Items where division is "Faculties > Humanities > School of Arts > Film"

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Number of items at this level: 369.

B

Barnard, Clio H. (2010) The Arbor. Artangel Media Feature film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Barnard, Clio H. (2008) Plotlands - a site specific performance work incorporating film. , Friday 4 July 2008, Whitstable Biennale. Mixed. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Blanchet, Robert, Vaage, Margrethe Bruun (2012) Don, Peggy, and Other Fictional Friends? Engaging with Characters in Television Series. Projections, 6 (2). pp. 18-41. ISSN 1934-9688. E-ISSN 1934-9696. (doi:10.3167/proj.2012.060203) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Borge, Steffan, Smith, Murray, Vaage, Margrethe Bruun (2015) The Aesthetics of Football. Sport, Ethics and Philosophy, 9 (2). pp. 93-96. ISSN 1751-1321. E-ISSN 1751-133X. (doi:10.1080/17511321.2015.1048822) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brydon, Lavinia (2016) Book Review: A History of 1970s Experimental Film: Britain’s Decade of Diversity by Patti Gaal-Holmes. Review of: A History of 1970s Experimental Film: Britain’s Decade of Diversity by Gaal-Holmes, Patti. Journal of Media Practice, 17 (1). pp. 121-122. ISSN 1468-2753. E-ISSN 2040-0926. (doi:10.1080/14682753.2016.1160657)

Brydon, Lavinia (2013) Book Review: Screen Dynamics: Mapping the Borders of Cinema ed. by Gertrud Koch, Volker Pantenburg, Simon Rothöhler. Review of: Screen Dynamics: Mapping the Borders of Cinema by Koch, Gertrude and Pantenburg, Volker and Rothöhler, Simon. NECSUS: European Journal of Media Studies, 2 (1). pp. 262-267. ISSN 2215-1222. E-ISSN 2213-0217. (doi:10.5117/NECSUS2013.1.BRYD)

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Brydon, Lavinia (2012) Brief Encounter: The Girl Chewing Gum. Short Film Studies, 2 (2). pp. 155-158. ISSN 2042-7824. (doi:10.1386/sfs.2.2.155_1)

Brydon, Lavinia (2016) From a Jukebox Photograph to a Music Video: Media Technologies and the Popular Culture Heritage of a British Pleasure Pier. In: NECS Annual Conference, 28-30 July 2016, Potsdam, Germany. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brydon, Lavinia (2017) Garden of England: Sites of Production and Pilgrimage. In: Locating Imagination: Popular Culture, Tourism and Belonging, 5-7 April 2017, Rotterdam, The Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brydon, Lavinia (2014) Navigations and Negotiations: Examining the (Post)Colonial Landscape of The Assam Garden. Journal of British Cinema and Television, 11 (2-3). pp. 172-188. ISSN 1743-4521. (doi:10.3366/jbctv.2014.0202)

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Brydon, Lavinia (2013) The Nostalgic Gardens of Derek Jarman’s England. Dandelion, 4 (2). pp. 1-15.

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Brydon, Lavinia (2015) Shelagh Delaney (1938-2011). In: Nelmes, Jill and Selbo, Jule, eds. Women Screenwriters: An International Guide. Palgrave Macmillan, pp. 650-658. ISBN 978-1-137-31237-2. (doi:10.1057/9781137312372)

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Brydon, Lavinia (2019) Storytelling, Exhibition Spaces and Site-Specific Screenings. In: NECS Annual Conference, 13-15 June 2019, Gdansk, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brydon, Lavinia, Handyside, Fiona (2019) Difficult Women: Fame, Film, Feminism and Fury. Film Studies, 22 . ISSN 1469-0314. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brydon, Lavinia and Jenzen, Olu (2016) Exhibition Review: Pierdom by Simon Roberts. Review of: Pierdom by Roberts, Simon. NECSUS: European Journal of Media Studies, 5 (2). p. 1. ISSN 2213-0217. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brydon, Lavinia and Jenzen, Olu (2018) Pop(-up)ular Culture at the Seaside: The British Pleasure Pier as Screening Space. In: Atkinson, Sarah and Kennedy, Helen W., eds. Live Cinema: Cultures, Economies, Aesthetics. Bloomsbury, pp. 43-59. ISBN 978-1-5013-2483-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brydon, Lavinia, Jenzen, Olu, Nourse, Nicholas (2019) 'Our Pier': Leisure activities and local communities at the British seaside. Leisure/Loisir, 43 (2). pp. 205-228. ISSN 1492-7713. E-ISSN 2151-2221. (doi:10.1080/14927713.2019.1613171) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Brydon, Lavinia, Stead, Lisa (2016) Chilham on Screen: Location Shooting and Community Memory. In: MeCCSA Annual Conference, 6-8 Jan 2016, Canterbury Christ Church University, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brydon, Lavinia, Stead, Lisa (2017) The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities. SERIES - International Journal of TV serial narratives, 3 (1). pp. 101-114. ISSN 2421-454X. (doi:10.6092/issn.2421-454X/7149)

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Burger, Bibi, Khosi, Motlatsi, Brydon, Lavinia (2019) A Review-Reflection on African Feminisms 2019: Theorising from the Epicentres of Our Agency, Wits University, Johannesburg, South Africa. Film Studies, 22 . ISSN 1469-0314. E-ISSN 2054-2496. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

C

Cardwell, Sarah E. (2015) J. L. Carr. In: Scribner's British Writers Supplement. Gale University Press, pp. 51-67. ISBN 978-0-684-32508-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardwell, Sarah E. (2013) Magnus Mills. In: Scribner's British Writers Supplement. Gale University Press, pp. 171-187. ISBN 978-1-4144-9610-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cardwell, Sarah E. (2014) Persuaded? The impact of changing production contexts on three adaptations of 'Persuasion'. In: British Television Drama: Past, Present and Future. Palgrave Macmillan, Basingstoke, pp. 84-97. ISBN 978-1-137-32757-4. E-ISBN 978-1-137-32758-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Cardwell, Sarah E. F. (2015) A Sense of Proportion: Aspect Ratio and the Framing of Television Space. Critical Studies in Television, 10 (3). pp. 83-100. ISSN 1749-6020. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Cardwell, Sarah E. F. (2014) Television Amongst Friends: Medium, Art, Media. Critical Studies in Television, 9 (3). pp. 6-21. ISSN 1749-6020. E-ISSN 1749-6039. (doi:10.7227/CST.9.3.2) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Cardwell, Sarah E. F. (2013) Television aesthetics: Stylistic analysis and beyond. In: Television Aesthetics and Style. Bloomsbury, London & New York, pp. 23-44. ISBN 978-1-4411-5751-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Choi, Jinhee and Frey, Mattias, eds. (2014) Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, 255 pp. ISBN 978-0-415-82125-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee and Frey, Mattias (2014) Introduction. In: Choi, Jinhee and Frey, Mattias, eds. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, pp. 1-14. ISBN 978-0-415-82125-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Church Gibson, Pamela and Jeffers McDonald, Tamar E. L. (2012) Costume and Adaptation. In: Cartmell, Deborah, ed. A Companion to Literature, Film and Adaptation. Blackwell Companions to Literature and Culture . Wiley-Blackwell, Oxford, pp. 295-311. ISBN 978-1-4443-3497-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2019) Agnafit. Anima Loci, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2010) The Cinematic Production of Iconic Spaces in Early Films of London. In: Koeck, Richard and Roberts, Les, eds. The City and the Moving Image: Urban Projections. Palgrave Macmillan, pp. 169-182. ISBN 978-0-230-24338-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2011) Empire and the City: Early Films of London. . Tate Britain Online article. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2018) The Holocaust and the Cinematic Landscapes of Postmemory in Lithuania, Hungary and Ukraine. In: Bayman, Louis and Pinazza, Natália, eds. Journeys on Screen: Theory, Ethics, Aesthetics. Edinburgh University Press, Edinburgh, UK, pp. 118-129. ISBN 978-1-4744-2183-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2018) Journey to Poland: Documentary Landscapes of the Holocaust. Edinburgh University Press, Edinburgh, UK, 201 pp. ISBN 978-1-4744-0357-3. E-ISBN 978-1-4744-0359-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2018) Multidirectional Sites of Memory in Italian Holocaust Documentaries. Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, (2-3). ISSN 2365-7758. E-ISSN 2365-7758. (doi:10.17892/app.2016.0003.132)

