Items where Subject is "M Music and Books on Music > M Music"

A

Allen, Aaron S. and Dawe, Kevin (2015) Ecomusicologies. In: Allen, Aaron S. and Dawe, Kevin, eds. Current Directions in Ecomusicology: Music, Nature, Environment. Routledge. ISBN 978-1-138-80458-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46929)

Allington, Daniel, Dueck, Byron, Jordanous, Anna (2015) Networks of Value in Electronic Music : SoundCloud, London, and the Importance of Place. Cultural Trends, 24 (3). pp. 211-222. ISSN 0954-8963. E-ISSN 1469-3690. (doi:10.1080/09548963.2015.1066073) (KAR id:49284)

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Allington, Daniel, Jordanous, Anna, Dueck, Byron (2014) Final Report: Online Networks and the Production of Value in Electronic Music. AHRC (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43791)

Allington, Daniel, Jordanous, Anna, Dueck, Byron (2015) Music, value, and networks in the digital world. http://valuingelectronicmusic.org (KAR id:53850)

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Bailey, Sam and Virtanen, Juha and Stabs, Hand of (2014) Piano in the Woods. Performance type: Musical event Smuggler's Festival, 30-31 Aug 2014, Deal Kent. Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71228)

Behan, Tom (2007) Putting spanners in the works: the politics of the 99 Posse. Popular Music, 26 (3). pp. 497-504. ISSN 0261-1430. (doi:10.1017/S0261143007001407) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10983)

Brooks, Helen E.M. and Hanna, Emma (2019) 'A Night in the West End, 1914-1918': A Lecture-Concert. Performance type: Musical event A Night in the West End, 1914-1918: A Lecture-Concert, 27 April 2019, Westgate Hall, Canterbury. Script. (KAR id:73664)

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Cameron, Claire, Ostashevsky, Luba (2013) Science Gets Down With Miles Davis and Bernini: Analyzing music and sculpture in the digital age. . Online magazine. (KAR id:42896)

Collins, MJ (2016) Pod People: Brave New Worlds of Digital Audio Drama. Alluvium: 21st Century Writing, 21st Century Approaches, 5 (4). ISSN 2050-1560. (KAR id:58322)

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Coulton, Simon, Clift, Stephen, Skingley, Ann, Rodriguez, John (2015) Effectiveness and cost-effectiveness of community singing on mental health-related quality of life of older people: randomised controlled trial. The British Journal of Psychiatry, 207 (2). ISSN 0007-1250. E-ISSN 1472-1465. (doi:10.1192/bjp.bp.113.129908) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49082)

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Dawe, Kevin (2007) Arcadia Calling: Cretan Music and the Popular Imagination. Journal of Intercultural Studies, 28 (2). pp. 227-236. ISSN 0725-6868. (doi:10.1080/07256860701236633) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46930)

Dawe, Kevin (1998) Bandleaders in Crete: Musicians and Entrepreneurs in a Greek Island Economy: British Journal of Ethnomusicology. British Journal of Ethnomusicology, 7 . pp. 23-44. ISSN 3060708. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47135)

Allen, Aaron and Dawe, Kevin, eds. (2015) Current Directions in Ecomusicology: Music, Nature, Environment. Routledge, 256 pp. E-ISBN 978-1-138-80458-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46946)

Dawe, Kevin (1996) The Engendered lyra: Music, Poetry and Manhood in Crete: British Journal of Ethnomusicology. British Journal of Ethnomusicology, 5 . pp. 93-112. ISSN 3060868. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47134)

Dawe, Kevin (2013) Guitar Ethnographies: Performance,Technology and Material Culture. Ethnomusicology Forum: Special Issue, 22 (1). 0-0. ISSN 1741-1912. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46943)

Dawe, Kevin (2013) Introduction to Guitar Ethnographies: Performance, Technology and Material Culture. Ethnomusicology Forum, 22 (1). pp. 1-25. ISSN 1741-1912. (doi:10.1080/17411912.2013.774158) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46938)

Dawe, Kevin (2003) Lyres and the Body Politic: Studying Musical Instruments in the Cretan Musical Landscape. Popular Music & Society, 26 (3). pp. 263-283. ISSN 0300-7766. (doi:10.1080/0300776032000116950) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47138)

Dawe, Kevin (2015) Materials Matter: Towards a Political Ecology of Musical Instrument Making. In: Allen, Aaron and Dawe, Kevin, eds. Current Directions in Ecomusicology. Routledge Research in Music . Routledge, Abingdon, UK. ISBN 978-1-138-80458-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72822)

Dawe, Kevin (1998) Minotaurs or musonauts?1 ‘World Music’ and Cretan Music: Popular Music. Popular Music, 18 (02). pp. 209-225. (doi:DOI: 10.1017/S0261143000009053) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47136)

Dawe, Kevin (2007) Music and Musicians in Crete: Performance and Ethnography in a Mediterranean Island Society. Europea: Ethnomusicologies & Modernities . Scarecrow Press, 200 pp. ISBN 9780810856738, 9780810860292. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46928)

Dawe, Kevin (2019) Musical Instruments as Material Culture: A Case Study of the Cretan Lyra. In: Anthropology, Music and Dance edited by Stephen Cottrell. Sean Kingston, London, UK. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46971)

Dawe, Kevin (2019) Musical instruments and world history: A case study of the guitar in the Republic of Turkey. In: Strohm, Reinhard, ed. The Music Road: Coherence and Diversity in Music from the Mediterranean to India. Proceedings of the British Academy . Oxford University Press, New York. ISBN 978-0-19-726656-4. (doi:10.5871/bacad/9780197266564.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72820)

Dawe, Kevin (2010) The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance. Ashgate Popular and Folk Music Series . Ashgate, 246 pp. ISBN 978-0-7546-6775-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46926)

Dawe, Kevin (2001) People, Objects, Meaning: Recent Work on the Study and Collection of Musical Instruments. The Galpin Society Journal, 54 . pp. 219-232. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47137)

Dawe, Kevin (2000) Roots Music in the Global Village: Cretan Ways of Dealing with the World at Large. The World of Music, 42 (3). pp. 47-66. ISSN 41692765. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47144)

