Items where division is "Faculties > Humanities > School of Arts > Film"
Number of items at this level: 381. B
Barnard, Clio H.
(2010)
The Arbor.
Artangel Media
Feature film.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:40773)
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Borge, Steffan,
Smith, Murray,
Vaage, Margrethe Bruun
(2015)
The Aesthetics of Football.
Sport, Ethics and Philosophy,
9
(2).
pp. 93-96.
ISSN 1751-1321.
E-ISSN 1751-133X.
(doi:10.1080/17511321.2015.1048822)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61926)
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Brydon, Lavinia
(2017)
Garden of England: Sites of Production and Pilgrimage.
In: Locating Imagination: Popular Culture, Tourism and Belonging, 5-7 April 2017, Rotterdam, The Netherlands.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61371)
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Brydon, Lavinia,
Handyside, Fiona
(2019)
Difficult Women: Fame, Film, Feminism and Fury.
Film Studies,
.
ISSN 1469-0314.
E-ISSN 2054-2496.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:79774)
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Brydon, Lavinia and Jenzen, Olu
(2016)
Exhibition Review: Pierdom by Simon Roberts.
Review of: Pierdom
by Roberts, Simon.
NECSUS: European Journal of Media Studies,
5
(2).
p. 1.
ISSN 2213-0217.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:59446)
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Brydon, Lavinia,
Stead, Lisa
(2016)
Chilham on Screen: Location Shooting and Community Memory.
In: MeCCSA Annual Conference, 6-8 Jan 2016, Canterbury Christ Church University, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:60535)
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C
Cardwell, Sarah E.
(2015)
J. L. Carr.
In:
Scribner's British Writers Supplement.
Gale University Press, pp. 51-67.
ISBN 978-0-684-32508-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:54622)
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Cardwell, Sarah E.
(2013)
Magnus Mills.
In:
Scribner's British Writers Supplement.
Gale University Press, pp. 171-187.
ISBN 978-1-4144-9610-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:54621)
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Cardwell, Sarah E. F.
(2013)
Television aesthetics: Stylistic analysis and beyond.
In:
Television Aesthetics and Style.
Bloomsbury, London & New York, pp. 23-44.
ISBN 978-1-4411-5751-5.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:54620)
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Choi, Jinhee and Frey, Mattias
(2014)
Introduction.
In: Choi, Jinhee and Frey, Mattias, eds.
Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship.
Routledge, New York, pp. 1-14.
ISBN 978-0-415-82125-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42202)
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Church Gibson, Pamela and Jeffers McDonald, Tamar E. L.
(2012)
Costume and Adaptation.
In: Cartmell, Deborah, ed.
A Companion to Literature, Film and Adaptation.
Blackwell Companions to Literature and Culture
.
Wiley-Blackwell, Oxford, pp. 295-311.
ISBN 978-1-4443-3497-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31627)
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Cinquegrani, Maurizio
(2019)
Agnafit.
Anima Loci,
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:75520)
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Cinquegrani, Maurizio
(2010)
The Cinematic Production of Iconic Spaces in Early Films of London.
In: Koeck, Richard and Roberts, Les, eds.
The City and the Moving Image: Urban Projections.
Palgrave Macmillan, pp. 169-182.
ISBN 978-0-230-24338-5.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:31653)
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Cinquegrani, Maurizio
(2011)
Empire and the City: Early Films of London.
.
Tate Britain
Online article.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31650)
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Cinquegrani, Maurizio
(2018)
The Holocaust and the Cinematic Landscapes of Postmemory in Lithuania, Hungary and Ukraine.
In: Bayman, Louis and Pinazza, Natália, eds.
Journeys on Screen: Theory, Ethics, Aesthetics.
Edinburgh University Press, Edinburgh, UK, pp. 118-129.
ISBN 978-1-4744-2183-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:72653)
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Cinquegrani, Maurizio
(2018)
Journey to Poland: Documentary Landscapes of the Holocaust.
Edinburgh University Press, Edinburgh, UK, 201 pp.
ISBN 978-1-4744-0357-3.
E-ISBN 978-1-4744-0359-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:67661)
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Cinquegrani, Maurizio
(2014)
Place, Time and Memory in Italian Cinema of the Great War.
In: Löschnigg, Martin and Sokolowska-Paryz, Marzena, eds.
The Great War in Post-Memory Literature and Film.
De Gruyter, Berin, Germany, pp. 321-334.
ISBN 978-3-11-036290-9.
E-ISBN 978-3-11-036302-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:56939)
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Cinquegrani, Maurizio
(2015)
Shadows of Shadows: the Undead in Ingmar Bergman's Cinema.
In: Leeder, Murray, ed.
Cinematic Ghosts.
Bloomsbury, pp. 129-142.
ISBN 978-1-62892-216-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:56938)
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Cinquegrani, Maurizio
(2006)
Sjöström, Seastrom. Carteggi Hollywoodiani.
In: Cinquegrani, Maurizio and Canosa, Michele, eds.
La natura non indifferente Il cinema svedese di Victor Sjöström.
