Items where Subject is "N Visual Arts > N Visual arts (General). For photography, see TR"

A

Alexiades, Miguel (2013) Behind the looking glass-Amazonia and the contradictions of global consumption and production. In: Twenty-six hydrocarbon blocks. Blurb. (KAR id:48134)

Allain, Paul (2005) Grotowski’s ghosts. Contemporary Theatre Review, . pp. 46-59. ISSN 1048 6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1142)

Allain, Paul (2006) Routledge companion to Theatre and Performance. Routledge, 244 pp. ISBN 0-415-25721-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1134)

Allain, Paul (2006) Waking with one breath left. In: Attisani, Antonio, ed. Tracing Roads Across. EU funded. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1127)

Allain, Paul (2002) The art of stillness - The theatre practice of Tadashi Suzuki. Palgrave, 214 pp. ISBN 0-413-76960-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1131)

Allain, Paul, Ziolkowski, Grzegorz (2005) Polish Theatre After 1989: Beyond Borders. Contemporary Theatre Review, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2216)

Amirkhani, Jordan Haleh (2015) 'I am Failure's Success': Francis Picabia and the Enactment of Refusal. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.48374) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:48374)

Anderson, Michael (1995) Dying Acts -Death in Ancient Greek and Modern Irish Tragic Drama - Macintosh,F. Review of: Dying Acts: Death in Ancient Greek and Modern Irish Tragic Drama. By Fiona Macintosh. Cork: Cork University Press, 1994. Pp. xx + 212. by Macintosh, Fiona. Theatre Research International, 20 (3). p. 282. ISSN 0307-8833. (doi:10.1017/S0307883300008725) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19671)

Anderson, Michael (1995) The Law of Writ and the Liberty + Elizabethan Theatre and the Commedian-Dellarte. Theatre Research International, 20 (3). pp. 189-199. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19670)

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Bacon, Julie Louise (2013) Archival recollecting: the unstable realm of the visible. In: Gade, Rune and Borgreen, Gundhild, eds. Performing Archives/Archives of Performance. University of Copenhagen and Museum Tuscelanum Press, Copenhagen. ISBN 978-87-635-3750-6. (KAR id:31646)

Bacon, Julie Louise (2012) Liquid Archive: On Ambivalence. Other. Monash University Museum of Art, Melbourne, Australia (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31586)

Bacon, Julie Louise (2012) The Possibility of Impossible Dialogues. Desert Equinox, 1-23 September 2012, Broken Hill, Australia. Land Art. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31584)

Bacon, Julie Louise (2012) Signal. In: Signal, 30 October - 02 November 2012, Quebec. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31565)

Baker, James (2012) Mika Who... . Nottingham Contemporary Blog (KAR id:29640)

Baldwin, Thomas (2010) Ekphrasis and Related Issues in Diderot’s Salons. In: Fowler, James, ed. New Essays on Diderot. Cambridge University Press, Cambridge, pp. 234-247. ISBN 978-0-521-76956-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41916)

Baldwin, Thomas (2009) "Et tout le reste est littérature": Deleuze, Bacon and "Le Temps retrouvé". In: Watt, Adam, ed. 'Le Temps retrouvé': 80 ans après. Peter Lang, Oxford, pp. 267-278. ISBN 978-3-03911-843-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42002)

Baldwin, Thomas (2012) Photography and Painting in Proust’s 'A la recherche du temps perdu'. In: Baldwin, Thomas and Grigorian, Natasha and Rigaud-Drayton, Margaret, eds. Text and Image in Modern European Culture. Purdue University Press, West Lafayette, Indiana, pp. 76-87. ISBN 978-1-55753-628-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41914)

Baldwin, Thomas (2014) Speaking of "Nobody Spoke": Script for a Theory Installation by the Jackson Pollock Bar. In: Jackson, Matthew Jesse and Logsdail, Nicholas and Thornberry, Joanna, eds. Art & Language: Nobody Spoke (Exhibition Catalogue). Lisson Gallery, London, pp. 133-141. ISBN 978-0-947830-47-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77635)

Baldwin, Thomas and Grigorian, Natasha and Rigaud-Drayton, Margaret, eds. (2012) Text and Image Relations in Modern European Culture: Comparative Perspectives. Purdue University Press, West Lafayette, Indiana, 280 pp. ISBN 978-1-55753-628-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41903)

Bann, Stephen (1994) History and its Images - Art and the International of the Past - HASKELL,F. Oxford Art Journal, 17 (1). pp. 98-102. ISSN 0142-6540. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20370)

Barbe, F.A. (2006) Chimaera. Chimaera, 2006-2006, UK Tour. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1155)

Barbe, F.A. (2003) Fine bone china. Fine Bone China, March 2003-September 2003, UK Tour. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1149)

Barbe, F.A. (2003) Palpitation. Performance type: Other Palpitation, September 2003-September 2003, London/University of Kent, Canterbury. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1153)

Barbe, F.A. (2006) The way of Butoh and contemporary choreography. University of Kent DVD, text. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1144)

Barnard, Clio H. (2010) The Arbor. Artangel Media Feature film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40773)

Barnard, Clio H. (2017) Dark River. Theatre release data. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64065)

Barnard, Clio H. (2006) Dartford Crossing. Film. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1109)

Barnard, Clio H. (2006) Erith. DVD. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1107)

Barnard, Clio H. (2002) Flood. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1104)

Barnard, Clio H. (2001) Lambeth Marsh. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1103)

Barnard, Clio H. (2008) Plotlands - a site specific performance work incorporating film. , Friday 4 July 2008, Whitstable Biennale. Mixed. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40774)

Barnard, Clio H. (2004) Road race. Hopscotch Films Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1105)

Baugh, Christopher (2003) Our divine Shakespeare, fitly illustrated – staging Shakespeare, 1660-1900. In: Martineau, Jane, ed. Shakespeare in Art. Ferrara & London: Merrell, pp. 29-39. ISBN 1-85894-229-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1110)

Baugh, Christopher (2006) Scenography and technology, 1737-1843. In: Moody, Jane and O'Quinn, Daniel, eds. The Cambridge Companion to British Theatre 1737-1843. Cambridge University Press. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1115)

Baugh, Christopher (2004) Stage Design from Loutherbourg to Poel. In: Donohue, Joseph, ed. The Cambridge History of British Theatre, vol. II. Cambridge University Press, pp. 309-330. ISBN 0-521-65068-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1112)

Baugh, Christopher (2005) Theatre, Performance and Technology: the Development of Scenography in the Twentieth Century. Palgrave Macmillan, 272 pp. ISBN 1 4039 1696. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1114)

Behan, Tom (2008) Gillo Pontecorvo: Partisan Film-maker. Film International, vol. 6 (1). pp. 23-30. ISSN 1651-6826. (doi:10.1386/fiin.6.1.23) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10978)

Boenisch, Peter M (2006) Aesthetic art to aisthetic act. Theatre, media, intermedial performance. In: Kattenbelt, Chiel and Chapple, Freda, eds. Intermediality in Theatre and Performance. Amsterdam: Rodopi, pp. 103-116. ISBN 90-420-1629-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1165)

Boenisch, Peter M (2007) Decreation inc.: William Forsythe’s equations of bodies before the name. Contemporary Theatre Review, 17 (1). pp. 15-27. ISSN 1048-6801. (doi:10.1080/10486800601095982) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1157)

Boenisch, Peter M (2003) ElectrONic bodies. Corpo-realities in contemporary dance performance. Moving Bodies. Performance Research, 8 (4). 33 -41. ISSN 0-415-32133-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1159)

Boenisch, Peter M (2002) körPERformance 1.0. Theorie und analyse von Körper- und Bewegungsdarstellungen im zeitgenössischen theater. München: ePodium ISBN 3-9807394-6-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1163)

Bolaki, Stella and Ciricaite, Egidija, eds. (2017) Prescriptions : Artists' Books on Wellbeing and Medicine. Natrix Natrix Press, London, 126 pp. ISBN 978-0-9926244-3-9. (KAR id:63664)

Brittain-Catlin, Timothy (2003) Ackermann on Paper. Review of: Origins, Imitation, Conventions: Representation in the Visual Arts by Ackerman, James. Architectural Review, . pp. 96-97. ISSN 0003-861X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10646)

Brittain-Catlin, Timothy (2019) Book Review. Review of: Baroque between the wars: alternative style in the arts, 1918–1939 by Stevenson, Jane. The Journal of Architecture, 24 (1). pp. 114-118. ISSN 1360-2365. E-ISSN 1466-4410. (doi:10.1080/13602365.2019.1569386) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72571)

Brittain-Catlin, Timothy (2012) British Design 1948-2012. Review of: British Design 1948-2012 by UNSPECIFIED. World of Interiors, 2012 (April). p. 233. ISSN 0264-083X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:29015)

Brittain-Catlin, Timothy (2004) Candid camera. World of Interiors, . ISSN 0264-083X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9786)

Brittain-Catlin, Timothy (2002) Defeated by empiricism. Review of: 'Kant, art, and art history: moments of discipline' by Cheetham, Mark A.. Architectural Review, . p. 96. ISSN 0003-861X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10665)

Brittain-Catlin, Timothy (2007) Domus 1929-1999 (review). Review of: 'Domus 1929-1999' by Fiell, Charlotte and Fiell, Peter. World of Interiors, . p. 47. ISSN 0264-083X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9829)

Brittain-Catlin, Timothy (2013) 'Ecclesiology Abroad' (review). Review of: Ecclesiology Abroad: The British Empire and Beyond by Bremner, G.A.. Ecclesiology Today, (47/48). pp. 142-143. ISSN 1460-4213. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41335)

Brittain-Catlin, Timothy (2003) Hitler and the Power of Aesthetics. . - Arts of Darkness - book review. Review of: Hitler and the Power of Aesthetics by Spotts, Frederick. Architectural Review, . pp. 80-81. ISSN 0003-861X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10650)

Brittain-Catlin, Timothy (2007) Imagined interiors (review). Review of: Imagined interiors: representing the domestic interior since the renaissance by Aynsley, Jeremy and Grant, Charlotte. World of Interiors, . p. 40. ISSN 0264-083X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9833)

Brittain-Catlin, Timothy (2020) Port Lympne. In: Charlton, Susannah and Harwood, Elain, eds. 100 20th Century Gardens & Landscapes. Batsford, London, pp. 24-25. ISBN 978-1-84994-529-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80406)

Brittain-Catlin, Timothy (2009) 'Portmeirion' (book review). Review of: Portmeirion by Gerry, Leslie and Llywelyn, Robin. World of Interiors, 2009 (July). p. 25. ISSN 0264-083X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20152)

Brittain-Catlin, Timothy (2013) Put it there. World of Interiors, 2013 (Dec). pp. 130-137. ISSN 0264-083X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35985)

Brittain-Catlin, Timothy (2001) Space in time. Review of: 'The architecture of image: existential sapce in cinema' by Pallasmaa, Juhani. Architectural Review, . p. 96. ISSN 0003-861X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10627)

Brydon, Lavinia and Jenzen, Olu (2016) Exhibition Review: Pierdom by Simon Roberts. Review of: Pierdom by Roberts, Simon. NECSUS: European Journal of Media Studies, 5 (2). pp. 217-228. ISSN 2213-0217. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59446)

Burger, Bibi, Khosi, Motlatsi, Brydon, Lavinia (2020) A Review-Reflection on African Feminisms 2019: Theorising from the Epicentres of Our Agency, Wits University, Johannesburg, South Africa. Film Studies, 22 . pp. 65-75. ISSN 1469-0314. E-ISSN 2054-2496. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:79244)

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Cardwell, Sarah E. (2003) About time: theorizing adaptation, temporality, and tense. Literature Film Quarterly, 31 (2). pp. 82-92. ISSN 0090-4260. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1169)

Cardwell, Sarah E. (2002) Adaptation revisited: television and the classic novel. Manchester University Press, 232 pp. ISBN 0-7190-6045-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1167)

Cardwell, Sarah E. (2005) Andrew Davies. Manchester University Press, 227 pp. ISBN 0-7190-6491-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1168)

