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Number of items at this level: 262.

A

Alelis, Genevieve (2015) Older and Younger Adults' Interactions with 3D Digital Cultural Heritage Artefacts. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:54726)
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Allain, Paul, Ziolkowski, Grzegorz (2005) Polish Theatre After 1989: Beyond Borders. Contemporary Theatre Review, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2216)

Amirkhani, Jordan Haleh (2015) 'I am Failure's Success': Francis Picabia and the Enactment of Refusal. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:48374)
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Anderson, Graham (1999) Lucian's dialogues: Performance, nature, and techniques of humor. Classical Review, 49 (1). pp. 32-33. ISSN 0009-840X. (doi:10.1093/cr/49.1.32) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17016)

Anderson, Graham (1999) Symmachus, 'Lettres', vol III, Books-VI-VIII. Classical Review, 49 (2). p. 578. ISSN 0009-840X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17014)

Anderson, Michael (1999) The Cambridge companion to Greek tragedy. Review of: Reviews The Cambridge Companion to Greek Tragedy. Edited by P. E. Easterling. Cambridge: Cambridge University Press, 1997. Pp. xvii + 392 + illus. by Easterling, P.E.. Theatre Research International, 24 (1). pp. 109-110. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17020)

Anderson, Michael (1999) Classical Greek theatre: New views of an old subject. Review of: Classical Greek Theatre: New Views Of an Old Subject. By Clifford Ashby. Iowa City: University of Iowa Press, 1999. Pp. xix + 191 + illus. by Ashby, Clifford. Theatre Research International, 24 (3). p. 293. ISSN 0307-8833. (doi:10.1017/S0307883300019179) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17018)

Anderson, Michael (1998) Tragedy in Athens: Performance space and theatrical meaning. Review of: Tragedy in Athens: performance space and theatrical meaning by Wiles, David. Theatre Research International, 23 (2). p. 179. ISSN 0307-8833. (doi:10.1017/S0307883300018538) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17544)

B

Bann, Stephen (1998) A grand design: The art of the Victoria and Albert Museum. Burlington Magazine, 140 (1139). pp. 153-154. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17569)

Beadle-Brown, Julie, Wilkinson, David T., Richardson, Lisa, Shaughnessy, Nicola, Trimingham, Melissa, Leigh, Jennifer S, Whelton, Beckie, Himmerich, Julian (2018) Imagining Autism: Feasibility of a Drama-Based Intervention on the Social, Communicative and Imaginative behaviour of Children with Autism. Autism: International Journal of Research and Practice, 22 (8). pp. 915-927. ISSN 1362-3613. E-ISSN 1461-7005. (doi:10.1177/1362361317710797) (KAR id:61589)
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Bolaki, Stella (2016) Illness as Many Narratives: Arts, Medicine and Culture. Edinburgh University Press, Edinburgh, 264 pp. ISBN 978-1-4744-0242-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44312)

Bolaki, Stella (2011) Review of Alan Radley’s Works of Illness: Narrative, Picturing, and the Social Response to Serious Disease. Review of: Works of Illness: Narrative, Picturing, and the Social Response to Serious Disease by Radley, Alan. Medical Humanities, 37 . pp. 130-131. ISSN 1468-215X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44318)

Bots, Ellis, Brummelhuis, Karst, Gleeson, Marcel, Lugtenburg, Noëlle, Magr, Joëll, Probyn, Michael, Smink, Nigel, Storm, Rosa, Zillen, Eva, van Binsbergen, Priska, and others. (2015) Demo hour: Lichtsuchende. Interactions, 22 (6). pp. 8-11. ISSN 1072-5520. (doi:10.1145/2832098) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58630)

Branca, Bernardino (2019) The Edgar Wind Archive at the Bodleian Library, Oxford. In: SAS Centre for Memory Studies: Memory and Archives Seminar, 12 November 2019, Senate House, University College London. (Unpublished) (KAR id:81450)
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Brittain-Catlin, Timothy (2006) Back in the bookshops. Review of: 'Is Mr Ruskin living too long: selected writings of E. W. Godwin on Victorian architecture, desgin and culture' by Kinchin, Juliet and Stirton, Paul. The Tablet, . p. 28. ISSN 0039 8837. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10622)

Brittain-Catlin, Timothy (2007) Domus 1929-1999 (review). Review of: 'Domus 1929-1999' by Fiell, Charlotte and Fiell, Peter. World of Interiors, . p. 47. ISSN 0264-083X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9829)

Brittain-Catlin, Timothy (2005) 'Men, women and property in England 1780-1870' [etc] (reviews). Review of: 'Men, women and property in England 1780-1870' 'City of quarters' 'Turning houses into homes' 'Unmodern architecture' 'What we want' by Morris, R. J. and Bell, David and Jayne, Mark and Edwards, Clive and Ibelings, Hans and Jodice, Francesco. AA Files, (51). pp. 79-82. ISSN 0261-6823. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10033)

Brittain-Catlin, Timothy (2004) Romantic pomp. Review of: Encyclopaedia of the romantic era, 1760-1850 by Murray, Christopher John. Architectural Review, . p. 105. ISSN 0003-861X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10128)

Brittain-Catlin, Timothy (2017) A Talent to A Mews. The World of Interiors, 2017 (3). pp. 146-153. ISSN 0264-083X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60138)

C

Cardinal, Roger (1996) Duchamp: Passim : A Marchel Duchamp Anthology - Hill,A. Review of: Duchamp: Passim : A Marchel Duchamp Anthology by Hill, Anthony. Burlington Magazine, 138 (1117). p. 261. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18863)

Cardwell, Sarah E. (2014) Persuaded? The impact of changing production contexts on three adaptations of 'Persuasion'. In: British Television Drama: Past, Present and Future. Palgrave Macmillan, Basingstoke, pp. 84-97. ISBN 978-1-137-32757-4. E-ISBN 978-1-137-32758-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54624)
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Cardwell, Sarah E. F. (2015) A Sense of Proportion: Aspect Ratio and the Framing of Television Space. Critical Studies in Television, 10 (3). pp. 83-100. ISSN 1749-6020. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54623)
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Cardwell, Sarah E. F. (2014) Television Amongst Friends: Medium, Art, Media. Critical Studies in Television, 9 (3). pp. 6-21. ISSN 1749-6020. E-ISSN 1749-6039. (doi:10.7227/CST.9.3.2) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:51443)
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Cardwell, Sarah E. F. (2013) Television aesthetics: Stylistic analysis and beyond. In: Television Aesthetics and Style. Bloomsbury, London & New York, pp. 23-44. ISBN 978-1-4411-5751-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54620)
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Carver, Gavin P. (2000) The effervescent Carnival: Performance, context, and mediation at Notting-Hill. New Theatre Quarterly, 16 (61). pp. 34-49. ISSN 0266-464X. (doi:10.1017/S0266464X00013440) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16244)

Chauhan, Sumita, Bobrowicz, Ania, Ang, C.S. (2017) Perception of Digital and Physical Sculpture by People with Dementia: An Investigation into Creative Potential. The International Journal of New Media, Technology and the Arts, 12 (2). 11 -25. ISSN 2326-9987. E-ISSN 2327-1787. (doi:10.18848/2326-9987/CGP/v12i02/11-25) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:62189)
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Chodzko, Adam (2013) You'll see; next time it'll be different. , Benaki Museum Piraios Street Annexe, Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47106)

