Items where Subject is "M Music and Books on Music > M Music"

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Allen, Aaron S. and Dawe, Kevin (2015) Ecomusicologies. In: Allen, Aaron S. and Dawe, Kevin, eds. Current Directions in Ecomusicology: Music, Nature, Environment. Routledge. ISBN 978-1-138-80458-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allington, Daniel and Dueck, Byron and Jordanous, Anna (2015) Networks of Value in Electronic Music : SoundCloud, London, and the Importance of Place. Cultural Trends, 24 (3). pp. 211-222. ISSN 0954-8963. E-ISSN 1469-3690. (doi:https://doi.org/10.1080/09548963.2015.1066073) (Full text available)

Allington, Daniel and Jordanous, Anna and Dueck, Byron (2014) Final Report: Online Networks and the Production of Value in Electronic Music. AHRC (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allington, Daniel and Jordanous, Anna and Dueck, Byron (2015) Music, value, and networks in the digital world. http://valuingelectronicmusic.org (Full text available)

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Bailey, Sam and Virtanen, Juha and Stabs, Hand of (2014) Piano in the Woods. Performance type: Musical event Smuggler's Festival, 30-31 Aug 2014, Deal Kent. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Behan, Tom (2007) Putting spanners in the works: the politics of the 99 Posse. Popular Music, 26 (3). pp. 497-504. ISSN 0261-1430. (doi:https://doi.org/10.1017/S0261143007001407) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Cameron, Claire and Ostashevsky, Luba (2013) Science Gets Down With Miles Davis and Bernini: Analyzing music and sculpture in the digital age. . Online magazine. (Full text available)

Collins, MJ (2016) Pod People: Brave New Worlds of Digital Audio Drama. Alluvium: 21st Century Writing, 21st Century Approaches, 5 (4). ISSN 2050-1560. (Full text available)

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Coulton, Simon and Clift, Stephen and Skingley, Ann and Rodriguez, John (2015) Effectiveness and cost-effectiveness of community singing on mental health-related quality of life of older people: randomised controlled trial. The British Journal of Psychiatry, 207 (2). ISSN 0007-1250. E-ISSN 1472-1465. (doi:https://doi.org/10.1192/bjp.bp.113.129908) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Dawe, K (2015) Ethnomusicology and Anthropology: Special Issue of Journal of the Royal Anthropological Institute. In: UNSPECIFIED . (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (2007) Arcadia Calling: Cretan Music and the Popular Imagination. Journal of Intercultural Studies, 28 (2). pp. 227-236. ISSN 0725-6868. (doi:https://doi.org/10.1080/07256860701236633) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (1998) Bandleaders in Crete: Musicians and Entrepreneurs in a Greek Island Economy: British Journal of Ethnomusicology. British Journal of Ethnomusicology, 7 . pp. 23-44. ISSN 3060708. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (1996) The Engendered lyra: Music, Poetry and Manhood in Crete: British Journal of Ethnomusicology. British Journal of Ethnomusicology, 5 . pp. 93-112. ISSN 3060868. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (2013) Guitar Ethnographies: Performance,Technology and Material Culture. Ethnomusicology Forum: Special Issue, 22 (1). 0-0. ISSN 1741-1912. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (2013) Introduction to Guitar Ethnographies: Performance, Technology and Material Culture. Ethnomusicology Forum, 22 (1). pp. 1-25. ISSN 1741-1912. (doi:https://doi.org/10.1080/17411912.2013.774158) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (2003) Lyres and the Body Politic: Studying Musical Instruments in the Cretan Musical Landscape. Popular Music & Society, 26 (3). pp. 263-283. ISSN 0300-7766. (doi:https://doi.org/10.1080/0300776032000116950) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (1998) Minotaurs or musonauts?1 ‘World Music’ and Cretan Music: Popular Music. Popular Music, 18 (02). pp. 209-225. (doi:https://doi.org/10.1017/S0261143000009053) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (2007) Music and Musicians in Crete: Performance and Ethnography in a Mediterranean Island Society. Europea: Ethnomusicologies & Modernities . Scarecrow Press, 200 pp. ISBN 9780810856738, 9780810860292. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (2010) The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance. Ashgate Popular and Folk Music Series . Ashgate, 246 pp. ISBN 978-0-7546-6775-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (2001) People, Objects, Meaning: Recent Work on the Study and Collection of Musical Instruments. The Galpin Society Journal, 54 . pp. 219-232. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (2000) Roots Music in the Global Village: Cretan Ways of Dealing with the World at Large. The World of Music, 42 (3). pp. 47-66. ISSN 41692765. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin and Cem Eroglu, Sinan (2013) The Guitar in Turkey: Erkan Oğur and the Istanbul Guitarscape. Ethnomusicology Forum, 22 (1). pp. 49-70. ISSN 1741-1912. (doi:https://doi.org/10.1080/17411912.2013.774157) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Durrani, Osman (2002) 'Virtual paradises. A brief history of the postwar Schlager'. In: Berghahn, D., ed. Millennial Essays on Film and other German Studies. Verlag Peter Lang, Bern, pp. 93-110. ISBN 978-3-906768-29-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dylan Smith, Gareth and Dines, Mike and Parkinson, Tom (2017) Presenting Punk Pedagogies in Practice. In: Dylan Smith, Gareth and Dines, Mike and Parkinson, Tom, eds. Punk Pedagogies: Music, Culture and Learning. Routledge Taylor & Francis, New York, USA, 1 -10. ISBN 978-1-138-27988-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Flusfeder (2018) Army of Lovers. Performance type: Other Potentino Music Festival, 9-12 Aug 2018, Seggiano, Italy. CD. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Fretwell, Paul (2007) Wall of Stone (2007) Female voice and four percussionists with megaphones. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Fretwell, Paul (2008) from the cold (2008) female voice and electroacoustic sound. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Fretwell, Paul (2013) Étune No. 1. Item format: audio recording. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Fretwell, Paul and Field, Ambrose (2013) Northern Loop. Sargasso Records Item format: CD recording. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Gounaropoulos, Alex and Johnson, Colin Graeme (2007) A Neural Network Approach for Synthesising Timbres from Adjectives. In: 4th Sound and Music Computing Conference, 11-13 July 2007, Lefkada, Greece. (Full text available)