Dawe, Kevin, Cem Eroglu, Sinan (2013) The Guitar in Turkey: Erkan O?ur and the Istanbul Guitarscape. Ethnomusicology Forum, 22 (1). pp. 49-70. ISSN 1741-1912. (doi:10.1080/17411912.2013.774157) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:46939)

Durrani, Osman (2002) 'Virtual paradises. A brief history of the postwar Schlager'. In: Berghahn, D., ed. Millennial Essays on Film and other German Studies. Verlag Peter Lang, Bern, pp. 93-110. ISBN 978-3-906768-29-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10037)

Dylan Smith, Gareth and Dines, Mike and Parkinson, Tom (2017) Presenting Punk Pedagogies in Practice. In: Dylan Smith, Gareth and Dines, Mike and Parkinson, Tom, eds. Punk Pedagogies: Music, Culture and Learning. Routledge Taylor & Francis, New York, USA, 1 -10. ISBN 978-1-138-27988-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70374)

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Flusfeder (2018) Army of Lovers. Performance type: Other Potentino Music Festival, 9-12 Aug 2018, Seggiano, Italy. CD. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70505)

Fretwell, Paul (2015) King's Cross. Taukay Edizioni Musicali Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:83821)

Fretwell, Paul (2007) Wall of Stone (2007) Female voice and four percussionists with megaphones. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31751)

Fretwell, Paul (2008) from the cold (2008) female voice and electroacoustic sound. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31752)

Fretwell, Paul (2013) Étune No. 1. Item format: audio recording. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31830)

Fretwell, Paul and Field, Ambrose (2013) Northern Loop. Sargasso Records Item format: CD recording. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31827)

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Gounaropoulos, Alex, Johnson, Colin Graeme (2007) A Neural Network Approach for Synthesising Timbres from Adjectives. In: Proceedings of the 4th Sound and Music Computing Conference (SMC07). . National and Kapodistrian University of Athens, Athens, Greece ISBN 978-960-6608-75-9. (KAR id:71025)

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Halsall, Kate and Dacey, Sarah and MacLeod, Duncan W M (2017) Performance with Trio SoundKarD. Performance type: Musical event Staging Sonic Spaces, 7-9 March 2017, Derry, Londonderry, Northern Ireland.. Concert. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60941)

Herbert, Ruth (2002) After Death (Evgenii Bauer, music performed by Triptych). British Film Institute Item format: DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77536)

Herbert, Ruth (2014) DISSOCIATION. In: Thompson, William Forde, ed. Music in the Social and Behavioral Sciences: An Encyclopedia. SAGE, pp. 337-339. ISBN 978-1-4522-8303-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53401)

Herbert, Ruth (2012) Modes of Music Listening and Modes of Subjectivity in Everyday Life. Journal of Sonic Studies, 2 (1). pp. 1-24. ISSN 2212-6252. E-ISSN 2212-6252. (KAR id:53397)

Herbert, Ruth (2013) Music and Dissociation: Experiences without valence? 'Observing' self and 'absent' self. In: 3rd International Conference on Music & Emotion : Jyväskylä, June 11-15, 2013, programme, abstracts, proceedings. 3rd International Conference on Music & Emotion (ICME3). . pp. 238-243. Department of Music, University of Jyväskylä, Finnish Centre of Excellence in Interdisciplinary Music Research, Finland ISBN 978-951-39-5250-1. (KAR id:73702)

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Herbert, Ruth (2019) Musical Daydreaming and Kinds of Consciousness. In: Kussner, M and Taruffi, L and Floridou, G, eds. Music and Imagery: Towards an interdisciplinary framework for research and applications. SEMPRE Studies in the Psychology of Music Series . Routledge, London. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77339)

Herbert, Ruth (2001) Oscar Wilde's Lady Windermere's Fan. British Film Institute Publications Item format: VHS. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77537)

Herbert, Ruth (2011) Reconsidering Music and Trance: Cross-cultural Differences and Crossdisciplinary Perspectives. Ethnomusicology Forum, 20 (2). pp. 201-227. ISSN 1741-1912. E-ISSN 1741-1920. (doi:10.1080/17411912.2011.592402) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73703)

Herbert, Ruth (2013) Review of Harris M. Berger, Stance: Ideas about Emotion, Style and Meaning for the Study of Expressive Culture. Review of: Harris M. Berger, Stance: Ideas About Emotion, Style, and Meaning for the Study of Expressive Culture, Middletown, CT: Wesleyan University Press, 2010. by UNSPECIFIED. Volume! La revue des musiques populaires/The French journal of popular music studies, 10(1)., . pp. 301-303. (KAR id:77496)

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Herbert, Ruth (2004) A popular approach: Bridging the divide between classical and popular piano. Music Teacher Magazine, 83 (6). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77540)

Howle, Tim (1995) Adamento Ludus. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47184)

Howle, Tim (1994) Calling Tunes. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47185)

Howle, Tim (1992) Clapperclaw. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47196)

Howle, Tim (1998) The Commissar of Space. Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47180)

Howle, Tim (1994) Correspondence. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47194)

Howle, Tim (2007) In Eclipse. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47203)

Howle, Tim (2007) In Girum. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47202)

Howle, Tim (2001) The Ladder. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47199)

Howle, Tim (1992) Museum Piece. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47195)

Howle, Tim (2011) Novelists make things up. http://www.fmr-records.com Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31692)

Howle, Tim (1998) "One Minute Ago". (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47182)

Howle, Tim (2003) Open Circuits. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47204)

Howle, Tim (2002) ‘Piano Piece’. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47200)

Howle, Tim (2014) Pith. AudioGraft, Oxford Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47177)

Howle, Tim (2007) Proposal for an Unmade Film (set in the future). (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47208)

Howle, Tim (2013) REFormation. AudioGraft, Oxford Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47178)

Howle, Tim (2006) Son et Lumières. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47205)

Howle, Tim (1990) Still Life. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47197)

Howle, Tim (1999) Subplot. The University of Newcastle (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47179)