Cardwell, Sarah E. (2014) Persuaded? The impact of changing production contexts on three adaptations of 'Persuasion'. In: British Television Drama: Past, Present and Future. Palgrave Macmillan, Basingstoke, pp. 84-97. ISBN 978-1-137-32757-4. E-ISBN 978-1-137-32758-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54624)

Cardwell, Sarah E. F. (2015) A Sense of Proportion: Aspect Ratio and the Framing of Television Space. Critical Studies in Television, 10 (3). pp. 83-100. ISSN 1749-6020. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54623)

Cardwell, Sarah E. F. (2014) Television Amongst Friends: Medium, Art, Media. Critical Studies in Television, 9 (3). pp. 6-21. ISSN 1749-6020. E-ISSN 1749-6039. (doi:10.7227/CST.9.3.2) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:51443)

Cardwell, Sarah E. F. (2013) Television aesthetics: Stylistic analysis and beyond. In: Television Aesthetics and Style. Bloomsbury, London & New York, pp. 23-44. ISBN 978-1-4411-5751-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54620)

Carver, Gavin P. (2001) Computer visualisation for the theatre. Focal Press ISBN 0-240-51617-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1171)

Carver, Gavin P. (2001) John Fox. In: Bull, John, ed. Dictionary of Literary Biography Vol 245 British and Irish Dramatists Since World War II. London: Bruccoli Clark Layman, pp. 157-166. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1268)

Carver, Gavin P. and Beardon, C (2003) New visions in performance. In: Carver, Gavin P., ed. New Visions in Performance. Swets & Zeitlinger, pp. 167-182. ISBN 90-265-1966-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1173)

Chodzko, Adam (1997) 3 wege zum see: Group exhibition. 3 wege zum see, 1997, Künstlerhaus Klagenfurt, Austria. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47437)

Chodzko, Adam (2011) Again, A Time Machine. Again, A Time Machine: Make the Living Look Dead, 16 September to 9 October 2011, Spike Island, Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47309)

Chodzko, Adam (2010) Apocalypse Now: Krowswork Group Exhibition. Apocalypse Now, 2010, Hot Springs Documentary Festival, Oakland, California. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47314)

Chodzko, Adam (2014) Art Moves: Ghost. Performance type: Live play , 20 - 21 September 2014, Olympic Park, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47580)

Chodzko, Adam (2009) Artworks (for sale in exchange for visitors ideas). Artworks (for sale in exchange for visitors ideas), 29 May – 16 August 2009, Wilkinson Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47325)

Chodzko, Adam (2010) BLOOD TEARS FAITH DOUBT: Historical & Contemporary encounters. BLOOD TEARS FAITH DOUBT, 17 June – 18 July 2010, Courtauld Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47315)

Chodzko, Adam (1991) City Racing: Group Exhibition. , City racing, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47548)

Chodzko, Adam (2009) The Dark Monarch: Magic and modernity in British art Group Exhibition. The Dark Monarch, 9 October. 2009-10 January 2010, Tate St Ives touring to Towner Gallery, Eastbourne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47324)

Chodzko, Adam (2009) English Lounge: A Group Show of British Contemporary Art Group exhibition. English Lounge, 16 March 2009 -26 April /2009, Tang Contemporary Art, Beijing. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47330)

Chodzko, Adam (2010) The Gathering: Group Exhibition. The Gathering, 4 March – 18 April 2010, Longside Gallery, Yorkshire Sculpture Park. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47317)

Chodzko, Adam (2013) Ghost: The Urgency of Rivers and the Role of Contemporary Art. Performance type: Other , 8 – 12 January 2013, Peninsula Arts Gallery at Plymouth University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47599)

Chodzko, Adam (2009) Gone To Earth:Born Again Pagan Group Exhibition. Gone To Earth, 2nd May - 27th June 2009, Isis gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47326)

Chodzko, Adam (2012) IN THE BELLY OF THE WHALE (ACT III) Group Exhibition. IN THE BELLY OF THE WHALE (ACT III), 2nd March - 17th June 2012, Montehermoso, Vitoria-Gasteiz, Spain. Vinyl Record. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47303)

Chodzko, Adam (1992) Instructions Received: Group Exhibition. , Gio Marconi, Milan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47494)

Chodzko, Adam (2009) Journeys With No Return. Journeys With No Return, 2009, Akbank, Istanbul Biennale. still images. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47318)

Chodzko, Adam (2010) Journeys With No Return, Second Tour. Journeys With No Return, 2010, A-Foundation, London & Galerie Kurt-Kurt, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47319)

Chodzko, Adam (2014) Knots: Group Exhibition. Knots, 01/12/2014 - 07/12/2014, Les Rencontres Internationales, Paris. Experimental fiction. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47258)

Chodzko, Adam (2010) Kraftwerk Religion: Über Gott und die Menschen Group Exhibition. Kraftwerk Religion, 2. 10. 2010 - 5. 6, 2011, Deutsches Hygiene-Museum, Dresden. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47321)

Chodzko, Adam (2013) Life in Film: Frieze. Frieze, (158). pp. 62-63. ISSN 0962-0672. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47133)

Chodzko, Adam (2011) Loophole to Happiness: Group Exhibition. Loophole to Happiness, 25. 5. 2011 – 7. 8. 2011, Museum of Contemporary Art, Lodz, & Futura Centre for Contemporary Art, Prague & AMT Projects. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47311)

Chodzko, Adam (2012) Night Shift: MADE IN BRITAIN. Made in Britain – Contemporary Art from the British Council Collection 1980 – 2010, 15 Feb 12 - 22 Apr 12 , 01 Jun 12 - 05 Aug 12, Benaki Museum, Athens, touring to Albanian National Gallery of Arts, Tirana. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47310)

Chodzko, Adam (1993) Okay Behaviour: Group Exhibition. , 303 Gallery, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47491)

Chodzko, Adam (2014) Performance as Sculpture: Group Exhibition. Performance as Sculpture, March 19. March 23, 2014, Uovo festival, Milan. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47263)

Chodzko, Adam (2010) Pier Paolo Pasolini. Pier Paolo Pasolini: We Are All In Danger, 3 November – 1 December 2010, Australian Cinémathèque at the Gallery of Modern Art in Brisbane. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47322)

Chodzko, Adam (2014) Rising. Rising, National Maritime Museum. atmospheric audio work. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47256)

Chodzko, Adam (2013) Rising: The Future of the Race. Performance type: Video/Film (documentary) , Newcastle. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47598)

Chodzko, Adam (1998) Solo Exhibition. , 1998, Viewpoint Gallery, Salford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47254)

Chodzko, Adam (1996) Solo Exhibition: Lotta Hammer Gallery. , 1996, Lotta Hammer, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47255)

Chodzko, Adam (2014) Spare Room: Thinking City. Performance type: Video/Film (fiction) , 02 October 2014, 6.30pm, Liverpool Biennale, Liverpool. film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47579)

Chodzko, Adam (2008) Tales of Time and Space: Group Exhibition. Tales of Time and Space, 14 June to 14 September 2008, Folkestone Triennial, Folkestone, Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47332)

Chodzko, Adam (2011) To Pay Respect to the Generosity of the Three-Minute Punk-Rock Song: Group Exhibition. To Pay Respect to the Generosity of the Three-Minute Punk-Rock Song, 19 Nov 2011 – 18 Dec 2011, Margate. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47306)

Chodzko, Adam (2010) Whitstable Biennale: Ghost, Echo and The Pickers. Whitstable Biennale, 19th June - 4th July 2010, Whitstable, Kent. video installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47316)

Chodzko, Adam and Atkinson, Ewan and Boyce, Sonia and Gordon, Leah and Griffith, marlon and Rime, Marie and Theuring, Corinna (2014) Alles Maskerade!Group Exhibition. Alles Maskerade!, 22/11/2014 - 22/02/2015, MEWO Kunsthalle, Memmingen, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47257)

Chodzko, Adam and Beech, Dave and Cook, Maria and Creed, Martin and Doig, Peter and Higgs, Matthew and Lewin, Sivan and Stezaker, John (1995) Zombie Golf:Group Exhibition BANK. Zombie Golf, Bank, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47453)

Chodzko, Adam and Billingham, Richard and Curtis, Layla and Dawood, Shez and Day, Corinne and Golden, Pamela and Hunter, Tom and Kennard, Peter and Lewis, Andrew and Lucas, Sarah and Luxemburg, Rut Blees and Maybank, Hannah and Parr, Martin and Pollard, Ingrid and Starkey, Hannah and Stewart, Christopher and Shaw, George and Syed, Alia and Wallinger, Mark (2002) Location: UK Group Exhibition. Location: UK, 24 July - 7 September 2002, Gimpel Fils, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47380)

Chodzko, Adam and Bismuth, Pierre and Blondeel, Maria and de Boer, Manon and Bournigault, Rebecca and Curran, Michael and Emin, Tracey and García, Dora and Gonzalez-Foerster, Dominique and Gordon, Douglas and Grigely, Joseph and Huyghe, Pierre and Kool, Renee and Lamelas, David and Matthys, Kobe and van Riessen, Wouter and Wilson, Ian (1996) Perfect: Group Exhibition. Perfect, 03/07/96 - 03/08/96, Jan Mot and Oscar van den Boogaard, Brussels. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47449)

Chodzko, Adam and Bond, Terrence and Gidley, Thomas and Gordon, Douglas and Hammick, Magnus and Lewandowska, Marysia and Martin, Jason and Patterson, Simon (1993) Wonderful Life: Group Exhibition. Wonderful Life, 17 July – 16 October 1993, Lisson Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47492)

Chodzko, Adam and Bradley, Slater and Chan, Paul and Charlesworth, Sarah and Mehretu, Julie and Steen, Brent and Zmijewski, Artur (2006) Belief and Doubt: Group Exhibition. Belief and Doubt, 2006, The Aspen Art Museum, Colorado. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47344)

Chodzko, Adam and Carne, Sarah and Coley, Nathan and Curtis, Layla and Himid, Lubaina and Waring, Sarah (2002) Fabrications: New Art and Urban Memory Group Exhibition. Fabrications, 11 September - 2 November 2002, Cube Gallery, Manchester. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47381)

Chodzko, Adam and Dodds, Andrew and Large, Kelly and Van Harskamp, Nicoline (2012) Among Other Things: Group Exhibition. Among Other Things, 10 January – 10 February 2012, Camberwell Space, Camberwell College of Arts, london. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47305)

Chodzko, Adam and Eggebert, Anne (1994) Remote Control: Group Exhibition. Remote Control, Royal College of Art, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47457)

Chodzko, Adam and Egolf, Gretchen and Collar, Beth and Peake, Florence and Judd, Ben and Becker, Paul and Pedraglio, Francesco and Macbeth, Rory and Whittlesea, Ian and Birch, Rebecca and Smith, Rob (2014) Scene on a Navigable River. Performance type: Live play , 9 – 15 July 2014, Field Broadcast, Dedham Vale, Suffolk. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47581)

Chodzko, Adam and Eide Einarsson, Eide and Fontaine, Claire and Gordon, Douglas (2012) Notes from Nowhere: Group Exhibition. Notes from Nowhere, 6th May – 3rd June 2012, Frome, Somerset. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47286)

Chodzko, Adam and Emin, Tracey and Shrigley, David and Starkey, Hannah (1998) Real Life: Group Exhibition. Real Life, Galleria S.A.L.E.S., Rome. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47414)

Chodzko, Adam and Gearon, Tierney and Goldin, Nan and Gursky, Andreas and Sherman, Cindy (2001) I am a Camera: Group Exhibition. , Jan - Mar 2001, Saatchi Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47384)

Chodzko, Adam and Hapaska, Siobhan and Roberts, Maggie and Lowe, Colin and Lloyd, Hilary and Higgs, Matthew (1993) Making People Disappear: Group Exhibition. Making People Disappear, Thursday 1 April 1993 to Sunday 25 April 1993, Cubitt Street Gallery, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47458)

Chodzko, Adam and Kötting, Andrew and Finer, Jem and Rudkin, David and Sinclair, Iain and Baker, Tom and Brownlow, Kevin and Sherwin, Guy and Thew, Anna and Rowe, Doc (2003) Visionary Landscapes: Group Exhibition Adam Chodzko's ' Plan for a Spell' installation. Visionary Landscapes, 23-25 May 2003, Cecil Sharp House, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47377)