Cineteca di Bologna, Bologna, Italy, pp. 63-70.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:56956)
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Cinquegrani, Maurizio
(2006)
Victor Sjöström: Prima dell’età dell’oro.
In: Cinquegrani, Maurizio and Canosa, Michele, eds.
La Natura Non Indifferente: il Cinema Svedese di Victor Sjöström.
Cineteca di Bologna, pp. 20-44.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:56955)
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Cowie, Elizabeth
(2006)
‘The Art of Paranoia’.
In: Pajdic, Predrag and Pasolini, Antonio and Ryan, Paul, eds.
Paranoia.
Southend/Leeds/London, London, pp. 138-148.
ISBN 139780955330902.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2991)
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Cowie, Elizabeth
(2011)
Recording Reality, desiring the real.
Visible Evidence
.
University of Minnesota press, Minnesota, USA, 296 pp.
ISBN 978-0-8166-4549-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31728)
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Cowie, Elizabeth
(2012)
Road Race.
In: Corkish, Alan and Chell, Edward and Taylor, Andrew, eds.
In the Company of Ghosts: The Poetics of the Motorway.
Erbacce press, Liverpool, pp. 41-46.
ISBN 978-1-907878-42-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31623)
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Cowie, Elizabeth and Adams, Parveen
(1990)
The Woman in Question.
Cambridge/MIT Press/October Books, 383 pp.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:2988)
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D
Declercq, Dieter
(2020)
Bojack, animation and mental ill health.
.
Blog.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:82034)
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F
Frey, Mattias
(2014)
Antares, Sex and International Distribution.
In: Invited speaker, Picturing Austrian Cinema, 22 September 2014, Cambridge University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42233)
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Frey, Mattias
(2012)
Arthouse Ethics and Provocation.
In: European Network for Cinema and Media Studies (NECS) Annual Conference, 23 June 2012, Lisbon.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42216)
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Frey, Mattias
(2014)
Authentizität und Hörbarkeit im jüngsten deutschen Geschichtsfilm.
In: Invited speaker, Film und Geschichte: Produktion und Erfahrung von Geschichte durch Bewegtbild und Ton, 8 May 2014, Universität Bremen.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42231)
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Frey, Mattias
(2006)
Benny's Video, Caché, and the Desubstantiated Image.
In: Society of Cinema and Media Studies (SCMS) Annual Conference, 2 March 2006, Vancouver.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42251)
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Frey, Mattias
(2004)
Border Zones: The Films of Ulrich Seidl.
Senses of Cinema,
(32).
ISSN 1443-4059.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20323)
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Frey, Mattias
(2015)
Critical Questions.
In: Frey, Mattias and Sayad, Cecilia, eds.
Film Criticism in the Digital Age.
Rutgers University Press, New Brunswick, NJ, pp. 1-20.
ISBN 978-0-8135-7072-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42205)
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Frey, Mattias
(2014)
Daniel Brühl and Nichts bereuen.
In: German Screen Studies Network (GSSN) symposium: Translating Stars - German Cinema in Transnational Context, 11 September 2014, University of Leeds.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42232)
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Frey, Mattias
(2013)
Der unbelehrbare Zuschauer.
In: Invited speaker, 19. Bremer Filmsymposium, 20 January 2013, Universität Bremen.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42222)
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Frey, Mattias
(2007)
Einführung in die Film Theorie.
In: Invited guest lecturer, ShortShots: Programmgestaltung und Planung eines Kurzfilmfestivals, 3 May 2007, Freie Universität Berlin.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42250)
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Frey, Mattias
(2011)
Einführung in die Filmkritik.
In: Invited series of masterclasses, 28 June - 1 July 2011, Universität Passau.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42213)
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Frey, Mattias
(2012)
Einführung in die Filmkritik.
In: Invited series of masterclasses, 2-6 July 2012, Universität Passau.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42217)
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Frey, Mattias
(2012)
Einführung in die Filmkritik.
In: Invited series of masterclasses, 9-13 July 2012, Goethe-Universität Frankfurt.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42218)
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Frey, Mattias
(2015)
Ekel im Kino.
In: Invited Speaker, 'Angustia', Deutsches Filmmuseum, Frankfurt, 23 January 2015, Deutsches Filmmuseum Frankfurt.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:44721)
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Frey, Mattias
(2014)
Ekel und Langeweile: Der unbelehrbare Zuschauer.
In: Pauleit, Winfried and Rüffert, Christina and Schmid, Karl-Heinz and Tews, Alfred and Odorico, Stefano, eds.
Filmerfahrung und Zuschauer: Zwischen Kino, Museum und sozialen Netzwerken.
Bertz + Fischer, Berlin, pp. 48-62.
ISBN 978-3-86505-229-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42204)
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Frey, Mattias
(2014)
The Ethics of Extreme Cinema.
In: Choi, Jinhee and Frey, Mattias, eds.
Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship.
Routledge, New York, pp. 145-162.
ISBN 978-0-415-82125-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42203)
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Frey, Mattias
(2011)
The Ethics of Extreme Cinema.
