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Number of items at this level: 89.

Leydecker, Karl and White, N., eds. (2007) After Intimacy: The Culture of Divorce in the West since 1789. European Connections, 10 . Peter Lang, Oxford, UK, 295 pp. ISBN 978-3-03910-143-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. and Temple, Michael and Witt, Michael, eds. (2003) For Ever Godard. Black Dog Publishing, London, 461 pp. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. and Hughes, Alex, eds. (2001) Gender and French Cinema. Berg, Oxford and New York, 256 pp. ISBN 1-85973-570-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias and Janssen, Sara, eds. (2018) Special Issue on Sex and the Cinema. Film Studies, 18 . ISSN 1469-0314. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Brydon, Lavinia (2016) Book Review: A History of 1970s Experimental Film: Britain’s Decade of Diversity by Patti Gaal-Holmes. Review of: A History of 1970s Experimental Film: Britain’s Decade of Diversity by Gaal-Holmes, Patti. Journal of Media Practice, 17 (1). pp. 121-122. ISSN 1468-2753. E-ISSN 2040-0926. (doi:10.1080/14682753.2016.1160657)

Brydon, Lavinia (2013) Book Review: Screen Dynamics: Mapping the Borders of Cinema ed. by Gertrud Koch, Volker Pantenburg, Simon Rothöhler. Review of: Screen Dynamics: Mapping the Borders of Cinema by Koch, Gertrude and Pantenburg, Volker and Rothöhler, Simon. NECSUS: European Journal of Media Studies, 2 (1). pp. 262-267. ISSN 2215-1222. E-ISSN 2213-0217. (doi:10.5117/NECSUS2013.1.BRYD)

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Brydon, Lavinia (2012) Brief Encounter: The Girl Chewing Gum. Short Film Studies, 2 (2). pp. 155-158. ISSN 2042-7824. (doi:10.1386/sfs.2.2.155_1)

Brydon, Lavinia (2016) From a Jukebox Photograph to a Music Video: Media Technologies and the Popular Culture Heritage of a British Pleasure Pier. In: NECS Annual Conference, 28-30 July 2016, Potsdam, Germany. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brydon, Lavinia (2017) Garden of England: Sites of Production and Pilgrimage. In: Locating Imagination: Popular Culture, Tourism and Belonging, 5-7 April 2017, Rotterdam, The Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brydon, Lavinia (2014) Navigations and Negotiations: Examining the (Post)Colonial Landscape of The Assam Garden. Journal of British Cinema and Television, 11 (2-3). pp. 172-188. ISSN 1743-4521. (doi:10.3366/jbctv.2014.0202)

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Brydon, Lavinia (2013) The Nostalgic Gardens of Derek Jarman’s England. Dandelion, 4 (2). pp. 1-15.

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Brydon, Lavinia (2015) Shelagh Delaney (1938-2011). In: Nelmes, Jill and Selbo, Jule, eds. Women Screenwriters: An International Guide. Palgrave Macmillan, pp. 650-658. ISBN 978-1-137-31237-2. (doi:10.1057/9781137312372)

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Brydon, Lavinia (2019) Storytelling, Exhibition Spaces and Site-Specific Screenings. In: NECS Annual Conference, 13-15 June 2019, Gdansk, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brydon, Lavinia and Jenzen, Olu (2018) Pop(-up)ular Culture at the Seaside: The British Pleasure Pier as Screening Space. In: Atkinson, Sarah and Kennedy, Helen W., eds. Live Cinema: Cultures, Economies, Aesthetics. Bloomsbury, pp. 43-59. ISBN 978-1-5013-2483-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brydon, Lavinia, Stead, Lisa (2016) Chilham on Screen: Location Shooting and Community Memory. In: MeCCSA Annual Conference, 6-8 Jan 2016, Canterbury Christ Church University, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brydon, Lavinia, Stead, Lisa (2017) The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities. SERIES - International Journal of TV serial narratives, 3 (1). pp. 101-114. ISSN 2421-454X. (doi:10.6092/issn.2421-454X/7149)

