Items where Subject is "N Visual Arts > N Visual arts (General). For photography, see TR"
Number of items at this level: 427. A
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Allain, Paul
(2005)
Grotowski’s ghosts.
Contemporary Theatre Review,
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pp. 46-59.
ISSN 1048 6801.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2006)
Routledge companion to Theatre and Performance.
Routledge, 244 pp.
ISBN 0-415-25721-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul
(2006)
Waking with one breath left.
In: Attisani, Antonio, ed.
Tracing Roads Across.
EU funded.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Allain, Paul,
Ziolkowski, Grzegorz
(2005)
Polish Theatre After 1989: Beyond Borders.
Contemporary Theatre Review,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Bacon, Julie Louise
(2012)
Liquid Archive: On Ambivalence.
Other.
Monash University Museum of Art, Melbourne, Australia
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Bacon, Julie Louise
(2012)
The Possibility of Impossible Dialogues.
Desert Equinox, 1-23 September 2012, Broken Hill, Australia.
Land Art.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Bacon, Julie Louise
(2012)
Signal.
In: Signal, 30 October - 02 November 2012, Quebec.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Baker, James
(2012)
Mika Who...
.
Nottingham Contemporary Blog
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![[img]](/29640/1.hassmallThumbnailVersion/MikaWho....pdf)  Preview |
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Baldwin, Thomas
(2010)
Ekphrasis and Related Issues in Diderot’s Salons.
In: Fowler, James, ed.
New Essays on Diderot.
Cambridge University Press, Cambridge, pp. 234-247.
ISBN 978-0-521-76956-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Baldwin, Thomas
(2012)
Photography and Painting in Proust’s 'A la recherche du temps perdu'.
In: Baldwin, Thomas and Grigorian, Natasha and Rigaud-Drayton, Margaret, eds.
Text and Image in Modern European Culture.
Purdue University Press, West Lafayette, Indiana, pp. 76-87.
ISBN 978-1-55753-628-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barbe, F.A.
(2006)
Chimaera.
Chimaera, 2006-2006, UK Tour.
Live Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barbe, F.A.
(2003)
Fine bone china.
Fine Bone China, March 2003-September 2003, UK Tour.
Live performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barbe, F.A.
(2003)
Palpitation.
Performance type: Other
Palpitation, September 2003-September 2003, London/University of Kent, Canterbury.
Live performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barbe, F.A.
(2006)
The way of Butoh and contemporary choreography.
University of Kent
DVD, text.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2010)
The Arbor.
Artangel Media
Feature film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2017)
Dark River.
Theatre release data.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2006)
Dartford Crossing.
Film.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2006)
Erith.
DVD.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2002)
Flood.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2001)
Lambeth Marsh.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Barnard, Clio H.
(2004)
Road race.
Hopscotch Films
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Baugh, Christopher
(2006)
Scenography and technology, 1737-1843.
In: Moody, Jane and O'Quinn, Daniel, eds.
The Cambridge Companion to British Theatre 1737-1843.
Cambridge University Press.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Baugh, Christopher
(2004)
Stage Design from Loutherbourg to Poel.
In: Donohue, Joseph, ed.
The Cambridge History of British Theatre, vol. II.
Cambridge University Press, pp. 309-330.
ISBN 0-521-65068-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M
(2006)
Aesthetic art to aisthetic act. Theatre, media, intermedial performance.
In: Kattenbelt, Chiel and Chapple, Freda, eds.
Intermediality in Theatre and Performance.
Amsterdam: Rodopi, pp. 103-116.
ISBN 90-420-1629-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Bolaki, Stella and Ciricaite, Egidija, eds.
(2017)
Prescriptions : Artists' Books on Wellbeing and Medicine.
Natrix Natrix Press, London, 126 pp.
ISBN 978-0-9926244-3-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Brittain-Catlin, Timothy
(2003)
Ackermann on Paper.
Review of: Origins, Imitation, Conventions: Representation in the Visual Arts
by Ackerman, James.
Architectural Review,
.
pp. 96-97.
ISSN 0003-861X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Brittain-Catlin, Timothy
(2019)
Book Review.
Review of: Baroque between the wars: alternative style in the arts, 1918–1939
by Stevenson, Jane.
The Journal of Architecture,
24
(1).
pp. 114-118.
ISSN 1360-2365.
E-ISSN 1466-4410.
(doi:10.1080/13602365.2019.1569386)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Brittain-Catlin, Timothy
(2012)
British Design 1948-2012.
Review of: British Design 1948-2012
by UNSPECIFIED.
World of Interiors,
2012
(April).
p. 233.
ISSN 0264-083X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Brittain-Catlin, Timothy
(2004)
Candid camera.
World of Interiors,
.
ISSN 0264-083X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Brittain-Catlin, Timothy
(2002)
Defeated by empiricism.
Review of: 'Kant, art, and art history: moments of discipline'
by Cheetham, Mark A..
Architectural Review,
.
p. 96.
ISSN 0003-861X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Brittain-Catlin, Timothy
(2007)
Domus 1929-1999 (review).
Review of: 'Domus 1929-1999'
by Fiell, Charlotte and Fiell, Peter.
World of Interiors,
.
p. 47.
ISSN 0264-083X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Brittain-Catlin, Timothy
(2013)
'Ecclesiology Abroad' (review).
Review of: Ecclesiology Abroad: The British Empire and Beyond
by Bremner, G.A..
Ecclesiology Today,
(47/48).
pp. 142-143.
ISSN 1460-4213.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Brittain-Catlin, Timothy
(2003)
Hitler and the Power of Aesthetics. . - Arts of Darkness - book review.
Review of: Hitler and the Power of Aesthetics
by Spotts, Frederick.
Architectural Review,
.
pp. 80-81.
ISSN 0003-861X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Brittain-Catlin, Timothy
(2007)
Imagined interiors (review).
Review of: Imagined interiors: representing the domestic interior since the renaissance
by Aynsley, Jeremy and Grant, Charlotte.
World of Interiors,
.
p. 40.
ISSN 0264-083X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Brittain-Catlin, Timothy
(2009)
'Portmeirion' (book review).
Review of: Portmeirion
by Gerry, Leslie and Llywelyn, Robin.
World of Interiors,
2009
(July).
p. 25.
ISSN 0264-083X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Brittain-Catlin, Timothy
(2013)
Put it there.
World of Interiors,
2013
(Dec).
pp. 130-137.
ISSN 0264-083X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Brittain-Catlin, Timothy
(2001)
Space in time.
Review of: 'The architecture of image: existential sapce in cinema'
by Pallasmaa, Juhani.
Architectural Review,
.
p. 96.
ISSN 0003-861X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Brydon, Lavinia and Jenzen, Olu
(2016)
Exhibition Review: Pierdom by Simon Roberts.
Review of: Pierdom
by Roberts, Simon.
NECSUS: European Journal of Media Studies,
5
(2).
p. 1.
