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Acoustic Tyranny: Metre, Alliteration and Voice in York’s Christ before Herod’

Wright, Clare (2012) Acoustic Tyranny: Metre, Alliteration and Voice in York’s Christ before Herod’. Medieval English Theare, 34 . pp. 3-29. ISSN 0143-3784. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. (Contact us about this Publication)

Abstract

In the article, the author discusses the metre, alliteration and voice of the play "Christ Before Herod." Also examined are the poetic diversity of the York Corpus Christi Cycle of the early English drama, the opinion of J. B. Reese about the sequential authorship theory, as well as the play's character representation and audience experience.

Item Type: Article
Subjects: P Language and Literature
P Language and Literature > PE English
P Language and Literature > PN Literature (General) > PN1655 Drama
P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theatre
P Language and Literature > PR English literature
Divisions: Faculties > University wide - Teaching/Research Groups > Centre for Medieval and Early Modern Studies
Faculties > Humanities > School of English
Depositing User: Clare Wright
Date Deposited: 20 May 2016 15:39 UTC
Last Modified: 29 May 2019 17:13 UTC
Resource URI: https://kar.kent.ac.uk/id/eprint/54967 (The current URI for this page, for reference purposes)
Wright, Clare: https://orcid.org/orcid.org/0000-0003-1798-4299
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