Cinquegrani, Maurizio (2014) Place, Time and Memory in Italian Cinema of the Great War. In: Löschnigg, Martin and Sokolowska-Paryz, Marzena, eds. The Great War in Post-Memory Literature and Film. De Gruyter, Berin, Germany, pp. 321-334. ISBN 978-3-11-036290-9. E-ISBN 978-3-11-036302-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56939)

Cinquegrani, Maurizio (2015) Shadows of Shadows: the Undead in Ingmar Bergman's Cinema. In: Leeder, Murray, ed. Cinematic Ghosts. Bloomsbury, pp. 129-142. ISBN 978-1-62892-216-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56938)

Cinquegrani, Maurizio (2006) Sjöström, Seastrom. Carteggi Hollywoodiani. In: Cinquegrani, Maurizio and Canosa, Michele, eds. La natura non indifferente Il cinema svedese di Victor Sjöström. Cineteca di Bologna, Bologna, Italy, pp. 63-70. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56956)

Cinquegrani, Maurizio (2011) Tutto quello che è solido si dissolve nell’aria: scioperi persi, immagini perdute e ritrovate. In: Bursi, Giulio and Venturini, Simone, eds. Quel che Brucia Non Ritorna. Campanotto Editore, Udine, Italy, pp. 238-249. ISBN 8845612183. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56947)

Cinquegrani, Maurizio (2006) Victor Sjöström: Prima dell’età dell’oro. In: Cinquegrani, Maurizio and Canosa, Michele, eds. La Natura Non Indifferente: il Cinema Svedese di Victor Sjöström. Cineteca di Bologna, pp. 20-44. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56955)

D

Double, Oliver (1996) Alternative comedy: from radicalism to commercialism. In: Merkin, Ros, ed. Popular Theatres? Liverpool John Moores University, Liverpool, pp. 127-139. ISBN 0-9527978-0-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44576)

Double, Oliver (2012) Britain Had Talent: A History of Variety Theatre. Palgrave Macmillan, Houndsmills, basingstoke, Hampshire, 288 pp. ISBN 9780230284593 (hbk) 9780230284609 (pbk). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31710)

Double, Oliver (2000) Characterization in stand-up comedy: From Ted Ray to Billy Connolly, via Bertolt Brecht. New Theatre Quarterly, 16 (64). pp. 315-323. ISSN 0266-464X. (doi:10.1017/S0266464X00014068) (KAR id:16397)
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Double, Oliver (2014) Getting the Joke (2nd edition)The Inner Workings of Stand-Up Comedy. Bloomsbury, London and New York, 518 pp. ISBN 978-1-4081-7460-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43042)

Double, Oliver (2005) Getting the joke: The inner workings of stand-up comedy. London: Methuen, 320 pp. ISBN 0-413-77476-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1178)

Double, Oliver (2007) Karl Valentin’s “Father and Son Discuss the War". Studies in Theatre and Performance, 27 (1). pp. 5-11. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2440)

Double, Oliver (1994) Laughing all the way to the bank? Alternative comedy in the provinces. New Theatre Quarterly, X (39). pp. 255-262. ISSN 0266-464X. (doi:10.1017/S0266464X00000555) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44571)

Double, Oliver (2012) Max Miller plays with Freud's obstacle: Innuendo and performance technique in variety comedy. Comedy Studies, 3 (1). pp. 93-104. ISSN 2040-610X. (doi:10.1386/cost.3.1.93_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31708)

Double, Oliver (2010) Not the Definitive Version: an Interview with Ross Noble. Comedy Studies, 1 (1). pp. 5-19. ISSN 2040-610X. (doi:10.1386/cost.1.1.5/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24936)

Double, Oliver (2007) Punk rock as popular theatre. New Theatre Quarterly, 23 (1). pp. 35-48. ISSN 0266-464X. (doi:doi: 10.1017/S0266464X06000613) (KAR id:1182)
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Double, Oliver (2007) Saint Pancreas. Performance type: Other Saint Pancreas, 3/11/06, Horsebridge Arts Centre, Whitstable. DVD and Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2229)

Double, Oliver (1997) Stand-Up! On Being a Comedian. Methuen Drama, London, 262 pp. ISBN 0-413-70320-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44579)

Double, Oliver (2000) Teaching Stand-Up Comedy. A Mission: Impossible? Studies in Theatre and Performance, 20 (1). pp. 14-23. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20310)

Double, Oliver (2009) Teddy Brown and the Art of Performing for the British Variety Stage. New Theatre Quarterly, 25 (4). pp. 379-390. ISSN 0266-464X. (doi:10.1017/S0266464X09000669) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24938)

Double, Oliver (2015) What do you do?: Stand-up comedy versus the proper job. Ephemera: Theory & Politics in Organization, 15 (3). pp. 651-669. ISSN 2052-1499. E-ISSN 1473-2866. (KAR id:55434)
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Double, Oliver and Wilson, Michael (2006) Brecht and cabaret. In: Thomson, Peter and Sacks, Glendyr, eds. Cambridge Companion to Brecht, 2nd Edition. Cambridge University Press. ISBN 978-0-521-67384-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1180)

Double, Oliver, Wilson, Michael (2004) Karl Valentin's illogical subversion: stand-up comedy and the alienation effect. New Theatre Quarterly, XX (3). pp. 203-215. ISSN 0-521-60328-5. (KAR id:1179)
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Durrani, Osman (2004) Adrian Richter. In: Murray, John, ed. Encyclopedia of the Romantic Era 1760-1850. Fitzroy Dearborn, New York, pp. 945-946. ISBN 978-1-57958-422-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10096)

Durrani, Osman (2004) Alfred Rethel. In: Murray, John, ed. Encyclopedia of the Romantic Era 1760-1850, Vol. 2. Fitzroy Dearborn, New York, pp. 941-942. ISBN 1-57958-361-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10095)

Duska, Radosavljevic (2013) ‘Michael Boyd: The RSC Ensemble’ - Introduction. In: Britton, John, ed. Encountering Ensemble. Methuen Bloomsbury, pp. 147-149. ISBN 978-1-4081-5517-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36827)

F

Finch, James (2016) The Art Criticism of David Sylvester. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:60419)
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Fontana-Giusti, Gordana (2008) Avant-Gard Film and Its Role in Understanding the Space of the City. In: Hallam, Julia and Kronenburg, Robert and Koeck, Richard and Roberts, Les, eds. Cities in Film: Architecture, Urban Space and the Moving Image. University of Liverpool, Liverpool. ISBN 978-0-9557884-1-3. (KAR id:9609)
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Fontana-Giusti, Gordana (2016) The Landscape of the Mind: A Conversation with Bernard Tschumi. Architecture and Culture, 4 (2). pp. 263-280. ISSN 2050-7828. E-ISSN 2050-7836. (doi:10.1080/20507828.2016.1176432) (KAR id:55255)
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Fontana-Giusti, Gordana, Schumacher, Patrik (2004) Zaha Hadid: The Complete Works. Thames and Hudson Ltd London /Rizzoli New York, London, 448 pp. ISBN 978-0-500-34200-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:3242)
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G