In: Cine-Ethics, 15 June 2011, University of Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42211)
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Frey, Mattias
(2017)
Fassbinder: The Formal Innovator.
Sight and Sound,
27
(5).
p. 28.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64751)
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Frey, Mattias
(2006)
Fidelio: Love, Adaptation, and Eyes Wide Shut.
Literature/Film Quarterly,
34
(1).
pp. 39-45.
ISSN 0090-4260.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20322)
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Frey, Mattias
(2012)
Film Criticism as Crisis History.
In: Cultural Criticism in the Digital Age, 7 June 2012, University of Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42215)
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Frey, Mattias
(2009)
Goodbye, Germany! Televisions of Emigration.
In: European Network for Cinema and Media Studies (NECS) Annual Conference, 25 June 2009, Lund.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42240)
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Frey, Mattias
(2007)
Haneke and the Painterly.
In: Invited speaker, Michael Haneke - A Cinema of Provocation, 26 October 2007, Boston University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42249)
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Frey, Mattias
(2007)
In/Flux: German Films at the 57th Berlin International Film Festival.
Review of: German Films at the 57th Berlin International Film Festival
by UNSPECIFIED.
Senses of Cinema,
43
(1).
0-0.
ISSN 1443-4059.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20767)
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Frey, Mattias
(2015)
The New Democracy? Rotten Tomatoes, Metacritic, Twitter, and IMDb.
In: Frey, Mattias and Sayad, Cecilia, eds.
Film Criticism in the Digital Age.
Rutgers University Press, New Brunswick, NJ, pp. 81-98.
ISBN 978-0-8135-7072-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42206)
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Frey, Mattias
(2009)
The Pained Spectator.
In: Images of Pain/Painful Images, 20 June 2009, Universitetet i Bergen.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42241)
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Frey, Mattias
(2010)
A Persistent Allure: The Reception of Michael Haneke.
In: Invited speaker, On Michael Haneke, 2nd June 2010, University of Sussex.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:25355)
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Frey, Mattias
(2006)
“Postmodernism” and “Guy Maddin".
In: Grant, Barry Keith, ed.
Schirmer Encyclopedia of Film.
Schirmer Press, Detroit, pp. 291-296.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20315)
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Frey, Mattias
(2008)
Postwall Germany's Cinema of Retro-flection.
In: Cultural Memory: Forgetting to Remember/Remembering to Forget, 11 September 2008, University of Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42245)
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Frey, Mattias
(2005)
Re-Connecting the Body 'in' to the Body 'of' Pasolini.
In: Il testo in movimento: Themes and Techniques in Italian Film and Literature, 5 February 2005, Harvard University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42255)
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Frey, Mattias
(2004)
Re-Connecting the Body 'in' to the Body 'of' Pasolini.
In: Screen Media and Sexual Politics, 9 October 2004, Plymouth State University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42256)
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Frey, Mattias
(2004)
The Renaissance of New Austrian Film? The Example of Michael Haneke.
In: German Projections, Foreign Reflections: Film, Narrative and the Creation of Historical Memory, 3 April 2004, University of Pennsylvania.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42257)
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Frey, Mattias
(2012)
Review of: A Companion to Michael Haneke, ed. Roy Grundmann.
Review of: A Companion to Michael Haneke
by Grundmann, Roy.
Historical Journal of Film, Radio and Television,
32
(1).
pp. 127-129.
ISSN 0143-9685.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42208)
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Frey, Mattias
(2012)
The Role of Criticism in Britain Today.
In: British Council, public lecture, 17 November 2012, Tokyo.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42220)
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Frey, Mattias
(2013)
The Role of Violence and Sex in Recent Austrian Cinema.
In: Invited speaker, research seminar, 27 November 2013, Kings College London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42228)
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Frey, Mattias
(2006)
Structuralism and Poststructuralism.
In: Grant, Barry Keith, ed.
Schirmer Encyclopedia of Film.
Schirmer Press, Detroit, pp. 165-168.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:20317)
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Frey, Mattias
(2012)
Suburban Violence in German-Language Film.
In: Invited speaker, Political Cultures/Cultural Politics of Germany in the 21st Century, 8 December 2012, University of Birmingham.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42221)
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Frey, Mattias
(2012)
Tuning Out, Turning In, Walking Off: The Spectator in Pain.
In: Gronstad, Asbjorn and Gustafsson, Henrik, eds.
Ethics and Images of Pain.
Routledge, London, pp. 93-111.
ISBN 0415893824.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42198)
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Frey, Mattias
(2013)
Why Is Cinema Violent?
In: British Council, public lecture, 1 May 2013, Tokyo.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42224)
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Frey, Mattias and Sayad, Cecilia, eds.
(2015)
Film Criticism in the Digital Age.
Rutgers University Press, New Brunswick, NJ, 273 pp.
ISBN 978-0-8135-7072-3.
E-ISBN 978-0-8135-7364-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:47968)
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Guerin, Frances
(2018)
Behind the Mask.
In: Suto, Fanni, ed.
Midnight Masquerade: A Masquerade Anthology.
Fantasia Divinity, pp. 6-25.
