Items where division is "Faculties > Humanities > School of Arts > Drama and Theatre"

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Number of items at this level: 178.

A

Allain, Paul (2012) Andrei Droznin's Physical Actor Training. Routledge Tay;or and Francis DVD and Booklet. 0415682975 (ISBN). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2015) The Archive. Contemporary Theatre Review, 25 (1). pp. 32-35. ISSN 1048-6801. (Full text available)
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Allain, Paul (2008) British Grotowski Project. Three year AHRC funded practical and theoretical project with multiple outcomes. Project. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul (2009) Dust: Grotowski's Last performance. Dust, 21st September- 2nd November, National Theatre, Olivier Foyer. 45 B + W photos. (Full text available)
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Allain, Paul (2010) Piotr Borowski and Poland's Studium Teatralne: Where Process becomes Performance. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge Taylor and Francis, Oxon, pp. 165-184. ISBN 978-0-415-46251-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Allain, Paul and Campo, Giuliano (2009) Jerzy Grotowski: Theatre and Beyond. An Exhibition. Jerzy Grotowski: Theatre and Beyond. An Exhibition, Aberystwyth, the Centre for Performance Research, 21st-27th September 2009 • Canterbury, British Grotowski Project, University of Kent, 8th-19th June, 2009 • London, Battersea Arts Centre 24th June - 7th July. , London, Canterbury and Aberystwyth. Drawings, photos, set, costumes, props, original materials from a performance. (Full text available)
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Allen, Richard and May, Shaun (2015) Encountering Anthropomorphism: Editorial. Performance Research, 20 (2). pp. 1-3. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

B

Beadle-Brown, Julie and Richardson, L and Wilkinson, David T. and Shaughnessy, Nicola and Trimingham, Melissa and Leigh, Jennifer S and Whelton, Beckie and Himmerich, J (2014) Imagining Autism: impact of a drama based intervention on the social communicative and imaginative behaviour of children with autism. Journal of Applied Research in Intellectual Disabilities, 27 (4). p. 343. ISSN 1360-2322. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2012) Acts of Spectating: The Dramaturgy of the Audience's Experience in Contemporary Theatre. Critical Stages, 8 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) Exploring the Classics: Michael Thalheimer's Regie beyond the Text 1. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2013) Spectres of Subjectivity: On the Fetish of Identity in (Post-) Postdramatic Choreography. In: Jurs-Munby, Karen and Carroll, Jerome and Giles, Steve, eds. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Bloomsbury Methuen Drama, London / New Delhi / New York / Sydney. ISBN 9781408184868. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

C

Camilleri, Frank (2011) Of Crossroads and Undercurrents: Ingemar Lindh's Practice of Collective Improvisation and Jerzy Grotowski. New Theatre Quarterly, 27 (4). pp. 299-312. ISSN 0266-464X. (Full text available)
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Cutugno, Carmela (2014) Intercultural Performance and Dialogue. From Richard Schechner Performance Studies Onwards. Doctor of Philosophy (PhD) thesis, University of Kent, University of Bologna. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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D