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Cinquegrani, Maurizio (2017) The Cinematic Shtetl as a Site of Postmemory. In: Penz, Francois and Koeck, Richard, eds. Cinematic Urban Geographies. Screening Spaces . Palgrave Macmillan, London, UK, pp. 137-154. ISBN 978-1-137-46830-7. E-ISBN 978-1-137-46084-4. (doi:10.1057/978-1-137-46084-4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2007) Documentary film as flashback and the 'real' of reality in the temporality of representation. In: Real Things: Matter, Materiality, Representation, 1880 to the Present Conference, 5th - 8th July 2007, University of York. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2007) Real time viewing of images of time past and present: documentary in the gallery 'becoming art'. In: Visible Evidence 14, 18th - 21st December 2007, Bochum, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2015) The Acoustic Conventions of Historical Films: Dialect in Requiem, Robin Hood and Beyond. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 20 June 2015, Lodz, Poland. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2016) The Crises of Film Criticism and the Promises of Film Studies. In: Invited Speaker, University of Edinburgh, Research Seminar, 22 November 2016, Edinburgh. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2015) Critical Questions, 2.0: Resolving the Digital-Era ‘Crisis’ of Film Criticism. In: Invited Speaker, University of Bristol, Research Seminar, 18 March 2015, Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2015) Editorial: Institutions and Agency (Part I). Film Studies, 13 (1). pp. 1-4. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.13.0001)

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Frey, Mattias (2017) The Eternal Return of the Crisis: Towards an Internationalist, Institutionalist Critical History. In: Invited Speaker, Dartmouth College, Conference: A Century of Filmkritik and Beyond, Hanover/NH, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2017) Fassbinder and the Western: Whity (1971). In: BAFTSS conference, University of Bristol, Bristol. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2017) Fassbinder: The Formal Innovator. Sight and Sound, 27 (5). p. 28. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2017) Institutional Roles in Using Film to Teach Difficult History: The Federal Agency for Civic Education and The Lives of Others. In: Stoddard, Jeremy and Marcus, Alan and Hicks, David, eds. Teaching Difficult History Through Film. Routledge, New York, pp. 89-105. ISBN 978-1-138-19077-1. E-ISBN 978-1-315-64087-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2018) The International Reception of Downfall. In: Fisher, Jaimey and Richardson, Michael D., eds. Downfall: A Companion. De Gruyter, Berlin. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2015) Kino der Extreme: Die transgressive Rhetorik der heutigen Autorenfilmkultur. In: Invited Speaker, Zentrum für Medien-, Kommunikations- und Informationsforschung, Universität Bremen, Research Seminar, 25 June 2015, Bremen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2018) Unstomachable: Irréversible (2002) and the Extreme Cinema Tradition. In: Baer, Nicholas and Hennefeld, Maggie and Horak, Laura and Iversen, Gunnar, eds. Unwatchable. Rutgers University Press, New Brunswick, NJ. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2017) VoD Services, Original Programming and the Deteriorating Window System: Netflix, Amazon, MUBI. In: Elements of Success: Rethinking Audience and Production Studies as Practice, Finnish Film Institute, 4 December 2017, Helsinki. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2017) Who Owns History? Notes on Cultural Appropriation, Authenticity and the Historical Film. . The International Association for Media and History online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2018) A nova democracia?: Rotten Tomatoes, Metacritic, Twitter e IMDb. REBECA: Revista Brasileira de Estudos de Cinema e Audiovisual, 6 (2). pp. 343-374. ISSN 2316-9230. (doi:10.22475/rebeca.v6n2.495) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Irvin, Sherri, Nanay, Bence, Schellekens, Elisabeth, Smith, Murray (2019) Is Psychology Relevant to Aesthetics? Estetika: The Central European Journal of Aesthetics, . pp. 87-138. ISSN 0014 –1291. (In press)