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Halsall, Kate and Dacey, Sarah and MacLeod, Duncan W M (2017) Performance with Trio SoundKarD. Performance type: Musical event Staging Sonic Spaces, 7-9 March 2017, Derry, Londonderry, Northern Ireland.. Concert. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Herbert, Ruth (2014) DISSOCIATION. In: Music in the Social and Behavioral Sciences: An Encyclopedia. SAGE, pp. 337-339. ISBN 9781452283066. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Herbert, Ruth (2012) Modes of Music Listening and Modes of Subjectivity in Everyday Life. Journal of Sonic Studies, 2 (1). pp. 1-24. ISSN 2212-6252. E-ISSN 2212-6252. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (1995) Adamento Ludus. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (1994) Calling Tunes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (1992) Clapperclaw. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (1998) The Commissar of Space. Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (1994) Correspondence. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (2007) In Eclipse. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (2007) In Girum. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (2001) The Ladder. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (1992) Museum Piece. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (2011) Novelists make things up. http://www.fmr-records.com Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (1998) "One Minute Ago". (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (2003) Open Circuits. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (2002) ‘Piano Piece’. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (2014) Pith. AudioGraft, Oxford Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (2007) Proposal for an Unmade Film (set in the future). (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (2013) REFormation. AudioGraft, Oxford Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (2006) Son et Lumières. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (1990) Still Life. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (1999) Subplot. The University of Newcastle (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (2005) Subplot (revision). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (1998) Three Cities. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim (1989) Wreckage Found Floating. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim and Cope, Nick (2011) Flags. Item format: DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim and Cope, Nick (2013) Globus Hystericus. AV work shown at Seeing Sound, Bath Spa 2013, International Computer Music Conference, Athens, 2014, iFIMPaC Leeds College of Music, 2015. Item format: DVD. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim and Cope, Nick (2018) Sarva Mangalam. Item format: Digital fixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howle, Tim and Dibley, Paul and Fox, Jeff (2014) Phantom Ride. Item format: CD fixed media WAV. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Ilan, Jonathan (2014) Commodifying compliance? UK urban music and the new mediascape. Tijdschrift over Cultuur & Criminaliteit, 4 (1). pp. 67-79. ISSN 2211-9507. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Johnson, Colin G. (2013) Artistic and Musical Applications of Internet Search Technologies: Prospects and a Case Study. Digital Creativity, 24 (4). pp. 342-366. ISSN 1462-6268. E-ISSN 1744-3806. (doi:https://doi.org/10.1080/14626268.2013.777351) (Full text available)