ISSN 2213-0217.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cardwell, Sarah E.
(2002)
Adaptation revisited: television and the classic novel.
Manchester University Press, 232 pp.
ISBN 0-7190-6045-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cardwell, Sarah E.
(2005)
Andrew Davies.
Manchester University Press, 227 pp.
ISBN 0-7190-6491-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cardwell, Sarah E. F.
(2013)
Television aesthetics: Stylistic analysis and beyond.
In:
Television Aesthetics and Style.
Bloomsbury, London & New York, pp. 23-44.
ISBN 978-1-4411-5751-5.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Carver, Gavin P.
(2001)
Computer visualisation for the theatre.
Focal Press
ISBN 0-240-51617-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Carver, Gavin P.
(2001)
John Fox.
In: Bull, John, ed.
Dictionary of Literary Biography Vol 245 British and Irish Dramatists Since World War II.
London: Bruccoli Clark Layman, pp. 157-166.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Carver, Gavin P. and Beardon, C
(2003)
New visions in performance.
In: Carver, Gavin P., ed.
New Visions in Performance.
Swets & Zeitlinger, pp. 167-182.
ISBN 90-265-1966-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(1997)
3 wege zum see: Group exhibition.
3 wege zum see, 1997, Künstlerhaus Klagenfurt, Austria.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2011)
Again, A Time Machine.
Again, A Time Machine: Make the Living Look Dead, 16 September to 9 October 2011, Spike Island, Bristol.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2010)
Apocalypse Now: Krowswork
Group Exhibition.
Apocalypse Now, 2010, Hot Springs Documentary Festival, Oakland, California.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2014)
Art Moves: Ghost.
Performance type: Live play
, 20 - 21 September 2014, Olympic Park, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2009)
Artworks (for sale in exchange for visitors ideas).
Artworks (for sale in exchange for visitors ideas), 29 May – 16 August 2009, Wilkinson Gallery.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(1991)
City Racing: Group Exhibition.
, City racing, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2010)
The Gathering: Group Exhibition.
The Gathering, 4 March – 18 April 2010, Longside Gallery, Yorkshire Sculpture Park.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2013)
Ghost: The Urgency of Rivers and the Role of Contemporary Art.
Performance type: Other
, 8 – 12 January 2013, Peninsula Arts Gallery at Plymouth University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2009)
Gone To Earth:Born Again Pagan
Group Exhibition.
Gone To Earth, 2nd May - 27th June 2009, Isis gallery, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2012)
IN THE BELLY OF THE WHALE (ACT III) Group Exhibition.
IN THE BELLY OF THE WHALE (ACT III), 2nd March - 17th June 2012, Montehermoso, Vitoria-Gasteiz, Spain.
Vinyl Record.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(1992)
Instructions Received: Group Exhibition.
, Gio Marconi, Milan.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2009)
Journeys With No Return.
Journeys With No Return, 2009, Akbank, Istanbul Biennale.
still images.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2010)
Journeys With No Return, Second Tour.
Journeys With No Return, 2010, A-Foundation, London & Galerie Kurt-Kurt, Berlin.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2014)
Knots: Group Exhibition.
Knots, 01/12/2014 - 07/12/2014, Les Rencontres Internationales, Paris.
Experimental fiction.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2013)
Life in Film: Frieze.
Frieze,
(158).
pp. 62-63.
ISSN 0962-0672.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2011)
Loophole to Happiness: Group Exhibition.
Loophole to Happiness, 25. 5. 2011 – 7. 8. 2011, Museum of Contemporary Art, Lodz, & Futura Centre for Contemporary Art, Prague & AMT Projects.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2012)
Night Shift: MADE IN BRITAIN.
Made in Britain – Contemporary Art from the British Council Collection 1980 – 2010, 15 Feb 12 - 22 Apr 12 , 01 Jun 12 - 05 Aug 12, Benaki Museum, Athens, touring to Albanian National Gallery of Arts, Tirana.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(1993)
Okay Behaviour: Group Exhibition.
, 303 Gallery, New York.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2014)
Performance as Sculpture: Group Exhibition.
Performance as Sculpture, March 19. March 23, 2014, Uovo festival, Milan.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2010)
Pier Paolo Pasolini.
Pier Paolo Pasolini: We Are All In Danger, 3 November – 1 December 2010, Australian Cinémathèque at the Gallery of Modern Art in Brisbane.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2014)
Rising.
Rising, National Maritime Museum.
atmospheric audio work.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2013)
Rising: The Future of the Race.
Performance type: Video/Film (documentary)
, Newcastle.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(1998)
Solo Exhibition.
, 1998, Viewpoint Gallery, Salford.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(1996)
Solo Exhibition: Lotta Hammer Gallery.
, 1996, Lotta Hammer, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2014)
Spare Room: Thinking City.
Performance type: Video/Film (fiction)
, 02 October 2014, 6.30pm, Liverpool Biennale, Liverpool.
film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2008)
Tales of Time and Space: Group Exhibition.
Tales of Time and Space, 14 June to 14 September 2008, Folkestone Triennial, Folkestone, Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam
(2010)
Whitstable Biennale: Ghost, Echo and The Pickers.
Whitstable Biennale, 19th June - 4th July 2010, Whitstable, Kent.
video installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and Atkinson, Ewan and Boyce, Sonia and Gordon, Leah and Griffith, marlon and Rime, Marie and Theuring, Corinna
(2014)
Alles Maskerade!Group Exhibition.
Alles Maskerade!, 22/11/2014 - 22/02/2015, MEWO Kunsthalle, Memmingen, Germany.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and Beech, Dave and Cook, Maria and Creed, Martin and Doig, Peter and Higgs, Matthew and Lewin, Sivan and Stezaker, John
(1995)
Zombie Golf:Group Exhibition
BANK.
Zombie Golf, Bank, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and Billingham, Richard and Curtis, Layla and Dawood, Shez and Day, Corinne and Golden, Pamela and Hunter, Tom and Kennard, Peter and Lewis, Andrew and Lucas, Sarah and Luxemburg, Rut Blees and Maybank, Hannah and Parr, Martin and Pollard, Ingrid and Starkey, Hannah and Stewart, Christopher and Shaw, George and Syed, Alia and Wallinger, Mark
(2002)
Location: UK
Group Exhibition.
Location: UK, 24 July - 7 September 2002, Gimpel Fils, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and Bismuth, Pierre and Blondeel, Maria and de Boer, Manon and Bournigault, Rebecca and Curran, Michael and Emin, Tracey and García, Dora and Gonzalez-Foerster, Dominique and Gordon, Douglas and Grigely, Joseph and Huyghe, Pierre and Kool, Renee and Lamelas, David and Matthys, Kobe and van Riessen, Wouter and Wilson, Ian
(1996)
Perfect: Group Exhibition.