Howle, Tim (2005) Subplot (revision). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47201)

Howle, Tim (1998) Three Cities. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47181)

Howle, Tim (1989) Wreckage Found Floating. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47198)

Howle, Tim and Cope, Nick (2011) Flags. Item format: DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31694)

Howle, Tim and Cope, Nick (2013) Globus Hystericus. AV work shown at Seeing Sound, Bath Spa 2013, International Computer Music Conference, Athens, 2014, iFIMPaC Leeds College of Music, 2015. Item format: DVD. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31696)

Howle, Tim and Cope, Nick (2018) Sarva Mangalam. Item format: Digital fixed media. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:66941)

Howle, Tim and Dibley, Paul and Fox, Jeff (2014) Phantom Ride. Item format: CD fixed media WAV. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31697)

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Ilan, Jonathan (2014) Commodifying compliance? UK urban music and the new mediascape. Tijdschrift over Cultuur & Criminaliteit, 4 (1). pp. 67-79. ISSN 2211-9507. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43620)

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Johnson, Colin G. (2013) Artistic and Musical Applications of Internet Search Technologies: Prospects and a Case Study. Digital Creativity, 24 (4). pp. 342-366. ISSN 1462-6268. E-ISSN 1744-3806. (doi:10.1080/14626268.2013.777351) (KAR id:69654)

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Johnson, Colin G. (2016) Fitness in Evolutionary Art and Music: A Taxonomy and Future Prospects. Fitness in evolutionary art and music: a taxonomy and future prospects, 9 (1). pp. 4-25. ISSN 1754-8853. E-ISSN 1754-8861. (doi:10.1504/IJART.2016.075406) (KAR id:69612)

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Johnson, Colin G. (2012) Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? In: Evolutionary and Biologically Inspired Music, Sound, Art and Design First International Conference. Lecture Notes in Computer Science . Springer, Berlin, Germany, pp. 129-140. ISBN 978-3-642-29141-8. E-ISBN 978-3-642-29142-5. (doi:10.1007/978-3-642-29142-5_12) (KAR id:70977)

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Johnson, Colin G., McCormack, Jon, Santos, Iria, Romero, Juan (2019) Understanding Aesthetics and Fitness Measures in Evolutionary Art Systems. Complexity, 2019 . Article Number 3495962. ISSN 1076-2787. (doi:10.1155/2019/3495962) (KAR id:72848)

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Jordanous, Anna (2010) A-Fitness-Function-for-Creativity-in-Jazz-Improvisation-and-Beyond (Jordanous 2010) - code. github Java code. (KAR id:42882)

Jordanous, Anna (2011) Computer Models of Musical Creativity? A review of Cope (2005). Review of: Computer Models of Musical Creativity. David Cope (2005). MIT Press by UNSPECIFIED. AISB Quarterly, 132 (-). p. 10. ISSN 1476-3036. (KAR id:42385)

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Jordanous, Anna (2009) Conference Report: The Fourth Conference on Interdisciplinary Musicology (CIM08). Review of: Fourth Conference on Interdisciplinary Musicology, 2008 (CIM08) by UNSPECIFIED. AISB Quarterly, 128 (-). pp. 8-9. ISSN 1476-3036. (KAR id:42384)

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Jordanous, Anna (2010) Conference Review: Empirical approaches to Performance: Empirical Musicology II conference (25-26 March 2010, School of Music, University of Leeds, UK). Review of: Empirical approaches to Performance: Empirical Musicology II conference 2010 by UNSPECIFIED. Excursions, 1 (1). p. 1. ISSN 2044-4095. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42375)

Jordanous, Anna (2011) Evaluating the creativity of computational musical improvisation systems. In: Workshop on International Cross-Disciplinary Research Collaboration in Science \& Music at 7th Conf. Interdisciplinary Musicology, 30 Aug - 3 Sep 2011, Glasgow, UK. (KAR id:42894)

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Jordanous, Anna (2016) Has computational creativity successfully made it "Beyond the Fence" in musical theatre? In: Proceedings of the 7th International Conference on Computational Creativity. 7th International Conference on Computational Creativity. . pp. 303-310. Sony CSL, Paris, France ISBN 978-2-7466-9155-1. (KAR id:56251)

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Jordanous, Anna (2016) Language and Music. In: Jones, Rodney, ed. Routledge Handbook of Language and Creativity. Routledge. ISBN 978-0-415-83973-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57690)

Jordanous, Anna (2010) The Realisation of Creativity in Artificial Music Improvisation and Interpretation. In: Empirical Musicology II, 2010, Leeds, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42895)

Jordanous, Anna (2015) Review: Hacking choreography: dance and live coding: [Sicchio K. Computer Music Journal 38 (1): 31-39, 2014. ]. Review of: Hacking choreography: dance and live coding Sicchio K. Computer Music Journal 38 (1): 31-39, 2014. Type: Article by UNSPECIFIED. ACM Computing Reviews, . p. 1. (doi:CR143411) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:48325)

Jordanous, Anna (2015) Review: The POINT of creative collaborations between composers and computers. Review of: Patterns of intuition: Musical Creativity in the Light of Algorithmic Composition (Springer, 2015 ) by UNSPECIFIED. ACM Computing Reviews, (184827). p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51177)

Jordanous, Anna (2007) Score Following: An artificially intelligent musical accompanist (Jordanous 2007, Jordanous & Smaill 2008+2009) - code. github Max/MSP code. (KAR id:42884)

Jordanous, Anna Score following: An artificially intelligent musical accompanist. Master of Science (MSc) thesis, University of Edinburgh, UK.. (KAR id:42369)

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Jordanous, Anna (2012) A Standardised Procedure for Evaluating Creative Systems: Computational Creativity Evaluation Based on What it is to be Creative. Cognitive Computation, 4 (3). pp. 246-279. ISSN 1866-9956. E-ISSN 1866-9964. (doi:10.1007/s12559-012-9156-1) (KAR id:42379)

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Jordanous, Anna (2008) Voice Separation in polyphonic music (Jordanous 2008) - code. github Matlab code. (KAR id:42883)