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Kear, Jon (2005) The Clothing of Clio: Chris Marker’s Poetics and the Politics of Representing History. Film Studies: An International Review, 6 . pp. 49-63. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2005) La noche de Walpurgis / Shadow of the Werewolf. In: Mira, A., ed. The Cinema of Spain and Portugal. 24 Frames S. . Wallflower Press, London and New York, pp. 129-138. ISBN 1-904764-44-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2002) Masculinidades genéricas: tomas criminales en La semana del asesino (1971). Dossiers feministes, 6 . pp. 171-186. ISSN 1139-1219. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2004) Screening “Chicho”: The Horror Ventures of Narciso Ibáñez Serrador. In: Lázaro-Reboll, Antonio and Willis, Andy, eds. Spanish Popular Cinema. Inside Popular Film . Manchester University Press, Manchester, pp. 152-168. ISBN 978-0-7190-6283-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2005) Torrente : El brazo tonto de la ley e Torrente 2: Misión en Marbella / Torrente: The Dumb Arm of the Law and Torrente 2: Mission in Marbella. In: Mira, A., ed. The Cinema of Spain and Portugal. 24 Frames S. . Wallflower Press, London and New York, pp. 219-227. ISBN 1-904764-44-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio and Willis, Andy (2004) Introduction: Film Studies, Spanish Cinema and Questions of the Popular. In: Lázaro-Reboll, Antonio and Willis, Andy, eds. Spanish Popular Cinema. Inside Popular Film . Manchester University Press, Manchester, pp. 1-23. ISBN 978-0-7190-6283-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

March-Russell, Paul (2018) No escape from these words. Review of: (H)APPY by Barker, Nicola. Fantastika, 2 (1). pp. 122-125. ISSN 2514-8915.

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May, Shaun (2014) Abject Metamorphosis and Mirthless Laughter: On Human-to-Animal Transitions and the 'Disease of Being Finite'. Performance Research, 19 (1). pp. 72-80. ISSN 1352-8165. (doi:10.1080/13528165.2014.908086) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pauleit, Winfried, Greiner, Rasmus, Frey, Mattias (2018) Audio History des Films: Sonic Icons – Auditive Histosphäre – Authentizitätsgefühl. Bertz + Fischer, Berlin, 188 pp. ISBN 978-3-86505-254-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds. (2005) Szenische Orte - Mediale Räume. MuTH Medien und Theater, 1 . Olms, Hildesheim / New York, 265 pp. ISBN 978-3-487-12799-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2013) Dancing in the Twilight – On the Borders of Music and the Scenic. In: Symonds, Dominic and Karatonis, Pamela, eds. The Legacy of Opera. Reading Music Theatre as Experience and Performance. Rodopi, Amsterdam, pp. 169-187. ISBN 978-90-420-3691-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2007) Komik - Ko?rper - Kunst - Kommerz. Eine Analyse der Elemente der Commedia dell`Arte in den Silent Slapstick Comedies. Other masters thesis, University of Hildesheim.

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Roesner, David P. (2005) Musikalische Spiel-Räume. In: Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds. Szenische Orte-Mediale Raume. Olms, Hildesheim / New York, pp. 129-147. ISBN 978-3-487-12799-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2009) 'An entirely new art form' – Katie Mitchells intermediale Bühnen-Experimente. Forum Modernes Theater, 24 (2). pp. 101-119. ISSN 0930-5874.

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Smith, Murray (2018) Film, Art, and the Third Culture: A Naturalized Aesthetics of Film — Précis. Projections, 12 (2). pp. 1-8. ISSN 1934-9688. (doi:10.3167/proj.2018.120202) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Smith, Murray (2018) Film, Art, and the Third Culture: A Response. Projections, 12 (2). pp. 111-136. ISSN 1934-9688. (doi:10.3167/proj.2018.120214) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Smith, Murray (1998) Regarding film spectatorship: A reply to Richard Allen. Journal of Aesthetics and Art Criticism, 56 (1). pp. 63-65. ISSN 0021-8529. (doi:10.2307/431952) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Staehler, Axel (2019) Making Peace or Piecemeal? Arnold Wesker's Screenplay and Wolfgang Storch's TV Adaptation of Arthur Koestler's Thieves in the Night. Jewish Film & New Media, 6 (1). pp. 28-66. ISSN 2169-0324. (doi:10.13110/jewifilmnewmedi.6.1.0028)

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Stähler, Axel (2019) "Historical Argument" or "Cowboys and Indian"? Arnold Wesker's TV Screenplay of Arthur Koestler's Thieves in the Night. Jewish Film & New Media, 5 (2). pp. 199-226. ISSN 2169-0324.

