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Number of items at this level: 372.

B

Briggs, Joe Bob, Hoberman, J., Love, D., Lucas, T., Sconce, J., Stanfield, Peter (2008) Cult Film: A Critical Symposium. Cineaste, 34 (1). pp. 43-50. ISSN 0009-7004. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14845)

Brydon, Lavinia (2016) Book Review: A History of 1970s Experimental Film: Britain’s Decade of Diversity by Patti Gaal-Holmes. Review of: A History of 1970s Experimental Film: Britain’s Decade of Diversity by Gaal-Holmes, Patti. Journal of Media Practice, 17 (1). pp. 121-122. ISSN 1468-2753. E-ISSN 2040-0926. (doi:10.1080/14682753.2016.1160657) (KAR id:55843)
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Brydon, Lavinia (2013) Book Review: Screen Dynamics: Mapping the Borders of Cinema ed. by Gertrud Koch, Volker Pantenburg, Simon Rothöhler. Review of: Screen Dynamics: Mapping the Borders of Cinema by Koch, Gertrude and Pantenburg, Volker and Rothöhler, Simon. NECSUS: European Journal of Media Studies, 2 (1). pp. 262-267. ISSN 2215-1222. E-ISSN 2213-0217. (doi:10.5117/NECSUS2013.1.BRYD) (KAR id:49167)
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Brydon, Lavinia (2012) Brief Encounter: The Girl Chewing Gum. Short Film Studies, 2 (2). pp. 155-158. ISSN 2042-7824. (doi:10.1386/sfs.2.2.155_1) (KAR id:50299)
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Brydon, Lavinia (2016) From a Jukebox Photograph to a Music Video: Media Technologies and the Popular Culture Heritage of a British Pleasure Pier. In: NECS Annual Conference, 28-30 July 2016, Potsdam, Germany. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56814)

Brydon, Lavinia (2017) Garden of England: Sites of Production and Pilgrimage. In: Locating Imagination: Popular Culture, Tourism and Belonging, 5-7 April 2017, Rotterdam, The Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61371)

Brydon, Lavinia (2014) Navigations and Negotiations: Examining the (Post)Colonial Landscape of The Assam Garden. Journal of British Cinema and Television, 11 (2-3). pp. 172-188. ISSN 1743-4521. (doi:10.3366/jbctv.2014.0202) (KAR id:50294)
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Brydon, Lavinia (2013) The Nostalgic Gardens of Derek Jarman’s England. Dandelion, 4 (2). pp. 1-15. (KAR id:50297)
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Brydon, Lavinia (2015) Shelagh Delaney (1938-2011). In: Nelmes, Jill and Selbo, Jule, eds. Women Screenwriters: An International Guide. Palgrave Macmillan, pp. 650-658. ISBN 978-1-137-31237-2. (doi:10.1057/9781137312372) (KAR id:55841)
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Brydon, Lavinia (2019) Storytelling, Exhibition Spaces and Site-Specific Screenings. In: NECS Annual Conference, 13-15 June 2019, Gdansk, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74461)

Brydon, Lavinia, Handyside, Fiona (2019) Difficult Women: Fame, Film, Feminism and Fury. Film Studies, . ISSN 1469-0314. E-ISSN 2054-2496. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:79774)

Brydon, Lavinia and Jenzen, Olu (2018) Pop(-up)ular Culture at the Seaside: The British Pleasure Pier as Screening Space. In: Atkinson, Sarah and Kennedy, Helen W., eds. Live Cinema: Cultures, Economies, Aesthetics. Bloomsbury, London, pp. 43-59. ISBN 978-1-5013-2483-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59766)

Brydon, Lavinia, Stead, Lisa (2016) Chilham on Screen: Location Shooting and Community Memory. In: MeCCSA Annual Conference, 6-8 Jan 2016, Canterbury Christ Church University, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60535)

Brydon, Lavinia, Stead, Lisa (2017) The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities. SERIES - International Journal of TV serial narratives, 3 (1). pp. 101-114. ISSN 2421-454X. (doi:10.6092/issn.2421-454X/7149) (KAR id:60534)
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Burger, Bibi, Khosi, Motlatsi, Brydon, Lavinia (2019) A Review-Reflection on African Feminisms 2019: Theorising from the Epicentres of Our Agency, Wits University, Johannesburg, South Africa. Film Studies, 22 . ISSN 1469-0314. E-ISSN 2054-2496. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:79244)

C

Cardwell, Sarah E. F. (2014) Television Amongst Friends: Medium, Art, Media. Critical Studies in Television, 9 (3). pp. 6-21. ISSN 1749-6020. E-ISSN 1749-6039. (doi:10.7227/CST.9.3.2) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:51443)
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Choi, Jinhee and Frey, Mattias, eds. (2014) Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, 255 pp. ISBN 978-0-415-82125-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42193)

Choi, Jinhee and Frey, Mattias (2014) Introduction. In: Choi, Jinhee and Frey, Mattias, eds. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, pp. 1-14. ISBN 978-0-415-82125-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42202)

Church Gibson, Pamela and Jeffers McDonald, Tamar E. L. (2012) Costume and Adaptation. In: Cartmell, Deborah, ed. A Companion to Literature, Film and Adaptation. Blackwell Companions to Literature and Culture . Wiley-Blackwell, Oxford, pp. 295-311. ISBN 978-1-4443-3497-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31627)

Cinquegrani, Maurizio (2010) The Cinematic Production of Iconic Spaces in Early Films of London. In: Koeck, Richard and Roberts, Les, eds. The City and the Moving Image: Urban Projections. Palgrave Macmillan, pp. 169-182. ISBN 978-0-230-24338-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31653)
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Cinquegrani, Maurizio (2017) The Cinematic Shtetl as a Site of Postmemory. In: Penz, Francois and Koeck, Richard, eds. Cinematic Urban Geographies. Screening Spaces . Palgrave Macmillan, London, UK, pp. 137-154. ISBN 978-1-137-46830-7. E-ISBN 978-1-137-46084-4. (doi:10.1057/978-1-137-46084-4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60020)

Cinquegrani, Maurizio (2011) Empire and the City: Early Films of London. . Tate Britain Online article. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31650)

Cinquegrani, Maurizio (2009) The Nexus of the Empire: Early Actuality Films of London at the Turn of the Twentieth Century. Journal of British Cinema and Television, 6 (2). pp. 207-219. ISSN 1743-4521. (doi:10.3366/E1743452109000880) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31648)
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Cinquegrani, Maurizio (2010) Travel Cinematography and the Indian City: The Imperial Spectacle of Geography at the End of the Long Nineteenth Century. Nineteenth-Century Contexts, 32 (1). pp. 65-78. ISSN 0890-5495. (doi:10.1080/08905491003704053) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31644)
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Cinquegrani, Maurizio (2011) ‘A fit of absence of mind’?: Empire and Urban Life. Early Popular Visual Culture, 9 (4). pp. 325-336. ISSN 1746-0654. (doi:10.1080/17460654.2011.621322) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31656)
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Cowie, Elizabeth (2007) Documentary film as flashback and the 'real' of reality in the temporality of representation. In: Real Things: Matter, Materiality, Representation, 1880 to the Present Conference, 5th - 8th July 2007, University of York. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12965)

Cowie, Elizabeth (2010) ‘Mourning, Loss and Trauma, and the Ambiguities of Proper and Improper Desire in Exotica (1994)'. In: Brown, Tom and Walters, James, eds. Film Moments. Palgrave/British Film Institute, London, pp. 140-143. ISBN 978-1-84457-336-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26333)

Cowie, Elizabeth (2007) Real time viewing of images of time past and present: documentary in the gallery 'becoming art'. In: Visible Evidence 14, 18th - 21st December 2007, Bochum, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12966)

Cowie, Elizabeth (2011) Recording Reality, desiring the real. Visible Evidence . University of Minnesota press, Minnesota, USA, 296 pp. ISBN 978-0-8166-4549-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31728)

Cowie, Elizabeth (2010) Thinking Differently: on theory now and documentary art. Differences: A Journal of Feminist Cultural Studies, 21 (1). pp. 178-193. ISSN 1040-7391. (doi:10.1215/10407391-2009-026) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26335)

D

Da Silva, Antonio Marcio (2015) Review: New Trends in Argentine and Brazilian Cinema. Review of: New Trends in Argentine and Brazilian Cinema by Rego, Cacilda and Rocha, Carolina. Luso-Brazilian Review, 52 (1). pp. 152-154. ISSN 0024-7413. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49030)

Da Silva, Antonio Marcio and Cunha, Mariana A. C., eds. (2017) Space and Subjectivity in Contemporary Brazilian Cinema. Screening Spaces . Palgrave Macmillan, New York & London, 244 pp. ISBN 978-3-319-48266-8. E-ISBN 978-3-319-48267-5. (doi:10.1007/978-3-319-48267-5) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58365)

Da Silva, Antonio Marcio (2011) Viewing the Angolan Experience of War and Peace through the Filmic Representation of Luanda in Maria João Ganga’s Na cidade vazia/ Hollow City (2004) and Zezé Gamboa’s O herói/ The Hero (2004). Journal of African Cinemas, 3 (2). pp. 187-200. ISSN 1754-9221. (doi:10.1386/jac.3.2.187_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44058)

Da Silva, Antonio Marcio (2012) A experiência angolana de guerra e paz: um olhar por meio da representação fílmica de Luanda em Na cidade vazia (2004) de Maria João Ganga, e em O herói (2004), de Zezé Gamboa’. In: Meleiros, A. and Bamba, M., eds. Filmes da África e da diáspora. EDUFBA, Salvador, pp. 19-42. ISBN 978-85-232-0999-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44057)

Da Silva, Antonio Marcio (2016) The little adults: child and teenage sexual exploitation in contemporary Brazilian cinema. Hispania, 99 (2). pp. 212-222. ISSN 0018-2133. E-ISSN 2153-6414. (doi:10.1353/hpn.2016.0057) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:51587)
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Da Silva, Antonio Marcio (2016) The tropical hotties: situating Brazilian Women in Prison (WIP) Film within international production. In: Baltar, Mariana, ed. E pornô, tem pornô? Panorama of Brazilian Porn. Mimesis International, Italy. ISBN 978-88-6977-023-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54222)

Declercq, Dieter (2014) 'These people are the enemy!' The moral responsibilities of film and television history as part of the humanities. In: Mee, Laura and Walker, Johnny, eds. Cinema, Television, History : New Approaches. Cambridge Scholars Press, Cambridge, pp. 105-120. ISBN 978-1-4438-5379-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75357)

Dillet, Benoît, Puri, Tara (2013) Left-over spaces: The cinema of the Dardenne brothers. Film Philosophy, 17 (1). pp. 367-382. ISSN 1466-4615. (KAR id:39104)
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de Medeiros, Ana (2008) An Interview with Assia Djebar: Filming the Stories of Algerian Women. Wasafiri, 23 (4). pp. 25-28. ISSN 0269-0055. (doi:10.1080/02690050802407888) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41981)

de Medeiros, Ana (2011) Puzzling out the Self: Identity and Intertextuality in 'Les Inséparables'. Dalhousie French Studies, 97 . pp. 25-36. ISSN 0711-8813. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30352)