Dingwall-Jones, Christopher (2014) "Antic Dispositions?": The Representation of Madness in Modern British Theatre. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Double, Oliver (1996) Alternative comedy: from radicalism to commercialism. In: Merkin, Ros, ed. Popular Theatres? Liverpool John Moores University, Liverpool, pp. 127-139. ISBN 0 9527978 0 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2012) Britain Had Talent: A History of Variety Theatre. Palgrave Macmillan, Houndsmills, basingstoke, Hampshire, 288 pp. ISBN 9780230284593 (hbk) 9780230284609 (pbk). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2000) Characterization in stand-up comedy: From Ted Ray to Billy Connolly, via Bertolt Brecht. New Theatre Quarterly, 16 (64). pp. 315-323. ISSN 0266-464X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2014) Getting the Joke (2nd edition)The Inner Workings of Stand-Up Comedy. Bloomsbury, London and New York, 518 pp. ISBN 978-1-4081-7460-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2005) Getting the joke: The inner workings of stand-up comedy. London: Methuen, 320 pp. ISBN 0-413-77476-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2007) Karl Valentin’s “Father and Son Discuss the War". Studies in Theatre and Performance, 27 (1). pp. 5-11. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (1994) Laughing all the way to the bank? Alternative comedy in the provinces. New Theatre Quarterly, X (39). pp. 255-262. ISSN 0266-464X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2012) Max Miller plays with Freud's obstacle: Innuendo and performance technique in variety comedy. Comedy Studies, 3 (1). pp. 93-104. ISSN 2040-610X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2010) Not the Definitive Version: an Interview with Ross Noble. Comedy Studies, 1 (1). pp. 5-19. ISSN 2040-610X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2007) Punk rock as popular theatre. New Theatre Quarterly, 23 (1). pp. 35-48. ISSN 0266-464X. (Full text available)
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Double, Oliver (2007) Saint Pancreas. Performance type: Other Saint Pancreas, 3/11/06, Horsebridge Arts Centre, Whitstable. DVD and Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (1997) Stand-Up! On Being a Comedian. Methuen Drama, London, 262 pp. ISBN 0 413 70320 7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2000) Teaching Stand-Up Comedy. A Mission: Impossible? Studies in Theatre and Performance, 20 (1). pp. 14-23. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2009) Teddy Brown and the Art of Performing for the British Variety Stage. New Theatre Quarterly, 25 (4). pp. 379-390. ISSN 0266-464x. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver and Wilson, Michael (2006) Brecht and cabaret. In: Thomson, Peter and Sacks, Glendyr, eds. Cambridge Companion to Brecht, 2nd Edition. Cambridge University Press. ISBN 9780521673846. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver and Wilson, Michael (2008) '"I am a Poor, Skinny Man": Persona and physicality in the work of Karl Valentin'. Studies in Theatre and Performance, 28 (3). pp. 213-221. ISSN 1468-2761. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Double, Oliver and Wilson, Michael (2004) Karl Valentin's illogical subversion: stand-up comedy and the alienation effect. New Theatre Quarterly, XX (3). pp. 203-215. ISSN 0-521-60328-5. (Full text available)
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Duska, Radosavljevic (2013) ‘Michael Boyd: The RSC Ensemble’ - Introduction. In: Britton, John, ed. Encountering Ensemble. Methuen Bloomsbury, pp. 147-149. ISBN 9781408155172. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

G

Goebbels, Heiner (2014) Aesthetic of Absence. Other. Routledge, London (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

K

Klich, Rosemary E. (2015) Fleshing Out: Intermedial Bodies, Digital Plasticity and the Dancer-in-Code. Dance Research Journal of Korea . (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2013) Performing Poetry and the Postnarrative Text in the Theatre of New Media. Contemporary Theatre Review, 23 (3). pp. 421-431. ISSN 1048-6801 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2015) Systems of Spectatorship: Blast Theory’s Aesthetic of Emergence. In: Depestel, David and Pewny, Katherina and Stalpaert, Christel and Coppens, Jeroen, eds. Unfolding Spectatorship: Re-Evaluating the Spectator’s Corporeal Engagement. Academia Press. ISBN Not yet available. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. (2012) The ‘unfinished’ subject: Pedagogy and performance in the company of copies, robots, mutants and cyborgs. International Journal of Performance Arts and Digital Media, 8 (2). pp. 155-171. ISSN 1479-4713 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klich, Rosemary E. and Mitchell, Roanna and Dennis, Krysta (2014) Through the Grapevine: A Performed Wine Tasting (2013) and (2014). Performance type: Live play , 2014: 23rd, 24th October, 2014, Mrs Jones’ Kitchen, Canterbury: 26th and 27th April, 2013 Lumley Studio, University of Kent., Mrs Jones Kitchen, Canterbury and Lumley Studio, University of Kent.. Performance and documentation. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