Jordanous, Anna (2008) Voice separation in polyphonic music: A data-driven approach. In: Proceedings of the International Computer Music Conference 2008. . (KAR id:42367)

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Jordanous, Anna (2010) A fitness function for creativity in jazz improvisation and beyond. In: International Conference on Computational Creativity, 2010, Lisbon, Portugal. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42372)

Jordanous, Anna and Allington, Daniel (2014) Network analysis - code for the Valuing Electronic Music project. github Python code. (KAR id:42885)

Jordanous, Anna, Allington, Daniel, Dueck, Byron (2015) Measuring cultural value using social network analysis: a case study on valuing electronic musicians. In: 6th International Conference on Computational Creativity, June 29 - July 2, 2015, Utah, US. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:48037)

Jordanous, Anna, Allington, Daniel, Dueck, Byron (2014) Online Networks and the Production of Value in Electronic Music. In: Digital Music Research Network Network One-Day Workshop (DMRN+9), 16 Dec 2014, Queen Mary's, London. (Unpublished) (KAR id:46258)

Jordanous, Anna, Allington, Daniel, Dueck, Byron (2014) Using online networks to analyse the value of electronic music. In: Proceedings of the 5th International Conference on Computational Creativity. . (KAR id:42391)

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Jordanous, Anna, Keller, Bill (2012) What makes a musical improvisation creative? Journal of Interdisciplinary Music Studies, 6 (2). pp. 151-175. ISSN 1307-0401. E-ISSN 1306-9055. (doi:10.4407/jims.2014.02.003) (KAR id:42389)

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Jordanous, Anna, Keller, Bill (2011) What makes a musical improvisation creative? In: Proceedings of the 7th Conference on Interdisciplinary Musicology. . (KAR id:42399)

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Jordanous, Anna, Smaill, Alan (2008) Artificially intelligent accompaniment using Hidden Markov Models to model musical structure. In: Conference on Interdisciplinary Musicology, 2008, Thessaloniki, Greece. (KAR id:42368)

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Jordanous, Anna, Smaill, Alan (2009) Investigating the role of score following in automatic musical accompaniment. Journal of New Music Research, 38 (2). pp. 197-209. ISSN 0929-8215. E-ISSN 1744-5027. (doi:10.1080/09298210903180245) (KAR id:42371)

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Kalonaris, Stefano, Jordanous, Anna (2018) Computational Music Aesthetics: a survey and some thoughts. In: 3rd Conference on Computational Simulation of Musical Creativity, 20-22 August 2018, Dublin, Ireland. (KAR id:67600)

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Langroudi, George, Jordanous, Anna, Li, Ling (2020) Music Emotion Capture: Ethical issues around emotion-based music generation. In: Brain. Cognition. Emotion. Music., 20-21 May 2020, Canterbury, UK (online). (KAR id:81490)

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MacLeod, Duncan W M (2012) Cronan an Dain. Item format: Score. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59611)

MacLeod, Duncan W M (2014) Cut, Strike, Throw, Grip. Item format: Score. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59606)

MacLeod, Duncan W M (2012) Diesis. London Sinfonietta Records Item format: Score, MAX/MSP patch and commercial CD release of premier performance. ASIN: B0094G5JLQ. (doi:ASIN: B0094G5JLQ) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31749)

MacLeod, Duncan W M (2009) Ellipsis. CD Squeaky Kate Music Item format: Score and commercial release (ASIN: B004F6O9ZM; performed by duoDorT). (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31750)

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MacLeod, Duncan W M (2009) Lumen. Item format: Score. (Unpublished) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59663)

MacLeod, Duncan W M (2011) The New Atlantis. Item format: Score. (Unpublished) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59664)

MacLeod, Duncan W M (2017) Space as a compositional parameter. In: Sound Thought 2017. . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60940)

MacLeod, Duncan W M (2017) Spatial Music. In: Spatial Music. . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60939)

MacLeod, Duncan W M (2014) Surface to Surface. Tate Modern Item format: FLAC. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59454)

MacLeod, Duncan W M and Morgan, Andrew and Riley, Colin and Telford, Jamie and Wiegold, Peter (2010) Triple Point. Squeaky Kate Music Item format: CD. ASIN: B004F6O9RA. (doi:ASIN: B004F6O9RA) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59662)

MacLeod, Duncan W M and Weh, Jane (2015) The Cries of Peckham Rye. Item format: Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59610)

McIlvenna, Una (2016) Ballads of Death and Disaster: The Role of Song in Early Modern News Transmission. In: Zika, Charles and Spinks, Jenny, eds. Disaster, Death and Emotions in the Shadow of the Apocalypse, 1400-1700. Palgrave, pp. 275-294. ISBN 978-1-137-44270-3. E-ISBN 978-1-137-44271-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54909)

McIlvenna, Una (2015) The Power of Music: the Significance of Contrafactum in Execution Ballads. Past & Present, 229 (1). 47 -89. ISSN 0031-2746. E-ISSN 1477-464X. (doi:10.1093/pastj/gtv032) (KAR id:54888)

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McIlvenna, Una (2016) The Rich Merchant Man, or, What the Punishment of Greed Sounded Like in Early Modern English Ballads. Huntington Library Quarterly, 79 (2). pp. 279-299. ISSN 0018-7895. E-ISSN 1544-399X. (doi:10.1353/hlq.2016.0013) (KAR id:54891)

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McIlvenna, Una (2016) Singing Songs of Execution in Early Modern Italy. In: Dall'Aglio, Stefano and Rospocher, Massimo and Richardson, Brian, eds. Voice and Writing in Early Modern Italian Politics, Religion, and Society. Ashgate. ISBN 978-1-4724-8531-1. E-ISBN 978-1-315-54789-3. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54910)

McIlvenna, Una (2015) When The News Was Sung: Ballads as News Media in Early Modern Europe. Media History, . ISSN 1368-8804. E-ISSN 1469-9729. (doi:10.1080/13688804.2016.1211930) (KAR id:54911)