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Cinquegrani, Maurizio (2009) The Nexus of the Empire: Early Actuality Films of London at the Turn of the Twentieth Century. Journal of British Cinema and Television, 6 (2). pp. 207-219. ISSN 1743-4521. (doi:10.3366/E1743452109000880) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2018) О других кинопространствах: документальный фильм о Холокосте как коллекция [Of Other Cinematic Spaces: the Holocaust Documentary as a Collection]. In: Polyakova, Irina and Suvorova, Tatyana, eds. Коллекция в пространстве культуры [Collection in the Space of Culture]. Музей янтаря, Kaliningrad, Russia, pp. 17-26. E-ISBN 978-5-903920-49-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2014) Place, Time and Memory in Italian Cinema of the Great War. In: Löschnigg, Martin and Sokolowska-Paryz, Marzena, eds. The Great War in Post-Memory Literature and Film. De Gruyter, Berin, Germany, pp. 321-334. ISBN 978-3-11-036290-9. E-ISBN 978-3-11-036302-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2015) Shadows of Shadows: the Undead in Ingmar Bergman's Cinema. In: Leeder, Murray, ed. Cinematic Ghosts. Bloomsbury, pp. 129-142. ISBN 978-1-62892-216-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2006) Sjöström, Seastrom. Carteggi Hollywoodiani. In: Cinquegrani, Maurizio and Canosa, Michele, eds. La natura non indifferente Il cinema svedese di Victor Sjöström. Cineteca di Bologna, Bologna, Italy, pp. 63-70. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2006) Thinking Silent Cinema and Philology: The Case of Victor Sjöström’s The Strike. In: North-West Passage. Yearly Review of the Centre for Northern Performing Arts Studies . Turin University Press, pp. 105-128. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2010) Travel Cinematography and the Indian City: The Imperial Spectacle of Geography at the End of the Long Nineteenth Century. Nineteenth-Century Contexts, 32 (1). pp. 65-78. ISSN 0890-5495. (doi:10.1080/08905491003704053) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2011) Tutto quello che è solido si dissolve nell’aria: scioperi persi, immagini perdute e ritrovate. In: Bursi, Giulio and Venturini, Simone, eds. Quel che Brucia Non Ritorna. Campanotto Editore, Udine, Italy, pp. 238-249. ISBN 8845612183. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2006) Victor Sjöström: Prima dell’età dell’oro. In: Cinquegrani, Maurizio and Canosa, Michele, eds. La Natura Non Indifferente: il Cinema Svedese di Victor Sjöström. Cineteca di Bologna, pp. 20-44. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2016) The cinematic city and the destruction of Lublin's Jews. Holocaust Studies: A Journal of Culture and History, 22 (2-3). pp. 244-255. ISSN 1750-4902. E-ISSN 2048-4887. (doi:10.1080/17504902.2016.1148872) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2011) ‘A fit of absence of mind’?: Empire and Urban Life. Early Popular Visual Culture, 9 (4). pp. 325-336. ISSN 1746-0654. (doi:10.1080/17460654.2011.621322) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Cioffi, Angelo, Smith, Murray (2019) Aesthetics Naturalized: An Interview with Murray Smith. Debates in Aesthetics, 13 (2). ISSN 2514-6637. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2006) ‘The Art of Paranoia’. In: Pajdic, Predrag and Pasolini, Antonio and Ryan, Paul, eds. Paranoia. Southend/Leeds/London, London, pp. 138-148. ISBN 139780955330902. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2012) Citizenship, agency and subjectivity: art, documentary, and politics. Other. Manchester Univeristy Press, Manchester (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2011) Documentary Space, Place, and Landscape. Media Fields Journal, (3). pp. 1-21. ISSN 2159-7553.

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Cowie, Elizabeth (2009) On Documentary Sounds and Images in the Gallery. Screen, 50 (1). pp. 124-134. ISSN 0036-9543. (doi:10.1093/screen/hjn076) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2011) Recording Reality, desiring the real. Visible Evidence . University of Minnesota press, Minnesota, USA, 296 pp. ISBN 978-0-8166-4549-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2012) Road Race. In: Corkish, Alan and Chell, Edward and Taylor, Andrew, eds. In the Company of Ghosts: The Poetics of the Motorway. Erbacce press, Liverpool, pp. 41-46. ISBN 978-1-907878-42-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2015) The difference in figuring women now. Moving Image Review & Art Journal, 4 (1-2). pp. 46-61. ISSN 2045-6298. (doi:10.1386/miraj.4.1-2.46_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2014) The time of gesture in cinema and its ethics. Journal for Cultural Research, 19 (1). pp. 82-95. ISSN 1479-7585. E-ISSN 1740-1666. (doi:10.1080/14797585.2014.920181) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth and Adams, Parveen (1990) The Woman in Question. Cambridge/MIT Press/October Books, 383 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

F

Frey, Mattias (2012) 23 July 1991: ZDF Broadcast of Ostkreuz Initiates Darker Reckoning with the Wende. In: Richardson, Michael and Kapczynski, Jennifer, eds. A New History of German Cinema. Camden House, Rochester, NY, pp. 512-517. ISBN 1-57113-490-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2014) Antares, Sex and International Distribution. In: Invited speaker, Picturing Austrian Cinema, 22 September 2014, Cambridge University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) Art and Artifice: German Films at the 60th Berlin International Film Festival. Senses of Cinema, (55). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Arthouse Ethics and Provocation. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 23 June 2012, Lisbon. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2018) The Authenticity Feeling: Language and Dialect in the Historical Film. Research in Film and History, 1 (1). ISSN 2627-5848.

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Frey, Mattias (2014) Authentizität und Hörbarkeit im jüngsten deutschen Geschichtsfilm. In: Invited speaker, Film und Geschichte: Produktion und Erfahrung von Geschichte durch Bewegtbild und Ton, 8 May 2014, Universität Bremen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Benny's Video, Caché, and the Desubstantiated Image. In: Society of Cinema and Media Studies (SCMS) Annual Conference, 2 March 2006, Vancouver. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2008) Birth of a Nation in Sound and Colour: The Miracle of Bern (2003). In: Screen Studies Conference, 5 July 2008, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2008) Birth of a Nation: The Miracle of Bern and Post-wall Germany's Cinema of Retro-flection. In: European Cinema Research Forum (ECRF), 12 July 2008, Institute of Technology, Dublin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2004) Border Zones: The Films of Ulrich Seidl. Senses of Cinema, (32). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) British Film Culture in the Course of Time: Liberal Criticism, Sight and Sound and the British Film Institute. In: British council, public lecture, 18 January 2012, Taipei. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2003) A Cinema of Disturbance: The Films of Michael Haneke in Context. Senses of Cinema, (28). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) Contemporary Debates on Criticism and the Spectre of the Past: A View from the UK. In: Invited speaker, Critica della critica, 1 February 2013, Università di Bologna. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) Cosmopolitanism, Exoticism and the 'Sandwich Process': The Programming and Discourse of Extreme Cinema at Film Festivals. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 21 June 2013, Prague. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2014) Creating Synergies, Building Institutions: A Perspective from (German) Film Studies. In: Invited speaker, Models for German Studies in a New Millennium, 25 April 2014, Harvard University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) The Critical Question: Sight and Sound’s Postwar Consolidation of Liberal Taste. Screen, 54 (2). pp. 194-217. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2015) Critical Questions. In: Frey, Mattias and Sayad, Cecilia, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 1-20. ISBN 978-0-8135-7072-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) Cultural Problems of Classical Film Theory: Béla Balázs, 'Universal Language' and the Birth of National Cinema. Screen, 51 (4). pp. 324-340. ISSN 0036-9543. (doi:10.1093/screen/hjq028) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2008) Cultural Problems of Classical Film Theory: Béla Balázs, 'Universal Language' and the Birth of National Cinema. In: Research seminar, 4 December 2008, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2014) Daniel Brühl and Nichts bereuen. In: German Screen Studies Network (GSSN) symposium: Translating Stars - German Cinema in Transnational Context, 11 September 2014, University of Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) Der unbelehrbare Zuschauer. In: Invited speaker, 19. Bremer Filmsymposium, 20 January 2013, Universität Bremen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) Disturbing Directors, Disturbed Programmers: The Rhetoric and Reception of Extreme Cinema. In: Screen Studies Annual Conference, 29 June 2013, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2015) Editorial: Institutions and Agency (Part I). Film Studies, 13 (1). pp. 1-4. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.13.0001)

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Frey, Mattias (2016) Editorial: Institutions and Agency (Part II). Film Studies, 14 . pp. 1-4. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.14.0001)