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Johnson, Colin G. (2016) Fitness in Evolutionary Art and Music: A Taxonomy and Future Prospects. Fitness in evolutionary art and music: a taxonomy and future prospects, 9 (1). pp. 4-25. ISSN 1754-8853. E-ISSN 1754-8861. (doi:https://doi.org/10.1504/IJART.2016.075406) (Full text available)

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Johnson, Colin G. (2012) Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? In: International Conference on Evolutionary and Biologically Inspired Music and Art, 11-13 April 2019, Málaga, Spain. (doi:https://doi.org/10.1007/978-3-642-29142-5_12) (Full text available)

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Jordanous, Anna (2010) A-Fitness-Function-for-Creativity-in-Jazz-Improvisation-and-Beyond (Jordanous 2010) - code. github Java code. (Full text available)

Jordanous, Anna (2011) Computer Models of Musical Creativity? A review of Cope (2005). Review of: Computer Models of Musical Creativity. David Cope (2005). MIT Press by UNSPECIFIED. AISB Quarterly, 132 (-). p. 10. ISSN 1476-3036. (Full text available)

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Jordanous, Anna (2009) Conference Report: The Fourth Conference on Interdisciplinary Musicology (CIM08). Review of: Fourth Conference on Interdisciplinary Musicology, 2008 (CIM08) by UNSPECIFIED. AISB Quarterly, 128 (-). pp. 8-9. ISSN 1476-3036. (Full text available)

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Jordanous, Anna (2010) Conference Review: Empirical approaches to Performance: Empirical Musicology II conference (25-26 March 2010, School of Music, University of Leeds, UK). Review of: Empirical approaches to Performance: Empirical Musicology II conference 2010 by UNSPECIFIED. Excursions, 1 (1). p. 1. ISSN 2044-4095. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jordanous, Anna (2011) Evaluating the creativity of computational musical improvisation systems. In: Workshop on International Cross-Disciplinary Research Collaboration in Science \& Music at 7th Conf. Interdisciplinary Musicology, 30 Aug - 3 Sep 2011, Glasgow, UK. (Full text available)

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Jordanous, Anna (2016) Has computational creativity successfully made it "Beyond the Fence" in musical theatre? In: 7th International Conference on Computational Creativity, 27 Jun - 1 Jul 2016, Paris, France. (Full text available)

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Jordanous, Anna (2016) Language and Music. In: Jones, Rodney, ed. Routledge Handbook of Language and Creativity. Routledge. ISBN 978-0-415-83973-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jordanous, Anna (2010) The Realisation of Creativity in Artificial Music Improvisation and Interpretation. In: Empirical Musicology II, 2010, Leeds, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jordanous, Anna (2015) Review: Hacking choreography: dance and live coding: [Sicchio K. Computer Music Journal 38 (1): 31-39, 2014. ]. Review of: Hacking choreography: dance and live coding Sicchio K. Computer Music Journal 38 (1): 31-39, 2014. Type: Article by UNSPECIFIED. ACM Computing Reviews, . p. 1. (doi:CR143411) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jordanous, Anna (2015) Review: The POINT of creative collaborations between composers and computers. Review of: Patterns of intuition: Musical Creativity in the Light of Algorithmic Composition (Springer, 2015 ) by UNSPECIFIED. ACM Computing Reviews, (184827). p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jordanous, Anna (2007) Score Following: An artificially intelligent musical accompanist (Jordanous 2007, Jordanous & Smaill 2008+2009) - code. github Max/MSP code. (Full text available)

