Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theatre"

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Agbaje, Bola (2009) Troppo Lontano! Performance type: Live play Tramedautore Festival, September 2009, Piccolo Teatro, Teatro d'Europa, Milano. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2012) Andrei Droznin's Physical Actor Training. Routledge Tay;or and Francis DVD and Booklet. 0415682975 (ISBN). (doi:0415682975 (ISBN)) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2009) Dust: Grotowski's Last performance. Dust, 21st September- 2nd November, National Theatre, Olivier Foyer. 45 B + W photos. (Full text available)

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Allain, Paul (2010) Piotr Borowski and Poland's Studium Teatralne: Where Process becomes Performance. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge Taylor and Francis, Oxon, pp. 165-184. ISBN 978-0-415-46251-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2016) Thick Description/Thin Lines: Writing about process in Contemporary Performance. Contemporary Theatre Review, 26 (4). pp. 485-495. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486801.2016.1216409) (Full text available)

Allain, Paul and Campo, Giuliano (2009) Jerzy Grotowski: Theatre and Beyond. An Exhibition. Jerzy Grotowski: Theatre and Beyond. An Exhibition, Aberystwyth, the Centre for Performance Research, 21st-27th September 2009 • Canterbury, British Grotowski Project, University of Kent, 8th-19th June, 2009 • London, Battersea Arts Centre 24th June - 7th July., London, Canterbury and Aberystwyth. Drawings, photos, set, costumes, props, original materials from a performance. (Full text available)

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Allen, Richard and May, Shaun (2015) Encountering Anthropomorphism: Editorial. Performance Research, 20 (2). pp. 1-3. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Anderson, Michael (1996) Greek tragic theatre- Rehm,R. Review of: Greek tragic theatre by Rehm, Rush. Theatre Research International, 21 (1). p. 79. ISSN 0307-8833. (doi:https://doi.org/10.1017/S0307883300012736) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Anderson, Michael (1994) A Short Introduction to the Greek Theater - Ley,G. Review of: A Short Introduction to the Greek Theater. By Graham Ley. Chicago and London: The University of Chicago Press, 1991. Pp. xiv + 104. by Lev, Graham. Theatre Research International, 19 (3). pp. 267-268. ISSN 0307-8833. (doi:https://doi.org/10.1017/S0307883300006672) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Anderson, Michael (2000) Spectacle entertainments of early imperial Rome. Review of: Spectacle Entertainments of Early Imperial Rome. By Richard Beacham. New Haven & London: Yale University Press, 1999. Pp. xii + 306 by Beacham, Richard. Theatre Research International, 25 (1). p. 87. ISSN 0307-8833. (doi:https://doi.org/10.1017/S0307883300013985) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Baker, James (2013) Jewishness and the Covent Garden OP War: Satiric Perceptions of John Philip Kemble. Nineteenth-Century Theatre and Film, 40 (1). pp. 36-57. ISSN 1748-3727. (doi:https://doi.org/10.7227/NCTF.40.1.3) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barlow, Shirley (2008) The Imagery of Euripides: a Study in the Dramatic Use of Pictorial Language. Bristol Classical Paperbacks . Bristol Classical Press, 192 pp. ISBN 978-1-85399-710-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Baugh, Christopher (2000) English court theatre 1558-1642. Theatre Research International, 25 (1). pp. 87-88. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Baugh, Christopher (1996) The stage designs of Inigo Jones: The European context - Peacock,J. Review of: The stage designs of Inigo Jones: The European context by Peacock, John. Theatre Research International, 21 (2). pp. 175-176. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) Exposing The Classics: Michael Thalheimer’s Regie beyond the Text. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486800701741477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M. (2015) Directing Scenes & Senses: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester, 256 pp. ISBN 978-0-7190-9719-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M. (2016) The Theatre Of Thomas Ostermeier. Routledge, Abingdon and New York, 262 pp. ISBN 978-1-138-91447-6. E-ISBN 978-1-315-69081-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Boenisch, Peter M. (2014) Who’s watching? Me! – Theatrality, the Žižekian Subject and Spectatorship. In: Chow, Broderick and Mangold, Alex, eds. Žižek & Performance. Performance Philosophy . Palgrave Macmillan, Basingstoke and New York, pp. 48-60. ISBN 978-1-137-41090-0. E-ISBN 978-1-137-40319-3. (doi:https://doi.org/10.1057/9781137403193) (Full text available)

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Brooks, Helen E.M. (2015) Actresses, Gender and the Eighteenth-Century Stage : Playing Women. Palgrave, Houndmills, Basingstoke, Hampshire, 201 pp. ISBN 978-1-137-48621-9. E-ISBN 978-1-137-48622-6. (doi:https://doi.org/10.1057/9781137486226) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2014) 'The Divided Heart of the Actress': Late Eighteenth-Century Actresses and the "Cult of Maternity". In: Stage Mothers: Women, Work and the Theatre, 1660-1830. Bucknell University Press. ISBN 978-1-61148-603-2. (Full text available)

Brooks, Helen E.M. (2011) Negotiating Marriage and Professional Autonomy in the Careers of Eighteenth-Century Actresses. Eighteenth-Century Life, 35 (2). pp. 39-75. ISSN 0098-2601. (doi:https://doi.org/10.1215/00982601-1214090) (Full text available)

Brooks, Helen E.M. (2012) 'One entire nation of actors and actresses' - Reconsidering the Relationship of Public and Private Theatricals. Nineteenth-Century Theatre and Film, . ISSN 1748-3727. (Full text available)

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Brooks, Helen E.M. (2017) Sex and Sexuality. In: Balme, Christopher B. and Davis, Tracy C., eds. A Cultural History of Theatre. Bloomsbury. ISBN 978-1-4725-8584-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Brooks, Helen E.M. (2014) Theorizing the Woman Performer. In: Swindells, Julia and Taylor, David Francis, eds. The Oxford Handbook of the Georgian Theatre 1737-1832. Oxford University Press. ISBN 978-0-19-960030-4. (Full text available)