(KAR id:70868)
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![[img]](/70868/1.hassmallThumbnailVersion/Behind%20the%20Mask.pdf)  Preview |
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Guerin, Frances
(2019)
Caroline.
.
The Ekphrastic Review, 6 pp.
Internet.
(KAR id:74453)
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![[img]](/74453/1.hassmallThumbnailVersion/Caroline%2C%20by%20Frances%20Guerin%20-%20The%20Ekphrastic%20Review.pdf)  Preview |
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Guerin, Frances
(2003)
Dazzled by the Light.
Cinema Journal,
42
(4).
pp. 98-115.
ISSN 0009-7101.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45489)
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Guerin, Frances
(2013)
En Grisaille nowadays.
.
Catalogue and exhibition blurb.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45712)
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Guerin, Frances
(2019)
Even If She Had Been a Criminal. A Past Unwatched.
In: Baer, Nicholas and Hennefeld, Maggie and Horak, Laura and Iversen, Gunnar, eds.
Unwatchable.
Rutgers University Press, New Jersey.
ISBN 978-0-8135-9958-8.
E-ISBN 978-0-8135-9960-1.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:71526)
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Guerin, Frances
(2014)
FX Reflects (Blog).
.
Blog.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45698)
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Guerin, Frances
(2018)
Four White Walls.
Hecate Journal,
44
(1).
pp. 191-195.
ISSN 0311-4198.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:80446)
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Guerin, Frances
(2016)
Friedrich Wilhelm Murnau.
In: Gabbard, Krin, ed.
Oxford Bibliographies in Cinema and Media Studies.
Oxford Bibliographies
.
Oxford University Press.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:56571)
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Guerin, Frances
(2007)
The Gray Space Between: Gerhard Richter’s 18. Oktober 1977 (1989).
In: Guerin, Frances and Hallas, Roger, eds.
The Image and the Witness: Trauma, Memory and Visual Culture.
Wallflower Press, London, pp. 111-126.
ISBN ISBN-13: 978-1905674206.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45716)
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Guerin, Frances
(2020)
Grieving.
In: Chakravarti, Jay, ed.
Lockdown Literature: Anthology of Pandemic Literature.
Culture Cult Press, Calcutta.
ISBN 979-85-8386-307-5.
(KAR id:85409)
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![[img]](/85409/1.hassmallThumbnailVersion/Grieving.pdf)  Preview |
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Guerin, Frances
(2019)
Jacqueline Humphries.
Lund Humphries
(Submitted)
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:78183)
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Guerin, Frances
(2009)
Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema,.
Review of: Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema,
by UNSPECIFIED.
Screening the Past,
n/a
(26).
n/a-n/a.
ISSN 1328-9756.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45499)
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Guerin, Frances
(2011)
Locating Shadows: What’s inside William Kentridge’s Black Box?
In: John David, Rhodes, ed.
Taking Place: Location and the Moving Image.
University of Minnesota Press, Minneapolis, pp. 233-253.
ISBN 0-8166-6517-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:44814)
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Guerin, Frances
(2014)
Lotte Reiniger: in Women Film Pioneers Project.
.
Center for Digital Research and Scholarship
online.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45715)
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Guerin, Frances
(2006)
McCormick and Guenther-Pal, eds, German Essays on Film (2004).
Review of: McCormick and Guenther-Pal, eds, German Essays on Film (2004)
by McCormick, Richard.
Film-Philosophy,
10
(3).
pp. 95-100.
ISSN 1466-4615.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45500)
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Guerin, Frances, ed.
(2015)
On Not Looking:The Paradox of Contemporary Visual Culture.
Routledge Advances in Art and Visual Studies
.
Taylor & Francis Ltd, London, 274 pp.
ISBN 978-1-138-82235-1.
E-ISBN 978-1-315-74286-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45697)
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Guerin, Frances
(2018)
The Politics of Jasper Johns’s Gray American Flags.
In: Wagner, Anne, ed.
Flags, Color, and the Legal Narrative: Public Memory, Identity, and Critique.
Springer, Frankfurt.
ISBN 978-3-030-32864-1.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:78184)
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Guerin, Frances
(2020)
Touching the Past.
.
Internet publication.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:83285)
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Guerin, Frances
(2018)
The Truth is Always Grey: A History of Modernist Painting.
University of Minnesota Press, Minneapolis, United States, 347 pp.
ISBN 978-1-5179-0045-8.
E-ISBN 978-1-4529-5724-1.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:44627)
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Guerin, Frances
(2011)
Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement.
Review of: Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement
by UNSPECIFIED.
Holocaust Studies: A Journal of Culture and History,
17
(1).
pp. 137-139.
ISSN 1359-1371.
E-ISSN 2048-4887.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45493)
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Guerin, Frances
(2003)
Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002.
Review of: Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002
by Hoffmann, Kay.
The Moving Image: Association of Moving Image Archivists,
4
(2).
pp. 123-126.
ISSN 2167-8464.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45501)
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Guerin, Frances
(2004)
When Beginnings and Endings Distort the Past.