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Frey, Mattias (2007) Einführung in die Film Theorie. In: Invited guest lecturer, ShortShots: Programmgestaltung und Planung eines Kurzfilmfestivals, 3 May 2007, Freie Universität Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2011) Einführung in die Filmkritik. In: Invited series of masterclasses, 28 June - 1 July 2011, Universität Passau. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Einführung in die Filmkritik. In: Invited series of masterclasses, 2-6 July 2012, Universität Passau. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Einführung in die Filmkritik. In: Invited series of masterclasses, 9-13 July 2012, Goethe-Universität Frankfurt. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2015) Ekel im Kino. In: Invited Speaker, 'Angustia', Deutsches Filmmuseum, Frankfurt, 23 January 2015, Deutsches Filmmuseum Frankfurt. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2014) Ekel und Langeweile: Der unbelehrbare Zuschauer. In: Pauleit, Winfried and Rüffert, Christina and Schmid, Karl-Heinz and Tews, Alfred and Odorico, Stefano, eds. Filmerfahrung und Zuschauer: Zwischen Kino, Museum und sozialen Netzwerken. Bertz + Fischer, Berlin, pp. 48-62. ISBN 978-3-86505-229-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2007) The End of Innocence: Scandinavian Films at the 30th Gothenburg International Film Festival. Review of: Scandinavian Films at the 30th Gothenburg International Film Festival by UNSPECIFIED. Senses of Cinema, 43 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2014) The Ethics of Extreme Cinema. In: Choi, Jinhee and Frey, Mattias, eds. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, pp. 145-162. ISBN 978-0-415-82125-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2011) The Ethics of Extreme Cinema. In: Cine-Ethics, 15 June 2011, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2016) Extreme Cinema: The Transgressive Rhetoric of Today's Art Film Culture. Rutgers University Press, New Brunswick, NJ, 288 pp. ISBN 978-0-8135-7649-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2017) Fassbinder: The Formal Innovator. Sight and Sound, 27 (5). p. 28. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Fidelio: Love, Adaptation, and Eyes Wide Shut. Literature/Film Quarterly, 34 (1). pp. 39-45. ISSN 0090-4260. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Film Criticism as Crisis History. In: Cultural Criticism in the Digital Age, 7 June 2012, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) Filmkritik, with and without Italics: Kracauerism and Its Limits in Postwar German Film Criticism. New German Critique, 40 (3). pp. 85-110. ISSN 0094-033X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2008) Gazing Lessons: German Films at the 58th Berlin International Film Festival. Review of: 58th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, 47 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) Goodbye Germany: Emigration, Reality TV and Schadenfreude. Jump Cut, (52). ISSN 0146-5546. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2009) Goodbye, Germany! Televisions of Emigration. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 25 June 2009, Lund. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Grand Finales: The International Forum of New Cinema at the 62nd Berlin International Film Festival. Senses of Cinema, 62 (62). n/a-n/a. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) The Greatest of These Is Love: Ulrich Seidl's Paradise Trilogy. Artforum, 51 (10). pp. 149-150. ISSN 0004-3532. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2007) Haneke and the Painterly. In: Invited speaker, Michael Haneke - A Cinema of Provocation, 26 October 2007, Boston University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2007) In/Flux: German Films at the 57th Berlin International Film Festival. Review of: German Films at the 57th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, 43 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2009) Insecure Times, Confident Localities: German Films at the 59th Berlin International Film Festival. Review of: 59th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, (50). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2005) Interior Designs: London as Fashion(ed) Object in the 'Swinging London' Film. In: Designs for Living: Space and Place in the Cinema, 28 June 2005, Queen Mary, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) The Liberal Tradition of British Film Criticism: Sight and Sound, 'Restraint' and Realism. In: Invited speaker, research seminar, 15 November 2012, Waseda University Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2009) The Limits of Spectatorship: Towards a Theory of Walking Out. In: Emergent Encounters in Film Theory, 21 March 2009, Kings College London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) London à la Mod: Fashion, Genre, and Historical Space in Performance. Quarterly Review of Film and Video, 23 (4). pp. 369-376. ISSN 1050-9208. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2016) Netflix Crit in the Twenty-First Century. Film Criticism, 40 (1). ISSN 0163-5069. E-ISSN 2471-4364. (doi:10.3998/fc.13761232.0040.111)

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Frey, Mattias (2015) The New Democracy? Rotten Tomatoes, Metacritic, Twitter, and IMDb. In: Frey, Mattias and Sayad, Cecilia, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 81-98. ISBN 978-0-8135-7072-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) No(ir) Place to Go: Spatial Anxiety and Sartorial Intertextuality in Die Unberührbare. Cinema Journal, 45 (4). pp. 64-80. ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2005) Noi(r) Place to Go: Historical Anxiety as Dramaturgical and Intertextual Space in Oskar Roehler's Die Unberührbare. In: Cinema Europe: Networks in Progress, 23 June 2005, Universiteit van Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2009) The Pained Spectator. In: Images of Pain/Painful Images, 20 June 2009, Universitetet i Bergen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2014) The Permanent Crisis of Film Criticism: The Anxiety of Authority. Film Theory in Media History . Amsterdam University Press, Amsterdam, 195 pp. ISBN 978-90-8964-717-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) A Persistent Allure: The Reception of Michael Haneke. In: Invited speaker, On Michael Haneke, 2nd June 2010, University of Sussex. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2011) The Possibility of Desire in a Conformist World: The Cinema of Ulrich Seidl. In: Dassanowsky, Robert and Speck, Oliver, eds. New Austrian Film. Berghahn, New York, pp. 189-198. ISBN 1-84545-700-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) “Postmodernism” and “Guy Maddin". In: Grant, Barry Keith, ed. Schirmer Encyclopedia of Film. Schirmer Press, Detroit, pp. 291-296. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) Postwall German Cinema: History, Film History, and Cinephilia. Film Europa . Berghahn, Oxford/New York, 206 pp. ISBN 978-0-85745-947-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2008) Postwall Germany's Cinema of Retro-flection. In: Cultural Memory: Forgetting to Remember/Remembering to Forget, 11 September 2008, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2011) Postwar British Film Criticism's Reaction to Cahiers du cinéma: Sight and Sound and the Establishment of Middlebrow Taste. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 25 June 2011, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2005) Re-Connecting the Body 'in' to the Body 'of' Pasolini. In: Il testo in movimento: Themes and Techniques in Italian Film and Literature, 5 February 2005, Harvard University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2004) Re-Connecting the Body 'in' to the Body 'of' Pasolini. In: Screen Media and Sexual Politics, 9 October 2004, Plymouth State University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Re-Connecting the Body ‘in’ to the Body ‘of’ Pasolini with Porcile. In: Hart, Kylo, ed. Film and Sexual Politics: A Critical Reader. Cambridge Scholars Press, Newcastle, pp. 128-134. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2014) 'Real' Sex by 'Real' People: Realist Aesthetics and Celebrity Couples in the Marketing of Extreme Cinema. In: Society of Cinema and Media Studies (SCMS) Annual Conference, 21 March 2014, Seattle. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2015) The Recalcitrant Discipline. Film Studies, 12 (1). 10 -18. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.12.0003)

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Frey, Mattias (2004) The Renaissance of New Austrian Film? The Example of Michael Haneke. In: German Projections, Foreign Reflections: Film, Narrative and the Creation of Historical Memory, 3 April 2004, University of Pennsylvania. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Review of: A Companion to Michael Haneke, ed. Roy Grundmann. Review of: A Companion to Michael Haneke by Grundmann, Roy. Historical Journal of Film, Radio and Television, 32 (1). pp. 127-129. ISSN 0143-9685. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) The Role of Criticism in Britain Today. In: British Council, public lecture, 17 November 2012, Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) The Role of Violence and Sex in Recent Austrian Cinema. In: Invited speaker, research seminar, 27 November 2013, Kings College London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2011) Searches for Identity: German Films at the 61st Berlin International Film Festival. Senses of Cinema, 58 (58). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2004) Sebald's Cinémathèque: Theorizing Cinema in Sebald and Sebald with 'Cinema'. In: Approaching W. G. Sebald, 27 March 2004, Yale University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2005) A Star in Our Stratosphere: Introductory Remarks to the Daniel Brühl Film Series. In: Daniel Brühl Film Series, 15 September 2005, Museum of Fine Arts, Boston. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Structuralism and Poststructuralism. In: Grant, Barry Keith, ed. Schirmer Encyclopedia of Film. Schirmer Press, Detroit, pp. 165-168. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Suburban Violence in German-Language Film. In: Invited speaker, Political Cultures/Cultural Politics of Germany in the 21st Century, 8 December 2012, University of Birmingham. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2002) Supermodernity, Capital, and Narcissus: The French Connection to Michael Haneke’s Benny’s Video. Cinetext, . ISSN 1605-6035. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Supermodernity, Sick Eros and the Video Narcissus: Benny's Video in the Context of Theory and Time. In: McCann, Benjamin and Sorfa, David, eds. The Cinema of Michael Haneke: Europe Utopia. Wallflower, London, pp. 151-161. ISBN 1-906660-30-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Supermodernost, kapital i narcis: Francuska veza filma Bennyev Michaela Hanekea. Item format: Croatian National Radio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2005) Supermodernost, kapital i narcis: Francuska veza filma Bennyev video Michaela Hanekea. Item format: Croation National Radio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Tuning Out, Turning In, Walking Off: The Spectator in Pain. In: Gronstad, Asbjorn and Gustafsson, Henrik, eds. Ethics and Images of Pain. Routledge, London, pp. 93-111. ISBN 0415893824. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Ukranian translation of Michael Haneke: A Cinema of Disturbance (2003). AZH, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2008) A Universal Language Not Yet Understood: The Inscription of National Difference in Early Film Theory. In: Permanent Seminar on the History of Film Theory, 3 March 2008, Università degli studi di Udine. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) Why Is Cinema Violent? In: British Council, public lecture, 1 May 2013, Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) Why the Arts Matter, or: The Role of Violence in Film and Media. In: Kaywon School of Art and Design, public lecture, 18 October 2013, Seoul. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2018) A nova democracia?: Rotten Tomatoes, Metacritic, Twitter e IMDb. REBECA: Revista Brasileira de Estudos de Cinema e Audiovisual, 6 (2). pp. 343-374. ISSN 2316-9230. (doi:10.22475/rebeca.v6n2.495) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Frey, Mattias, Janssen, Sara (2018) Researching Sex and the Cinema in the #MeToo Age. Film Studies, 18 (1). pp. 1-13. ISSN 1469-0314. (doi:10.7227/FS.18.0001)

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Frey, Mattias and Sayad, Cecilia, eds. (2015) Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, 273 pp. ISBN 978-0-8135-7072-3. E-ISBN 978-0-8135-7364-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Guerin, Frances (2019) Aesthetic Spaces: The Place of Art in Film by Brigitte Peucker. Review of: Aesthetic Spaces: The Place of Film in Art by Peucker, Brigitte. Film Quarterly, 73 (1). pp. 107-109. ISSN 0015-1386. (doi:10.1525/fq.2019.73.1.107)

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Guerin, Frances (2017) The Ambiguity of Amateur Photography in Modern Warfare. New Literary History, 48 (1). pp. 53-74. ISSN 0028-6087. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2018) Behind the Mask. In: Suto, Fanni, ed. Midnight Masquerade: A Masquerade Anthology. Fantasia Divinity, pp. 6-25.

