Items where Subject is "P Language and Literature > PN Literature (General) > PN1993 Motion Pictures"

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Number of items at this level: 27.

C

Cowie, Elizabeth (2007) Documentary film as flashback and the 'real' of reality in the temporality of representation. In: Real Things: Matter, Materiality, Representation, 1880 to the Present Conference, 5th - 8th July 2007, University of York. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2007) Real time viewing of images of time past and present: documentary in the gallery 'becoming art'. In: Visible Evidence 14, 18th - 21st December 2007, Bochum, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

K

Kear, Jon (2005) The Clothing of Clio: Chris Marker’s Poetics and the Politics of Representing History. Film Studies: An International Review, 6 . pp. 49-63. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

L

Lázaro-Reboll, Antonio (2005) La noche de Walpurgis / Shadow of the Werewolf. In: Mira, A., ed. The Cinema of Spain and Portugal. 24 Frames S. . Wallflower Press, London and New York, pp. 129-138. ISBN 1-904764-44-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2002) Masculinidades genéricas: tomas criminales en La semana del asesino (1971). Dossiers feministes, 6 . pp. 171-186. ISSN 1139-1219. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2004) Screening “Chicho”: The Horror Ventures of Narciso Ibáñez Serrador. In: Lázaro-Reboll, Antonio and Willis, Andy, eds. Spanish Popular Cinema. Inside Popular Film . Manchester University Press, Manchester, pp. 152-168. ISBN 9780719062834. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2005) Torrente : El brazo tonto de la ley e Torrente 2: Misión en Marbella / Torrente: The Dumb Arm of the Law and Torrente 2: Mission in Marbella. In: Mira, A., ed. The Cinema of Spain and Portugal. 24 Frames S. . Wallflower Press, London and New York, pp. 219-227. ISBN 1-904764-44-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio and Willis, Andy (2004) Introduction: Film Studies, Spanish Cinema and Questions of the Popular. In: Lázaro-Reboll, Antonio and Willis, Andy, eds. Spanish Popular Cinema. Inside Popular Film . Manchester University Press, Manchester, pp. 1-23. ISBN 9780719062834. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

R

Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds. (2005) Szenische Orte - Mediale Räume. MuTH Medien und Theater, 1 . Olms, Hildesheim / New York, 265 pp. ISBN 9783487127996. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2013) Dancing in the Twilight – On the Borders of Music and the Scenic. In: Symonds, Dominic and Karatonis, Pamela, eds. The Legacy of Opera. Reading Music Theatre as Experience and Performance. Rodopi, Amsterdam, pp. 169-187. ISBN 9789042036918. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2007) Komik - Körper - Kunst - Kommerz. Eine Analyse der Elemente der Commedia dell`Arte in den Silent Slapstick Comedies. Other masters thesis, University of Hildesheim. (Full text available)
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Roesner, David P. (2005) Musikalische Spiel-Räume. In: Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds. Szenische Orte-Mediale Raume. Olms, Hildesheim / New York, pp. 129-147. ISBN 9783487127996. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2009) 'An entirely new art form' – Katie Mitchells intermediale Bühnen-Experimente. Forum Modernes Theater, 24 (2). pp. 101-119. ISSN 0930-5874. (Full text available)
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S

Smith, Murray (1998) Regarding film spectatorship: A reply to Richard Allen. Journal of Aesthetics and Art Criticism, 56 (1). pp. 63-65. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stähler, Axel and Kern-Stähler, Annette (2009) The Translation of Testimony and the Transmission of Trauma: Jonathan Safran Foer’s Everything is Illuminated and Liev Schreiber’s Film Adaptation. In: Guignery, Vanessa, ed. Voices and Silence in the Contemporary English Novel. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 160-184. ISBN 9781443812474. (Full text available)
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W

Williams, J.S. (1999) The signs amongst us: Jean-Luc Godard's 'Histoire(s) du cinema'. Screen, 40 (3). pp. 306-315. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. (2004) Debates 1960-2004: The Exercise Was Beneficial, Monsieur Daney. In: Temple, Michael and Witt, Michael, eds. The French Cinema Book. British Film Institute, London, pp. 265-272. ISBN 9781844570119. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. (2001) For Our Eyes Only: Body and Sexuality in Reverse Motion in the films of Jean Cocteau. In: Williams, James S. and Hughes, Andrea, eds. Gender and French Cinema. Berg, Oxford and New York, pp. 77-106. ISBN 1859735703. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. (2003) Music, Love, and the Cinematic Event. In: Temple, Michael and Williams, James S. and Witt, Michael, eds. For Ever Godard. Black Dog Publishing, London, pp. 288-311. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. (2004) “O heave! O heave away, heave! O heave!”: working through the author in Claire Denis’s Beau Travail. Journal of European Studies, 34 (1-2). pp. 44-59. ISSN 0047-2441. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. and Temple, Michael and Witt, Michael (2003) Introduction: For Ever Godard. In: Williams, James S. and Temple, Michael and Witt, Michael, eds. For Ever Godard. Black Dog Publishing, London, pp. 14-16. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James.S. (2001) Beyond the Cinematic Body: human emotion vs. digital technology. In: Hori, Junji and Yomota, Inuhiko, eds. Histoire(s) du cinéma : JEAN-LUC GODARD. Gallimard-Gaumont , Tokyo, Japan, pp. 127-152. ISBN 978-2070115440 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. and Hughes, Andrea (2001) Gender and French Cinema: Introduction. In: Williams, James S. and Hughes, Andrea, eds. Gender and French Cinema. Berg, Oxford and New York, pp. 1-18. ISBN 1859735703. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2007) Digital Intermediates and Digital Expressive Practice. In: Society for Cinema and Media Studies Conference 2007, 8th March - 11th March 2007, Chicago, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2013) Intangible space: three-dimensional technology in Hugo and IMAX in The Dark Knight. Convergence: The International Journal of Research Into New Media Technologies, 19 (4). pp. 1-13. ISSN 1354-8565. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2013) Talking about Maya. Project report. University of Kent (Unpublished) (Full text available)
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Ç

Çağlayan, Orhan Emre (2014) Screening boredom: the history and aesthetics of slow cinema. Doctor of Philosophy (PhD) thesis, University of Kent,. (Full text available)
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This list was generated on Tue Mar 31 22:00:04 2015 BST.