah E.
(2008)
The Raw and The Cooked. Fourth ICA Biennial.
The Raw and The Cooked. Fourth ICA Biennial, 2008, Nationwide tour.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Turner, Sarah E.
(1989)
She Wanted Green Lawns.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Turner, Sarah E.
(1994)
Sheller Shares her Secret.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Turner, Sarah E.
(1995)
Sight & Sound/BFI Women Making Movies Tour.
Sight & Sound/BFI Women Making Movies Tour, 1995, Nationwide Tour.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Turner, Sarah E.
(1991)
A Tale Part Told.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
V
|
Varakis-Martin, Angeliki
(2008)
'Body and Mask’ in Performances of Classical Drama on the Modern Stage.
In: Hardwick, Lorna and Stray, Christopher, eds.
The Blackwell Companion to Classical Reception.
Oxford: Blackwell.
ISBN 9781405151672.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Varakis-Martin, Angeliki
(2008)
Review of Oedipus.
Review of: Oedipus
by Edmunds, Lowell.
Classical Review,
58
(2).
p. 619.
ISSN 0009-840X.
(doi:https://doi.org/10.1017/S0009840X08001467)
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
|
|
|
Vass-Rhee, Freya
(2015)
Distributed Dramaturgies: Navigating with Boundary Objects.
In: Hansen, Pil and Callison, Darcey, eds.
Dance dramaturgy: modes of agency, awareness and engagement.
New world choreographies
.
Palgrave Macmillan, Basingstoke, Hampshire, pp. 87-105.
ISBN 9781137373212.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
|
|
|
Vigneron, Sophie
(2008)
The Authenticity of Art: an Insight into French Law.
Art Antiquity and Law,
13
(3).
pp. 297-312.
ISSN 1362-2331.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
W
|
Whistler, Catherine and Thomas, Ben D. H.
(2017)
Raphael: The Drawings.
Ashmolean Museum, 1 June - 3 September 2017, Oxford.
Exhibition.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Wilson, Colette E.
(2007)
Paris Photography after the Commune: remembering to forget.
In: Photography: theory, practice, debate, 22 October 2007, Institute of Germanic & Romance Studies, School of Advanced Study, University of London, Stewart House, Russell Square..
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Wilson, Colette E.
(2008)
Photography & Cultural Memory: Four Contemporary Photographers.
Cultural Memory Conference: Forgetting to Remember/Remembering to Forget, Conference 10-12 September. Exhibition 10 Sept to 28 October 2008, Keynes College, University of Kent, Canterbury, UK.
Number of pieces: 36.
Paper-based catalogue.
ISBN 978-1-902671-58-1.
(Full text available)
|
![[img]](/13115/1.hassmallThumbnailVersion/BT_106653_photo_and_cult_3_FINAL_27_August.pdf)  Preview |
|
|
Wood, Aylish
(2008)
Cinema as Technology: Encounters with an Interface.
In: Furstenau, Marc and Mackenzie, Adrian and Bennett, Bruce, eds.
Cinema and Technology.
Palgrave Press.
ISBN 9780230524774.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Wood, Aylish
(2004)
The Expansion of Narrative Space: Titanic and CGI Technology.
In: Street, Sarah and Bergfelder, Tim, eds.
Titanic as Myth and Memory: Representations in Visual and Literary Culture.
I.B.Tauris, pp. 225-234.
ISBN 1850434328.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Wood, Aylish
(2001)
Fresh Kill: Information Technologies as Sites of Resistance.
In: Munt, Sally, ed.
Technospaces: inside the new media.
Continuum, pp. 161-174.
ISBN 0826450032.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Wood, Aylish
(2010)
Making the Dark Knight.
In: MeCCSa Conference 2010, 6th-8th January 2010, London School of Economics.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Wood, Aylish
(2006)
Re-Animating Space.
Animation: An Interdisciplinary Journal,
1
(2).
pp. 133-152.
ISSN 1746-8477.
E-ISSN 1746-8485.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
|
|
|
Wood, Aylish
(2010)
Resolving the Posthuman.
In: The Posthuman Subject, 2nd-3rd July 2010, University of Surrey.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Wood, Aylish
(2004)
The collapse of reality and illusion in The Matrix.
In: Tasker, Yvonne, ed.
The Action Reader.
Routledge, pp. 119-129.
ISBN 0415235073.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Wood, Sarah
(2013)
The First Reader: A Dictation.
Performance type: Other
Reading as a Contemporary Art, 5 July 2013, ICA.
Live performance.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
|
Wood, Sarah
(2013)
Who Do You Work For?
Performance type: Other
Reading as Art: Turning the Pages of Victorian Psychology, 15 October 2013, Senate House Library and the Bloomsbury Festival.
Live performance.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
This list was generated on Fri Jun 22 23:47:01 2018 BST. |
![[img]](/style/images/fileicons/application_msword.png)
![[img]](/style/images/fileicons/application_pdf.png)
![[img]](/style/images/fileicons/image.png)
![[img]](/style/images/fileicons/other.png)