Chodzko, Adam and McNab, Janice and Tellez, Javier and Yang, Jun and Walde, Martin and Kool, Renee and Billingham, Richard and Keller, Sam and Wood, Simon and Calle, Sophie and Leutenegger, Zilla (2002) Tabu. Tabu, Saturday, January 26, 2002 - Sunday, March 17, 2002, Kunsthaus Baselland, Switzerland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47379)

Chodzko, Adam and Patterson, Simon (1994) High Fidelity: Group Exhibition. , Kohji Ogura Gallery, Nagoya; tour to Röntgen Kunst Institut, Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47456)

Chodzko, Adam and Whiteread, Rachel and Brown, Glenn and Wearing, Gillian and Gallaccio, Anya and Chapman, Jake & Dinos and Raho, Alessandro and Emin, Tracey and Collishaw, Mat and Hume, Gary and Fairhurst, Angus and Bond, Henry and Landy, Michael and Hirst, Damien and Pippen, Steven and Starr, Georgina and Taylor-Wood, Sam and Ofili, Chris and Lucas, Sarah and Gillick, Liam and Lane, Abigail (1995) Brilliant: Group Exhibition. , 22 October 1995 - 7 January 1996, Walker Arts Center, Minneapolis. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47455)

Choudhrey, Sara (2016) Digital Islamic Art: The Use of Digital Technologies in Contemporary Islamic Art in the UK. In: EVA 2016. . pp. 116-123. BCS, UK (doi:10.14236/ewic/EVA2016.26) (KAR id:57600)

Cinquegrani, Maurizio (2019) Agnafit. Anima Loci, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75520)

Cinquegrani, Maurizio (2011) Empire and the City: Early Films of London. . Tate Britain Online article. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31650)

Cinquegrani, Maurizio (2018) О других кинопространствах: документальный фильм о Холокосте как коллекция [Of Other Cinematic Spaces: the Holocaust Documentary as a Collection]. In: Polyakova, Irina and Suvorova, Tatyana, eds. Коллекция в пространстве культуры [Collection in the Space of Culture]. Музей янтаря, Kaliningrad, Russia, pp. 17-26. E-ISBN 978-5-903920-49-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75988)

Colville, Quintin, Davey, James (2019) Patriotism and Pageantry: Representations of Britain’s Naval Past at the Greenwich Night Pageant, 1933. A New Naval History, . (doi:10.7228/manchester/9781526113801.001.0001) (KAR id:92220)

Connelly, Mark L. (2007) Bomber Harris: Raking through the ashes of the Strategic Air Campaign against Germany. In: Paris, Michael, ed. Repicturing the Second World War. Representations in Film and Television. Palgrave MacMillan, United Kingdom, pp. 162-176. ISBN 978-0-230-00257-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6829)

Connelly, Mark L. (2003) The Charge of the Light Brigade. British Film Guides . I B Tauris, London, 128 pp. ISBN 978-1-86064-612-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6820)

Connelly, Mark L. (2005) The Red Shoes. Turner Classic Movies British Film Guides . I B Tauris & Co Ltd, London, 96 pp. ISBN 978-1-84511-071-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6818)

Connolly, Stephen (2018) The Spatial Cinema: An Encounter between Lefebvre and the Moving Image. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:68457)

Cooper, Chloe and Walduck, Jackie (2020) Dissolve Liquid Muck. Southwark Park Galleries Item format: Digital print and music stream. (KAR id:84821)

Cowie, Elizabeth (2003) Cinematic dream-work of Ingmar Bergman’s Wild Strawberries. In: Sabbadini, Andrea, ed. The Couch and the Silver Screen. Psychoanalytic Analytic Reflections on European Cinema. Brenner-Routledge, pp. 181-201. ISBN 1-58391-952-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1175)

Cowie, Elizabeth (2012) Citizenship, agency and subjectivity: art, documentary, and politics. Other. Manchester Univeristy Press, Manchester (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31729)

Cowie, Elizabeth (2011) Documentary Space, Place, and Landscape. Media Fields Journal, (3). pp. 1-21. ISSN 2159-7553. (KAR id:31626)

Cowie, Elizabeth (2009) Introduction to Post-Partum Document. In: Frascina, Francis, ed. Modern Art Culture: a reader. Routledge, London, pp. 303-311. ISBN 978-0-415-23151-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26339)

Cowie, Elizabeth (2009) On Documentary Sounds and Images in the Gallery. Screen, 50 (1). pp. 124-134. ISSN 0036-9543. (doi:10.1093/screen/hjn076) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26337)

Cowie, Elizabeth (2005) On Rear Window. In: Rutsky, R.L. and Geiger, Jeffrey, eds. Film Analysis: A Reader. W. W. Norton & Company, pp. 475-493. ISBN 0-393-97983-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1176)

Cowie, Elizabeth (2007) Possession, paranoia and the experience of art. In: Freud Museum Symposium: Observing Paranoia in Clinical Practice, Art and Anthropology, March 3rd, 10am - 5pm, 2007, Tavistock Clinic, London NW3. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12967)

Cowie, Elizabeth (2011) Recording Reality, desiring the real. Visible Evidence . University of Minnesota press, Minnesota, USA, 296 pp. ISBN 978-0-8166-4549-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31728)

Cowie, Elizabeth (2012) Road Race. In: Corkish, Alan and Chell, Edward and Taylor, Andrew, eds. In the Company of Ghosts: The Poetics of the Motorway. Erbacce press, Liverpool, pp. 41-46. ISBN 978-1-907878-42-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31623)

Cowie, Elizabeth (2010) Thinking Differently: on theory now and documentary art. Differences: A Journal of Feminist Cultural Studies, 21 (1). pp. 178-193. ISSN 1040-7391. (doi:10.1215/10407391-2009-026) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26335)

Cowie, Elizabeth (2015) The difference in figuring women now. Moving Image Review & Art Journal, 4 (1-2). pp. 46-61. ISSN 2045-6298. (doi:10.1386/miraj.4.1-2.46_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61757)

Cowie, Elizabeth (2003) The lived nightmare: trauma, anxiety, and the ethical aesthetics of horror. In: Schneider, Steven Jay and Shaw, Daniel, eds. Dark Thoughts: Philosophic Reflections on Cinematic Horror. Lanham, MD: Scarecrow Press, pp. 25-46. ISBN 0-8108-4792-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1174)

Cowie, Elizabeth (2014) The time of gesture in cinema and its ethics. Journal for Cultural Research, 19 (1). pp. 82-95. ISSN 1479-7585. E-ISSN 1740-1666. (doi:10.1080/14797585.2014.920181) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61756)

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Da Silva, Antonio Marcio (2013) Gender in Brazilian Cinema: Introduction. In: Pinazza, N and Bayman, L, eds. Directory of World Cinema: Brazil. Intellect, Bristol, pp. 82-102. ISBN 978-1-78320-009-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47108)

Declercq, Dieter (2018) What is satire? . Blog. (KAR id:75358)

Dillet, Benoît and MacKenzie, Iain and Porter, Robert, eds. (2013) The Edinburgh Companion to Poststructuralism. Edinburgh University Press, Edinburgh, 560 pp. ISBN 978-0-7486-4122-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:39096)

Dillon, Lorna (2016) Religion and the Angel's Wake Tradition in Violeta Parra's Art and Lyrics. Taller de letras, 59 . pp. 91-109. ISSN 0716-0798. (KAR id:62015)

Dillon, Lorna, ed. (2017) Violeta Parra: Life and Work. Monografias A . Tamesis Books, 214 pp. ISBN 978-1-85566-321-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64232)

Double, Oliver (2007) Punk rock as popular theatre. New Theatre Quarterly, 23 (1). pp. 35-48. ISSN 0266-464X. (doi:doi: 10.1017/S0266464X06000613) (KAR id:1182)

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Etkind, Alexander, Finnin, Rory, Blacker, Uilleam, Fedor, Julie, Lewis, Simon, Malksoo, Maria, Mroz, Matilda (2012) Remembering Katyn. Polity Press, Cambridge, UK, 200 pp. ISBN 978-0-7456-5576-5. E-ISBN 978-0-7456-6296-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57049)

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Fontana-Giusti, Gordana (2010) Ignored by critics. Review of: Memorials incognito: the candle, the drain and the cabbage patch for Diana, Princess of Wales by Sully, Nicole. Architectural Research Quaterly, 14 (3). pp. 190-191. ISSN 1359-1355. (doi:10.1017/S135913551000093X) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:28266)

Fontana-Giusti, Gordana, Schumacher, Patrik (2004) Zaha Hadid: The Complete Works. Thames and Hudson Ltd London /Rizzoli New York, London, 448 pp. ISBN 978-0-500-34200-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:3242)

Fontana-Giusti, Ranieri and Korolija Fontana-Giusti, Gordana (2006) Chan-Chan 2006 - Beach Lodge in LA Libertad Peru. www.arquitectum.com digital drawings. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:10832)

Friday, Jonathan (2002) Aesthetics and photography. Aldershot: Ashgate Press, 175 pp. ISBN 0-7546-0428-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1185)

Friday, Jonathan (2005) Andre Bazin’s ontology of film and the photographic image. Journal of Aesthetics and Art Criticism, 63 (4). pp. 339-350. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1186)

Friday, Jonathan (2001) Photography and the representation of vision. Journal of Aesthetics and Art Criticism, 59 (4). pp. 351-362. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1189)

Friday, Jonathan (2005) Stillness becoming: Reflections on Bazin, Barthes, and Photographic Stillness. In: Green, David and Lowry, Joanna, eds. Stillness and Time: Photography and the Moving Image. Brighton: Photoworks. ISBN 1-903796-18-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1190)

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Garfield, Rachel (2009) A Particular Incoherence: the films of Vivienne Dick. In: O'Brian, Treasa, ed. Between Truth and Fiction: The Films of Vivienne Dick. Crawford Art Centre/Lux, London, pp. 39-48. ISBN 978-0-9548569-8-4. (KAR id:29388)

Grant, Catherine A. (2004) Home-Movies: The Curious Cinematic Collaboration of Anne-Marie Miéville and Jean-Luc Godard. In: Temple, Michael and Williams, James S and Witt, Michael, eds. For Ever Godard. London: Black Dog Publishing. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1118)

Grant, Catherine A. (2002) Recognizing Billy Budd in Beau Travail: epistemology and hermeneutics of an auteurist “free” adaptation. Screen, 43 (1). pp. 57-73. ISSN 1460-2474. (doi:0036-9543) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1117)

Grant, Catherine A. (2001) Secret Agents: Feminist Theories of Women’s Film Authorship. Feminist Theory, 2 (1). pp. 113-130. ISSN 1464-7001. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1120)

Grant, Catherine A. (2003) Still moving images: Photographs of the disappeared in films about the Dirty War in Argentina. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities: Intersections of Photography and Narrative. Albuquerque: University of New Mexico Press, pp. 63-86. ISBN 0-8263-2825-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1119)

Grantley, Darryll (2004) English dramatic interludes 1300-1580: a reference guide. Cambridge University Press, 427 pp. ISBN 0-521-03591-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1201)

Grantley, Darryll (2008) London in English Drama 1500-1700. Cambridge University Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1206)

Grantley, Darryll (2006) Morality and Interlude Drama. In: Brown, Peter, ed. A Companion to Medieval English Literature and Culture c.1350-c.1500. Wiley, pp. 473-487. ISBN 978-0-631-21973-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1203)

Grantley, Darryll (2003) Promise me my liberty: conventions of Roman Comedy and the representation of oppression and resistance in the Tudor Interlude July and Julian. EnterText, 3 (1). pp. 1-18. ISSN 1472 3085. (KAR id:1204)

Graye, Sarah Marie (2021) Ill But Invisible: When Doctors Are No Longer Interested. Northern Network for Medical Humanities Research / Sarah Marie Graye / YouTube Online film. (KAR id:87699)

