Read, Peter (2003) Dans 'La Cuisine' du peintre: connotations littéraires et politiques d'une oeuvre de Picasso. La Revue du Louvre, (4). pp. 75-84. ISSN 0035-2608. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5741)
| The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. |
Abstract
This essay looks at both versions of Picasso's November 1948 painting 'La Cuisine', relating the linear graphic style to his wire models for monuments to Apollinaire, to a monument imagined by Apollinaire in his novella 'Le poète assassiné', to Picasso's illustrations for Reverdy's book 'Le Chant des morts'. The semi-abstract, monochrome painting is also presented as a riposte to the official aesthetic of the Communist Party, Socialist Realism, promoted in France by Louis Aragon. From within the party, Picasso thus defended freedom of expression.
| Item Type: | Article |
|---|---|
| Subjects: |
N Visual Arts P Language and Literature |
| Divisions: | Divisions > Division of Arts and Humanities > School of Culture and Languages |
| Depositing User: | Peter Read |
| Date Deposited: | 06 Sep 2008 14:37 UTC |
| Last Modified: | 05 Nov 2024 09:37 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/5741 (The current URI for this page, for reference purposes) |
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