Items where Subject is "N Visual Arts > N Visual arts (General). For photography, see TR"
Number of items at this level: 439. A
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Allain, Paul
(2005)
Grotowski’s ghosts.
Contemporary Theatre Review,
.
pp. 46-59.
ISSN 1048 6801.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1142)
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Allain, Paul
(2006)
Waking with one breath left.
In: Attisani, Antonio, ed.
Tracing Roads Across.
EU funded.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1127)
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Allain, Paul,
Ziolkowski, Grzegorz
(2005)
Polish Theatre After 1989: Beyond Borders.
Contemporary Theatre Review,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2216)
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Bacon, Julie Louise
(2012)
Liquid Archive: On Ambivalence.
Other.
Monash University Museum of Art, Melbourne, Australia
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:31586)
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Bacon, Julie Louise
(2012)
The Possibility of Impossible Dialogues.
Desert Equinox, 1-23 September 2012, Broken Hill, Australia.
Land Art.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31584)
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Bacon, Julie Louise
(2012)
Signal.
In: Signal, 30 October - 02 November 2012, Quebec.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:31565)
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Baldwin, Thomas
(2010)
Ekphrasis and Related Issues in Diderot’s Salons.
In: Fowler, James, ed.
New Essays on Diderot.
Cambridge University Press, Cambridge, pp. 234-247.
ISBN 978-0-521-76956-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:41916)
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Baldwin, Thomas
(2012)
Photography and Painting in Proust’s 'A la recherche du temps perdu'.
In: Baldwin, Thomas and Grigorian, Natasha and Rigaud-Drayton, Margaret, eds.
Text and Image in Modern European Culture.
Purdue University Press, West Lafayette, Indiana, pp. 76-87.
ISBN 978-1-55753-628-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:41914)
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Barbe, F.A.
(2006)
Chimaera.
Chimaera, 2006-2006, UK Tour.
Live Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1155)
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Barbe, F.A.
(2003)
Fine bone china.
Fine Bone China, March 2003-September 2003, UK Tour.
Live performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1149)
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Barbe, F.A.
(2003)
Palpitation.
Performance type: Other
Palpitation, September 2003-September 2003, London/University of Kent, Canterbury.
Live performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1153)
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Barnard, Clio H.
(2010)
The Arbor.
Artangel Media
Feature film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:40773)
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Barnard, Clio H.
(2017)
Dark River.
Theatre release data.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64065)
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Barnard, Clio H.
(2006)
Dartford Crossing.
Film.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1109)
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Barnard, Clio H.
(2006)
Erith.
DVD.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1107)
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Barnard, Clio H.
(2002)
Flood.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1104)
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Barnard, Clio H.
(2001)
Lambeth Marsh.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1103)
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Barnard, Clio H.
(2004)
Road race.
Hopscotch Films
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1105)
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Baugh, Christopher
(2006)
Scenography and technology, 1737-1843.
In: Moody, Jane and O'Quinn, Daniel, eds.
The Cambridge Companion to British Theatre 1737-1843.
Cambridge University Press.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1115)
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Baugh, Christopher
(2004)
Stage Design from Loutherbourg to Poel.
In: Donohue, Joseph, ed.
The Cambridge History of British Theatre, vol. II.
Cambridge University Press, pp. 309-330.
ISBN 0-521-65068-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1112)
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Brittain-Catlin, Timothy
(2003)
Ackermann on Paper.
Review of: Origins, Imitation, Conventions: Representation in the Visual Arts
by Ackerman, James.
Architectural Review,
.
pp. 96-97.
ISSN 0003-861X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:10646)
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Brittain-Catlin, Timothy
(2019)
Book Review.
Review of: Baroque between the wars: alternative style in the arts, 1918–1939
by Stevenson, Jane.
The Journal of Architecture,
24
(1).
pp. 114-118.
ISSN 1360-2365.
E-ISSN 1466-4410.
(doi:10.1080/13602365.2019.1569386)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:72571)
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Brittain-Catlin, Timothy
(2012)
British Design 1948-2012.
Review of: British Design 1948-2012
by UNSPECIFIED.
World of Interiors,
2012
(April).
p. 233.
ISSN 0264-083X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:29015)
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Brittain-Catlin, Timothy
(2004)
Candid camera.
World of Interiors,
.
ISSN 0264-083X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9786)
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Brittain-Catlin, Timothy
(2002)
Defeated by empiricism.
Review of: 'Kant, art, and art history: moments of discipline'
by Cheetham, Mark A..
Architectural Review,
.
p. 96.
ISSN 0003-861X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:10665)
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Brittain-Catlin, Timothy
(2007)
Domus 1929-1999 (review).
Review of: 'Domus 1929-1999'
by Fiell, Charlotte and Fiell, Peter.
World of Interiors,
.
p. 47.
ISSN 0264-083X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9829)
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Brittain-Catlin, Timothy
(2013)
'Ecclesiology Abroad' (review).
Review of: Ecclesiology Abroad: The British Empire and Beyond
by Bremner, G.A..
Ecclesiology Today,
(47/48).
pp. 142-143.
ISSN 1460-4213.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:41335)
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Brittain-Catlin, Timothy
(2007)
Imagined interiors (review).
Review of: Imagined interiors: representing the domestic interior since the renaissance
by Aynsley, Jeremy and Grant, Charlotte.
World of Interiors,
.
p. 40.
ISSN 0264-083X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:9833)
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Brittain-Catlin, Timothy
(2020)
Port Lympne.
In: Charlton, Susannah and Harwood, Elain, eds.
100 20th Century Gardens & Landscapes.
Batsford, London, pp. 24-25.
ISBN 978-1-84994-529-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:80406)
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Brittain-Catlin, Timothy
(2009)
'Portmeirion' (book review).
Review of: Portmeirion
by Gerry, Leslie and Llywelyn, Robin.
World of Interiors,
2009
(July).
p. 25.
ISSN 0264-083X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20152)
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Brittain-Catlin, Timothy
(2013)
Put it there.
World of Interiors,
2013
(Dec).
pp. 130-137.
ISSN 0264-083X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:35985)
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Brittain-Catlin, Timothy
(2001)
Space in time.
Review of: 'The architecture of image: existential sapce in cinema'
by Pallasmaa, Juhani.
Architectural Review,
.
p. 96.
ISSN 0003-861X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:10627)
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Brydon, Lavinia and Jenzen, Olu
(2016)
Exhibition Review: Pierdom by Simon Roberts.
Review of: Pierdom
by Roberts, Simon.
NECSUS: European Journal of Media Studies,
5
(2).
p. 1.
ISSN 2213-0217.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:59446)
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Cardwell, Sarah E.
(2005)
Andrew Davies.
Manchester University Press, 227 pp.