Perfect, 03/07/96 - 03/08/96, Jan Mot and Oscar van den Boogaard, Brussels.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and Bond, Terrence and Gidley, Thomas and Gordon, Douglas and Hammick, Magnus and Lewandowska, Marysia and Martin, Jason and Patterson, Simon
(1993)
Wonderful Life: Group Exhibition.
Wonderful Life, 17 July – 16 October 1993, Lisson Gallery, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and Bradley, Slater and Chan, Paul and Charlesworth, Sarah and Mehretu, Julie and Steen, Brent and Zmijewski, Artur
(2006)
Belief and Doubt: Group Exhibition.
Belief and Doubt, 2006, The Aspen Art Museum, Colorado.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and Carne, Sarah and Coley, Nathan and Curtis, Layla and Himid, Lubaina and Waring, Sarah
(2002)
Fabrications: New Art and Urban Memory
Group Exhibition.
Fabrications, 11 September - 2 November 2002, Cube Gallery, Manchester.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and Dodds, Andrew and Large, Kelly and Van Harskamp, Nicoline
(2012)
Among Other Things: Group Exhibition.
Among Other Things, 10 January – 10 February 2012, Camberwell Space, Camberwell College of Arts, london.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and Eggebert, Anne
(1994)
Remote Control: Group Exhibition.
Remote Control, Royal College of Art, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and Egolf, Gretchen and Collar, Beth and Peake, Florence and Judd, Ben and Becker, Paul and Pedraglio, Francesco and Macbeth, Rory and Whittlesea, Ian and Birch, Rebecca and Smith, Rob
(2014)
Scene on a Navigable River.
Performance type: Live play
, 9 – 15 July 2014, Field Broadcast, Dedham Vale, Suffolk.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and Eide Einarsson, Eide and Fontaine, Claire and Gordon, Douglas
(2012)
Notes from Nowhere: Group Exhibition.
Notes from Nowhere, 6th May – 3rd June 2012, Frome, Somerset.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and Emin, Tracey and Shrigley, David and Starkey, Hannah
(1998)
Real Life: Group Exhibition.
Real Life, Galleria S.A.L.E.S., Rome.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and Gearon, Tierney and Goldin, Nan and Gursky, Andreas and Sherman, Cindy
(2001)
I am a Camera: Group Exhibition.
, Jan - Mar 2001, Saatchi Gallery.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and Hapaska, Siobhan and Roberts, Maggie and Lowe, Colin and Lloyd, Hilary and Higgs, Matthew
(1993)
Making People Disappear: Group Exhibition.
Making People Disappear, Thursday 1 April 1993 to Sunday 25 April 1993, Cubitt Street Gallery, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and Kötting, Andrew and Finer, Jem and Rudkin, David and Sinclair, Iain and Baker, Tom and Brownlow, Kevin and Sherwin, Guy and Thew, Anna and Rowe, Doc
(2003)
Visionary Landscapes: Group Exhibition
Adam Chodzko's ' Plan for a Spell' installation.
Visionary Landscapes, 23-25 May 2003, Cecil Sharp House, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and McNab, Janice and Tellez, Javier and Yang, Jun and Walde, Martin and Kool, Renee and Billingham, Richard and Keller, Sam and Wood, Simon and Calle, Sophie and Leutenegger, Zilla
(2002)
Tabu.
Tabu, Saturday, January 26, 2002 - Sunday, March 17, 2002, Kunsthaus Baselland, Switzerland.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and Patterson, Simon
(1994)
High Fidelity: Group Exhibition.
, Kohji Ogura Gallery, Nagoya; tour to Röntgen Kunst Institut, Tokyo.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Chodzko, Adam and Whiteread, Rachel and Brown, Glenn and Wearing, Gillian and Gallaccio, Anya and Chapman, Jake & Dinos and Raho, Alessandro and Emin, Tracey and Collishaw, Mat and Hume, Gary and Fairhurst, Angus and Bond, Henry and Landy, Michael and Hirst, Damien and Pippen, Steven and Starr, Georgina and Taylor-Wood, Sam and Ofili, Chris and Lucas, Sarah and Gillick, Liam and Lane, Abigail
(1995)
Brilliant: Group Exhibition.
, 22 October 1995 - 7 January 1996, Walker Arts Center, Minneapolis.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cinquegrani, Maurizio
(2019)
Agnafit.
Anima Loci,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cinquegrani, Maurizio
(2011)
Empire and the City: Early Films of London.
.
Tate Britain
Online article.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Connelly, Mark L.
(2003)
The Charge of the Light Brigade.
British Film Guides
.
I B Tauris, London, 128 pp.
ISBN 978-1-86064-612-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Connelly, Mark L.
(2005)
The Red Shoes.
Turner Classic Movies British Film Guides
.
I B Tauris & Co Ltd, London, 96 pp.
ISBN 978-1-84511-071-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2003)
Cinematic dream-work of Ingmar Bergman’s Wild Strawberries.
In: Sabbadini, Andrea, ed.
The Couch and the Silver Screen. Psychoanalytic Analytic Reflections on European Cinema.
Brenner-Routledge, pp. 181-201.
ISBN 1-58391-952-X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2009)
Introduction to Post-Partum Document.
In: Frascina, Francis, ed.
Modern Art Culture: a reader.
Routledge, London, pp. 303-311.
ISBN 978-0-415-23151-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2005)
On Rear Window.
In: Rutsky, R.L. and Geiger, Jeffrey, eds.
Film Analysis: A Reader.
W. W. Norton & Company, pp. 475-493.
ISBN 0-393-97983-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2007)
Possession, paranoia and the experience of art.
In: Freud Museum Symposium: Observing Paranoia in Clinical Practice, Art and Anthropology, March 3rd, 10am - 5pm, 2007, Tavistock Clinic, London NW3.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2011)
Recording Reality, desiring the real.
Visible Evidence
.
University of Minnesota press, Minnesota, USA, 296 pp.
ISBN 978-0-8166-4549-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2012)
Road Race.
In: Corkish, Alan and Chell, Edward and Taylor, Andrew, eds.
In the Company of Ghosts: The Poetics of the Motorway.
Erbacce press, Liverpool, pp. 41-46.
ISBN 978-1-907878-42-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2003)
The lived nightmare: trauma, anxiety, and the ethical aesthetics of horror.
In: Schneider, Steven Jay and Shaw, Daniel, eds.
Dark Thoughts: Philosophic Reflections on Cinematic Horror.
Lanham, MD: Scarecrow Press, pp. 25-46.
ISBN 0-8108-4792-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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D
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Da Silva, Antonio Marcio
(2013)
Gender in Brazilian Cinema: Introduction.
In: Pinazza, N and Bayman, L, eds.
Directory of World Cinema: Brazil.
Intellect, Bristol, pp. 82-102.
ISBN 978-1-78320-009-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Dillet, Benoît and MacKenzie, Iain and Porter, Robert, eds.
(2013)
The Edinburgh Companion to Poststructuralism.