E

Eyuboglu, S. (1991) The authorial text and postmodernism, hitchcock 'blackmail'. Screen, 32 (1). pp. 58-78. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22923)

F

Fernández-Meneses, Jara (2016) Contemporary Spanish Film Policies:1982-2010. Doctor of Philosophy (PhD) thesis, University of Kent. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:58339)
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Fox, J. (1998) Battles and sites of love. The history of cinema and film in eastern Westphalia and Lippe. Review of: Battles and sites of love. The history of cinema and film in eastern Westphalia and Lippe by UNSPECIFIED. Historical Journal of Film, Radio and Television, 18 (1). pp. 142-143. ISSN 0143-9685. (doi:10.1080/01439689800260091) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17743)

Fox, J. (1998) A second life: German cinema's first decades. Review of: A second life: German cinema's first decades by UNSPECIFIED. Historical Journal of Film, Radio and Television, 18 (1). pp. 139-140. ISSN 0143-9685. (doi:10.1080/01439689800260091) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17742)

Frey, Mattias (2012) 23 July 1991: ZDF Broadcast of Ostkreuz Initiates Darker Reckoning with the Wende. In: Richardson, Michael and Kapczynski, Jennifer, eds. A New History of German Cinema. Camden House, Rochester, NY, pp. 512-517. ISBN 1-57113-490-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42201)

Frey, Mattias (2015) The Acoustic Conventions of Historical Films: Dialect in Requiem, Robin Hood and Beyond. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 20 June 2015, Lodz, Poland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64768)

Frey, Mattias (2014) Antares, Sex and International Distribution. In: Invited speaker, Picturing Austrian Cinema, 22 September 2014, Cambridge University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42233)

Frey, Mattias (2010) Art and Artifice: German Films at the 60th Berlin International Film Festival. Senses of Cinema, (55). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25351)

Frey, Mattias (2012) Arthouse Ethics and Provocation. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 23 June 2012, Lisbon. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42216)

Frey, Mattias (2018) The Authenticity Feeling: Language and Dialect in the Historical Film. Research in Film and History, 1 (1). ISSN 2627-5848. (KAR id:68971)
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Frey, Mattias (2014) Authentizität und Hörbarkeit im jüngsten deutschen Geschichtsfilm. In: Invited speaker, Film und Geschichte: Produktion und Erfahrung von Geschichte durch Bewegtbild und Ton, 8 May 2014, Universität Bremen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42231)

Frey, Mattias (2006) Benny's Video, Caché, and the Desubstantiated Image. In: Society of Cinema and Media Studies (SCMS) Annual Conference, 2 March 2006, Vancouver. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42251)

Frey, Mattias (2008) Birth of a Nation in Sound and Colour: The Miracle of Bern (2003). In: Screen Studies Conference, 5 July 2008, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42247)

Frey, Mattias (2008) Birth of a Nation: The Miracle of Bern and Post-wall Germany's Cinema of Retro-flection. In: European Cinema Research Forum (ECRF), 12 July 2008, Institute of Technology, Dublin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42246)

Frey, Mattias (2004) Border Zones: The Films of Ulrich Seidl. Senses of Cinema, (32). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20323)

Frey, Mattias (2012) British Film Culture in the Course of Time: Liberal Criticism, Sight and Sound and the British Film Institute. In: British council, public lecture, 18 January 2012, Taipei. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42214)

Frey, Mattias (2010) A Cinema of Disturbance: The Films of Michael Haneke in Context, 2nd rev. ed. Senses of Cinema, 57 (57). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42195)

Frey, Mattias (2003) A Cinema of Disturbance: The Films of Michael Haneke in Context. Senses of Cinema, (28). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20324)

Frey, Mattias (2013) Contemporary Debates on Criticism and the Spectre of the Past: A View from the UK. In: Invited speaker, Critica della critica, 1 February 2013, Università di Bologna. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42223)

Frey, Mattias (2013) Cosmopolitanism, Exoticism and the 'Sandwich Process': The Programming and Discourse of Extreme Cinema at Film Festivals. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 21 June 2013, Prague. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42225)

Frey, Mattias (2014) Creating Synergies, Building Institutions: A Perspective from (German) Film Studies. In: Invited speaker, Models for German Studies in a New Millennium, 25 April 2014, Harvard University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42230)

Frey, Mattias (2016) The Crises of Film Criticism and the Promises of Film Studies. In: Invited Speaker, University of Edinburgh, Research Seminar, 22 November 2016, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64771)

Frey, Mattias (2013) The Critical Question: Sight and Sound’s Postwar Consolidation of Liberal Taste. Screen, 54 (2). pp. 194-217. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31294)

Frey, Mattias (2015) Critical Questions. In: Frey, Mattias and Sayad, Cecilia, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 1-20. ISBN 978-0-8135-7072-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42205)

Frey, Mattias (2015) Critical Questions, 2.0: Resolving the Digital-Era ‘Crisis’ of Film Criticism. In: Invited Speaker, University of Bristol, Research Seminar, 18 March 2015, Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64767)

Frey, Mattias (2010) Cultural Problems of Classical Film Theory: Béla Balázs, 'Universal Language' and the Birth of National Cinema. Screen, 51 (4). pp. 324-340. ISSN 0036-9543. (doi:10.1093/screen/hjq028) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30486)

Frey, Mattias (2008) Cultural Problems of Classical Film Theory: Béla Balázs, 'Universal Language' and the Birth of National Cinema. In: Research seminar, 4 December 2008, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42244)

Frey, Mattias (2014) Daniel Brühl and Nichts bereuen. In: German Screen Studies Network (GSSN) symposium: Translating Stars - German Cinema in Transnational Context, 11 September 2014, University of Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42232)

Frey, Mattias (2013) Der unbelehrbare Zuschauer. In: Invited speaker, 19. Bremer Filmsymposium, 20 January 2013, Universität Bremen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42222)

Frey, Mattias (2013) Disturbing Directors, Disturbed Programmers: The Rhetoric and Reception of Extreme Cinema. In: Screen Studies Annual Conference, 29 June 2013, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42226)

Frey, Mattias (2015) Editorial: Institutions and Agency (Part I). Film Studies, 13 (1). pp. 1-4. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.13.0001) (KAR id:57006)
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Frey, Mattias (2016) Editorial: Institutions and Agency (Part II). Film Studies, 14 . pp. 1-4. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.14.0001) (KAR id:57008)
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Frey, Mattias (2007) Einführung in die Film Theorie. In: Invited guest lecturer, ShortShots: Programmgestaltung und Planung eines Kurzfilmfestivals, 3 May 2007, Freie Universität Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42250)

Frey, Mattias (2011) Einführung in die Filmkritik. In: Invited series of masterclasses, 28 June - 1 July 2011, Universität Passau. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42213)

Frey, Mattias (2012) Einführung in die Filmkritik. In: Invited series of masterclasses, 2-6 July 2012, Universität Passau. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42217)

Frey, Mattias (2012) Einführung in die Filmkritik. In: Invited series of masterclasses, 9-13 July 2012, Goethe-Universität Frankfurt. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42218)

Frey, Mattias (2015) Ekel im Kino. In: Invited Speaker, 'Angustia', Deutsches Filmmuseum, Frankfurt, 23 January 2015, Deutsches Filmmuseum Frankfurt. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44721)

Frey, Mattias (2014) Ekel und Langeweile: Der unbelehrbare Zuschauer. In: Pauleit, Winfried and Rüffert, Christina and Schmid, Karl-Heinz and Tews, Alfred and Odorico, Stefano, eds. Filmerfahrung und Zuschauer: Zwischen Kino, Museum und sozialen Netzwerken. Bertz + Fischer, Berlin, pp. 48-62. ISBN 978-3-86505-229-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42204)

Frey, Mattias (2007) The End of Innocence: Scandinavian Films at the 30th Gothenburg International Film Festival. Review of: Scandinavian Films at the 30th Gothenburg International Film Festival by UNSPECIFIED. Senses of Cinema, 43 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20768)

Frey, Mattias (2017) The Eternal Return of the Crisis: Towards an Internationalist, Institutionalist Critical History. In: Invited Speaker, Dartmouth College, Conference: A Century of Filmkritik and Beyond, Hanover/NH, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64772)

Frey, Mattias (2014) The Ethics of Extreme Cinema. In: Choi, Jinhee and Frey, Mattias, eds. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, pp. 145-162. ISBN 978-0-415-82125-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42203)

Frey, Mattias (2011) The Ethics of Extreme Cinema. In: Cine-Ethics, 15 June 2011, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42211)

Frey, Mattias (2016) Extreme Cinema: The Transgressive Rhetoric of Today's Art Film Culture. Rutgers University Press, New Brunswick, NJ, 288 pp. ISBN 978-0-8135-7649-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42191)

Frey, Mattias (2017) Fassbinder and the Western: Whity (1971). In: BAFTSS conference, University of Bristol, Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64773)

Frey, Mattias (2017) Fassbinder, the art film and popular genre: Whity. In: Invited Masterclass, British Film Institute, BFI Fassbinder: The Many Faces of R. W. Fassbinder, 27 April 2017, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64774)

Frey, Mattias (2017) Fassbinder: The Formal Innovator. Sight and Sound, 27 (5). p. 28. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64751)

Frey, Mattias (2006) Fidelio: Love, Adaptation, and Eyes Wide Shut. Literature/Film Quarterly, 34 (1). pp. 39-45. ISSN 0090-4260. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20322)

Frey, Mattias (2012) Film Criticism as Crisis History. In: Cultural Criticism in the Digital Age, 7 June 2012, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42215)

Frey, Mattias (2013) Filmkritik, with and without Italics: Kracauerism and Its Limits in Postwar German Film Criticism. New German Critique, 40 (3). pp. 85-110. ISSN 0094-033X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31296)

Frey, Mattias (2008) Gazing Lessons: German Films at the 58th Berlin International Film Festival. Review of: 58th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, 47 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20765)

Frey, Mattias (2012) Grand Finales: The International Forum of New Cinema at the 62nd Berlin International Film Festival. Senses of Cinema, 62 (62). n/a-n/a. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42209)

Frey, Mattias (2013) The Greatest of These Is Love: Ulrich Seidl's Paradise Trilogy. Artforum, 51 (10). pp. 149-150. ISSN 0004-3532. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42194)

Frey, Mattias (2007) Haneke and the Painterly. In: Invited speaker, Michael Haneke - A Cinema of Provocation, 26 October 2007, Boston University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42249)

Frey, Mattias (2007) In/Flux: German Films at the 57th Berlin International Film Festival. Review of: German Films at the 57th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, 43 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20767)

Frey, Mattias (2009) Insecure Times, Confident Localities: German Films at the 59th Berlin International Film Festival. Review of: 59th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, (50). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20763)