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Brooks, Helen E.M. (2009) Women and Theatre Management in the Eighteenth Century. In: Engel, L., ed. The Public's Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Cambridge Scholars Publishing, pp. 73-97. ISBN 978-1-4438-0173-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Camilleri, Frank (2008) 'To Push the Actor-Training to its Extreme': Training Process in Ingemar Lindh's Practice of Collective Improvisation. Contemporary Theatre Review, 18 (4). pp. 425-441. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486800802379474) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Dingwall-Jones, Christopher (2014) "Antic Dispositions?": The Representation of Madness in Modern British Theatre. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Double, Oliver (1996) Alternative comedy: from radicalism to commercialism. In: Merkin, Ros, ed. Popular Theatres? Liverpool John Moores University, Liverpool, pp. 127-139. ISBN 0-9527978-0-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2012) Britain Had Talent: A History of Variety Theatre. Palgrave Macmillan, Houndsmills, basingstoke, Hampshire, 288 pp. ISBN 9780230284593 (hbk) 9780230284609 (pbk). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2000) Characterization in stand-up comedy: From Ted Ray to Billy Connolly, via Bertolt Brecht. New Theatre Quarterly, 16 (64). pp. 315-323. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X00014068) (Full text available)

Double, Oliver (2014) Getting the Joke (2nd edition)The Inner Workings of Stand-Up Comedy. Bloomsbury, London and New York, 518 pp. ISBN 978-1-4081-7460-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2005) Getting the joke: The inner workings of stand-up comedy. London: Methuen, 320 pp. ISBN 0-413-77476-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2007) Karl Valentin’s “Father and Son Discuss the War". Studies in Theatre and Performance, 27 (1). pp. 5-11. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (1994) Laughing all the way to the bank? Alternative comedy in the provinces. New Theatre Quarterly, X (39). pp. 255-262. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X00000555) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2012) Max Miller plays with Freud's obstacle: Innuendo and performance technique in variety comedy. Comedy Studies, 3 (1). pp. 93-104. ISSN 2040-610X. (doi:https://doi.org/10.1386/cost.3.1.93_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2010) Not the Definitive Version: an Interview with Ross Noble. Comedy Studies, 1 (1). pp. 5-19. ISSN 2040-610X. (doi:https://doi.org/10.1386/cost.1.1.5/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2007) Punk rock as popular theatre. New Theatre Quarterly, 23 (1). pp. 35-48. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X06000613) (Full text available)

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Double, Oliver (2007) Saint Pancreas. Performance type: Other Saint Pancreas, 3/11/06, Horsebridge Arts Centre, Whitstable. DVD and Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (1997) Stand-Up! On Being a Comedian. Methuen Drama, London, 262 pp. ISBN 0-413-70320-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2000) Teaching Stand-Up Comedy. A Mission: Impossible? Studies in Theatre and Performance, 20 (1). pp. 14-23. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2009) Teddy Brown and the Art of Performing for the British Variety Stage. New Theatre Quarterly, 25 (4). pp. 379-390. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X09000669) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver and Wilson, Michael (2006) Brecht and cabaret. In: Thomson, Peter and Sacks, Glendyr, eds. Cambridge Companion to Brecht, 2nd Edition. Cambridge University Press. ISBN 978-0-521-67384-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver and Wilson, Michael (2008) '"I am a Poor, Skinny Man": Persona and physicality in the work of Karl Valentin'. Studies in Theatre and Performance, 28 (3). pp. 213-221. ISSN 1468-2761. (doi:https://doi.org/10.1386/stap.28.3.213/1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Double, Oliver and Wilson, Michael (2004) Karl Valentin's illogical subversion: stand-up comedy and the alienation effect. New Theatre Quarterly, XX (3). pp. 203-215. ISSN 0-521-60328-5. (Full text available)

Dustagheer, Sarah (2017) Shakespeare's Two Playhouses Repertory and Theatre Space at the Globe and the Blackfriars, 1599–1613. Cambridge University Press, Cambridge, UK, 236 pp. ISBN 978-1-107-19016-0. E-ISBN 978-1-316-99687-4. (doi:https://doi.org/10.1017/9781316996874) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Fugard, Athol (2011) Il Guidatore del Treno. Performance type: Live play Tramedautore Festival, September 2011, Piccolo Teatro, Teatro d'Europa, Milan. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Goebbels, Heiner (2014) Aesthetic of Absence. Other. Routledge, London (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1997) Festive drama - Twycross,M. Review of: Festive Drama by Twycross, M. Theatre Research International, 22 (1). p. 74. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1996) Records of early english drama - Shropshire - Somerset,JAB. Comparative Drama, 30 (2). pp. 282-285. ISSN 0010-4078. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (1996) The biblical drama of medieval europe - Muir,LR. Theatre Research International, 21 (1). pp. 79-80. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grantley, Darryll (2007) The social geography of London in Restoration comedy. . University of Kent, School of Drama, Film and Visual Arts, 32 pp. (Full text available)