Edinburgh University Press, Edinburgh, 560 pp.
ISBN 978-0-7486-4122-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Dillon, Lorna, ed.
(2017)
Violeta Parra: Life and Work.
Monografias A
.
Tamesis Books, 214 pp.
ISBN 978-1-85566-321-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Double, Oliver
(2007)
Punk rock as popular theatre.
New Theatre Quarterly,
23
(1).
pp. 35-48.
ISSN 0266-464X.
(doi:doi: 10.1017/S0266464X06000613)
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E
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Etkind, Alexander,
Finnin, Rory,
Blacker, Uilleam,
Fedor, Julie,
Lewis, Simon,
Malksoo, Maria,
Mroz, Matilda
(2012)
Remembering Katyn.
Polity Press, Cambridge, UK, 200 pp.
ISBN 978-0-7456-5576-5.
E-ISBN 978-0-7456-6296-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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F
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Fontana-Giusti, Gordana
(2010)
Ignored by critics.
Review of: Memorials incognito: the candle, the drain and the cabbage patch for Diana, Princess of Wales
by Sully, Nicole.
Architectural Research Quaterly,
14
(3).
pp. 190-191.
ISSN 1359-1355.
(doi:10.1017/S135913551000093X)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Fontana-Giusti, Gordana,
Schumacher, Patrik
(2004)
Zaha Hadid: The Complete Works.
Thames and Hudson Ltd London /Rizzoli New York, London, 448 pp.
ISBN 978-0-500-34200-8.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Fontana-Giusti, Ranieri and Korolija Fontana-Giusti, Gordana
(2006)
Chan-Chan 2006 - Beach Lodge in LA Libertad Peru.
www.arquitectum.com
digital drawings.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Friday, Jonathan
(2002)
Aesthetics and photography.
Aldershot: Ashgate Press, 175 pp.
ISBN 0-7546-0428-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Friday, Jonathan
(2005)
Andre Bazin’s ontology of film and the photographic image.
Journal of Aesthetics and Art Criticism,
63
(4).
pp. 339-350.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Friday, Jonathan
(2001)
Photography and the representation of vision.
Journal of Aesthetics and Art Criticism,
59
(4).
pp. 351-362.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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G
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Grantley, Darryll
(2008)
London in English Drama 1500-1700.
Cambridge University Press
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grantley, Darryll
(2006)
Morality and Interlude Drama.
In: Brown, Peter, ed.
A Companion to Medieval English Literature and Culture c.1350-c.1500.
Wiley, pp. 473-487.
ISBN 978-0-631-21973-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2005)
A Culture of light: cinema and technology in 1920s Germany.
University of Minnesota Press, Minneapolis, 314 pp.
ISBN 978-1-4529-0671-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2004)
Explorations of Light and Lighting in Und das Licht Erlosch (1914).
In: Gaudreault, André, ed.
The Cinema: A New Technology for the 20th Century.
Payot, Lausanne, pp. 219-228.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2016)
Friedrich Wilhelm Murnau.
In: Gabbard, Krin, ed.
Oxford Bibliographies in Cinema and Media Studies.
Oxford Bibliographies
.
Oxford University Press.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2007)
The Gray Space Between: Gerhard Richter’s 18. Oktober 1977 (1989).
In: Guerin, Frances and Hallas, Roger, eds.
The Image and the Witness: Trauma, Memory and Visual Culture.
Wallflower Press, London, pp. 111-126.
ISBN ISBN-13: 978-1905674206.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2011)
Locating Shadows: What’s inside William Kentridge’s Black Box?
In: John David, Rhodes, ed.
Taking Place: Location and the Moving Image.
University of Minnesota Press, Minneapolis, pp. 233-253.
ISBN 0-8166-6517-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2014)
Lotte Reiniger: in Women Film Pioneers Project.
.
Center for Digital Research and Scholarship
online.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2006)
McCormick and Guenther-Pal, eds, German Essays on Film (2004).
Review of: McCormick and Guenther-Pal, eds, German Essays on Film (2004)
by McCormick, Richard.
Film-Philosophy,
10
(3).
pp. 95-100.
ISSN 1466-4615.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2018)
The Truth is Always Grey: A History of Modernist Painting.
University of Minnesota Press, Minneapolis, United States, 347 pp.
ISBN 978-1-5179-0045-8.
E-ISBN 978-1-4529-5724-1.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2008)
www.artslant.com.
.
online.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2008)
www.francesguerin.com.
.
website.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances and Hallas, Roger
(2007)
Introduction to The Image and the Witness.
In:
The Image and the Witness: Trauma, Memory and Visual Culture.
Wallflower Press, London.
ISBN 978-1-905674-20-6.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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H
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Hammer, Martin
(2012)
‘After Camden Town: Sickert’s Legacy since 1930’.
The Camden Town Group in Context,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Hammer, Martin
(2012)
Continuity and Contradiction in the Art of Francis Bacon.
In: Arya, Rina, ed.
Francis Bacon: Critical and Theoretical Perspectives.
Pater Lang, pp. 121-168.
ISBN 9783034308892 (pbk); 9783035303896 (eBook).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Hammer, Martin
(2012)
Francis Bacon and Nazi Propaganda.
Tate Publishing, 224 pp.
ISBN 978-1-84976-073-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Hammer, Martin
(2010)
Francis Bacon. Dublin and Compton Verney (exhibition review).
Review of: Francis Bacon: In Camera (exhibition)
by UNSPECIFIED.
Burlington Magazine,
152
(1282).
pp. 59-61.
ISSN 0007-6287.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Hammer, Martin
(2012)
Francis Bacon: Painting after Photography.
In:
British Art in the Cultural Field, 1939-69.
Wiley-Blackwell, pp. 156-173.
ISBN 978-1-118-27584-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Hammer, Martin
(2016)
Frank Auerbach.
Review of: Frank Auerbach exhibition at Tate Britain (2016) and book Catherine Lampert, Frank Auerbach:
Speaking and Painting, London 2015
by UNSPECIFIED.
The Burlington Magazine,
CLVIII
.
pp. 214-215.
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Hammer, Martin
(2014)
The Growth and Form of Artistic Responses to D’Arcy Thompson.
In:
D'Arcy Thompson's On Growth and Form.
Essays on Sculpture
.
Henry Moore Institute, Leeds, pp. 14-29.
ISBN 978-1-905462-45-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Hammer, Martin
(2017)
Hockney as Philosophical Painter.
In: Stephens, Chris and Wilson, Andrew, eds.
David Hockney.
Tate Publishing, London, UK, pp. 208-213.
ISBN 978-1-84976-443-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Hammer, Martin
(2016)
Introduction.
In: Currie, Ken and Hammer, Martin, eds.
Ken Currie: Tragic Forms.
Flowers Gallery, London.
ISBN 978-1-906412-76-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Hammer, Martin
(1999)
The Irony of Egotism.
In:
John Coplans: A Self-Portrait 1984-99.
