Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The theatre"
Number of items at this level: 235. A
Agbaje, Bola
(2009)
Troppo Lontano!
Performance type: Live play
Tramedautore Festival, September 2009, Piccolo Teatro, Teatro d'Europa, Milano.
Performance.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31494)
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Allain, Paul
(2012)
Andrei Droznin's Physical Actor Training.
Routledge Tay;or and Francis
DVD and Booklet.
0415682975 (ISBN).
(doi:0415682975 (ISBN))
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31001)
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Allain, Paul, ed.
(2010)
Grotowski and Company.
Icarus Publishing Enterprise, Malta, Holstebro, Wroclaw, 330 pp.
ISBN 978-83-61835-12-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31028)
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Allain, Paul, ed.
(2009)
Grotowski's Empty Room.
Encounters
.
Seagull Books, Calcutta, 233 pp.
ISBN 978-1-906497-23-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31853)
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Allain, Paul and Campo, Giuliano
(2009)
Jerzy Grotowski: Theatre and Beyond. An Exhibition.
Jerzy Grotowski: Theatre and Beyond. An Exhibition, Aberystwyth, the Centre for Performance Research, 21st-27th September 2009 • Canterbury, British Grotowski Project, University of Kent, 8th-19th June, 2009 • London, Battersea Arts Centre 24th June - 7th July., London, Canterbury and Aberystwyth.
Drawings, photos, set, costumes, props, original materials from a performance.
(KAR id:31889)
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![[img]](/31889/2.hassmallThumbnailVersion/appendix%201_ehxibition%202009.pdf)  Preview |
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Allen, Richard,
May, Shaun
(2015)
Encountering Anthropomorphism: Editorial.
Performance Research,
20
(2).
pp. 1-3.
ISSN 1352-8165.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:49201)
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Anderson, Michael
(1996)
Greek tragic theatre- Rehm,R.
Review of: Greek tragic theatre
by Rehm, Rush.
Theatre Research International,
21
(1).
p. 79.
ISSN 0307-8833.
(doi:10.1017/S0307883300012736)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:18788)
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Anderson, Michael
(1994)
A Short Introduction to the Greek Theater - Ley,G.
Review of: A Short Introduction to the Greek Theater. By Graham Ley. Chicago and London: The University of Chicago Press, 1991. Pp. xiv + 104.
by Lev, Graham.
Theatre Research International,
19
(3).
pp. 267-268.
ISSN 0307-8833.
(doi:10.1017/S0307883300006672)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20359)
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Anderson, Michael
(2000)
Spectacle entertainments of early imperial Rome.
Review of: Spectacle Entertainments of Early Imperial Rome. By Richard Beacham. New Haven & London: Yale University Press, 1999. Pp. xii + 306
by Beacham, Richard.
Theatre Research International,
25
(1).
p. 87.
ISSN 0307-8833.
(doi:10.1017/S0307883300013985)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:16071)
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B
Baugh, Christopher
(2000)
English court theatre 1558-1642.
Theatre Research International,
25
(1).
pp. 87-88.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:16099)
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Baugh, Christopher
(1996)
The stage designs of Inigo Jones: The European context - Peacock,J.
Review of: The stage designs of Inigo Jones: The European context
by Peacock, John.
Theatre Research International,
21
(2).
pp. 175-176.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:18812)
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Boenisch, Peter M.
(2015)
Directing Scenes & Senses: The Thinking of Regie.
Theatre: Theory – Practice – Performance
.
Manchester University Press, Manchester, 256 pp.
ISBN 978-0-7190-9719-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:51637)
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Boenisch, Peter M.
(2016)
The Theatre Of Thomas Ostermeier.
Routledge, Abingdon and New York, 262 pp.
ISBN 978-1-138-91447-6.
E-ISBN 978-1-315-69081-0.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:59745)
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Brooks, Helen E.M.
(2014)
The Divided Heart of the Actress: Late Eighteenth-Century Actresses and the Cult of Maternity.
In: Engel, Laura and McGirr, Elaine. M., eds.