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Guerin, Frances (2019) Caroline. . The Ekphrastic Review, 6 pp. Internet.

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Guerin, Frances (2018) Changing how we look at and think about the color grey. . online.

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Guerin, Frances (2020) Cinematic Portrait Painting: (Not) About Gerhard Richter. Under Review (Submitted) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2014) The Corporealization of Memory in Christian Boltanski's Installations. In: Memoryscapes. Diaphanes, Zurich, pp. 157-177. ISBN 978-3-03734-662-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2005) A Culture of light: cinema and technology in 1920s Germany. University of Minnesota Press, Minneapolis, 314 pp. ISBN 978-1-4529-0671-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2003) Dazzled by the Light. Cinema Journal, 42 (4). pp. 98-115. ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2019) Discursive Sites of Memory: Landschaftspark, Duisburg as Archive for Industry. In: Rethinking the Past: Memory / Archive / Document - Arts and Architecture. Cambridge Scholars Publishing. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2012) Dislocations: videograms of a revolution and the search for images. In: Ginsberg, Terri and Mensch, Andrea, eds. A Companion to German Cinema. CNCZ - The Wiley-Blackwell Companions to National Cinemas . Wiley-Blackwell, New York, pp. 483-506. ISBN 978-1-4051-9436-5.

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Guerin, Frances (2013) En Grisaille nowadays. . Catalogue and exhibition blurb. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (1994) Enduring the Vagaries: The Viewer as Master and Slave in Pasolini's Salò,. Melbourne Journal of Politics, 22 (N/A). pp. 45-65. ISSN 0085-3224. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2019) Even If She Had Been a Criminal. A Past Unwatched. In: Baer, Nicholas and Hennefeld, Maggie and Horak, Laura and Iversen, Gunnar, eds. Unwatchable. Rutgers University Press, New Jersey. ISBN 978-0-8135-9958-8. E-ISBN 978-0-8135-9960-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2004) Explorations of Light and Lighting in Und das Licht Erlosch (1914). In: Gaudreault, André, ed. The Cinema: A New Technology for the 20th Century. Payot, Lausanne, pp. 219-228. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2014) FX Reflects (Blog). . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2010) Film as an Archive for Photography: The Portraitist as Witness to the Holocaust. Screening the Past, (29). ISSN 1328-9756. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2012) Frances Guerin on her book Through Amateur Eyes: Film and Photography in Nazi Germany: An Interview. . online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2016) Friedrich Wilhelm Murnau. In: Gabbard, Krin, ed. Oxford Bibliographies in Cinema and Media Studies. Oxford Bibliographies . Oxford University Press. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2018) From Colgate University to the Central African Republic. . Indiana University Press online. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2012) A Generation Later and Still Unrepresentable? Fassbinder and the Red Army Fraction. In: A Companion to Rainer Werner Fassbinder. WBCF - Wiley-Blackwell Companions to Film Directors . Wiley-Blackwell, New York, pp. 441-460. ISBN 978-1-4051-9163-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2007) The Gray Space Between: Gerhard Richter’s 18. Oktober 1977 (1989). In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, London, pp. 111-126. ISBN ISBN-13: 978-1905674206. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2008) Infinite Rotations in a Finite Frame: A Tacita Dean Tryptich. Cinéma e Cie: International Film Studies Journal, N/A (8). pp. 119-134. ISSN 2035-5270. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2017) Introduction: European Photography Today. Journal of European Studies, 47 (4). pp. 1-11. ISSN 0047-2441. (doi:10.1177/0047244117733893) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2018) Invisibility Adores and Abhors a Photograph: Jane and Louise Wilson’s Moving Image Installations. Journal of Visual Art Practice, 17 (2-3). pp. 188-205. ISSN 1470-2029. (doi:10.1080/14702029.2018.1466453) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2019) Jacqueline Humphries. Lund Humphries (Submitted) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2009) Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema,. Review of: Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema, by UNSPECIFIED. Screening the Past, n/a (26). n/a-n/a. ISSN 1328-9756. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2011) Locating Shadows: What’s inside William Kentridge’s Black Box? In: John David, Rhodes, ed. Taking Place: Location and the Moving Image. University of Minnesota Press, Minneapolis, pp. 233-253. ISBN 0-8166-6517-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2014) Lotte Reiniger: in Women Film Pioneers Project. . Center for Digital Research and Scholarship online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2006) McCormick and Guenther-Pal, eds, German Essays on Film (2004). Review of: McCormick and Guenther-Pal, eds, German Essays on Film (2004) by McCormick, Richard. Film-Philosophy, 10 (3). pp. 95-100. ISSN 1466-4615. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2013) Memory through the Perpetrator's Lens: Witnessing via Images Taken by Wehrmacht Soldiers and Officers on the Eastern Front. In: Rhetoric, Remembrance, and Visual Form: Sighting Memory. Routledge, New York, pp. 163-179. ISBN 0-415-74416-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2012) Obfuscations of the Visible: Creating Memory through not looking at Christian Boltanski’s Archives. Cinema e Cie: International Film Studies Journal, (9). pp. 279-284. ISSN 2035-5270. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances, ed. (2015) On Not Looking:The Paradox of Contemporary Visual Culture. Routledge Advances in Art and Visual Studies . Taylor & Francis Ltd, London, 274 pp. ISBN 978-1-138-82235-1. E-ISBN 978-1-315-74286-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2003) Opposite or Complementary Conceptions? What do Rudolf Arnheim and Michel Chion have in Common? Cinema e Cie: International Film Studies Journal, 32 (2). pp. 129-140. ISSN 2035-5270. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2015) Peripatetic Sculpture: The Exhaustion of Looking in the Presence of Richard Serra’s Promenade. In: Guerin, Frances, ed. On Not Looking: The Paradox of Contemporary Visual Culture. Routledge, New York, pp. 103-122. ISBN 978-1-138-82235-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2006) The Perpetrator in Focus: Turn of the Century Holocaust Remembrance in "The Specialist". Law Text Culture, 10 . pp. 167-193. ISSN 1332-9060.

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Guerin, Frances (2009) Photographs that Forget: Contemporary Recyclings of the Hitler-Hoffmann Rednerposen. In: Plate, Liedeke and Smelik, Anneke, eds. Technologies of Memory in the Arts. Palgrave Macmillan, Basingstoke, pp. 150-165. ISBN 978-0-230-57567-7. E-ISBN 978-0-230-23956-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2017) Physically absent, visually present: Joachim Schumacher’s photographs of Germany’s Ruhr Valley. Journal of European Studies, 47 (4). pp. 1-19. ISSN 0047-2441. (doi:10.1177/0047244117733899) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2011) The Placement of Shadows: What’s inside William Kentridge’s Black Box/Chambre Noire? In: Rhodes, John David and Gorfinkel, Elena, eds. Taking Place: Location and the Moving Image. University of Minnesota Press, Minneapolis, pp. 233-254. ISBN 978-0-8166-6517-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2018) The Politics of Jasper Johns’s Gray American Flags. In: Wagner, Anne, ed. Flags, Color, and the Legal Narrative: Public Memory, Identity, and Critique. Springer, Frankfurt. ISBN 978-3-030-32864-1. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2008) Radical Aspirations Historicized: The European Commitment to Political Documentary. In: Kolker, Robert, ed. The Oxford Handbook of Film and Media Studies. Oxford university Press, New York, pp. 114-151. ISBN 0-19-517596-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2002) Reframing the Photographer and his Photographs: Photographer (1995). Film and History: An Interdisciplinary Journal of Film and Television Studies, 32 (1). pp. 43-54. ISSN 0360-3695. (doi:10.1353/flm.2002.0064) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2016) The Revellation and Resistance of Amateur Images at War: Thessaloniki in the Byron Metos collection. In: Museum of Byzantine Culture, Thessaloniki, ed. Representations of the Nazi Occupation: Photography, History, Memory. Museum of Byzantine Culture, Thessaloniki, Greece, pp. 62-80. ISBN 978-618-5251-02-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2015) Searching in Grey: Cy Twombly's Untitled Paintings. In: Wedekind, Gregor, ed. Die Farbe Grau. DeGruyter.