Frey, Mattias (2017) Institutional Roles in Using Film to Teach Difficult History: The Federal Agency for Civic Education and The Lives of Others. In: Stoddard, Jeremy and Marcus, Alan and Hicks, David, eds. Teaching Difficult History Through Film. Routledge, New York, pp. 89-105. ISBN 978-1-138-19077-1. E-ISBN 978-1-315-64087-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64749)

Frey, Mattias (2005) Interior Designs: London as Fashion(ed) Object in the 'Swinging London' Film. In: Designs for Living: Space and Place in the Cinema, 28 June 2005, Queen Mary, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42253)

Frey, Mattias (2018) The International Reception of Downfall. In: Fisher, Jaimey and Richardson, Michael D., eds. Downfall: A Companion. De Gruyter, Berlin. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64747)

Frey, Mattias (2019) The Internet Suggests: Film, Recommender Systems, and Cultural Mediation. Journal of Cinema and Media Studies, 59 (1). pp. 163-169. ISSN 0009-7101. E-ISSN 1527-2087. (doi:10.1353/cj.2019.0068) (KAR id:81284)
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Frey, Mattias (2015) Kino der Extreme: Die transgressive Rhetorik der heutigen Autorenfilmkultur. In: Invited Speaker, Zentrum für Medien-, Kommunikations- und Informationsforschung, Universität Bremen, Research Seminar, 25 June 2015, Bremen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64770)

Frey, Mattias (2012) The Liberal Tradition of British Film Criticism: Sight and Sound, 'Restraint' and Realism. In: Invited speaker, research seminar, 15 November 2012, Waseda University Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42219)

Frey, Mattias (2009) The Limits of Spectatorship: Towards a Theory of Walking Out. In: Emergent Encounters in Film Theory, 21 March 2009, Kings College London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42242)

Frey, Mattias (2006) London à la Mod: Fashion, Genre, and Historical Space in Performance. Quarterly Review of Film and Video, 23 (4). pp. 369-376. ISSN 1050-9208. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20320)

Frey, Mattias (2016) Netflix Crit in the Twenty-First Century. Film Criticism, 40 (1). ISSN 0163-5069. E-ISSN 2471-4364. (doi:10.3998/fc.13761232.0040.111) (KAR id:57007)
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Frey, Mattias (2015) The New Democracy? Rotten Tomatoes, Metacritic, Twitter, and IMDb. In: Frey, Mattias and Sayad, Cecilia, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 81-98. ISBN 978-0-8135-7072-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42206)

Frey, Mattias (2006) No(ir) Place to Go: Spatial Anxiety and Sartorial Intertextuality in Die Unberührbare. Cinema Journal, 45 (4). pp. 64-80. ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20318)

Frey, Mattias (2005) Noi(r) Place to Go: Historical Anxiety as Dramaturgical and Intertextual Space in Oskar Roehler's Die Unberührbare. In: Cinema Europe: Networks in Progress, 23 June 2005, Universiteit van Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42254)

Frey, Mattias (2009) The Pained Spectator. In: Images of Pain/Painful Images, 20 June 2009, Universitetet i Bergen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42241)

Frey, Mattias (2014) The Permanent Crisis of Film Criticism: The Anxiety of Authority. Film Theory in Media History . Amsterdam University Press, Amsterdam, 195 pp. ISBN 978-90-8964-717-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42190)

Frey, Mattias (2010) A Persistent Allure: The Reception of Michael Haneke. In: Invited speaker, On Michael Haneke, 2nd June 2010, University of Sussex. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25355)

Frey, Mattias (2011) The Possibility of Desire in a Conformist World: The Cinema of Ulrich Seidl. In: Dassanowsky, Robert and Speck, Oliver, eds. New Austrian Film. Berghahn, New York, pp. 189-198. ISBN 1-84545-700-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42197)

Frey, Mattias (2013) Postwall German Cinema: History, Film History, and Cinephilia. Film Europa . Berghahn, Oxford/New York, 206 pp. ISBN 978-0-85745-947-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31290)

Frey, Mattias (2008) Postwall Germany's Cinema of Retro-flection. In: Cultural Memory: Forgetting to Remember/Remembering to Forget, 11 September 2008, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42245)

Frey, Mattias (2011) Postwar British Film Criticism's Reaction to Cahiers du cinéma: Sight and Sound and the Establishment of Middlebrow Taste. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 25 June 2011, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42212)

Frey, Mattias (2005) Re-Connecting the Body 'in' to the Body 'of' Pasolini. In: Il testo in movimento: Themes and Techniques in Italian Film and Literature, 5 February 2005, Harvard University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42255)

Frey, Mattias (2004) Re-Connecting the Body 'in' to the Body 'of' Pasolini. In: Screen Media and Sexual Politics, 9 October 2004, Plymouth State University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42256)

Frey, Mattias (2014) 'Real' Sex by 'Real' People: Realist Aesthetics and Celebrity Couples in the Marketing of Extreme Cinema. In: Society of Cinema and Media Studies (SCMS) Annual Conference, 21 March 2014, Seattle. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42229)

Frey, Mattias (2015) The Recalcitrant Discipline. Film Studies, 12 (1). 10 -18. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.12.0003) (KAR id:44745)
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Frey, Mattias (2004) The Renaissance of New Austrian Film? The Example of Michael Haneke. In: German Projections, Foreign Reflections: Film, Narrative and the Creation of Historical Memory, 3 April 2004, University of Pennsylvania. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42257)

Frey, Mattias (2012) Review of: A Companion to Michael Haneke, ed. Roy Grundmann. Review of: A Companion to Michael Haneke by Grundmann, Roy. Historical Journal of Film, Radio and Television, 32 (1). pp. 127-129. ISSN 0143-9685. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42208)

Frey, Mattias (2012) The Role of Criticism in Britain Today. In: British Council, public lecture, 17 November 2012, Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42220)

Frey, Mattias (2013) The Role of Violence and Sex in Recent Austrian Cinema. In: Invited speaker, research seminar, 27 November 2013, Kings College London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42228)

Frey, Mattias (2011) Searches for Identity: German Films at the 61st Berlin International Film Festival. Senses of Cinema, 58 (58). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42210)

Frey, Mattias (2004) Sebald's Cinémathèque: Theorizing Cinema in Sebald and Sebald with 'Cinema'. In: Approaching W. G. Sebald, 27 March 2004, Yale University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42258)

Frey, Mattias (2005) A Star in Our Stratosphere: Introductory Remarks to the Daniel Brühl Film Series. In: Daniel Brühl Film Series, 15 September 2005, Museum of Fine Arts, Boston. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42252)

Frey, Mattias (2012) Suburban Violence in German-Language Film. In: Invited speaker, Political Cultures/Cultural Politics of Germany in the 21st Century, 8 December 2012, University of Birmingham. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42221)

Frey, Mattias (2002) Supermodernity, Capital, and Narcissus: The French Connection to Michael Haneke’s Benny’s Video. Cinetext, . ISSN 1605-6035. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20325)

Frey, Mattias (2012) Supermodernity, Sick Eros and the Video Narcissus: Benny's Video in the Context of Theory and Time. In: McCann, Benjamin and Sorfa, David, eds. The Cinema of Michael Haneke: Europe Utopia. Wallflower, London, pp. 151-161. ISBN 1-906660-30-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42199)

Frey, Mattias (2006) Supermodernost, kapital i narcis: Francuska veza filma Bennyev Michaela Hanekea. Item format: Croatian National Radio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42259)

Frey, Mattias (2005) Supermodernost, kapital i narcis: Francuska veza filma Bennyev video Michaela Hanekea. Item format: Croation National Radio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42207)

Frey, Mattias (2014) Teoretyzowanie kina u Sebalda i Sebalda poprez kino. Konteksty, 68 (3-4). pp. 135-144. ISSN 1230-6142. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42200)

Frey, Mattias (2012) Tuning Out, Turning In, Walking Off: The Spectator in Pain. In: Gronstad, Asbjorn and Gustafsson, Henrik, eds. Ethics and Images of Pain. Routledge, London, pp. 93-111. ISBN 0415893824. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42198)

Frey, Mattias (2006) Ukranian translation of Michael Haneke: A Cinema of Disturbance (2003). AZH, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42959)

Frey, Mattias (2008) A Universal Language Not Yet Understood: The Inscription of National Difference in Early Film Theory. In: Permanent Seminar on the History of Film Theory, 3 March 2008, Università degli studi di Udine. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42248)

Frey, Mattias (2018) Unstomachable: Irréversible (2002) and the Extreme Cinema Tradition. In: Baer, Nicholas and Hennefeld, Maggie and Horak, Laura and Iversen, Gunnar, eds. Unwatchable. Rutgers University Press, New Brunswick, NJ. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64746)

Frey, Mattias (2017) VoD Services, Original Programming and the Deteriorating Window System: Netflix, Amazon, MUBI. In: Elements of Success: Rethinking Audience and Production Studies as Practice, Finnish Film Institute, 4 December 2017, Helsinki. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64777)

Frey, Mattias (2017) Who Owns History? Notes on Cultural Appropriation, Authenticity and the Historical Film. . The International Association for Media and History online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64752)

Frey, Mattias (2013) Why Is Cinema Violent? In: British Council, public lecture, 1 May 2013, Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42224)

Frey, Mattias (2013) Why the Arts Matter, or: The Role of Violence in Film and Media. In: Kaywon School of Art and Design, public lecture, 18 October 2013, Seoul. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42227)

Frey, Mattias (2018) A nova democracia?: Rotten Tomatoes, Metacritic, Twitter e IMDb. REBECA: Revista Brasileira de Estudos de Cinema e Audiovisual, 6 (2). pp. 343-374. ISSN 2316-9230. (doi:10.22475/rebeca.v6n2.495) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64745)
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Frey, Mattias and Sayad, Cecilia, eds. (2015) Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, 273 pp. ISBN 978-0-8135-7072-3. E-ISBN 978-0-8135-7364-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47968)

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Grant, Catherine A. (2000) Tropical multiculturalism: A comparative history of race in Brazilian cinema and culture. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16152)

Grant, Michael (1999) Bad girls and sick boys: Fantasies in contemporary art and culture. Review of: Bad girls and sick boys: Fantasies in contemporary art and culture by Kauffman, L.S. Sight and Sound, 9 (2). p. 30. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16812)

Grant, Michael (1998) Crimes of the future (David Cronenberg, 'Crash'). Screen, 39 (2). pp. 180-185. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17778)

Grant, Michael (1999) Early cinema in Russia and its cultural reception. Review of: Early cinema in Russia and its cultural reception by Tsivisn, Y. Sight and Sound, 9 (2). p. 32. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16815)

Grant, Michael (1999) The Eisenstein reader. Review of: The Eisenstein reader by Taylor, R. Sight and Sound, 9 (2). p. 30. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16813)

Grant, Michael (1998) Fake, fact and fantasy: Children's interpretations of television reality. Sight and Sound, 8 (8). pp. 28-29. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17775)