Stage Mothers: Women, Work and the Theatre, 1660-1830.
Transits: Literature, Thought & Culture, 1650–1850
.
University Press Copublishing Division / Bucknell University Press.
ISBN 978-1-61148-603-2.
E-ISBN 978-1-61148-604-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:50464)
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Day, Gary and Lynch, Jack and Brooks, Helen E.M. and Latimer, Bonnie and Morrissey, Lee and Rounce, Adam and Schurer, Norbert and Smallwood, Philip and Vilmar, Christopher, eds.
(2015)
The Encyclopedia of British Literature: 1660 - 1789.
Wiley Blackwell, 1528 pp.
ISBN 978-1-4443-3020-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64409)
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Brooks, Helen E.M.
(2018)
The Horrors of War: Extreme violence on the Great War British Stage.
In: Dramaturgies of War: Institutional Dramaturgy, Politics, and Conflict in the 19th and 20th Centuries, 25-26 January 2018, Glasgow.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:73670)
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Brooks, Helen E.M.
(2018)
Peace and the Theatre: British Theatre after the Great War.
In: Revival after the Great War: Repair, Rebuild, Remember, 8-9 May 2018, Leuven.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:73669)
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Brooks, Helen E.M.
(2017)
Sex and Sexuality.
In: Balme, Christopher B. and Davis, Tracy C., eds.
A Cultural History of Theatre.
Bloomsbury.
ISBN 978-1-4725-8584-4.
(KAR id:64411)
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Brooks, Helen E.M.
(2014)
Theorizing the Woman Performer.
In: Swindells, Julia and Taylor, David Francis, eds.
The Oxford Handbook of the Georgian Theatre 1737-1832.
Oxford University Press.
ISBN 978-0-19-960030-4.
(doi:10.1093/oxfordhb/9780199600304.013.038)
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:31606)
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Brooks, Helen E.M.
(2009)
Women and Theatre Management in the Eighteenth Century.
In: Engel, L., ed.
The Public's Open to Us All: Essays on Women and Performance in Eighteenth-Century England.
Cambridge Scholars Publishing, pp. 73-97.
ISBN 978-1-4438-0173-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:29675)
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Double, Oliver
(1996)
Alternative comedy: from radicalism to commercialism.
In: Merkin, Ros, ed.
Popular Theatres?
Liverpool John Moores University, Liverpool, pp. 127-139.
ISBN 0-9527978-0-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:44576)
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Double, Oliver
(2012)
Britain Had Talent: A History of Variety Theatre.
Palgrave Macmillan, Houndsmills, basingstoke, Hampshire, 288 pp.
ISBN 9780230284593 (hbk) 9780230284609 (pbk).
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31710)
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Double, Oliver
(2007)
Karl Valentin’s “Father and Son Discuss the War".
Studies in Theatre and Performance,
27
(1).
pp. 5-11.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2440)
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Double, Oliver
(2007)
Punk rock as popular theatre.
New Theatre Quarterly,
23
(1).
pp. 35-48.
ISSN 0266-464X.
(doi:doi: 10.1017/S0266464X06000613)
(KAR id:1182)
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![[img]](/1182/1.hassmallThumbnailVersion/DoubleNTQ89-03_%28Double%29.pdf)  Preview |
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Double, Oliver
(2007)
Saint Pancreas.
Performance type: Other
Saint Pancreas, 3/11/06, Horsebridge Arts Centre, Whitstable.
DVD and Live Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2229)
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Double, Oliver
(1997)
Stand-Up! On Being a Comedian.
Methuen Drama, London, 262 pp.
ISBN 0-413-70320-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:44579)
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Double, Oliver
(2000)
Teaching Stand-Up Comedy. A Mission: Impossible?
Studies in Theatre and Performance,
20
(1).
pp. 14-23.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20310)
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Double, Oliver and Wilson, Michael
(2006)
Brecht and cabaret.
In: Thomson, Peter and Sacks, Glendyr, eds.