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Meadows, Steve and Clift, Stephen M. and Skingley, Ann and Page, Sonia and Stephens, Lizzi and Hurley, Sadie and Dickinson, John W. and Levai, Irisz and Jackson, Anna and Sullivan, Roisin and Wren, Natalie and McDaid, David and Park, A-la and Azhar, Saleem and Baxter, Noel and Rozenthuler, Guillermo and Shah, Shilpa (2017) Singing for Better Breathing: Findings from the Lambeth & Southwark Singing & COPD Project. Project report. Sidney De Haan Research Centre for Arts & Health: Canterbury Christ Church University, Kent, UK (KAR id:62003)

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Molitor, Claudia (2012) Promming (with listening stick). BBC Proms Item format: online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31672)

Molitor, Claudia (2012) Remember me... Item format: performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31671)

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Neale-Widdison, Anna (2018) Music and Migration Workshop: national humanities festival Being Human 2018. In: Being Human. . (Unpublished) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:83991)

Neale-Widdison, Anna (2012) River Man. Half Full Glass Records/ Anna Neale Item format: CD, Digital. (KAR id:84000)

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Neale-Widdison, Anna (2013) Songs from 'River Man' Up late in Pompeii: a night out in the Bay of Naples The British Museum. Up late in Pompeii: a night out in the Bay of Naples at The British Museum, 10 May 2013, The British Museum, London, UK. CD, Live performance. (KAR id:83997)

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Neale-Widdison, Anna (2019) What Good Is A Songwriter? . Songwriting Studies Project Blog. (KAR id:83993)

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Neale-Widdison, Anna (2019) Why do children love George Ezra's Shotgun? . BBC Website. (KAR id:83990)

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Neale-Widdison, Anna (2018) Wide Sky. Half Full Glass Records/ Anna Neale Item format: CD, Vinyl, Digital. (KAR id:83999)

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Neale-Widdison, Anna, Beard, Mary (2013) Anna Neale and Mary Beard visit Pompeii. In: Anna Neale and Mary Beard visit Pompeii, University of Cambridge Museums, 26 Apr 2013, Cambridge, UK. (KAR id:83998)

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Neale-Widdison, Anna, Turner, Suzanne (2013) Time travelling: an evening with Anna Neale Festival of Ideas 2013: University of Cambridge. In: Festival of Ideas 2013, 1 Nov 2013, Cambridge, UK. (Unpublished) (KAR id:83994)

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Neubarth, Kerstin, Goienetxea, Izaro, Johnson, Colin G., Conklin, Darryl (2012) Association Mining of Folk Music Genres and Toponyms. In: Proceedings of the 13th International Society for Music Information Retrieval Conference. 13th. pp. 7-12. FEUP Edições ISBN 978-972-752-144-9. (KAR id:70952)

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Palaniappan, Ramaswamy (2014) Electroencephalogram based brain-computer interface: An introduction. In: Miranda, Eduardo and Castest, Julien, eds. Guide to Brain-Computer Music Interfacing. Springer, New York, NY, USA, pp. 29-41. ISBN 978-1-4471-6583-5. E-ISBN 978-1-4471-6584-2. (doi:10.1007/978-1-4471-6584-2_2) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54540)

Paolizzo, Fabio, Johnson, Colin G. (2020) Creative Autonomy in a Simple Interactive Music System. Journal of New Music Research, 49 (2). pp. 115-125. ISSN 0929-8215. (doi:10.1080/09298215.2019.1709510) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:79402)

Papadatos, Ioannis The Paréa: Participatory Musical Performances in the Island of Crete. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:73113)

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Parkinson, Tom (2019) Banana Punk Rawk Trails: A Euro-fool’s Metal Punk Journeys in Malaysia, Borneo and Indonesia, Marco Ferrarese (2016). Review of: Banana Punk Rawk Trails: A Euro-fool’s Metal Punk Journeys in Malaysia, Borneo and Indonesia by Ferrarese, Marco. Journal of Popular Music Education, 3 (1). pp. 161-163. ISSN 2397-6721. (doi:10.1386/jpme.3.1.161_5) (KAR id:70556)

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Parkinson, Tom (2017) ‘Indiestanbul’: counter-hegemonic music and third republicanism in Turkey. Popular Music, 37 (1). pp. 40-62. ISSN 0261-1430. (doi:10.1017/S0261143017000563) (KAR id:70554)

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Parkinson, Tom (2014) Mastery, enjoyment, tradition and innovation: A reflective practice model for instrumental and vocal teachers. International Journal of Music Education, 34 (3). pp. 352-368. (doi:10.1177/0255761414563196) (KAR id:48572)

Parkinson, Tom and Smith, Gareth Dylan and Dines, Mike, eds. (2017) Punk Pedagogies: Music, Culture and Learning. Routledge Taylor & Francis, New York, USA, 236 pp. ISBN 978-1-138-27988-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:69352)

Parkinson, Tom and Hunter, Mark and Campanello, Kimberly and Dines, Mike and Dylan Smith, Gareth (2015) Understanding Small Music Venues: A report by the Music Venues Trust. Project report. UK Music, London, UK (KAR id:70372)

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Parkinson, Tom and Hunter, Mark and Dines, Mike and Campanello, Kimberley (2015) Understanding Small Music Venues: An interim findings report. Discussion paper. Music Venue Trust (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:87758)

Parkinson, Tom, Muslu Gardner, Olcay (2019) National Identity, Official Culture and Music Education in Turkey. In: 11th Research In Music Education (RIME) Conference 2019. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73677)

Pasoulas, Aki (2020) The Art and Science of Acoustic Ecology. ENT & Audiology News, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77581)

Pasoulas, Aki (2019) Hearing, Sight and a Host of Other Senses. In: SOUND/IMAGE19, 9-10 Nov 2019, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77210)

Pasoulas, Aki (2018) Irides. Sonos Localia Item format: Digital format. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65759)

Pasoulas, Aki (2016) The Listening Experience of Paramnesia. In: Bianchi, Frederick and Manzo, V.J., eds. Environmental Sound Artists: In Their Own Words. Oxford University Press, Oxford, UK, pp. 176-185. ISBN 978-0-19-023462-1. E-ISBN 978-0-19-023461-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58550)