Dean Gallery, Edinburgh, pp. 5-14.
ISBN 978-0-903598-96-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Hammer, Martin
(2017)
Photographic sources and affinities in David Hockey's art of the 1960s.
In: A Bigger Picture: New Approaches to David Hockney - Tate Britain and the Paul Mellon Centre, 5 May 2017, London, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Hammer, Martin,
Lodder, Christina
(2000)
Constructing Modernity: the Art and Career of Naum Gabo.
Yale University Press, 528 pp.
ISBN 978-0-300-07688-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Hammer, Martin and Lodder, Christina
(2004)
Dematerialising Sculpture: Methods and Motives.
In: Barassi, Sebastiano, ed.
Immaterial: Brancusi,Gabo,Moholy-Nagy.
Kettle’s Yard, Cambridge.
ISBN 978-1-904561-04-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Hammer, Martin,
Thomas, Ben D. H.
(2015)
My Generation: A Festival of British Art in the 1960s.
University of Kent at Canterbury, GB, 60 pp.
ISBN 978-1-902671-90-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Hatton, Peter and Murray, Val and Pilling, Lynn
(2009)
Brown Fields Blue Skies.
a) Brown Field Blue Skies - Residency & Performances b) Brown Field Blue Skies Exhibition, a) August 2007 - March 2008 b) March 4th to 12th June 2009, a) Widnes Waterfront Development Site, Widnes, Cheshire b) ICIA (Institute of Contemporary Interdisciplinary Arts), University of Bath.
Performance, Video, Website Intervention and Exhibition.
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Hatton, Peter and Murray, Val and Pilling, Lynn
(2010)
Spinning A Yarn.
Spinning A Yarn, 15th October to 12th December 2010, Whitworth Art Gallery (Manchester University), Platt Hall Gallery of Costume (Manchester City Art Gallery) and Royal Mills.
Installation, Video and Artist's Book.
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Hatton, Peter and Murray, Val and Pilling, Lynn and Lyon, Dawn and Crow, Graham and Hurkett, Jenny
(2011)
Living & Working on Sheppey/ Back and Forth on High Street Blue Town.
Live Event, website and video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Henry, Tom F. K.
(2012)
Archive. Italian Renaissance Documents Site.
web publication.
Located at: http://archive.casanovaumbria.eu.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Henry, Tom F. K.
(2012)
The Life and Art of Luca Signorelli.
Yale University Press, New Haven & London, 352 pp.
ISBN 978-0-300-17926-2.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Henry, Tom F. K.,
Joannides, Paul,
González Mozo, Ana,
Martín, Bruno
(2012)
Late Raphael.
Museo Nacional del Prado and Musee du Louvre, Madrid and Paris, 382 pp.
ISBN 978-84-8480-237-2.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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I
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Illingworth, Shona
(2014)
216 Westbound.
Animate Projects Arts Council England
Film, 17 minutes, HD, DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2006)
5 x 1.
Rideout, The Creative Prison
Film, 17 minutes, DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2014)
Amnesia Forum, Prosthetic Memory: Prosthetic Interference.
In: Amnesia Forum, Prosthetic Memory: Prosthetic Interference, 24 April 2014, FACT (Foundation for Art and Creative Technology).
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2012)
Amnesia Forum: Lesions in the Landscape 1.
In: Lesions in the Landscape 1, 6 November 2012, University of Glasgow, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2013)
Amnesia Forum: Lesions in the Landscape 2.
In: Lesions in the Landscape, 26th September 2013, City University, London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2014)
Amnesia Lab - exhibition.
Amnesia Lab, 20 September to 8 November, UNSW Galleries, Sydney.
Drawing, Sound installation, video, photography, 3D immersive environment.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2014)
Amnesia Lab - symposium.
National Institute for Experimental Arts (NIEA) at University of New South Wales (UNSW), Sydney, Australia.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2006)
BOOK.
BOOK, June 2006 and January 2008, Mortimer Road, London and Margaret Harvey Gallery, St Albans.
Curated over 20 Artist Books.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2011)
Balnakiel.
Artprojx Cinema, SVA theatre and Armory Show, New York.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2011)
Balnakiel - Maas Space.
Maas Space, Philidelphia, curated by Jesse Pires.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2013)
Balnakiel - Unmarked Space.
Unmarked Space Festival.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2010)
Balnakiel - Wolverhampton Gallery.
Balnakiel, 6 February - 1 May 2010, Wolverhampton Art Gallery.
video and sound installation, text, photography, wall painting.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2010)
Balnakiel - interview.
.
internet.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2005)
Bare Dust.
In: Harding, A, ed.
Magic moments : collaboration between artists and young people.
Black Dog, London, pp. 42-49.
ISBN 978-1-904772-28-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2000)
Bare Dust.
SPACE, London and Hackney Wick Public Art Projects
Film (7 minutes).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2004)
Bare Dust.
Muslim Mulliqi, 2004, Gallerie Arteves Kosoves, Prishtina, Kosovo.
video installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2001)
Calling A’Gairm.
Fabrica, Brighton and Photoworks
Video and sound installation, 8 minutes DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2006)
Central Asian Project.
SPACE, UK, Cornerhouse, UK and AsiaArt, Kazakhstan, Almaty, Astana and Karaganda in Kazakhstan.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2007)
Conflicts of Memory - Balnakiel, research in progress.
In: Northlands Creative Glass Annual International Conference: Expression of Self, 31 August - 2 September 2007, Northlands Creative Glass, Lybster, Scotland.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2002)
DRILL.
Berwick Gymnasium Residency, English Heritage, Arts Council England
Film (10 Minutes).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2006)
DRILL.
Strangers with Angelic Faces, 2006, Akbank Sanat, Istanbul.
Video and sound installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2005)
DRILL.
Think Pink, National Museum, Prishtina, Kosovo.
video and sound installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2014)
El Cine Como Teoria Direct: Shona Illingworth.
Museum of Modern Art Buenos Aires.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2005)
Elin - Galleria Pianissimo, Milan.
Elin, 6 April - 21 May 2005, Galleria Pianissimo, Milan, Italy.
video installation, photography.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2008)
The Feminist Inheritance, a view from the UK,.
Museum of Fine Art, Lausanne, Switzerland, Switzerland.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2012)
Film and Book Launch: Shona Illingworth: Balnakiel.
Whitechapel Gallery, Whitechapel Gallery, London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2003)
For Women its Everything.
Independent Photography, London, UK, 78 pp.
ISBN 978-0-9546725-0-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2014)
Hirte: Three Forms of Forgetting.
In: Place - Occupation, 1 - 2 February 2014, Aldeburgh Music.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2001)
Hold.
The Lion's Hospice, Gravesend, Arts Council England
film and sound.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2012)
In Transit.
Project Art Works, UK
Two short film commissions.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2006)
The Influence of Memory on Forgetting.
In: UNSPECIFIED.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2012)
Interior Voices.