Grant, Michael (1998) Meat is murder: An illustrated guide to cannibal culture. Review of: Meat is murder: An illustrated guide to cannibal culture by Mikita, Brottman. Sight and Sound, 8 (8). p. 29. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17777)

Grant, Michael (1998) Video critical: Children, the environment and media power. Review of: Video Critical: Children, the Environment and Media Power by Gauntlett, D.. Sight and Sound, 8 (8). pp. 28-29. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17776)

Grant, Michael (1999) The Western reader. Review of: The Western reader by Kitses, J. Sight and Sound, 9 (2). pp. 31-32. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16814)

Grant, Michael (1999) The erotic anime movie guide. Review of: The erotic anime movie guide by McCarthy, Helen and Clements, Jonathan. Sight and Sound, 9 (5). p. 33. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16811)

Grieveson, Lee (1997) Policing the cinema: 'Traffic in Souls' at Ellis Island, 1913. Screen, 38 (2). pp. 149-171. ISSN 0036-9543. (doi:10.1093/screen/38.2.149) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18078)

Guerin, Frances (2019) Even If She Had Been a Criminal. A Past Unwatched. In: Baer, Nicholas and Hennefeld, Maggie and Horak, Laura and Iversen, Gunnar, eds. Unwatchable. Rutgers University Press, New Jersey. ISBN 978-0-8135-9958-8. E-ISBN 978-0-8135-9960-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:71526)
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Guerin, Frances (2014) FX Reflects (Blog). . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45698)

Guerin, Frances (2018) From Colgate University to the Central African Republic. . Indiana University Press online. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:70626)
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Guerin, Frances, ed. (2015) On Not Looking:The Paradox of Contemporary Visual Culture. Routledge Advances in Art and Visual Studies . Taylor & Francis Ltd, London, 274 pp. ISBN 978-1-138-82235-1. E-ISBN 978-1-315-74286-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45697)

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Mittermayer, Manfred and Blaser, Patrick and Braidt, Andrea and Holmes, Deborah, eds. (2009) Ikonen, Helden, Außenseiter: Film und Biographie. Zsolnay, Vienna, Austria, 205 pp. ISBN 978-3-552-05453-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42084)

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Irvin, Sherri, Nanay, Bence, Schellekens, Elisabeth, Smith, Murray (2019) Is Psychology Relevant to Aesthetics? Estetika: The Central European Journal of Aesthetics, . pp. 87-138. ISSN 2571-0915. E-ISSN 0014-1291. (KAR id:73454)
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Jeffers McDonald, Tamar (2016) Reviewing 'Reviewing the Fan Mags'. Film History, 28 (4). pp. 29-57. ISSN 0892-2160. E-ISSN 1553-3905. (doi:10.2979/filmhistory.28.4.02) (KAR id:78440)
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Jeffers McDonald, Tamar (2015) When Harry Met Sally... Palgrave Macmillan/BFI, London, 96 pp. ISBN 978-1-84457-907-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:52499)

Jeffers McDonald, Tamar E. L. (2011) Against Male Elegance. In: Modemuseum, ., ed. Symposium 2 - Seam & Star: Male Elegance. Modemuseum, Antwerp, Antwerp, Belgium. ISBN 978-90-79269-04-4. (KAR id:31331)
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Jeffers McDonald, Tamar E. L. (2013) Bringing Up Baby: generic hybridity and Dirty Dancing. In: Tzioumakis, Yannis and Lincoln, Sian, eds. The Time of Our Lives: Dirty Dancing and Popular Culture. Wayne State University Press, Detroit. ISBN 978-0-8143-3624-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31628)

Jeffers McDonald, Tamar E. L. (2013) Doris Day Confidential: Hollywood, Sex and Stardom. I B Tauris, London, 256 pp. ISBN 978-1-84885-581-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31640)

Jeffers McDonald, Tamar E. L. (2010) Hollywood Catwalk: Exploring Costume and Transformation in American Film. International Library of Cultural Studies . I B Tauris, London, 256 pp. ISBN 978-1-84885-040-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31619)

Jeffers McDonald, Tamar E. L. (2008) Homme-com: engendering change in contemporary romantic comedy. In: Abbot, Stacey and Jermyn, Deborah, eds. Falling in Love Again: Romantic Comedy in Contemporary Cinema. I B Tauris, London, pp. 146-159. ISBN 978-1-84511-771-9. (KAR id:31609)
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Jeffers McDonald, Tamar E. L. (2009) Mother’s Day: Taking the mother out of motherhood in The Thrill of it All. In: Addison, Heather and Goodwin-Kelly, Mary-Kate and Roth, Elaine, eds. Motherhood Misconceived: Representing the Maternal in US Films. State University of New York Press, New York, pp. 29-42. ISBN 978-1-4384-2812-3. (KAR id:31612)
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Jeffers McDonald, Tamar E. L. (2010) Performances of desire and inexperience: Doris Day’s fluctuating filmic virginity. In: Jeffers McDonald, Tamar E. L., ed. Virgin Territory: Representing Sexual Innocence in Film. Contemporary Approaches to Film and Television Series . Wayne State University Press, Detroit, USA, pp. 103-122. ISBN 978-0-8143-3318-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31616)

Jeffers McDonald, Tamar E. L. (2012) The View from the Man Cave: Comedy in the Contemporary 'Homme-com' cycle. In: Horton, Andrew and Rapf, Joanne E., eds. A Companion to Film Comedy. John Wiley & Sons, Chichester, West Sussex, pp. 217-235. ISBN 978-1-4443-3859-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31625)

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Kamm, Frances. A (2019) The Gothic in Space: Genre, Motherhood and Aliens (1986). In: Jeffers McDonald, Tamar E. L. and Kamm, Frances. A, eds. Gothic Heroines on Screen: Representation, Interpretation and Feminist Enquiry. Routledge, London. ISBN 978-1-138-71100-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77071)

Kamm, Frances. A (2016) Review of Women and the Gothic: An Edinburgh Companion, ed. by Avril Horner and Sue Zlosnik. Review of: Women and the Gothic: An Edinburgh Companion, ed. by Avril Horner and Sue Zlosnik by UNSPECIFIED. Irish Journal of Gothic and Horror Studies, . pp. 120-123. E-ISSN 2009-0374. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77075)

Kamm, Frances. A (2019) There's a ghost in my house”: The Female Gothic and the Supernatural in What Lies Beneath (2000). In: Holland, Samantha and Shail, Robert and Gerrard, Steven, eds. Gender and Contemporary Horror in Film. Emerald Publishing, Bingley. ISBN 978-1-78769-898-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77076)

Kamm, Frances. A (2019) A “fascinating conundrum of a movie”: Gothic, Horror and Crimson Peak (2015). The Revenant, . E-ISSN 2397-8791. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77073)

Kear, Jon (2005) The Clothing of Clio: Chris Marker’s Poetics and the Politics of Representing History. Film Studies: An International Review, 6 . pp. 49-63. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1325)

Kear, Jon (2003) The Spiral of Time: Memory, Temporality and Subjectivity in Chris Marker’s La Jetée’. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities: Intersections of Photography and Narrative. University of New Mexico Press, New Mexico USA, 0-0. ISBN 0-8263-2825-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1357)

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Laera, Margherita (2010) The Wedding at Cana. Charta Art Books, Milan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31361)

Law, Jonathan (2014) Materialising the Unseen: The Multisensory Cinema of the Invisible Body. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:48182)
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Lazaro-Reboll, A (2018) Sex Scene: Media and the Sexual Revolution. Review of: Sex Scene: Media and the Sexual Revolution by Lázaro-Reboll, Antonio. Film Studies, 18 (Spring). pp. 114-118. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.1249/MSS.0b013e31822cb0d2) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70942)

Lázaro-Reboll, Antonio (2019) Alejandro Jodorowsky and El Topo. In: The Routledge Companion to Cult Cinema. Routledge Media and Cultural Studies Companions . Routledge, UK, pp. 422-430. ISBN 978-1-138-95027-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74082)

Lázaro-Reboll, Antonio (2014) Daring Cycles: the Towers–Franco Collaboration, 1968–70. New Review of Film and Television Studies, 11 (1). pp. 92-110. ISSN 1740-0309. (doi:10.1080/17400309.2012.740595) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:33050)

Lázaro-Reboll, Antonio (2018) Endless Re-View: Jess Franco in Video Watchdog and Eyeball. In: Lázaro-Reboll, Antonio and Olney, Ian, eds. The Films of Jess Franco. Contemporary Approaches to Film and media Series . Wayne State University Press, Chicago, Detroit, pp. 242-264. ISBN 978-0-8143-4316-6. E-ISBN 978-0-8143-4317-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71026)

Lázaro-Reboll, Antonio (2002) Exploitation in the Cinema of Franco and Klimovsky. In: Godsland, Shelley and White, Anne, eds. Cultura Popular. Studies in Spanish and Latin American Popular Culture. Peter Lang, UK, pp. 83-95. ISBN 3-906766-96-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1361)

Lázaro-Reboll, Antonio (2012) Film Noir, the Thriller, and Horror (Chapter 9). In: Labanyi, Jo and Pavlovic, Tatjana, eds. A Companion to Spanish Cinema. Wiley-Blackwell, Oxford, pp. 259-290. ISBN 978-1-4051-9438-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36582)

Lázaro-Reboll, Antonio and Olney, Ian, eds. (2018) The Films of Jess Franco. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, Michigan, USA, 372 pp. ISBN 978-0-8143-4316-6. E-ISBN 978-0-8143-4317-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61866)

Lázaro-Reboll, Antonio (2017) Generating Fear: From Fantastic Factory (2000-2005) to [REC] (2007-2014). In: Mari, Jorge, ed. Tracing the Borders of Spanish Horror Cinema and Television. Routledge Research in Cultural and Media Studies . Routledge, New York, US and London, UK, pp. 161-189. ISBN 978-0-415-34863-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59820)

Lázaro-Reboll, Antonio (2005) La noche de Walpurgis / Shadow of the Werewolf. In: Mira, A., ed. The Cinema of Spain and Portugal. 24 Frames S. . Wallflower Press, London and New York, pp. 129-138. ISBN 1-904764-44-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:8041)

Lázaro-Reboll, Antonio (2016) Making Zines: Re-Reading European Trash Cinema (1988-1998). Film Studies, 15 (1). pp. 30-53. ISSN 1469-0314. (doi:10.7227/FS.0007) (KAR id:59815)
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Lázaro-Reboll, Antonio (2002) Masculinidades genéricas: tomas criminales en La semana del asesino (1971). Dossiers feministes, 6 . pp. 171-186. ISSN 1139-1219. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:8056)

Lázaro-Reboll, Antonio (2008) ‘Now Playing Everywhere’: Spanish Horror Film in the Marketplace. In: Beck, Jay and Rodriguez Ortega, Vicente, eds. Contemporary Spanish Cinema and Genre. Manchester University Press, Manchester, pp. 65-83. ISBN 978-0-7190-7775-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25146)

