Items where Subject is "P Language and Literature > PN Literature (General) > PN1993 Motion Pictures"

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Number of items at this level: 53.

Leydecker, Karl and White, N., eds. (2007) After Intimacy: The Culture of Divorce in the West since 1789. European Connections, 10 . Peter Lang, Oxford, UK, 295 pp. ISBN 978-3-03910-1436. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. and Temple, Michael and Witt, Michael, eds. (2003) For Ever Godard. Black Dog Publishing, London, 461 pp. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. and Hughes, Alex, eds. (2001) Gender and French Cinema. Berg, Oxford and New York, 256 pp. ISBN 1859735703. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brydon, Lavinia (2013) Book Review: Screen Dynamics: Mapping the Borders of Cinema ed. by Gertrud Koch, Volker Pantenburg, Simon Rothöhler. Review of: Screen Dynamics: Mapping the Borders of Cinema by Koch, Gertrude and Pantenburg, Volker and Rothöhler, Simon. NECSUS: European Journal of Media Studies, 2 (1). pp. 262-267. ISSN 2215-1222. E-ISSN 2213-0217. (doi:10.5117/NECSUS2013.1.BRYD) (Full text available)

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Brydon, Lavinia (2012) Brief Encounter: The Girl Chewing Gum. Short Film Studies, 2 (2). pp. 155-158. ISSN 20427824. (doi:10.1386/sfs.2.2.155_1) (Full text available)

Brydon, Lavinia (2013) The Nostalgic Gardens of Derek Jarman’s England. Dandelion, 4 (2). pp. 1-15. (Full text available)

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Brydon, Lavinia (2016) Book Review: A History of 1970s Experimental Film: Britain’s Decade of Diversity by Patti Gaal-Holmes. Review of: A History of 1970s Experimental Film: Britain’s Decade of Diversity by Gaal-Holmes, Patti. Journal of Media Practice, 17 (1). pp. 121-122. ISSN 1468-2753. E-ISSN 2040-0926. (doi:10.1080/14682753.2016.1160657) (Full text available)

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Brydon, Lavinia (2016) From a jukebox photograph to a music video: Media technologies and the popular culture heritage of a British pleasure pier. In: NECS Annual Conference, 28-30 July 2016, Potsdam, Germany. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brydon, Lavinia (2014) Navigations and Negotiations: Examining the (Post)Colonial Landscape of The Assam Garden. Journal of British Cinema and Television, 11 (2-3). pp. 172-188. ISSN 1743-4521. (doi:10.3366/jbctv.2014.0202) (Full text available)

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Brydon, Lavinia (2015) Shelagh Delaney (1938-2011). In: Nelmes, Jill and Selbo, Jule, eds. Women Screenwriters: An International Guide. Palgrave Macmillan, pp. 650-658. ISBN 978-1-137-31237-2. (doi:10.1057/9781137312372) (Full text available)

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Cowie, Elizabeth (2007) Documentary film as flashback and the 'real' of reality in the temporality of representation. In: Real Things: Matter, Materiality, Representation, 1880 to the Present Conference, 5th - 8th July 2007, University of York. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2007) Real time viewing of images of time past and present: documentary in the gallery 'becoming art'. In: Visible Evidence 14, 18th - 21st December 2007, Bochum, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2015) Editorial: Institutions and Agency (Part I). Film Studies, 13 (1). pp. 1-4. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.13.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2005) The Clothing of Clio: Chris Marker’s Poetics and the Politics of Representing History. Film Studies: An International Review, 6 . pp. 49-63. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2005) La noche de Walpurgis / Shadow of the Werewolf. In: Mira, A., ed. The Cinema of Spain and Portugal. 24 Frames S. . Wallflower Press, London and New York, pp. 129-138. ISBN 1-904764-44-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2002) Masculinidades genéricas: tomas criminales en La semana del asesino (1971). Dossiers feministes, 6 . pp. 171-186. ISSN 1139-1219. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2004) Screening “Chicho”: The Horror Ventures of Narciso Ibáñez Serrador. In: Lázaro-Reboll, Antonio and Willis, Andy, eds. Spanish Popular Cinema. Inside Popular Film . Manchester University Press, Manchester, pp. 152-168. ISBN 9780719062834. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2005) Torrente : El brazo tonto de la ley e Torrente 2: Misión en Marbella / Torrente: The Dumb Arm of the Law and Torrente 2: Mission in Marbella. In: Mira, A., ed. The Cinema of Spain and Portugal. 24 Frames S. . Wallflower Press, London and New York, pp. 219-227. ISBN 1-904764-44-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio and Willis, Andy (2004) Introduction: Film Studies, Spanish Cinema and Questions of the Popular. In: Lázaro-Reboll, Antonio and Willis, Andy, eds. Spanish Popular Cinema. Inside Popular Film . Manchester University Press, Manchester, pp. 1-23. ISBN 9780719062834. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