L

Laera, Margherita (2013) 55 Entries on Italian Actors. In: Williams, Simon, ed. The Cambridge World Encyclopaedia of Stage Actors and Acting. Cambridge University Press, Cambridge. ISBN Not available. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2013) Reaching Athens: Community, Democracy and Other Mythologies in Adaptations of Greek Tragedy. New Comparative Criticism . Peter Lang, 333 pp. ISBN 9783034308076. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2012) Staging and Performing Translation: Text and Theatre Practice edited by Roger Baines, Cristina Marinetti, and Manuela Perteghella. Review of: Staging and Performing Translation: Text and Theatre Practice by Baines, Roger and Marinetti, Cristina and Perteghella, Manuela. Contemporary Theatre Review, 22 (2). pp. 281-282. ISSN 1048-6801 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2011) Theatre Translation as Collaboration: Aleks Sierz, Natalie Abrahami, Martin Crimp, Zoë Svendsen, Colin Teevan and J. Michael Walton discuss Translation for the Stage. Contemporary Theatre Review, 21 (2). pp. 213-225. ISSN 1048-6801 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2011) Translating African Plays: Ethics, ‘Foreignisation’ and Collaboration. Practics as Research Portfolio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lehmann, Hans-Thies (2012) Am grunde die steine: Ein nachwort von Hans-Thies Lehmann. In: Das offene Geheimnis. Gedanken über Schauspielerei und Theater. Alexander Verlag Berlin, Berlin, pp. 132-153. ISBN 9783895812668. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lehmann, Hans-Thies (2008) Note sur l’anagnorisis. Réflexions sur le spectateur dans le théâtre pré- et postdramatique. In: Hunkeler, Thomas and Kiss, Corinne Fournier and Luthi, Ariane, eds. Place au public : Les spectateurs du théâtre contemporain. Metis Presses, Truccazzano (Milan). ISBN 2940406057. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lehmann, Hans-Thies (2013) Tragödie und dramatisches Theater. Berlin ISBN 9783895813085. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lehmann, Hans-Thies (2011) Versuch zum Verstehen (Theater), nach Derrida. In: Zenck, Martin and Jungling, Markus, eds. Erzeugen und Nachvollziehen von Sinn: Rationale, performative und mimetische Verstehensbegriffe in den Kulturwissenschaften. Fink Wilhelm Gmbh + Co.Kg, Germany, pp. 29-42. ISBN 9783770545216. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

M

May, Shaun (2014) Abject Metamorphosis and Mirthless Laughter: On Human-to-Animal Transitions and the 'Disease of Being Finite'. Performance Research, 19 (1). pp. 72-80. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

May, Shaun (2013) Take My Gag, Please!Joke Theft and Copyright in Stand-up Comedy. Comedy Studies, 4 (2). pp. 195-203. ISSN 2040-610X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

P

Pavis, Patrice (2004) Le Théâtre Contemporain: Analyse des Textes, de Sarraute à Vinaver. Armand Colin, France , 232 pp. ISBN 9782200259310. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2012) Contemporary Mise en Scène: Staging Theatre Today. Routledge, 384 pp. ISBN 9780415553445. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2012) L'Analyse Des Spectacles. Armand Colin, France, 384 pp. ISBN 9782200259839. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2010) The director’s new tasks. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge, pp. 395-411. ISBN 9780415462501 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Q

Quirk, Sophie (2011) Containing the Audience: The 'Room' in Stand-up Comedy. Participations: Journal of Audience & Reception Studies, 8 (2). pp. 219-238. ISSN 1749-8716. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Quirk, Sophie (2010) Who's in charge? Negotiation, manipulation and comic licence in the work of Mark Thomas. Comedy Studies, 1 (1). pp. 113-124. ISSN 2040-610X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Quirk, Sophie (2015) Why Stand-up Matters: How Comedians Manipulate and Influence. Bloomsbury Academic, 248 pp. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