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Greenaway, Peter (2009) Le Nozze di Cana. Performance type: Live play Veronese's The Wedding at Cana by Peter Greenaway, June to September 2009, San Giorgio Maggiore Refectory, Venice. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Greenaway, Peter and Laera, Margherita (2009) The Blue Planet. UNSPECIFIED. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Harass, Azza (2015) Reading the Israeli/Palestinian Conflict Through Theater: A Postcolonial Analysis. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Kacimi, Mohamed (2010) Epistola alle Corinzie. Performance type: Live play Tramedautore Festival, September 2010, Piccolo Teatro, Teatro d'Europa, Milan. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2014) ‘Amplifying Sensory Spaces: Headphone Theatre’. In: "Media, Politics, Performance Conference", Fast Forward Festival, 5th-7th May, 2014, Onassis Cultural Centre, Athens.. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2017) Amplifying Sensory Spaces: The In and Outputs of Headphone Theatre. Contemporary Theatre Review, 27 (3). pp. 366-378. ISSN 1048-6801. E-ISSN 1477-2264. (doi:https://doi.org/10.1080/10486801.2017.1343247) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2007) Between Realities: Intermediality and the Blurring of Boundaries in Multimedia Theatre. In: Sugiera, Malgorzata and Borowski, Matuesz, eds. Fictional Realities / Real Fictions:Contemporary Theatre in Search of a New Mimetic Paradigm. Cambridge Scholars Press, United Kingdom. ISBN 978-1-84718-138-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2005) Between Realities: Intermediality in Multimedia Theatre. In: FIRT/IFTR International Conference "Fictional/Real in Contemporary Theatre", 17 - 20 November 2005, Jagiellonian University, Krakow. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2010) Copies, Robots, Mutants, and the Unfinished Human. In: (re)-Performing the Posthuman Conference, 21st-22nd May 2010, University of Sussex, Brighton.. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2005) David Pledger: On Eavesdrop and New Media: Interview. Performance Paradigm Journal, (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2006) During Intermediality: Remediation and Virtuality in Multimedia Theatre. In: Australasian Drama Studies Association Annual Conference, July 2006, University of Sydney. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2015) Fleshing Out: Intermedial Bodies, Digital Plasticity and the Dancer-in-Code. Dance Research Journal of Korea, . (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2013) "Fleshing Out: The Body in Intermedial Dance". In: International Symposium of the Korean Society of Dance, 2nd November 2013, Sungkyunkwan University in Seoul, Korea. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2013) Hamlet Remembered. Performance type: Live play Hamlet Remembered, Friday May 31st and Saturday June 1st, Jarman Building, University of Kent. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2014) ‘The In and Outputs of Headphone Theatre’. In: Annual Conference of Theatre and Performance Research Association, 3rd-5th September 2014, Royal Holloway. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2010) Instance: The Builder’s Association. In: Bay Cheng, Sarah and Lavender, Andy and Nelson, Robin and Kattenbelt, Chiel, eds. Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, pp. 149-156. ISBN 978-90-8964-255-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2013) “InterMEdiation and the InterMEdial System”. In: International Federation for Theatre Research Annual Conference, 22nd – 26th July 2013, Institut del Teatre, Barcelona. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2013) Intermediality, Complexity and Emergence. In: Colloquium of Performance Research., 18th January 2013, Centre for Intermediality at the Royal Central School of Speech and Drama. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2005) Into Virtuality: Interactivity and Immersion in New Media Performance. In: E-Performance and Plug-ins, December 2005, University of New South Wales, Sydney. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2014) Mediation, Trace and Space in Dance Theatre: Already Elsewhere. In: Baxter, Virginia and Brannigan, Erin, eds. Bodies of Thought: 12 Australian Choreographers. Wakefield Press, Adelaide. ISBN 978-1-74305-241-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2012) “Participate or Else”. In: Performance Studies International Conference 18, 27th June-1st July 2012., University of Leeds. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2013) Performing Poetry and the Postnarrative Text in the Theatre of New Media. Contemporary Theatre Review, 23 (3). pp. 421-431. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486801.2013.806322) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2010) "Performing at a Distance: Place, Pattern and Posthumanism". In: International Federation for Theatre Research Annual Conference, July 2010, LMU Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2006) Performing ‘Posthuman’ Perspective: Remediation and Virtuality in New Media Performance. In: International Federation for Theatre Research Annual Congress, Helsinki, Finland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2015) Playing a Punchdrunk Game: Immersive Theatre and Videogames. In: Frieze, James, ed. Framing Immersive Theatre: The Politics and Pragmatics of Participatory Performance. Palgrave Macmillan, Basingstoke, pp. 221-228. ISBN 978-1-137-36603-0. E-ISBN 978-1-137-36604-7. (doi:https://doi.org/10.1057/978-1-137-36604-7) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2005) The Play’s The Thing No Longer: Non-Linear Narrative in Kate Champion’s ‘Same, Same But Different'. Australasian Drama Studies Journal, 46 . pp. 58-69. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2007) Postnarrativity in the Theatre of New Media Performance: Eavesdrop. In: Intermediality, Theatricality, Re-presentation and New Media Conference, 24th-29th May 2007, Centre for Research on Intermediality, University of Montreal, Montreal.. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2013) Send: Act: Perform. Performance Research, 18 (5). pp. 101-107. ISSN 1352-8165. (doi:https://doi.org/10.1080/13528165.2013.828935) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2007) Staging Space: Performing Plasticity and Plastic Performance. In: Annual Conference of the Theatre and Performance Research Association (TaPRA), 5th-7th September 2007, University of Birmingham. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2011) “Systems of Intermediality: Rites”. In: Performance Studies International Conference 17, 27th June-1st July 2011, Utrecht University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2015) Systems of Spectatorship: Blast Theory’s Aesthetic of Emergence. In: Depestel, David and Pewny, Katherina and Stalpaert, Christel and Coppens, Jeroen, eds. Unfolding Spectatorship: Re-Evaluating the Spectator’s Corporeal Engagement. Academia Press. ISBN Not yet available. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2011) Systems of Spectatorship: Presence, Play and Performance in Blast Theory’s Games. In: “The Gaze is Us”, 23rd March 2011, Vooruit Centre for the Arts. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2009) “What’s behind the smile?: The mediated other in performance". In: Performing Presence Conference, March 2009, University of Exeter. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2013) Work in Progress: Audience Engagement and an ‘Aesthetic of Unfinish’ in Richard Schechner’s Imagining O. Body, Space and Technology, 11 (2). ISSN 1470-9120. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2012) The ‘unfinished’ subject: Pedagogy and performance in the company of copies, robots, mutants and cyborgs. International Journal of Performance Arts and Digital Media, 8 (2). pp. 155-171. ISSN 1479-4713. (doi:https://doi.org/10.1386/padm.8.2.155_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. and Scheer, Edward (2011) Multimedia Performance. Basingstoke: Palgrave Macmillan, 240 pp. ISBN ISBN-10: 023057467X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Lacey, Mark (2014) Lip-synching and its potential as a theatrical convention to progress storytelling in a live performance context. Master of Arts by Research (MARes) thesis, University of Kent,. (Full text available)