Jordanous, Anna (2007) Score following: An artificially intelligent musical accompanist. Master of Science (MSc) thesis, University of Edinburgh, UK.. (Full text available)

Jordanous, Anna (2012) A Standardised Procedure for Evaluating Creative Systems: Computational Creativity Evaluation Based on What it is to be Creative. Cognitive Computation, 4 (3). pp. 246-279. ISSN 1866-9956. E-ISSN 1866-9964. (doi:https://doi.org/10.1007/s12559-012-9156-1) (Full text available)

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Jordanous, Anna (2008) Voice Separation in polyphonic music (Jordanous 2008) - code. github Matlab code. (Full text available)

Jordanous, Anna (2008) Voice separation in polyphonic music: A data-driven approach. In: International Computer Music Conference 2008, 2008, Belfast, UK. (Full text available)

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Jordanous, Anna (2010) A fitness function for creativity in jazz improvisation and beyond. In: International Conference on Computational Creativity, 2010, Lisbon, Portugal. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jordanous, Anna and Allington, Daniel (2014) Network analysis - code for the Valuing Electronic Music project. github Python code. (Full text available)

Jordanous, Anna and Allington, Daniel and Dueck, Byron (2015) Measuring cultural value using social network analysis: a case study on valuing electronic musicians. In: 6th International Conference on Computational Creativity, June 29 - July 2, 2015, Utah, US. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Jordanous, Anna and Allington, Daniel and Dueck, Byron (2014) Online Networks and the Production of Value in Electronic Music. In: Digital Music Research Network Network One-Day Workshop (DMRN+9), 16 Dec 2014, Queen Mary's, London. (Unpublished) (Full text available)

Jordanous, Anna and Allington, Daniel and Dueck, Byron (2014) Using online networks to analyse the value of electronic music. In: International Conference on Computational Creativity, 2014, Ljubljana, Slovenia. (Full text available)

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Jordanous, Anna and Keller, Bill (2012) What makes a musical improvisation creative? Journal of Interdisciplinary Music Studies, 6 (2). pp. 151-175. ISSN 1307-0401. E-ISSN 1306-9055. (doi:https://doi.org/10.4407/jims.2014.02.003) (Full text available)

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Jordanous, Anna and Keller, Bill (2011) What makes a musical improvisation creative? In: 7th Conference on Interdisciplinary Musicology, 2011, Glasgow, UK. (Full text available)

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Jordanous, Anna and Smaill, Alan (2008) Artificially intelligent accompaniment using Hidden Markov Models to model musical structure. In: Conference on Interdisciplinary Musicology, 2008, Thessaloniki, Greece. (Full text available)

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Jordanous, Anna and Smaill, Alan (2009) Investigating the role of score following in automatic musical accompaniment. Journal of New Music Research, 38 (2). pp. 197-209. ISSN 0929-8215. E-ISSN 1744-5027. (doi:https://doi.org/10.1080/09298210903180245) (Full text available)

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Kalonaris, Stefano and Jordanous, Anna (2018) Computational Music Aesthetics: a survey and some thoughts. In: 3rd Conference on Computational Simulation of Musical Creativity, 20-22 August 2018, Dublin, Ireland. (In press) (Full text available)

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MacLeod, Duncan W M (2012) Cronan an Dain. Item format: Score. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

MacLeod, Duncan W M (2014) Cut, Strike, Throw, Grip. Item format: Score. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

MacLeod, Duncan W M (2012) Diesis. London Sinfonietta Records Item format: Score, MAX/MSP patch and commercial CD release of premier performance. ASIN: B0094G5JLQ. (doi:ASIN: B0094G5JLQ) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

MacLeod, Duncan W M (2009) Ellipsis. CD Squeaky Kate Music Item format: Score and commercial release (ASIN: B004F6O9ZM; performed by duoDorT). (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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MacLeod, Duncan W M (2009) Lumen. Item format: Score. (Unpublished) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

MacLeod, Duncan W M (2011) The New Atlantis. Item format: Score. (Unpublished) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

MacLeod, Duncan W M (2017) Space as a compositional parameter. In: Sound Thought 2017, 10-12 May 2017, Glasgow, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