Lázaro-Reboll, Antonio (2009) “Perversa América Latina”: The Reception of Latin American Exploitation Cinemas in Spanish Subcultures. In: Ruetalo, Victoria and Tierney, Dolores, eds. Latsploitation, Exploitation Cinemas and Latin America. Routledge Advances in Film Studies . Routledge, London, pp. 37-54. ISBN 978-0-415-99386-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25142)

Lázaro-Reboll, Antonio (2005) Review of Peter Evans, 'Bigas Luna. Jamón jamón'. Review of: Bigas Luna. Jamón jamón by Evans, Peter William. Hispanic Research Journal, 6 (2). pp. 189-190. ISSN 1468-2737. (doi:10.1179/146827305X44088) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:8357)

Lázaro-Reboll, Antonio (2000) Review of Peter Evans, 'Spanish Cinema. The Auteurist Tradition'. Review of: Spanish Cinema. The Auteurist Tradition (Oxford: Oxford University Press, 1999) in Scope, May 2000 (e-journal). by Evans, Peter William. Scope, . ISSN 1465 -9166. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:8370)

Lázaro-Reboll, Antonio (2004) Screening “Chicho”: The Horror Ventures of Narciso Ibáñez Serrador. In: Lázaro-Reboll, Antonio and Willis, Andy, eds. Spanish Popular Cinema. Inside Popular Film . Manchester University Press, Manchester, pp. 152-168. ISBN 978-0-7190-6283-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:8050)

Lázaro-Reboll, Antonio (2018) Sex Scene: Media and the Sexual Revolution. Review of: Sex Scene: Media and the Sexual Revolution by UNSPECIFIED. Film Studies, 18 (1). pp. 114-118. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.18.0007) (KAR id:71263)
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Lázaro-Reboll, Antonio (2017) Sexual Horror Stories: The Eroticisation of Spanish Horror Film (1969–75). In: Fouz-Hernandez, Santiago, ed. Spanish Erotic Cinema. Edinburgh University Press, Edinburgh, UK, pp. 74-91. ISBN 978-1-4744-0047-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59817)

Lázaro-Reboll, Antonio (2012) Spanish Horror Film. Edinburgh University Press, Edinburgh, 256 pp. ISBN 978-0-7486-3638-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30355)

Lázaro-Reboll, Antonio (2012) Strategic Auteurism (Chapter 6). In: Labanyi, Jo and Pavlovic, Tatjana, eds. A Companion to Spanish Cinema. Wiley-Blackwell, Oxford, pp. 152-190. ISBN 978-1-4051-9438-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36583)

Lázaro-Reboll, Antonio (2005) Torrente : El brazo tonto de la ley e Torrente 2: Misión en Marbella / Torrente: The Dumb Arm of the Law and Torrente 2: Mission in Marbella. In: Mira, A., ed. The Cinema of Spain and Portugal. 24 Frames S. . Wallflower Press, London and New York, pp. 219-227. ISBN 1-904764-44-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:8047)

Lázaro-Reboll, Antonio and Willis, Andy (2004) Introduction: Film Studies, Spanish Cinema and Questions of the Popular. In: Lázaro-Reboll, Antonio and Willis, Andy, eds. Spanish Popular Cinema. Inside Popular Film . Manchester University Press, Manchester, pp. 1-23. ISBN 978-0-7190-6283-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:8052)

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March-Russell, Paul (2020) Bullet Sized. Short Film Studies, 10 (2). pp. 211-214. ISSN 2042-7824. (doi:doi: 10.1386/sfs_00017_1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:80302)
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March-Russell, Paul (2017) High-Rise. Review of: High-Rise by UNSPECIFIED. Vector, (285). pp. 14-15. ISSN 0505-0448. (KAR id:62532)
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March-Russell, Paul (2018) No escape from these words. Review of: (H)APPY by Barker, Nicola. Fantastika, 2 (1). pp. 122-125. ISSN 2514-8915. (KAR id:69755)
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March-Russell, Paul (2018) Star Wars: The Last Jedi. Review of: Star Wars: The Last Jedi by UNSPECIFIED. Vector, (287). pp. 34-35. ISSN 0505-0448. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:66807)

Marlow-Mann, Alex (2002) British Series and Serials in the Silent Era. In: Higson, Andrew, ed. Young And Innocent? The Cinema in Britain, 1896-1930. University of Exeter Press, Exeter, pp. 147-161. ISBN 978-0-85989-659-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:52119)

Marlow-Mann, Alex (2010) Character Engagement and Alienation in the Cinema of Paolo Sorrentino. In: Hope, William, ed. Italian Film Directors in the New Millennium. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 161-173. ISBN 978-1-4438-2075-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:52116)

Marlow-Mann, Alex, ed. (2013) Film Festival Yearbook 5: Archival Film Festivals. Film Festival Yearbook . St Andrews Film Studies, 412 pp. ISBN 978-1-908437-07-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50583)

Marlow-Mann, Alex (2001) Gli ultimi giorni di Pompei or the Evolution of the Italian Historical Epic (1908-1926). La Valle dell’Eden, (6). pp. 67-78. ISSN 8848900666. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:52108)

Marlow-Mann, Alex (2011) Gothic Horror. In: Bayman, Louis, ed. Directory of World Cinema: Italy. Directory of World Cinema . Intellect, pp. 154-175. ISBN 978-1-84150-400-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:52113)

Marlow-Mann, Alex (2012) Italy. In: Creekmur, Corey and Mokdad, Linda, eds. The International Film Musical. Traditions in World Cinema, 1 . Edinburgh University Press, pp. 80-91. ISBN 978-0-7486-3476-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:52112)

Marlow-Mann, Alex (2011) The New Neapolitan Cinema. Traditions in World Cinema . Edinburgh University Press, 256 pp. ISBN 978-0-7486-4066-9. (doi:10.3366/edinburgh/9780748640669.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50581)

Marlow-Mann, Alex (2017) Regional Cinema: Micro-mapping and Glocalisation. In: Stone, Rob and Cooke, Paul and Dennison, Stephanie and Marlow-Mann, Alex, eds. The Routledge Companion to World Cinema. Routledge. ISBN 978-1-138-91880-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61638)

Stone, Rob and Cooke, Paul and Dennison, Stephanie and Marlow-Mann, Alex, eds. (2017) The Routledge Companion to World Cinema. Routledge, 522 pp. ISBN 978-1-138-91880-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61637)

Marlow-Mann, Alex (2013) Strategies of Tension: Towards a Re-Interpretation of Enzo G. Castellari's The Big Racket and The Italian Crime Film. In: Bayman, Louis and Rigoletto, Sergio, eds. Popular Italian Cinema. Palgrave Macmillan, pp. 133-146. ISBN 978-0-230-30016-3. E-ISBN 978-1-137-30565-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:52111)

Marlow-Mann, Alex (2014) Subjectivity and the Ethnographic Gaze in Antonio Capuano’s 'Vito e gli altri'. In: Hipkins, Danielle and Pitt, Roger, eds. New Visions of the Child in Italian Cinema. Italian Modernities . Peter Lang, pp. 267-284. ISBN 978-3-0343-0269-2. (doi:10.3726/978-3-0353-0629-3) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50586)

Marlow-Mann, Alex (2006) Un cinema di nicchia: le fortune in Gran Bretagna. In: Zagarrio, Vito, ed. La meglio gioventù: Nuovo cinema italiano 2000-2006. Marsilio, pp. 292-296. ISBN 883178995. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:52117)

Marlow-Mann, Alex (2016) Whose Heritage?: Noi credevamo (We Believed) and the National, Regional and Transnational Dynamics of the Risorgimento Film. In: Screening European Heritage: Creating and Consuming History on Film. Palgrave European Film and Media Studies . Palgrave MacMillan, London, UK, pp. 45-60. ISBN 978-1-137-52279-5. E-ISBN 978-1-137-52280-1. (doi:10.1057/978-1-137-52280-1_3) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61631)

Marlow-Mann, Alex, Marcus, Millicent, Antonello, Pierpaolo (2010) Il Divo: A Discussion. The Italianist, 30 (2). pp. 245-271. ISSN 0261-4340. (doi:10.1179/026143410X12724449730213) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50585)

Marlow-Mann, Alex, Mendik, Xavier (2016) Death, Desire and Dania: Satire, Sexuality and Erotic Mobility in 1970s and 1980s Italy. Cine-Excess, (2). E-ISSN 2053-0706. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61634)

May, Shaun (2014) Abject Metamorphosis and Mirthless Laughter: On Human-to-Animal Transitions and the 'Disease of Being Finite'. Performance Research, 19 (1). pp. 72-80. ISSN 1352-8165. (doi:10.1080/13528165.2014.908086) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49199)

May, Shaun (2015) A Philosophy of Comedy on Stage and Screen: You Have to Be There. Bloomsbury Methuen Drama, London, 224 pp. ISBN 978-1-4725-8043-6. E-ISBN 978-1-4725-8046-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53838)

May, Shaun (2013) Rise of Being-in-the-World. In: Huss, John, ed. Planet of the Ape and Philosophy. Open Court, Chicago, pp. 255-262. E-ISBN 978-0-8126-9822-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54028)

Misek, Richard (2018) "All I have to offer is myself”: the film-maker as narrator. In: Vassilieva, Julia and Williams, Deane, eds. Beyond the Essay Film: Subjectivity, Textuality and Technology. Bloomsbury, London, UK. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72001)

Misek, Richard (2017) All talk: Matias Piñeiro’s verbal narratives. In: Games People Play: The Cinema of Matias Pineiro, 7 Nov 2017, Royal Belgian Film Archive, Brussels, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72004)

Misek, Richard (2017) The Black Screen. Alchemy Film and Moving Image Festival DCP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61733)

Misek, Richard (2017) Black White Colour. In: Experience Colours!, 7 Nov 2018, Aalto University, Helsinki, Finland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72000)

Misek, Richard (2018) Notes on Rohmer. In: Zomer Film College, Royal Belgian Film Archive, 14 July 2018, Antwerp, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72002)

Misek, Richard (2018) Six of Seven Things I Know About The Video Essay. In: UNSPECIFIED, 12 April 2018, Monash University, Melbourne, Australia. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72003)

Misek, Richard (2015) The Stolen Film. In: Cinematic Bricoleurs: Remixing, restyling and repurposing in contemporary filmmaking practice, 8 Jan 2016, King's College, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72007)

Misek, Richard and Beugnet, Martine (2017) In Praise of Blur. Ghent Film Festival DCP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:63445)

Misek, Richard and Beugnet, Martine (2017) In Praise of Blur. Ghent Film Festival DCP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71999)

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Neale, Steve (1995) The story of Custer in everything but name, colonel-Thursday and 'fort apache'. Journal of Film and Video, 47 (1-3). pp. 26-32. ISSN 0742-4671. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19407)

Newton, James (2019) The Anarchist Cinema. Intellect, Bristol, Uk, 173 pp. ISBN 978-1-78938-003-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76227)