Griffin, Howard (2019) Evangelical Art: Projection Mapping as an Art Form for the Masses. In: The Art of the Lost Conference, 27-29 Nov 2019, Canterbury Cathedral, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82013)

Griffin, Howard, Lovell, Jane (2020) Enchantment, light installations and imaginative authentication. In: AMPS Conference "Connections: exploring heritage, architecture, cities, art media", 29-30 Jun 2020, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82012)

Guerin, Frances (2019) Aesthetic Spaces: The Place of Art in Film by Brigitte Peucker. Review of: Aesthetic Spaces: The Place of Film in Art by Peucker, Brigitte. Film Quarterly, 73 (1). pp. 107-109. ISSN 0015-1386. (doi:10.1525/fq.2019.73.1.107) (KAR id:76295)

Guerin, Frances (2018) Changing how we look at and think about the color grey. . online. (KAR id:70866)

Guerin, Frances (2023) Cinematic Portrait Painting: (Not) About Gerhard Richter. Forthcoming (Unpublished) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:73495)

Guerin, Frances (2005) A Culture of light: cinema and technology in 1920s Germany. University of Minnesota Press, Minneapolis, 314 pp. ISBN 978-1-4529-0671-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1207)

Guerin, Frances (2012) Dislocations: videograms of a revolution and the search for images. In: Ginsberg, Terri and Mensch, Andrea, eds. A Companion to German Cinema. CNCZ - The Wiley-Blackwell Companions to National Cinemas . Wiley-Blackwell, New York, pp. 483-506. ISBN 978-1-4051-9436-5. (KAR id:1211)

Guerin, Frances (2004) Explorations of Light and Lighting in Und das Licht Erlosch (1914). In: Gaudreault, André, ed. The Cinema: A New Technology for the 20th Century. Payot, Lausanne, pp. 219-228. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45485)

Guerin, Frances (2012) Frances Guerin on her book Through Amateur Eyes: Film and Photography in Nazi Germany: An Interview. . online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45713)

Guerin, Frances (2016) Friedrich Wilhelm Murnau. In: Gabbard, Krin, ed. Oxford Bibliographies in Cinema and Media Studies. Oxford Bibliographies . Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56571)

Guerin, Frances (2012) A Generation Later and Still Unrepresentable? Fassbinder and the Red Army Fraction. In: A Companion to Rainer Werner Fassbinder. WBCF - Wiley-Blackwell Companions to Film Directors . Wiley-Blackwell, New York, pp. 441-460. ISBN 978-1-4051-9163-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31703)

Guerin, Frances (2007) The Gray Space Between: Gerhard Richter’s 18. Oktober 1977 (1989). In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, London, pp. 111-126. ISBN ISBN-13: 978-1905674206. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45716)

Guerin, Frances (2018) Invisibility Adores and Abhors a Photograph: Jane and Louise Wilson’s Moving Image Installations. Journal of Visual Art Practice, 17 (2-3). pp. 188-205. ISSN 1470-2029. (doi:10.1080/14702029.2018.1466453) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:55987)

Guerin, Frances (2011) Locating Shadows: What’s inside William Kentridge’s Black Box? In: John David, Rhodes, ed. Taking Place: Location and the Moving Image. University of Minnesota Press, Minneapolis, pp. 233-253. ISBN 0-8166-6517-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44814)

Guerin, Frances (2014) Lotte Reiniger: in Women Film Pioneers Project. . Center for Digital Research and Scholarship online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45715)

Guerin, Frances (2006) McCormick and Guenther-Pal, eds, German Essays on Film (2004). Review of: McCormick and Guenther-Pal, eds, German Essays on Film (2004) by McCormick, Richard. Film-Philosophy, 10 (3). pp. 95-100. ISSN 1466-4615. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45500)

Guerin, Frances (2003) Opposite or Complementary Conceptions? What do Rudolf Arnheim and Michel Chion have in Common? Cinema e Cie: International Film Studies Journal, 32 (2). pp. 129-140. ISSN 2035-5270. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45490)

Guerin, Frances (2015) Peripatetic Sculpture: The Exhaustion of Looking in the Presence of Richard Serra’s Promenade. In: Guerin, Frances, ed. On Not Looking: The Paradox of Contemporary Visual Culture. Routledge, New York, pp. 103-122. ISBN 978-1-138-82235-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45717)

Guerin, Frances (2009) Photographs that Forget: Contemporary Recyclings of the Hitler-Hoffmann Rednerposen. In: Plate, Liedeke and Smelik, Anneke, eds. Technologies of Memory in the Arts. Palgrave Macmillan, Basingstoke, pp. 150-165. ISBN 978-0-230-57567-7. E-ISBN 978-0-230-23956-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43415)

Guerin, Frances (2011) The Placement of Shadows: What’s inside William Kentridge’s Black Box/Chambre Noire? In: Rhodes, John David and Gorfinkel, Elena, eds. Taking Place: Location and the Moving Image. University of Minnesota Press, Minneapolis, pp. 233-254. ISBN 978-0-8166-6517-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31702)

Guerin, Frances (2008) Radical Aspirations Historicized: The European Commitment to Political Documentary. In: Kolker, Robert, ed. The Oxford Handbook of Film and Media Studies. Oxford university Press, New York, pp. 114-151. ISBN 0-19-517596-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44815)

Guerin, Frances (2021) Re-presenting Histories: Documentary Film and Architectural Ruins in Brutality in Stone. Alphaville: Journal of Film and Screen Media, (21). pp. 13-34. ISSN 2009-4078. (doi:10.33178/alpha.21.01) (KAR id:89671)

Guerin, Frances (2002) Reframing the Photographer and his Photographs: Photographer (1995). Film and History: An Interdisciplinary Journal of Film and Television Studies, 32 (1). pp. 43-54. ISSN 0360-3695. (doi:10.1353/flm.2002.0064) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43403)

Guerin, Frances (2016) The Revellation and Resistance of Amateur Images at War: Thessaloniki in the Byron Metos collection. In: Museum of Byzantine Culture, Thessaloniki, ed. Representations of the Nazi Occupation: Photography, History, Memory. Museum of Byzantine Culture, Thessaloniki, Greece, pp. 62-80. ISBN 978-618-5251-02-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:55998)

Guerin, Frances (2015) Searching in Grey: Cy Twombly's Untitled Paintings. In: Wedekind, Gregor, ed. Die Farbe Grau. DeGruyter. (KAR id:44808)

Guerin, Frances (2018) The Truth is Always Grey: A History of Modernist Painting. University of Minnesota Press, Minneapolis, United States, 347 pp. ISBN 978-1-5179-0045-8. E-ISBN 978-1-4529-5724-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44627)

Guerin, Frances (2015) While Not Looking: The Failure to See and to Know in Dr Mabuse der Spieler, and The Testament of Dr Mabuse. In: McElhaney, Joseph, ed. A Companion to Fritz Lang (Wiley Blackwell Companions to Film Directors). Wiley-Blackwell, New York, pp. 43-62. ISBN 978-0-470-67097-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44810)

Guerin, Frances (2004) The energy of disappearing: problems of recycling Nazi amateur film footage. Screening the Past, (17). 0-0. ISSN 1328-9756. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1208)

Guerin, Frances (2008) www.artslant.com. . online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45711)

Guerin, Frances (2008) www.francesguerin.com. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45710)

Guerin, Frances and Hallas, Roger (2007) Introduction to The Image and the Witness. In: The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, London. ISBN 978-1-905674-20-6. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43364)

H

Hammer, Martin (2012) ‘After Camden Town: Sickert’s Legacy since 1930’. The Camden Town Group in Context, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31533)

Hammer, Martin (2015) Ambivalence and Ambiguity: David Sylvester on Henry Moore. In: Henry Moore: Sculptural Process and Public Identity. Tate Research Publication. ISBN 978-1-84976-391-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50280)

Hammer, Martin (2017) Between a Rock and a Blue Chair: David Hockney’s Rocky Mountains and Tired Indians (1965). British Art Studies, (5). ISSN 2058-5462. (doi:10.17658/issn.2058-5462/issue-05/mhammer) (KAR id:61161)

Hammer, Martin (2012) Continuity and Contradiction in the Art of Francis Bacon. In: Arya, Rina, ed. Francis Bacon: Critical and Theoretical Perspectives. Pater Lang, pp. 121-168. ISBN 9783034308892 (pbk); 9783035303896 (eBook). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31368)

Hammer, Martin (2017) David Hockney’s Early Etchings: Going Transatlantic and Being British. Tate Pepers, (27). ISSN 1753-9854. E-ISSN 1753-9854. (KAR id:61795)

Hammer, Martin (2010) Found in Translation: Chaim Soutine and English Art. Modernist Cultures, 5 (2). pp. 218-242. ISSN 1753-8629. (doi:10.3366/E2041102210000195) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31362)

Hammer, Martin (2012) Francis Bacon and Nazi Propaganda. Tate Publishing, 224 pp. ISBN 978-1-84976-073-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31360)

Hammer, Martin (2010) Francis Bacon and the Lefevre Gallery. Burlington Magazine, 152 (1286). pp. 307-312. ISSN 0007-6287. (KAR id:31537)

Hammer, Martin (2010) Francis Bacon. Dublin and Compton Verney (exhibition review). Review of: Francis Bacon: In Camera (exhibition) by UNSPECIFIED. Burlington Magazine, 152 (1282). pp. 59-61. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61351)

Hammer, Martin (2012) Francis Bacon: Back to Degas. Tate Papers, . (KAR id:31535)

Hammer, Martin (2012) Francis Bacon: Painting after Photography. In: British Art in the Cultural Field, 1939-69. Wiley-Blackwell, pp. 156-173. ISBN 978-1-118-27584-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31364)

Hammer, Martin (2016) Frank Auerbach. Review of: Frank Auerbach exhibition at Tate Britain (2016) and book Catherine Lampert, Frank Auerbach: Speaking and Painting, London 2015 by UNSPECIFIED. The Burlington Magazine, CLVIII . pp. 214-215. (KAR id:60492)

Hammer, Martin (2014) The Growth and Form of Artistic Responses to D’Arcy Thompson. In: D'Arcy Thompson's On Growth and Form. Essays on Sculpture . Henry Moore Institute, Leeds, pp. 14-29. ISBN 978-1-905462-45-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50200)

Hammer, Martin (2017) Hockney as Philosophical Painter. In: Stephens, Chris and Wilson, Andrew, eds. David Hockney. Tate Publishing, London, UK, pp. 208-213. ISBN 978-1-84976-443-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60480)

Hammer, Martin (2014) The Independent Group take on Francis Bacon. Visual Culture in Britain, 15 (1). pp. 69-89. ISSN 1471-4787. E-ISSN 1941-8361. (doi:10.1080/14714787.2014.870369) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41078)

Hammer, Martin (2016) Introduction. In: Currie, Ken and Hammer, Martin, eds. Ken Currie: Tragic Forms. Flowers Gallery, London. ISBN 978-1-906412-76-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61347)

Hammer, Martin (1999) The Irony of Egotism. In: John Coplans: A Self-Portrait 1984-99. Dean Gallery, Edinburgh, pp. 5-14. ISBN 978-0-903598-96-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56908)

Hammer, Martin (2013) Kenneth Clark and the Death of Painting. Tate Papers, (20). ISSN 1753-9854. (KAR id:50279)

Hammer, Martin (2013) Mainly Nourishment: Echoes of Sickert in the Work of Francis Bacon and Lucian Freud. Visual Culture in Britain, 14 (1). pp. 87-100. ISSN 1471-4787. (doi:10.1080/14714787.2013.750985) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:33184)

Hammer, Martin (2017) Photographic sources and affinities in David Hockey's art of the 1960s. In: A Bigger Picture: New Approaches to David Hockney - Tate Britain and the Paul Mellon Centre, 5 May 2017, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61348)

Hammer, Martin (2019) Portraiture: Seeing-As and Seeing-In. In: Maes, Hans, ed. Portraits and Philosophy. Routledge Research in Aesthetics . Routledge, New York, pp. 239-255. ISBN 978-0-367-18940-2. E-ISBN 978-0-429-19937-0. (doi:10.4324/9780429199370) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80361)