MacLeod, Duncan W M (2017) Spatial Music. In: Staging Sonic Spaces, 7-9 March 2017, University of Ulster, Magee Campus, Northern Ireland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

MacLeod, Duncan W M (2014) Surface to Surface. Tate Modern Item format: FLAC. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

MacLeod, Duncan W M and Morgan, Andrew and Riley, Colin and Telford, Jamie and Wiegold, Peter (2010) Triple Point. Squeaky Kate Music Item format: CD. ASIN: B004F6O9RA. (doi:ASIN: B004F6O9RA) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

MacLeod, Duncan W M and Weh, Jane (2015) The Cries of Peckham Rye. Item format: Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

McIlvenna, Una (2016) Ballads of Death and Disaster: The Role of Song in Early Modern News Transmission. In: Zika, Charles and Spinks, Jenny, eds. Disaster, Death and Emotions in the Shadow of the Apocalypse, 1400-1700. Palgrave, pp. 275-294. ISBN 978-1-137-44270-3. E-ISBN 978-1-137-44271-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

McIlvenna, Una (2015) The Power of Music: the Significance of Contrafactum in Execution Ballads. Past & Present, 229 (1). 47 -89. ISSN 0031-2746. E-ISSN 1477-464X. (doi:https://doi.org/10.1093/pastj/gtv032) (Full text available)

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McIlvenna, Una (2016) The Rich Merchant Man, or, What the Punishment of Greed Sounded Like in Early Modern English Ballads. Huntington Library Quarterly, 79 (2). pp. 279-299. ISSN 0018-7895. E-ISSN 1544-399X. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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McIlvenna, Una (2016) Singing Songs of Execution in Early Modern Italy. In: Dall'Aglio, Stefano and Rospocher, Massimo and Richardson, Brian, eds. Voice and Writing in Early Modern Italian Politics, Religion, and Society. Ashgate. ISBN 978-1-4724-8531-1. E-ISBN 978-1-315-54789-3. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

McIlvenna, Una (2015) When The News Was Sung: Ballads as News Media in Early Modern Europe. Media History, . ISSN 1368-8804. E-ISSN 1469-9729. (doi:https://doi.org/10.1080/13688804.2016.1211930) (Full text available)

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Meadows, Steve and Clift, Stephen M. and Skingley, Ann and Page, Sonia and Stephens, Lizzi and Hurley, Sadie and Dickinson, John W. and Levai, Irisz and Jackson, Anna and Sullivan, Roisin and Wren, Natalie and McDaid, David and Park, A-la and Azhar, Saleem and Baxter, Noel and Rozenthuler, Guillermo and Shah, Shilpa (2017) Singing for Better Breathing: Findings from the Lambeth & Southwark Singing & COPD Project. Project report. Sidney De Haan Research Centre for Arts & Health: Canterbury Christ Church University, Kent, UK (Full text available)

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Molitor, Claudia (2012) Promming (with listening stick). BBC Proms Item format: online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Molitor, Claudia (2012) Remember me... Item format: performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Neubarth, Kerstin and Goienetxea, Izaro and Johnson, Colin G. and Conklin, Darryl (2012) Association Mining of Folk Music Genres and Toponyms. In: 13th International Society for Music Information Retrieval Conference, 8th-12th, 2012, Porto, Portugal. (Full text available)

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Palaniappan, Ramaswamy (2014) Electroencephalogram based brain-computer interface: An introduction. In: Miranda, Eduardo and Castest, Julien, eds. Guide to Brain-Computer Music Interfacing. Springer, New York, NY, USA, pp. 29-41. ISBN 978-1-4471-6583-5. E-ISBN 978-1-4471-6584-2. (doi:https://doi.org/10.1007/978-1-4471-6584-2_2) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Parkinson, Tom (2017) ‘Indiestanbul’: counter-hegemonic music and third republicanism in Turkey. Popular Music, 37 (1). pp. 40-62. ISSN 0261-1430. (doi:https://doi.org/10.1017/S0261143017000563) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Parkinson, Tom (2014) Mastery, enjoyment, tradition and innovation: A reflective practice model for instrumental and vocal teachers. International Journal of Music Education, 34 (3). pp. 352-368. (doi:https://doi.org/10.1177/0255761414563196) (Full text available)