May, Shaun (2014) Abject Metamorphosis and Mirthless Laughter: On Human-to-Animal Transitions and the 'Disease of Being Finite'. Performance Research, 19 (1). pp. 72-80. ISSN 1352-8165. (doi:10.1080/13528165.2014.908086) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds. (2005) Szenische Orte - Mediale Räume. MuTH Medien und Theater, 1 . Olms, Hildesheim / New York, 265 pp. ISBN 9783487127996. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2013) Dancing in the Twilight – On the Borders of Music and the Scenic. In: Symonds, Dominic and Karatonis, Pamela, eds. The Legacy of Opera. Reading Music Theatre as Experience and Performance. Rodopi, Amsterdam, pp. 169-187. ISBN 9789042036918. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2007) Komik - Körper - Kunst - Kommerz. Eine Analyse der Elemente der Commedia dell`Arte in den Silent Slapstick Comedies. Other masters thesis, University of Hildesheim. (Full text available)

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Roesner, David P. (2005) Musikalische Spiel-Räume. In: Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds. Szenische Orte-Mediale Raume. Olms, Hildesheim / New York, pp. 129-147. ISBN 9783487127996. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2009) 'An entirely new art form' – Katie Mitchells intermediale Bühnen-Experimente. Forum Modernes Theater, 24 (2). pp. 101-119. ISSN 0930-5874. (Full text available)

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Smith, Murray (1998) Regarding film spectatorship: A reply to Richard Allen. Journal of Aesthetics and Art Criticism, 56 (1). pp. 63-65. ISSN 0021-8529. (doi:10.2307/431952) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stähler, Axel and Kern-Stähler, Annette (2009) The Translation of Testimony and the Transmission of Trauma: Jonathan Safran Foer’s 'Everything is Illuminated' and Liev Schreiber’s Film Adaptation. In: Guignery, Vanessa, ed. Voices and Silence in the Contemporary English Novel. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 160-184. ISBN 9781443812474. (Full text available)