In:
Limina/le Soglie del Film.
Lithostampa, Pasian di Prato, Udine, pp. 247-254.
ISBN 978-88-8420-191-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:44337)
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Guerin, Frances
(2008)
www.artslant.com.
.
online.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45711)
|
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Guerin, Frances
(2008)
www.francesguerin.com.
.
website.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:45710)
|
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Guerin, Frances and Hallas, Roger
(2007)
Introduction to The Image and the Witness.
In:
The Image and the Witness: Trauma, Memory and Visual Culture.
Wallflower Press, London.
ISBN 978-1-905674-20-6.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:43364)
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I
Irvin, Sherri,
Nanay, Bence,
Schellekens, Elisabeth,
Smith, Murray
(2019)
Is Psychology Relevant to Aesthetics?
Estetika: The Central European Journal of Aesthetics,
.
pp. 87-138.
ISSN 2571-0915.
E-ISSN 0014-1291.
(KAR id:73454)
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![[img]](/73454/1.hassmallThumbnailVersion/Smith%20-%20Estetika%20symposium%20-%20KAR.pdf)  Preview |
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J
Jeffers McDonald, Tamar
(2015)
When Harry Met Sally...
Palgrave Macmillan/BFI, London, 96 pp.
ISBN 978-1-84457-907-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:52499)
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Jeffers McDonald, Tamar E L
(2019)
Blueprints from Bluebeard: charting the Gothic in contemporary film.
In: Jeffers McDonald, Tamar E L and Kamm, Frances A, eds.
Gothic Heroines on Screen: Representation, Interpretation and Feminist Enquiry.
Routledge, Abington, UK and New York, USA, 41 -54.
ISBN 978-1-138-71100-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:74529)
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Jeffers McDonald, Tamar E. L.
(2011)
Against Male Elegance.
In: Modemuseum, ., ed.
Symposium 2 - Seam & Star: Male Elegance.
Modemuseum, Antwerp, Antwerp, Belgium.
ISBN 978-90-79269-04-4.
(KAR id:31331)
|
![[img]](/31331/2.hassmallThumbnailVersion/TJM%20Against.pdf)  Preview |
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Jeffers McDonald, Tamar E. L.
(2013)
Bringing Up Baby: generic hybridity and Dirty Dancing.
In: Tzioumakis, Yannis and Lincoln, Sian, eds.
The Time of Our Lives: Dirty Dancing and Popular Culture.
Wayne State University Press, Detroit.
ISBN 978-0-8143-3624-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31628)
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Jeffers McDonald, Tamar E. L.
(2013)
Doris Day Confidential: Hollywood, Sex and Stardom.
I B Tauris, London, 256 pp.
ISBN 978-1-84885-581-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31640)
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Jeffers McDonald, Tamar E. L.
(2011)
Mad Men and Career Women.
In: Stoddart, Scott.F., ed.
Analyzing Mad Men: Critical Essays on the AMC Series.
McFarland & Co., Jefferson, North Carolina, USA, pp. 117-135.
ISBN 978-0-7864-4738-1.
(KAR id:31615)
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![[img]](/31615/2.hassmallThumbnailVersion/TJM%20Mad%20Men.pdf)  Preview |
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Jeffers McDonald, Tamar E. L.
(2010)
Performances of desire and inexperience: Doris Day’s fluctuating filmic virginity.
In: Jeffers McDonald, Tamar E. L., ed.
Virgin Territory: Representing Sexual Innocence in Film.
Contemporary Approaches to Film and Television Series
.
Wayne State University Press, Detroit, USA, pp. 103-122.
ISBN 978-0-8143-3318-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31616)
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Jeffers McDonald, Tamar E. L.
(2012)
The View from the Man Cave: Comedy in the Contemporary 'Homme-com' cycle.
In: Horton, Andrew and Rapf, Joanne E., eds.
A Companion to Film Comedy.
John Wiley & Sons, Chichester, West Sussex, pp. 217-235.
ISBN 978-1-4443-3859-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31625)
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Jenzen, Olu,
Brennan, Matt,
Brydon, Lavinia
(2016)
The People’s Pier: Popular Culture, Heritage, and Contested Community Spaces.
In: Changing the Research Landscape? A Connected Communities Conference for Early Career Researchers, 23 March 2016, University of East Anglia, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:56815)
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K
Kamm, Frances. A
(2019)
The Gothic in Space: Genre, Motherhood and Aliens (1986).
In: Jeffers McDonald, Tamar E. L. and Kamm, Frances. A, eds.
Gothic Heroines on Screen: Representation, Interpretation and Feminist Enquiry.
Routledge, London.
ISBN 978-1-138-71100-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:77071)
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L
Lázaro-Reboll, Antonio
(2018)
Endless Re-View: Jess Franco in Video Watchdog and Eyeball.
In: Lázaro-Reboll, Antonio and Olney, Ian, eds.
The Films of Jess Franco.
Contemporary Approaches to Film and media Series
.
Wayne State University Press, Chicago, Detroit, pp. 242-264.
ISBN 978-0-8143-4316-6.