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Laera, Margherita (2015) 55 Entries on Italian Actors. In: Williams, Simon, ed. The Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press, Cambridge. ISBN 978-0-521-76954-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2009) The Blue Planet. Teatro Romolo Valli, Reggio Emilia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2016) Dealing with the Past: Three Oresteias. In: International Federation for Theatre Research, Annual Conference 2016, 13-17 June 2016, University of Stockholm, Sweden. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2014) 'Expert' Dramaturgies: Helgard Haug of Remini Protokoll in Conversation with Margherita Laera. In: Laera, Margherita, ed. Theatre and Adaptation: Return, Rewrite, Repeat. Bloomsbury Methuen Drama, pp. 241-254. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2011) 'I'll Roughen It Up a Bit': Multiple-Authored Theatre Translations. In: Invisible Presences, 18-20 April 2011, Queen's University Belfast. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2013) Making Lear Dreaming. Singapore, Affects and Transnational Encounters: An Interview with Ong Keng Sen. In: From Identity to Mondialisation: TheatreWorks 25. Didier Millet, Singapore. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2009) Noi, gli eroi. Ubulibri, Milan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2009) Oedipus at the National Theatre: Celebrities and the Otherness of Tragedy. Review of: Oedipus Rex, dir. Jonathan Kent, National Theatre, London, 2008 by Kent, Jonathan. Western European Stages, (21.2). pp. 73-74. ISSN 1050-1991. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2015) On Killing Children: Greek Tragedies on British Stages in 2015. Critical Stages, . ISSN 2409-7411. E-ISSN 2409-7411. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Laera, Margherita (2018) Performing Heteroglossia: The 'Translating Theatre' Project in London. Modern Drama, 61 (3). ISSN 0026-7694. E-ISSN 1712-5286. (doi:https://doi.org/10.3138/md.s0917) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Laera, Margherita (2013) Reaching Athens: Community, Democracy and Other Mythologies in Adaptations of Greek Tragedy. New Comparative Criticism . Peter Lang, 333 pp. ISBN 978-3-0343-0807-6. (Full text available)

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Laera, Margherita (2011) Reaching Athens: Performing Participation and Community in Rimini Protokoll's Prometheus in Athens. Performance Research, 16 (4). pp. 46-51. ISSN 1352-8165. (doi:https://doi.org/10.1080/13528165.2011.606049) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Laera, Margherita (2016) Rethinking 'Foreignisation' Through Practice as Research. In: European Theatre Perspectives: Exploring Channels for Cross-Cultural Engagement in Performance, 7-9 November 2016, University of Wroclaw, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2012) Staging and Performing Translation: Text and Theatre Practice edited by Roger Baines, Cristina Marinetti, and Manuela Perteghella. Review of: Staging and Performing Translation: Text and Theatre Practice by Baines, Roger and Marinetti, Cristina and Perteghella, Manuela. Contemporary Theatre Review, 22 (2). pp. 281-282. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486801.2012.669600) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2015) Subverting the 'Classics': Adaptation and Resistance. In: London Theatre Seminar, 19 Nov 2015. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2015) Texts and Scores as Places of Interaction. In: Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), 26 Oct 2015, University of Cambridge. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2017) A Theatre Of/For Europe : Giorgio Strehler and the Dream of a United Continent. In: Finburgh, Clare and Boenisch, Peter M and Shepherd, Simon, eds. Great Stage Directors, vol. 6: Littlewood, Planchon, Strehler. Bloomsbury Methuen Drama. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Laera, Margherita (2011) Theatre Translation as Collaboration: Aleks Sierz, Natalie Abrahami, Martin Crimp, Zoë Svendsen, Colin Teevan and J. Michael Walton discuss Translation for the Stage. Contemporary Theatre Review, 21 (2). pp. 213-225. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486801.2011.561490) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2016) A Theatre of/for Europe: Giorgio Strehler and the Dream of a United Continent. In: Quorum, 30 November 2016, Queen Mary, University of London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2016) Translating Theatre: ‘Foreignisation’ on Stage. Practice as Research Portfolio. The Gate Theatre, Notting Hill. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2010) The Wedding at Cana. Charta Art Books, Milan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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May, Shaun (2014) Abject Metamorphosis and Mirthless Laughter: On Human-to-Animal Transitions and the 'Disease of Being Finite'. Performance Research, 19 (1). pp. 72-80. ISSN 1352-8165. (doi:https://doi.org/10.1080/13528165.2014.908086) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

May, Shaun (2015) A Philosophy of Comedy on Stage and Screen: You Have to 'Be There'. Bloomsbury Methuen Drama, London, 224 pp. ISBN 978-1-4725-8043-6. E-ISBN 978-1-4725-8046-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

May, Shaun (2015) Rethinking Practice as Research and the Cognitive Turn. Palgrave Macmillan, Basingstoke, UK, 176 pp. ISBN 978-1-137-52272-6. E-ISBN 978-1-137-52273-3. (doi:https://doi.org/10.1057/9781137522733) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Misra, Smita (2015) Seeking entitlement: a performance ethnography exploring the paradoxes of trauma and testimonial in refugee performance. Master of Arts by Research (MARes) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Mitchell, Roanna (2018) Bodies as Profit Centres: Susie Orbach’s work in the context of performance and activism. In: Kahr, Brett, ed. The People’s Psychotherapist: Exploring the Work of Susie Orbach. Routledge. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mitchell, Roanna (2015) The Body That Fits The Bill: Physical Capital and ‘Crises’ of the Body in Actor Training. About Performance, 15 (1). pp. 137-156. ISSN 1324-6089. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Mitchell, Roanna (2018) Chekhov’s Technique in Actor-Movement and Dance. In: Fleming, Cass and Cornford, Tom, eds. Michael Chekhov Technique in the Twenty-first Century: New Pathways. Bloomsbury Methuen Drama. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mitchell, Roanna and Pakula, Pablo (2012) Imagining O, Encountering India: Recounting an embodied experience. Studies in South Asian Film & Media, 4 (2). pp. 179-188. ISSN 1756-4921. (doi:https://doi.org/10.1386/safm.4.2.179_1) (Full text available)

