Items where Subject is "M Music and Books on Music"

Library of Congress Subject Areas (57826)
- M Music and Books on Music (382)
  - M Music (263)
  - ML Literature on music (62)
  - MT Musical instruction and study (41)

Group by: Creator's name | Item Type | Date | No Grouping

Jump to: A | B | C | D | F | G | H | K | L | M | P | R | S | T | W

Number of items at this level: 64.

A

Ayers, David S (2011) Art, Nation, and Political Discourse. In: Bru, Sascha and Nuijs, Laurence and Hjartarson, Benedikt and Nicholls, Peter and Ørum, Tania and van den Berg, Hubert, eds. Regarding the Popular: Modernism, the Avant-Garde and High and Low Culture. European Avant-garde and Modernism Studies . De Gruyter, Berlin. ISBN 978-3-11-027456-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55525)

Ayers, David S and Hjartarson, Benedikt and Huttunen, Tomi and Veivo, Harri, eds. (2015) Utopia : the avant-garde, modernism and (im)possible life. European avant-garde and modernism studies / Etudes sur l'avant-garde et le modernisme en Europe / Studien zur europäischen Avantgarde und Moderne . De Gruyter, Berlin and Boston, 532 pp. ISBN 978-3-11-042709-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55488)

B

Baldwin, Thomas (2018) Roland Barthes, les variations Proust. In: Coste, Claude and Douche, Sylvie, eds. Barthes et la musique. Presses Universitaires de Rennes, pp. 203-211. ISBN 978-2-7535-7545-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:69690)

C

Chodzko, Adam (2013) You'll see; next time it'll be different. , Benaki Museum Piraios Street Annexe, Athens. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47106)

Curry, B (2015) Review of Sophy Smith. Review of: Hip-Hop Turntablism, Creativity and Collaboration by UNSPECIFIED. Popular Music, 34 (1). pp. 137-140. ISSN 0261-1430. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43179)

D

Dawe, Kevin (1998) Bandleaders in Crete: Musicians and Entrepreneurs in a Greek Island Economy: British Journal of Ethnomusicology. British Journal of Ethnomusicology, 7 . pp. 23-44. ISSN 3060708. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47135)

Dawe, Kevin (1996) The Engendered lyra: Music, Poetry and Manhood in Crete: British Journal of Ethnomusicology. British Journal of Ethnomusicology, 5 . pp. 93-112. ISSN 3060868. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47134)

Dawe, Kevin (2015) The Many Worlds of Popular Music: Ethnomusicological Approaches. In: Bennett, Andy and Waksman, steve, eds. The SAGE Handbook of Popular Music. SAGE Publications Ltd, pp. 15-32. ISBN 978-1-4462-1085-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47146)

Dawe, Kevin (2015) Materials Matter: Towards a Political Ecology of Musical Instrument Making. In: Allen, Aaron and Dawe, Kevin, eds. Current Directions in Ecomusicology. Routledge Research in Music . Routledge, Abingdon, UK. ISBN 978-1-138-80458-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72822)

Dawe, Kevin (1998) Minotaurs or musonauts?1 ‘World Music’ and Cretan Music: Popular Music. Popular Music, 18 (02). pp. 209-225. (doi:DOI: 10.1017/S0261143000009053) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47136)

Dawe, Kevin (2001) People, Objects, Meaning: Recent Work on the Study and Collection of Musical Instruments. The Galpin Society Journal, 54 . pp. 219-232. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47137)

Dawe, Kevin (2011) Preface: We Are All Islanders Now. In: Baldacchino, Godfrey, ed. Island Songs: A Global Repertoire. Scarecrow Press, pp. 6-8. ISBN 0-8108-8177-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47148)

Dawe, Kevin (2000) Roots Music in the Global Village: Cretan Ways of Dealing with the World at Large. The World of Music, 42 (3). pp. 47-66. ISSN 41692765. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47144)

Dawe, Kevin (2005) Symbolic and Social Transformation in the Lute Cultures of Crete: Music, Technology and the Body in a Mediterranean Society. Yearbook for Traditional Music, 37 . pp. 58-68. ISSN 20464929. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47143)

