Wright, Clare (2012) Acoustic Tyranny: Metre, Alliteration and Voice in York’s Christ before Herod’. Medieval English Theare, 34 . pp. 3-29. ISSN 0143-3784. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54967)
| The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. |
Abstract
In the article, the author discusses the metre, alliteration and voice of the play "Christ Before Herod." Also examined are the poetic diversity of the York Corpus Christi Cycle of the early English drama, the opinion of J. B. Reese about the sequential authorship theory, as well as the play's character representation and audience experience.
| Item Type: | Article |
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| Subjects: |
P Language and Literature P Language and Literature > PE English philology and language P Language and Literature > PN Literature (General) > PN1600 Drama P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The theatre P Language and Literature > PR English literature |
| Divisions: | Divisions > Division of Arts and Humanities > School of English |
| Depositing User: | Clare Wright |
| Date Deposited: | 20 May 2016 15:39 UTC |
| Last Modified: | 05 Nov 2024 10:43 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/54967 (The current URI for this page, for reference purposes) |
University of Kent Author Information
Wright, Clare.
| Creator's ORCID: |
 https://orcid.org/orcid.org/0000-0003-1798-4299
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