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O'Connor, Marion F (2000) William Poel to George Bernard Shaw (Correspondence). Theatre Notebook, 54 (3). pp. 162-176. ISSN 0040-5523. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Pavis, Patrice (2012) Contemporary Mise en Scène: Staging Theatre Today. Routledge, 384 pp. ISBN 978-0-415-55344-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2012) L'Analyse Des Spectacles. Armand Colin, France, 384 pp. ISBN 978-2-200-25983-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2004) Le Théâtre Contemporain: Analyse des Textes, de Sarraute à Vinaver. Armand Colin, France, 232 pp. ISBN 978-2-200-25931-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2010) The director’s new tasks. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge, pp. 395-411. ISBN 978-0-415-46250-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pearlman, Alan (2007) Expressionism and modernism in the American theatre: Bodies, voices, words. Review of: Expressionism and modernism in the American theatre: Bodies, voices, words. by Walker, Julia A.. Theatre Research International, 32 (2). pp. 202-203. ISSN 0307-8833. (doi:https://doi.org/10.1017/S0307883307002891) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Radosavljevic, Duška (2014) The Dramaturgy of A View from the Bridge. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Read, Peter (2016) Dramaturge et démiurge: l'image et l'espace dans le théâtre d'Apollinaire. In: Apollinaire: Le regard du poète. Gallimard / Musées d'Orsay and l'Orangerie, Paris, France, pp. 245-251. ISBN 978-2-07-017915-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Roesner, David P. and Rebstock, Matthias, eds. (2012) Composed Theatre. Aesthetics, Practices, Processes. intellect, Bristol, 367 pp. ISBN 978-1-84150-456-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. and Kendrick, Lynne, eds. (2011) Theatre Noise. The Sound of Performance. Cambridge University Scholars, Newcastle ISBN 978-1-4438-3440-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2013) Accidental Collective’s Here is Where We Meet, Marlowe Studio, Canterbury, June 2013 (Musical dramaturg and sound design). Performance type: Other Here is where we meet, 19-22 June 2013, Canterbury, Marlowe Studio. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2002) Barbette — oder die Kunst, eine Frau zu sein. Performance type: Other Barbette, 2002, Stadttheater Hildesheim, Germany. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2010) Bella Merlin’s “Tilly No-Body” (Composer and Sound-designer). Performance type: Other “Tilly No-Body”, Oct 2010, Mondavi Center for the Performing Arts, Davis, California. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2006) Bending Gender and Acting Theory - Performing essays by Goethe and Cocteau on the theatrical benefits of cross-dressing. Studies in Theatre and Performance, 26 (2). pp. 111-127. ISSN 1468-2761. (doi:https://doi.org/10.1386/stap.26.2.111/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2014) Composing Tilly. ETUM E-Journal for Theatre and Media (peer-reviewed online journal), . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2013) Dancing in the Twilight – On the Borders of Music and the Scenic. In: Symonds, Dominic and Karatonis, Pamela, eds. The Legacy of Opera. Reading Music Theatre as Experience and Performance. Rodopi, Amsterdam, pp. 169-187. ISBN 978-90-420-3691-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2000) Der Meteoritenlöffel. Performance type: Other Der Meteoritenlöffel, 2000, Thalia Theater Halle (Germany). Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2012) Der „Guitar Hero“ zwischen Musizieren und Performen. In: Schroedter, Stephanie, ed. Bewegungen zwischen Hören und Sehen. Königshausen & Neumann, Göttingen, pp. 591-607. ISBN 978-3-8260-4744-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2005) Die Diskursivierung des Performativen und die Performativität diskursiver Praxis. Theaterpartituren zwischen Werkzeug und Waffe. In: Hempfer, K.W. and Traninger, A., eds. Macht Wissen Wahrheit. Rombach Litterae, Freiburg im Breisgau, pp. 243-258. ISBN 978-3-7930-9432-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2005) Die Playlist als Inszenierung. Ein Portrait des Theatermusikers Lars Wittershagen. Theater der Zeit, 2005 (6). pp. 14-15. ISSN 0040-5418. (Full text available)

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Roesner, David P. (2010) Die Utopie 'Heidi'. Arbeitsprozesse im experimentellen Musiktheater am Beispiel von Leo Dicks Kann Heidi brauchen, was es gelernt hat? In: Röttger, Kati, ed. Welt - Bild - Theater: Politik der Medien und Kulturen des Wissens. Narr, Tübingen, pp. 221-234. ISBN 978-3-8233-6606-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2004) Glaubensbekenntnisse. Eine musik-theatrale Überzeugungsarbeit. Performance type: Other Glaubensbekenntnisse, 2004, Jakobinische Hildesheim, Germany. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2011) The Guitar Hero's Performance. Contemporary Theatre Review, 21 (3). pp. 276-285. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486801.2011.585646) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2012) "It is not about labelling, it's about understanding what we do" – Composed theatre as discourse. In: Roesner, David P. and Rebstock, Matthias, eds. Composed Theatre: Aesthetics, Practices, Processes. Intellect, Bristol, pp. 319-362. ISBN 978-1-84150-456-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2004) Jentl. Szenische Lesung mit Musik. Performance type: Other Jentl, Stadttheater Hildesheim, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2007) Komik - Körper - Kunst - Kommerz. Eine Analyse der Elemente der Commedia dell`Arte in den Silent Slapstick Comedies. Other masters thesis, University of Hildesheim. (Full text available)