Pasoulas, Aki (2019) The Mapping of Senses in Irides. In: Rediscoveries XI, 14 Feb 2019, Aberdeen, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77270)

Pasoulas, Aki (2019) Parabolic Studies for Migraine. GUTZ Item format: Digital format. (KAR id:73742)

Pasoulas, Aki (2010) Paramnesia. International Computer Music Association Item format: CD. (KAR id:31536)

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Pasoulas, Aki (2019) Relocation of the visual, gustatory, olfactory and haptic environments into the aural space. In: Convergence 2019, 12 - 15 September 2019, Leicester. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76263)

Pasoulas, Aki (2015) Seawater. HELMCA Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58585)

Pasoulas, Aki (2011) Stimulus Complexity and Time Judgments. In: Proceedings of the International Computer Music Conference 2011. . pp. 163-165. Michigan Publishing, Ann Arbor, Michigan (KAR id:76261)

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Pasoulas, Aki (2011) Temporal Associations, Semantic Content and Source Bonding. Organised Sound, 16 (1). pp. 63-68. ISSN 1355-7718. E-ISSN 1469-8153. (doi:doi.org/10.1017/S1355771810000440) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:76260)

Pasoulas, Aki (2020) Timescales and the Factors Influencing Time Perception. Organised Sound, 25 (2). pp. 221-231. ISSN 1355-7718. E-ISSN 1469-8153. (doi:10.1017/S1355771820000138) (KAR id:76262)

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Perks, Richard (2020) David Gilmour: Defining the 'Melodic' Guitarist. In: Morrison, Simon and Hart, Christopher, eds. Pink Floyd: Tear Down The Wall: An Interdisciplinary Interrogation of the Music and Significance of Pink Floyd. Routledge. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80759)

Perks, Richard (2019) Fretless Architecture – Guest Lecture/Seminar. In: Istanbul Technical University – Guest Lecture Series, 08 Nov 2019, Istanbul, Turkey. (KAR id:80751)

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Perks, Richard (2016) Fretless Architecture: An Exploration of the Fretless Electric Guitar. In: IGRC Conference 2016, 18-23 Mar 2016, Surrey, UK. (KAR id:80755)

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Perks, Richard (2015) Fretless Architecture: Rich Perks + vLookup Trio. Performance type: Musical event Fretless Architecture, 5 Nov 2015, Colchester, UK. Live Performance. (KAR id:80757)

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Perks, Richard (2009) Imposition. Item format: CD. ASIN: B00VTIYDBY | Cat No: RP1982. (doi:ASIN: B00VTIYDBY | Cat No: RP1982) (KAR id:80762)

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Perks, Richard (2016) Premier Performance: Divisions 2 – for solo fretless electric guitar | composed by Hall, A. Performance type: Musical event IGRC Conference 2016, 19 March 2016, Surrey, UK. Live Performance. (KAR id:80756)

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Perks, Richard (2019) Premier Performance: Improweb MMXIX – for solo fretless electric guitar | composed by Perks, R. Performance type: Musical event IGRC Conference: Improvisation and the Guitar, 14-17 July 2019, Hong Kong. Live Performance. (KAR id:80748)

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Perks, Richard (2017) Strung Together: A Night of World Music Improvisation. Performance type: Musical event Strung Together: A Night of World Music Improvisation, 17 Sep 2017, San Francisco, California, USA. Live Performance. (KAR id:80753)

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Perks, Richard (2020) Strung Together: A Practical Exploration of Music-Cultural Hybridity, Interaction and Collaboration within a Limited Time Frame. Music & Practice, . ISSN 1893-9562. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80761)

Perks, Richard (2019) Strung Together: A Practical Exploration of Music-Cultural Hybridity, Interaction, and Collaboration. In: Hybrid Practices: Methodologies, Histories, and Performance, University of Malta, 13-15 Mar 2019, Malta. (KAR id:80754)

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Perks, Richard (2018) Strung Together: Interactions of Musical Cultures and Their Effects on Collaborative Creativity. In: ICMP Performance Research Conference, 19 Jun 2018, London, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80758)

Perks, Richard (2019) vLookup Trio – Live Performance at Dutch Fretless Guitar Festival VIII. Performance type: Musical event 8th Dutch Fretless Guitar Festival, 11-12 May 2019, Amsterdam, Netherlands. Live Performance. (KAR id:80752)

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Perks, Richard, Williams, Tom (2020) Fleeting Moments: Inverted Taxonomies and Outlier Detection applied to Jazz Guitar Vocabulary. In: The 21st Century Guitar Conference. . (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80760)

Poppy, A and Pinnock, N and Cashian, P and Riley, C and Norman, K and MacLeod, Duncan W M and Vincent, S and Bell, J and Akama, R and Murcott, D and Chadburn, L and Tuhkanen, T and Richards, E and Rowan, R and Perks, Richard (2016) Miniaturised Concertos / Mache. Metier Item format: CD. ASIN: B01DEAPM2S. (doi:ASIN: B01DEAPM2S) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59608)

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Roesner, David P. (2010) Bella Merlin’s “Tilly No-Body” (Composer and Sound-designer). Performance type: Other “Tilly No-Body”, Oct 2010, Mondavi Center for the Performing Arts, Davis, California. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37012)

Roesner, David P. (2006) Bending Gender and Acting Theory - Performing essays by Goethe and Cocteau on the theatrical benefits of cross-dressing. Studies in Theatre and Performance, 26 (2). pp. 111-127. ISSN 1468-2761. (doi:10.1386/stap.26.2.111/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30262)

Roesner, David P. and Rebstock, Matthias, eds. (2012) Composed Theatre. Aesthetics, Practices, Processes. intellect, Bristol, 367 pp. ISBN 978-1-84150-456-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30276)

Roesner, David P. (2014) Composing Tilly. ETUM E-Journal for Theatre and Media (peer-reviewed online journal), . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35636)