Grant, Catherine A. (2000) Allegories of underdevelopment: Aesthetics and politics in modern Brazilian cinema. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16154)

Grant, Catherine A. (2000) Based on a true story: Latin American history at the movies. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16153)

Grant, Catherine A. (2000) New Latin American cinema, Vol 1, Theory, practices and transcontinental articulation, Vol 2, Studies of national cinemas. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16151)

Grieve, Jonathan (2017) The Efficacy of Symbolic Action Investigating the Creation and Effect of Symbolic Action on Performers and Audiences in the Performance, The Passion of Lady Vendredi. Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:61665)
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Guerin, Frances (2019) Aesthetic Spaces: The Place of Art in Film by Brigitte Peucker. Review of: Aesthetic Spaces: The Place of Film in Art by Peucker, Brigitte. Film Quarterly, 73 (1). pp. 107-109. ISSN 0015-1386. (doi:10.1525/fq.2019.73.1.107) (KAR id:76295)
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Guerin, Frances (2018) Four White Walls. Hecate Journal, 44 (1). pp. 191-195. ISSN 0311-4198. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:80446)
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Guerin, Frances (2006) The Perpetrator in Focus: Turn of the Century Holocaust Remembrance in "The Specialist". Law Text Culture, 10 . pp. 167-193. ISSN 1332-9060. (KAR id:43380)
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Guerin, Frances (2018) The Truth is Always Grey: A History of Modernist Painting. University of Minnesota Press, Minneapolis, United States, 347 pp. ISBN 978-1-5179-0045-8. E-ISBN 978-1-4529-5724-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44627)
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Guerin, Frances (2008) www.francesguerin.com. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45710)

H

Hamling, Tara, Richardson, Catherine (2017) A Day at Home in Early Modern England: Material Culture and Domestic Life, 1500-1700. Yale University Press, London, UK, 320 pp. ISBN 978-0-300-19501-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51353)

Hankey, A.T. (1991) Riccobaldo-of-ferrara and giotto, an update. Journal of the Warburg and Courtauld Institutes, 54 . p. 244. ISSN 0075-4390. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22967)

Herbert, Ruth (2002) After Death (Evgenii Bauer, music performed by Triptych). British Film Institute Item format: DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77536)

Herbert, Ruth (2001) Oscar Wilde's Lady Windermere's Fan. British Film Institute Publications Item format: VHS. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77537)

I

Irvin, Sherri, Nanay, Bence, Schellekens, Elisabeth, Smith, Murray (2019) Is Psychology Relevant to Aesthetics? Estetika: The Central European Journal of Aesthetics, . pp. 87-138. ISSN 2571-0915. E-ISSN 0014-1291. (KAR id:73454)
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Johnson, Colin G. (2012) Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? In: Evolutionary and Biologically Inspired Music, Sound, Art and Design First International Conference. Lecture Notes in Computer Science . Springer, Berlin, Germany, pp. 129-140. ISBN 978-3-642-29141-8. E-ISBN 978-3-642-29142-5. (doi:10.1007/978-3-642-29142-5_12) (KAR id:70977)
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Jordanous, Anna (2014) Review of Digital Da Vinci: Computers in the Arts and Sciences (2014, Springer). Review of: Digital Da Vinci: Computers in the Arts and Sciences (2014, Springer) by UNSPECIFIED. ACM Computing Reviews, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43990)

Jordanous, Anna (2015) Review: Hacking choreography: dance and live coding: [Sicchio K. Computer Music Journal 38 (1): 31-39, 2014. ]. Review of: Hacking choreography: dance and live coding Sicchio K. Computer Music Journal 38 (1): 31-39, 2014. Type: Article by UNSPECIFIED. ACM Computing Reviews, . p. 1. (doi:CR143411) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:48325)

K

Kear, Jon (1996) Claude Monet; Life and art - Tucker,PH. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19275)

Kear, Jon (1996) Early modernism - Butler,C. Oxford Art Journal, 19 (2). pp. 119-121. ISSN 0142-6540. (doi:10.1093/oaj/19.2.119) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19273)

Kear, Jon (2013) A Judgment on Judgment: Milosevic On Trial. In: Rothermel, Dennis, ed. A Critique of Judgment on Film and Television. Palgrave, pp. 142-163. ISBN 978-1-137-01418-4. (KAR id:31661)
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Kear, Jon (1999) Manet's modernism or, the face of painting in the 1860s. Review of: Manet's Modernism: or, The Face of Painting in the 1860s by UNSPECIFIED. Burlington Magazine, 141 (1154). pp. 294-296. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16883)

Kear, Jon (1996) Monet on the Normandy coast; Tourism and painting, 1867-1886 - Herbert,RL. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19274)

Kear, Jon (1997) Seurat and The 'Bathers'. Magazine, 139 (1135). pp. 709-711. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18138)

Kear, Jon (2009) Spectres of the Past, Inhabitations of the Present’: Jochen Gerz’s Public Monuments'. In: Lamberti, Eleanora and Fortunati, Vita, eds. Memories and Representations of War: The Case of World War I and World War II. Textxet Studies in Comparative Literature . Rodopi, Netherlands, pp. 33-49. ISBN 978-90-420-2521-9. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31510)
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Kear, Jon (1995) Street Noises -Parisian Pleasure,1900-1940 - RIFKIN,A. Art History, 18 (1). pp. 112-118. ISSN 0141-6790. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19640)

Kear, Jon (2007) Une Chambre Mentale: Proust's Solitude. In: Hendrix, Harald, ed. Writers' Houses and the Making of Memory. Routledge, New York/Oxon, pp. 221-235. ISBN 978-0-415-95742-7. (KAR id:31663)
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Klich, Rosemary E. (2014) ‘Amplifying Sensory Spaces: Headphone Theatre’. In: "Media, Politics, Performance Conference", Fast Forward Festival, 5th-7th May, 2014, Onassis Cultural Centre, Athens.. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45595)

Klich, Rosemary E. (2017) Amplifying Sensory Spaces: The In and Outputs of Headphone Theatre. Contemporary Theatre Review, 27 (3). pp. 366-378. ISSN 1048-6801. E-ISSN 1477-2264. (doi:10.1080/10486801.2017.1343247) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45525)

Klich, Rosemary E. (2010) Copies, Robots, Mutants, and the Unfinished Human. In: (re)-Performing the Posthuman Conference, 21st-22nd May 2010, University of Sussex, Brighton.. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45589)

Klich, Rosemary E. (2006) During Intermediality: Remediation and Virtuality in Multimedia Theatre. In: Australasian Drama Studies Association Annual Conference, July 2006, University of Sydney. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45580)

Klich, Rosemary E. (2015) Fleshing Out: Intermedial Bodies, Digital Plasticity and the Dancer-in-Code. Dance Research Journal of Korea, . (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44798)

Klich, Rosemary E. (2013) "Fleshing Out: The Body in Intermedial Dance". In: International Symposium of the Korean Society of Dance, 2nd November 2013, Sungkyunkwan University in Seoul, Korea. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45592)