R

Radosavljevic, Duška (2010) Another Someone. Review of: Another Someone by UNSPECIFIED. The Stage . p. 20. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2014) The Artist is Busy. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2014) Baby Boom. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2010) Birds with Skymirrors. Review of: Birds with Skymirrors by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2014) Blind Hamlet. Review of: Blind Hamlet by UNSPECIFIED. Exeunt . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2005) Carmen Angel. Review of: Carmen Angel by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2012) A Ceremony of Carols - Richard Alston Dance Company. Review of: A Ceremony of Carols - Richard Alston Dance Company by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2013) Changing Scenes. . Exeunt website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2012) Circus as the Time and Space for Thinking. . PDF. (Full text available)
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Radosavljevic, Duška (2013) Community Innovation. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2007) A Companion to Shakespeare and Performance. Review of: A Companion to Shakespeare and Performance by UNSPECIFIED. Theatre Research International . pp. 204-205. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2012) Cymbeline. Review of: Cymbeline by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2012) Devising as a Historical Category. In: Devising Dramaturgy: A Shared Space – Symposium for the Makers, Prague Quadrennial. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2012) Dramaturgies of Togetherness. In: Play: Relational Aspects of Dramaturgy, University of Ghent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2014) The Dramaturgy of A View from the Bridge. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2013) Dubrovnik Summer Festival: Father Courage. . Exeunt website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2012) Encounters in Stratford-upon-Avon. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2009) England. Review of: England by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2013) The Ensemble Way of Working and Playwrighting. In: Turning the Page: Creating New Writing 1945-2013. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2010) The Ensemble Way of Working. In: Encountering Ensemble, University of Huddersfield. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2010) An Evening with Dementia. Review of: An Evening with Dementia by UNSPECIFIED. The Stage . p. 22. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2014) FE 365. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2008) From Milford Haven to Milford Junction: The Golden Age of Kneehigh. In: Cultures of Translation: Adaptation in Film and Performance, Glamorgan University, Cardiff. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2010) Harlekin. Review of: Harlekin by UNSPECIFIED. The Stage . p. 19. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2013) Hidden in the Sand. Review of: Hidden in the Sand by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2012) How to Move a Critic. In: Cultural Criticism in the Digital Age: Media, Purposes, and the Status of the Critic Symposium, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2010) Howard Barker Day. Western European Stages, 22 (2/3). pp. 63-66. ISSN 1050-1991. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2009) Huddersfield as a Balkan Casablanca. In: International Federation for Theatre Research, Lisbon. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2012) Hugh Hughes- Stories from an Invisible Town. Review of: Hugh Hughes - Stories from an Invisible Town by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2010) I, Claudia. Review of: I, Claudia by UNSPECIFIED. The Stage . p. 20. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2013) Interview with Adriano Shaplin. Routledge Performance Archive website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2010) Interview with Howard Barker. Western European Stages, 22 (2-3). pp. 67-70. ISSN 1050-1991. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2013) Interview with Mike Alfreds. Routledge Performance Archive Item format: website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2004) Joe. Review of: Joe by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2015) Kneehigh Theatre. In: British Theatre Companies 1995-2014. Methuen Bloomsbury. ISBN 1408177277. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2012) Kotor Festival of Children's Theatre. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2009) Les Trois Mousquetaires. Review of: Les Trois Mousquetaires by UNSPECIFIED. The Stage . p. 19. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2010) Mary and William. Review of: Mary and William by UNSPECIFIED. The Stage . p. 20. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2009) Michael Clark - New Work. Review of: Michael Clark - New Work by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2007) A Midsummernights Tree. Review of: A Midsummernight's Tree by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2012) Mike Alfreds on Adaptation. Journal of Adaptation in Film and Performance, 5 (3). pp. 315-323. ISSN 1753-6421. (Full text available)