Roesner, David P. (2013) Dancing in the Twilight – On the Borders of Music and the Scenic. In: Symonds, Dominic and Karatonis, Pamela, eds. The Legacy of Opera. Reading Music Theatre as Experience and Performance. Rodopi, Amsterdam, pp. 169-187. ISBN 978-90-420-3691-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30272)

Roesner, David P. (2012) Der „Guitar Hero“ zwischen Musizieren und Performen. In: Schroedter, Stephanie, ed. Bewegungen zwischen Hören und Sehen. Königshausen & Neumann, Göttingen, pp. 591-607. ISBN 978-3-8260-4744-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30249)

Roesner, David P. (2005) Die Diskursivierung des Performativen und die Performativität diskursiver Praxis. Theaterpartituren zwischen Werkzeug und Waffe. In: Hempfer, K.W. and Traninger, A., eds. Macht Wissen Wahrheit. Rombach Litterae, Freiburg im Breisgau, pp. 243-258. ISBN 978-3-7930-9432-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30265)

Roesner, David P. (2005) Die Playlist als Inszenierung. Ein Portrait des Theatermusikers Lars Wittershagen. Theater der Zeit, 2005 (6). pp. 14-15. ISSN 0040-5418. (KAR id:30271)

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Roesner, David P. (2010) Die Utopie 'Heidi'. Arbeitsprozesse im experimentellen Musiktheater am Beispiel von Leo Dicks Kann Heidi brauchen, was es gelernt hat? In: Röttger, Kati, ed. Welt - Bild - Theater: Politik der Medien und Kulturen des Wissens. Narr, Tübingen, pp. 221-234. ISBN 978-3-8233-6606-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30275)

Roesner, David P. (2011) The Guitar Hero's Performance. Contemporary Theatre Review, 21 (3). pp. 276-285. ISSN 1048-6801. (doi:10.1080/10486801.2011.585646) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30253)

Roesner, David P. (2012) "It is not about labelling, it's about understanding what we do" – Composed theatre as discourse. In: Roesner, David P. and Rebstock, Matthias, eds. Composed Theatre: Aesthetics, Practices, Processes. Intellect, Bristol, pp. 319-362. ISBN 978-1-84150-456-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30250)

Roesner, David P. Komik - Ko?rper - Kunst - Kommerz. Eine Analyse der Elemente der Commedia dell`Arte in den Silent Slapstick Comedies. Other masters thesis, University of Hildesheim. (KAR id:30280)

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Roesner, David P. (2002) Kompositionen der Ausdrucksnot — Einar Schleefs Musikalisierung von Sprache in seiner Inszenierung Verratenes Volk. In: Bayerdörfer, Hans-Peter, ed. Stimmen — Klänge — Töne. Synergien im szenischen Spiel. Gunter Narr, Tübingen, pp. 309-324. ISBN 978-3-8233-5230-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30270)

Roesner, David P. (2005) „Materialausgabe.“ Review of Wolfgang Sander (ed.), Heiner Goebbels. Komposition als Inszenierung. Berlin: Henschel, 2002. In: Porombka, St. and Schneider, W. and Wortmann, Volker, eds. Kollektive Kreativität. Jahrbuch der Kulturwissenschaften. Francke, Tübingen, pp. 167-170. ISBN 978-3-7720-8125-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30263)

Roesner, David P. (2011) The Mechanics of Noise. Theatricality and the Automated Instrument in Heiner Goebbels' theatre and Pat Metheny's Jazz. In: Kendrick, Lynne and Roesner, David P., eds. Theatre Noise. The Sound of Theatre. Cambridge Scholars Press, Newcastle, pp. 149-163. ISBN 978-1-4438-3440-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30251)

Roesner, David P. (2010) Musicality as a paradigm for the theatre – a kind of manifesto. Studies in Musical Theatre, 4 (3). pp. 293-306. ISSN 1750-3159. (KAR id:30256)

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Roesner, David P. (2014) Musicality in Theatre – Music as Model, Method and Metaphor in Theatre-making. Other. Ashgate, Farnham (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35633)

Roesner, David P. (2010) Musicking as mise-en-scène. Studies in Musical Theatre, 4 (1). pp. 89-102. ISSN 1750-3159. (doi:10.1386/smt.4.1.89_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30274)

Roesner, David P. (2004) Musik mit den ‘Mitteln der Bühne’ — Aufführungsanalyse mit den Mitteln der Musik. In: Kurzenberger, Hajo and Matzke, Annemarie, eds. TheorieTheaterPraxis. Theater der Zeit, Berlin, pp. 107-116. ISBN 978-3-934344-29-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30267)

Roesner, David P. (2010) Musikalisches Theater – Szenische Musik. In: Mungen, Anno, ed. Mitten im Leben. Musiktheater von der Oper bis zur Everyday-Performance mit Musik. Königshausen & Neumann, Göttingen, pp. 193-211. ISBN 978-3-8260-4184-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30252)

Roesner, David P. (2009) Musikalität als Paradigma für die Theaterarbeit. Zehn Thesen. In: Theater. Musik. Fokus Schultheater (8). Edition Körber Stiftung, Hamburg, pp. 8-16. ISBN 978-3-89684-187-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30259)

Roesner, David P. (2012) "Musikalität als ästhetisches Dispositiv: Analogien und Transfers". In: Huber, Jorg and Nigro, Roberto and Bippus, Elke, eds. Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern. Edition Voldemeer (1). Springer, Zürich, Wien, New York. ISBN 978-3-7091-1503-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30245)

Roesner, David P. (2011) Presentation given at the Academy of the Arts, Berlin: “Ich komponiere als Regisseur und inszeniere als Komponist“ (Heiner Goebbels) Dialoge über komponiertes Theater – Versuch einer Diskursanalyse. Presentation video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30246)

Roesner, David P. (2003) Ribbible Ribble — Motivik und musikalische Form im Theater Christoph Marthalers. In: Balme, Christopher and Fischer-Lichte, Erika and Grätzel, Stephan, eds. Theatre als Paradigma der Moderne. Francke, Tübingen, pp. 365-374. ISBN 978-3-7720-2796-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30269)

