Items where Subject is "M Music and Books on Music"

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Number of items at this level: 40.

A

Ayers, David S (2011) Art, Nation, and Political Discourse. In: Bru, Sascha and Nuijs, Laurence and Hjartarson, Benedikt and Nicholls, Peter and Ørum, Tania and van den Berg, Hubert, eds. Regarding the Popular: Modernism, the Avant-Garde and High and Low Culture. European Avant-garde and Modernism Studies . De Gruyter, Berlin. ISBN 978-3-11-027456-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

B

Baldwin, Thomas (2018) Roland Barthes, les variations Proust. In: Coste, Claude and Douche, Sylvie, eds. Barthes et la musique. Presses Universitaires de Rennes, pp. 203-211. ISBN 978-2-7535-7545-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

C

Chodzko, Adam (2013) You'll see; next time it'll be different. , Benaki Museum Piraios Street Annexe, Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Curry, B (2013) UNSPECIFIED UNSPECIFIED. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Curry, B (2015) Review of Sophy Smith. Review of: Hip-Hop Turntablism, Creativity and Collaboration by UNSPECIFIED. Popular Music, 34 (1). pp. 137-140. ISSN 0261-1430. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

D

Dawe, Kevin (1998) Bandleaders in Crete: Musicians and Entrepreneurs in a Greek Island Economy: British Journal of Ethnomusicology. British Journal of Ethnomusicology, 7 . pp. 23-44. ISSN 3060708. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (1996) The Engendered lyra: Music, Poetry and Manhood in Crete: British Journal of Ethnomusicology. British Journal of Ethnomusicology, 5 . pp. 93-112. ISSN 3060868. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (2015) The Many Worlds of Popular Music: Ethnomusicological Approaches. In: Bennett, Andy and Waksman, steve, eds. The SAGE Handbook of Popular Music. SAGE Publications Ltd, pp. 15-32. ISBN 978-1-4462-1085-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (2015) Materials Matter: Towards a Political Ecology of Musical Instrument Making. In: Allen, Aaron and Dawe, Kevin, eds. Current Directions in Ecomusicology. Routledge Research in Music . Routledge, Abingdon, UK. ISBN 978-1-138-80458-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (1998) Minotaurs or musonauts?1 ‘World Music’ and Cretan Music: Popular Music. Popular Music, 18 (02). pp. 209-225. (doi:DOI: 10.1017/S0261143000009053) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (2001) People, Objects, Meaning: Recent Work on the Study and Collection of Musical Instruments. The Galpin Society Journal, 54 . pp. 219-232. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (2011) Preface: We Are All Islanders Now. In: Baldacchino, Godfrey, ed. Island Songs: A Global Repertoire. Scarecrow Press, pp. 6-8. ISBN 0-8108-8177-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (2000) Roots Music in the Global Village: Cretan Ways of Dealing with the World at Large. The World of Music, 42 (3). pp. 47-66. ISSN 41692765. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dawe, Kevin (2005) Symbolic and Social Transformation in the Lute Cultures of Crete: Music, Technology and the Body in a Mediterranean Society. Yearbook for Traditional Music, 37 . pp. 58-68. ISSN 20464929. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Durrani, Osman (2002) Popular music in the German-speaking world. In: Phipps, Alison, ed. Contemporary German Cultural Studies. Hodder Arnold, London, pp. 197-218. ISBN 978-0-340-76401-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

F

Falk, Simone and Rathcke, Tamara V (2011) The Speech-To-Song Illusion Revisited. In: Debowska-Koz?owska, Kamila and Dziubalska-Ko?aczyk, Katarzyna, eds. On Words and Sounds. Cambridge Scholars Publishing, Cambridge, pp. 1-26. ISBN 1-4438-3161-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Falk, Simone, Rathcke, Tamara V, Dalla Bella, Simone (2014) When Speech Sounds Like Music. Journal of Experimental Psychology: Human Perception and Performance, 40 (4). pp. 1491-1506. ISSN 0096-1523. (doi:10.1037/a0036858) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Forrester, Michael A. (2010) Emerging musicality during the pre-school years: a case study of one child. Psychology of Music, 38 (2). pp. 131-158. ISSN 0305-7356. (doi:10.1177/0305735609339452)

Fretwell, Paul (2008) Ghosts of King's Cross (2008) female voice and electroacoustic sound. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Fretwell, Paul (2007) Wall of Stone (2007) Female voice and four percussionists with megaphones. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Fretwell, Paul (2008) from the cold (2008) female voice and electroacoustic sound. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

G

Grantley, Darryll (1993) American drama of the 20th-Century - Berkowitz, GM. Notes and Queries, 40 (4). pp. 571-572. ISSN 0029-3970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