VoxLab.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2007)
Karlag.
SPACE, Cornerhouse, and Asia Art, Arts Council England, British Council
Film, 16 minutes, DVD..
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2006)
Karlag - KZ UK.
KZ-UK, 2006, National Gallery, Almaty, Kazakhstan.
video installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2007)
Karlag - Museum of Modern Art Bologna.
Timecode, 15th November 2007- 12th June 2008, Museum of Modern Art Bologna, Italy.
video installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2008)
Karlag - memory, trauma, landscape.
In: Timecode, 29 May 2010, Museum of Modern Art Bologna, Italy.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2007)
Karlag, Tomb and Mound.
Central Asian Project, Cornerhouse, Manchester.
video installation and slide projection.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2011)
Memory / Sound / Image.
In: Memory / Sound / Image, 19 November 2011, Modern Art Oxford.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2003)
Memory and Forgetting.
Memory and Forgetting, 2003, Hatton Gallery, Newcastle.
Sound installation using audio technology embedded into architecture.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2001)
PILOT.
Berwick Gymnasium Residency, English Heritage, Arts Council England
Film (10 Minutes).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2003)
PILOT - AGNL (Art Gallery of Newfoundland and Labrador).
PILOT, June - July 2003, AGNL (Art Gallery of Newfoundland and Labrador), Canada.
video and multi-channel sound installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2012)
Ruination 2.
In: Why the Recent Craze for Ruins?, 10 December 2012, Kings College, London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2014)
Sonification of Amnesic Memory.
Item format: Multi-channel sound installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2001)
Sounding.
Arts Council England and Channel 4 Television
Short film for Channel 4 Television.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2009)
The Swimmer and the Forest.
The Swimmer and the Forest, 3 December 2009 – 23 January 2010, Loughborough University, UK.
single screen video plus a video, sound and text site specific art installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2007)
Tomb.
SPACE, London; Cornerhouse, Manchester; AsiaArt, Kazakhstan
Film, 7 minutes DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2015)
Topologies of Air - book.
Cape Farewell, London, UK
(Submitted)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2013)
Topologies of Air/Ruith na Gaoithe.
Sea Change for Cape Farewell
Photo-text series.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2014)
Uncertain Ground: Landscape, Memory and Theatres of Conflict.
In: Uncertain Ground: Landscape, Memory and Theatres of Conflict, 23 March 2014, CCA (Centre for Contemporary Art), Glasgow, UK.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2003)
Untitled (Elin).
Independent Photography, London
Film (14 minutes).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2003)
(Untitled), Memory and Forgetting.
PEALS (Policy, Ethics and Life Sciences), Northern Print Studio, Arts Council England, NESTA
Item format: Multi channel sound installation using new audio technologies.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2009)
Vertical Sound Map.
, Permanent installation, Orchard Health Centre, Hull.
Wall painting and new audio technology.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(1999)
Walking on Letters.
Film (10 Minutes).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2008)
War and Memory.
In: War and Memory.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2007)
The Watch Man - Dilston Grove.
the Watch Man, 14 Mar - 15 Apr 2007, Dilston Grove, London.
video and multi-channel sound installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2007)
The Watch Man - Interaccess Electronic Media Arts Centre.
The Watch Man, 6 April - 5 May, 2007, Interaccess Electronic Media Arts Centre, Toronto.
video and multi-channel sound installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2007)
The Watch Man - Wellcome Collection.
The Watch Man, 16 Dec 2008 – 11 Jan 2009, The Wellcome Collection.
Video and multi-channel sound installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2007)
The Watch Man.
Arts Council England
Video and multi-channel sound installation, 17 minutes.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2013)
Working with Amnesia.
In: Memory, Identity, Performance and Neuroscience - Part 1, 1 March 2013, SMFA, University of Kent.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2006)
mia.net launch, exhibition and memory forum.
Coleman Project Space, Arts Council England, Coleman Project Space.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona
(2001)
passing.
Hayward Gallery, London
multi-screen video and sound installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona,
Conway, Martin A.
(2011)
Shona Illingworth - The Watch Man. Balnakiel.
Film and Video Umbrella, London, UK, 172 pp.
ISBN 978-1-904270-34-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona and Nadeem, Henna
(2012)
The Choral Forest.
The Choral Forest, Permanent installation, Great Ormond Street Hospital, Morgan Stanley Clinical Building.
Sound composition and wall painting.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Illingworth, Shona,
Rider, Suzanne
(1997)
Young People in Museums.
Museums Association, 36 pp.
ISBN 978-0-902102-77-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Irvin, Sherri,
Nanay, Bence,
Schellekens, Elisabeth,
Smith, Murray
(2019)
Is Psychology Relevant to Aesthetics?
Estetika: The Central European Journal of Aesthetics,
.
pp. 87-138.
ISSN 0014 –1291.
(In press)
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J
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Johnson, Colin G.
(2019)
Aesthetics, Artificial Intelligence, and Search-based Art.
In: Romero, Juan and Machado, Penousal and Greenfield, Gary, eds.
The Handbook of Artificial Intelligence and the Arts.
Springer, Heidelberg.
(In press)
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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K
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Kear, Jon
(2002)
In the spiral of time.
In: Hughes, Alex and Noble, Andrea, eds.
Phototextualities.
University of New Mexico Press, pp. 199-233.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(2002)
Le Sang Provençal.
Journal of European Studies,
.
pp. 32-45.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Kear, Jon
(2004)
Spectres of the past: Jochen Gerz’s public monuments.
In: Lamberti, Eleonora, ed.
Representing Cultural Memory.
University of Bologna Press, pp. 122-146.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klee, Steve A.
(2009)
The Politics of Ambiguity.
In:
Spin[Freee]oza (Shop Windows and Balloons).
SMART Project Space, Amsterdam, pp. 17-24.
ISBN 978-90-806655-9-0.
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![[img]](/31590/2.hassmallThumbnailVersion/Klee%20ambiguity%20final%20version.pdf)  Preview |
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Klee, Steve A.
(2008)
Where We Were When We Bashed The Fash.
Item format: Digital video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Klevan, Andrew
(2005)
Notes on teaching film style.
In: Pye, Douglas and Gibbs, John, eds.
Style and Meaning: Studies in the Detailed Analysis of Film.
Manchester University Press, pp. 214-227.
ISBN 0-7190-6525-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Korolija Fontana-Giusti, Gordana
City, Public Spaces and Urban Choreography.
In: CUMULUS Conference Utrecht, November 2004, Academy of Fine Arts Utrecht.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Korolija Fontana-Giusti, Gordana and Mohammed, Abdul and Kueppers, Stefan and Robertson, Nick and Choudhary, Vineet and Purkayastha, Sharbari and Eno, Brian
(2006)
London Loves the Thames - Flows and Assemblages - Movie.
Central Saint Martins College of Art and Design
film.