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O'Meara, Lucy (2016) Barthes and Antonioni in China: the Muffling of Criticism. Textual Practice, 30 (2). pp. 267-286. ISSN 0950-236X. (doi:10.1080/0950236X.2016.1129729) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55451)

Oh, Hyun Jeon (2020) Institutional Logics, Cultural Identity and Internationalisation of Art Films: A Comparative Analysis of France and Korea. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:81344)
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Pauleit, Winfried, Greiner, Rasmus, Frey, Mattias (2018) Audio History des Films: Sonic Icons – Auditive Histosphäre – Authentizitätsgefühl. Bertz + Fischer, Berlin, 188 pp. ISBN 978-3-86505-254-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64744)

Pitts, Virginia (2010) From Process to Product: Intercultural Collaboration in the Making of Whale Rider. In: Impure Cinema: Interdisciplinary and Intercultural Approaches to World Cinema. (Unpublished) (KAR id:26340)
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Pitts, Virginia (2011) Technologies of Culture: Digital Feature Filmmaking in New Zealand. New Cinemas: Journal of Contemporary Film, 9 (1). pp. 3-17. ISSN 1474-2756. (doi:10.1386/ncin.9.1.3_1) (KAR id:31512)
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Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds. (2005) Szenische Orte - Mediale Räume. MuTH Medien und Theater, 1 . Olms, Hildesheim / New York, 265 pp. ISBN 978-3-487-12799-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30264)

Roesner, David P. (2013) Dancing in the Twilight – On the Borders of Music and the Scenic. In: Symonds, Dominic and Karatonis, Pamela, eds. The Legacy of Opera. Reading Music Theatre as Experience and Performance. Rodopi, Amsterdam, pp. 169-187. ISBN 978-90-420-3691-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30272)

Roesner, David P. (2007) Komik - Ko?rper - Kunst - Kommerz. Eine Analyse der Elemente der Commedia dell`Arte in den Silent Slapstick Comedies. Other masters thesis, University of Hildesheim. (KAR id:30280)
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Roesner, David P. (2005) Musikalische Spiel-Räume. In: Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds. Szenische Orte-Mediale Raume. Olms, Hildesheim / New York, pp. 129-147. ISBN 978-3-487-12799-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30266)

Roesner, David P. (2009) 'An entirely new art form' – Katie Mitchells intermediale Bühnen-Experimente. Forum Modernes Theater, 24 (2). pp. 101-119. ISSN 0930-5874. (KAR id:30255)
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Rowlandson, William (2006) The Journey into the Text – Reading Rulfo in Carlos Reygadas’s 2002 Film 'Japón'. Modern Language Review, 101 (4). pp. 1025-1034. ISSN 0026-7937. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1368)

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Sayad, Cecilia (2015) Afterword in Film Criticism in the Digital Age. In: Sayad, Cecilia and Frey, Mattias, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 243-247. ISBN 978-0-8135-7072-3. E-ISBN 978-0-8135-7364-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42006)

Sayad, Cecilia (2009) The Auteur as Fool. In: Screen Studies Conference: 50th Anniversary, July 2009, University of Glasgow. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36379)

Sayad, Cecilia (2011) The Auteur as Fool: Bakhtin, Barthes, and the Screen Performances of Woody Allen and Jean-Luc Godard. Journal of Film and Video, 63 (4). pp. 21-34. ISSN 0742-4671. (doi:10.5406/jfilmvideo.63.4.0021) (KAR id:28425)
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Sayad, Cecilia (2006) Authorship in the Interstices of History, Biography, Reality and Memory: Histoire(s) du cinéma and Cabra Marcado para Morrer. Significação: Revista Brasileira de Semiótica, (26). pp. 139-172. ISSN 1516-4330. (KAR id:13477)
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Sayad, Cecilia (2017) Beyond Film: A New Place for Reality in Horror. In: The Moving Form of Film Conference, 6-8 November 2017, Reading, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73560)

Sayad, Cecilia (2009) Border crossing, corporality and performance: a study of authorial self-inscription in the cinema. In: Centre for World Cinemas – WUN series, October 2009, University of Leeds. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36380)

Sayad, Cecilia (2016) Cameras and Ghosts. Cinema Journal, 55 (2). ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54185)

Sayad, Cecilia (2009) A Cinema of Presence: the author and the body in the documentaries of Eduardo Coutinho. In: Performing Presence, March 2009, Exeter. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36254)

Sayad, Cecilia (2015) Critics Through Authors: Dialogues, Similarities, and the Sense of a Crisis. In: Sayad, Cecilia and Frey, Mattias, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 41-59. ISBN 978-0-8135-7072-3. E-ISBN 978-0-8135-7364-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36191)

Sayad, Cecilia (2004) Da poesia à cafajestagem. Review of: The Brown Bunny by Gallo, Vincent. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36180)

Sayad, Cecilia (2004) Deconstructing God. Reverse Shot, Spring . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36179)

Sayad, Cecilia (2017) Digital Ghosts: Rethinking the relationship between horror and reality. In: British Association of Film, Television and Screen Studies Conference, 20-21 April 2017, Bristol. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73558)

Sayad, Cecilia (2014) Discussion of Performing Authorship. In: The Self-Portrait in the Moving Image, 28 February-1 March 2014, Birckbeck; London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42010)

Sayad, Cecilia (2014) Do Critics Need Authors? In: Critica 2.0, 18-19 February 2014, Bologna, Italy. (Unpublished) (KAR id:42007)
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Sayad, Cecilia (2016) Documenting Ghosts in the Post-Truth Era. In: University of Warwick Research Seminar Series, Coventry, UK. (Unpublished) (doi:https://warwick.ac.uk/fac/arts/news/events/?calendarItem=8a17841a5fd9d400015fda6091651653) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73561)

Sayad, Cecilia (2010) Documenting Presence: the author, the body and the nation in the films of Eduardo Coutinho. In: Society for Cinema and Media Studies 2010, March 2010, Los Angeles, CA. (Unpublished) (KAR id:36381)
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Sayad, Cecilia (2014) Eduardo Coutinho's Films Were About Gaps and Creative Frictions. Mediático, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:38189)

Sayad, Cecilia (2010) Flesh for the Author: Filmic Presence in the Documentaries of Eduardo Coutinho. Framework: The Journal of Cinema and Media, 51 (1). pp. 134-150. ISSN 0306-7661. (doi:10.1353/frm.0.0061) (KAR id:26343)
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Sayad, Cecilia (2016) Found-Footage Horror and the Frame's Undoing. Cinema Journal, 55 (2). ISSN 0009-7101. (doi:10.1353/cj.2016.0003) (KAR id:42009)
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Sayad, Cecilia (2014) Framing the Found Footage Horror Film. In: Society for Cinema and Media Studies Conference 2014, 18-23 March 2014, Seattle, USA. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:42008)

Sayad, Cecilia (2005) Fresh Flesh for the Author: The Effects of Directorial Self-Inscription in the Films of Jean-Luc Godard and Eduardo Coutinho. In: Society for Cinema and Media Studies Conference 2005 (London), April 2005, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36188)

Sayad, Cecilia (2017) Ghost Images: Horror, documentary and the supernatural. In: School of Media, Film and Music Research Seminar, University of Sussex, 29 March 2017, Brighton. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73557)

Sayad, Cecilia (2017) The Ghosts and the Machines. In: At Home with Horror?, 27-29 October 2017, Canterbury, Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73559)

Sayad, Cecilia (2009) Godard and the frame: the author as trespasser. In: Film Research Seminar, May 2009, University of Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36378)

Sayad, Cecilia (2005) The Issue of Authorship in Adaptation. In: Popular Culture Association/American Culture Association, March 2005, San Diego, CA, United States. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36187)

Sayad, Cecilia (2016) A Matter of (Informed) Taste. Film Criticism, 40 (1). ISSN 0163-5069. (doi:10.3998/fc.13761232.0040.129) (KAR id:54179)
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Sayad, Cecilia (2016) Millennial Ghosts: Factual Representations of the Supernatural. In: Religious Studies Research Seminar Series, 2 November 2016, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58591)

Sayad, Cecilia (2015) Monsters and Everyday Life. In: Screen Studies Conference, 26/006/2015-28/06/2015, University of Glasgow. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50255)

Sayad, Cecilia (2006) Mutant Authors and Cross-Pollinating Texts in Charlie Kaufman’s Adaptation. In: Housel, Rebecca, ed. From Camera Lens to Critical Lens: A Collection of Best Essays on Film Adaptation. Cambridge Scholars Press, Cambridge, p. 123. ISBN 978-1-84718-031-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13476)

Sayad, Cecilia (2014) Narrative, Visibility and Trauma in Bus 174. In: Navarro, Vinicius and Rodriguez, Juan Carlos, eds. New Documentaries in Latin America. Palgrave McMillan. ISBN n/a. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36185)

Sayad, Cecilia (2006) Performance as shortcut: truth’s paths in Santo Forte and Bus 174. In: XIII Visible Evidence Conference, August 2006, Sao Paulo, Brazil. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36189)

Sayad, Cecilia (2013) Performing Authorship: Self-inscription and Corporeality in the Cinema. Tauris World Cinema Series . I.B. Tauris, 288 pp. ISBN 978-1-78076-005-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31468)

Sayad, Cecilia (2011) The Persistence of Auteurism in Brazilian Cinema. In: Issues of Auteurism in Latin American Cinema - SCMS, 10-13 March 2011, Ritz-Carlton, New Orleans. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:27522)

Sayad, Cecilia (2015) Playing and the Loose Boundaries Between Inner and Outer Selves. In: World Cinema and the Essay Film, 30/04/2015-2/05-2015, University of Reading, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50254)

Sayad, Cecilia (2015) Reality TV, Mock Found-Footage, and Horror’s Changing Relationship to Reality. In: King's College Research Seminar, 11 March, 2015, King's College London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47973)

Sayad, Cecilia (2010) Review of After Hitchcock: Influence, Imitation, and Intertextuality, David Boyd and R. Barton Palmer (eds.). Review of: After Hitchcock: Influence, Imitation, and Intertextuality by Boyd, David and Barton Palmer, R.. Journal of Adaptation in Film and Performance, 3 (2). pp. 119-121. ISSN 1753-6421. (doi:10.1386/jafp.3.2.213_4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26344)

Sayad, Cecilia (2013) Shifting Approaches. In: Society for Cinema and Media Studies Conference 2013, March 2013, Chicago, IL. (Unpublished) (KAR id:36383)
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Sayad, Cecilia (2013) The Stand-up Auteur. In: A Companion to Woody Allen. WBCF - Wiley-Blackwell Companions to Film Directors . Wiley-Blackwell. ISBN 978-1-4443-3723-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31467)

Sayad, Cecilia (2005) Traumas paralelos. Review of: Mysterious Skin (Gregg Araki, 2004) by Araki, Gregg. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36184)