Durrani, Osman (2002) Popular music in the German-speaking world. In: Phipps, Alison, ed. Contemporary German Cultural Studies. Hodder Arnold, London, pp. 197-218. ISBN 978-0-340-76401-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10044)

F

Falk, Simone and Rathcke, Tamara V (2011) The Speech-To-Song Illusion Revisited. In: Debowska-Koz?owska, Kamila and Dziubalska-Ko?aczyk, Katarzyna, eds. On Words and Sounds. Cambridge Scholars Publishing, Cambridge, pp. 1-26. ISBN 1-4438-3161-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42797)

Falk, Simone, Rathcke, Tamara V., Dalla Bella, Simone (2014) When speech sounds like music. Journal of Experimental Psychology: Human Perception and Performance, 40 (4). pp. 1491-1506. ISSN 0096-1523. (doi:10.1037/a0036858) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42796)

Forrester, Michael A. (2010) Emerging musicality during the pre-school years: a case study of one child. Psychology of Music, 38 (2). pp. 131-158. ISSN 0305-7356. (doi:10.1177/0305735609339452) (KAR id:24213)

Fretwell, Paul (2008) Ghosts of King's Cross (2008) female voice and electroacoustic sound. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31753)

Fretwell, Paul (2007) Wall of Stone (2007) Female voice and four percussionists with megaphones. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31751)

Fretwell, Paul (2008) from the cold (2008) female voice and electroacoustic sound. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31752)

G

Grantley, Darryll (1993) American drama of the 20th-Century - Berkowitz, GM. Notes and Queries, 40 (4). pp. 571-572. ISSN 0029-3970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22112)

H

Hanna, Emma (2014) Music and Remembrance: Britain in the First World War. In: Ziino, Bart, ed. Remembering the First World War. Routledge, London, UK. ISBN 978-0-415-85632-4. E-ISBN 978-1-315-73843-7. (doi:10.4324/9781315738437) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:92228)

Hanna, Emma (2016) Musical Entertainment in the British Empire, 1914-1918. In: Walsh, Michael and Varnarva, Andrekos, eds. The Great War and the British Empire. Routledge, New York. ISBN 978-1-4724-6227-5. E-ISBN 978-1-315-55750-2. (doi:10.4324/9781315557502) (KAR id:92226)

Herbert, Ruth (2019) Absorption and Openness to Experience : an Everyday Tale of Traits, States and Consciousness Transformation with Music. In: Herbert, Ruth and Clarke, David and Clarke, Eric, eds. Music and Consciousness II. Oxford University Press, Oxford, UK, 233 to 253. ISBN 978-0-19-880435-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61607)

Herbert, Ruth (2012) Conceptualising the Subjective Experience of Listening to Music in Everyday Life. In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77503)

Herbert, Ruth (2011) Consciousness and everyday Music Listening: Trancing, Dissociation and Absorption. In: Clarke, David and Clarke, Eric, eds. Music and Consciousness:Philosophical, Psychological and Cultural Perspectives. OUP, pp. 295-308. ISBN 978-0-19-955379-2. (doi:10.1093/acprof:oso/9780199553792.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53400)

Herbert, Ruth (2014) DISSOCIATION. In: Thompson, William Forde, ed. Music in the Social and Behavioral Sciences: An Encyclopedia. SAGE, pp. 337-339. ISBN 978-1-4522-8303-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53401)

Herbert, Ruth (2011) Everyday Listening: Absorption, Dissociation and Trancing. Ashgate, 244 pp. ISBN 978-1-4094-2125-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53399)

Herbert, Ruth (2017) Everyday Trancing and Musical Daydreams. In: Entrancement: Tales of Earth and Heaven. University of Wales Press, Cardiff. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61609)

Herbert, Ruth (2022) Everyday Trancing, Creativity and 4E Cognition. In: Academy O/Modernt Lecture Series, 18 March 2022, Stockholm, Sweden. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97915)

Herbert, Ruth (2019) In the Dark: Audience Experience of Music Events when Sight is Restricted or Absent. In: Audience Research in the Arts, 3-5 July 2019, Sheffield. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97566)

Herbert, Ruth (2017) Multimodales Musikhören und Milton Ericksons ›gewöhnliche Alltagstrance‹. In: Geschichte und Gegenwart des musikalischen Hörens: Diskurse – Geschichte(n) – Poetiken. Rombach Verlag KG, Freiberg/Berlin/Wien, 133 -152. ISBN 978-3-7930-9878-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61604)