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![[img]](/10289/1.hassmallThumbnailVersion/Invite_PV.pdf)  Preview |
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Kunzelmann, Heide and Mayerhofer, Elisabeth
(2014)
Viennese Inertia: Cultural and Political Deceleration and Local Identity Construction.
In: Hemelryk Donald, Stephanie and Lindner, Christoph, eds.
Inert Cities. Globalization, Mobility and Suspension of Visual Culture.
I.B.Tauris, London, pp. 129-152.
ISBN 978-1-78076-972-1.
E-ISBN 978-0-85773-612-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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L
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Laera, Margherita
(2010)
The Wedding at Cana.
Charta Art Books, Milan.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Lowe, Dunstan
(2009)
Playing with Antiquity: Videogame Receptions of the Classical World.
In: Lowe, Dunstan and Shahabudin, Kim, eds.
Classics For All: Reworking Antiquity in Mass Cultural Media.
Cambridge Scholars PRess, Newcastle Upon Tyne, pp. 62-88.
ISBN 978-1-4438-0120-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Lázaro-Reboll, Antonio
(2002)
Exploitation in the Cinema of Franco and Klimovsky.
In: Godsland, Shelley and White, Anne, eds.
Cultura Popular. Studies in Spanish and Latin American Popular Culture.
Peter Lang, UK, pp. 83-95.
ISBN 3-906766-96-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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M
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Casaliggi, Carmen and March-Russell, Paul, eds.
(2007)
Ruskin in Perspective: Contemporary Essays.
Cambridge Scholars, Newcastle, 252 pp.
ISBN 978-1-84718-284-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Mikuriya, Theresa
(2005)
Theresa Mikuriya: photographs.
Theresa Mikuriya: Photographs, 10 June 2005-26 June 2005, Seven Seven Contemporary Art, London.
Number of pieces: 15.
Photographs.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Mikuriya, Theresa and Lai, Linda
(2004)
Push: The quest for a voice, in search of a body.
Interactive digital media installation.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard
(2017)
The Black Screen.
In: Beugnet, Martine and Cameron, Allan and Fetveit, Arild, eds.
Indefinite Visions: CInema and the Attractions of Uncertainty.
Edinburgh Studies in Film and Intermediality
.
Edinburgh University Press, Edinburgh, pp. 38-52.
ISBN 978-1-4744-0712-0.
E-ISBN 978-1-4744-0715-1.
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Misek, Richard
(2015)
The Black Screen.
In: Indefinite Visions, June, 2016, Whitechapel Art Gallery.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard
(2017)
The Black Screen.
Alchemy Film and Moving Image Festival
DCP.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard
(2017)
Black White Colour.
In: Experience Colours!, 7 Nov 2018, Aalto University, Helsinki, Finland.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard
(2010)
Chromatic Cinema: A History of Screen Colour.
Wiley-Blackwell, Chichester, West Sussex, 240 pp.
ISBN 978-1-4443-3239-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard
(2012)
Dead Time: Cinema, Heidegger, and Boredom.
In: Vassilieva, Julia and Verevis, Con, eds.
After Taste: Cultural Value and the Moving Image.
Routledge, Abingdon, New York, pp. 133-142.
ISBN 978-0-415-67926-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard
(2015)
The Definition of Film.
InTransition: Journal of Videographic Film & Moving Image Studies (2.2, 2015)
Online video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard
(2016)
Détournement.
In: Forms of Criticism, 30 Jun 2016, Parasol Unit, London, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard
(2006)
European Cinema: Face to Face with Hollywood by Thomas Elsaesser.
Review of: European Cinema: Face to Face with Hollywood
by Elsaesser, Thomas.
Senses of Cinema,
(40).
0-0.
ISSN 1443-4059.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard
(2015)
The Stolen Film.
In: Cinematic Bricoleurs: Remixing, restyling and repurposing in contemporary filmmaking practice, 8 Jan 2016, King's College, London, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard
(2017)
Why I 'pirate' films.
In: TEDx, 13 May 2017, Canterbury, United Kingdom.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard and Beugnet, Martine
(2017)
In Praise of Blur.
Ghent Film Festival
DCP.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard and Beugnet, Martine
(2017)
In Praise of Blur.
Ghent Film Festival
DCP.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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N
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Newall, M B
(2016)
The Crit: Toward a theory of the contemporary art school.
In: Brisban, Chris and Thiessen, Myra, eds.
Routledge Companion to Criticality in Art, Architecture and Design.
Routledge.
ISBN 978-1-317-22593-5.
(Submitted)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Newall, Michael
(2019)
Cries, Consensus and Criticality: Making Artists in the Contemporary Art School.
In: Brisbin, Chris and Thiessen, Myra, eds.
The Routledge Companion to Criticality in Art, Architecture and Design.
Routledge, London and New York, pp. 14-31.
ISBN 978-1-138-18923-2.
E-ISBN 978-1-315-62341-2.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Newall, Michael
(2018)
A Philosophy of the Art School.
Routledge Research in Aesthetics
.
Routledge, New York and London, 192 pp.
ISBN 978-1-138-61598-4.
E-ISBN 978-0-429-46255-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Newall, Michael
(2005)
Picturing pictures: reply to Dilworth.
Journal of Aesthetics and Art Criticism,
60
(1).
70 -73.
ISSN 0021-8529.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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P
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Parsley, Connal
(2011)
Christian Thompson and the Art of Indigeneity.
Discipline,
(1).
pp. 34-37.
ISSN 1839-082X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pearlman, A.
(2007)
Ernst Toller plays two.
London: Oberon Books
ISBN 978-1-78319-126-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Perry-Kessaris, Amanda
(2016)
Collecting value/valuing collecting.
London Review of International Law,
4
(1).
pp. 211-214.
ISSN 2050-6325.
E-ISSN 2050-6333.
(doi:doi: 10.1093/lril/lrw001)
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Perry-Kessaris, Amanda
(2016)
STANDARD.
Video.
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Perry-Kessaris, Amanda
(2014)
'What can graphic design reveal about law?'.
What can graphic design reveal about law?, Twitter and blog.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pitts, Virginia
(2010)
Beat.
Pitts Productions
HD.
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Pryor, Angus
(2013)
Plastic Propaganda In Amsterdam ( Working Title).
Plastic Propaganda In Amsterdam, June 1st 2013, World trade Centre Amsterdam Strawinskylaan 1 1077 XW Amsterdam The Netherlands.
Catalogue.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Pryor, Angus
(2012)
Post Conceptual Art Practice -Part Two.
Post Conceptual Art Practice. Part Two, January to December 2012, Grange Tower Bridge Hotel.
Exhibition.
ISBN 978-0-9559230-8-1.
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Read, Peter
(2017)
Cubism Breaks Cover: Picasso and "Parade" in 1917.