Cambridge Companion to Brecht, 2nd Edition.
Cambridge University Press.
ISBN 978-0-521-67384-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:1180)
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F
Fugard, Athol
(2011)
Il Guidatore del Treno.
Performance type: Live play
Tramedautore Festival, September 2011, Piccolo Teatro, Teatro d'Europa, Milan.
Performance.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31497)
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G
Goebbels, Heiner
(2014)
Aesthetic of Absence.
Other.
Routledge, London
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:37423)
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Grantley, Darryll
(1997)
Festive drama - Twycross,M.
Review of: Festive Drama
by Twycross, M.
Theatre Research International,
22
(1).
p. 74.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:18073)
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Grantley, Darryll
(1996)
The biblical drama of medieval europe - Muir,LR.
Theatre Research International,
21
(1).
pp. 79-80.
ISSN 0307-8833.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:19212)
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Greenaway, Peter
(2009)
Le Nozze di Cana.
Performance type: Live play
Veronese's The Wedding at Cana by Peter Greenaway, June to September 2009, San Giorgio Maggiore Refectory, Venice.
Performance.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31498)
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Greenaway, Peter and Laera, Margherita
(2009)
The Blue Planet.
UNSPECIFIED.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31500)
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H
K
Kacimi, Mohamed
(2010)
Epistola alle Corinzie.
Performance type: Live play
Tramedautore Festival, September 2010, Piccolo Teatro, Teatro d'Europa, Milan.
Performance.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31496)
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Klich, Rosemary E.
(2014)
‘Amplifying Sensory Spaces: Headphone Theatre’.
In: "Media, Politics, Performance Conference", Fast Forward Festival, 5th-7th May, 2014, Onassis Cultural Centre, Athens..
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45595)
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Klich, Rosemary E.
(2007)
Between Realities: Intermediality and the Blurring of Boundaries in Multimedia Theatre.
In: Sugiera, Malgorzata and Borowski, Matuesz, eds.
Fictional Realities / Real Fictions:Contemporary Theatre in Search of a New Mimetic Paradigm.
Cambridge Scholars Press, United Kingdom.
ISBN 978-1-84718-138-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:7646)
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Klich, Rosemary E.
(2005)
Between Realities: Intermediality in Multimedia Theatre.
In: FIRT/IFTR International Conference "Fictional/Real in Contemporary Theatre", 17 - 20 November 2005, Jagiellonian University, Krakow.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45607)
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Klich, Rosemary E.
(2010)
Copies, Robots, Mutants, and the Unfinished Human.
In: (re)-Performing the Posthuman Conference, 21st-22nd May 2010, University of Sussex, Brighton..
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45589)
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Klich, Rosemary E.
(2013)
"Fleshing Out: The Body in Intermedial Dance".
In: International Symposium of the Korean Society of Dance, 2nd November 2013, Sungkyunkwan University in Seoul, Korea.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45592)
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Klich, Rosemary E.
(2013)
Hamlet Remembered.
Performance type: Live play
Hamlet Remembered, Friday May 31st and Saturday June 1st, Jarman Building, University of Kent.
Performance.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45497)
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Klich, Rosemary E.
(2014)
‘The In and Outputs of Headphone Theatre’.
In: Annual Conference of Theatre and Performance Research Association, 3rd-5th September 2014, Royal Holloway.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45594)
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Klich, Rosemary E.
(2010)
Instance: The Builder’s Association.
In: Bay Cheng, Sarah and Lavender, Andy and Nelson, Robin and Kattenbelt, Chiel, eds.
Mapping Intermediality in Performance.
Amsterdam University Press, Amsterdam, pp. 149-156.
ISBN 978-90-8964-255-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45392)
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Klich, Rosemary E.
(2013)
“InterMEdiation and the InterMEdial System”.
In: International Federation for Theatre Research Annual Conference, 22nd – 26th July 2013, Institut del Teatre, Barcelona.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45593)
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Klich, Rosemary E.
(2013)
Intermediality, Complexity and Emergence.