Sayad, Cecilia (2007) Um cinema desenquadrado: a política da linguagem e a linguagem da política em Duas ou três coisas que eu sei dela. In: XI Encontro Internacional Socine: Sociedade Brasileira de Estudos de Cinema e Audiovisual, October 2007, Rio de Janeiro, Brazil. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36253)

Sayad, Cecilia (2005) Um cinema hiperbólico. Review of: Old Boy (Chan-Wook Park, 2004) by Park, Chan-Wook. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36183)

Sayad, Cecilia (2016) Variations on the Author. Film Quarterly, 69 (3). pp. 12-18. ISSN 0015-1386. E-ISSN 1533-8630. (doi:10.1525/FQ.2016.69.3.12) (KAR id:54243)
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Sayad, Cecilia (2007) With a Little Help from Fiction: Performing for Life in Bus 174. In: Society for Cinema and Media Studies Conference 2007 (Chicago), March 2007, Chicago. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36190)

Sayad, Cecilia (2005) A história sem fim. Review of: Moments choisis des Histoire(s) du cinéma (Jean-Luc Godard, 2005) by Godard, Jean-Luc. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36181)

Sayad, Cecilia (2005) A saga de Garganta Profunda. Review of: Inside Deep Throat (Fenton Bailey and Randy Barbato, 2005) by Bailey, Fenton and Barbato, Randy. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36182)

Schaffner, Anna Katharina (2009) Fantasmatic Splittings and Destructive Desires: Lynch's Lost Highway, Mulholland Drive and Inland Empire. Forum for Modern Language Studies, 45 (3). pp. 270-291. ISSN 0015-8518. (doi:10.1093/fmls/cqp105) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36601)

Sforza Tarabochia, Alvise (2013) Review of Torunn Haaland, 'Italian Neorealist Cinema'. Review of: Italian Neorealist Cinema (Edinburgh University Press, 2012) by Haaland, Torunn. Historical Journal of Film, Radio and Television, 33 (2). pp. 343-346. ISSN 0143-9685. (doi:10.1080/01439685.2013.782623) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:33779)

Sforza Tarabochia, Alvise and Diazzi, Alessandra (2019) Social and Mental Alienation in Italy between the Economic Miracle and the Years of Lead. In: The Years of Alienation in Italy. Factory and Asylum from the Economic Miracle and the Years of Lead. Palgrave. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73767)

Sharman, L.F. (1992) Cohl,emile, caricature, and film - crafton,d. Screen, 33 (4). pp. 441-445. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22217)

Smith, Murray (2009) Consciousness. In: Livingston, Paisley and Plantinga, Carl, eds. The Routledge Companion to Philosophy and Film. Routledge Philosophy Companions . Routledge, London and New York, pp. 39-51. ISBN 978-0-415-77166-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31406)

Smith, Murray (1999) (Dis)engaging characters: a response to Lynne Pearce's review. Screen, 40 (3). pp. 358-362. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16635)

Smith, Murray (2009) Double Trouble: On Film, Fiction, and Narrative. StoryWorlds: A Journal of Narrative Studies, 1 (1). pp. 1-23. ISSN 2156-7204. (doi:10.1353/stw.0.0014) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31412)

Smith, Murray (2018) Film, Art, and the Third Culture: A Naturalized Aesthetics of Film — Précis. Projections, 12 (2). pp. 1-8. ISSN 1934-9688. (doi:10.3167/proj.2018.120202) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:72056)
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Smith, Murray (2018) Film, Art, and the Third Culture: A Response. Projections, 12 (2). pp. 111-136. ISSN 1934-9688. (doi:10.3167/proj.2018.120214) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:72057)
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Smith, Murray (1998) Image and mind: Film, philosophy, and cognition science. Review of: Image and Mind: Film, Philosophy, and Cognitive Science. by Currie, Gregory. British Journal of Aesthetics, 38 (3). pp. 325-327. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17151)

Smith, Murray (2018) The Kuleshov Fallacy. . Oxford University Press online publication. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74288)

Smith, Murray (1998) Regarding film spectatorship: A reply to Richard Allen. Journal of Aesthetics and Art Criticism, 56 (1). pp. 63-65. ISSN 0021-8529. (doi:10.2307/431952) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17153)

Smith, Murray (1992) Society-for-cinema-studies conference, pittsburgh, 30-april 3-may, 1992. Screen, 33 (4). pp. 436-438. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22236)

Smith, Murray (2007) Was macht es fur einen Unterschied ? Wissenschaft, Gefuhl und Film. In: Bartsch, Anne and Eder, Jens and Fahlenbrach, Kathrin, eds. Audiovisuelle Emotionen:Emotionsdarstellung und Emotionsvermittlung durch audiovisuelle Medienangebote. Herbert von Halem, Cologne, pp. 39-59. ISBN 978-3-938258-30-9. (KAR id:12940)
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Staehler, Axel (2019) Making Peace or Piecemeal? Arnold Wesker's Screenplay and Wolfgang Storch's TV Adaptation of Arthur Koestler's Thieves in the Night. Jewish Film & New Media, 6 (1). pp. 28-66. ISSN 2169-0324. (doi:10.13110/jewifilmnewmedi.6.1.0028) (KAR id:70301)
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Stanfield, Peter (2018) Hoodlum Movies: Seriality and the Outlaw Biker Film Cycle, 1966-1972. Rutgers University Press, New Jersey, USA, 214 pp. ISBN 978-0-8135-9901-4. E-ISBN 978-0-8135-9903-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:67179)

Stanfield, Peter (2011) Maximum Movies -- Pulp Fictions: Film Culture and the Worlds of Samuel Fuller, Mickey Spillane and Jim Thompson. Rutgers University Press, New Jersey, 256 pp. ISBN 978-0-8135-5062-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:28203)

Stirrup, David (2015) Wild West in the Mild West: Reading the Canadian Anti-Western through The Englishman’s Boy. In: Paryz, Marek and Leo, John R., eds. The Post-2000 Film Western: Contexts, Transnationality, Hybridity. Palgrave Macmillan, pp. 106-130. ISBN 978-1-137-53127-8. (doi:10.1057/9781137531285) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51836)

Stähler, Axel (2019) "Historical Argument" or "Cowboys and Indian"? Arnold Wesker's TV Screenplay of Arthur Koestler's Thieves in the Night. Jewish Film & New Media, 5 (2). pp. 199-226. ISSN 2169-0324. (KAR id:70300)
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Stähler, Axel and Kern-Stähler, Annette (2009) The Translation of Testimony and the Transmission of Trauma: Jonathan Safran Foer’s 'Everything is Illuminated' and Liev Schreiber’s Film Adaptation. In: Guignery, Vanessa, ed. Voices and Silence in the Contemporary English Novel. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 160-184. ISBN 978-1-4438-1247-4. (KAR id:22851)
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Tavassoli Zea, Zahra (2016) La Bande Des Quatre: Nineteenth-century Artistic and Literary Sources in Late Nouvelle Vague Filmmaking. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:61010)
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Topp, Dominic (2019) Cinéma Militant: Political Filmmaking and May 1968 by Paul Douglas Grant. Review of: Cinéma Militant: Political Filmmaking and May 1968 by Grant, Paul Douglas. Studies in European Cinema, 16 (2). pp. 169-170. ISSN 1741-1548. (doi:10.1080/17411548.2017.1363499) (KAR id:76471)
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Topp, Dominic (2016) “Disconnect a Certain Reality in Order to Reconnect It in Another Way”: New Image Relations in the Films of the Dziga Vertov Group. In: NECS conference, 28-30 July 2016, Potsdam, Germany. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76475)

Topp, Dominic (2019) Film Rhythm after Sound: Technology, Music, and Performance by Lea Jacobs. Review of: Film Rhythm after Sound: Technology, Music, and Performance by Jacobs, Lea. Projections, 13 (1). pp. 96-101. ISSN 1934-9688. E-ISSN 1934-9696. (doi:10.3167/proj.2019.130106) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:76468)
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Topp, Dominic (2020) “How’s Your Sense of Direction?” Studying Audiences’ Perception of Classical Hollywood Directors, 1934-1943. In: Biltereyst, Daniel and Van de Vijver, Lies, eds. Mapping Movie Magazines: Digitization, Periodicals and Cinema History. Global Cinema . Palgrave Macmillan, Basingstoke, UK, pp. 257-278. ISBN 978-3-030-33276-1. E-ISBN 978-3-030-33277-8. (doi:10.1007/978-3-030-33277-8_13) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81601)

Topp, Dominic (2018) La Composición Pictórica en el Cine de John Ford. In: Simposio Internacional Homenaje a John Ford, Festival Internacional de Cine Recobrado de Valparaíso, 22-26 Oct 2018, Valparaíso, Chile. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76473)

Topp, Dominic (2017) Not Reconciled? A Naturalized Aesthetics and the Challenge of Modernism. In: Aesthetics Today symposium, Aesthetics Research Centre, University of Kent, 5 June 2017, Canterbury, Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76474)

Topp, Dominic (2018) Putting the Culture into Bioculturalism: A Naturalized Aesthetics and the Challenge of Modernism. Projections, 12 (2). pp. 101-110. ISSN 1934-9688. E-ISSN 1934-9696. (doi:10.3167/proj.2018.120213) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:76469)
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Topp, Dominic (2014) The Representation of Politics: The Films of Jean-Luc Godard and the Dziga Vertov Group, 1967-1972. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:47917)
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Topp, Dominic (2017) Retrospective 2017: Future Imperfect. Science · Fiction · Film 67th Berlin International Film Festival, Berlin, Germany, 9–19 February 2017. Review of: 67th Berlin International Film Festival by UNSPECIFIED. Alphaville: Journal of Film and Screen Media, 13 . pp. 189-194. ISSN 2009-4078. (KAR id:76472)
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Topp, Dominic (2018) “Revolución Escritura”: los ciné-tracts de Jean- Luc Godard y el arte de mayo de 1968. Significação: Revista de Cultura Audiovisual, 45 (50). pp. 22-43. ISSN 1516-4330. (doi:10.11606/issn.2316-7114.sig.2018.141980) (KAR id:76470)
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Triana Toribio, Núria (2017) En un lugar cualquiera de América del Norte: En la carretera transnacional con Isabel Coixet. In: Zecchi, Barbara, ed. Tras las lentes de Isabel Coixet: Cine, Compromiso y Feminismo. Prensas de la Universidad de Zaragoza, Spain, pp. 37-66. ISBN 978-84-16935-73-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:66087)

Triana Toribio, Núria (2016) Spanish Film Cultures: The Making and Unmaking of Spanish Cinema. Cultural Histories of Cinema . British Film Institute, 168 pp. ISBN 978-1-84457-822-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59193)