Parkinson, Tom (2019) Review, 'The Banana Punk Rawk Trials' by Marco Ferrarese. Journal of Popular Music Education, 3 (1). ISSN 2397-6721. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Parkinson, Tom and Hunter, Mark and Campanello, Kimberly and Dines, Mike and Dylan Smith, Gareth (2015) Understanding Small Music Venues: A report by the Music Venues Trust. Project report. UK Music, London, UK (Full text available)

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Pasoulas, Aki (2018) Irides. Sonos Localia Item format: Digital format. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pasoulas, Aki (2016) The Listening Experience of Paramnesia. In: Bianchi, Frederick and Manzo, V.J., eds. Environmental Sound Artists: In Their Own Words. Oxford University Press, Oxford, UK, pp. 176-185. ISBN 978-0-19-023462-1. E-ISBN 978-0-19-023461-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pasoulas, Aki (2010) Paramnesia. International Computer Music Association Item format: CD. (Full text available)

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Pasoulas, Aki (2015) Seawater. HELMCA Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Poppy, A and Pinnock, N and Cashian, P and Riley, C and Norman, K and MacLeod, Duncan W M and Vincent, S and Bell, J and Akama, R and Murcott, D and Chadburn, L and Tuhkanen, T and Richards, E and Rowan, R and Perks, Richard (2016) Miniaturised Concertos / Mache. Metier Item format: CD. ASIN: B01DEAPM2S. (doi:ASIN: B01DEAPM2S) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Roesner, David P. and Rebstock, Matthias, eds. (2012) Composed Theatre. Aesthetics, Practices, Processes. intellect, Bristol, 367 pp. ISBN 978-1-84150-456-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. and Kendrick, Lynne, eds. (2011) Theatre Noise. The Sound of Performance. Cambridge University Scholars, Newcastle ISBN 978-1-4438-3440-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2010) Bella Merlin’s “Tilly No-Body” (Composer and Sound-designer). Performance type: Other “Tilly No-Body”, Oct 2010, Mondavi Center for the Performing Arts, Davis, California. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2006) Bending Gender and Acting Theory - Performing essays by Goethe and Cocteau on the theatrical benefits of cross-dressing. Studies in Theatre and Performance, 26 (2). pp. 111-127. ISSN 1468-2761. (doi:https://doi.org/10.1386/stap.26.2.111/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2014) Composing Tilly. ETUM E-Journal for Theatre and Media (peer-reviewed online journal), . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2013) Dancing in the Twilight – On the Borders of Music and the Scenic. In: Symonds, Dominic and Karatonis, Pamela, eds. The Legacy of Opera. Reading Music Theatre as Experience and Performance. Rodopi, Amsterdam, pp. 169-187. ISBN 978-90-420-3691-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2012) Der „Guitar Hero“ zwischen Musizieren und Performen. In: Schroedter, Stephanie, ed. Bewegungen zwischen Hören und Sehen. Königshausen & Neumann, Göttingen, pp. 591-607. ISBN 978-3-8260-4744-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2005) Die Diskursivierung des Performativen und die Performativität diskursiver Praxis. Theaterpartituren zwischen Werkzeug und Waffe. In: Hempfer, K.W. and Traninger, A., eds. Macht Wissen Wahrheit. Rombach Litterae, Freiburg im Breisgau, pp. 243-258. ISBN 978-3-7930-9432-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2005) Die Playlist als Inszenierung. Ein Portrait des Theatermusikers Lars Wittershagen. Theater der Zeit, 2005 (6). pp. 14-15. ISSN 0040-5418. (Full text available)