Hammer, Martin (2020) The Realism of Gabo's 1920 Manifesto. In: Naum Gabo: Constructions for Real Life. Tate Publishing, London and St Ives, pp. 33-36. ISBN 978-1-84976-724-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80362)

Hammer, Martin (2017) The photographic source and artistic affinities of David Hockney’s ‘A bigger splash’. Burlington Magazine, 159 (1370). pp. 386-393. ISSN 0007-6287. E-ISSN 2044-9925. (KAR id:61342)

Hammer, Martin, Lodder, Christina (2000) Constructing Modernity: the Art and Career of Naum Gabo. Yale University Press, 528 pp. ISBN 978-0-300-07688-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55904)

Hammer, Martin and Lodder, Christina (2004) Dematerialising Sculpture: Methods and Motives. In: Barassi, Sebastiano, ed. Immaterial: Brancusi,Gabo,Moholy-Nagy. Kettle’s Yard, Cambridge. ISBN 978-1-904561-04-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61346)

Hammer, Martin, Stephens, Chris (2009) Seeing the story of one’s time: appropriations from Nazi photography in the work of Francis Bacon. Visual Culture in Britain, 10 (3). pp. 315-351. ISSN 1471-4787. (doi:10.1080/14714780903263890) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61344)

Hammer, Martin, Thomas, Ben D. H. (2015) My Generation: A Festival of British Art in the 1960s. University of Kent at Canterbury, GB, 60 pp. ISBN 978-1-902671-90-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50281)

Hanna, Emma (2015) British Cinema, 1914-1918. In: Maunder, Andrew, ed. British Theatre and the Great War, 1914-1919. Palgrave Macmillan, London, UK. ISBN 1-137-40199-0. (doi:http://hdl.handle.net/2299/16197) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:92227)

Hanna, Emma (2017) British Television dramas and 1914-18. In: Einhaus, Anne-Marie and Baxter, Katherine Isobel, eds. The Edinburgh Companion to the First World War and the Arts. The Edinburgh Companion . Edinburgh University Press, Edinburgh, UK. ISBN 978-1-4744-0163-0. E-ISBN 978-1-4744-2572-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:92224)

Hanna, Emma (2009) The Great War on the Small Screen: Representing the First World War in Contemporary Britain. Other. Edinburgh University Press, Edinburgh, UK 10.3366/edinburgh/9780748633890.001.0001. (doi:10.3366/edinburgh/9780748633890.001.0001) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:92207)

Hanna, Emma (2010) Landscape & Memory: Representations of the Battle of the Somme in British Television Documentaries. In: Bell, Erin and Gray, Ann, eds. Televising History: Mediating the Past in Postwar Europe. Palgrave Macmillan, London, UK, pp. 107-121. ISBN 978-1-349-30760-9. (doi:10.1057/9780230277205) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:92229)

Hanna, Emma (2015) Putting the moral into morale: YMCA cinemas on the Western Front, 1914–1918. Historical Journal of Film, Radio and Television, 35 (4). pp. 615-630. ISSN 0143-9685. (doi:10.1080/01439685.2015.1096663) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:91979)

Hanna, Emma (2007) Reality–Experiential History Documentaries:The Trench(BBC, 2002) and Britain's Modern Memory of the First World War. Historical Journal of Film, Radio and Television, 27 (4). pp. 531-548. ISSN 0143-9685. (doi:10.1080/01439680701552604) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:92209)

Hanna, Emma (2022) Theatre in the War Zone. In: Brooks, Helen E.M., ed. Edinburgh Companion to First World War Theatre. Edinburgh University Press, Edinburgh, UK. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:92232)

Hanna, Emma (2007) A small screen alternative to stone and bronze. European Journal of Cultural Studies, 10 (1). pp. 89-111. ISSN 1367-5494. (doi:10.1177/1367549407072972) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:92211)

Hatton, Peter (2014) 51zero voyager: Film, Video and Digital Arts Festival Group exhibition. , 10 October 2014, POP Gallery and Outdoor Spaces Exhibition, Chatham, Kent.. Film, Video and Digital Arts. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47412)

Hatton, Peter and Lyon, Dawn and Carabelli, Giulia and Pilling, Lynn and Murray, Val (2014) Imagine Sheppey: Fast Forward. Tea Video & Photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45505)

Hatton, Peter and Murray, Val and Pilling, Lynn (2009) Brown Fields Blue Skies. a) Brown Field Blue Skies - Residency & Performances b) Brown Field Blue Skies Exhibition, a) August 2007 - March 2008 b) March 4th to 12th June 2009, a) Widnes Waterfront Development Site, Widnes, Cheshire b) ICIA (Institute of Contemporary Interdisciplinary Arts), University of Bath. Performance, Video, Website Intervention and Exhibition. (KAR id:31685)

Hatton, Peter and Murray, Val and Pilling, Lynn (2010) Spinning A Yarn. Spinning A Yarn, 15th October to 12th December 2010, Whitworth Art Gallery (Manchester University), Platt Hall Gallery of Costume (Manchester City Art Gallery) and Royal Mills. Installation, Video and Artist's Book. (KAR id:31651)

Hatton, Peter and Murray, Val and Pilling, Lynn and Lyon, Dawn and Crow, Graham and Hurkett, Jenny (2011) Living & Working on Sheppey/ Back and Forth on High Street Blue Town. Live Event, website and video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31660)

Henry, Tom F. K. (2012) Archive. Italian Renaissance Documents Site. web publication. Located at: http://archive.casanovaumbria.eu. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31667)

Henry, Tom F. K. (2012) The Life and Art of Luca Signorelli. Yale University Press, New Haven & London, 352 pp. ISBN 978-0-300-17926-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31666)

Henry, Tom F. K., Joannides, Paul, González Mozo, Ana, Martín, Bruno (2012) Late Raphael. Museo Nacional del Prado and Musee du Louvre, Madrid and Paris, 382 pp. ISBN 978-84-8480-237-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31668)

Holmes, Su (2005) British television and film culture in the 1950s: coming to a TV near you! Intellect Books ISBN 1-84150-121-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1213)

Holmes, Su (2004) But this time you choose!: approaching the interactive audience of reality TV. International Journal of Cultural Studies, 7 (2). 213 -231. ISSN 1367-8779. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1217)

Holmes, Su (2005) It’s a woman!: the question of gender in Who Wants to be a Millionaire. Screen, 46 (2). 155 -173. ISSN 0036-9546. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1220)

Holmes, Su (2004) Reality goes pop!: reality TV, popular music and narratives of stardom in Pop Idol (UK). Television and New Media, 5 (2). pp. 147-172. ISSN 1527476403255833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1215)

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Illingworth, Shona (2014) 216 Westbound. Animate Projects Arts Council England Film, 17 minutes, HD, DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45152)

Illingworth, Shona (2006) 5 x 1. Rideout, The Creative Prison Film, 17 minutes, DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45532)

Illingworth, Shona (2014) Amnesia Forum, Prosthetic Memory: Prosthetic Interference. In: Amnesia Forum, Prosthetic Memory: Prosthetic Interference, 24 April 2014, FACT (Foundation for Art and Creative Technology). (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45262)

Illingworth, Shona (2012) Amnesia Forum: Lesions in the Landscape 1. In: Lesions in the Landscape 1, 6 November 2012, University of Glasgow, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45265)

Illingworth, Shona (2013) Amnesia Forum: Lesions in the Landscape 2. In: Lesions in the Landscape, 26th September 2013, City University, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45264)

Illingworth, Shona (2014) Amnesia Lab - exhibition. Amnesia Lab, 20 September to 8 November, UNSW Galleries, Sydney. Drawing, Sound installation, video, photography, 3D immersive environment. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45411)

Illingworth, Shona (2014) Amnesia Lab - symposium. National Institute for Experimental Arts (NIEA) at University of New South Wales (UNSW), Sydney, Australia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45158)

Illingworth, Shona (2006) BOOK. BOOK, June 2006 and January 2008, Mortimer Road, London and Margaret Harvey Gallery, St Albans. Curated over 20 Artist Books. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45562)

Illingworth, Shona (2011) Balnakiel. Artprojx Cinema, SVA theatre and Armory Show, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46200)

Illingworth, Shona (2011) Balnakiel - Maas Space. Maas Space, Philidelphia, curated by Jesse Pires. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46201)

Illingworth, Shona (2013) Balnakiel - Unmarked Space. Unmarked Space Festival. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46199)

Illingworth, Shona (2010) Balnakiel - Wolverhampton Gallery. Balnakiel, 6 February - 1 May 2010, Wolverhampton Art Gallery. video and sound installation, text, photography, wall painting. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45557)

Illingworth, Shona (2010) Balnakiel - interview. . internet. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45471)

Illingworth, Shona (2005) Bare Dust. In: Harding, A, ed. Magic moments : collaboration between artists and young people. Black Dog, London, pp. 42-49. ISBN 978-1-904772-28-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45513)

Illingworth, Shona (2000) Bare Dust. SPACE, London and Hackney Wick Public Art Projects Film (7 minutes). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45526)

Illingworth, Shona (2004) Bare Dust. Muslim Mulliqi, 2004, Gallerie Arteves Kosoves, Prishtina, Kosovo. video installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46195)

Illingworth, Shona (2001) Calling A’Gairm. Fabrica, Brighton and Photoworks Video and sound installation, 8 minutes DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45506)

Illingworth, Shona (2006) Central Asian Project. SPACE, UK, Cornerhouse, UK and AsiaArt, Kazakhstan, Almaty, Astana and Karaganda in Kazakhstan. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45473)

Illingworth, Shona (2007) Conflicts of Memory - Balnakiel, research in progress. In: Northlands Creative Glass Annual International Conference: Expression of Self, 31 August - 2 September 2007, Northlands Creative Glass, Lybster, Scotland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45511)

Illingworth, Shona (2002) DRILL. Berwick Gymnasium Residency, English Heritage, Arts Council England Film (10 Minutes). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45529)

Illingworth, Shona (2006) DRILL. Strangers with Angelic Faces, 2006, Akbank Sanat, Istanbul. Video and sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46192)

Illingworth, Shona (2005) DRILL. Think Pink, National Museum, Prishtina, Kosovo. video and sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46194)

Illingworth, Shona (2014) El Cine Como Teoria Direct: Shona Illingworth. Museum of Modern Art Buenos Aires. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45520)

Illingworth, Shona (2005) Elin - Galleria Pianissimo, Milan. Elin, 6 April - 21 May 2005, Galleria Pianissimo, Milan, Italy. video installation, photography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45560)

Illingworth, Shona (2008) The Feminist Inheritance, a view from the UK,. Museum of Fine Art, Lausanne, Switzerland, Switzerland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45523)

Illingworth, Shona (2012) Film and Book Launch: Shona Illingworth: Balnakiel. Whitechapel Gallery, Whitechapel Gallery, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45563)

Illingworth, Shona (2003) For Women its Everything. Independent Photography, London, UK, 78 pp. ISBN 978-0-9546725-0-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45514)

Illingworth, Shona (2014) Hirte: Three Forms of Forgetting. In: Place - Occupation, 1 - 2 February 2014, Aldeburgh Music. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45459)

Illingworth, Shona (2001) Hold. The Lion's Hospice, Gravesend, Arts Council England film and sound. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45564)

Illingworth, Shona (2012) In Transit. Project Art Works, UK Two short film commissions. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46203)

Illingworth, Shona (2006) The Influence of Memory on Forgetting. In: UNSPECIFIED. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45534)

Illingworth, Shona (2012) Interior Voices. VoxLab. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45470)

Illingworth, Shona (2007) Karlag. SPACE, Cornerhouse, and Asia Art, Arts Council England, British Council Film, 16 minutes, DVD.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45115)

Illingworth, Shona (2006) Karlag - KZ UK. KZ-UK, 2006, National Gallery, Almaty, Kazakhstan. video installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46196)

Illingworth, Shona (2007) Karlag - Museum of Modern Art Bologna. Timecode, 15th November 2007- 12th June 2008, Museum of Modern Art Bologna, Italy. video installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45558)

Illingworth, Shona (2008) Karlag - memory, trauma, landscape. In: Timecode, 29 May 2010, Museum of Modern Art Bologna, Italy. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45472)