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Radosavljevic, Duška (2014) The Mums and Babies Ensemble. In: Fun Places Festival, 3 October 2014, Lyric Hammersmith Theatre, Lonodn. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2014) The Mums and Babies Ensemble. In: GIFT Festival, Gateshead. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2005) An Oak Tree. Review of: An Oak Tree by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2012) Occupare! . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2013) The Old King. Review of: The Old King by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2013) On Audience and Authorship. In: Lifting the Curtain on Audience and Authorship, Institute of Contemporary Arts, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2011) On Impact. In: Invisible Presences Conference,, Queens University Belfast. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2014) On the Virtues of ‘Open Source’ Innovation in the Arts. In: Svich, Caridad, ed. TCG. TCG. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2011) On the Wrestling School. In: Brown, Mark, ed. Howard Barker Interviews 1980-2010: Conversations in Catastrophe. Intellect, Bristol, pp. 181-185. ISBN 9781841503981. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2010) Others. Review of: Others by UNSPECIFIED. The Stage . p. 20. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2014) The Place of a Dramaturg in Twenty-First-Century England. In: The Routledge Companion to Dramaturgy. Routledge, pp. 40-44. ISBN 0415658497. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2014) The Problem of Page and Stage in Russian and British Productions of Shakespeare. Arts Studies Quarterly (2). ISSN 0032-9371. (Full text available)
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Radosavljevic, Duška (2009) Research Methodologies for a Consideration of the ‘Ensemble Way of Working'. In: TaPRA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2012) The Return to Brecht in the Twenty-First Century. In: TaPRA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (0013) Risk and Reinvention. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2012) Sarah Kane's Illyria as the land of violent love: a Balkan reading of Blasted. Contemporary Theatre Review, 22 (4). pp. 499-511. ISSN 1048-6801. (Full text available)
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Radosavljevic, Duška (2008) Sarah Kane's Illyria: A Balkan reading of Blasted. In: 'Sarah Kane: A Reassessment', University of Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2011) 'Shared Utopias? Alan Lyddiard, Lev Dodin and the Northern Stage Ensemble’. In: Pitches, Jonathan, ed. Russians in Britain: British Theatre and the Russian Tradition of Actor Training. Routledge, pp. 139-166. ISBN 9780415591003. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2013) The Spanish Tragedy. Review of: The Spanish Tragedy by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2010) Spring Awakening. Review of: Spring Awakening by UNSPECIFIED. The Stage . p. 21. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2014) Theatre as an Intellectual Concertina: Simon Stephens in Conversation with Duska Radosavljevic. In: Laera, Margherita, ed. Theatre and Adaptation: Return, Rewrite, Repeat. Methuen Bloomsbury, pp. 255-268. ISBN 9781408184721. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2013) Theatre-Making – Bridging the Gap Between Text-Based and Devised Theatre in the English-Speaking World. In: International Federation for Theatre Research conference, Barcelona. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2015) Theatre-Making: The End of Directing as We Know It. In: Popovici, Iulia, ed. The Playwright-Director: New European Theatre-Makers. Sibiu Festival. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2010) The Tiger Lillies - The Songs of Shockheaded Peter and Other Gory Verses. Review of: The Tiger Lillies - The Songs of Shockheaded Peter and Other Gory Verses by UNSPECIFIED. The Stage . p. 19. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2014) To Create a New Kind of Flower. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2010) Tokyo Love Song. Review of: Tokyo Love Song by UNSPECIFIED. The Stage . p. 19. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška (2014) Towards Performed Dramaturgy. In: Trencsenyi, Katalin and Cochrane, Bernadette, eds. New Dramaturgy: International Perspectives on Theory and Practice. Methuen Bloomsbury, pp. 68-79. ISBN 9781408177082. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška and Milatovic-Ovadia, Maja (2015) (un)decorated. Performance type: Live play , London. live performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška and Portmann, Alexandra (2013) Serbian Hamlet Meets Fortinbras from Yorkshire. In: Eastern European Hamlets, Royal Central School of Speech and Drama, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Radosavljevic, Duška and Rodosthenous, George (2014) Reversing the Process: Investigating Multi-Disciplinary Compositional Practices in The Fall of Icarus [2009]. Theatre Topics . ISSN 1054-8378. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Richardson, L and Beadle-Brown, Julie and Wilkinson, David T. and Shaughnessy, Nicola and Trimingham, Melissa and Leigh, J S and Whelton, Beckie and Himmerich, J (2014) Imagining Autism: evaluation of a drama based intervention for children with autism-the views of teachers and parents. Journal of Applied Research in Intellectual Disabilities, 27 (4). pp. 343-344. ISSN 1360-2322. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Rodosthenous, George and Radosavljevic, Duška (2012) The Gift of Pygmalion. Performance type: Live play , 2012, Leeds/Munich. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Rodosthenous, George and Radosavljevic, Duška (2007) The Symposium: adaptation of Plato's Symposium. Performance type: Live play , Leeds. live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Rodosthenous, George and Radosavljevic, Duška and Zavros, Demetris (2009) The Fall of Ikarus. Performance type: Live play , Koln. live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Rodosthenous, George and Zavros, Demetris and Radosavljevic, Duška (2011) Othello's Revenge. Performance type: Live play , Munich/Munster/Berlin. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2013) Accidental Collective’s Here is Where We Meet, Marlowe Studio, Canterbury, June 2013 (Musical dramaturg and sound design). Performance type: Other Here is where we meet, 19-22 June 2013, Canterbury, Marlowe Studio. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2002) Barbette — oder die Kunst, eine Frau zu sein. Performance type: Other Barbette, 2002, Stadttheater Hildesheim, Germany. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2010) Bella Merlin’s “Tilly No-Body” (Composer and Sound-designer). Performance type: Other “Tilly No-Body”, Oct 2010, Mondavi Center for the Performing Arts, Davis, California. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2014) Composing Tilly. ETUM E-Journal for Theatre and Media (peer-reviewed online journal) . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2013) Dancing in the Twilight – On the Borders of Music and the Scenic. In: Symonds, Dominic and Karatonis, Pamela, eds. The Legacy of Opera. Reading Music Theatre as Experience and Performance. Rodopi, Amsterdam, pp. 169-187. ISBN 9789042036918. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2000) Der Meteoritenlöffel. Performance type: Other Der Meteoritenlöffel, 2000, Thalia Theater Halle (Germany). Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2012) Der „Guitar Hero“ zwischen Musizieren und Performen. In: Schroedter, Stephanie, ed. Bewegungen zwischen Hören und Sehen. Königshausen & Neumann, Göttingen, pp. 591-607. ISBN 978-3-8260-4744-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2004) Glaubensbekenntnisse. Eine musik-theatrale Überzeugungsarbeit. Performance type: Other Glaubensbekenntnisse, 2004, Jakobinische Hildesheim, Germany. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2004) Jentl. Szenische Lesung mit Musik. Performance type: Other Jentl, Stadttheater Hildesheim, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2000) Messer in Hennen. Performance type: Other Messer in hennen, 2000, Thalia in der Kunsthalle, Hamburg, Germany. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2015) The Musical as Experiment – New Developments on the British Stage (working title). In: Jubin, O and Gordon, Robert, eds. Oxford Handbook of the British Musicals. Oxford University Press, Oxford. ISBN tbc. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2014) Musicality in Theatre – Music as Model, Method and Metaphor in Theatre-making. Other. Ashgate, Farnham (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2012) "Musikalität als ästhetisches Dispositiv: Analogien und Transfers". In: Huber, Jorg and Nigro, Roberto and Bippus, Elke, eds. Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern. Edition Voldemeer (1). Springer, Zürich, Wien, New York. ISBN 9783709115039. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2012) Published peer review: Actor Self vs. Character Self: An Empirical Exploration. . Online publication. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2002) Swingverdächtig! Performance type: Other Swingverdächtig, 2002, Thalia in der Gaußstraße, Hamburg, Germany. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2014) Theaterrauschen – Spielarten der performativen Hervorbringung von Geräusch. In: Mungen, Anno and Ernst, Wolf-Dieter, eds. Sound and Performance. Königshausen & Neumann, Würzburg. ISBN tbc. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2014) Une esthétique du gaspillage très précise: Les Spécialistes de Christoph Marthaler. In: Plassard, Didier, ed. Mises en scène d'Allemagne(s) depuis 1968, Series: Les Voies de la création théâtrale. Editions du CNRS (Centre National de la Recherche Scientifique) , Paris. ISBN 978-2271073457. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Roesner, David P. (2008) The politics of the polyphony of performance: Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1477-2264. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Shaughnessy, Nicola (2012) Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice. Palgrave, Basingstoke, 312 pp. ISBN 9780230241336. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (2009) Commentary on the empathising-systemising theory of autism: implications for education. Review of: The empathising-systemising theory of autism: implications for education by Baron-Cohen, Simon. Tizard Learning Disability Review , 14 (3). pp. 14-17. ISSN 1359-5474. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (2011) Knowing Me, Knowing You: Autism, Kinesthetic Empathy and Applied Performance. In: Reynolds, Deirdre and Reason, Matthew, eds. Kinesthetic Empathy in Creative and Cultural Practices. Intellect, Bristol, pp. 33-50. ISBN 9781841504919. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola (2013) Perceiving Differently: The Neuro-Divergent Aesthetic and Contemporary Performance. Interdisciplinary Science Reviews, 38 (4). pp. 321-334. ISSN 0308-0188. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola and Trimingham, Melissa (2012) Autism Affects: cognition, kinesthetics and practice based research. In: Theatrical Histories - American Society for Theatre Research , 31/10/2012 - 04/11/2012, Nashville USA. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2007) "I do, I will": Hal, Falstaff and the Performative. In: Henderson, Diana E., ed. Alternative Shakespeares 3. New accents . Routledge, Abingdon, pp. 14-33. ISBN 9780415423335. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2009) Behind the Scenes. Shakespeare Survey , 62 (62). pp. 236-247. ISSN ISBN 0 521 39529 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2010) A Choice of Programs. Shakespeare Bulletin, 28 (1). pp. 55-76. ISSN 0748-2558. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2010) Falstaff's Belly: Pathos, Prosthetics and Performance. In: Holland, Peter, ed. Shakespeare Survey. Shakespeare's English Histories and their Afterlives, 63 . Cambridge University Press , pp. 63-77. ISBN 9780521769150. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2010) The Routledge Guide to William Shakespeare. Routledge Guides to Literature . Routledge , Abingdon, 512 pp. ISBN 9780415275404. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2012) Shakespeare and the London Stage. In: Ritchie, Fiona and Sabor, Peter, eds. Shakespeare in the Eighteenth Century. Cambridge University Press, Cambridge , pp. 161-184. ISBN 9780521898607. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2012) Silence. In: Hampton-Reeves, Stuart and Escolme, Bridget, eds. Shakespeare and the Making of Theatre. Palgrave , Basingstoke . ISBN 9780230218673. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2013) Tyrone Guthrie. In: Mazer, Cary M., ed. Poel, Granville Barker, Guthrie, Wanamaker : Great Shakespeareans. Continuum . ISBN 9781441133724. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Trimingham, Melissa (2013) How to Think a Puppet. Forum Modernes Theater . ISSN 0930-5874. (In press) (Full text available)
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Trimingham, Melissa (2013) Touched by meaning: haptic effect in autism. In: Shaughnessy, Nicola, ed. Affective Performance and Cognitive Science: body, brain and being. Methuen. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Varakis-Martin, Angeliki (2014) ‘Aristophanic Performance as an all-inclusive event: audience participation and celebration in the modern staging of Aristophanic comedy'. In: Classics in the Modern World - a Democratic Turn?, July 2010, Open University.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2013) Aristophanic Performance as an all-inclusive event:audience participation and celebration in the modern staging of Aristophanic comedy. In: Hardwick, Lorna and Harrison, Stephen, eds. Classics in the Modern World: A democratic turn? Classical Presences . Oxford University Press. ISBN 9780199673926. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2010) 'Body and Mask in Aristophanic Performance'. Bulletin of the institute of classical studies, 53 (1). pp. 17-38. ISSN 2041-5370. (Full text available)
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Varakis-Martin, Angeliki (2014) ‘An Emotional Engagement with the Classical Past: Karolos Koun and the staging of ancient Greek drama in the twentieth century’. ‘An Emotional Engagement with the Classical Past: Karolos Koun and the staging of ancient Greek drama in the twentieth century’ . (Submitted) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Varakis-Martin, Angeliki (2014) Laughter and distributed attention in the spectating of Aristophanic comedy. In: Cognitive Futures in the Humanities conference, 24-26 April 2014, Durham University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2010) ‘Performing' celebration and ‘celebrating’ performance in modern Aristophanic productions'. In: 10th Annual APGRD PG Symposium. ‘Revelry, Rhythm and Blues’ in the reception of Greek and Roman drama from antiquity to the present day’, 21 July 2010, Royal Holloway. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2013) Popular celebration and cognition in Karolos Koun’s stage interpretations of Aristophanic comedy. In: Reconsidering popular comedy, Ancient and Modern, Wednesday 28–Friday 30 August 2013, Western Infirmary Lecture Theatre, University of Glasgow (proceedings will be published, organisers currently in conversation with OUP). (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2004) Research on the Ancient Mask. Didaskalia, 6 (1). (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Varakis-Martin, Angeliki (2004) ‘The Staging of Aristophanes in Modern Times’. In: Studying the Ancient Greek Theatre, 11-12 March 2004, Colloquium organised by the ICS (Institute of Classical Studies) , London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2010) ‘The aesthetics of the mask in Karolos Koun’s ancient Greek Productions.’ (in Greek). In: The mask in ancient Greek drama, 14-15 September 2010, Centre for Ancient Greek drama 'Desmoi', Eleusina. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2010) ‘The comic body in Aristophanic performance’. In: The Body and Ancient Drama, 1-3 October 2004, Centre for Ancient Greek drama 'Desmoi', Eleusina. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis-Martin, Angeliki (2002) The masks of Dionysis Fotopoulos in modern productions of Ancient Greek Drama. In: The Greek Theatre Mask in Ancient and Modern Performance, 20-21 April 2002, Royal Holloway, Egham. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

This list was generated on Mon Aug 31 21:46:25 2015 BST.