Klich, Rosemary E. (2014) ‘The In and Outputs of Headphone Theatre’. In: Annual Conference of Theatre and Performance Research Association, 3rd-5th September 2014, Royal Holloway. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45594)

Klich, Rosemary E. (2010) Instance: The Builder’s Association. In: Bay Cheng, Sarah and Lavender, Andy and Nelson, Robin and Kattenbelt, Chiel, eds. Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, pp. 149-156. ISBN 978-90-8964-255-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45392)

Klich, Rosemary E. (2013) “InterMEdiation and the InterMEdial System”. In: International Federation for Theatre Research Annual Conference, 22nd – 26th July 2013, Institut del Teatre, Barcelona. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45593)

Klich, Rosemary E. (2013) Intermediality, Complexity and Emergence. In: Colloquium of Performance Research., 18th January 2013, Centre for Intermediality at the Royal Central School of Speech and Drama. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45588)

Klich, Rosemary E. (2005) Into Virtuality: Interactivity and Immersion in New Media Performance. In: E-Performance and Plug-ins, December 2005, University of New South Wales, Sydney. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45579)

Klich, Rosemary E. (2014) Mediation, Trace and Space in Dance Theatre: Already Elsewhere. In: Baxter, Virginia and Brannigan, Erin, eds. Bodies of Thought: 12 Australian Choreographers. Wakefield Press, Adelaide. ISBN 978-1-74305-241-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45388)

Klich, Rosemary E. (2012) “Participate or Else”. In: Performance Studies International Conference 18, 27th June-1st July 2012., University of Leeds. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45591)

Klich, Rosemary E. (2013) Performing Poetry and the Postnarrative Text in the Theatre of New Media. Contemporary Theatre Review, 23 (3). pp. 421-431. ISSN 1048-6801. (doi:10.1080/10486801.2013.806322) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31599)

Klich, Rosemary E. (2010) "Performing at a Distance: Place, Pattern and Posthumanism". In: International Federation for Theatre Research Annual Conference, July 2010, LMU Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45585)

Klich, Rosemary E. (2006) Performing ‘Posthuman’ Perspective: Remediation and Virtuality in New Media Performance. In: International Federation for Theatre Research Annual Congress, Helsinki, Finland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45581)

Klich, Rosemary E. (2007) Staging Space: Performing Plasticity and Plastic Performance. In: Annual Conference of the Theatre and Performance Research Association (TaPRA), 5th-7th September 2007, University of Birmingham. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45583)

Klich, Rosemary E. (2015) Systems of Spectatorship: Blast Theory’s Aesthetic of Emergence. In: Depestel, David and Pewny, Katherina and Stalpaert, Christel and Coppens, Jeroen, eds. Unfolding Spectatorship: Re-Evaluating the Spectator’s Corporeal Engagement. Academia Press. ISBN Not yet available. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31600)

Klich, Rosemary E. (2011) Systems of Spectatorship: Presence, Play and Performance in Blast Theory’s Games. In: “The Gaze is Us”, 23rd March 2011, Vooruit Centre for the Arts. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45587)

Klich, Rosemary E. (2013) Work in Progress: Audience Engagement and an ‘Aesthetic of Unfinish’ in Richard Schechner’s Imagining O. Body, Space and Technology, 11 (2). ISSN 1470-9120. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45379)

Klich, Rosemary E. (2012) The ‘unfinished’ subject: Pedagogy and performance in the company of copies, robots, mutants and cyborgs. International Journal of Performance Arts and Digital Media, 8 (2). pp. 155-171. ISSN 1479-4713. (doi:10.1386/padm.8.2.155_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31601)

Klich, Rosemary E. and Mitchell, Roanna and Dennis, Krysta (2014) Through the Grapevine: A Performed Wine Tasting (2013) and (2014). Performance type: Live play , 2014: 23rd, 24th October, 2014, Mrs Jones’ Kitchen, Canterbury: 26th and 27th April, 2013 Lumley Studio, University of Kent., Mrs Jones Kitchen, Canterbury and Lumley Studio, University of Kent.. Performance and documentation. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45498)

Korolija Fontana-Giusti, Gordana City, Public Spaces and Urban Choreography. In: CUMULUS Conference Utrecht, November 2004, Academy of Fine Arts Utrecht. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10661)

Korolija Fontana-Giusti, Gordana The Importance of Good Design. In: Cityscape 2007 - Interdisciplinary Conference, February 2007, London, Earls Court. (Unpublished) (KAR id:14920)
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Korolija Fontana-Giusti, Gordana (2005) The Status of the Categories of the Virtual and the Real in Contemporary Architecture and Urban Design. In: CATH 2005 Conference "Ethics and Politics of Virtuality and Indexicality", 1 July 2005, University of Leed, Bradford site. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10618)

Korolija Fontana-Giusti, Gordana and Mohammed, Abdul and Kueppers, Stefan and Robertson, Nick and Choudhary, Vineet and Purkayastha, Sharbari and Eno, Brian (2006) London Loves the Thames - Flows and Assemblages - Movie. Central Saint Martins College of Art and Design film. (KAR id:10289)
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Maes, Hans R.V. (2008) Challenging Partial Intentionalism. Journal of Visual Art Practice, 7 (1). pp. 85-94. ISSN 1470-2029. (doi:10.1386/jvap.7.1.85_1) (KAR id:31436)
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Maes, Hans R.V. (2014) Erotic Art. Stanford Encyclopedia of Philosophy, . pp. 1-50. ISSN 1095-5054. (KAR id:56968)
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Maes, Hans R.V. (2010) Intention, Interpretation, and Contemporary Visual Art. British Journal of Aesthetics, 50 (2). pp. 121-138. ISSN 0007-0904. (doi:10.1093/aesthj/ayp051) (KAR id:31439)
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Maes, Hans R.V., ed. (2013) Pornographic Art and the Aesthetics of Pornography. Palgrave, 306 pp. ISBN 978-0-230-36820-0. (KAR id:50381)
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Marotti, Ferruccio and Tinti, Luisa and Allain, Paul (2005) Il Principe Costante di Jerzy Grotowski Riconstruzione, with subtitles in English. Centro Teatro Ateneo - University of Rome 'La Sapienza' DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2217)

Misek, Richard (2018) "All I have to offer is myself”: the film-maker as narrator. In: Vassilieva, Julia and Williams, Deane, eds. Beyond the Essay Film: Subjectivity, Textuality and Technology. Bloomsbury, London, UK. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72001)

Misek, Richard (2020) ‘Real-time’ virtual reality and the ideology of immersion. Screen, . ISSN 0036-9543. E-ISSN 1460-2474. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:76776)
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Misek, Richard (2018) Six of Seven Things I Know About The Video Essay. In: UNSPECIFIED, 12 April 2018, Monash University, Melbourne, Australia. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72003)

Misek, Richard and Shackleton, Charlie and Raby, Oscar (2019) A Machine for Viewing. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:83240)

Mitchell, Roanna (2015) The Body That Fits The Bill: Physical Capital and ‘Crises’ of the Body in Actor Training. About Performance, 15 (1). pp. 137-156. ISSN 1324-6089. (KAR id:70120)
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Murray-Rust, Dave, von Jungenfeld, Rocio (2015) Lichtsuchende. Interactions, 23 (1). pp. 14-15. ISSN 1072-5520. (doi:10.1145/2853201) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58627)

