Hanna, Emma (2007) Reality–Experiential History Documentaries:The Trench(BBC, 2002) and Britain's Modern Memory of the First World War. Historical Journal of Film, Radio and Television, 27 (4). pp. 531-548. ISSN 0143-9685. (doi:10.1080/01439680701552604) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:92209)
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Official URL: https://doi.org/10.1080/01439680701552604 |
Abstract
Reality–experiential history documentaries appeared on British television during the ‘memory boom’ of the late 1990s. In the intervening years, the marketing of history and heritage has paid off in the increased consumption of historical images in films, books, articles, the Internet, television, and increasingly sophisticated museum exhibitions. In response to the growth of heritage consumerism, and the related popularity of genealogical research, history documentaries on television departed from the established grand narrative forms by developing programmes that converted historical events into a range of idiosyncratic personal experiences by placing ordinary men and women into re-enacted but authentic historical environments. Reality–experiential programmes such as 1940s House (Channel 4, 2001) and The Ship (BBC, 2002) have proved to be so popular that it is not unreasonable to suggest that television has become the most influential hypermarket outlet for the consumption of memory.
Item Type: | Article |
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DOI/Identification number: | 10.1080/01439680701552604 |
Uncontrolled keywords: | BBC, Great War, Television, Reality programmes, Memory |
Subjects: |
D History General and Old World > DA Great Britain N Visual Arts > N Visual arts (General). For photography, see TR |
Divisions: | Divisions > Division of Arts and Humanities > School of History |
Depositing User: | Emma Hanna |
Date Deposited: | 08 Dec 2021 12:26 UTC |
Last Modified: | 05 Nov 2024 12:57 UTC |
Resource URI: | https://kar.kent.ac.uk/id/eprint/92209 (The current URI for this page, for reference purposes) |
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