Roesner, David P. (2007) Singing Actors and Dancing Singers. Oscillations of genre, physical and vocal codes in two contemporary adaptations of Purcell’s Dido and Aeneas. Studies in Musical Theatre, 1 (2). pp. 123-137. ISSN 1468-2761. (KAR id:30261)

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Roesner, David P. (2003) Theater als Musik. Musikalische Aspekte in den Inszenierungen Christoph Marthalers. Theater der Zeit, 2003 (6). pp. 42-43. ISSN 0040-5418. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30273)

Roesner, David P. (2003) Theater als Musik. Verfahren der Musikalisierung in chorischen Theaterformen bei Christoph Marthaler, Einar Schleef und Robert Wilson. Gunter Narr, Tübingen ISBN 3-8233-6020-5. (KAR id:30268)

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Roesner, David P. (2015) Theaterrauschen – Spielarten der performativen Hervorbringung von Geräusch. In: Mungen, Anno and Ernst, Wolf-Dieter, eds. Sound and Performance: Positions · Methods · Analysis. Königshausen & Neumann, Würzburg. ISBN 978-3-8260-5473-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35634)

Roesner, David P. and Kendrick, Lynne, eds. (2011) Theatre Noise. The Sound of Performance. Cambridge University Scholars, Newcastle ISBN 978-1-4438-3440-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30248)

Roesner, David P. (2008) Wenn Musik zu Wort kommt. Portrait des Komponisten und Schauspielmusikers Lars Wittershagen. Ruhrtriennale 2008, Germany. (KAR id:30247)

Roesner, David P. (2004) „Über Musik und Raum im zeitgenössischen Theater”. Monthly magazine of the Theater Basel, 2004 (3). pp. 22-23. ISSN N/A. (KAR id:30279)

Roesner, David P. (2008) The politics of the polyphony of performance. Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1048-6801. (KAR id:30260)

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Roesner, David P., Risi, Clemens (2009) Die polyphone Werkstatt. Kollektives Arbeiten im zeitgenössischen Musiktheater. Theater der Zeit, 2009 (1). pp. 28-30. ISSN 0040-5418. (KAR id:30277)

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Schaffner, Anna Katharina (2015) The Twee Tribe. Review of: Twee: The Gentle Revolution in Music, Books, Television, Fashion, and Film by Spitz, Marc. Times Literary Supplement, . p. 13. ISSN 0307-661X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47813)

Sforza Tarabochia, Alvise and Diazzi, Alessandra (2019) Social and Mental Alienation in Italy between the Economic Miracle and the Years of Lead. In: The Years of Alienation in Italy. Factory and Asylum from the Economic Miracle and the Years of Lead. Palgrave, pp. 1-40. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73767)

Skingley, Ann, Clift, Stephen M., Coulton, Simon, Rodriguez, John (2011) The effectiveness and cost-effectiveness of a participative community singing programme as a health promotion initiative for older people: protocol for a randomised controlled trial. BMC Public Health, 11 (142). ISSN 1471-2458. (doi:10.1186/1471-2458-11-142) (KAR id:27918)

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Sleigh, Charlotte (2009) Charles Darwin Presents ... Saint-Saens' Carnival of the Animals. , Gulbenkian Theatre. Dramatic performance with music. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53203)

Smith, Gareth Dylan and Dines, Mike and Parkinson, Tom (2017) Preface. In: Punk Pedagogies: Music, culture and Learning. Routledge, New York, ix-x. ISBN 978-1-138-27988-9. E-ISBN 978-1-315-27625-0. (doi:10.4324/9781315276250-1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:87759)

Smith, Gareth Dylan, Parkinson, Tom, Dines, Mike (2017) Punk pedagogies in practice (symposium session). In: 10th Research in Music Education conference, Bath Spa University, April 24-27 2017, Bath, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70550)

Smith, Murray (2014) Against Nature? or, Confessions of a Darwinian Modernist. Royal Institute of Philosophy Supplement, 75 . pp. 151-182. ISSN 1358-2461. (doi:10.1017/S1358246114000174) (KAR id:57522)

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Smith, Simon M and Herd, David and Bailey, Sam and Hues, Jack (2017) ROTE-Thru. Free Range Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78453)

Stanfield, Peter (2010) Crossover: Sam Katzman’s Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ Calypso, Beatniks, Hot Rods, and Rock ’n’ Roll in 1950s Teenpix’. Popular Music, 29 (3). pp. 437-456. ISSN 0261-1430. (doi:10.1017/S0261143010000255) (KAR id:26189)

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Stanfield, Peter (2017) The Who and Pop Art: the simple things you see are all complicated. Journal of Popular Music Studies, 29 (1). Article Number 12203. ISSN 1524-2226. E-ISSN 1533-1598. (doi:10.1111/jpms.12203) (KAR id:59910)

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Studdert, Will Music Goes to War: How Britain, Germany and the USA used Jazz as Propaganda in World War II. Doctor of Philosophy (PhD) thesis, University of Kent. (KAR id:44008)

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Stähler, Axel (2006) Review of Gordon Campbell (ed), 'The Oxford Dictionary of the Renaissance'. Review of: The Oxford Dictionary of the Renaissance by Campbell, Gordon. Archiv für das Studium der neueren Sprachen und Literaturen, 158 . pp. 154-157. ISSN 0003-8970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2459)

Suckling, M and Finnis, E and Khroustaliov, I and Hodgkinson, T and Feshareki, S and MacLeod, Duncan W M (2012) New Music Show. London Sinfonietta Records Item format: CD. ASIN: B0097CSIIS. (doi:ASIN: B0097CSIIS) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59603)

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Thomas, Scarlett (2004) Sofa Sagas. Daily Telegraph “Music on Thursday”, . p. 19. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:8074)

Todorovic, Dragan (2016) Who's Going to Talk About Small Towns? Earlid.org Item format: Audio file. (KAR id:78176)

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Williams, Sean, B K (2016) Interpretation and performance practice in realising Stockhausen’s Studie II. Journal of the Royal Musical Association, 141 (2). pp. 445-481. ISSN 1471-6933. E-ISSN 1471-6933. (doi:10.1080/02690403.2016.1216059) (KAR id:79865)

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