H

Herbert, Ruth (2019) Absorption and Openness to Experience : an Everyday Tale of Traits, States and Consciousness Transformation with Music. In: Music and Consciousness II. Oxford University Press, Oxford, UK, 233 to 253. ISBN 978-0-19-880435-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Herbert, Ruth (2011) Consciousness and everyday Music Listening: Trancing, Dissociation and Absorption. In: Clarke, David and Clarke, Eric, eds. Music and Consciousness:Philosophical, Psychological and Cultural Perspectives. OUP, pp. 295-308. ISBN 978-0-19-955379-2. (doi:10.1093/acprof:oso/9780199553792.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Herbert, Ruth (2014) DISSOCIATION. In: Music in the Social and Behavioral Sciences: An Encyclopedia. SAGE, pp. 337-339. ISBN 9781452283066. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Herbert, Ruth (2011) Everyday Listening: Absorption, Dissociation and Trancing. Ashgate, 244 pp. ISBN 978-1-4094-2125-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Herbert, Ruth (2017) Everyday Trancing and Musical Daydreams. In: Entrancement: Tales of Earth and Heaven. University of Wales Press, Cardiff. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Herbert, Ruth (2017) Multimodales Musikhören und Milton Ericksons ›gewöhnliche Alltagstrance‹. In: Geschichte und Gegenwart des musikalischen Hörens: Diskurse – Geschichte(n) – Poetiken. Rombach Verlag KG, Freiberg/Berlin/Wien, 133 -152. ISBN 978-3-7930-9878-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Herbert, Ruth (2012) Musical and Non-Musical Involvement in Daily Life: The Case of Absorption. Musicae Scientiae, 16 (1). pp. 41-66. ISSN 1029-8649. (doi:10.1177/1029864911423161) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Herbert, Ruth (2017) Sonic Subjectivities. In: The Routledge Companion to Sounding Art. Routledge, New York, NY, pp. 223-234. ISBN 978138780613. E-ISBN 978-1-315-77056-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Herbert, Ruth (2014) TRANCE. In: Herbert, Ruth, ed. Music in the Social and Behavioural Sciences: An Encyclopedia. SAGE, pp. 1142-1145. ISBN 9781452283066. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Herbert, Ruth (2019) Young People’s Subjective Experiences of Music in Everyday Life: Psychological and Phenomenological Perspectives. In: Oxford Handbook of Phenomenological Ethnomusicology. Oxford University Press. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Herbert, Ruth (2013) An empirical study of normative dissociation in musical and non-musical everyday life experiences. Psychology of Music, 41 (3). pp. 372-394. ISSN 0305-7356. (doi:10.1177/0305735611430080)

Herbert, Ruth, Dibben, Nicola (2017) Making sense of music: meanings 10-18 year olds attach to experimenter-selected musical materials. Psychology of Music, . ISSN 0305-7356. E-ISSN 1741-3087. (doi:10.1177/0305735617713118)

M

MacLeod, Duncan W M (2012) Behold, the best of morning dawns. Item format: Score. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

MacLeod, Duncan W M and Morgan, Andrew and Riley, Colin and Telford, Jamie and Wiegold, Peter (2010) Triple Point. Squeaky Kate Music Item format: CD. ASIN: B004F6O9RA. (doi:ASIN: B004F6O9RA) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

P

Parkinson, Tom (2014) Mastery, enjoyment, tradition and innovation: A reflective practice model for instrumental and vocal teachers. International Journal of Music Education, 34 (3). pp. 352-368. (doi:10.1177/0255761414563196)

Posman, Sarah and Reverseau, Anne and Ayers, David S and Bru, Sascha and Hjartarson, Benedikt, eds. (2013) The aesthetics of matter : modernism, the avant-garde and material exchange. European avant-garde and modernism studies . De Gruyter, Berlin, 435 pp. ISBN 978-3-11-031737-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

R

Roesner, David P. (2015) The Musical as Experiment – New Developments on the British Stage (working title). In: Jubin, O and Gordon, Robert, eds. Oxford Handbook of the British Musicals. Oxford University Press, Oxford. ISBN tbc. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

S

Stanfield, Peter (2011) “From the Barroom: American Song, Saloon Culture, Stack O’Lee and Wild Bill, or ‘Did you touch my hat?’”. In: Kalinak, Kathryn, ed. Music in the Western: Notes from the Frontier. Routledge Music and Screen Media Series . Routledge, New York, pp. 183-202. ISBN 978-0-415-88226-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

This list was generated on Wed Jul 17 21:55:08 2019 BST.