Murray-Rust, Dave and von Jungenfeld, Rocio (2018) Lichtsuchende @MachineGods. Machine Gods: Art in the Age of Technology, 17 Nov 2018 - 2 Jun 2019, Scottish National Gallery of Modern Art (Modern Two), Edinburgh. Video (documentation). (KAR id:78696)
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Murray-Rust, Dave and von Jungenfeld, Rocio (2015) Lichtsuchende: exploring the emergence of a cybernetic society. In: Johnson, Colin and Carballal, Adrian and Correia, Joao, eds. Evolutionary and Biologically Inspired Music, Sound, Art and Design. EvoMUSART 2015. Lecture Notes in Computer Science . Springer, Cham, Switzerland, pp. 161-174. ISBN 978-3-319-16497-7. E-ISBN 978-3-319-16498-4. (doi:10.1007/978-3-319-16498-4_15) (KAR id:58637)
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Norman, Will (2016) Transatlantic Aliens: Modernism, Exile, and Culture in Midcentury America. Hopkins Studies in Modernism . Johns Hopkins University Press, Baltimore, United States, 288 pp. ISBN 978-1-4214-2094-3. (KAR id:55179)
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Padwick, Steuart (2019) Voice over performance in Talk To Me. Performance type: Other designjunction 2019, 13-22 Sep 2019, London, United Kingdom. Audio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78730)

Parkins, Wendy J. (2015) “Feeling for Beauty”. The Senses and Society, 10 (1). pp. 26-38. ISSN 1745-8927. E-ISSN 1745-8935. (doi:10.2752/174589315X14161614601646) (KAR id:62014)
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Pooke, Grant F. (2010) Contemporary British Art: An Introduction. Routledge, 304 pp. ISBN 978-0-415-38974-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31594)

Pooke, Grant F. (1994) Larionov,mikhail and the russian avant-garde - parton,a. Art History, 17 (4). pp. 685-686. ISSN 0141-6790. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19951)

Pooke, Grant F., Callow, John, Powell, Jane (2011) The Art of Revolution: Illustrated by the Collection of the Marx Memorial Library. Evans Mitchell Books, 96 pp. ISBN 978-1-901268-60-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31595)

Pooke, Grant F. and Newall, Diana M., eds. (2012) Fifty Key Texts in Art History. Routledge Key Guides . Routledge, 288 pp. ISBN 978-0-415-48705-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31596)

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Quirk, Sophie (2017) The "All is Lost" Moment. In: Comedy, Populism and Donald Trump, 15th November 2017, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65208)

Quirk, Sophie (2016) Comedy clubs offered a better quality of debate than the political stage. Centre for the Study of Journalism, Culture & Community, Bournemouth University, 118 pp. ISBN 978-1-910042-09-0. E-ISBN 978-1-910042-08-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56306)

Quirk, Sophie (2011) Containing the Audience: The 'Room' in Stand-up Comedy. Participations: Journal of Audience & Reception Studies, 8 (2). pp. 219-238. ISSN 1749-8716. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50196)

Quirk, Sophie (2014) Does Popular Comedy Change the Way We Think? In: ISHS Conference 2014, 7-11 July 2014, Utrecht, Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65217)

Quirk, Sophie (2017) Joke as Text vs Joke as Performance. In: Artificial Intelligence and Comedy Conference, 25th November 2017, Oxford University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65207)

Quirk, Sophie (2014) Manipulation and the Dark Arts in Stand-up Comedy and Stage Magic. In: TaPRA Conference 2014, 3-5 Sept 2014, Egham, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65214)

Quirk, Sophie (2018) The Politics of British Stand-up Comedy: The New Altenative. Palgrave Macmillan, 131 pp. ISBN 978-3-030-01104-8. (doi:10.1007/978-3-030-01105-5) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:69995)

Quirk, Sophie (2015) Preaching to the Converted? How Political Comedy Matters. In: UNSPECIFIED, 25 Mar 2015, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65212)

Quirk, Sophie (2014) Review, Joan Rivers: A Piece of Work, Ricki Stern and Annie Sundberg (dirs). Review of: Joan Rivers: A Piece of Work by Stern, Ricki and Sundberg, Annie. Comedy Studies, 2 (2). pp. 185-186. ISSN 2040-610X. E-ISSN 2040-6118. (doi:10.1386/cost.2.2.185_4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64791)

Quirk, Sophie (2016) Stand-up Comedy: Resistance or Reinforcement? In: Comedy and Critical Thought, 3-4 May 2016, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65209)

Quirk, Sophie (2016) Suspicion and Resistance: How Stand-up Comedians Combat Manipulation and Illusion. In: TaPRA Conference 2016, 5-7 September 2016, Bristol, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65216)

Quirk, Sophie (2017) What's Special About Stand-up Comedy? Josie Long's Lost Treasures of the Black Heart. In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Bloomsbury, pp. 223-246. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60710)

Quirk, Sophie (2015) What's at Stake for Comedy Audiences? Stand-up as an Ideological Battleground. In: TaPRA Conference 2015, 8-10 Sept 2015, Worcester, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65215)

Quirk, Sophie (2010) Who's in charge? Negotiation, manipulation and comic licence in the work of Mark Thomas. Comedy Studies, 1 (1). pp. 113-124. ISSN 2040-610X. (doi:10.1386/cost.1.1.113/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49839)

Quirk, Sophie (2015) Why Stand-up Matters: How Comedians Manipulate and Influence. Bloomsbury Academic, 248 pp. ISBN 978-1-4725-7892-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50198)

Quirk, Sophie, Sharkey, Tom, Wilson, Ed (2019) Joking: uses and abuses of humour in the election campaign. Centre for Comparative Politics and Media Research, University of Bournemouth / Political Studies Association (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82365)

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Radosavljevic, Duška (2010) Another Someone. Review of: Another Someone by UNSPECIFIED. The Stage, . p. 20. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45369)

Radosavljevic, Duška (2014) The Artist is Busy. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41720)

Radosavljevic, Duška (2014) Baby Boom. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41719)

Radosavljevic, Duška (2010) Birds with Skymirrors. Review of: Birds with Skymirrors by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45349)

Radosavljevic, Duška (2014) Blind Hamlet. Review of: Blind Hamlet by UNSPECIFIED. Exeunt, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45347)

Radosavljevic, Duška (2005) Carmen Angel. Review of: Carmen Angel by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45358)

Radosavljevic, Duška (2012) A Ceremony of Carols - Richard Alston Dance Company. Review of: A Ceremony of Carols - Richard Alston Dance Company by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45350)

Radosavljevic, Duška (2013) Changing Scenes. . Exeunt website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36837)

Radosavljevic, Duška (2012) Circus as the Time and Space for Thinking. . PDF. (KAR id:36830)
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Radosavljevic, Duška (2013) Community Innovation. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36831)

Radosavljevic, Duška (2007) A Companion to Shakespeare and Performance. Review of: A Companion to Shakespeare and Performance by UNSPECIFIED. Theatre Research International, . pp. 204-205. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45365)