In: Colloquium of Performance Research., 18th January 2013, Centre for Intermediality at the Royal Central School of Speech and Drama.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45588)
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Klich, Rosemary E.
(2014)
Mediation, Trace and Space in Dance Theatre: Already Elsewhere.
In: Baxter, Virginia and Brannigan, Erin, eds.
Bodies of Thought: 12 Australian Choreographers.
Wakefield Press, Adelaide.
ISBN 978-1-74305-241-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45388)
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Klich, Rosemary E.
(2012)
“Participate or Else”.
In: Performance Studies International Conference 18, 27th June-1st July 2012., University of Leeds.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45591)
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Klich, Rosemary E.
(2010)
"Performing at a Distance: Place, Pattern and Posthumanism".
In: International Federation for Theatre Research Annual Conference, July 2010, LMU Munich.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45585)
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Klich, Rosemary E.
(2015)
Playing a Punchdrunk Game: Immersive Theatre and Videogames.
In: Frieze, James, ed.
Framing Immersive Theatre: The Politics and Pragmatics of Participatory Performance.
Palgrave Macmillan, Basingstoke, pp. 221-228.
ISBN 978-1-137-36603-0.
E-ISBN 978-1-137-36604-7.
(doi:10.1057/978-1-137-36604-7)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45387)
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Klich, Rosemary E.
(2007)
Postnarrativity in the Theatre of New Media Performance: Eavesdrop.
In: Intermediality, Theatricality, Re-presentation and New Media Conference, 24th-29th May 2007, Centre for Research on Intermediality, University of Montreal, Montreal..
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45582)
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Klich, Rosemary E.
(2013)
Send: Act: Perform.
Performance Research,
18
(5).
pp. 101-107.
ISSN 1352-8165.
(doi:10.1080/13528165.2013.828935)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45378)
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Klich, Rosemary E.
(2007)
Staging Space: Performing Plasticity and Plastic Performance.
In: Annual Conference of the Theatre and Performance Research Association (TaPRA), 5th-7th September 2007, University of Birmingham.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45583)
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Klich, Rosemary E.
(2011)
“Systems of Intermediality: Rites”.
In: Performance Studies International Conference 17, 27th June-1st July 2011, Utrecht University.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45586)
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Klich, Rosemary E.
(2015)
Systems of Spectatorship: Blast Theory’s Aesthetic of Emergence.
In: Depestel, David and Pewny, Katherina and Stalpaert, Christel and Coppens, Jeroen, eds.
Unfolding Spectatorship: Re-Evaluating the Spectator’s Corporeal Engagement.
Academia Press.
ISBN Not yet available.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31600)
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Klich, Rosemary E.,
Scheer, Edward
(2011)
Multimedia Performance.
Basingstoke: Palgrave Macmillan, 240 pp.
ISBN ISBN-10: 023057467X.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:7787)
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L
Laera, Margherita
(2015)
55 Entries on Italian Actors.
In: Williams, Simon, ed.
The Cambridge Encyclopedia of Stage Actors and Acting.
Cambridge University Press, Cambridge.
ISBN 978-0-521-76954-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:30845)
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Laera, Margherita, ed.
(2017)
Black Tenderness: The Passion of Mary Stuart.
Cue Press, Imola
ISBN 978-88-99737-24-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:59122)
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Laera, Margherita
(2009)
The Blue Planet.
Teatro Romolo Valli, Reggio Emilia.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31363)
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Laera, Margherita
(2016)
Dealing with the Past: Three Oresteias.
In: International Federation for Theatre Research, Annual Conference 2016, 13-17 June 2016, University of Stockholm, Sweden.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57311)
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Laera, Margherita
(2009)
Noi, gli eroi.
Ubulibri, Milan.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31357)
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Laera, Margherita
(2009)
Oedipus at the National Theatre: Celebrities and the Otherness of Tragedy.
Review of: Oedipus Rex, dir. Jonathan Kent, National Theatre, London, 2008
by Kent, Jonathan.
Western European Stages,
(21.2).
pp. 73-74.