Illingworth, Shona (2007) Karlag, Tomb and Mound. Central Asian Project, Cornerhouse, Manchester. video installation and slide projection. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46197)

Illingworth, Shona (2011) Memory / Sound / Image. In: Memory / Sound / Image, 19 November 2011, Modern Art Oxford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45397)

Illingworth, Shona (2003) Memory and Forgetting. Memory and Forgetting, 2003, Hatton Gallery, Newcastle. Sound installation using audio technology embedded into architecture. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46198)

Illingworth, Shona (2013) Memory and conflict in Balnakiel, The Watch Man and Lesions in the Landscape. In: Memory, History and Conflict Conference, 18 - 19 March 2013, University of Glasgow, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45466)

Illingworth, Shona (2001) PILOT. Berwick Gymnasium Residency, English Heritage, Arts Council England Film (10 Minutes). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45533)

Illingworth, Shona (2003) PILOT - AGNL (Art Gallery of Newfoundland and Labrador). PILOT, June - July 2003, AGNL (Art Gallery of Newfoundland and Labrador), Canada. video and multi-channel sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45559)

Illingworth, Shona (2012) Ruination 2. In: Why the Recent Craze for Ruins?, 10 December 2012, Kings College, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45524)

Illingworth, Shona (2015) Shona Illingworth - Lesions in the Landscape. , 18 September - 22 November 2015, FACT (Foundation for Art and Creative Technology), Liverpool, UK. Solo Exhibition: including immersive muliti-screen video and ambisonic sound Installation, Sculptures, Photographs, sound installations, drawings, objects. (KAR id:83527)

Illingworth, Shona (2014) Sonification of Amnesic Memory. Item format: Multi-channel sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45252)

Illingworth, Shona (2001) Sounding. Arts Council England and Channel 4 Television Short film for Channel 4 Television. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45476)

Illingworth, Shona (2009) The Swimmer and the Forest. The Swimmer and the Forest, 3 December 2009 – 23 January 2010, Loughborough University, UK. single screen video plus a video, sound and text site specific art installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31621)

Illingworth, Shona (2016) Time Present in States of Mind. , 4 February 2016—16 October 2016, Wellcome Collection, London. Two screen video and sound gallery installation - duration 35 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84654)

Illingworth, Shona (2007) Tomb. SPACE, London; Cornerhouse, Manchester; AsiaArt, Kazakhstan Film, 7 minutes DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45481)

Illingworth, Shona (2015) Topologies of Air. Sternberg Press ISBN 978-3-95679-553-4. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45144)

Illingworth, Shona (2013) Topologies of Air/Ruith na Gaoithe. Sea Change for Cape Farewell Photo-text series. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45136)

Illingworth, Shona (2014) Uncertain Ground: Landscape, Memory and Theatres of Conflict. In: Uncertain Ground: Landscape, Memory and Theatres of Conflict, 23 March 2014, CCA (Centre for Contemporary Art), Glasgow, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45381)

Illingworth, Shona (2003) Untitled (Elin). Independent Photography, London Film (14 minutes). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45508)

Illingworth, Shona (2003) (Untitled), Memory and Forgetting. PEALS (Policy, Ethics and Life Sciences), Northern Print Studio, Arts Council England, NESTA Item format: Multi channel sound installation using new audio technologies. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45551)

Illingworth, Shona (2009) Vertical Sound Map. , Permanent installation, Orchard Health Centre, Hull. Wall painting and new audio technology. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46190)

Illingworth, Shona (1999) Walking on Letters. Film (10 Minutes). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45530)

Illingworth, Shona (2008) War and Memory. In: War and Memory. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45406)

Illingworth, Shona (2007) The Watch Man - Dilston Grove. the Watch Man, 14 Mar - 15 Apr 2007, Dilston Grove, London. video and multi-channel sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45556)

Illingworth, Shona (2007) The Watch Man - Interaccess Electronic Media Arts Centre. The Watch Man, 6 April - 5 May, 2007, Interaccess Electronic Media Arts Centre, Toronto. video and multi-channel sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45555)

Illingworth, Shona (2007) The Watch Man - Wellcome Collection. The Watch Man, 16 Dec 2008 – 11 Jan 2009, The Wellcome Collection. Video and multi-channel sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45554)

Illingworth, Shona (2007) The Watch Man. Arts Council England Video and multi-channel sound installation, 17 minutes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45474)

Illingworth, Shona (2013) Working with Amnesia. In: Memory, Identity, Performance and Neuroscience - Part 1, 1 March 2013, SMFA, University of Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45469)

Illingworth, Shona (2006) mia.net launch, exhibition and memory forum. Coleman Project Space, Arts Council England, Coleman Project Space. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45535)

Illingworth, Shona (2001) passing. Hayward Gallery, London multi-screen video and sound installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45478)

Illingworth, Shona, Conway, Martin A. (2011) Shona Illingworth - The Watch Man. Balnakiel. Film and Video Umbrella, London, UK, 172 pp. ISBN 978-1-904270-34-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31613)

Illingworth, Shona and Nadeem, Henna (2012) The Choral Forest. The Choral Forest, Permanent installation, Great Ormond Street Hospital, Morgan Stanley Clinical Building. Sound composition and wall painting. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31624)

Illingworth, Shona, Rider, Suzanne (1997) Young People in Museums. Museums Association, 36 pp. ISBN 978-0-902102-77-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45510)

Irvin, Sherri, Nanay, Bence, Schellekens, Elisabeth, Smith, Murray (2019) Is Psychology Relevant to Aesthetics? Estetika: The Central European Journal of Aesthetics, . pp. 87-138. ISSN 2571-0915. E-ISSN 0014-1291. (KAR id:73454)

Ivanic, Suzanna and Laven, Mary and Morrall, Andtew (2019) Introduction. In: Religious Materiality in the Early Modern World. Visual and Material Culture, 1300-1700 . Amsterdam University Press, Amsterdam, Netherlands, pp. 15-32. ISBN 978-94-6298-465-3. (doi:10.1515/9789048535422-004) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84388)

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Johnson, Colin G. (2021) Aesthetics, Artificial Intelligence, and Search-based Art. In: Machado, Penousal and Romero, Juan and Greenfield, Gary, eds. Artificial Intelligence and the Arts: Computational Creativity, Artistic Behavior, and Tools for Creatives. Computational Synthesis and Creative Systems . Springer, Cham, pp. 27-60. ISBN 978-3-030-59474-9. (doi:10.1007/978-3-030-59475-6_2) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:76668)

Johnson, Colin G. (2013) Artistic and Musical Applications of Internet Search Technologies: Prospects and a Case Study. Digital Creativity, 24 (4). pp. 342-366. ISSN 1462-6268. E-ISSN 1744-3806. (doi:10.1080/14626268.2013.777351) (KAR id:69654)

Johnson, Colin G. (2016) Fitness in Evolutionary Art and Music: A Taxonomy and Future Prospects. Fitness in evolutionary art and music: a taxonomy and future prospects, 9 (1). pp. 4-25. ISSN 1754-8853. E-ISSN 1754-8861. (doi:10.1504/IJART.2016.075406) (KAR id:69612)

Johnson, Colin G., McCormack, Jon, Santos, Iria, Romero, Juan (2019) Understanding Aesthetics and Fitness Measures in Evolutionary Art Systems. Complexity, 2019 . Article Number 3495962. ISSN 1076-2787. (doi:10.1155/2019/3495962) (KAR id:72848)

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Kear, Jon (2002) In the spiral of time. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities. University of New Mexico Press, pp. 199-233. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1274)

Kear, Jon (2002) Le Sang Provençal. Journal of European Studies, . pp. 32-45. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1273)

Kear, Jon (2004) Spectres of the past: Jochen Gerz’s public monuments. In: Lamberti, Eleonora, ed. Representing Cultural Memory. University of Bologna Press, pp. 122-146. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1275)

Kear, Jon (2003) The Spiral of Time: Memory, Temporality and Subjectivity in Chris Marker’s La Jetée’. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities: Intersections of Photography and Narrative. University of New Mexico Press, New Mexico USA, 0-0. ISBN 0-8263-2825-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1357)

Kendall, Sara (2016) Unsettling Redemption: The Ethics of Intrasubjectivity in 'The Act of Killing'. MediaTropes, 6 (2). pp. 22-44. ISSN 1913-6005. (KAR id:59601)

Klee, Steve A. (2009) The Politics of Ambiguity. In: Spin[Freee]oza (Shop Windows and Balloons). SMART Project Space, Amsterdam, pp. 17-24. ISBN 978-90-806655-9-0. (KAR id:31590)

Klee, Steve A. (2013) Ranciere Against the Cuts: Activist Demands are Aesthetic. Third Text, 27 (2). pp. 177-188. ISSN 0952-8822. E-ISSN 1475-5297. (doi:10.1080/09528822.2013.774189) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31647)

Klee, Steve A. (2011) Training Ground; avoiding the trap of structural materialist film. In: Aernout Mik: Communitas. Stedelijk Museum Steidl, Gottingen Germany, pp. 149-158. ISBN 978-3-86930-297-3. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31589)

Klee, Steve A. (2008) Where We Were When We Bashed The Fash. Item format: Digital video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31591)

Klevan, Andrew (2005) Film Performance – From Achievement to Appreciation. Wallflower Press, 144 pp. ISBN 1-904764-24-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1088)

Klevan, Andrew (2005) Guessing the unseen from the seen: Stanley Cavell and film interpretation. In: Goodman, Russell, ed. Contending With Stanley Cavell. Oxford University Press, pp. 118-139. ISBN 0-19-517568-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1093)

Klevan, Andrew (2005) Notes on teaching film style. In: Pye, Douglas and Gibbs, John, eds. Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, pp. 214-227. ISBN 0-7190-6525-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1095)

Klevan, Andrew (2003) The purpose of plot and the place of Joan Bennett in Fritz Lang’s The woman in the window. Cineaction, (62). pp. 15-21. ISSN 0826-9866. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1091)

Korolija Fontana-Giusti, Gordana City, Public Spaces and Urban Choreography. In: CUMULUS Conference Utrecht, November 2004, Academy of Fine Arts Utrecht. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10661)

Korolija Fontana-Giusti, Gordana Mapping the Experience of the Walker: A Spatio-Dynamic Method of Designing a Responsive Environment for the 21st Century Pedestrian Culture. In: Walk 21 Zurich 2005 conference papers on line. . (KAR id:9643)

Korolija Fontana-Giusti, Gordana (2005) The Status of the Categories of the Virtual and the Real in Contemporary Architecture and Urban Design. In: CATH 2005 Conference "Ethics and Politics of Virtuality and Indexicality", 1 July 2005, University of Leed, Bradford site. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10618)

Korolija Fontana-Giusti, Gordana and Mohammed, Abdul and Kueppers, Stefan and Robertson, Nick and Choudhary, Vineet and Purkayastha, Sharbari and Eno, Brian (2006) London Loves the Thames - Flows and Assemblages - Movie. Central Saint Martins College of Art and Design film. (KAR id:10289)

Kunzelmann, Heide and Mayerhofer, Elisabeth (2014) Viennese Inertia: Cultural and Political Deceleration and Local Identity Construction. In: Hemelryk Donald, Stephanie and Lindner, Christoph, eds. Inert Cities. Globalization, Mobility and Suspension of Visual Culture. I.B.Tauris, London, pp. 129-152. ISBN 978-1-78076-972-1. E-ISBN 978-0-85773-612-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43382)

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Laera, Margherita (2010) The Wedding at Cana. Charta Art Books, Milan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31361)

Law, Jonathan (2014) Materialising the Unseen: The Multisensory Cinema of the Invisible Body. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:48182)

Leigh, Jennifer S, Petsilas, Phaedra, Brown, Nicole, Blackburn, Catriona (2019) Embodied Reflection – Exploring creative routes to teaching reflective practice within dance training. Journal of Dance and Somatic Practices, 11 (2). pp. 177-195. ISSN 1757-1871. E-ISSN 1757-188X. (doi:10.1386/jdsp_00004_1) (KAR id:73306)