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Roesner, David P. (2002) Kompositionen der Ausdrucksnot — Einar Schleefs Musikalisierung von Sprache in seiner Inszenierung Verratenes Volk. In: Bayerdörfer, Hans-Peter, ed. Stimmen — Klänge — Töne. Synergien im szenischen Spiel. Gunter Narr, Tübingen, pp. 309-324. ISBN 978-3-8233-5230-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2005) „Materialausgabe.“ Review of Wolfgang Sander (ed.), Heiner Goebbels. Komposition als Inszenierung. Berlin: Henschel, 2002. In: Porombka, St. and Schneider, W. and Wortmann, Volker, eds. Kollektive Kreativität. Jahrbuch der Kulturwissenschaften. Francke, Tübingen, pp. 167-170. ISBN 978-3-7720-8125-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2011) The Mechanics of Noise. Theatricality and the Automated Instrument in Heiner Goebbels' theatre and Pat Metheny's Jazz. In: Kendrick, Lynne and Roesner, David P., eds. Theatre Noise. The Sound of Theatre. Cambridge Scholars Press, Newcastle, pp. 149-163. ISBN 978-1-4438-3440-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2000) Messer in Hennen. Performance type: Other Messer in hennen, 2000, Thalia in der Kunsthalle, Hamburg, Germany. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2015) The Musical as Experiment – New Developments on the British Stage (working title). In: Jubin, O and Gordon, Robert, eds. Oxford Handbook of the British Musicals. Oxford University Press, Oxford. ISBN tbc. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2010) Musicality as a paradigm for the theatre – a kind of manifesto. Studies in Musical Theatre, 4 (3). pp. 293-306. ISSN 1750-3159. (Full text available)

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Roesner, David P. (2014) Musicality in Theatre – Music as Model, Method and Metaphor in Theatre-making. Other. Ashgate, Farnham (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2010) Musicking as mise-en-scène. Studies in Musical Theatre, 4 (1). pp. 89-102. ISSN 1750-3159. (doi:https://doi.org/10.1386/smt.4.1.89_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2004) Musik mit den ‘Mitteln der Bühne’ — Aufführungsanalyse mit den Mitteln der Musik. In: Kurzenberger, Hajo and Matzke, Annemarie, eds. TheorieTheaterPraxis. Theater der Zeit, Berlin, pp. 107-116. ISBN 978-3-934344-29-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2005) Musikalische Spiel-Räume. In: Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds. Szenische Orte-Mediale Raume. Olms, Hildesheim / New York, pp. 129-147. ISBN 978-3-487-12799-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2010) Musikalisches Theater – Szenische Musik. In: Mungen, Anno, ed. Mitten im Leben. Musiktheater von der Oper bis zur Everyday-Performance mit Musik. Königshausen & Neumann, Göttingen, pp. 193-211. ISBN 978-3-8260-4184-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2009) Musikalität als Paradigma für die Theaterarbeit. Zehn Thesen. In: Theater. Musik. Fokus Schultheater (8). Edition Körber Stiftung, Hamburg, pp. 8-16. ISBN 978-3-89684-187-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2012) "Musikalität als ästhetisches Dispositiv: Analogien und Transfers". In: Huber, Jorg and Nigro, Roberto and Bippus, Elke, eds. Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern. Edition Voldemeer (1). Springer, Zürich, Wien, New York. ISBN 978-3-7091-1503-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2009) Performing theory and its evaluation as research. In: Allegue, Ludivine and Kershaw, Baz and Jones, Simon and Piccini, Angela, eds. Practice-as-Research: In Performance and Screen. Palgrave Macmillan, London, p. 223. ISBN 978-0-230-22001-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2011) Presentation given at the Academy of the Arts, Berlin: “Ich komponiere als Regisseur und inszeniere als Komponist“ (Heiner Goebbels) Dialoge über komponiertes Theater – Versuch einer Diskursanalyse. Presentation video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2012) Published peer review: Actor Self vs. Character Self: An Empirical Exploration. . Online publication. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2003) Ribbible Ribble — Motivik und musikalische Form im Theater Christoph Marthalers. In: Balme, Christopher and Fischer-Lichte, Erika and Grätzel, Stephan, eds. Theatre als Paradigma der Moderne. Francke, Tübingen, pp. 365-374. ISBN 978-3-7720-2796-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2007) Singing Actors and Dancing Singers. Oscillations of genre, physical and vocal codes in two contemporary adaptations of Purcell’s Dido and Aeneas. Studies in Musical Theatre, 1 (2). pp. 123-137. ISSN 1468-2761. (Full text available)

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Roesner, David P. (2002) Swingverdächtig! Performance type: Other Swingverdächtig, 2002, Thalia in der Gaußstraße, Hamburg, Germany. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2003) Theater als Musik. Musikalische Aspekte in den Inszenierungen Christoph Marthalers. Theater der Zeit, 2003 (6). pp. 42-43. ISSN 0040-5418. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2003) Theater als Musik. Verfahren der Musikalisierung in chorischen Theaterformen bei Christoph Marthaler, Einar Schleef und Robert Wilson. Gunter Narr, Tübingen ISBN 3-8233-6020-5. (Full text available)

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Roesner, David P. (2015) Theaterrauschen – Spielarten der performativen Hervorbringung von Geräusch. In: Mungen, Anno and Ernst, Wolf-Dieter, eds. Sound and Performance: Positions · Methods · Analysis. Königshausen & Neumann, Würzburg. ISBN 978-3-8260-5473-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2014) Une esthétique du gaspillage très précise: Les Spécialistes de Christoph Marthaler. In: Plassard, Didier, ed. Mises en scène d'Allemagne(s) depuis 1968, Series: Les Voies de la création théâtrale. Editions du CNRS (Centre National de la Recherche Scientifique), Paris. ISBN 978-2-271-07345-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2009) "Vom Nutzen und Nachteil der Theatergeschichte und -theorie für die künstlerische Ausbildung".On the use and abuse of theatre history and theatre theory in vocational drama training, Paper given at the Universität der Künste, Berlin, 26. January 2009. . Electronic Article. (Full text available)