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Stähler, Axel and Kern-Stähler, Annette (2009) The Translation of Testimony and the Transmission of Trauma: Jonathan Safran Foer’s 'Everything is Illuminated' and Liev Schreiber’s Film Adaptation. In: Guignery, Vanessa, ed. Voices and Silence in the Contemporary English Novel. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 160-184. ISBN 978-1-4438-1247-4.

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Topp, Dominic (2019) Cinéma Militant: Political Filmmaking and May 1968 by Paul Douglas Grant. Review of: Cinéma Militant: Political Filmmaking and May 1968 by Grant, Paul Douglas. Studies in European Cinema, 16 (2). pp. 169-170. ISSN 1741-1548. (doi:10.1080/17411548.2017.1363499)

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Topp, Dominic (2016) “Disconnect a Certain Reality in Order to Reconnect It in Another Way”: New Image Relations in the Films of the Dziga Vertov Group. In: NECS conference, 28-30 July 2016, Potsdam, Germany. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Topp, Dominic (2018) El Director Quieto: La Composición Pictórica en el Cine de John Ford. In: Simposio Internacional Homenaje a John Ford, Festival Internacional de Cine Recobrado de Valparaíso, 22-26 Oct 2018, Valparaíso, Chile. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Topp, Dominic (2019) Film Rhythm after Sound: Technology, Music, and Performance by Lea Jacobs. Review of: Film Rhythm after Sound: Technology, Music, and Performance by Jacobs, Lea. Projections, 13 (1). pp. 96-101. ISSN 1934-9688. E-ISSN 1934-9696. (doi:10.3167/proj.2019.130106) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Topp, Dominic (2017) Not Reconciled? A Naturalized Aesthetics and the Challenge of Modernism. In: Aesthetics Today symposium, Aesthetics Research Centre, University of Kent, 5 June 2017, Canterbury, Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Topp, Dominic (2018) Putting the Culture into Bioculturalism: A Naturalized Aesthetics and the Challenge of Modernism. Projections, 12 (2). pp. 101-110. ISSN 1934-9688. E-ISSN 1934-9696. (doi:10.3167/proj.2018.120213) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Topp, Dominic (2014) The Representation of Politics: The Films of Jean-Luc Godard and the Dziga Vertov Group, 1967-1972. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Topp, Dominic (2017) Retrospective 2017: Future Imperfect. Science · Fiction · Film 67th Berlin International Film Festival, Berlin, Germany, 9–19 February 2017. Review of: 67th Berlin International Film Festival by UNSPECIFIED. Alphaville: Journal of Film and Screen Media, 13 . pp. 189-194. ISSN 2009-4078.

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Topp, Dominic (2018) “Revolución Escritura”: los ciné-tracts de Jean- Luc Godard y el arte de mayo de 1968. Significação: Revista de Cultura Audiovisual, 45 (50). pp. 22-43. ISSN 1516-4330. (doi:10.11606/issn.2316-7114.sig.2018.141980)