Lowe, Dunstan (2009) Playing with Antiquity: Videogame Receptions of the Classical World. In: Lowe, Dunstan and Shahabudin, Kim, eds. Classics For All: Reworking Antiquity in Mass Cultural Media. Cambridge Scholars PRess, Newcastle Upon Tyne, pp. 62-88. ISBN 978-1-4438-0120-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37506)

Lowe, Dunstan (2021) ‘Transcending History and the World’: Ancient Greece and Rome in Versus Fighting Video Games. In: Ariese-Vandemeulebroucke, Csilla E. and Boom, Krijn H.J. and van den Hout, Bram and Mol, Angus A.A. and Politopoulos, Aris, eds. Return to the Interactive Past: The Interplay of Video Games and Histories. Sidestone Press, pp. 89-107. ISBN 978-90-8890-912-2. (KAR id:83769)

Lázaro-Reboll, Antonio (2002) Exploitation in the Cinema of Franco and Klimovsky. In: Godsland, Shelley and White, Anne, eds. Cultura Popular. Studies in Spanish and Latin American Popular Culture. Peter Lang, UK, pp. 83-95. ISBN 3-906766-96-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1361)

Lázaro-Reboll, Antonio (2009) “Perversa América Latina”: The Reception of Latin American Exploitation Cinemas in Spanish Subcultures. In: Ruetalo, Victoria and Tierney, Dolores, eds. Latsploitation, Exploitation Cinemas and Latin America. Routledge Advances in Film Studies . Routledge, London, pp. 37-54. ISBN 978-0-415-99386-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25142)

Lázaro-Reboll, Antonio (2007) Transnational Reception of El espinazo del diablo (Guillermo del Toro, 2001. Hispanic Research Journal, 8 (1). pp. 39-51. ISSN 1468-2737. (doi:10.1179/174582007X164320) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:1359)

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Maes, Hans R.V., ed. (2013) Pornographic Art and the Aesthetics of Pornography. Palgrave, 306 pp. ISBN 978-0-230-36820-0. (KAR id:50381)

Malksoo, Maria (2018) A Baltic Struggle for a "European Memory": The Militant Mnemopolitics of The Soviet Story. Journal of Genocide Research, 20 (4). pp. 530-544. ISSN 1462-3528. E-ISSN 1469-9494. (doi:10.1080/14623528.2018.1522828) (KAR id:65984)

Manolescu, Monica, Norman, Will (2020) The cartographic imagination: Art, literature and mapping in postwar America. European Journal of American Culture, 39 (1). pp. 3-11. ISSN 1466-0407. (doi:10.1386/ejac_00007_2) (KAR id:81084)

March-Russell, Paul (2014) Breakfast in the Ruins. Review of Richard Deacon exhibition, and 'Ruin Lust' (Tate Britain). Review of: Richard Deacon and 'Ruin Lust' by Deacon, Richard. Foundation, (117). pp. 86-90. ISSN 0306-4964258. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49114)

Casaliggi, Carmen and March-Russell, Paul, eds. (2007) Ruskin in Perspective: Contemporary Essays. Cambridge Scholars, Newcastle, 252 pp. ISBN 978-1-84718-284-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24911)

Marotti, Ferruccio and Tinti, Luisa and Allain, Paul (2005) Il Principe Costante di Jerzy Grotowski Riconstruzione, with subtitles in English. Centro Teatro Ateneo - University of Rome 'La Sapienza' DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2217)

May, Katja (2018) Stitched Encounters: An Exploration of the Afghan-European Embroidery Initiative Guldusi. Quilt Studies - The Journal of the British Quilt Study Group, (19). pp. 38-68. ISSN 1467-2723. (KAR id:67372)

Mikuriya, Theresa (2005) Theresa Mikuriya: photographs. Theresa Mikuriya: Photographs, 10 June 2005-26 June 2005, Seven Seven Contemporary Art, London. Number of pieces: 15. Photographs. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1226)

Mikuriya, Theresa, Lai, Linda (2004) Cryptoglyph: dialogues in many tongues in the hidden crevices of an open city. Philippe Charriol Foundation, 284 pp. ISBN 988-97391-1-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1222)

Mikuriya, Theresa and Lai, Linda (2004) Push: The quest for a voice, in search of a body. Interactive digital media installation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1227)

Misek, Richard (2005) Analogue Film, Digital Discourse. Review of: The Cinema Effect by Cubitt, Sean. Film-Philosophy, 9 (29). 0-0. ISSN 1466-4615. (KAR id:52384)

Misek, Richard (2017) The Black Screen. In: Beugnet, Martine and Cameron, Allan and Fetveit, Arild, eds. Indefinite Visions: CInema and the Attractions of Uncertainty. Edinburgh Studies in Film and Intermediality . Edinburgh University Press, Edinburgh, pp. 38-52. ISBN 978-1-4744-0712-0. E-ISBN 978-1-4744-0715-1. (KAR id:52381)

Misek, Richard (2015) The Black Screen. In: Indefinite Visions, June, 2016, Whitechapel Art Gallery. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:52839)

Misek, Richard (2017) The Black Screen. Alchemy Film and Moving Image Festival DCP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61733)

Misek, Richard (2017) Black White Colour. In: Experience Colours!, 7 Nov 2018, Aalto University, Helsinki, Finland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72000)

Misek, Richard (2010) Chromatic Cinema: A History of Screen Colour. Wiley-Blackwell, Chichester, West Sussex, 240 pp. ISBN 978-1-4443-3239-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40190)

Misek, Richard (2012) Dead Time: Cinema, Heidegger, and Boredom. In: Vassilieva, Julia and Verevis, Con, eds. After Taste: Cultural Value and the Moving Image. Routledge, Abingdon, New York, pp. 133-142. ISBN 978-0-415-67926-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:52382)

Misek, Richard (2015) The Definition of Film. InTransition: Journal of Videographic Film & Moving Image Studies (2.2, 2015) Online video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:52380)

Misek, Richard (2016) Détournement. In: Forms of Criticism, 30 Jun 2016, Parasol Unit, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72006)

Misek, Richard (2006) European Cinema: Face to Face with Hollywood by Thomas Elsaesser. Review of: European Cinema: Face to Face with Hollywood by Elsaesser, Thomas. Senses of Cinema, (40). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:52383)

Misek, Richard (2015) The Stolen Film. In: Cinematic Bricoleurs: Remixing, restyling and repurposing in contemporary filmmaking practice, 8 Jan 2016, King's College, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72007)

Misek, Richard (2021) VR's Missing Audience. . Website. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91802)

Misek, Richard (2017) Why I 'pirate' films. In: TEDx, 13 May 2017, Canterbury, United Kingdom. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61732)

Misek, Richard (2021) Why We Need Hybrid Film Festivals. Hyperallergic, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91799)

Misek, Richard and Beugnet, Martine (2017) In Praise of Blur. Ghent Film Festival DCP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:63445)

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Neale, Steve (1992) The Big Romance or Something Wild - Romantic Comedy Today. Screen, 33 (3). pp. 284-299. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22380)

Newall, M B (2018) The Crit: Toward a theory of the contemporary art school. In: Brisban, Chris and Thiessen, Myra, eds. Routledge Companion to Criticality in Art, Architecture and Design. Routledge. ISBN 978-1-317-22593-5. E-ISBN 978-1-315-62341-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60715)

Newall, Michael (2019) Cries, Consensus and Criticality: Making Artists in the Contemporary Art School. In: Brisbin, Chris and Thiessen, Myra, eds. The Routledge Companion to Criticality in Art, Architecture and Design. Routledge, London and New York, pp. 14-31. ISBN 978-1-138-18923-2. E-ISBN 978-1-315-62341-2. (KAR id:75412)

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Norman, Will (2020) Saul Steinberg, MOMA, and the Unstable Cultural Field. Italian Modern Art, 3 . pp. 1-21. ISSN 2640-8511. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:81093)

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Peluso, Daniela M. (2015) Traversing and Translating High Finance. Review of: Mapping the frontiers of high finance: Art, anthropology & the material culture of markets by UNSPECIFIED. Anthropology Today, 31 (3). p. 21. ISSN 0268-540X. (doi:10.1111/1467-8322.12180) (KAR id:60711)

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Pryor, Angus (2012) Post Conceptual Art Practice -Part Two. Post Conceptual Art Practice. Part Two, January to December 2012, Grange Tower Bridge Hotel. Exhibition. ISBN 978-0-9559230-8-1. (KAR id:31664)

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Radosavljevic, Duška (2012) Sarah Kane's Illyria as the land of violent love: a Balkan reading of Blasted. Contemporary Theatre Review, 22 (4). pp. 499-511. ISSN 1048-6801. (doi:10.1080/10486801.2012.718270) (KAR id:31444)

Rahman, Kaz (2017) Cinematic Landscapes at Gallery Eksen. Cinematic Landscapes, 29 November- 9 December 2017, Istanbul, Turkey. Exhibition and Catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88193)

Rahman, Kaz (2007) Deccani Ark at Bombay Art Gallery. , 16-25 April 2007, Mumbai, India. Exhibition and Catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88197)

Rahman, Kaz (2005) Flood in the Sky at State Gallery of Fine Arts. , 10 March- 15 April 2005, Hyderabad, India. Exhibition and Catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88198)

Rahman, Kaz (2001) Magic Carpet at Art Gallery of Peterborough. , 8 February- 1 April 2001, Peterborough, Canada. Exhibition and Catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88199)

Rahman, Kaz (2011) Salaat Multimedia Installation at Galeria Alejo Carpentier. Festival Internacional VIDEOARTE, 25-29 November 2011, Camaguey, Cuba. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88195)

Rahman, Kaz (2008) Salaat at Hasta Gallery. , 26 March- 6 April 2008, Hyderabad, India. Exhibition and Catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88196)

Rahman, Kaz (2016) The Weaver of Details: An Interview with Reza Mirkarimi. Projectorhead, . Article Number 13. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88206)

Ramsay, N. (1998) From England into Normandy: Medieval alabaster carvings. Apollo, 147 (435). pp. 50-51. ISSN 0003-6536. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17005)

Read, Peter (2017) Cubism Breaks Cover: Picasso and "Parade" in 1917. In: Cooper, Harry, ed. The Cubism Seminars. CASVA Seminar Papers . Yale University Press, Washington D.C., pp. 252-285. ISBN 978-0-300-22618-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:61962)

Read, Peter (2016) Dramaturge et démiurge: l'image et l'espace dans le théâtre d'Apollinaire. In: Apollinaire: Le regard du poète. Gallimard / Musées d'Orsay and l'Orangerie, Paris, France, pp. 245-251. ISBN 978-2-07-017915-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:61984)

Read, Peter and Campa, Laurence, eds. (2009) Guillaume Apollinaire, Correspondance avec les artistes, 1903-1918. Collection Blanche . Gallimard, Paris, France, 944 pp. ISBN 978-2-07-078404-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:62119)

Read, Peter (2016) "La révélation moderne": Apollinaire et les marchands d'art. In: Apollinaire: Le regard du poète. Gallimard / Musées d'Orsay and l'Orangerie, Paris, France, pp. 67-77. ISBN 978-2-07-017915-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:61983)

Read, Peter (2016) Matisse s'explique en 1907: un manuscrit inédit de l'artiste, conservé par Apollinaire. In: Apollinaire: Le regard du poète. Gallimard / Musées d'Orsay and l'Orangerie, Paris, France, pp. 107-110. ISBN 978-2-07-017915-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:61985)

Read, Peter (2016) 'Picasso dans la prose de fiction d'Apollinaire' and 'Du spectre au sceptre: la sculpture de Giacometti dans les ecrits de Francis Pogne'. In: Picasso-Giacometti. Flammarion/Musee Picasso Paris, Paris. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:68092)

Read, Peter (2014) Picasso et Robert Desnos, 1923-1945: 'une exigence de liberte', suivi de "Lettres de Robert et Youki Desnos". In: Les Cahiers de l'Herne: Cahier Picasso. Cahiers de L'Herne . L'Herne, Paris. ISBN 978-2-85197-173-9. (KAR id:67623)