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Roesner, David P. (2008) Wenn Musik zu Wort kommt. Portrait des Komponisten und Schauspielmusikers Lars Wittershagen. Ruhrtriennale 2008, Germany. (Full text available)

Roesner, David P. (2004) „Über Musik und Raum im zeitgenössischen Theater”. Monthly magazine of the Theater Basel, 2004 (3). pp. 22-23. ISSN N/A. (Full text available)

Roesner, David P. (2009) 'An entirely new art form' – Katie Mitchells intermediale Bühnen-Experimente. Forum Modernes Theater, 24 (2). pp. 101-119. ISSN 0930-5874. (Full text available)

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Roesner, David P. (2008) The politics of the polyphony of performance. Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1048-6801. (Full text available)

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Roesner, David P. and Risi, Clemens (2009) Die polyphone Werkstatt. Kollektives Arbeiten im zeitgenössischen Musiktheater. Theater der Zeit, 2009 (1). pp. 28-30. ISSN 0040-5418. (Full text available)

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Shaughnessy, Nicola (2012) Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice. Palgrave, Basingstoke, 312 pp. ISBN 978-0-230-24133-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola and Trimingham, Melissa (2012) Autism Affects: cognition, kinesthetics and practice based research. In: Theatrical Histories - American Society for Theatre Research, 31/10/2012 - 04/11/2012, Nashville USA. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2007) "I do, I will": Hal, Falstaff and the Performative. In: Henderson, Diana E., ed. Alternative Shakespeares 3. New accents . Routledge, Abingdon, pp. 14-33. ISBN 978-0-415-42333-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2007) The Nazi appropriation of Shakespeare: Cultural politics in the Third Reich. Review of: The Nazi Appropriation of Shakespeare: Cultural Politics in the Third Reich by Symington, Rodney. Theatre Research International, 32 (2). pp. 216-217. ISSN 0307-8833. (doi:https://doi.org/10.1017/S0307883306002550) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2012) Silence. In: Hampton-Reeves, Stuart and Escolme, Bridget, eds. Shakespeare and the Making of Theatre. Palgrave, Basingstoke. ISBN 978-0-230-21867-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2013) Tyrone Guthrie. In: Mazer, Cary M., ed. Poel, Granville Barker, Guthrie, Wanamaker : Great Shakespeareans. Continuum, New York. ISBN 978-1-4411-3372-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stähler, Axel (2003) The Arduous Path to the True Temple of Love. Research Opportunities in Renaissance Drama, 42 . pp. 34-61. ISSN 0098-647X. (Full text available)

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Stähler, Axel (1998) Between Tiger and Unicorn: 'The Temple of Love' (Inigo Jones). Journal of the Warburg and Courtauld Institutes, 61 . pp. 176-197. ISSN 0075-4390. (Full text available)

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Stähler, Axel (2003) Inigo Jones’s 'Tempe Restored' and Alessandro Piccolomini’s 'Della institution morale'. Seventeenth Century, 18 (2). pp. 180-210. ISSN 0268-117X. (Full text available)

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Stähler, Axel (2001) Janus – “the Beginnings and Ends of Things”: The Entry of James I into London (1604). In: Lucko, Peter and Schlaeger, Juergen, eds. Anglistentag 2000, Berlin: Proceedings. Proceedings of the Conference of the German Association of University Teachers of English, 22. WVT Wissenschaftlicher Verlag Trier, Trier pp. 189-204. ISBN 3-88476-493-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stähler, Axel (2000) "Perpetuall Monuments": Die Repräsentation von Architektur in der italienischen Festdokumentation (ca. 1515–1640) und der englischen court masque (1604–1640). Studien zur englischen Literatur, 12 . LIT, Muenster, 512 pp. ISBN 3-8258-5142-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stähler, Axel (2004) Review of J.R. Mulryne and Elizabeth Goldring (eds), 'Court Festivals of the European Renaissance. Art, Politics and Performance'. Review of: Court Festivals of the European Renaissance. Art, Politics and Performance by Mulryne, J. R. and Goldring, E.. Archiv für das Studium der neueren Sprachen und Literaturen, 156 . pp. 368-370. ISSN 0003-8970. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Trimingham, Melissa (2011) How to Think a Puppet. Forum Modernes Theater, 26 . ISSN 0930-5874. (Full text available)

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Trimingham, Melissa (2002) A Methodology for Practice as Research. Studies in Theatre & Performance, 22 (1). pp. 54-60. ISSN 1468-2761. (doi:https://doi.org/10.1386/stap.22.1.54) (Full text available)

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Trimingham, Melissa (2004) Sehr geehrter Herr Schlemmer... A letter to Oskar Schlemmer occasioned by a performance of the Bauhaustanze at the Dessau Bauhaus 1928. Performance Research, 9 (1). pp. 81-98. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Trimingham, Melissa (2013) Touched by meaning: haptic effect in autism. In: Shaughnessy, Nicola, ed. Affective Performance and Cognitive Science: body, brain and being. Methuen. ISBN 978-1-4081-9315-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Varakis-Martin, Angeliki (2014) ‘Aristophanic Performance as an all-inclusive event: audience participation and celebration in the modern staging of Aristophanic comedy'. In: Classics in the Modern World - a Democratic Turn?, July 2010, Open University.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2013) Aristophanic Performance as an all-inclusive event:audience participation and celebration in the modern staging of Aristophanic comedy. In: Hardwick, Lorna and Harrison, Stephen, eds. Classics in the Modern World: A democratic turn? Classical Presences . Oxford University Press. ISBN 978-0-19-967392-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2010) 'Body and Mask in Aristophanic Performance'. Bulletin of the institute of classical studies, 53 (1). pp. 17-38. ISSN 2041-5370. (doi:https://doi.org/10.1111/j.2041-5370.2010.00002.x) (Full text available)