ISBN 0-7190-6491-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1168)
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Carver, Gavin P.
(2001)
John Fox.
In: Bull, John, ed.
Dictionary of Literary Biography Vol 245 British and Irish Dramatists Since World War II.
London: Bruccoli Clark Layman, pp. 157-166.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1268)
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Carver, Gavin P. and Beardon, C
(2003)
New visions in performance.
In: Carver, Gavin P., ed.
New Visions in Performance.
Swets & Zeitlinger, pp. 167-182.
ISBN 90-265-1966-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1173)
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Chodzko, Adam
(1997)
3 wege zum see: Group exhibition.
3 wege zum see, 1997, Künstlerhaus Klagenfurt, Austria.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47437)
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Chodzko, Adam
(2011)
Again, A Time Machine.
Again, A Time Machine: Make the Living Look Dead, 16 September to 9 October 2011, Spike Island, Bristol.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47309)
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Chodzko, Adam
(2010)
Apocalypse Now: Krowswork
Group Exhibition.
Apocalypse Now, 2010, Hot Springs Documentary Festival, Oakland, California.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47314)
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Chodzko, Adam
(2014)
Art Moves: Ghost.
Performance type: Live play
, 20 - 21 September 2014, Olympic Park, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47580)
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Chodzko, Adam
(2009)
Artworks (for sale in exchange for visitors ideas).
Artworks (for sale in exchange for visitors ideas), 29 May – 16 August 2009, Wilkinson Gallery.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47325)
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Chodzko, Adam
(1991)
City Racing: Group Exhibition.
, City racing, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47548)
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Chodzko, Adam
(2010)
The Gathering: Group Exhibition.
The Gathering, 4 March – 18 April 2010, Longside Gallery, Yorkshire Sculpture Park.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47317)
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Chodzko, Adam
(2012)
IN THE BELLY OF THE WHALE (ACT III) Group Exhibition.
IN THE BELLY OF THE WHALE (ACT III), 2nd March - 17th June 2012, Montehermoso, Vitoria-Gasteiz, Spain.
Vinyl Record.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47303)
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Chodzko, Adam
(2009)
Journeys With No Return.
Journeys With No Return, 2009, Akbank, Istanbul Biennale.
still images.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47318)
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Chodzko, Adam
(2010)
Journeys With No Return, Second Tour.
Journeys With No Return, 2010, A-Foundation, London & Galerie Kurt-Kurt, Berlin.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47319)
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Chodzko, Adam
(2014)
Knots: Group Exhibition.
Knots, 01/12/2014 - 07/12/2014, Les Rencontres Internationales, Paris.
Experimental fiction.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47258)
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Chodzko, Adam
(2013)
Life in Film: Frieze.
Frieze,
(158).
pp. 62-63.
ISSN 0962-0672.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47133)
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Chodzko, Adam
(2011)
Loophole to Happiness: Group Exhibition.
Loophole to Happiness, 25. 5. 2011 – 7. 8. 2011, Museum of Contemporary Art, Lodz, & Futura Centre for Contemporary Art, Prague & AMT Projects.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47311)
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Chodzko, Adam
(2012)
Night Shift: MADE IN BRITAIN.
Made in Britain – Contemporary Art from the British Council Collection 1980 – 2010, 15 Feb 12 - 22 Apr 12 , 01 Jun 12 - 05 Aug 12, Benaki Museum, Athens, touring to Albanian National Gallery of Arts, Tirana.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47310)
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Chodzko, Adam
(1993)
Okay Behaviour: Group Exhibition.
, 303 Gallery, New York.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47491)
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Chodzko, Adam
(2014)
Performance as Sculpture: Group Exhibition.
Performance as Sculpture, March 19. March 23, 2014, Uovo festival, Milan.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47263)
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Chodzko, Adam
(2010)
Pier Paolo Pasolini.
Pier Paolo Pasolini: We Are All In Danger, 3 November – 1 December 2010, Australian Cinémathèque at the Gallery of Modern Art in Brisbane.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47322)
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Chodzko, Adam
(2014)
Rising.
Rising, National Maritime Museum.
atmospheric audio work.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47256)
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Chodzko, Adam
(2013)
Rising: The Future of the Race.
Performance type: Video/Film (documentary)
, Newcastle.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47598)
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Chodzko, Adam
(1998)
Solo Exhibition.
, 1998, Viewpoint Gallery, Salford.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47254)
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Chodzko, Adam
(2014)
Spare Room: Thinking City.
Performance type: Video/Film (fiction)
, 02 October 2014, 6.30pm, Liverpool Biennale, Liverpool.
film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47579)
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Chodzko, Adam
(2008)
Tales of Time and Space: Group Exhibition.
Tales of Time and Space, 14 June to 14 September 2008, Folkestone Triennial, Folkestone, Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47332)
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Chodzko, Adam
(2010)
Whitstable Biennale: Ghost, Echo and The Pickers.
Whitstable Biennale, 19th June - 4th July 2010, Whitstable, Kent.
video installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47316)
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Chodzko, Adam and Atkinson, Ewan and Boyce, Sonia and Gordon, Leah and Griffith, marlon and Rime, Marie and Theuring, Corinna
(2014)
Alles Maskerade!Group Exhibition.
Alles Maskerade!, 22/11/2014 - 22/02/2015, MEWO Kunsthalle, Memmingen, Germany.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47257)
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Chodzko, Adam and Beech, Dave and Cook, Maria and Creed, Martin and Doig, Peter and Higgs, Matthew and Lewin, Sivan and Stezaker, John
(1995)
Zombie Golf:Group Exhibition
BANK.
Zombie Golf, Bank, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47453)
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Chodzko, Adam and Billingham, Richard and Curtis, Layla and Dawood, Shez and Day, Corinne and Golden, Pamela and Hunter, Tom and Kennard, Peter and Lewis, Andrew and Lucas, Sarah and Luxemburg, Rut Blees and Maybank, Hannah and Parr, Martin and Pollard, Ingrid and Starkey, Hannah and Stewart, Christopher and Shaw, George and Syed, Alia and Wallinger, Mark
(2002)
Location: UK
Group Exhibition.
Location: UK, 24 July - 7 September 2002, Gimpel Fils, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47380)
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Chodzko, Adam and Bismuth, Pierre and Blondeel, Maria and de Boer, Manon and Bournigault, Rebecca and Curran, Michael and Emin, Tracey and García, Dora and Gonzalez-Foerster, Dominique and Gordon, Douglas and Grigely, Joseph and Huyghe, Pierre and Kool, Renee and Lamelas, David and Matthys, Kobe and van Riessen, Wouter and Wilson, Ian
(1996)
Perfect: Group Exhibition.