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Topp, Dominic (2014) The Representation of Politics: The Films of Jean-Luc Godard and the Dziga Vertov Group, 1967-1972. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Turner, Caleb (2016) Spectacular Rhythms: Cultural Conflict in the Contemporary Superhero Film. Doctor of Philosophy (PhD) thesis, University of Kent, -. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Williams, J.S. (1999) The signs amongst us: Jean-Luc Godard's 'Histoire(s) du cinema'. Screen, 40 (3). pp. 306-315. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. (2004) Debates 1960-2004: The Exercise Was Beneficial, Monsieur Daney. In: Temple, Michael and Witt, Michael, eds. The French Cinema Book. British Film Institute, London, pp. 265-272. ISBN 9781844570119. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. (2001) For Our Eyes Only: Body and Sexuality in Reverse Motion in the films of Jean Cocteau. In: Williams, James S. and Hughes, Andrea, eds. Gender and French Cinema. Berg, Oxford and New York, pp. 77-106. ISBN 1859735703. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. (2003) Music, Love, and the Cinematic Event. In: Temple, Michael and Williams, James S. and Witt, Michael, eds. For Ever Godard. Black Dog Publishing, London, pp. 288-311. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. (2004) “O heave! O heave away, heave! O heave!”: working through the author in Claire Denis’s Beau Travail. Journal of European Studies, 34 (1-2). pp. 44-59. ISSN 0047-2441. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. and Temple, Michael and Witt, Michael (2003) Introduction: For Ever Godard. In: Williams, James S. and Temple, Michael and Witt, Michael, eds. For Ever Godard. Black Dog Publishing, London, pp. 14-16. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James.S. (2001) Beyond the Cinematic Body: human emotion vs. digital technology. In: Hori, Junji and Yomota, Inuhiko, eds. Histoire(s) du cinéma : JEAN-LUC GODARD. Gallimard-Gaumont , Tokyo, Japan, pp. 127-152. ISBN 978-2070115440 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, James S. and Hughes, Andrea (2001) Gender and French Cinema: Introduction. In: Williams, James S. and Hughes, Andrea, eds. Gender and French Cinema. Berg, Oxford and New York, pp. 1-18. ISBN 1859735703. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wollen, William (2016) Played the role of Kerchak in The Legend of Tarzan (Warner Bros.2016 dir. David Yates). Performance type: Video/Film (fiction) The Legend of Tarzan, Worldwide release. Worldwide cinema release. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (1998) "You ever fuck a mutant?" Technology, Gender and Identity in Total Recall. In: Ainley, Rosa, ed. New Frontiers of Space, Bodies and Gender. Routledge, pp. 191-202. ISBN 0415154901. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2007) Digital Encounters. Routledge, Taylor and Francis Group, 200 pp. ISBN 9780415410663. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2007) Digital Intermediates and Digital Expressive Practice. In: Society for Cinema and Media Studies Conference 2007, 8th March - 11th March 2007, Chicago, USA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2001) Fresh Kill: Information Technologies as Sites of Resistance. In: Munt, Sally, ed. Technospaces: inside the new media. Continuum, pp. 161-174. ISBN 0826450032. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2013) Talking about Maya. . University of Kent, 60 pp. pdf. (Full text available)

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Wood, Aylish (2005) The Animated Queer. In: Griffiths, Robin, ed. Queer Cinema in Europe. Intellect. ISBN 1841500798 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2004) The Expansion of Narrative Space: Titanic and CGI Technology. In: Street, Sarah and Bergfelder, Tim, eds. Titanic as Myth and Memory: Representations in Visual and Literary Culture. I.B.Tauris, pp. 225-234. ISBN 1850434328. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2004) The collapse of reality and illusion in The Matrix. In: Tasker, Yvonne, ed. The Action Reader. Routledge, pp. 119-129. ISBN 0415235073. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2002) The timespaces of spectacular cinema: crossing the great divide of spectacle versus narrative. Screen, 43 (4). pp. 370-386. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2005) Vectorial dynamics: transtextuality and complexity in the Matrix. In: Gillis, Stacy, ed. The Matrix. Wallflower Press. ISBN 1904764320. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2013) Intangible space: three-dimensional technology in Hugo and IMAX in The Dark Knight. Convergence: The International Journal of Research Into New Media Technologies, 19 (4). pp. 1-13. ISSN 1354-8565. (doi:10.1177/1354856513501414) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Wood, Aylish (2004) The Metaphysical Fabric that Binds Us’: Proprioceptive Coherence and Performative Space in Minority Report. New Review of Film and Television Studies, 2 (1). pp. 1-18. ISSN 1740-0309. (Full text available)

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Wood, Aylish (2007) 'Pixel Visions: Digital Intermediates and Micromanipulations of the Image'. Quarterly Review of Film and Video, Film C (1). pp. 72-94. ISSN 0163-5069. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Wood, Aylish (2006) Re-Animating Space. Animation: An Interdisciplinary Journal, 1 (2). pp. 133-152. ISSN 1746-8477. E-ISSN 1746-8485. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Çağlayan, Orhan Emre (2014) Screening boredom: the history and aesthetics of slow cinema. Doctor of Philosophy (PhD) thesis, University of Kent. (Full text available)

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This list was generated on Sat Oct 1 22:19:34 2016 BST.