E-ISBN 978-0-8143-4317-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:71026)
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M
Misek, Richard
(2017)
The Black Screen.
Alchemy Film and Moving Image Festival
DCP.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61733)
|
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Misek, Richard
(2017)
Why I 'pirate' films.
In: TEDx, 13 May 2017, Canterbury, United Kingdom.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61732)
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Misek, Richard and Shackleton, Charlie and Raby, Oscar
(2019)
A Machine for Viewing.
Video.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:83240)
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N
Newton, James
(2019)
The Anarchist Cinema.
Intellect, Bristol, Uk, 173 pp.
ISBN 978-1-78938-003-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:76227)
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P
Pitts, Virginia
(2010)
Beat.
Pitts Productions
HD.
(KAR id:26341)
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R
S
Sayad, Cecilia
(2015)
Afterword in Film Criticism in the Digital Age.
In: Sayad, Cecilia and Frey, Mattias, eds.
Film Criticism in the Digital Age.
Rutgers University Press, New Brunswick, NJ, pp. 243-247.
ISBN 978-0-8135-7072-3.
E-ISBN 978-0-8135-7364-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42006)
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Sayad, Cecilia
(2009)
The Auteur as Fool.
In: Screen Studies Conference: 50th Anniversary, July 2009, University of Glasgow.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:36379)
|
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Sayad, Cecilia
(2019)
Autoria como Performance.
In:
Autoria no Cinema.
.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:78310)
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Sayad, Cecilia
(2017)
Beyond Film: A New Place for Reality in Horror.
In: The Moving Form of Film Conference, 6-8 November 2017, Reading, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:73560)
|
|
Sayad, Cecilia
(2016)
Cameras and Ghosts.
Cinema Journal,
55
(2).
ISSN 0009-7101.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:54185)
|
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Sayad, Cecilia
(2015)
Critics Through Authors: Dialogues, Similarities, and the Sense of a Crisis.
In: Sayad, Cecilia and Frey, Mattias, eds.
Film Criticism in the Digital Age.
Rutgers University Press, New Brunswick, NJ, pp. 41-59.
ISBN 978-0-8135-7072-3.
E-ISBN 978-0-8135-7364-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:36191)
|
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Sayad, Cecilia
(2004)
Da poesia à cafajestagem.
Review of: The Brown Bunny
by Gallo, Vincent.
Tropico,
.
p. 1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:36180)
|
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Sayad, Cecilia
(2004)
Deconstructing God.
Reverse Shot,
Spring
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:36179)
|
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Sayad, Cecilia
(2014)
Discussion of Performing Authorship.
In: The Self-Portrait in the Moving Image, 28 February-1 March 2014, Birckbeck; London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42010)
|
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Sayad, Cecilia
(2016)
Documenting Ghosts in the Post-Truth Era.
In: University of Warwick Research Seminar Series, Coventry, UK.
(Unpublished)
(doi:https://warwick.ac.uk/fac/arts/news/events/?calendarItem=8a17841a5fd9d400015fda6091651653)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:73561)
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Sayad, Cecilia
(2014)
Framing the Found Footage Horror Film.
In: Society for Cinema and Media Studies Conference 2014, 18-23 March 2014, Seattle, USA.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:42008)
|
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Sayad, Cecilia
(2017)
Ghost Images: Horror, documentary and the supernatural.
In: School of Media, Film and Music Research Seminar, University of Sussex, 29 March 2017, Brighton.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:73557)
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Sayad, Cecilia
(2017)
The Ghosts and the Machines.
In: At Home with Horror?, 27-29 October 2017, Canterbury, Kent.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:73559)
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Sayad, Cecilia
(2009)
Godard and the frame: the author as trespasser.
In: Film Research Seminar, May 2009, University of Kent.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:36378)
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Sayad, Cecilia
(2005)
The Issue of Authorship in Adaptation.
In: Popular Culture Association/American Culture Association, March 2005, San Diego, CA, United States.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:36187)
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Sayad, Cecilia
(2015)
Monsters and Everyday Life.
In: Screen Studies Conference, 26/006/2015-28/06/2015, University of Glasgow.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:50255)
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Sayad, Cecilia
(2014)
Narrative, Visibility and Trauma in Bus 174.
In: Navarro, Vinicius and Rodriguez, Juan Carlos, eds.
New Documentaries in Latin America.
Palgrave McMillan.
ISBN n/a.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:36185)
|
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Sayad, Cecilia
(2018)
Parapsychology and Ghost Hunting on TV.
In: Sci/Film Series, 4 May 2018, London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:73563)
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Sayad, Cecilia
(2017)
Reality Ghosts: Digital Images and the Material World.
In: 2018 Society for Cinema and Media Studies Conference, 14-18 March 2018, Toronto, Canada.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:73562)
|
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Sayad, Cecilia
(2019)
Reality TV, Ghosts, and the Index.
Screen,
.
pp. 587-605.
ISSN 0036-9543.
E-ISSN 1460-2474.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:73903)
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Sayad, Cecilia
(2013)
Shifting Approaches.