Perfect, 03/07/96 - 03/08/96, Jan Mot and Oscar van den Boogaard, Brussels.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47449)
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Chodzko, Adam and Bond, Terrence and Gidley, Thomas and Gordon, Douglas and Hammick, Magnus and Lewandowska, Marysia and Martin, Jason and Patterson, Simon
(1993)
Wonderful Life: Group Exhibition.
Wonderful Life, 17 July – 16 October 1993, Lisson Gallery, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47492)
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Chodzko, Adam and Bradley, Slater and Chan, Paul and Charlesworth, Sarah and Mehretu, Julie and Steen, Brent and Zmijewski, Artur
(2006)
Belief and Doubt: Group Exhibition.
Belief and Doubt, 2006, The Aspen Art Museum, Colorado.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47344)
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Chodzko, Adam and Carne, Sarah and Coley, Nathan and Curtis, Layla and Himid, Lubaina and Waring, Sarah
(2002)
Fabrications: New Art and Urban Memory
Group Exhibition.
Fabrications, 11 September - 2 November 2002, Cube Gallery, Manchester.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47381)
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Chodzko, Adam and Dodds, Andrew and Large, Kelly and Van Harskamp, Nicoline
(2012)
Among Other Things: Group Exhibition.
Among Other Things, 10 January – 10 February 2012, Camberwell Space, Camberwell College of Arts, london.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47305)
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Chodzko, Adam and Eggebert, Anne
(1994)
Remote Control: Group Exhibition.
Remote Control, Royal College of Art, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47457)
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Chodzko, Adam and Egolf, Gretchen and Collar, Beth and Peake, Florence and Judd, Ben and Becker, Paul and Pedraglio, Francesco and Macbeth, Rory and Whittlesea, Ian and Birch, Rebecca and Smith, Rob
(2014)
Scene on a Navigable River.
Performance type: Live play
, 9 – 15 July 2014, Field Broadcast, Dedham Vale, Suffolk.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47581)
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Chodzko, Adam and Eide Einarsson, Eide and Fontaine, Claire and Gordon, Douglas
(2012)
Notes from Nowhere: Group Exhibition.
Notes from Nowhere, 6th May – 3rd June 2012, Frome, Somerset.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47286)
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Chodzko, Adam and Emin, Tracey and Shrigley, David and Starkey, Hannah
(1998)
Real Life: Group Exhibition.
Real Life, Galleria S.A.L.E.S., Rome.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47414)
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Chodzko, Adam and Gearon, Tierney and Goldin, Nan and Gursky, Andreas and Sherman, Cindy
(2001)
I am a Camera: Group Exhibition.
, Jan - Mar 2001, Saatchi Gallery.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47384)
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Chodzko, Adam and Hapaska, Siobhan and Roberts, Maggie and Lowe, Colin and Lloyd, Hilary and Higgs, Matthew
(1993)
Making People Disappear: Group Exhibition.
Making People Disappear, Thursday 1 April 1993 to Sunday 25 April 1993, Cubitt Street Gallery, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47458)
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Chodzko, Adam and Kötting, Andrew and Finer, Jem and Rudkin, David and Sinclair, Iain and Baker, Tom and Brownlow, Kevin and Sherwin, Guy and Thew, Anna and Rowe, Doc
(2003)
Visionary Landscapes: Group Exhibition
Adam Chodzko's ' Plan for a Spell' installation.
Visionary Landscapes, 23-25 May 2003, Cecil Sharp House, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47377)
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Chodzko, Adam and McNab, Janice and Tellez, Javier and Yang, Jun and Walde, Martin and Kool, Renee and Billingham, Richard and Keller, Sam and Wood, Simon and Calle, Sophie and Leutenegger, Zilla
(2002)
Tabu.
Tabu, Saturday, January 26, 2002 - Sunday, March 17, 2002, Kunsthaus Baselland, Switzerland.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47379)
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Chodzko, Adam and Patterson, Simon
(1994)
High Fidelity: Group Exhibition.
, Kohji Ogura Gallery, Nagoya; tour to Röntgen Kunst Institut, Tokyo.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47456)
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Chodzko, Adam and Whiteread, Rachel and Brown, Glenn and Wearing, Gillian and Gallaccio, Anya and Chapman, Jake & Dinos and Raho, Alessandro and Emin, Tracey and Collishaw, Mat and Hume, Gary and Fairhurst, Angus and Bond, Henry and Landy, Michael and Hirst, Damien and Pippen, Steven and Starr, Georgina and Taylor-Wood, Sam and Ofili, Chris and Lucas, Sarah and Gillick, Liam and Lane, Abigail
(1995)
Brilliant: Group Exhibition.
, 22 October 1995 - 7 January 1996, Walker Arts Center, Minneapolis.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47455)
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Cinquegrani, Maurizio
(2019)
Agnafit.
Anima Loci,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75520)
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Connelly, Mark L.
(2003)
The Charge of the Light Brigade.
British Film Guides
.
I B Tauris, London, 128 pp.
ISBN 978-1-86064-612-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:6820)
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Connelly, Mark L.
(2005)
The Red Shoes.
Turner Classic Movies British Film Guides
.
I B Tauris & Co Ltd, London, 96 pp.
ISBN 978-1-84511-071-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:6818)
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Cowie, Elizabeth
(2003)
Cinematic dream-work of Ingmar Bergman’s Wild Strawberries.
In: Sabbadini, Andrea, ed.
The Couch and the Silver Screen. Psychoanalytic Analytic Reflections on European Cinema.
Brenner-Routledge, pp. 181-201.
ISBN 1-58391-952-X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1175)
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Cowie, Elizabeth
(2009)
Introduction to Post-Partum Document.
In: Frascina, Francis, ed.
Modern Art Culture: a reader.
Routledge, London, pp. 303-311.
ISBN 978-0-415-23151-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:26339)
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Cowie, Elizabeth
(2005)
On Rear Window.
In: Rutsky, R.L. and Geiger, Jeffrey, eds.
Film Analysis: A Reader.
W. W. Norton & Company, pp. 475-493.
ISBN 0-393-97983-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1176)
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Cowie, Elizabeth
(2007)
Possession, paranoia and the experience of art.
In: Freud Museum Symposium: Observing Paranoia in Clinical Practice, Art and Anthropology, March 3rd, 10am - 5pm, 2007, Tavistock Clinic, London NW3.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:12967)
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Cowie, Elizabeth
(2011)
Recording Reality, desiring the real.
Visible Evidence
.
University of Minnesota press, Minnesota, USA, 296 pp.
ISBN 978-0-8166-4549-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31728)
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Cowie, Elizabeth
(2012)
Road Race.
In: Corkish, Alan and Chell, Edward and Taylor, Andrew, eds.
In the Company of Ghosts: The Poetics of the Motorway.
Erbacce press, Liverpool, pp. 41-46.