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Guerin, Frances (2011) Through Amateur Eyes: Film and Photography in Nazi Germany. University of Minnesota Press, Minneapolis, 352 pp. ISBN 978-0-8166-7006-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Guerin, Frances (2018) Time to Leave. . online.

Guerin, Frances (2018) The Truth is Always Grey: A History of Modernist Painting. University of Minnesota Press, Minneapolis, United States, 347 pp. ISBN 978-1-5179-0045-8. E-ISBN 978-1-4529-5724-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2019) Un autre temps, un autre lieu. Retour sur les sculptures de Richard Serra dans la vallée de la Ruhr. Faces, (76). pp. 45-72. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2011) Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement. Review of: Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement by UNSPECIFIED. Holocaust Studies: A Journal of Culture and History, 17 (1). pp. 137-139. ISSN 1359-1371. E-ISSN 2048-4887. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2003) Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002. Review of: Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002 by Hoffmann, Kay. The Moving Image: Association of Moving Image Archivists, 4 (2). pp. 123-126. ISSN 2167-8464. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2019) What Giacometti's Obsession with the Color Gray Really Meant. . Zocalo Public Square, 5 pp. Internet.

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Guerin, Frances (2004) When Beginnings and Endings Distort the Past. In: Limina/le Soglie del Film. Lithostampa, Pasian di Prato, Udine, pp. 247-254. ISBN 978-88-8420-191-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2015) While Not Looking: The Failure to See and to Know in Dr Mabuse der Spieler, and The Testament of Dr Mabuse. In: McElhaney, Joseph, ed. A Companion to Fritz Lang (Wiley Blackwell Companions to Film Directors). Wiley-Blackwell, New York, pp. 43-62. ISBN 978-0-470-67097-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2008) www.artslant.com. . online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2008) www.francesguerin.com. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances, Eisenberg, Daniel (2012) Archives and Images as Repositories of Time, Language, and Forms from the Past: A Conversation with Daniel Eisenberg. The Moving Image, 12 (1). pp. 112-118. ISSN 1542-4235.

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Guerin, Frances and Hallas, Roger (2007) Introduction to The Image and the Witness. In: The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, London. ISBN 978-1-905674-20-6. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

guerin, Frances (2003) Technological Adventures in German Cinema on Either Side of World War I. In: Pitassio, Francesco, ed. Film and its Multiples. Udine, Udine, pp. 147-153. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Irvin, Sherri, Nanay, Bence, Schellekens, Elisabeth, Smith, Murray (2019) Is Psychology Relevant to Aesthetics? Estetika: The Central European Journal of Aesthetics, . pp. 87-138. ISSN 0014 –1291. (In press)

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Jeffers McDonald, Tamar (2015) When Harry Met Sally... Palgrave Macmillan/BFI, London, 96 pp. ISBN 978-1-84457-907-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E L (2019) Blueprints from Bluebeard: charting the Gothic in contemporary film. In: Jeffers McDonald, Tamar E L and Kamm, Frances A, eds. Gothic Heroines on Screen: Representation, Interpretation and Feminist Enquiry. Routledge, Abington, UK and New York, USA, 41 -54. ISBN 978-1-138-71100-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2011) Against Male Elegance. In: Modemuseum, ., ed. Symposium 2 - Seam & Star: Male Elegance. Modemuseum, Antwerp, Antwerp, Belgium. ISBN 978-90-79269-04-4.

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Jeffers McDonald, Tamar E. L. (2013) Bringing Up Baby: generic hybridity and Dirty Dancing. In: Tzioumakis, Yannis and Lincoln, Sian, eds. The Time of Our Lives: Dirty Dancing and Popular Culture. Wayne State University Press, Detroit. ISBN 978-0-8143-3624-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2013) Doris Day Confidential: Hollywood, Sex and Stardom. I B Tauris, London, 256 pp. ISBN 978-1-84885-581-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2010) Hollywood Catwalk: Exploring Costume and Transformation in American Film. International Library of Cultural Studies . I B Tauris, London, 256 pp. ISBN 978-1-84885-040-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2008) Homme-com: engendering change in contemporary romantic comedy. In: Abbot, Stacey and Jermyn, Deborah, eds. Falling in Love Again: Romantic Comedy in Contemporary Cinema. I B Tauris, London, pp. 146-159. ISBN 978-1-84511-771-9.

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Jeffers McDonald, Tamar E. L. (2011) Mad Men and Career Women. In: Stoddart, Scott.F., ed. Analyzing Mad Men: Critical Essays on the AMC Series. McFarland & Co., Jefferson, North Carolina, USA, pp. 117-135. ISBN 978-0-7864-4738-1.

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Jeffers McDonald, Tamar E. L. (2009) Mother’s Day: Taking the mother out of motherhood in The Thrill of it All. In: Addison, Heather and Goodwin-Kelly, Mary-Kate and Roth, Elaine, eds. Motherhood Misconceived: Representing the Maternal in US Films. State University of New York Press, New York, pp. 29-42. ISBN 978-1-4384-2812-3.

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Jeffers McDonald, Tamar E. L. (2010) Performances of desire and inexperience: Doris Day’s fluctuating filmic virginity. In: Jeffers McDonald, Tamar E. L., ed. Virgin Territory: Representing Sexual Innocence in Film. Contemporary Approaches to Film and Television Series . Wayne State University Press, Detroit, USA, pp. 103-122. ISBN 978-0-8143-3318-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2016) Reviewing Reviewing The Fan Mags. Film History, 28 (4). pp. 29-57. ISSN 0892-2160. E-ISSN 1553-3905. (doi:10.2979/filmhistory.28.4.02)

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Jeffers McDonald, Tamar E. L. (2012) The View from the Man Cave: Comedy in the Contemporary 'Homme-com' cycle. In: Horton, Andrew and Rapf, Joanne E., eds. A Companion to Film Comedy. John Wiley & Sons, Chichester, West Sussex, pp. 217-235. ISBN 978-1-4443-3859-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jenzen, Olu, Brennan, Matt, Brydon, Lavinia (2016) The People’s Pier: Popular Culture, Heritage, and Contested Community Spaces. In: Changing the Research Landscape? A Connected Communities Conference for Early Career Researchers, 23 March 2016, University of East Anglia, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Kamm, Frances. A (2019) The Gothic in Space: Genre, Motherhood and Aliens (1986). In: Jeffers McDonald, Tamar E. L. and Kamm, Frances. A, eds. Gothic Heroines on Screen: Representation, Interpretation and Feminist Enquiry. Routledge, London. ISBN 978-1-138-71100-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kamm, Frances. A (2016) Review of Women and the Gothic: An Edinburgh Companion, ed. by Avril Horner and Sue Zlosnik. Review of: Women and the Gothic: An Edinburgh Companion, ed. by Avril Horner and Sue Zlosnik by UNSPECIFIED. Irish Journal of Gothic and Horror Studies, . pp. 120-123. E-ISSN 2009-0374. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kamm, Frances. A (2019) There's a ghost in my house”: The Female Gothic and the Supernatural in What Lies Beneath (2000). In: Holland, Samantha and Shail, Robert and Gerrard, Steven, eds. Gender and Contemporary Horror in Film. Emerald Publishing, Bingley. ISBN 978-1-78769-898-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kamm, Frances. A (2019) A “fascinating conundrum of a movie”: Gothic, Horror and Crimson Peak (2015). The Revenant, . E-ISSN 2397-8791. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Lázaro-Reboll, Antonio (2018) Endless Re-View: Jess Franco in Video Watchdog and Eyeball. In: Lázaro-Reboll, Antonio and Olney, Ian, eds. The Films of Jess Franco. Contemporary Approaches to Film and media Series . Wayne State University Press, Chicago, Detroit, pp. 242-264. ISBN 978-0-8143-4316-6. E-ISBN 978-0-8143-4317-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Maes, Hans R.V., ed. (2013) Pornographic Art and the Aesthetics of Pornography. Palgrave, 306 pp. ISBN 978-0-230-36820-0.

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Misek, Richard (2017) The Black Screen. Alchemy Film and Moving Image Festival DCP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Misek, Richard (2019) ‘Real-time’ virtual reality and the ideology of immersion. Screen, . ISSN 0036-9543. E-ISSN 1460-2474. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Misek, Richard (2015) Trespassing Hollywood: Property, Space, and the “Appropriation Film”. October, 153 . pp. 132-148. ISSN 0162-2870. E-ISSN 1536-013X. (doi:10.1162/OCTO_a_00230)

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Misek, Richard (2017) Why I 'pirate' films. In: TEDx, 13 May 2017, Canterbury, United Kingdom. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Newton, James (2019) The Anarchist Cinema. Intellect, Bristol, Uk, 173 pp. ISBN 978-1-78938-003-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Newton, James (2015) The Zombiefied Landscape: World War Z, ParaNorman, and the Politics of the Animated Corpse. In: Pallant, Chris, ed. Animated Landscapes: History, Form and Function. Bloomsbury Academic. ISBN 978-1-62892-349-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Pauleit, Winfried, Greiner, Rasmus, Frey, Mattias (2018) Audio History des Films: Sonic Icons – Auditive Histosphäre – Authentizitätsgefühl. Bertz + Fischer, Berlin, 188 pp. ISBN 978-3-86505-254-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pitts, Virginia (2010) Beat. Pitts Productions HD.