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Turner, Caleb (2016) Spectacular Rhythms: Cultural Conflict in the Contemporary Superhero Film. Doctor of Philosophy (PhD) thesis, University of Kent, -. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Williams, J.S. (1999) The signs amongst us: Jean-Luc Godard's 'Histoire(s) du cinema'. Screen, 40 (3). pp. 306-315. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. (2004) Debates 1960-2004: The Exercise Was Beneficial, Monsieur Daney. In: Temple, Michael and Witt, Michael, eds. The French Cinema Book. British Film Institute, London, pp. 265-272. ISBN 978-1-84457-011-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. (2001) For Our Eyes Only: Body and Sexuality in Reverse Motion in the films of Jean Cocteau. In: Williams, James S. and Hughes, Andrea, eds. Gender and French Cinema. Berg, Oxford and New York, pp. 77-106. ISBN 1-85973-570-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. (2003) Music, Love, and the Cinematic Event. In: Temple, Michael and Williams, James S. and Witt, Michael, eds. For Ever Godard. Black Dog Publishing, London, pp. 288-311. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. (2004) “O heave! O heave away, heave! O heave!”: working through the author in Claire Denis’s Beau Travail. Journal of European Studies, 34 (1-2). pp. 44-59. ISSN 0047-2441. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. and Hughes, Andrea (2001) Gender and French Cinema: Introduction. In: Williams, James S. and Hughes, Andrea, eds. Gender and French Cinema. Berg, Oxford and New York, pp. 1-18. ISBN 1-85973-570-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. and Temple, Michael and Witt, Michael (2003) Introduction: For Ever Godard. In: Williams, James S. and Temple, Michael and Witt, Michael, eds. For Ever Godard. Black Dog Publishing, London, pp. 14-16. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James.S. (2001) Beyond the Cinematic Body: human emotion vs. digital technology. In: Hori, Junji and Yomota, Inuhiko, eds. Histoire(s) du cinéma : JEAN-LUC GODARD. Gallimard-Gaumont, Tokyo, Japan, pp. 127-152. ISBN 978-2-07-011544-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wollen, William (2016) Played the role of Kerchak in The Legend of Tarzan (Warner Bros.2016 dir. David Yates). Performance type: Video/Film (fiction) The Legend of Tarzan, Worldwide release. Worldwide cinema release. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2005) The Animated Queer. In: Griffiths, Robin, ed. Queer Cinema in Europe. Intellect. ISBN 1-84150-079-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2007) Digital Encounters. Routledge, Taylor and Francis Group, 200 pp. ISBN 978-0-415-41066-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2007) Digital Intermediates and Digital Expressive Practice. In: Society for Cinema and Media Studies Conference 2007, 8th March - 11th March 2007, Chicago, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2004) The Expansion of Narrative Space: Titanic and CGI Technology. In: Street, Sarah and Bergfelder, Tim, eds. Titanic as Myth and Memory: Representations in Visual and Literary Culture. I.B.Tauris, pp. 225-234. ISBN 1-85043-432-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2001) Fresh Kill: Information Technologies as Sites of Resistance. In: Munt, Sally, ed. Technospaces: inside the new media. Continuum, pp. 161-174. ISBN 0-8264-5003-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2013) Intangible space: three-dimensional technology in Hugo and IMAX in The Dark Knight. Convergence: The International Journal of Research Into New Media Technologies, 19 (4). pp. 1-13. ISSN 1354-8565. (doi:DOI: 10.1177/1354856513501414) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Wood, Aylish (2004) The Metaphysical Fabric that Binds Us’: Proprioceptive Coherence and Performative Space in Minority Report. New Review of Film and Television Studies, 2 (1). pp. 1-18. ISSN 1740-0309.

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Wood, Aylish (2007) 'Pixel Visions: Digital Intermediates and Micromanipulations of the Image'. Quarterly Review of Film and Video, Film C (1). pp. 72-94. ISSN 0163-5069. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Wood, Aylish (2006) Re-Animating Space. Animation: An Interdisciplinary Journal, 1 (2). pp. 133-152. ISSN 1746-8477. E-ISSN 1746-8485. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Wood, Aylish (2013) Talking about Maya. . University of Kent, 60 pp. pdf.

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Wood, Aylish (2005) Vectorial dynamics: transtextuality and complexity in the Matrix. In: Gillis, Stacy, ed. The Matrix. Wallflower Press. ISBN 1-904764-32-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2018) Where Do Shapes Come From? In: Harris, Miriam and Husbands, Lilly and Taberham, Paul, eds. Experimental Animation: from analogue to digital. Routledge, London, UK. E-ISBN 978-1-138-70298-1. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Wood, Aylish (1998) "You ever fuck a mutant?" Technology, Gender and Identity in Total Recall. In: Ainley, Rosa, ed. New Frontiers of Space, Bodies and Gender. Routledge, pp. 191-202. ISBN 0-415-15490-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2004) The collapse of reality and illusion in The Matrix. In: Tasker, Yvonne, ed. The Action Reader. Routledge, pp. 119-129. ISBN 0-415-23507-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2002) The timespaces of spectacular cinema: crossing the great divide of spectacle versus narrative. Screen, 43 (4). pp. 370-386. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Ça?layan, Orhan Emre (2014) Screening boredom: the history and aesthetics of slow cinema. Doctor of Philosophy (PhD) thesis, University of Kent. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

This list was generated on Thu Sep 19 22:28:00 2019 BST.