Iconoclasm, ecclesiology and 'the beauty of holiness' : concepts of sacrilege and the 'perial of idolatry' in early modern England, circa 1590-1642

This thesis is a study of the principles and character of church decoration in early seventeenth century England. The first chapter considers the relevance of Reformation concepts of idolatry to contemporary ecclesiological issues - especially the the place and function of images in churches. It argues that developing theological ideas and changing political circumstances influenced a spectrum of ecclesiological positions - from Arminian Christocentrism to Calvinist iconophobia. Chapter two offers a practical overview of the internal decoration of English churches, chapels and cathedrals. This chapter also focuses on developing lay and ecclesiastical concerns regarding the allegdly 'sacrilegious' neglect of church buildings (following the Reformation) and assesses the contribution of James I and the Chapel Royal to ecclesiological debate. The final chapters are case studies of the college chapel restoration programmes at the universities of Oxford and Cambridge in the 1620s and 1630s, and the ecclesiastical career and patronage of Bishop John Bridgeman of Chester (1618-1646). These chapters serve to illustrate the range of ecclesiological patronage in early Stuart England. Chapter three represents the first attempt to synthesise and collate primary evidence of an intense phase of chapel construction and refurbishment at both universities, and to link architectural, art, historical, theological and biographical sources together in order to explain why and when this activity took place, how it was inspired, and what it meant to contemporaries. Chapter four seeks to explain Bridgeman's interest in decorating churches and why he denounced iconoclasm. Such positions seem to contradict his toleration of puritans and failure to meet the ecclesiological requirements of the Caroline Church. However from the perspective of the thesis, Bridgeman's patronage is shown to exemplify a new way of looking at ecclesiological issues, demonstrating how churchmen were coming to rid themselves of that fear of idolatry, which a generation early represeneted a sign of Protestant orthodoxy.