Pitts, Virginia (2011) Technologies of Culture: Digital Feature Filmmaking in New Zealand. New Cinemas: Journal of Contemporary Film, 9 (1). pp. 3-17. ISSN 1474-2756. (doi:10.1386/ncin.9.1.3_1)

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Rocha Antunes, Luis (2017) The Multisensory Film Experience: A Cognitive Model of Experiential Film Aesthetics. Doctor of Philosophy (PhD) thesis, University of Kent, Norwegian University of Science and Technology. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Sayad, Cecilia (2015) Afterword in Film Criticism in the Digital Age. In: Sayad, Cecilia and Frey, Mattias, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 243-247. ISBN 978-0-8135-7072-3. E-ISBN 978-0-8135-7364-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2009) The Auteur as Fool. In: Screen Studies Conference: 50th Anniversary, July 2009, University of Glasgow. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2019) Autoria como Performance. In: Autoria no Cinema. . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2017) Beyond Film: A New Place for Reality in Horror. In: The Moving Form of Film Conference, 6-8 November 2017, Reading, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2009) Border crossing, corporality and performance: a study of authorial self-inscription in the cinema. In: Centre for World Cinemas – WUN series, October 2009, University of Leeds. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2016) Cameras and Ghosts. Cinema Journal, 55 (2). ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2009) A Cinema of Presence: the author and the body in the documentaries of Eduardo Coutinho. In: Performing Presence, March 2009, Exeter. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2015) Critics Through Authors: Dialogues, Similarities, and the Sense of a Crisis. In: Sayad, Cecilia and Frey, Mattias, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 41-59. ISBN 978-0-8135-7072-3. E-ISBN 978-0-8135-7364-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2004) Da poesia à cafajestagem. Review of: The Brown Bunny by Gallo, Vincent. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2004) Deconstructing God. Reverse Shot, Spring . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2017) Digital Ghosts: Rethinking the relationship between horror and reality. In: British Association of Film, Television and Screen Studies Conference, 20-21 April 2017, Bristol. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2014) Discussion of Performing Authorship. In: The Self-Portrait in the Moving Image, 28 February-1 March 2014, Birckbeck; London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2014) Do Critics Need Authors? In: Critica 2.0, 18-19 February 2014, Bologna, Italy. (Unpublished)

Sayad, Cecilia (2016) Documenting Ghosts in the Post-Truth Era. In: University of Warwick Research Seminar Series, Coventry, UK. (Unpublished) (doi:https://warwick.ac.uk/fac/arts/news/events/?calendarItem=8a17841a5fd9d400015fda6091651653) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2010) Documenting Presence: the author, the body and the nation in the films of Eduardo Coutinho. In: Society for Cinema and Media Studies 2010, March 2010, Los Angeles, CA. (Unpublished)

Sayad, Cecilia (2014) Eduardo Coutinho's Films Were About Gaps and Creative Frictions. Mediático, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2016) Found-Footage Horror and the Frame's Undoing. Cinema Journal, 55 (2). ISSN 0009-7101.

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Sayad, Cecilia (2014) Framing the Found Footage Horror Film. In: Society for Cinema and Media Studies Conference 2014, 18-23 March 2014, Seattle, USA. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2005) Fresh Flesh for the Author: The Effects of Directorial Self-Inscription in the Films of Jean-Luc Godard and Eduardo Coutinho. In: Society for Cinema and Media Studies Conference 2005 (London), April 2005, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2017) Ghost Images: Horror, documentary and the supernatural. In: School of Media, Film and Music Research Seminar, University of Sussex, 29 March 2017, Brighton. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2018) The Ghost in the Image: Technology and Reality in the Horror Genre. Oxford University Press, New York, United States (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2017) The Ghosts and the Machines. In: At Home with Horror?, 27-29 October 2017, Canterbury, Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2009) Godard and the frame: the author as trespasser. In: Film Research Seminar, May 2009, University of Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2005) The Issue of Authorship in Adaptation. In: Popular Culture Association/American Culture Association, March 2005, San Diego, CA, United States. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2016) A Matter of (Informed) Taste. Film Criticism, 40 (1). ISSN 0163-5069. (doi:10.3998/fc.13761232.0040.129)

Sayad, Cecilia (2016) Millennial Ghosts: Factual Representations of the Supernatural. In: Religious Studies Research Seminar Series, 2 November 2016, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2015) Monsters and Everyday Life. In: Screen Studies Conference, 26/006/2015-28/06/2015, University of Glasgow. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2014) Narrative, Visibility and Trauma in Bus 174. In: Navarro, Vinicius and Rodriguez, Juan Carlos, eds. New Documentaries in Latin America. Palgrave McMillan. ISBN n/a. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2018) Parapsychology and Ghost Hunting on TV. In: Sci/Film Series, 4 May 2018, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2006) Performance as shortcut: truth’s paths in Santo Forte and Bus 174. In: XIII Visible Evidence Conference, August 2006, Sao Paulo, Brazil. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2013) Performing Authorship: Self-inscription and Corporeality in the Cinema. Tauris World Cinema Series . I.B. Tauris, 288 pp. ISBN 978-1-78076-005-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2017) Reality Ghosts: Digital Images and the Material World. In: 2018 Society for Cinema and Media Studies Conference, 14-18 March 2018, Toronto, Canada. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2019) Reality TV, Ghosts, and the Index. Screen, . pp. 587-605. ISSN 0036-9543. E-ISSN 1460-2474. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2015) Reality TV, Mock Found-Footage, and Horror’s Changing Relationship to Reality. In: King's College Research Seminar, 11 March, 2015, King's College London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2013) Shifting Approaches. In: Society for Cinema and Media Studies Conference 2013, March 2013, Chicago, IL. (Unpublished)

Sayad, Cecilia (2013) The Stand-up Auteur. In: A Companion to Woody Allen. WBCF - Wiley-Blackwell Companions to Film Directors . Wiley-Blackwell. ISBN 978-1-4443-3723-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2005) Traumas paralelos. Review of: Mysterious Skin (Gregg Araki, 2004) by Araki, Gregg. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2007) Um cinema desenquadrado: a política da linguagem e a linguagem da política em Duas ou três coisas que eu sei dela. In: XI Encontro Internacional Socine: Sociedade Brasileira de Estudos de Cinema e Audiovisual, October 2007, Rio de Janeiro, Brazil. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2005) Um cinema hiperbólico. Review of: Old Boy (Chan-Wook Park, 2004) by Park, Chan-Wook. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2016) Variations on the Author. Film Quarterly, 69 (3). pp. 12-18. ISSN 0015-1386. E-ISSN 1533-8630. (doi:10.1525/FQ.2016.69.3.12)

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Sayad, Cecilia (2007) With a Little Help from Fiction: Performing for Life in Bus 174. In: Society for Cinema and Media Studies Conference 2007 (Chicago), March 2007, Chicago. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2005) A história sem fim. Review of: Moments choisis des Histoire(s) du cinéma (Jean-Luc Godard, 2005) by Godard, Jean-Luc. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2005) A saga de Garganta Profunda. Review of: Inside Deep Throat (Fenton Bailey and Randy Barbato, 2005) by Bailey, Fenton and Barbato, Randy. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2014) Against Nature? or, Confessions of a Darwinian Modernist. Royal Institute of Philosophy Supplement, 75 . pp. 151-182. ISSN 1358-2461. (doi:10.1017/S1358246114000174)