In: Society for Cinema and Media Studies Conference 2013, March 2013, Chicago, IL.
(Unpublished)
(KAR id:36383)
|
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Sayad, Cecilia
(2013)
The Stand-up Auteur.
In:
A Companion to Woody Allen.
WBCF - Wiley-Blackwell Companions to Film Directors
.
Wiley-Blackwell.
ISBN 978-1-4443-3723-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31467)
|
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Sayad, Cecilia
(2005)
Traumas paralelos.
Review of: Mysterious Skin (Gregg Araki, 2004)
by Araki, Gregg.
Tropico,
.
p. 1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:36184)
|
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Sayad, Cecilia
(2005)
Um cinema hiperbólico.
Review of: Old Boy (Chan-Wook Park, 2004)
by Park, Chan-Wook.
Tropico,
.
p. 1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:36183)
|
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Sayad, Cecilia
(2005)
A história sem fim.
Review of: Moments choisis des Histoire(s) du cinéma (Jean-Luc Godard, 2005)
by Godard, Jean-Luc.
Tropico,
.
p. 1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:36181)
|
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Sayad, Cecilia
(2005)
A saga de Garganta Profunda.
Review of: Inside Deep Throat (Fenton Bailey and Randy Barbato, 2005)
by Bailey, Fenton and Barbato, Randy.
Tropico,
.
p. 1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:36182)
|
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Smith, Murray
(2009)
Consciousness.
In: Livingston, Paisley and Plantinga, Carl, eds.
The Routledge Companion to Philosophy and Film.
Routledge Philosophy Companions
.
Routledge, London and New York, pp. 39-51.
ISBN 978-0-415-77166-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31406)
|
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Smith, Murray
(2017)
Experience and Explanation in the Cinema.
In: Herzogenrath, Bernd, ed.
Film as Philosophy.
University of Minnesota Press.
ISBN 978-1-5179-0051-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61925)
|
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Smith, Murray
(2019)
Foreword: Consorting with Characters.
In: Riis, Johannes and Taylor, Aaron, eds.
Screening Characters: Theories of Character in Film, Television, and Interactive Media.
AFI Film Readers
.
Routledge.
ISBN 978-1-138-39182-6.
(doi:10.22024/UniKent/01.02.74283)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:74283)
|
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Smith, Murray
(2018)
The Kuleshov Fallacy.
.
Oxford University Press
online publication.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:74288)
|
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Smith, Murray
(2017)
Lives of the Aestheticians: introductory foreward.
In: Maes, Hans R.V., ed.
Conversations on Art and Aesthetics.
Oxford University Press, Oxford.
ISBN 978-0-19-968610-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61924)
|
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Smith, Murray
(2017)
Smile like you mean it.
.
Oxford University Press
internet blog.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:74286)
|
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Smith, Murray
(2018)
A Tale of Two Gaps.
Australasian Philosophical Review,
2
(2).
pp. 189-193.
ISSN 2474-0500.
(doi:10.1080/24740500.2018.1552095)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:74282)
|
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Smith, Murray
(2011)
Triangulating Aesthetic Experience.
In: Shimamura, Arthur P. and Palmer, Stephen E., eds.
Aesthetic Science: Connecting Minds, Brains, and Experience.
Oxford University Press, New York, pp. 80-102.
ISBN 978-0-19-973214-2.
(doi:10.1093/acprof:oso/9780199732142.003.0026)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31449)
|
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Stanfield, Peter
(2015)
The Cool and The Crazy : Pop Fifties Cinema.
Rutgers University Press, New Brunswick, 236 pp.
ISBN 978-0-8135-7298-7.
E-ISBN 978-0-8135-7300-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:50494)
|
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T
Topp, Dominic
(2018)
La Composición Pictórica en el Cine de John Ford.
In: Simposio Internacional Homenaje a John Ford, Festival Internacional de Cine Recobrado de Valparaíso, 22-26 Oct 2018, Valparaíso, Chile.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:76473)
|
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V
Vaage, Margrethe Bruun
(2015)
The Antihero in American Television.
Routledge Advances in Television Studies
.
Routledge
ISBN 978-1-138-88597-4.
E-ISBN 978-1-315-71516-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:53110)
|
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Vaage, Margrethe Bruun
(2017)
Book Review.
Review of: Complex TV: The Poetics of Contemporary Television Storytelling
by Mittell, Jason.
Projections,
11
(2).
pp. 105-109.
ISSN 1934-9688.
(doi:10.3167/proj.2017.110207)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:70151)
|
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Vaage, Margrethe Bruun
(2016)
Book presentation of The Antihero in American Television.
In: Media Mutations 8: A Cognitive Approach to TV Series, 25.-26. May 2016, Bologna.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:71391)
|
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Vaage, Margrethe Bruun
(2007)
Empathy and the Episodic Structure of Engagement in Fiction Film.
In: Anderson, Joseph D. and Fisher Anderson, Barbara, eds.
Narration and Spectatorship in Moving Images.
Cambridge Scholars Publishing, pp. 186-203.