ISSN 1050-1991.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57304)
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Laera, Margherita
(2016)
Rethinking 'Foreignisation' Through Practice as Research.
In: European Theatre Perspectives: Exploring Channels for Cross-Cultural Engagement in Performance, 7-9 November 2016, University of Wroclaw, Poland.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57308)
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Laera, Margherita, ed.
(2017)
The Snakes.
Cue Press, Imola
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:59123)
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Laera, Margherita
(2015)
Texts and Scores as Places of Interaction.
In: Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), 26 Oct 2015, University of Cambridge.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57310)
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Laera, Margherita
(2019)
Theatre & Translation.
Theatre &
.
Red Globe Press / Macmillan
ISBN 978-1-137-61161-1.
E-ISBN 978-1-137-61162-8.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:72171)
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Laera, Margherita
(2010)
The Wedding at Cana.
Charta Art Books, Milan.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31361)
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M
O
P
Pavis, Patrice
(2012)
L'Analyse Des Spectacles.
Armand Colin, France, 384 pp.
ISBN 978-2-200-25983-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31723)
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Pavis, Patrice
(2010)
The director’s new tasks.
In: Delgado, Maria M. and Rebellato, Dan, eds.
Contemporary European Theatre Directors.
Routledge, pp. 395-411.
ISBN 978-0-415-46250-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31726)
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R
Radosavljevic, Duška
(2014)
The Dramaturgy of A View from the Bridge.
.
website.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:41718)
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Roesner, David P.
(2002)
Barbette — oder die Kunst, eine Frau zu sein.
Performance type: Other
Barbette, 2002, Stadttheater Hildesheim, Germany.
Live Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:37015)
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Roesner, David P.
(2010)
Bella Merlin’s “Tilly No-Body” (Composer and Sound-designer).
Performance type: Other
“Tilly No-Body”, Oct 2010, Mondavi Center for the Performing Arts, Davis, California.
Live Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:37012)
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Roesner, David P. and Rebstock, Matthias, eds.
(2012)
Composed Theatre. Aesthetics, Practices, Processes.
intellect, Bristol, 367 pp.
ISBN 978-1-84150-456-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:30276)
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Roesner, David P.
(2014)
Composing Tilly.
ETUM E-Journal for Theatre and Media (peer-reviewed online journal),
.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:35636)
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Roesner, David P.
(2013)
Dancing in the Twilight – On the Borders of Music and the Scenic.
In: Symonds, Dominic and Karatonis, Pamela, eds.
The Legacy of Opera. Reading Music Theatre as Experience and Performance.
Rodopi, Amsterdam, pp. 169-187.
ISBN 978-90-420-3691-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:30272)
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Roesner, David P.
(2000)
Der Meteoritenlöffel.
Performance type: Other
Der Meteoritenlöffel, 2000, Thalia Theater Halle (Germany).
Live performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:37018)
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Roesner, David P.
(2012)
Der „Guitar Hero“ zwischen Musizieren und Performen.
In: Schroedter, Stephanie, ed.
Bewegungen zwischen Hören und Sehen.
Königshausen & Neumann, Göttingen, pp. 591-607.
ISBN 978-3-8260-4744-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:30249)
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Roesner, David P.
(2004)
Glaubensbekenntnisse. Eine musik-theatrale Überzeugungsarbeit.
Performance type: Other
Glaubensbekenntnisse, 2004, Jakobinische Hildesheim, Germany.
Live Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:37014)
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Roesner, David P.
(2004)
Jentl. Szenische Lesung mit Musik.
Performance type: Other
Jentl, Stadttheater Hildesheim, Germany.
Live performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:37013)
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Roesner, David P.
(2000)
Messer in Hennen.
Performance type: Other
Messer in hennen, 2000, Thalia in der Kunsthalle, Hamburg, Germany.
Live Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:37017)
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Roesner, David P.
(2010)
Musicking as mise-en-scène.
Studies in Musical Theatre,
4
(1).
pp. 89-102.
ISSN 1750-3159.