ISBN 978-1-907878-42-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31623)
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D
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Da Silva, Antonio Marcio
(2013)
Gender in Brazilian Cinema: Introduction.
In: Pinazza, N and Bayman, L, eds.
Directory of World Cinema: Brazil.
Intellect, Bristol, pp. 82-102.
ISBN 978-1-78320-009-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47108)
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Dillet, Benoît and MacKenzie, Iain and Porter, Robert, eds.
(2013)
The Edinburgh Companion to Poststructuralism.
Edinburgh University Press, Edinburgh, 560 pp.
ISBN 978-0-7486-4122-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:39096)
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Dillon, Lorna, ed.
(2017)
Violeta Parra: Life and Work.
Monografias A
.
Tamesis Books, 214 pp.
ISBN 978-1-85566-321-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64232)
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E
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Etkind, Alexander,
Finnin, Rory,
Blacker, Uilleam,
Fedor, Julie,
Lewis, Simon,
Malksoo, Maria,
Mroz, Matilda
(2012)
Remembering Katyn.
Polity Press, Cambridge, UK, 200 pp.
ISBN 978-0-7456-5576-5.
E-ISBN 978-0-7456-6296-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57049)
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F
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Fontana-Giusti, Gordana
(2010)
Ignored by critics.
Review of: Memorials incognito: the candle, the drain and the cabbage patch for Diana, Princess of Wales
by Sully, Nicole.
Architectural Research Quaterly,
14
(3).
pp. 190-191.
ISSN 1359-1355.
(doi:10.1017/S135913551000093X)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:28266)
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Fontana-Giusti, Gordana,
Schumacher, Patrik
(2004)
Zaha Hadid: The Complete Works.
Thames and Hudson Ltd London /Rizzoli New York, London, 448 pp.
ISBN 978-0-500-34200-8.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:3242)
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Friday, Jonathan
(2002)
Aesthetics and photography.
Aldershot: Ashgate Press, 175 pp.
ISBN 0-7546-0428-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1185)
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Friday, Jonathan
(2001)
Photography and the representation of vision.
Journal of Aesthetics and Art Criticism,
59
(4).
pp. 351-362.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1189)
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G
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Grantley, Darryll
(2008)
London in English Drama 1500-1700.
Cambridge University Press
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1206)
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Grantley, Darryll
(2006)
Morality and Interlude Drama.
In: Brown, Peter, ed.
A Companion to Medieval English Literature and Culture c.1350-c.1500.
Wiley, pp. 473-487.
ISBN 978-0-631-21973-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1203)
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Griffin, Howard,
Lovell, Jane
(2020)
Enchantment, light installations and imaginative authentication.
In: AMPS Conference "Connections: exploring heritage, architecture, cities, art media", 29-30 Jun 2020, Canterbury, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:82012)
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Guerin, Frances
(2016)
Friedrich Wilhelm Murnau.
In: Gabbard, Krin, ed.
Oxford Bibliographies in Cinema and Media Studies.
Oxford Bibliographies
.
Oxford University Press.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:56571)
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Guerin, Frances
(2007)
The Gray Space Between: Gerhard Richter’s 18. Oktober 1977 (1989).
In: Guerin, Frances and Hallas, Roger, eds.
The Image and the Witness: Trauma, Memory and Visual Culture.
Wallflower Press, London, pp. 111-126.
ISBN ISBN-13: 978-1905674206.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45716)
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Guerin, Frances
(2011)
Locating Shadows: What’s inside William Kentridge’s Black Box?
In: John David, Rhodes, ed.
Taking Place: Location and the Moving Image.
University of Minnesota Press, Minneapolis, pp. 233-253.
ISBN 0-8166-6517-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:44814)
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Guerin, Frances
(2006)
McCormick and Guenther-Pal, eds, German Essays on Film (2004).
Review of: McCormick and Guenther-Pal, eds, German Essays on Film (2004)
by McCormick, Richard.
Film-Philosophy,
10
(3).
pp. 95-100.
ISSN 1466-4615.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45500)
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Guerin, Frances
(2008)
www.artslant.com.
.
online.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45711)
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Guerin, Frances
(2008)
www.francesguerin.com.
.
website.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45710)
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Guerin, Frances and Hallas, Roger
(2007)
Introduction to The Image and the Witness.
In:
The Image and the Witness: Trauma, Memory and Visual Culture.
Wallflower Press, London.
ISBN 978-1-905674-20-6.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:43364)
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H
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Hammer, Martin
(2012)
Continuity and Contradiction in the Art of Francis Bacon.
In: Arya, Rina, ed.
Francis Bacon: Critical and Theoretical Perspectives.
Pater Lang, pp. 121-168.
ISBN 9783034308892 (pbk); 9783035303896 (eBook).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31368)
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Hammer, Martin
(2012)
Francis Bacon and Nazi Propaganda.
Tate Publishing, 224 pp.
ISBN 978-1-84976-073-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31360)
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Hammer, Martin
(2012)
Francis Bacon: Painting after Photography.
In:
British Art in the Cultural Field, 1939-69.
Wiley-Blackwell, pp. 156-173.
ISBN 978-1-118-27584-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31364)
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Hammer, Martin
(2016)
Frank Auerbach.
Review of: Frank Auerbach exhibition at Tate Britain (2016) and book Catherine Lampert, Frank Auerbach:
Speaking and Painting, London 2015
by UNSPECIFIED.
The Burlington Magazine,
CLVIII
.
pp. 214-215.
(KAR id:60492)
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![[thumbnail of auerbach review.pdf]](/60492/1.hassmallThumbnailVersion/auerbach%20review.pdf)  Preview
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Hammer, Martin
(2014)
The Growth and Form of Artistic Responses to D’Arcy Thompson.
In:
D'Arcy Thompson's On Growth and Form.
Essays on Sculpture
.
Henry Moore Institute, Leeds, pp. 14-29.
ISBN 978-1-905462-45-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:50200)
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Hammer, Martin
(2017)
Hockney as Philosophical Painter.
In: Stephens, Chris and Wilson, Andrew, eds.
David Hockney.
Tate Publishing, London, UK, pp. 208-213.
ISBN 978-1-84976-443-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:60480)
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Hammer, Martin
(2016)
Introduction.
In: Currie, Ken and Hammer, Martin, eds.
Ken Currie: Tragic Forms.
Flowers Gallery, London.
ISBN 978-1-906412-76-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61347)
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Hammer, Martin
(1999)
The Irony of Egotism.
In:
John Coplans: A Self-Portrait 1984-99.
Dean Gallery, Edinburgh, pp. 5-14.
ISBN 978-0-903598-96-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:56908)
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Hammer, Martin
(2019)
Portraiture: Seeing-As and Seeing-In.
In: Maes, Hans, ed.