Turner, Caleb (2016) Spectacular Rhythms: Cultural Conflict in the Contemporary Superhero Film. Doctor of Philosophy (PhD) thesis, University of Kent, -. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:55167)
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Vaage, Margrethe Bruun (2007) Empathie. Zur episodischen Struktur der Teilhabe am Spielfilm. Montage A/V, 16 (1). pp. 101-120. ISSN 0942-4954. (KAR id:56204)
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Vaage, Margrethe Bruun (2017) From The Corner to The Wire: On Nonfiction, Fiction, and Truth. Journal of Literary Theory, 11 (2). ISSN 1862-5290. E-ISSN 1862-8990. (doi:10.1515/jlt-2017-0023) (KAR id:63546)
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Vaage, Margrethe Bruun (2009) Self-Reflection: Beyond Conventional Fiction Film Engagement. Nordicom Review, 30 (2). pp. 159-178. ISSN 1403-1108. (KAR id:56203)
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Welch, David (2000) News into the next century: Introduction. Historical Journal of Film, Radio and Television, 20 (1). pp. 5-13. ISSN 0143-9685. (doi:10.1080/01439680099975) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16734)

Welch, David (1993) Political 're-education' and the use of radio in Germany after 1945. Historical Journal of Film, Radio and Television, 13 (1). pp. 75-81. ISSN 0143-9685. (doi:10.1080/01439689300260501) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20737)

Williams, J.S. (1999) The signs amongst us: Jean-Luc Godard's 'Histoire(s) du cinema'. Screen, 40 (3). pp. 306-315. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16756)

Williams, James S. (2004) Debates 1960-2004: The Exercise Was Beneficial, Monsieur Daney. In: Temple, Michael and Witt, Michael, eds. The French Cinema Book. British Film Institute, London, pp. 265-272. ISBN 978-1-84457-011-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7935)

Williams, James S. (2001) For Our Eyes Only: Body and Sexuality in Reverse Motion in the films of Jean Cocteau. In: Williams, James S. and Hughes, Andrea, eds. Gender and French Cinema. Berg, Oxford and New York, pp. 77-106. ISBN 1-85973-570-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7938)

Williams, James S. (2003) Music, Love, and the Cinematic Event. In: Temple, Michael and Williams, James S. and Witt, Michael, eds. For Ever Godard. Black Dog Publishing, London, pp. 288-311. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7933)

Williams, James S. (2004) “O heave! O heave away, heave! O heave!”: working through the author in Claire Denis’s Beau Travail. Journal of European Studies, 34 (1-2). pp. 44-59. ISSN 0047-2441. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7936)

Williams, James S. and Hughes, Andrea (2001) Gender and French Cinema: Introduction. In: Williams, James S. and Hughes, Andrea, eds. Gender and French Cinema. Berg, Oxford and New York, pp. 1-18. ISBN 1-85973-570-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7943)

Williams, James S. and Temple, Michael and Witt, Michael (2003) Introduction: For Ever Godard. In: Williams, James S. and Temple, Michael and Witt, Michael, eds. For Ever Godard. Black Dog Publishing, London, pp. 14-16. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7934)

Williams, James.S. (2001) Beyond the Cinematic Body: human emotion vs. digital technology. In: Hori, Junji and Yomota, Inuhiko, eds. Histoire(s) du cinéma : JEAN-LUC GODARD. Gallimard-Gaumont, Tokyo, Japan, pp. 127-152. ISBN 978-2-07-011544-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7946)

Wollen, Will (2005) Role of Vogon Soldiers in Hitchhikers Guide to the Galaxy (Disney 2005 dir. Garth Jennings). Performance type: Video/Film (fiction) The Hitchhiker's Guide to the Galaxy, Worldwide release. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78731)

Wollen, William (2016) Played the role of Kerchak in The Legend of Tarzan (Warner Bros.2016 dir. David Yates). Performance type: Video/Film (fiction) The Legend of Tarzan, Worldwide release. Worldwide cinema release. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57025)

Wood, Aylish (2015) Aardman! In an Adventure with CGI! In: Aardman Workshop, July 2015, University of Surrey. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53142)

Wood, Aylish (2005) The Animated Queer. In: Griffiths, Robin, ed. Queer Cinema in Europe. Intellect. ISBN 1-84150-079-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4638)

Wood, Aylish (2014) Behind the Scenes: A Study of Autodesk Maya. Animation: An Interdisciplinary Journal, 9 (3). pp. 317-332. ISSN 1746-8477. (doi:10.1177/1746847714546247) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:53114)
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Wood, Aylish (2014) Contests and Simulations: Tron: Legacy and its Connections with Technologies. Journal of Film and Video, . ISSN 0742-4671. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31401)
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Wood, Aylish (2016) Digital Contours, Chases and Spaces: thinking about space through software. In: The Magic of Special Effects. University of Chicago Press (unconfirmed). (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53143)

Wood, Aylish (2007) Digital Encounters. Routledge, Taylor and Francis Group, 200 pp. ISBN 978-0-415-41066-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2252)

Wood, Aylish (2007) Digital Intermediates and Digital Expressive Practice. In: Society for Cinema and Media Studies Conference 2007, 8th March - 11th March 2007, Chicago, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12964)

Wood, Aylish (2011) Digital afx: digital dressing and affective shifts in Sin City and 300. New Review of Film and Television Studies, 9 (3). pp. 283-295. ISSN 1740-0309. (doi:10.1080/17400309.2011.585860) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31397)
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Wood, Aylish (2008) Encounter at the Interface: Distributed Attention and Digital Embodiments. Quarterly Review of Film and Video, 25 (3). pp. 219-229. ISSN 1050-9208. (doi:10.1080/10509200601091490) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31605)
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Wood, Aylish (2015) Excavating Software Algorithms. In: Society for the Cognitive Study of the Moving Image, June 2015, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53141)

Wood, Aylish (2004) The Expansion of Narrative Space: Titanic and CGI Technology. In: Street, Sarah and Bergfelder, Tim, eds. Titanic as Myth and Memory: Representations in Visual and Literary Culture. I.B.Tauris, pp. 225-234. ISBN 1-85043-432-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4639)

Wood, Aylish (2001) Fresh Kill: Information Technologies as Sites of Resistance. In: Munt, Sally, ed. Technospaces: inside the new media. Continuum, pp. 161-174. ISBN 0-8264-5003-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4642)

Wood, Aylish (2014) Gravity. Review of: Gravity by Cuaron, Alfonso. Science Fiction Film and Television, 7 (3). pp. 441-444. ISSN 1754-3770. E-ISSN 1754-3789. (doi:10.3828/sfftv.2014.25) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:53144)
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Wood, Aylish (2013) Hugo and 3D Space: tracing digital contours. In: Society for Cinema and Media Studies Conference 2013, March 2013, Chicago, IL. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53139)

Wood, Aylish (2015) Inception’s Timespaces. In: North, D. and Rehak, R. and Duffy, M.S., eds. Special Effects: New Histories, Theories, Contexts. BFI: Palgrave Macmillan / Bloomsbury, pp. 254-266. ISBN 978-1-84457-517-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31403)

Wood, Aylish (2013) Intangible Spaces: Tracing Technologies in the 3-D Space of Hugo. In: CRASSH: Joining the Dots, April 2013, University of Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53138)

Wood, Aylish (2013) Intangible space: three-dimensional technology in Hugo and IMAX in The Dark Knight. Convergence: The International Journal of Research Into New Media Technologies, 19 (4). pp. 1-13. ISSN 1354-8565. (doi:DOI: 10.1177/1354856513501414) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:35284)
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Wood, Aylish (2013) Introducing 'more-than-representational space: software and visual effects. In: The Magic of Special Effects, November 2013, Montreal. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53137)

Wood, Aylish (2015) Making Movements: Technological Imaginations of Animators and Algorithms. In: Society for Animation Studies 2015, July 2015, Christchurch College Canterbury. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53140)

Wood, Aylish (2004) The Metaphysical Fabric that Binds Us’: Proprioceptive Coherence and Performative Space in Minority Report. New Review of Film and Television Studies, 2 (1). pp. 1-18. ISSN 1740-0309. (KAR id:4635)
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Wood, Aylish (2007) 'Pixel Visions: Digital Intermediates and Micromanipulations of the Image'. Quarterly Review of Film and Video, Film C (1). pp. 72-94. ISSN 0163-5069. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:2251)
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Wood, Aylish (2006) Re-Animating Space. Animation: An Interdisciplinary Journal, 1 (2). pp. 133-152. ISSN 1746-8477. E-ISSN 1746-8485. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:4634)
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Wood, Aylish (2014) Software and Visual Effects. In: Society for Animation Studies, June 2014, Toronto. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53133)

Wood, Aylish (2014) Software, Animation and Autodesk Maya. In: Digital in Depth, May 2014, University of Warwick. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53135)

Wood, Aylish (2014) Software, Animation and the Moving Image: What’s in the Box? In: Creative Animation Knowledge Exchange Conference, July 2014, Edge Hill. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53134)

Wood, Aylish (2015) Software, Animation, and the Moving Image: What's in the Box? Pivot . Palgrave MacMillan, Basingstoke, 120 pp. ISBN 978-1-137-44884-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53116)

Wood, Aylish (2013) Sonic Times in Inception and Watchmen. In: Vernalis, Carol and Richardson, John and Herzog, Amy, eds. The Oxford Handbook of Sound and Image in Digital Media. Oxford University Press, Oxford, pp. 417-437. ISBN 978-0-19-025817-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31402)

Wood, Aylish (2013) Talking about Maya. . University of Kent, 60 pp. pdf. (KAR id:37675)
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Wood, Aylish (2005) Vectorial dynamics: transtextuality and complexity in the Matrix. In: Gillis, Stacy, ed. The Matrix. Wallflower Press. ISBN 1-904764-32-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1102)

Wood, Aylish (2014) What’s in the Box? In: BAFTSS Annual Conference, April 2014, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53136)

Wood, Aylish (2012) Where Codes Collide: the Emergent Ecology of Avatar. Animation: An Interdisciplinary Journal, 7 (3). pp. 309-322. ISSN 1746-8477. (doi:10.1177/1746847712456261) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31400)
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Wood, Aylish (2019) Where Do Shapes Come From? In: Harris, Miriam and Husbands, Lilly and Taberham, Paul, eds. Experimental Animation: from analogue to digital. Routledge, London, UK. ISBN 978-1-138-70296-7. E-ISBN 978-1-138-70298-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:67447)
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Wood, Aylish (1998) "You ever fuck a mutant?" Technology, Gender and Identity in Total Recall. In: Ainley, Rosa, ed. New Frontiers of Space, Bodies and Gender. Routledge, pp. 191-202. ISBN 0-415-15490-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4645)

Wood, Aylish (2004) The collapse of reality and illusion in The Matrix. In: Tasker, Yvonne, ed. The Action Reader. Routledge, pp. 119-129. ISBN 0-415-23507-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4640)

Wood, Aylish (2002) The timespaces of spectacular cinema: crossing the great divide of spectacle versus narrative. Screen, 43 (4). pp. 370-386. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1100)

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Ça?layan, Orhan Emre (2014) Screening boredom: the history and aesthetics of slow cinema. Doctor of Philosophy (PhD) thesis, University of Kent. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43155)
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This list was generated on Tue Jul 14 22:54:41 2020 BST.