Items where Subject is "P Language and Literature > PN Literature (General) > PN1993 Motion Pictures"
Number of items at this level: 73.
Leydecker, Karl and White, N., eds.
(2007)
After Intimacy: The Culture of Divorce in the West since 1789.
European Connections, 10
.
Peter Lang, Oxford, UK, 295 pp.
ISBN 978-3-03910-1436.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Williams, James S. and Temple, Michael and Witt, Michael, eds.
(2003)
For Ever Godard.
Black Dog Publishing, London, 461 pp.
ISBN 1-901033-69-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Williams, James S. and Hughes, Alex, eds.
(2001)
Gender and French Cinema.
Berg, Oxford and New York, 256 pp.
ISBN 1859735703.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias and Janssen, Sara, eds.
(2018)
Special Issue on Sex and the Cinema.
Film Studies,
19
.
ISSN 1469-0314.
(Submitted)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Brydon, Lavinia
(2017)
Garden of England: Sites of Production and Pilgrimage.
In: Locating Imagination: Popular Culture, Tourism and Belonging, 5-7 April 2017, Rotterdam, The Netherlands.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Brydon, Lavinia and Stead, Lisa
(2016)
Chilham on Screen: Location Shooting and Community Memory.
In: MeCCSA Annual Conference, 6-8 Jan 2016, Canterbury Christ Church University, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cinquegrani, Maurizio
(2017)
The Cinematic Shtetl as a Site of Postmemory.
In: Penz, Francois and Koeck, Richard, eds.
Cinematic Urban Geographies.
Screening Spaces
.
Palgrave Macmillan, London, UK, pp. 137-154.
ISBN 9781137468307.
E-ISBN 9781137460844.
(doi:https://doi.org/10.1057/978-1-137-46084-4)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2016)
The Crises of Film Criticism and the Promises of Film Studies.
In: Invited Speaker, University of Edinburgh, Research Seminar, 22 November 2016, Edinburgh.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2017)
Fassbinder and the Western: Whity (1971).
In: BAFTSS conference, University of Bristol, Bristol.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2017)
Fassbinder: The Formal Innovator.
Sight and Sound,
27
(5).
p. 28.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2018)
The International Reception of Downfall.
In: Fisher, Jaimey and Richardson, Michael D., eds.
Downfall: A Companion.
De Gruyter, Berlin.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2015)
Kino der Extreme: Die transgressive Rhetorik der heutigen Autorenfilmkultur.
In: Invited Speaker, Zentrum für Medien-, Kommunikations- und Informationsforschung, Universität Bremen, Research Seminar, 25 June 2015, Bremen.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2018)
Unstomachable: Irréversible (2002) and the Extreme Cinema Tradition.
In: Baer, Nicholas and Hennefeld, Maggie and Horak, Laura and Iversen, Gunnar, eds.
Unwatchable.
Rutgers University Press, New Brunswick, NJ.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Lázaro-Reboll, Antonio
(2005)
La noche de Walpurgis / Shadow of the Werewolf.
In: Mira, A., ed.
The Cinema of Spain and Portugal.
24 Frames S.
.
Wallflower Press, London and New York, pp. 129-138.
ISBN 1-904764-44-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Lázaro-Reboll, Antonio
(2004)
Screening “Chicho”: The Horror Ventures of Narciso Ibáñez Serrador.
In: Lázaro-Reboll, Antonio and Willis, Andy, eds.
Spanish Popular Cinema.
Inside Popular Film
.
Manchester University Press, Manchester, pp. 152-168.
ISBN 9780719062834.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Lázaro-Reboll, Antonio and Willis, Andy
(2004)
Introduction: Film Studies, Spanish Cinema and Questions of the Popular.
In: Lázaro-Reboll, Antonio and Willis, Andy, eds.
Spanish Popular Cinema.
Inside Popular Film
.
Manchester University Press, Manchester, pp. 1-23.
ISBN 9780719062834.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds.
(2005)
Szenische Orte - Mediale Räume.
MuTH Medien und Theater, 1
.
Olms, Hildesheim / New York, 265 pp.
ISBN 9783487127996.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Roesner, David P.
(2013)
Dancing in the Twilight – On the Borders of Music and the Scenic.
In: Symonds, Dominic and Karatonis, Pamela, eds.
The Legacy of Opera. Reading Music Theatre as Experience and Performance.
Rodopi, Amsterdam, pp. 169-187.
ISBN 9789042036918.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Roesner, David P.
(2005)
Musikalische Spiel-Räume.
In: Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds.
Szenische Orte-Mediale Raume.
Olms, Hildesheim / New York, pp. 129-147.
ISBN 9783487127996.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Williams, James S.
(2004)
Debates 1960-2004: The Exercise Was Beneficial, Monsieur Daney.
In: Temple, Michael and Witt, Michael, eds.
The French Cinema Book.
British Film Institute, London, pp. 265-272.
ISBN 9781844570119.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Williams, James S.
(2003)
Music, Love, and the Cinematic Event.
In: Temple, Michael and Williams, James S. and Witt, Michael, eds.
For Ever Godard.
Black Dog Publishing, London, pp. 288-311.
ISBN 1-901033-69-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Williams, James S. and Temple, Michael and Witt, Michael
(2003)
Introduction: For Ever Godard.
In: Williams, James S. and Temple, Michael and Witt, Michael, eds.
For Ever Godard.
Black Dog Publishing, London, pp. 14-16.
ISBN 1-901033-69-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Williams, James.S.
(2001)
Beyond the Cinematic Body: human emotion vs. digital technology.
In: Hori, Junji and Yomota, Inuhiko, eds.
Histoire(s) du cinéma : JEAN-LUC GODARD.
Gallimard-Gaumont , Tokyo, Japan, pp. 127-152.
ISBN 978-2070115440 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Williams, James S. and Hughes, Andrea
(2001)
Gender and French Cinema: Introduction.
In: Williams, James S. and Hughes, Andrea, eds.
Gender and French Cinema.
Berg, Oxford and New York, pp. 1-18.
ISBN 1859735703.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2007)
Digital Encounters.
Routledge, Taylor and Francis Group, 200 pp.
ISBN 9780415410663.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2007)
Digital Intermediates and Digital Expressive Practice.
In: Society for Cinema and Media Studies Conference 2007, 8th March - 11th March 2007, Chicago, USA.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2001)
Fresh Kill: Information Technologies as Sites of Resistance.
In: Munt, Sally, ed.
Technospaces: inside the new media.
Continuum, pp. 161-174.
ISBN 0826450032.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2013)
Talking about Maya.
.
University of Kent, 60 pp.
pdf.
(Full text available)
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![[img]](/37675/1.hassmallThumbnailVersion/talkingaboutmaya.pdf)  Preview |
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Wood, Aylish
(2005)
The Animated Queer.
In: Griffiths, Robin, ed.
Queer Cinema in Europe.
Intellect.
ISBN 1841500798 .
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2004)
The Expansion of Narrative Space: Titanic and CGI Technology.
In: Street, Sarah and Bergfelder, Tim, eds.
Titanic as Myth and Memory: Representations in Visual and Literary Culture.
I.B.Tauris, pp. 225-234.
ISBN 1850434328.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2004)
The collapse of reality and illusion in The Matrix.
In: Tasker, Yvonne, ed.
The Action Reader.
Routledge, pp. 119-129.
ISBN 0415235073.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2006)
Re-Animating Space.
Animation: An Interdisciplinary Journal,
1
(2).
pp. 133-152.
ISSN 1746-8477.
E-ISSN 1746-8485.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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This list was generated on Wed Apr 25 23:54:35 2018 BST.
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