Portraits and Philosophy.
Routledge Research in Aesthetics
.
Routledge, New York, pp. 239-255.
ISBN 978-0-367-18940-2.
E-ISBN 978-0-429-19937-0.
(doi:10.4324/9780429199370)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:80361)
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Hammer, Martin
(2020)
The Realism of Gabo's 1920 Manifesto.
In:
Naum Gabo: Constructions for Real Life.
Tate Publishing, London and St Ives, pp. 33-36.
ISBN 978-1-84976-724-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:80362)
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Hammer, Martin and Lodder, Christina
(2004)
Dematerialising Sculpture: Methods and Motives.
In: Barassi, Sebastiano, ed.
Immaterial: Brancusi,Gabo,Moholy-Nagy.
Kettle’s Yard, Cambridge.
ISBN 978-1-904561-04-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61346)
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Hatton, Peter and Murray, Val and Pilling, Lynn
(2009)
Brown Fields Blue Skies.
a) Brown Field Blue Skies - Residency & Performances b) Brown Field Blue Skies Exhibition, a) August 2007 - March 2008 b) March 4th to 12th June 2009, a) Widnes Waterfront Development Site, Widnes, Cheshire b) ICIA (Institute of Contemporary Interdisciplinary Arts), University of Bath.
Performance, Video, Website Intervention and Exhibition.
(KAR id:31685)
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Hatton, Peter and Murray, Val and Pilling, Lynn
(2010)
Spinning A Yarn.
Spinning A Yarn, 15th October to 12th December 2010, Whitworth Art Gallery (Manchester University), Platt Hall Gallery of Costume (Manchester City Art Gallery) and Royal Mills.
Installation, Video and Artist's Book.
(KAR id:31651)
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Henry, Tom F. K.
(2012)
Archive. Italian Renaissance Documents Site.
web publication.
Located at: http://archive.casanovaumbria.eu.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31667)
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Henry, Tom F. K.
(2012)
The Life and Art of Luca Signorelli.
Yale University Press, New Haven & London, 352 pp.
ISBN 978-0-300-17926-2.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:31666)
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Henry, Tom F. K.,
Joannides, Paul,
González Mozo, Ana,
Martín, Bruno
(2012)
Late Raphael.
Museo Nacional del Prado and Musee du Louvre, Madrid and Paris, 382 pp.
ISBN 978-84-8480-237-2.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:31668)
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I
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Illingworth, Shona
(2014)
216 Westbound.
Animate Projects Arts Council England
Film, 17 minutes, HD, DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45152)
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Illingworth, Shona
(2006)
5 x 1.
Rideout, The Creative Prison
Film, 17 minutes, DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45532)
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Illingworth, Shona
(2014)
Amnesia Forum, Prosthetic Memory: Prosthetic Interference.
In: Amnesia Forum, Prosthetic Memory: Prosthetic Interference, 24 April 2014, FACT (Foundation for Art and Creative Technology).
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45262)
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Illingworth, Shona
(2012)
Amnesia Forum: Lesions in the Landscape 1.
In: Lesions in the Landscape 1, 6 November 2012, University of Glasgow, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45265)
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Illingworth, Shona
(2013)
Amnesia Forum: Lesions in the Landscape 2.
In: Lesions in the Landscape, 26th September 2013, City University, London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45264)
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Illingworth, Shona
(2014)
Amnesia Lab - exhibition.
Amnesia Lab, 20 September to 8 November, UNSW Galleries, Sydney.
Drawing, Sound installation, video, photography, 3D immersive environment.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45411)
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Illingworth, Shona
(2014)
Amnesia Lab - symposium.
National Institute for Experimental Arts (NIEA) at University of New South Wales (UNSW), Sydney, Australia.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45158)
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Illingworth, Shona
(2006)
BOOK.
BOOK, June 2006 and January 2008, Mortimer Road, London and Margaret Harvey Gallery, St Albans.
Curated over 20 Artist Books.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45562)
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Illingworth, Shona
(2011)
Balnakiel.
Artprojx Cinema, SVA theatre and Armory Show, New York.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:46200)
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Illingworth, Shona
(2011)
Balnakiel - Maas Space.
Maas Space, Philidelphia, curated by Jesse Pires.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:46201)
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Illingworth, Shona
(2013)
Balnakiel - Unmarked Space.
Unmarked Space Festival.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:46199)
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Illingworth, Shona
(2010)
Balnakiel - Wolverhampton Gallery.
Balnakiel, 6 February - 1 May 2010, Wolverhampton Art Gallery.
video and sound installation, text, photography, wall painting.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45557)
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Illingworth, Shona
(2010)
Balnakiel - interview.
.
internet.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45471)
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Illingworth, Shona
(2005)
Bare Dust.
In: Harding, A, ed.
Magic moments : collaboration between artists and young people.
Black Dog, London, pp. 42-49.
ISBN 978-1-904772-28-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45513)
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Illingworth, Shona
(2000)
Bare Dust.
SPACE, London and Hackney Wick Public Art Projects
Film (7 minutes).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45526)
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Illingworth, Shona
(2004)
Bare Dust.
Muslim Mulliqi, 2004, Gallerie Arteves Kosoves, Prishtina, Kosovo.
video installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:46195)
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Illingworth, Shona
(2001)
Calling A’Gairm.
Fabrica, Brighton and Photoworks
Video and sound installation, 8 minutes DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45506)
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Illingworth, Shona
(2006)
Central Asian Project.
SPACE, UK, Cornerhouse, UK and AsiaArt, Kazakhstan, Almaty, Astana and Karaganda in Kazakhstan.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45473)
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Illingworth, Shona
(2007)
Conflicts of Memory - Balnakiel, research in progress.
In: Northlands Creative Glass Annual International Conference: Expression of Self, 31 August - 2 September 2007, Northlands Creative Glass, Lybster, Scotland.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45511)
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Illingworth, Shona
(2002)
DRILL.
Berwick Gymnasium Residency, English Heritage, Arts Council England
Film (10 Minutes).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45529)
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Illingworth, Shona
(2006)
DRILL.
Strangers with Angelic Faces, 2006, Akbank Sanat, Istanbul.
Video and sound installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:46192)
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Illingworth, Shona
(2005)
DRILL.
Think Pink, National Museum, Prishtina, Kosovo.
video and sound installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:46194)
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Illingworth, Shona
(2005)
Elin - Galleria Pianissimo, Milan.
Elin, 6 April - 21 May 2005, Galleria Pianissimo, Milan, Italy.
video installation, photography.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45560)
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Illingworth, Shona
(2008)
The Feminist Inheritance, a view from the UK,.
Museum of Fine Art, Lausanne, Switzerland, Switzerland.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45523)
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Illingworth, Shona
(2003)
For Women its Everything.