Radosavljevic, Duška, ed. (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, 288 pp. ISBN 978-0-415-53530-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31452)

Radosavljevic, Duška (2012) Cymbeline. Review of: Cymbeline by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45355)

Radosavljevic, Duška (2012) Devising as a Historical Category. In: Devising Dramaturgy: A Shared Space – Symposium for the Makers, Prague Quadrennial. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45335)

Radosavljevic, Duška (2012) Dramaturgies of Togetherness. In: Play: Relational Aspects of Dramaturgy, University of Ghent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45336)

Radosavljevic, Duška (2013) Dubrovnik Summer Festival: Father Courage. . Exeunt website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36836)

Radosavljevic, Duška (2012) Encounters in Stratford-upon-Avon. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36835)

Radosavljevic, Duška (2009) England. Review of: England by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45353)

Radosavljevic, Duška (2013) The Ensemble Way of Working and Playwrighting. In: Turning the Page: Creating New Writing 1945-2013. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45331)

Radosavljevic, Duška (2010) The Ensemble Way of Working. In: Encountering Ensemble, University of Huddersfield. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45343)

Radosavljevic, Duška (2010) An Evening with Dementia. Review of: An Evening with Dementia by UNSPECIFIED. The Stage, . p. 22. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45371)

Radosavljevic, Duška (2014) FE 365. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45364)

Radosavljevic, Duška (2008) From Milford Haven to Milford Junction: The Golden Age of Kneehigh. In: Cultures of Translation: Adaptation in Film and Performance, Glamorgan University, Cardiff. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45341)

Radosavljevic, Duška (2010) Harlekin. Review of: Harlekin by UNSPECIFIED. The Stage, . p. 19. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45366)

Radosavljevic, Duška (2013) Hidden in the Sand. Review of: Hidden in the Sand by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45348)

Radosavljevic, Duška (2012) How to Move a Critic. In: Cultural Criticism in the Digital Age: Media, Purposes, and the Status of the Critic Symposium, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45334)

Radosavljevic, Duška (2010) Howard Barker Day. Western European Stages, 22 (2/3). pp. 63-66. ISSN 1050-1991. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31441)

Radosavljevic, Duška (2012) Hugh Hughes- Stories from an Invisible Town. Review of: Hugh Hughes - Stories from an Invisible Town by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45356)

Radosavljevic, Duška (2010) I, Claudia. Review of: I, Claudia by UNSPECIFIED. The Stage, . p. 20. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45372)

Radosavljevic, Duška (2013) Interview with Adriano Shaplin. Routledge Performance Archive website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43440)

Radosavljevic, Duška (2010) Interview with Howard Barker. Western European Stages, 22 (2-3). pp. 67-70. ISSN 1050-1991. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:33124)

Radosavljevic, Duška (2013) Interview with Mike Alfreds. Routledge Performance Archive Item format: website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43439)

Radosavljevic, Duška (2004) Joe. Review of: Joe by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45357)

Radosavljevic, Duška (2015) Kneehigh Theatre. In: British Theatre Companies 1995-2014. Methuen Bloomsbury. ISBN 978-1-4081-7727-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41721)

Radosavljevic, Duška (2012) Kotor Festival of Children's Theatre. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36834)

Radosavljevic, Duška (2009) Les Trois Mousquetaires. Review of: Les Trois Mousquetaires by UNSPECIFIED. The Stage, . p. 19. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45373)

Radosavljevic, Duška (2010) Mary and William. Review of: Mary and William by UNSPECIFIED. The Stage, . p. 20. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45367)

Radosavljevic, Duška (2009) Michael Clark - New Work. Review of: Michael Clark - New Work by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45361)

Radosavljevic, Duška (2007) A Midsummernights Tree. Review of: A Midsummernight's Tree by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45351)

Radosavljevic, Duška (2012) Mike Alfreds on Adaptation. Journal of Adaptation in Film and Performance, 5 (3). pp. 315-323. ISSN 1753-6421. (doi:10.1386/jafp.5.3.315_7) (KAR id:36829)
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Radosavljevic, Duška (2014) The Mums and Babies Ensemble. In: Fun Places Festival, 3 October 2014, Lyric Hammersmith Theatre, Lonodn. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45328)

Radosavljevic, Duška (2014) The Mums and Babies Ensemble. In: GIFT Festival, Gateshead. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45329)

Radosavljevic, Duška (2005) An Oak Tree. Review of: An Oak Tree by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45362)

Radosavljevic, Duška (2012) Occupare! . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36833)

Radosavljevic, Duška (2013) The Old King. Review of: The Old King by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45352)

Radosavljevic, Duška (2013) On Audience and Authorship. In: Lifting the Curtain on Audience and Authorship, Institute of Contemporary Arts, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45330)

Radosavljevic, Duška (2011) On Impact. In: Invisible Presences Conference,, Queens University Belfast. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45337)

Radosavljevic, Duška (2014) On the Virtues of ‘Open Source’ Innovation in the Arts. In: Svich, Caridad, ed. TCG. TCG. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43800)

Radosavljevic, Duška (2011) On the Wrestling School. In: Brown, Mark, ed. Howard Barker Interviews 1980-2010: Conversations in Catastrophe. Intellect, Bristol, pp. 181-185. ISBN 978-1-84150-398-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31450)

Radosavljevic, Duška (2010) Others. Review of: Others by UNSPECIFIED. The Stage, . p. 20. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45370)

Radosavljevic, Duška (2014) The Place of a Dramaturg in Twenty-First-Century England. In: The Routledge Companion to Dramaturgy. Routledge, pp. 40-44. ISBN 0-415-65849-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41722)

Radosavljevic, Duška (2013) Porous Dramaturgies: Reflections on the first weekend. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36832)

Radosavljevic, Duška (2014) The Problem of Page and Stage in Russian and British Productions of Shakespeare. Arts Studies Quarterly, (2). ISSN 0032-9371. (KAR id:42001)
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Radosavljevic, Duška (2009) Research Methodologies for a Consideration of the ‘Ensemble Way of Working'. In: TaPRA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45339)

Radosavljevic, Duška (2012) The Return to Brecht in the Twenty-First Century. In: TaPRA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45333)

Radosavljevic, Duška (2014) Risk and Reinvention. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43384)

Radosavljevic, Duška (2008) Sarah Kane's Illyria: A Balkan reading of Blasted. In: 'Sarah Kane: A Reassessment', University of Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45342)

Radosavljevic, Duška (2011) 'Shared Utopias? Alan Lyddiard, Lev Dodin and the Northern Stage Ensemble’. In: Pitches, Jonathan, ed. Russians in Britain: British Theatre and the Russian Tradition of Actor Training. Routledge, pp. 139-166. ISBN 978-0-415-59100-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31451)

Radosavljevic, Duška (2013) The Spanish Tragedy. Review of: The Spanish Tragedy by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45354)

Radosavljevic, Duška (2010) Spring Awakening. Review of: Spring Awakening by UNSPECIFIED. The Stage, . p. 21. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45374)

Radosavljevic, Duška, ed. (2016) Theatre Criticism: Changing Landscapes. Methuen Bloomsbury, London, 352 pp. ISBN 978-1-4725-7709-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41728)