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Smith, Murray (2009) Consciousness. In: Livingston, Paisley and Plantinga, Carl, eds. The Routledge Companion to Philosophy and Film. Routledge Philosophy Companions . Routledge, London and New York, pp. 39-51. ISBN 978-0-415-77166-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2009) Double Trouble: On Film, Fiction, and Narrative. StoryWorlds: A Journal of Narrative Studies, 1 (1). pp. 1-23. ISSN 2156-7204. (doi:10.1353/stw.0.0014) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2017) Experience and Explanation in the Cinema. In: Herzogenrath, Bernd, ed. Film as Philosophy. University of Minnesota Press. ISBN 978-1-5179-0051-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2017) Film, Art, and the Third Culture: A Naturalized Aesthetics of Film. Oxford University Press, Oxford, 320 pp. ISBN 978-0-19-879064-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2018) Film, Art, and the Third Culture: A Naturalized Aesthetics of Film — Précis. Projections, 12 (2). pp. 1-8. ISSN 1934-9688. (doi:10.3167/proj.2018.120202) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Smith, Murray (2018) Film, Art, and the Third Culture: A Response. Projections, 12 (2). pp. 111-136. ISSN 1934-9688. (doi:10.3167/proj.2018.120214) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Smith, Murray (2019) Foreword: Consorting with Characters. In: Riis, Johannes and Taylor, Aaron, eds. Screening Characters: Theories of Character in Film, Television, and Interactive Media. AFI Film Readers . Routledge. ISBN 978-1-138-39182-6. (doi:10.22024/UniKent/01.02.74283) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2011) Just What Is It That Makes Tony Soprano Such an Appealing, Attractive Murderer? In: Jones, Ward and Vice, Samantha, eds. Ethics at the Cinema. Oxford University Press, Oxford, pp. 66-90. ISBN 9780195320398 (hbk); 9780195320404 (pbk). (doi:10.1093/acprof:oso/9780195320398.003.0003) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2018) The Kuleshov Fallacy. . Oxford University Press online publication. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2017) Lives of the Aestheticians: introductory foreward. In: Maes, Hans R.V., ed. Conversations on Art and Aesthetics. Oxford University Press, Oxford. ISBN 978-0-19-968610-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2017) Review of: Materialisation, Emotion, & Attention: Tracking Sound’s Perceptual Effects in Film (video essay). Review of: Materialisation, Emotion, & Attention: Tracking Sound’s Perceptual Effects in Film by Verhagen, Darrin. Journal of Videographic Film & Moving Image Studies, 4 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2017) Review of: The Ear That Dreams: Eye Tracking Sound in the Moving Image (video essay). Review of: The Ear That Dreams: Eye Tracking Sound in the Moving Image by Redmond, Sean. Journal of Videographic Film & Moving Image Studies, 4 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2017) Smile like you mean it. . Oxford University Press internet blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2018) A Tale of Two Gaps. Australasian Philosophical Review, 2 (2). pp. 189-193. ISSN 2474-0500. (doi:10.1080/24740500.2018.1552095) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2011) Triangulating Aesthetic Experience. In: Shimamura, Arthur P. and Palmer, Stephen E., eds. Aesthetic Science: Connecting Minds, Brains, and Experience. Oxford University Press, New York, pp. 80-102. ISBN 978-0-19-973214-2. (doi:10.1093/acprof:oso/9780199732142.003.0026) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2015) The Cool and The Crazy : Pop Fifties Cinema. Rutgers University Press, New Brunswick, 236 pp. ISBN 978-0-8135-7298-7. E-ISBN 978-0-8135-7300-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2011) “From the Barroom: American Song, Saloon Culture, Stack O’Lee and Wild Bill, or ‘Did you touch my hat?’”. In: Kalinak, Kathryn, ed. Music in the Western: Notes from the Frontier. Routledge Music and Screen Media Series . Routledge, New York, pp. 183-202. ISBN 978-0-415-88226-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2012) “‘Got-to-See’: Trends in Social Problem Pictures and the Postwar Cycles of Juvenile Delinquency Movies”. In: Lucia, Cynthia and Grundmann, Roy and Simon, Art, eds. The Wiley-Blackwell History of American Film. Wiley-Blackwell, Chichester, pp. 220-241. ISBN 978-1-4051-7984-3. (doi:10.1002/9780470671153) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2013) Intent to Speed: Cyclical Production, Topicality and the 1950s Hot Rod Movie. New Review of Film and Television Studies, 11 (1). pp. 34-55. ISSN 1740-0309. (doi:10.1080/17400309.2012.734496)

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Stanfield, Peter (2005) ‘Walking the Streets: Black Gangsters and the “Abandoned City” in the 1970s Blaxploitation Cycle’. In: Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 281-300. ISBN 1-84520-330-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2017) The Who and Pop Art: the simple things you see are all complicated. Journal of Popular Music Studies, 29 (1). e12203. ISSN 1524-2226. E-ISSN 1533-1598. (doi:10.1111/jpms.12203)

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Topp, Dominic (2019) Cinéma Militant: Political Filmmaking and May 1968 by Paul Douglas Grant. Review of: Cinéma Militant: Political Filmmaking and May 1968 by Grant, Paul Douglas. Studies in European Cinema, 16 (2). pp. 169-170. ISSN 1741-1548. (doi:10.1080/17411548.2017.1363499)

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Topp, Dominic (2016) “Disconnect a Certain Reality in Order to Reconnect It in Another Way”: New Image Relations in the Films of the Dziga Vertov Group. In: NECS conference, 28-30 July 2016, Potsdam, Germany. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Topp, Dominic (2018) El Director Quieto: La Composición Pictórica en el Cine de John Ford. In: Simposio Internacional Homenaje a John Ford, Festival Internacional de Cine Recobrado de Valparaíso, 22-26 Oct 2018, Valparaíso, Chile. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Topp, Dominic (2019) Film Rhythm after Sound: Technology, Music, and Performance by Lea Jacobs. Review of: Film Rhythm after Sound: Technology, Music, and Performance by Jacobs, Lea. Projections, 13 (1). pp. 96-101. ISSN 1934-9688. E-ISSN 1934-9696. (doi:10.3167/proj.2019.130106) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Topp, Dominic (2017) Not Reconciled? A Naturalized Aesthetics and the Challenge of Modernism. In: Aesthetics Today symposium, Aesthetics Research Centre, University of Kent, 5 June 2017, Canterbury, Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Topp, Dominic (2018) Putting the Culture into Bioculturalism: A Naturalized Aesthetics and the Challenge of Modernism. Projections, 12 (2). pp. 101-110. ISSN 1934-9688. E-ISSN 1934-9696. (doi:10.3167/proj.2018.120213) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Topp, Dominic (2014) The Representation of Politics: The Films of Jean-Luc Godard and the Dziga Vertov Group, 1967-1972. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Topp, Dominic (2017) Retrospective 2017: Future Imperfect. Science · Fiction · Film 67th Berlin International Film Festival, Berlin, Germany, 9–19 February 2017. Review of: 67th Berlin International Film Festival by UNSPECIFIED. Alphaville: Journal of Film and Screen Media, 13 . pp. 189-194. ISSN 2009-4078.

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Topp, Dominic (2018) “Revolución Escritura”: los ciné-tracts de Jean- Luc Godard y el arte de mayo de 1968. Significação: Revista de Cultura Audiovisual, 45 (50). pp. 22-43. ISSN 1516-4330. (doi:10.11606/issn.2316-7114.sig.2018.141980)

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Vaage, Margrethe Bruun (2016) The Antihero in American Television. Routledge ISBN 978-1-138-88597-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2014) “Blinded by Familiarity: Partiality, Morality and Engagement in Television Series”. In: Nannicelli, Ted and Taberham, Paul, eds. Cognitive Media Theory. Routledge, pp. 268-284. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2017) Book Review. Review of: Complex TV: The Poetics of Contemporary Television Storytelling by Mittell, Jason. Projections, 11 (2). pp. 105-109. ISSN 1934-9688. (doi:10.3167/proj.2017.110207) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2016) Book presentation of The Antihero in American Television. In: Media Mutations 8: A Cognitive Approach to TV Series, 25.-26. May 2016, Bologna. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2015) Clusters of Imagining and the External Perspective. Comment on Kendall Walton’s In Other Shoes. In: British Society of Aesthetics Annual conference 2015, 18.-20. September 2015, Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2014) Comment on Stacie Friend’s Matters of Fact and Fiction (forthcoming, Oxford UP). In: Aesthetics Research Centre Book Symposium, 22. May 2014, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2006) The Empathetic Film Spectator in Analytic Philosophy and Naturalized Phenomenology. Film and Philosophy, 10 (21). ISSN 1073-0427. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2007) Empathie. Zur episodischen Struktur der Teilhabe am Spielfilm. Montage A/V, 16 (1). pp. 101-120. ISSN 0942-4954.

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Vaage, Margrethe Bruun (2007) Empathy and the Episodic Structure of Engagement in Fiction Film. In: Anderson, Joseph D. and Fisher Anderson, Barbara, eds. Narration and Spectatorship in Moving Images. Cambridge Scholars Publishing, pp. 186-203. ISBN 978-1-84718-309-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2015) Empathy and the spectator’s engagement in fiction film and television. In: Imagination and Legal Reasoning: History, Theory, Pedagogy, 15. June 2016, Queen Mary. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2010) Fiction Film and the Varieties of Empathic Engagement. Midwest Studies In Philosophy, 34 (1). pp. 158-179. ISSN 0363-6550. (doi:10.1111/j.1475-4975.2010.00200.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2013) Fictional reliefs and reality checks. Screen, 54 (2). pp. 218-237. ISSN 1460-2474. (doi:10.1093/screen/hjt004) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2005) Fiksjon, innlevelse og selvreferanse. Norsk Filosofisk Tidsskrift, 40 (2). pp. 124-137. ISSN 0029-1943. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2017) Five Theses on the Difficulty of Ending Television Series. In: Aesthetics of Television Serials, 2.-4. November 2017, Universitat Politecnica de Valencia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2017) From The Corner to The Wire: On Nonfiction, Fiction, and Truth. Journal of Literary Theory, 11 (2). ISSN 1862-5290. E-ISSN 1862-8990. (doi:10.1515/jlt-2017-0023)

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Vaage, Margrethe Bruun (2013) Hitchcockian suspense and moral evaluation. In: Annual Conference of the British Society of Aesthetics, 20.-22. September 2013, Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2007) "Hold pusten når jeg teller til tre!" Om ulike tilskuerposisjoner og emosjonelle reaksjoner på fiksjonsfilm. In: Solum, Ove and Erstad, Ola, eds. Følelser for film. Gyldendal Akademisk Forlag, pp. 31-49. ISBN 978-82-05-37777-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2014) How suspense in Breaking Bad makes us root for the antihero but dislike his wife. In: London Aesthetics Forum, 14. May 2014, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2013) The Imagined Observer Hypothesis. In: Branigan, Edward and Buckland, Warren, eds. The Routledge Encyclopedia of Film Theory. Routledge, pp. 258-262. ISBN 978-0-415-78180-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2007) Levende bilder: Hvorfor empati er viktig for vellykket innlevelse i fiksjonsfilm. Norsk medietidsskrift, 14 (1). pp. 27-48. ISSN 0804-8452.