Independent Photography, London, UK, 78 pp.
ISBN 978-0-9546725-0-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45514)
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Illingworth, Shona
(2014)
Hirte: Three Forms of Forgetting.
In: Place - Occupation, 1 - 2 February 2014, Aldeburgh Music.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45459)
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Illingworth, Shona
(2001)
Hold.
The Lion's Hospice, Gravesend, Arts Council England
film and sound.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45564)
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Illingworth, Shona
(2012)
In Transit.
Project Art Works, UK
Two short film commissions.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:46203)
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Illingworth, Shona
(2012)
Interior Voices.
VoxLab.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45470)
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Illingworth, Shona
(2007)
Karlag.
SPACE, Cornerhouse, and Asia Art, Arts Council England, British Council
Film, 16 minutes, DVD..
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45115)
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Illingworth, Shona
(2006)
Karlag - KZ UK.
KZ-UK, 2006, National Gallery, Almaty, Kazakhstan.
video installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:46196)
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Illingworth, Shona
(2007)
Karlag - Museum of Modern Art Bologna.
Timecode, 15th November 2007- 12th June 2008, Museum of Modern Art Bologna, Italy.
video installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45558)
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Illingworth, Shona
(2008)
Karlag - memory, trauma, landscape.
In: Timecode, 29 May 2010, Museum of Modern Art Bologna, Italy.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45472)
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Illingworth, Shona
(2007)
Karlag, Tomb and Mound.
Central Asian Project, Cornerhouse, Manchester.
video installation and slide projection.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:46197)
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Illingworth, Shona
(2011)
Memory / Sound / Image.
In: Memory / Sound / Image, 19 November 2011, Modern Art Oxford.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45397)
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Illingworth, Shona
(2003)
Memory and Forgetting.
Memory and Forgetting, 2003, Hatton Gallery, Newcastle.
Sound installation using audio technology embedded into architecture.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:46198)
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Illingworth, Shona
(2001)
PILOT.
Berwick Gymnasium Residency, English Heritage, Arts Council England
Film (10 Minutes).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45533)
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Illingworth, Shona
(2003)
PILOT - AGNL (Art Gallery of Newfoundland and Labrador).
PILOT, June - July 2003, AGNL (Art Gallery of Newfoundland and Labrador), Canada.
video and multi-channel sound installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45559)
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Illingworth, Shona
(2012)
Ruination 2.
In: Why the Recent Craze for Ruins?, 10 December 2012, Kings College, London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45524)
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Illingworth, Shona
(2015)
Shona Illingworth - Lesions in the Landscape.
, 18 September - 22 November 2015, FACT (Foundation for Art and Creative Technology), Liverpool, UK.
Solo Exhibition: including immersive muliti-screen video and ambisonic sound Installation, Sculptures, Photographs, sound installations, drawings, objects.
(KAR id:83527)
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Illingworth, Shona
(2014)
Sonification of Amnesic Memory.
Item format: Multi-channel sound installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45252)
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Illingworth, Shona
(2001)
Sounding.
Arts Council England and Channel 4 Television
Short film for Channel 4 Television.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45476)
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Illingworth, Shona
(2009)
The Swimmer and the Forest.
The Swimmer and the Forest, 3 December 2009 – 23 January 2010, Loughborough University, UK.
single screen video plus a video, sound and text site specific art installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31621)
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Illingworth, Shona
(2016)
Time Present in States of Mind.
, 4 February 2016—16 October 2016, Wellcome Collection, London.
Two screen video and sound gallery installation - duration 35 minutes.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84654)
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Illingworth, Shona
(2007)
Tomb.
SPACE, London; Cornerhouse, Manchester; AsiaArt, Kazakhstan
Film, 7 minutes DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45481)
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Illingworth, Shona
(2015)
Topologies of Air - book.
Cape Farewell, London, UK
(Submitted)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45144)
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Illingworth, Shona
(2013)
Topologies of Air/Ruith na Gaoithe.
Sea Change for Cape Farewell
Photo-text series.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45136)
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Illingworth, Shona
(2014)
Uncertain Ground: Landscape, Memory and Theatres of Conflict.
In: Uncertain Ground: Landscape, Memory and Theatres of Conflict, 23 March 2014, CCA (Centre for Contemporary Art), Glasgow, UK.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45381)
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Illingworth, Shona
(2003)
Untitled (Elin).
Independent Photography, London
Film (14 minutes).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45508)
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Illingworth, Shona
(2003)
(Untitled), Memory and Forgetting.
PEALS (Policy, Ethics and Life Sciences), Northern Print Studio, Arts Council England, NESTA
Item format: Multi channel sound installation using new audio technologies.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45551)
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Illingworth, Shona
(2009)
Vertical Sound Map.
, Permanent installation, Orchard Health Centre, Hull.
Wall painting and new audio technology.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:46190)
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Illingworth, Shona
(1999)
Walking on Letters.
Film (10 Minutes).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45530)
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Illingworth, Shona
(2008)
War and Memory.
In: War and Memory.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45406)
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Illingworth, Shona
(2007)
The Watch Man - Dilston Grove.
the Watch Man, 14 Mar - 15 Apr 2007, Dilston Grove, London.
video and multi-channel sound installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45556)
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Illingworth, Shona
(2007)
The Watch Man - Interaccess Electronic Media Arts Centre.
The Watch Man, 6 April - 5 May, 2007, Interaccess Electronic Media Arts Centre, Toronto.
video and multi-channel sound installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45555)
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Illingworth, Shona
(2007)
The Watch Man - Wellcome Collection.
The Watch Man, 16 Dec 2008 – 11 Jan 2009, The Wellcome Collection.
Video and multi-channel sound installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45554)
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Illingworth, Shona
(2007)
The Watch Man.
Arts Council England
Video and multi-channel sound installation, 17 minutes.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45474)
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Illingworth, Shona
(2013)
Working with Amnesia.
In: Memory, Identity, Performance and Neuroscience - Part 1, 1 March 2013, SMFA, University of Kent.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45469)
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Illingworth, Shona
(2006)
mia.net launch, exhibition and memory forum.
Coleman Project Space, Arts Council England, Coleman Project Space.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45535)
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Illingworth, Shona
(2001)
passing.
Hayward Gallery, London
multi-screen video and sound installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45478)
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Illingworth, Shona,
Conway, Martin A.
(2011)
Shona Illingworth - The Watch Man. Balnakiel.
Film and Video Umbrella, London, UK, 172 pp.
ISBN 978-1-904270-34-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31613)
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Illingworth, Shona and Nadeem, Henna
(2012)
The Choral Forest.
The Choral Forest, Permanent installation, Great Ormond Street Hospital, Morgan Stanley Clinical Building.