ISBN 978-1-84718-309-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:70144)
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Vaage, Margrethe Bruun
(2005)
Fiksjon, innlevelse og selvreferanse.
Norsk Filosofisk Tidsskrift,
40
(2).
pp. 124-137.
ISSN 0029-1943.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:70148)
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Vaage, Margrethe Bruun
(2017)
Five Theses on the Difficulty of Ending Television Series.
In: Aesthetics of Television Serials, 2.-4. November 2017, Universitat Politecnica de Valencia.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:71389)
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Vaage, Margrethe Bruun
(2013)
Hitchcockian suspense and moral evaluation.
In: Annual Conference of the British Society of Aesthetics, 20.-22. September 2013, Cambridge.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:71367)
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Vaage, Margrethe Bruun
(2013)
The Imagined Observer Hypothesis.
In: Branigan, Edward and Buckland, Warren, eds.
The Routledge Encyclopedia of Film Theory.
Routledge, pp. 258-262.
ISBN 978-0-415-78180-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:50301)
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Vaage, Margrethe Bruun
(2015)
Narrative Desires and the Importance of Immorality in Stories.
In: The Aesthetic Value And Cognitive Impact of Morality in Art, 6.-7. May 2016, Universitat Politecnica de Valencia.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:71392)
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Vaage, Margrethe Bruun
(2015)
Narrative Desires and the Importance of Immorality in Stories.
In: Postgraduate Conference at the Dept. of Theatre, Film and Television Studies, 4.-5. May 2016, University of Glasgow.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:71393)
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Vaage, Margrethe Bruun
(2010)
Our Man Omar: Warum die Figur Omar Little aus THE WIRE so beliebt ist.
In: Blanchet, Robert and Smid, Tereza and Köhler, Kristina and Zutavern, Julia, eds.
Serielle Formen. Von den frühen Film-Serials zu aktuellen Quality-TV- und Online-Serien.
Zürcher Filmstudien
.
Schüren, pp. 211-227.
ISBN 978-3-89472-525-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:70143)
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Vaage, Margrethe Bruun
(2013)
Point of View.
In: Branigan, Edward and Buckland, Warren, eds.
The Routledge Encyclopedia of Film Theory.
Routledge, pp. 371-375.
ISBN 978-0-415-78180-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:70145)
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Vaage, Margrethe Bruun
(2013)
Token and type verisimilitude.
In: Society for the Cognitive Study of the Moving Image, 12.-15. June 2013, Berlin.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:71368)
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Vaage, Margrethe Bruun
(2013)
Token and type verisimilitude.
In: Annual Conference of the European Society of Aesthetics, 17.-19. June 2013, Prague.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:71370)
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Vaage, Margrethe Bruun
(2017)
Violent Women and the Pleasures of Revenge.
In: Cognitive Futures in the Arts and Humanities, 1.-4. July 2018, Canterbury.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:71372)
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W
Wood, Aylish
(2015)
Aardman! In an Adventure with CGI!
In: Aardman Workshop, July 2015, University of Surrey.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:53142)
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Wood, Aylish
(2015)
Excavating Software Algorithms.
In: Society for the Cognitive Study of the Moving Image, June 2015, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:53141)
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Wood, Aylish
(2014)
Gravity.
Review of: Gravity
by Cuaron, Alfonso.
Science Fiction Film and Television,
7
(3).
pp. 441-444.
ISSN 1754-3770.
E-ISSN 1754-3789.
(doi:10.3828/sfftv.2014.25)
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:53144)
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Wood, Aylish
(2013)
Hugo and 3D Space: tracing digital contours.
In: Society for Cinema and Media Studies Conference 2013, March 2013, Chicago, IL.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:53139)
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Wood, Aylish
(2015)
Inception’s Timespaces.
In: North, D. and Rehak, R. and Duffy, M.S., eds.
Special Effects: New Histories, Theories, Contexts.
BFI: Palgrave Macmillan / Bloomsbury, pp. 254-266.
ISBN 978-1-84457-517-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31403)
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Wood, Aylish
(2014)
Software and Visual Effects.
In: Society for Animation Studies, June 2014, Toronto.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:53133)
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Wood, Aylish
(2014)
Software, Animation and Autodesk Maya.
In: Digital in Depth, May 2014, University of Warwick.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:53135)
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Wood, Aylish
(2013)
Sonic Times in Inception and Watchmen.
In: Vernalis, Carol and Richardson, John and Herzog, Amy, eds.
The Oxford Handbook of Sound and Image in Digital Media.
Oxford University Press, Oxford, pp. 417-437.
ISBN 978-0-19-025817-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:31402)
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Wood, Aylish
(2014)
What’s in the Box?
In: BAFTSS Annual Conference, April 2014, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:53136)
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Wood, Aylish
(2019)
Where Do Shapes Come From?
In: Harris, Miriam and Husbands, Lilly and Taberham, Paul, eds.
Experimental Animation: from analogue to digital.
Routledge, London, UK.
ISBN 978-1-138-70296-7.
E-ISBN 978-1-138-70298-1.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:67447)
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This list was generated on Wed Jan 27 21:38:10 2021 GMT.
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