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Roesner, David P. (2010) Die Utopie 'Heidi'. Arbeitsprozesse im experimentellen Musiktheater am Beispiel von Leo Dicks Kann Heidi brauchen, was es gelernt hat? In: Röttger, Kati, ed. Welt - Bild - Theater: Politik der Medien und Kulturen des Wissens. Narr, Tübingen, pp. 221-234. ISBN 978-3-8233-6606-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2011) The Guitar Hero's Performance. Contemporary Theatre Review, 21 (3). pp. 276-285. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486801.2011.585646) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2012) "It is not about labelling, it's about understanding what we do" – Composed theatre as discourse. In: Roesner, David P. and Rebstock, Matthias, eds. Composed Theatre: Aesthetics, Practices, Processes. Intellect, Bristol, pp. 319-362. ISBN 978-1-84150-456-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2007) Komik - Körper - Kunst - Kommerz. Eine Analyse der Elemente der Commedia dell`Arte in den Silent Slapstick Comedies. Other masters thesis, University of Hildesheim. (Full text available)

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Roesner, David P. (2002) Kompositionen der Ausdrucksnot — Einar Schleefs Musikalisierung von Sprache in seiner Inszenierung Verratenes Volk. In: Bayerdörfer, Hans-Peter, ed. Stimmen — Klänge — Töne. Synergien im szenischen Spiel. Gunter Narr, Tübingen, pp. 309-324. ISBN 978-3-8233-5230-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2005) „Materialausgabe.“ Review of Wolfgang Sander (ed.), Heiner Goebbels. Komposition als Inszenierung. Berlin: Henschel, 2002. In: Porombka, St. and Schneider, W. and Wortmann, Volker, eds. Kollektive Kreativität. Jahrbuch der Kulturwissenschaften. Francke, Tübingen, pp. 167-170. ISBN 978-3-7720-8125-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2011) The Mechanics of Noise. Theatricality and the Automated Instrument in Heiner Goebbels' theatre and Pat Metheny's Jazz. In: Kendrick, Lynne and Roesner, David P., eds. Theatre Noise. The Sound of Theatre. Cambridge Scholars Press, Newcastle, pp. 149-163. ISBN 978-1-4438-3440-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2010) Musicality as a paradigm for the theatre – a kind of manifesto. Studies in Musical Theatre, 4 (3). pp. 293-306. ISSN 1750-3159. (Full text available)

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Roesner, David P. (2014) Musicality in Theatre – Music as Model, Method and Metaphor in Theatre-making. Other. Ashgate, Farnham (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2010) Musicking as mise-en-scène. Studies in Musical Theatre, 4 (1). pp. 89-102. ISSN 1750-3159. (doi:https://doi.org/10.1386/smt.4.1.89_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2004) Musik mit den ‘Mitteln der Bühne’ — Aufführungsanalyse mit den Mitteln der Musik. In: Kurzenberger, Hajo and Matzke, Annemarie, eds. TheorieTheaterPraxis. Theater der Zeit, Berlin, pp. 107-116. ISBN 978-3-934344-29-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2010) Musikalisches Theater – Szenische Musik. In: Mungen, Anno, ed. Mitten im Leben. Musiktheater von der Oper bis zur Everyday-Performance mit Musik. Königshausen & Neumann, Göttingen, pp. 193-211. ISBN 978-3-8260-4184-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2009) Musikalität als Paradigma für die Theaterarbeit. Zehn Thesen. In: Theater. Musik. Fokus Schultheater (8). Edition Körber Stiftung, Hamburg, pp. 8-16. ISBN 978-3-89684-187-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2012) "Musikalität als ästhetisches Dispositiv: Analogien und Transfers". In: Huber, Jorg and Nigro, Roberto and Bippus, Elke, eds. Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern. Edition Voldemeer (1). Springer, Zürich, Wien, New York. ISBN 978-3-7091-1503-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2011) Presentation given at the Academy of the Arts, Berlin: “Ich komponiere als Regisseur und inszeniere als Komponist“ (Heiner Goebbels) Dialoge über komponiertes Theater – Versuch einer Diskursanalyse. Presentation video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2003) Ribbible Ribble — Motivik und musikalische Form im Theater Christoph Marthalers. In: Balme, Christopher and Fischer-Lichte, Erika and Grätzel, Stephan, eds. Theatre als Paradigma der Moderne. Francke, Tübingen, pp. 365-374. ISBN 978-3-7720-2796-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2007) Singing Actors and Dancing Singers. Oscillations of genre, physical and vocal codes in two contemporary adaptations of Purcell’s Dido and Aeneas. Studies in Musical Theatre, 1 (2). pp. 123-137. ISSN 1468-2761. (Full text available)