Sound composition and wall painting.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31624)
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Illingworth, Shona,
Rider, Suzanne
(1997)
Young People in Museums.
Museums Association, 36 pp.
ISBN 978-0-902102-77-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45510)
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Ivanic, Suzanna and Laven, Mary and Morrall, Andtew
(2019)
Introduction.
In:
Religious Materiality in the Early Modern World.
Visual and Material Culture, 1300-1700
.
Amsterdam University Press, Amsterdam, Netherlands, pp. 15-32.
ISBN 978-94-6298-465-3.
(doi:10.1515/9789048535422-004)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84388)
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J
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Johnson, Colin G.
(2019)
Aesthetics, Artificial Intelligence, and Search-based Art.
In: Romero, Juan and Machado, Penousal and Greenfield, Gary, eds.
The Handbook of Artificial Intelligence and the Arts.
Springer, Heidelberg.
(In press)
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:76668)
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K
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Kear, Jon
(2002)
In the spiral of time.
In: Hughes, Alex and Noble, Andrea, eds.
Phototextualities.
University of New Mexico Press, pp. 199-233.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1274)
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Kear, Jon
(2002)
Le Sang Provençal.
Journal of European Studies,
.
pp. 32-45.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1273)
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Kear, Jon
(2004)
Spectres of the past: Jochen Gerz’s public monuments.
In: Lamberti, Eleonora, ed.
Representing Cultural Memory.
University of Bologna Press, pp. 122-146.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1275)
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Klevan, Andrew
(2005)
Notes on teaching film style.
In: Pye, Douglas and Gibbs, John, eds.
Style and Meaning: Studies in the Detailed Analysis of Film.
Manchester University Press, pp. 214-227.
ISBN 0-7190-6525-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1095)
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Korolija Fontana-Giusti, Gordana
City, Public Spaces and Urban Choreography.
In: CUMULUS Conference Utrecht, November 2004, Academy of Fine Arts Utrecht.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:10661)
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Kunzelmann, Heide and Mayerhofer, Elisabeth
(2014)
Viennese Inertia: Cultural and Political Deceleration and Local Identity Construction.
In: Hemelryk Donald, Stephanie and Lindner, Christoph, eds.
Inert Cities. Globalization, Mobility and Suspension of Visual Culture.
I.B.Tauris, London, pp. 129-152.
ISBN 978-1-78076-972-1.
E-ISBN 978-0-85773-612-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:43382)
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L
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Laera, Margherita
(2010)
The Wedding at Cana.
Charta Art Books, Milan.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31361)
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Lowe, Dunstan
(2009)
Playing with Antiquity: Videogame Receptions of the Classical World.
In: Lowe, Dunstan and Shahabudin, Kim, eds.
Classics For All: Reworking Antiquity in Mass Cultural Media.
Cambridge Scholars PRess, Newcastle Upon Tyne, pp. 62-88.
ISBN 978-1-4438-0120-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:37506)
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Lázaro-Reboll, Antonio
(2002)
Exploitation in the Cinema of Franco and Klimovsky.
In: Godsland, Shelley and White, Anne, eds.
Cultura Popular. Studies in Spanish and Latin American Popular Culture.
Peter Lang, UK, pp. 83-95.
ISBN 3-906766-96-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1361)
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M
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Casaliggi, Carmen and March-Russell, Paul, eds.
(2007)
Ruskin in Perspective: Contemporary Essays.
Cambridge Scholars, Newcastle, 252 pp.
ISBN 978-1-84718-284-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:24911)
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Mikuriya, Theresa
(2005)
Theresa Mikuriya: photographs.
Theresa Mikuriya: Photographs, 10 June 2005-26 June 2005, Seven Seven Contemporary Art, London.
Number of pieces: 15.
Photographs.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1226)
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Misek, Richard
(2017)
The Black Screen.
In: Beugnet, Martine and Cameron, Allan and Fetveit, Arild, eds.
Indefinite Visions: CInema and the Attractions of Uncertainty.
Edinburgh Studies in Film and Intermediality
.
Edinburgh University Press, Edinburgh, pp. 38-52.
ISBN 978-1-4744-0712-0.
E-ISBN 978-1-4744-0715-1.
(KAR id:52381)
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Misek, Richard
(2015)
The Black Screen.
In: Indefinite Visions, June, 2016, Whitechapel Art Gallery.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:52839)
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|
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Misek, Richard
(2017)
The Black Screen.
Alchemy Film and Moving Image Festival
DCP.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61733)
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Misek, Richard
(2017)
Black White Colour.
In: Experience Colours!, 7 Nov 2018, Aalto University, Helsinki, Finland.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:72000)
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Misek, Richard
(2010)
Chromatic Cinema: A History of Screen Colour.
Wiley-Blackwell, Chichester, West Sussex, 240 pp.
ISBN 978-1-4443-3239-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:40190)
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Misek, Richard
(2012)
Dead Time: Cinema, Heidegger, and Boredom.
In: Vassilieva, Julia and Verevis, Con, eds.
After Taste: Cultural Value and the Moving Image.
Routledge, Abingdon, New York, pp. 133-142.
ISBN 978-0-415-67926-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:52382)
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Misek, Richard
(2015)
The Definition of Film.
InTransition: Journal of Videographic Film & Moving Image Studies (2.2, 2015)
Online video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:52380)
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Misek, Richard
(2016)
Détournement.
In: Forms of Criticism, 30 Jun 2016, Parasol Unit, London, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:72006)
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Misek, Richard
(2015)
The Stolen Film.
In: Cinematic Bricoleurs: Remixing, restyling and repurposing in contemporary filmmaking practice, 8 Jan 2016, King's College, London, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:72007)
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Misek, Richard
(2017)
Why I 'pirate' films.
In: TEDx, 13 May 2017, Canterbury, United Kingdom.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61732)
|
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Misek, Richard and Beugnet, Martine
(2017)
In Praise of Blur.
Ghent Film Festival
DCP.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:63445)
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N
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Newall, M B
(2018)
The Crit: Toward a theory of the contemporary art school.
In: Brisban, Chris and Thiessen, Myra, eds.
Routledge Companion to Criticality in Art, Architecture and Design.
Routledge.
ISBN 978-1-317-22593-5.
E-ISBN 978-1-315-62341-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:60715)
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Newall, Michael
(2018)
A Philosophy of the Art School.
Routledge Research in Aesthetics
.
Routledge, New York and London, 192 pp.
ISBN 978-1-138-61598-4.
E-ISBN 978-0-429-46255-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:70012)
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Newall, Michael
(2005)
Picturing pictures: reply to Dilworth.
Journal of Aesthetics and Art Criticism,
60
(1).
70 -73.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1232)
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P
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Padwick, Steuart
(2019)
Voice over performance in Talk To Me.