Herbert, Ruth and Clarke, David and Clarke, Eric, eds. (2019) Music and Consciousness 2: Worlds, Practices, Modalities. Oxford University Press, UK ISBN 978-0-19-880435-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:63966)

Herbert, Ruth (2022) Musical Daydreaming and Kinds of Consciousness. In: Kussner, M. and Taruffi, L. and Floridou, G., eds. Music and Mental Imagery. SEMPRE Studies in the Psychology of Music . Routledge, London UK. ISBN 978-0-367-35216-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77339)

Herbert, Ruth (2012) Musical and Non-Musical Involvement in Daily Life: The Case of Absorption. Musicae Scientiae, 16 (1). pp. 41-66. ISSN 1029-8649. (doi:10.1177/1029864911423161) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53359)

Herbert, Ruth (2022) Participation and Playing A/Part. In: Proceedings of the 13th Conference on Interdisciplinary Musicology, CIM22 'Participation'. . (KAR id:96850)

Herbert, Ruth (2016) Sonic Subjectivities. In: Cobussen, Marcel and Meelberg, Vincent and Truax, Barry, eds. The Routledge Companion to Sounding Art. Routledge Music Companions . Routledge, New York, NY, pp. 223-234. ISBN 978138780613. E-ISBN 978-1-315-77056-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61605)

Herbert, Ruth (2007) Surround Sound: The vital role of specialist music teachers in primary education. Music Teacher Magazine, 86 (8). (KAR id:77505)

Herbert, Ruth (2014) TRANCE. In: Thompson, William Forde, ed. Music in the Social and Behavioural Sciences: An Encyclopedia. SAGE, pp. 1142-1145. ISBN 978-1-4522-8303-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53402)

Herbert, Ruth (2021) Young People’s Lived Experience of Music in Everyday Life: Psychological and Phenomenological Perspectives. In: Oxford Handbook of the Phenomenology of Musical Cultures. Oxford University Press. ISBN 978-0-19-069387-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73643)

Herbert, Ruth (2012) Young People’s Use and Subjective Experience of Music Outside School. In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. . pp. 423-431. (KAR id:77502)

Herbert, Ruth (2013) An empirical study of normative dissociation in musical and non-musical everyday life experiences. Psychology of Music, 41 (3). pp. 372-394. ISSN 0305-7356. (doi:10.1177/0305735611430080) (KAR id:53395)

Herbert, Ruth, Dibben, Nicola (2015) Making Sense of Music: Meanings Children and Adolescents Perceive in Musical Materials. In: Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music. . (KAR id:97567)

Herbert, Ruth, Dibben, Nicola (2018) Making sense of music: meanings 10-18 year olds attach to experimenter-selected musical materials. Psychology of Music, 46 (3). pp. 375-391. ISSN 0305-7356. E-ISSN 1741-3087. (doi:10.1177/0305735617713118) (KAR id:61608)

Format: XML Word Processing Document (DOCX)

Herbert, Ruth, Walduck, Jackie (2022) Waiting. Drifting/dreaming/trancing: Audio-visual art and core consciousness. In: Senses in Modern Health/Care Environments: International and Interdisciplinary Perspectives, 4-7 April 2022, Bristol, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97914)

Herbert, Ruth, Walduck, Jackie, Newman, Hannah, Shaughnessy, Nicola (2021) Neurodiverse Worlds: Articulating the Subjective Experience of Autistic Girls Through Music and Sound. In: 16th International Conference on Music Perception and Cognition and 11th Triennial Conference of the European Society for the Cognitive Sciences of Music (ICMPC-ESCOM2021). . (KAR id:89824)

Hoene, Christin (2020) Music in Contemporary Literature. In: The Edinburgh Companion to Literature and Music. Edinburgh Companions to Literature and the Humanities . Edinburgh University Press. ISBN 978-0-7486-9312-2. E-ISBN 978-0-7486-9313-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65746)

K

Kyriakakis, Georgios (2020) Terpsichore: A Software Music Interface for People with Mental Disabilities on the Autism Spectrum. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:82815)