(doi:10.1386/smt.4.1.89_1)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:30274)
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Roesner, David P.
(2005)
Musikalische Spiel-Räume.
In: Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds.
Szenische Orte-Mediale Raume.
Olms, Hildesheim / New York, pp. 129-147.
ISBN 978-3-487-12799-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:30266)
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Roesner, David P.
(2010)
Musikalisches Theater – Szenische Musik.
In: Mungen, Anno, ed.
Mitten im Leben. Musiktheater von der Oper bis zur Everyday-Performance mit Musik.
Königshausen & Neumann, Göttingen, pp. 193-211.
ISBN 978-3-8260-4184-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:30252)
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Roesner, David P.
(2009)
Musikalität als Paradigma für die Theaterarbeit. Zehn Thesen.
In:
Theater. Musik.
Fokus Schultheater
(8).
Edition Körber Stiftung, Hamburg, pp. 8-16.
ISBN 978-3-89684-187-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:30259)
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Roesner, David P.
(2012)
"Musikalität als ästhetisches Dispositiv: Analogien und Transfers".
In: Huber, Jorg and Nigro, Roberto and Bippus, Elke, eds.
Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern.
Edition Voldemeer
(1).
Springer, Zürich, Wien, New York.
ISBN 978-3-7091-1503-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:30245)
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Roesner, David P.
(2009)
Performing theory and its evaluation as research.
In: Allegue, Ludivine and Kershaw, Baz and Jones, Simon and Piccini, Angela, eds.
Practice-as-Research: In Performance and Screen.
Palgrave Macmillan, London, p. 223.
ISBN 978-0-230-22001-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:30257)
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Roesner, David P.
(2003)
Ribbible Ribble — Motivik und musikalische Form im Theater Christoph Marthalers.
In: Balme, Christopher and Fischer-Lichte, Erika and Grätzel, Stephan, eds.
Theatre als Paradigma der Moderne.
Francke, Tübingen, pp. 365-374.
ISBN 978-3-7720-2796-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:30269)
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Roesner, David P.
(2002)
Swingverdächtig!
Performance type: Other
Swingverdächtig, 2002, Thalia in der Gaußstraße, Hamburg, Germany.
Live Performance.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:37016)
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Roesner, David P.
(2015)
Theaterrauschen – Spielarten der performativen Hervorbringung von Geräusch.
In: Mungen, Anno and Ernst, Wolf-Dieter, eds.
Sound and Performance: Positions · Methods · Analysis.
Königshausen & Neumann, Würzburg.
ISBN 978-3-8260-5473-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:35634)
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Roesner, David P. and Kendrick, Lynne, eds.
(2011)
Theatre Noise. The Sound of Performance.
Cambridge University Scholars, Newcastle
ISBN 978-1-4438-3440-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:30248)
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Roesner, David P.
(2014)
Une esthétique du gaspillage très précise: Les Spécialistes de Christoph Marthaler.
In: Plassard, Didier, ed.
Mises en scène d'Allemagne(s) depuis 1968, Series: Les Voies de la création théâtrale.
Editions du CNRS (Centre National de la Recherche Scientifique), Paris.
ISBN 978-2-271-07345-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:35598)
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S
Shaughnessy, Nicola,
Trimingham, Melissa
(2012)
Autism Affects: cognition, kinesthetics and practice based research.
In: Theatrical Histories - American Society for Theatre Research, 31/10/2012 - 04/11/2012, Nashville USA.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31545)
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Shaughnessy, Robert
(2007)
"I do, I will": Hal, Falstaff and the Performative.
In: Henderson, Diana E., ed.
Alternative Shakespeares 3.
New accents
.
Routledge, Abingdon, pp. 14-33.
ISBN 978-0-415-42333-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2246)
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Shaughnessy, Robert
(2012)
Silence.
In: Hampton-Reeves, Stuart and Escolme, Bridget, eds.
Shakespeare and the Making of Theatre.
Palgrave, Basingstoke.