Read, Peter (2017) Qui aime bien, châtie bien?: Roger de La Fresnaye dans les écrits de Guillaume Apollinaire. In: Par-delà le cubisme: études sur Roger de La Fresnaye suivies de correspondances de l'artiste. Art & Société . Presses Universitaires de Rennes, Rennes, France, 89 -104. ISBN 978-2-7535-5262-3. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:61965)

Read, Peter and Campa, Laurence (2014) L'attrait du nord. Apollinaire et les artistes scandinaves. In: La Place d'Apollinaire. Classiques Garnier, Paris. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:68087)

Richardson, Catherine and Hamling, Tara and Gaimster, David, eds. (2016) The Routledge Handbook of Material Culture in Early Modern Europe. Routledge History Handbooks . Routledge, Abingdon, Oxfordshire, 486 pp. ISBN 978-1-4094-6269-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51352)

Robinson, Philip E.J. (2003) Rousseau et l’estampe : mieux qu’un art visuel. In: Annales de la Société Jean-Jacques Rousseau. Droz, Geneva, pp. 301-312. ISBN 2-600-00815-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1336)

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Sayers, Sean (1989) Images of the French Revolution. Radical Philosophy, (53). pp. 50-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7856)

Schaffner, Anna Katharina (2017) Fool Rushes In. Review of: Toni Erdmann by Ade, Maren. Times Literary Supplement, . p. 1. ISSN 0307-661X. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:60278)

Schaffner, Anna Katharina (2007) Sprachzerlegung in historischer Avantgardelyrik und konkreter Poesie. k wie konkret . ECA, Berlin, 250 pp. ISBN 978-3-940842-02-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3459)

Schaffner, Anna Katharina (2015) The Twee Tribe. Review of: Twee: The Gentle Revolution in Music, Books, Television, Fashion, and Film by Spitz, Marc. Times Literary Supplement, . p. 13. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47813)

Sforza Tarabochia, Alvise (2021) Fotografia degli spazi manicomiali e iconografia tradizionale. Gli esclusi e Morire di classe (1969). In: Sorbo, Emanuela, ed. I liberi spazi di Maggiano e le architetture manicomiali in Italia. Maria Pacini Fazzi, pp. 53-62. ISBN 978-88-6550-810-7. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:90070)

Shaughnessy, Nicola (2004) Breathe body of lovely death: the disappearing subject in Susan Glaspell’s Auto/biographical Theatre. In: Gale, Maggie B. and Gardner, Viv, eds. Women, Theatre and Performance: Autobiography and Identity. Manchester University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1247)

Shaughnessy, Nicola (2007) Gertrude Stein. Writers and their work. Plymouth: Northcote House ISBN 0-7463-0906-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1246)

Shaughnessy, Nicola (2005) Truths and lies: towards a new methodology of performance applications. Research in Drama and Education, . 0-0. ISSN 1356-9783. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1248)

Shaughnessy, Nicola, Shaughnessy, Robert, Caines, Michael, Goring, Paul (2008) Margaret Woffington: lives of shakespearian actors part 1. Pickering & Chatto (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1249)

Shaughnessy, Nicola and Turner, Sarah (2016) Imagining Autism: Now I see the World. Routledge, Taylor and Francis DVD. (KAR id:59751)

Shaughnessy, Robert (2005) On location. In: Hodgdon, Barbara and Worthen, W.B., eds. A Companion to Shakespeare and Performance. Blackwell, pp. 80-100. ISBN 1-4051-1104-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1244)

Shaughnessy, Robert (2002) The Shakespeare effect: A history of Twentieth-Century performance. Palgrave, 221 pp. ISBN 0-333-77937-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1242)

Shaughnessy, Robert (2006) Staging the media apparatus: the Shakespeare revolution will not be televised. In: Holland, Peter, ed. Shakespeare: Remembering Performance. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1245)

Shaw, Michael (2019) The Fin-de-Siècle Scottish Revival: Romance, Decadence and Celtic Identity. Edinburgh Critical Studies in Victorian Culture . Edinburgh University Press, Edinburgh, 320 pp. ISBN 978-1-4744-3395-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:69129)

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Smith, Murray (2002) Trainspotting. BFI Modern Classics, 95 pp. ISBN 0-85170-870-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1255)

Smith, Murray (2005) Who’s afraid of Charles Darwin? The art of film in the age of evolution. In: Brutsch, Matthias, ed. Emotionalität und Film. Marburg: Schüren, pp. 287-310. ISBN 978-3-89472-512-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1250)

Smith, Murray (2003) A reasonable guide to horrible noise (Part 2) – listening to Lost Highway. In: Hojbjerg, Lennard and Schepelern, Peter, eds. Film Style and Story: A Tribute to Torben Groda. Copenhagen: Museum Tusculanum Press, University of Copenhagen, pp. 153-170. ISBN 87-7289-851-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1251)

Stanfield, Peter (2005) American Like Chop Suey: Invocations of gangsters in Chinatown 1920-35. In: Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of the American Gangster Film. New York: Rutgers University Press, pp. 238-262. ISBN 0-8135-3557-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1259)

Stanfield, Peter (2005) Body & soul: jazz and blues in American film, 1927-63. Urbana: University of Illinois Press, 213 pp. ISBN 0-252-02994-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1256)

Stanfield, Peter (2010) Crossover: Sam Katzman’s Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ Calypso, Beatniks, Hot Rods, and Rock ’n’ Roll in 1950s Teenpix’. Popular Music, 29 (3). pp. 437-456. ISSN 0261-1430. (doi:10.1017/S0261143010000255) (KAR id:26189)

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Stanfield, Peter (2001) Hollywood, westerns and the 1930s: the lost trail. University of Exeter Press, 258 pp. ISBN 0-85989-694-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1258)

Stanfield, Peter (2002) Horse opera: the strange history of the singing cowboy. Urbana: University of Illinois Press, 177 pp. ISBN 0-252-02733-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1257)

Stanfield, Peter (2011) “Punks! Topicality and the 1950s Gangster Bio-Pic Cycle”. In: Bolton, Kingsley and Olsson, Jan, eds. Media, Popular Culture and the American Century. National Library of Sweden, pp. 185-215. ISBN 978-0-86196-698-1. (KAR id:26190)

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Stähler, Axel (2004) Review of J.R. Mulryne and Elizabeth Goldring (eds), 'Court Festivals of the European Renaissance. Art, Politics and Performance'. Review of: Court Festivals of the European Renaissance. Art, Politics and Performance by Mulryne, J. R. and Goldring, E.. Archiv für das Studium der neueren Sprachen und Literaturen, 156 . pp. 368-370. ISSN 0003-8970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2460)

Stähler, Axel (2003) Zur Konstruktion einer zionistischen Ethik in Max Brods Romanen 'Rëubeni. Fürst der Juden' und 'Zauberreich der Liebe'. In: Konkel, Michael and Pontzen, Alexandra and Theissen, Henning, eds. Die Konstruktion des Jüdischen in Vergangenheit und Gegenwart. Studien zum Christentum und Judentum (9). Schoeningh, Paderborn, pp. 135-153. ISBN 3-506-72366-9. (KAR id:2448)

Swift, Ellen (2022) Materiality and Object Design and function: perspectives from artefacts. In: Haug, Annette and Hielscher, Adrian and Lauritsen, M. Taylor, eds. Materiality in Roman Art and Architecture: Aesthetics, Semantics and Function. Decor: Decorative Principles in Late Republican and Early Imperial Italy . De Gruyter, Berlin, pp. 203-221. ISBN 978-3-11-076290-7. E-ISBN 978-3-11-076473-4. (doi:10.1515/9783110764734-012) (KAR id:93400)

Swift, Ellen Victoria (2008) Decorated Vessels: The Function of Decoration in Late Antiquity. In: Lavan, Luke A. and Swift, Ellen Victoria and Putzeys, Toon, eds. Objects in Context, Objects in Use: Material Spatiality in Late Antiquity (Late Antique Archaeology 5). Late Antique Archaeology . Brill, Leiden, pp. 385-412. ISBN 978-90-04-16550-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3131)

Swift, Ellen Victoria (2009) Style and Function in Roman Decoration: Living with Objects and Interiors. Ashgate, Farnham, Surrey, 248 pp. ISBN 978-0-7546-6563-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14666)

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Thomas, Ben D. H. (2005) The academy of Bandinelli. Print Quarterly, XXII (1). pp. 3-14. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1276)

Thomas, Ben D. H. (2001) The lantern of painting: Michelangelo, Daniele da Volterra and the paragone. Apollo, CLIV (474). pp. 46-53. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1277)

Trimingham, M F (2017) Agency and Empathy: Artists Touch the Body. In: Barbieri, Donatella, ed. Costume in Performance: Materiality, Culture, and the Body. Bloomsbury, London UK, pp. 137-165. ISBN 978-1-4742-3687-4. E-ISBN 978-1-4742-3688-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65306)

Trimingham, Melissa (2002) A Methodology for Practice as Research. Studies in Theatre & Performance, 22 (1). pp. 54-60. ISSN 1468-2761. (doi:10.1386/stap.22.1.54) (KAR id:30397)

Trimingham, Melissa (2004) Oskar Schlemmer’s Research Practice at the Dessau Bauhaus. Theatre Studies International, 29 (2). 128 -142. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1263)

Turner, Sarah E. (2007) All of tomorrow’s parties. Film. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1267)

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Turner, Sarah E. (2008) Overheated Symphony. Birds Eye View film festival film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31934)

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Turner, Sarah E. (2009) Perestroika. Arts council of England, Film London Film, 118 mins: hdcam / Blu-Ray / DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31932)

Turner, Sarah E. (2011) This is not a pier. AHRC DVD and catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31935)

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Vaage, Margrethe Bruun (2015) The Antihero in American Television. Routledge Advances in Television Studies . Routledge ISBN 978-1-138-88597-4. E-ISBN 978-1-315-71516-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53110)

Vaage, Margrethe Bruun (2014) “Blinded by Familiarity: Partiality, Morality and Engagement in Television Series”. In: Nannicelli, Ted and Taberham, Paul, eds. Cognitive Media Theory. Routledge, pp. 268-284. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50298)

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Vaage, Margrethe Bruun (2013) The Imagined Observer Hypothesis. In: Branigan, Edward and Buckland, Warren, eds. The Routledge Encyclopedia of Film Theory. Routledge, pp. 258-262. ISBN 978-0-415-78180-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50301)

Vaage, Margrethe Bruun (2013) Point of View. In: Branigan, Edward and Buckland, Warren, eds. The Routledge Encyclopedia of Film Theory. Routledge, pp. 371-375. ISBN 978-0-415-78180-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70145)

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Whittle, Matthew (2016) Lost trophies: Hunting animals and the imperial souvenir in Walton Ford’s Pancha Tantra. Journal of Commonwealth Literature, 51 (2). pp. 196-210. ISSN 0021-9894. E-ISSN 1741-6442. (doi:10.1177/0021989415624957) (KAR id:63710)

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Wood, Aylish (2008) Encounter at the Interface: Distributed Attention and Digital Embodiments. Quarterly Review of Film and Video, 25 (3). pp. 219-229. ISSN 1050-9208. (doi:10.1080/10509200601091490) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31605)

Wood, Aylish (2002) Technoscience in contemporary American films: beyond science fiction. Manchester University Press, 240 pp. ISBN 0-7190-5773-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1099)

Wood, Aylish (2002) The timespaces of spectacular cinema: crossing the great divide of spectacle versus narrative. Screen, 43 (4). pp. 370-386. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1100)

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Zeitlyn, David (2005) Introduction. In: Swenson, Ingrid, ed. Joseph Chila and Samuel Finlak. Two Portrait Photographers in Cameroon. Peer, London, pp. 4-8. ISBN 978-0-9539772-6-0. (KAR id:3686)

Zeitlyn, David (1997) Les mambila. In: Barbier, Jean-Paul and Willett, Frank and Eyo, Ekpo, eds. Arts du Nigeria. Collection du musée des Arts d'Afrique et d'Océanie. Réunion des musée nationaux, Paris, pp. 231-4. ISBN 978-2-7118-3522-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3660)