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Vaage, Margrethe Bruun (2015) Narrative Desires and the Importance of Immorality in Stories. In: The Aesthetic Value And Cognitive Impact of Morality in Art, 6.-7. May 2016, Universitat Politecnica de Valencia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2015) Narrative Desires and the Importance of Immorality in Stories. In: Postgraduate Conference at the Dept. of Theatre, Film and Television Studies, 4.-5. May 2016, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2015) Narrative Desires and the Importance of Immorality in Stories. In: A Symposium on Villains, 21 May 2015, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2017) On Punishment and Why We Enjoy It In Fiction: Lisbeth Salander of the Millennium trilogy and Eli in Let the Right One In as Scandinavian Avengers. In: Research seminar talk, University of East Anglia, 22. January 2018. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2019) On Punishment and Why We Enjoy It in Fiction: Lisbeth Salander of the Millennium Trilogy and Eli in Let the Right One In as Scandinavian Avengers. Poetics Today: International Journal for Theory and Analysis of Literature and Communication, 40 (3). pp. 543-557. ISSN 0333-5372. E-ISSN 1527-5507. (doi:10.1215/03335372-7558136)

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Vaage, Margrethe Bruun (2015) On the Repulsive Rapist and the Difference between Morality in Fiction and Real Life. In: Zunshine, Lisa, ed. The Oxford Handbook of Cognitive Literary Studies. Oxford University Press. (doi:10.1093/oxfordhb/9780199978069.013.0021) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2010) Our Man Omar: Warum die Figur Omar Little aus THE WIRE so beliebt ist. In: Blanchet, Robert and Smid, Tereza and Köhler, Kristina and Zutavern, Julia, eds. Serielle Formen. Von den frühen Film-Serials zu aktuellen Quality-TV- und Online-Serien. Zürcher Filmstudien . Schüren, pp. 211-227. ISBN 978-3-89472-525-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2013) Point of View. In: Branigan, Edward and Buckland, Warren, eds. The Routledge Encyclopedia of Film Theory. Routledge, pp. 371-375. ISBN 978-0-415-78180-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2018) Response to my critics in author-meets-critics book panel on The Antihero in American Television. In: The Society for Cognitive Studies of the Moving Image annual conference, 13.-16. June 2018, Bozeman, Montana. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2009) The Role of Empathy in Gregory Currie's Philosophy of Film. British Journal of Aesthetics, 49 (2). pp. 109-128. ISSN 0007-0904. (doi:10.1093/aesthj/ayp005) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2004) Sansning, tenkning, teknologi: Hvordanfungerer Stella Polaris? Norsk medietidsskrift, 11 (1). pp. 6-23. ISSN 0804-8452.

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Vaage, Margrethe Bruun (2009) Self-Reflection: Beyond Conventional Fiction Film Engagement. Nordicom Review, 30 (2). pp. 159-178. ISSN 1403-1108.

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Vaage, Margrethe Bruun (2018) Should we be against empathy? Theoretical implications of engagement with antiheroes in fiction for empathy’s role in morality. In: Empathy and the Arts, 20. September 2018, York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2015) ’Take me home. I’ve changed my mind. Take me to the office’. The antihero’s wife and female antiheroes. In: School of Arts Research Talk, 15. October 2015, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2013) Token and type verisimilitude. In: Society for the Cognitive Study of the Moving Image, 12.-15. June 2013, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2013) Token and type verisimilitude. In: Annual Conference of the European Society of Aesthetics, 17.-19. June 2013, Prague. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2017) Violent Women and the Pleasures of Revenge. In: Cognitive Futures in the Arts and Humanities, 1.-4. July 2018, Canterbury. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2015) The antihero in American Television: why he is not typically a utilitarian. In: Philosophy Department Seminar, 5. April 2016, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2015) The antihero in American television: why he is not typically a utilitarian. In: Society for the Cognitive Study of the Moving Image annual conference, 17-20 June 2015, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Wood, Aylish (2015) Aardman! In an Adventure with CGI! In: Aardman Workshop, July 2015, University of Surrey. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2014) Behind the Scenes: A Study of Autodesk Maya. Animation: An Interdisciplinary Journal, 9 (3). pp. 317-332. ISSN 1746-8477. (doi:10.1177/1746847714546247) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Wood, Aylish (2014) Contests and Simulations: Tron: Legacy and its Connections with Technologies. Journal of Film and Video, . ISSN 0742-4671. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Wood, Aylish (2016) Digital Contours, Chases and Spaces: thinking about space through software. In: The Magic of Special Effects. University of Chicago Press (unconfirmed). (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2011) Digital afx: digital dressing and affective shifts in Sin City and 300. New Review of Film and Television Studies, 9 (3). pp. 283-295. ISSN 1740-0309. (doi:10.1080/17400309.2011.585860) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Wood, Aylish (2008) Encounter at the Interface: Distributed Attention and Digital Embodiments. Quarterly Review of Film and Video, 25 (3). pp. 219-229. ISSN 1050-9208. (doi:10.1080/10509200601091490) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Wood, Aylish (2015) Excavating Software Algorithms. In: Society for the Cognitive Study of the Moving Image, June 2015, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2014) Gravity. Review of: Gravity by Cuaron, Alfonso. Science Fiction Film and Television, 7 (3). pp. 441-444. ISSN 1754-3770. E-ISSN 1754-3789. (doi:10.3828/sfftv.2014.25) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Wood, Aylish (2013) Hugo and 3D Space: tracing digital contours. In: Society for Cinema and Media Studies Conference 2013, March 2013, Chicago, IL. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2015) Inception’s Timespaces. In: North, D. and Rehak, R. and Duffy, M.S., eds. Special Effects: New Histories, Theories, Contexts. BFI: Palgrave Macmillan, pp. 254-266. ISBN 978-1-84457-517-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2013) Intangible Spaces: Tracing Technologies in the 3-D Space of Hugo. In: CRASSH: Joining the Dots, April 2013, University of Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2013) Intangible space: three-dimensional technology in Hugo and IMAX in The Dark Knight. Convergence: The International Journal of Research Into New Media Technologies, 19 (4). pp. 1-13. ISSN 1354-8565. (doi:DOI: 10.1177/1354856513501414) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Wood, Aylish (2013) Introducing 'more-than-representational space: software and visual effects. In: The Magic of Special Effects, November 2013, Montreal. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2015) Making Movements: Technological Imaginations of Animators and Algorithms. In: Society for Animation Studies 2015, July 2015, Christchurch College Canterbury. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2012) Recursive space: play and creating space. Games and Culture, 7 (1). pp. 87-105. ISSN 1555-4120. (doi:10.1177/1555412012440310) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Wood, Aylish (2014) Software and Visual Effects. In: Society for Animation Studies, June 2014, Toronto. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2014) Software, Animation and Autodesk Maya. In: Digital in Depth, May 2014, University of Warwick. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2014) Software, Animation and the Moving Image: What’s in the Box? In: Creative Animation Knowledge Exchange Conference, July 2014, Edge Hill. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2013) Sonic Times in Inception and Watchmen. In: Vernalis, Carol and Richardson, John and Herzog, Amy, eds. The Oxford Handbook of Sound and Image in Digital Media. Oxford University Press, Oxford, pp. 417-437. ISBN 978-0-19-025817-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2013) Talking about Maya. . University of Kent, 60 pp. pdf.

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Wood, Aylish (2014) What’s in the Box? In: BAFTSS Annual Conference, April 2014, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2012) Where Codes Collide: the Emergent Ecology of Avatar. Animation: An Interdisciplinary Journal, 7 (3). pp. 309-322. ISSN 1746-8477. (doi:10.1177/1746847712456261) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Wood, Aylish (2018) Where Do Shapes Come From? In: Harris, Miriam and Husbands, Lilly and Taberham, Paul, eds. Experimental Animation: from analogue to digital. Routledge, London, UK. E-ISBN 978-1-138-70298-1. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Ça?layan, Orhan Emre (2014) Screening boredom: the history and aesthetics of slow cinema. Doctor of Philosophy (PhD) thesis, University of Kent. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

This list was generated on Sat Jan 25 21:28:12 2020 GMT.