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Varakis-Martin, Angeliki (2014) An Emotional Engagement with the Classical Past: Karolos Koun and the staging of ancient Greek drama in the twentieth century. ‘An Emotional Engagement with the Classical Past: Karolos Koun and the staging of ancient Greek drama in the twentieth century’, . (Submitted) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2014) Laughter and distributed attention in the spectating of Aristophanic comedy. In: Cognitive Futures in the Humanities conference, 24-26 April 2014, Durham University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2008) Mask & Performance In Greek Tragedy: From Ancient Festival To Modern Experimentation. Review of: Mask & Performance In Greek Tragedy: From Ancient Festival To Modern Experimentation by Wiles, David. Theatre Research International, 33 (3). pp. 325-326. ISSN 0307-8833. (doi:https://doi.org/10.1017/s0307883308004070) (Full text available)

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Varakis-Martin, Angeliki (2010) ‘Performing' celebration and ‘celebrating’ performance in modern Aristophanic productions'. In: 10th Annual APGRD PG Symposium. ‘Revelry, Rhythm and Blues’ in the reception of Greek and Roman drama from antiquity to the present day’, 21 July 2010, Royal Holloway. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2013) Popular celebration and cognition in Karolos Koun’s stage interpretations of Aristophanic comedy. In: Reconsidering popular comedy, Ancient and Modern, Wednesday 28–Friday 30 August 2013, Western Infirmary Lecture Theatre, University of Glasgow (proceedings will be published, organisers currently in conversation with OUP). (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2004) Research on the Ancient Mask. Didaskalia, 6 (1). E-ISSN 1321-4853. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2004) ‘The Staging of Aristophanes in Modern Times’. In: Studying the Ancient Greek Theatre, 11-12 March 2004, Colloquium organised by the ICS (Institute of Classical Studies) , London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2010) ‘The aesthetics of the mask in Karolos Koun’s ancient Greek Productions.’ (in Greek). In: The mask in ancient Greek drama, 14-15 September 2010, Centre for Ancient Greek drama 'Desmoi', Eleusina. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2010) ‘The comic body in Aristophanic performance’. In: The Body and Ancient Drama, 1-3 October 2004, Centre for Ancient Greek drama 'Desmoi', Eleusina. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2002) The masks of Dionysis Fotopoulos in modern productions of Ancient Greek Drama. In: The Greek Theatre Mask in Ancient and Modern Performance, 20-21 April 2002, Royal Holloway, Egham. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vass-Rhee, Freya (2018) Book review: Choreographies: Tracing the Materials of an Ephemeral Art Form by Jacky Lansley. Review of: Choreographies: Tracing the Materials of an Ephemeral Art Form by Lansley, Jacky. Dance Research, . pp. 274-275. ISSN 0264-2875. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Vass-Rhee, Freya (2017) Book review: Dramaturgy in Motion: At Work on Dance and Movement Performance, by Katherine Profeta. Review of: Dramaturgy in Motion: At Work on Dance and Movement Performance by Profeta, Katherine. Theatre Research International, . pp. 197-198. ISSN 0307-8833. (doi:https://doi.org/10.1017/S0307883317000451) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Vass-Rhee, Freya (2017) Book review: Theatre and Cognitive Neuroscience. Review of: Theatre and Cognitive Neuroscience by UNSPECIFIED. New Theatre Quarterly, 33 (3). p. 300. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X17000355) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Vass-Rhee, Freya (2014) Fielding Dramaturgy. In: Forsythe Lectures series, deSingel Internationale Kunstcampus, April 2014, Antwerp, Belgium. (Full text available)

Vass-Rhee, Freya (2017) Haunted by Hamlet: William Forsythe's Sider. In: The Oxford Handbook of Shakespeare and Dance. Oxford University Press, pp. 455-475. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Vass-Rhee, Freya (2008) Reconciling Giselle (Giselle Aussöhnen): dramaturg's note. Semperoper Dresden. (Full text available)

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Vass-Rhee, Freya (2012) Still failing after all these years: William Forsythe’s Yes We Can’t: dramaturg's note. The Forsythe Company. (Full text available)

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Vass-Rhee, Freya (2012) William Forsythe’s I don’t believe in outer space: dramaturg’s note. The Forsythe Company. (Full text available)

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Virtanen, Juha (2012) 'NO ONE REMAINS, NOR IS, ONE: Olson, Black Mountain and Theater Piece #1'. . The Black Mountain College Museum and Arts Center, 13 pp. text. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Wollen, Will (2016) The active text: unlocking plays through physical theatre. Review of: The Active Text: Unlocking Plays Through Physical Theatre by Dymphna Callery, London, Nick Hern Books, 2015, 224 pp., ISBN 978-1-84842-127-1 by Callery, Dymphna. Stanislavski Studies, 4 (1). pp. 83-84. ISSN 2054-4170. E-ISSN 2054-4170. (doi:https://doi.org/10.1080/20567790.2016.1155370) (Full text available)

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Wright, Clare (2012) Acoustic Tyranny: Metre, Alliteration and Voice in York’s Christ before Herod’. Medieval English Theare, 34 . pp. 3-29. ISSN 0143-3784. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wright, Clare (2014) Body, Site and Memory in the Croxton Play of the Sacrament. In: Bennett, Susan and Polito, Mary, eds. Performing Environments: Site-Specificty in Medieval and Early Modern English Drama. Palgrave Macmillan, Basingstoke, UK and New York, pp. 159-179. ISBN 978-1-137-32016-2. E-ISBN 978-1-137-32017-9. (doi:https://doi.org/10.1057/9781137320179) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wright, Clare (2018) Enculturated, Embodied, Social : Medieval Drama and Cognitive Integration. In: Anderson, Miranda and Wheeler, Michael, eds. The Edinburgh History of Distributed Cognition: from Medieval to Renaissance. The Edinburgh History of Distributed Cognition, 2 . Edinburgh University Press, Edinburgh, UK. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wright, Clare (2017) Ontologies of Play: Reconstructing the Relationship between Audience and Act in Early English Drama. Shakespeare Bulletin, 35 (2). pp. 187-206. ISSN 0748-2558. E-ISSN 1931-1427. (doi:https://doi.org/10.1353/shb.2017.0013) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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