In: Cooper, Harry and Braun, Emily and Florman, Lisa and Goddard, Linda and Gough, Maria and Karmel, Pepe and Léal, Brigitte and Palermo, Charles and Poggi, Christine and Read, Peter and Zeidler, Sebastian and Cropper, Elizabeth, eds.
The Cubism Seminars.
CASVA Seminar Papers
.
Yale University Press, Washington D.C., pp. 252-285.
ISBN 978-0-300-22618-8.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Read, Peter
(2016)
"La révélation moderne": Apollinaire et les marchands d'art.
In:
Apollinaire: Le regard du poète.
Gallimard / Musées d'Orsay and l'Orangerie, Paris, France, pp. 67-77.
ISBN 978-2-07-017915-2.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Richardson, Catherine and Hamling, Tara and Gaimster, David, eds.
(2016)
The Routledge Handbook of Material Culture in Early Modern Europe.
Routledge History Handbooks
.
Routledge, Abingdon, Oxfordshire, 486 pp.
ISBN 978-1-4094-6269-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Robinson, Philip E.J.
(2003)
Rousseau et l’estampe : mieux qu’un art visuel.
In:
Annales de la Société Jean-Jacques Rousseau.
Droz, Geneva, pp. 301-312.
ISBN 2-600-00815-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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S
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Sayers, Sean
(1989)
Images of the French Revolution.
Radical Philosophy,
(53).
pp. 50-51.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Schaffner, Anna Katharina
(2017)
Fool Rushes In.
Review of: Toni Erdmann
by Ade, Maren.
Times Literary Supplement,
.
p. 1.
ISSN 0307-661X.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Schaffner, Anna Katharina
(2015)
The Twee Tribe.
Review of: Twee: The Gentle Revolution in Music, Books, Television, Fashion, and Film
by Spitz, Marc.
Times Literary Supplement,
.
p. 13.
ISSN 0307-661X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Nicola
(2007)
Gertrude Stein. Writers and their work.
Plymouth: Northcote House
ISBN 0-7463-0906-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Nicola,
Shaughnessy, Robert,
Caines, Michael,
Goring, Paul
(2008)
Margaret Woffington: lives of shakespearian actors part 1.
Pickering & Chatto
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Shaughnessy, Robert
(2005)
On location.
In: Hodgdon, Barbara and Worthen, W.B., eds.
A Companion to Shakespeare and Performance.
Blackwell, pp. 80-100.
ISBN 1-4051-1104-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Skillen, Tony J.
(1994)
Explanation and value in the Arts - Kemak,S, Gaskell,I.
British Journal of Aesthetics,
34
(4).
pp. 398-399.
ISSN 0007-0904.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Smith, Murray
(2002)
Trainspotting.
BFI Modern Classics, 95 pp.
ISBN 0-85170-870-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Smith, Murray
(2003)
A reasonable guide to horrible noise (Part 2) – listening to Lost Highway.
In: Hojbjerg, Lennard and Schepelern, Peter, eds.
Film Style and Story: A Tribute to Torben Groda.
Copenhagen: Museum Tusculanum Press, University of Copenhagen, pp. 153-170.
ISBN 87-7289-851-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Stanfield, Peter
(2005)
American Like Chop Suey: Invocations of gangsters in Chinatown 1920-35.
In: Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds.
Mob Culture: Hidden Histories of the American Gangster Film.
New York: Rutgers University Press, pp. 238-262.
ISBN 0-8135-3557-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Stanfield, Peter
(2005)
Body & soul: jazz and blues in American film, 1927-63.
Urbana: University of Illinois Press, 213 pp.
ISBN 0-252-02994-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Stanfield, Peter
(2001)
Hollywood, westerns and the 1930s: the lost trail.
University of Exeter Press, 258 pp.
ISBN 0-85989-694-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Stanfield, Peter
(2002)
Horse opera: the strange history of the singing cowboy.
Urbana: University of Illinois Press, 177 pp.
ISBN 0-252-02733-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Swift, Ellen Victoria
(2008)
Decorated Vessels: The Function of Decoration in Late Antiquity.
In: Lavan, Luke A. and Swift, Ellen Victoria and Putzeys, Toon, eds.
Objects in Context, Objects in Use: Material Spatiality in Late Antiquity (Late Antique Archaeology 5).
Late Antique Archaeology
.
Brill, Leiden, pp. 385-412.
ISBN 978-90-04-16550-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Thomas, Ben D. H.
(2005)
The academy of Bandinelli.
Print Quarterly,
XXII
(1).
pp. 3-14.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Trimingham, M F
(2017)
Agency and Empathy: Artists Touch the Body.
In: Barbieri, Donatella, ed.
Costume in Performance: Materiality, Culture, and the Body.
Bloomsbury, London UK, pp. 137-165.
ISBN 978-1-4742-3687-4.
E-ISBN 978-1-4742-3688-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Turner, Sarah E.
(2007)
All of tomorrow’s parties.
Film.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Turner, Sarah E.
(2001)
Cut.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Turner, Sarah E.
(2003)
London birds can’t fly.
Film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Turner, Sarah E.
(2008)
Overheated Symphony.
Birds Eye View film festival
film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Turner, Sarah E.
(2013)
Perestroika : Reconstructed.
Arts council of England, Film London
Film. 180 mins. Blu-ray/DVD..
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Turner, Sarah E.
(2009)
Perestroika.
Arts council of England, Film London
Film, 118 mins: hdcam / Blu-Ray / DVD.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Turner, Sarah E.
(2011)
This is not a pier.
AHRC
DVD and catalogue.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Vaage, Margrethe Bruun
(2016)
The Antihero in American Television.
Routledge
ISBN 978-1-138-88597-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Vaage, Margrethe Bruun
(2013)
The Imagined Observer Hypothesis.
In: Branigan, Edward and Buckland, Warren, eds.
The Routledge Encyclopedia of Film Theory.
Routledge, pp. 258-262.
ISBN 978-0-415-78180-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Vaage, Margrethe Bruun
(2013)
Point of View.
In: Branigan, Edward and Buckland, Warren, eds.
The Routledge Encyclopedia of Film Theory.
Routledge, pp. 371-375.
ISBN 978-0-415-78180-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2007)
Digital Encounters.
Routledge, Taylor and Francis Group, 200 pp.
ISBN 978-0-415-41066-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Z
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Zeitlyn, David
(2005)
Introduction.
In: Swenson, Ingrid, ed.
Joseph Chila and Samuel Finlak. Two Portrait Photographers in Cameroon.
Peer, London, pp. 4-8.
ISBN 978-0-9539772-6-0.
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Zeitlyn, David
(1997)
Les mambila.
In: Barbier, Jean-Paul and Willett, Frank and Eyo, Ekpo, eds.
Arts du Nigeria. Collection du musée des Arts d'Afrique et d'Océanie.
Réunion des musée nationaux, Paris, pp. 231-4.
ISBN 978-2-7118-3522-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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This list was generated on Mon Oct 21 22:22:32 2019 BST. |
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