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Roesner, David P. (2003) Theater als Musik. Musikalische Aspekte in den Inszenierungen Christoph Marthalers. Theater der Zeit, 2003 (6). pp. 42-43. ISSN 0040-5418. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2003) Theater als Musik. Verfahren der Musikalisierung in chorischen Theaterformen bei Christoph Marthaler, Einar Schleef und Robert Wilson. Gunter Narr, Tübingen ISBN 3-8233-6020-5. (Full text available)

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Roesner, David P. (2015) Theaterrauschen – Spielarten der performativen Hervorbringung von Geräusch. In: Mungen, Anno and Ernst, Wolf-Dieter, eds. Sound and Performance: Positions · Methods · Analysis. Königshausen & Neumann, Würzburg. ISBN 978-3-8260-5473-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2008) Wenn Musik zu Wort kommt. Portrait des Komponisten und Schauspielmusikers Lars Wittershagen. Ruhrtriennale 2008, Germany. (Full text available)

Roesner, David P. (2004) „Über Musik und Raum im zeitgenössischen Theater”. Monthly magazine of the Theater Basel, 2004 (3). pp. 22-23. ISSN N/A. (Full text available)

Roesner, David P. (2008) The politics of the polyphony of performance. Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1048-6801. (Full text available)

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Roesner, David P. and Risi, Clemens (2009) Die polyphone Werkstatt. Kollektives Arbeiten im zeitgenössischen Musiktheater. Theater der Zeit, 2009 (1). pp. 28-30. ISSN 0040-5418. (Full text available)

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Schaffner, Anna Katharina (2015) The Twee Tribe. Review of: Twee: The Gentle Revolution in Music, Books, Television, Fashion, and Film by Spitz, Marc. Times Literary Supplement, . p. 13. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Skingley, Ann and Clift, Stephen M. and Coulton, Simon and Rodriguez, John (2011) The effectiveness and cost-effectiveness of a participative community singing programme as a health promotion initiative for older people: protocol for a randomised controlled trial. BMC Public Health, 11 (142). ISSN 1471-2458. (doi:https://doi.org/10.1186/1471-2458-11-142) (Full text available)

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Sleigh, Charlotte (2009) Charles Darwin Presents ... Saint-Saens' Carnival of the Animals. , Gulbenkian Theatre. Dramatic performance with music. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Gareth Dylan and Parkinson, Tom and Dines, Mike (2017) Punk pedagogies in practice (symposium session). In: 10th Research in Music Education conference, Bath Spa University, April 24-27 2017, Bath, UK. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2010) Crossover: Sam Katzman’s Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ Calypso, Beatniks, Hot Rods, and Rock ’n’ Roll in 1950s Teenpix’. Popular Music, 29 (3). pp. 437-456. ISSN 0261-1430. (doi:https://doi.org/10.1017/S0261143010000255) (Full text available)

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Stanfield, Peter (2017) The Who and Pop Art: the simple things you see are all complicated. Journal of Popular Music Studies, 29 (1). e12203. ISSN 1524-2226. E-ISSN 1533-1598. (doi:https://doi.org/10.1111/jpms.12203) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Studdert, Will (2014) Music Goes to War: How Britain, Germany and the USA used Jazz as Propaganda in World War II. Doctor of Philosophy (PhD) thesis, University of Kent. (Full text available)

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Stähler, Axel (2006) Review of Gordon Campbell (ed), 'The Oxford Dictionary of the Renaissance'. Review of: The Oxford Dictionary of the Renaissance by Campbell, Gordon. Archiv für das Studium der neueren Sprachen und Literaturen, 158 . pp. 154-157. ISSN 0003-8970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Suckling, M and Finnis, E and Khroustaliov, I and Hodgkinson, T and Feshareki, S and MacLeod, Duncan W M (2012) New Music Show. London Sinfonietta Records Item format: CD. ASIN: B0097CSIIS. (doi:ASIN: B0097CSIIS) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Thomas, Scarlett (2004) Sofa Sagas. Daily Telegraph “Music on Thursday”, . p. 19. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)