L

Lalioti, Vali, Ppali, Sophia, Thomas, Andrew, Hrafnkelsson, Ragnar, Grierson, Mick, Ang, Chee Siang, Wohl, Bea, Covaci, Alexandra (2021) VR Rehearse & Perform - A platform for rehearsing in Virtual Reality. In: VRST '21: Proceedings of the 27th ACM Symposium on Virtual Reality Software and Technology. . ACM ISBN 978-1-4503-9092-7. (doi:10.1145/3489849.3489896) (KAR id:96064)

Lightman, Richard (2016) Jagger and Scorcese have a flop on their hands with Vinyl – here’s why. . The Conversation online newspaper. ISSN 2201-5639. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91237)

Lightman, Richard Henry (2022) Producing Bhangra: Music, Culture and Technology - Mediating Culture in Music Production. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.96631) (KAR id:96631)

M

MacLeod, Duncan W M (2012) Behold, the best of morning dawns. Item format: Score. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59609)

MacLeod, Duncan W M and Morgan, Andrew and Riley, Colin and Telford, Jamie and Wiegold, Peter (2010) Triple Point. Squeaky Kate Music Item format: CD. ASIN: B004F6O9RA. (doi:ASIN: B004F6O9RA) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59662)

P

Parkinson, Tom (2014) Mastery, enjoyment, tradition and innovation: A reflective practice model for instrumental and vocal teachers. International Journal of Music Education, 34 (3). pp. 352-368. (doi:10.1177/0255761414563196) (KAR id:48572)

Perks, Richard (2019) The Expansion of Improvisatory Techniques and Sound-Palette Specific to the Fretless Electric Guitar. In: IGRC Conference: Improvisation and the Guitar, Hong Kong Academy for Performing Arts, 14-17 July 2019, Hong Kong. (KAR id:80749)

Perks, Richard (2019) Fretless Architecture: Towards the Development of Original Techniques and Musical Notation Specific to the Fretless Electric Guitar. Music & Practice, 4 . ISSN 1893-9562. (doi:10.32063/0401) (KAR id:80747)

Perks, Richard (2022) Musical Migration: Establishing New Paradigms for Intercultural Music-making. Online/YouTube. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97718)

Posman, Sarah and Reverseau, Anne and Ayers, David S and Bru, Sascha and Hjartarson, Benedikt, eds. (2013) The aesthetics of matter : modernism, the avant-garde and material exchange. European avant-garde and modernism studies . De Gruyter, Berlin, 435 pp. ISBN 978-3-11-031737-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55489)

Ppali, Sophia, Lalioti, Vali, Branch, Boyd, Ang, Chee Siang, Thomas, Andrew, Wohl, Bea, Covaci, Alexandra (2022) Keep the VRhythm going: A musician-centred study investigating how Virtual Reality can support creative musical practice. In: CHI '22: Proceedings of the 2022 CHI Conference on Human Factors in Computing Systems. . pp. 1-19. ACM ISBN 978-1-4503-9157-3. (doi:10.1145/3491102.3501922) (KAR id:96060)

R

Roesner, David P. (2015) The Musical as Experiment – New Developments on the British Stage (working title). In: Jubin, O and Gordon, Robert, eds. Oxford Handbook of the British Musicals. Oxford University Press, Oxford. ISBN tbc. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35635)

S

Stanfield, Peter (2011) “From the Barroom: American Song, Saloon Culture, Stack O’Lee and Wild Bill, or ‘Did you touch my hat?’”. In: Kalinak, Kathryn, ed. Music in the Western: Notes from the Frontier. Routledge Music and Screen Media Series . Routledge, New York, pp. 183-202. ISBN 978-0-415-88226-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31554)

T

Todorovic, Dragan (2009) Pjesme uz koje ne plešem: Priče o ljubavi, borbi i rock and rollu. Naklada Uliks, Rijeka, Croatia, 184 pp. ISBN 978-953-7306-37-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78171)

W

Williams, Sean, B K (2016) Interpretation and performance practice in realising Stockhausen’s Studie II. Journal of the Royal Musical Association, 141 (2). pp. 445-481. ISSN 1471-6933. E-ISSN 1471-6933. (doi:10.1080/02690403.2016.1216059) (KAR id:79865)

This list was generated on Sun Jan 29 22:15:46 2023 GMT.