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The Realisation of Creativity in Artificial Music Improvisation and Interpretation

Jordanous, Anna (2010) The Realisation of Creativity in Artificial Music Improvisation and Interpretation. In: Empirical Musicology II, 2010, Leeds, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42895)

The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. (Contact us about this Publication)
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http://music.leeds.ac.uk/files/2012/06/Empirical-M...

Abstract

How is creativity manifested in improvisation? And how do musicians interpret music in a creative

suggest answers to these questions, both in theory and during performance. If, though, we want to

creativity is. We cannot ask the computer to behave creatively unless we also give some definition of

computer.

This work uses empirical methods borrowed from linguistics to capture the words which we strongly

papers on creativity, as compared to everyday language use, has produced a list of words which we

the context of music improvisation and interpretation, I derive key attributes of creativity in this

generating creative musical behaviour.

Item Type: Conference or workshop item (Lecture)
Subjects: B Philosophy. Psychology. Religion > BF Psychology
M Music and Books on Music > M Music
P Language and Literature > P Philology. Linguistics
Q Science > Q Science (General) > Q335 Artificial intelligence
Divisions: Faculties > Sciences > School of Computing
Faculties > Sciences > School of Computing > Computational Intelligence Group
Depositing User: Anna Jordanous
Date Deposited: 10 Sep 2014 12:25 UTC
Last Modified: 29 May 2019 13:04 UTC
Resource URI: https://kar.kent.ac.uk/id/eprint/42895 (The current URI for this page, for reference purposes)
Jordanous, Anna: https://orcid.org/0000-0003-2076-8642
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