Radosavljevic, Duška (2014) Theatre as an Intellectual Concertina: Simon Stephens in Conversation with Duska Radosavljevic. In: Laera, Margherita, ed. Theatre and Adaptation: Return, Rewrite, Repeat. Methuen Bloomsbury, pp. 255-268. ISBN 978-1-4081-8472-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36828)

Radosavljevic, Duška (2013) Theatre-Making – Bridging the Gap Between Text-Based and Devised Theatre in the English-Speaking World. In: International Federation for Theatre Research conference, Barcelona. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45332)

Radosavljevic, Duška (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31453)

Radosavljevic, Duška (2015) Theatre-Making: The End of Directing as We Know It. In: Popovici, Iulia, ed. The Playwright-Director: New European Theatre-Makers. Sibiu Festival. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44122)

Radosavljevic, Duška (2010) The Tiger Lillies - The Songs of Shockheaded Peter and Other Gory Verses. Review of: The Tiger Lillies - The Songs of Shockheaded Peter and Other Gory Verses by UNSPECIFIED. The Stage, . p. 19. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45375)

Radosavljevic, Duška (2014) To Create a New Kind of Flower. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45345)

Radosavljevic, Duška (2010) Tokyo Love Song. Review of: Tokyo Love Song by UNSPECIFIED. The Stage, . p. 19. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45368)

Radosavljevic, Duška (2014) Towards Performed Dramaturgy. In: Trencsenyi, Katalin and Cochrane, Bernadette, eds. New Dramaturgy: International Perspectives on Theory and Practice. Methuen Bloomsbury, pp. 68-79. ISBN 978-1-4081-7708-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36826)

Radosavljevic, Duška and Milatovic-Ovadia, Maja (2015) (un)decorated. Performance type: Live play , London. live performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45346)

Radosavljevic, Duška, Portmann, Alexandra (2013) Serbian Hamlet Meets Fortinbras from Yorkshire. In: Eastern European Hamlets, Royal Central School of Speech and Drama, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45344)

Radosavljevic, Duška, Rodosthenous, George (2016) Reversing the Process: Investigating Multi-Disciplinary Compositional Practices in The Fall of Icarus [2009]. Theatre Topics, 26 (1). pp. 105-116. ISSN 1054-8378. E-ISSN 1086-3346. (doi:10.1353/tt.2016.0018) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41727)

Rodosthenous, George and Radosavljevic, Duška (2012) The Gift of Pygmalion. Performance type: Live play , 2012, Leeds/Munich. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41723)

Rodosthenous, George and Radosavljevic, Duška (2007) The Symposium: adaptation of Plato's Symposium. Performance type: Live play , Leeds. live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41726)

Rodosthenous, George and Radosavljevic, Duška and Zavros, Demetris (2009) The Fall of Ikarus. Performance type: Live play , Koln. live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41725)

Rodosthenous, George and Zavros, Demetris and Radosavljevic, Duška (2011) Othello's Revenge. Performance type: Live play , Munich/Munster/Berlin. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41724)

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Samdanis, Marios, Lee, Soo Hee (2018) Uncertainty, strategic sensemaking and organisational failure in the art market: What went wrong with LVMH's investment in Phillips auctioneers? Journal of Business Research, 98 . pp. 475-488. ISSN 0148-2963. (doi:10.1016/j.jbusres.2018.08.030) (KAR id:69753)
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Shaughnessy, Nicola (2012) Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice. Palgrave, Basingstoke, 312 pp. ISBN 978-0-230-24133-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31526)

Shaughnessy, Nicola (2011) Knowing Me, Knowing You: Autism, Kinesthetic Empathy and Applied Performance. In: Reynolds, Deirdre and Reason, Matthew, eds. Kinesthetic Empathy in Creative and Cultural Practices. Intellect, Bristol, pp. 33-50. ISBN 978-1-84150-491-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31539)

Shaughnessy, Nicola and Barnard, Philip, eds. (2019) Performing Psychologies: Imagination, Creativity and Dramas of the Mind. Performance and Science . Methuen Drama, London, UK, 264 pp. ISBN 978-1-4742-6086-2. (KAR id:70558)
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Skillen, Tony J. (1999) Ethics, evil, and fiction. Review of: Ethics, evil, and fiction by McGinn, Colin. British Journal of Aesthetics, 39 (4). pp. 434-435. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16625)

Smith, Murray (1992) Coming to terms - the rhetoric of narrative in fiction and film - Chatman,S. Journal of Aesthetics and Art Criticism, 50 (3). pp. 253-254. ISSN 0021-8529. (doi:10.2307/431236) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22237)

Stanfield, Peter (2017) The Who and Pop Art: the simple things you see are all complicated. Journal of Popular Music Studies, 29 (1). Article Number 12203. ISSN 1524-2226. E-ISSN 1533-1598. (doi:10.1111/jpms.12203) (KAR id:59910)
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Stähler, Axel (2006) Review of Gordon Campbell (ed), 'The Oxford Dictionary of the Renaissance'. Review of: The Oxford Dictionary of the Renaissance by Campbell, Gordon. Archiv für das Studium der neueren Sprachen und Literaturen, 158 . pp. 154-157. ISSN 0003-8970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2459)

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Thomas, Ben D. H. (2012) Disegno: Superficial Line or Universal Design? In: MacCarthy, Ita, ed. Renaissance Keywords. Legenda Main . Oxford University Press/Legenda, Oxford, pp. 27-40. ISBN 978-1-907975-29-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31502)

Thomas, Ben D. H. (2016) Freedom and Exile: Edgar Wind and the Congress for Cultural Freedom. In: Crossing Continents: Exile and Expatriate Histories of Art. Routledge. ISBN ???. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31620)

Todorovic, Dragan (2015) Closing The Book of Revenge. Performance type: Live play Conference ‘I too remember dust’ - Peacebuilding, Politics and the Arts, 7-8 September 2015, Winchester, UK. Video. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78133)

Todorovic, Dragan (2011) In My Language I am Smart. Deep Wireless Festival Item format: Audio file. (KAR id:78173)
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Todorovic, Dragan (2016) Who's Going to Talk About Small Towns? Earlid.org Item format: Audio file. (KAR id:78176)
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Trimingham, Melissa (2017) Ecologies of Autism: Vibrant Space in Imagining Autism. In: Mckinney, Joslin and Palmer, Scott, eds. Scenography Expanded: an Introduction to Contemporary Performance Design. Performance and Design . Bloomsbury - Methuen Drama, London, pp. 183-196. ISBN 978-1-4742-4438-1. E-ISBN 978-1-4742-4440-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59549)
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Trimingham, Melissa (2016) Gesamtkunstwerk, Gestaltung and the Bauhaus Stage. In: Menninger, Margaret and Imhoof, David and Steinhoff, Anthony, eds. The Total Work of Art : Foundatio, Articulations, Inspirations. Spektrum: Publications of the German Studies Association . Berghahn Books, New York and Oxford, 95 to 114. ISBN 978-1-78533-184-8. E-ISBN 978-1-78533-185-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59263)