ISBN 978-0-230-21867-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31652)
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Shaughnessy, Robert
(2013)
Tyrone Guthrie.
In: Mazer, Cary M., ed.
Poel, Granville Barker, Guthrie, Wanamaker : Great Shakespeareans.
Continuum, New York.
ISBN 978-1-4411-3372-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31617)
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Stähler, Axel
(2001)
Janus – “the Beginnings and Ends of Things”: The Entry of James I into London (1604).
In: Lucko, Peter and Schlaeger, Juergen, eds.
Proceedings of the conference of the German Association of University Teachers of English.
Proceedings of the Conference of the German Association of University Teachers of English, 22
.
WVT Wissenschaftlicher, Trier, pp. 189-204.
ISBN 3-88476-493-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2453)
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T
Trimingham, Melissa
(2013)
Touched by meaning: haptic effect in autism.
In: Shaughnessy, Nicola, ed.
Affective Performance and Cognitive Science: body, brain and being.
Methuen.
ISBN 978-1-4081-9315-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31639)
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V
Varakis-Martin, Angeliki, ed.
(2008)
Oedipus the King.
Student editions
.
Bloomsbury Methuen Drama, London
ISBN 978-0-7136-8676-0.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:44771)
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Varakis-Martin, Angeliki
(2013)
Popular celebration and cognition in Karolos Koun’s stage interpretations of Aristophanic comedy.
In: Reconsidering popular comedy, Ancient and Modern, Wednesday 28–Friday 30 August 2013, Western Infirmary Lecture Theatre, University of Glasgow (proceedings will be published, organisers currently in conversation with OUP).
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45069)
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Varakis-Martin, Angeliki
(2004)
Research on the Ancient Mask.
Didaskalia,
6
(1).
E-ISSN 1321-4853.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:44718)
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Varakis-Martin, Angeliki
(2004)
‘The Staging of Aristophanes in Modern Times’.
In: Studying the Ancient Greek Theatre, 11-12 March 2004, Colloquium organised by the ICS (Institute of Classical Studies) , London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45103)
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Varakis-Martin, Angeliki
(2010)
‘The comic body in Aristophanic performance’.
In: The Body and Ancient Drama, 1-3 October 2004, Centre for Ancient Greek drama 'Desmoi', Eleusina.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45094)
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Vass-Rhee, Freya
(2014)
Fielding Dramaturgy.
In: Forsythe Lectures series, deSingel Internationale Kunstcampus, April 2014, Antwerp, Belgium.
(KAR id:66120)
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Vass-Rhee, Freya
(2019)
Haunted by Hamlet: William Forsythe's Sider.
In: McCulloch, Lynsey and Shaw, Brandon, eds.
The Oxford Handbook of Shakespeare and Dance.
Oxford University Press, pp. 455-475.
ISBN 978-0-19-049878-8.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:64066)
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W
Wright, Clare
(2014)
Body, Site and Memory in the Croxton Play of the Sacrament.
In: Bennett, Susan and Polito, Mary, eds.
Performing Environments: Site-Specificty in Medieval and Early Modern English Drama.
Palgrave Macmillan, Basingstoke, UK and New York, pp. 159-179.
ISBN 978-1-137-32016-2.
E-ISBN 978-1-137-32017-9.
(doi:10.1057/9781137320179)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:54972)
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Wright, Clare
(2019)
Enculturated, Embodied, Social: Medieval Drama and Cognitive Integration.
In: Anderson, Miranda and Wheeler, Michael, eds.
Distributed Cognition in Medieval and Renaissance Culture.
The Edinburgh History of Distributed Cognition
.
Edinburgh University Press, Edinburgh, UK.
ISBN 978-1-4744-3813-1.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57607)
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Wyles, Rosie
(2020)
Theatre Props and Civic Identity in Athens 458-405 BC.
Bloomsbury, London, 280 pp.
ISBN 978-1-350-14397-5.
E-ISBN 978-1-350-14399-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84476)
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This list was generated on Mon Jan 25 23:05:13 2021 GMT.
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