Performance type: Other
designjunction 2019, 13-22 Sep 2019, London, United Kingdom.
Audio.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:78730)
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Pearlman, A.
(2007)
Ernst Toller plays two.
London: Oberon Books
ISBN 978-1-78319-126-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1098)
|
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Perry-Kessaris, Amanda
(2014)
'What can graphic design reveal about law?'.
What can graphic design reveal about law?, Twitter and blog.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:54227)
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Pryor, Angus
(2013)
Plastic Propaganda In Amsterdam ( Working Title).
Plastic Propaganda In Amsterdam, June 1st 2013, World trade Centre Amsterdam Strawinskylaan 1 1077 XW Amsterdam The Netherlands.
Catalogue.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31730)
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Q
R
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Read, Peter
(2017)
Cubism Breaks Cover: Picasso and "Parade" in 1917.
In: Cooper, Harry, ed.
The Cubism Seminars.
CASVA Seminar Papers
.
Yale University Press, Washington D.C., pp. 252-285.
ISBN 978-0-300-22618-8.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:61962)
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Robinson, Philip E.J.
(2003)
Rousseau et l’estampe : mieux qu’un art visuel.
In:
Annales de la Société Jean-Jacques Rousseau.
Droz, Geneva, pp. 301-312.
ISBN 2-600-00815-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1336)
|
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S
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Sayers, Sean
(1989)
Images of the French Revolution.
Radical Philosophy,
(53).
pp. 50-51.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:7856)
|
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Schaffner, Anna Katharina
(2017)
Fool Rushes In.
Review of: Toni Erdmann
by Ade, Maren.
Times Literary Supplement,
.
p. 1.
ISSN 0307-661X.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:60278)
|
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Schaffner, Anna Katharina
(2015)
The Twee Tribe.
Review of: Twee: The Gentle Revolution in Music, Books, Television, Fashion, and Film
by Spitz, Marc.
Times Literary Supplement,
.
p. 13.
ISSN 0307-661X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47813)
|
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Shaughnessy, Nicola
(2007)
Gertrude Stein. Writers and their work.
Plymouth: Northcote House
ISBN 0-7463-0906-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1246)
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Shaughnessy, Robert
(2005)
On location.
In: Hodgdon, Barbara and Worthen, W.B., eds.
A Companion to Shakespeare and Performance.
Blackwell, pp. 80-100.
ISBN 1-4051-1104-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1244)
|
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Smith, Murray
(2002)
Trainspotting.
BFI Modern Classics, 95 pp.
ISBN 0-85170-870-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1255)
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Smith, Murray
(2003)
A reasonable guide to horrible noise (Part 2) – listening to Lost Highway.
In: Hojbjerg, Lennard and Schepelern, Peter, eds.
Film Style and Story: A Tribute to Torben Groda.
Copenhagen: Museum Tusculanum Press, University of Copenhagen, pp. 153-170.
ISBN 87-7289-851-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1251)
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Stanfield, Peter
(2005)
American Like Chop Suey: Invocations of gangsters in Chinatown 1920-35.
In: Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds.
Mob Culture: Hidden Histories of the American Gangster Film.
New York: Rutgers University Press, pp. 238-262.
ISBN 0-8135-3557-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1259)
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Swift, Ellen Victoria
(2008)
Decorated Vessels: The Function of Decoration in Late Antiquity.
In: Lavan, Luke A. and Swift, Ellen Victoria and Putzeys, Toon, eds.
Objects in Context, Objects in Use: Material Spatiality in Late Antiquity (Late Antique Archaeology 5).
Late Antique Archaeology
.
Brill, Leiden, pp. 385-412.
ISBN 978-90-04-16550-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3131)
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T
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Thomas, Ben D. H.
(2005)
The academy of Bandinelli.
Print Quarterly,
XXII
(1).
pp. 3-14.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1276)
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Trimingham, M F
(2017)
Agency and Empathy: Artists Touch the Body.
In: Barbieri, Donatella, ed.
Costume in Performance: Materiality, Culture, and the Body.
Bloomsbury, London UK, pp. 137-165.
ISBN 978-1-4742-3687-4.
E-ISBN 978-1-4742-3688-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65306)
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Turner, Sarah E.
(2007)
All of tomorrow’s parties.
Film.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1267)
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Turner, Sarah E.
(2001)
Cut.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1264)
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Turner, Sarah E.
(2003)
London birds can’t fly.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1265)
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Turner, Sarah E.
(2008)
Overheated Symphony.
Birds Eye View film festival
film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31934)
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Turner, Sarah E.
(2013)
Perestroika : Reconstructed.
Arts council of England, Film London
Film. 180 mins. Blu-ray/DVD..
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31933)
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Turner, Sarah E.
(2009)
Perestroika.
Arts council of England, Film London
Film, 118 mins: hdcam / Blu-Ray / DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31932)
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Turner, Sarah E.
(2011)
This is not a pier.
AHRC
DVD and catalogue.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31935)
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V
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Vaage, Margrethe Bruun
(2015)
The Antihero in American Television.
Routledge Advances in Television Studies
.
Routledge
ISBN 978-1-138-88597-4.
E-ISBN 978-1-315-71516-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:53110)
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Vaage, Margrethe Bruun
(2013)
The Imagined Observer Hypothesis.
In: Branigan, Edward and Buckland, Warren, eds.
The Routledge Encyclopedia of Film Theory.
Routledge, pp. 258-262.
ISBN 978-0-415-78180-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:50301)
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Vaage, Margrethe Bruun
(2013)
Point of View.
In: Branigan, Edward and Buckland, Warren, eds.
The Routledge Encyclopedia of Film Theory.
Routledge, pp. 371-375.
ISBN 978-0-415-78180-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:70145)
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W
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Wood, Aylish
(2007)
Digital Encounters.
Routledge, Taylor and Francis Group, 200 pp.
ISBN 978-0-415-41066-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2252)
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Z
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Zeitlyn, David
(2005)
Introduction.
In: Swenson, Ingrid, ed.
Joseph Chila and Samuel Finlak. Two Portrait Photographers in Cameroon.
Peer, London, pp. 4-8.
ISBN 978-0-9539772-6-0.
(KAR id:3686)
|
![[thumbnail of z_photo_essay_final.pdf]](/3686/1.hassmallThumbnailVersion/z_photo_essay_final.pdf)  Preview
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Zeitlyn, David
(1997)
Les mambila.
In: Barbier, Jean-Paul and Willett, Frank and Eyo, Ekpo, eds.
Arts du Nigeria. Collection du musée des Arts d'Afrique et d'Océanie.
Réunion des musée nationaux, Paris, pp. 231-4.
ISBN 978-2-7118-3522-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:3660)
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This list was generated on Sat Apr 10 22:21:37 2021 BST. |
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