Trimingham, Melissa (2010) 'Objects in transition: the puppet and the autistic child'. Journal of Applied Arts in Health, 1 (3). pp. 251-265. ISSN 2040-2457. (doi:10.1386/jaah.1.3.251_1) (KAR id:26300)
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Trimingham, Melissa (2018) Surprised by Beauty: Imagining Autism. In: Bunn, Stephanie, ed. Anthropology and Beauty. Aesthetics to Creativity . Routledge, Abingdon. ISBN 978-1-138-92879-4. E-ISBN 978-1-315-68156-6. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59550)
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Trimingham, Melissa (2011) The Theatre of the Bauhaus: the Modern and Postmodern Stage of Oskar Schlemmer. Routledge Advances in Theatre and Performance Studies . Routledge, New York and London, 214 pp. ISBN 978-0-415-40398-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26299)

Trimingham, Melissa (2012) bauhaus lighthouse: der bau als buehne das buehne als bau. In: bauhaus art as life. Konig, Cologne, pp. 200-203. ISBN 978-3-86335-163-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:29688)

Trimingham, Melissa and Shaughnessy, Nicola (2018) Imagining the Ecologies of Autism. In: Kemp, Ricl and McConachie, Bruce, eds. The Routledge Companion to Theatre, Performance and Cognitive Science. Routledge Companions . Routledge. ISBN 978-1-138-04889-8. (KAR id:59483)
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Vaage, Margrethe Bruun (2017) From The Corner to The Wire: On Nonfiction, Fiction, and Truth. Journal of Literary Theory, 11 (2). pp. 255-271. ISSN 1862-5290. E-ISSN 1862-8990. (doi:10.1515/jlt-2017-0023) (KAR id:63546)
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Van Uffelen, Vincent, von Jungenfeld, Rocio, Strang, David (2017) Flowing with the City. In: Research Through Design Conference, 22-25 March 2017, National Museum of Scotland, Edinburgh. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61173)

Varakis-Martin, Angeliki (2004) Research on the Ancient Mask. Didaskalia, 6 (1). E-ISSN 1321-4853. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44718)
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Vass-Rhee, Freya (2010) Auditory Turn: William Forsythe's Vocal Choreography. Dance Chronicle, 33 (3). pp. 388-413. ISSN 0147-2526. E-ISSN 1532-4257. (doi:10.1080/01472526.2010.517495) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54523)
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Vass-Rhee, Freya (2015) Distributed Dramaturgies: Navigating with Boundary Objects. In: Hansen, Pil and Callison, Darcey, eds. Dance dramaturgy: modes of agency, awareness and engagement. New world choreographies . Palgrave Macmillan, Basingstoke, Hampshire, pp. 87-105. ISBN 978-1-137-37321-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:52447)
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von Jungenfeld, Rocio (2014) Exploring the changing texture of the city. Champaign, IL: Common Ground. In: Lopez-Varela, Asuncion, ed. Cityscapes: world cities and their cultural industries. New Directions in the Humanities . Common Ground, Champaign, Illinois, US, pp. 394-407. ISBN 978-1-61229-370-7. E-ISBN 978-1-61229-371-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:58638)
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von Jungenfeld, Rocio (2011) Intersubjectivity and Intermediality in the Work of Serra. CLCWeb: Comparative Literature and Culture, 13 (3). ISSN 1481-4374. (doi:10.7771/1481-4374.1810) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58662)

von Jungenfeld, Rocio (2013) On the move with Artworks. In: International Biennial Conference Hybrid City II: Subtle rEvolutions. . University Research Institute of Applied Communication, Faculty of Communication and Media Studies, National and Kapodistrian University of Athens, Athens, Greece ISBN 978-960-99791-1-5. (KAR id:58650)
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von Jungenfeld, Rocio (2019) Portable projections: analyzing co-created site-specific video walks. Leonardo, . ISSN 0024-094X. E-ISSN 1530-9282. (doi:10.1162/leon_a_01794) (KAR id:70244)
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von Jungenfeld, Rocio (2017) Rebalancing media in environments: analysing flows of action. In: Balance Unbalanced 2017: A Sense of Place, 21-23 Aug 2017, Plymouth University. (KAR id:61337)
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von Jungenfeld, Rocio (2016) Walking with portable projections. Edinburgh DataShare video, stills, audio. Located at: University of Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59921)

von Jungenfeld, Rocio (2016) Walking with portable projections: a creative exploration into mediated perception in the environment. Doctor of Philosophy (PhD) thesis, University of Edinburgh. (KAR id:58564)
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von Jungenfeld, Rocio (2010) Wool & Skin_Ink (interactive poems) and Pielhache (print). The Arts Society, Newnham College Item format: Women and the Arts II (journal). (KAR id:58666)
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von Jungenfeld, Rocio (2015) The audiovisual ghetto blaster effect. In: ISEA2015 - 21st International Symposium of Electronic Art. . ISEA E-ISBN 978-1-910172-00-1. (KAR id:58633)
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von Jungenfeld, Rocio, Conradi, Ina (2020) WAVES: Crosscurrents of Art, Technology and Environments. In: AMPS Conference "Connections: exploring heritage, architecture, cities, art media", 29-30 Jun 2020, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81887)

von Jungenfeld, Rocio, Strang, David, Van Uffelen, Vincent (2015) The Urban Interface. In: MEDIACITY 5 International Conference and Exhibition, 1-3 May 2015, Plymouth University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58584)

von Jungenfeld, Rocio, Van Uffelen, Vincent (2017) Flowing with Polynesian Stick-charts. In: Balance Unbalance Conference: Sense of Place, 21-23 Aug 2017, i-DAT, Plymouth University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78726)

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Wang, Pan, Peng, Danlin, Li, Ling, Chen, Liuqing, Wu, Chao, Wang, Xiaoyi, Childs, Peter, Guo, Yike (2019) Human-in-the-Loop Design with Machine Learning. Proceedings of the Design Society: International Conference on Engineering Design, 1 (1). pp. 2577-2586. ISSN 2220-4342. (doi:10.1017/dsi.2019.264) (KAR id:78092)
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Wimmer, Lena Franziska (2015) Das ästhetische Paradox bei der Verarbeitung von fiktionalen vs. nicht-fiktionalen Texten [The aesthetic paradox when processing fictional vs. non-fictional texts]. Doctor of Philosophy (PhD) thesis, Heidelberg University. (doi:10.11588/heidok.00018232) (KAR id:69264)
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Wollen, Will (2016) Hard rigour, soft assessment, putting the student first: What can Universities learn from Conservatoires? In: Labanarium, 6 Jan 2017, Guildford, Surrey, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59805)

Wyles, Rosie (2016) Aristophanes and the French Translations of Anne Dacier. In: Walsh, Philip, ed. Brill's Companion to the Reception of Aristophanes. Brill's Companions to Classical Reception . Brill, Leiden, The Netherlands, pp. 195-216. ISBN 978-90-04-27068-8. (doi:10.1163/9789004324657) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:62895)

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Zamora, Diego, Monsen, Karl, von Jungenfeld, Rocio (2013) Crafting public space: findings from an interdisciplinary outdoor workshop on 3D printing. Participations Journal of Audience & Reception Studies, 10 (2). pp. 201-219. ISSN 1749-8716. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58649)

This list was generated on Mon Oct 26 22:20:34 2020 GMT.