Items where Subject is "B Philosophy. Psychology. Religion > BH Aesthetics"

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Adler, Gerald (2019) Architecture Is Concealed unto Itself: Helmuth Plessner and his Influence on Twentieth-Century Architecture. Architecture Philosophy: The Journal of the International Society for the Philosophy of Architecture, 3 (2). ISSN 2372-0883. (KAR id:65393)

Archer, A., Ware, L. (2017) Aesthetic Supererogation. Estetika: The Central European Journal of Aesthetics, LIV/X (1). pp. 102-116. ISSN 0014 –1291. (KAR id:62977)

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Bacon, Julie Louise (2012) Liquid Archive: On Ambivalence. Other. Monash University Museum of Art, Melbourne, Australia (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31586)

Baldwin, Thomas (2004) Deleuze’s Bacon. Radical Philosophy, 123 (1). pp. 29-40. ISSN 0300-211X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41918)

Boenisch, Peter M. (2015) Directing Scenes & Senses: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester, 256 pp. ISBN 978-0-7190-9719-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51637)

Boenisch, Peter M. (2014) Who’s watching? Me! – Theatrality, the Žižekian Subject and Spectatorship. In: Chow, Broderick and Mangold, Alex, eds. Žižek & Performance. 1. Performance Philosophy . Palgrave Macmillan, Basingstoke and New York, pp. 48-60. ISBN 978-1-137-41090-0. E-ISBN 978-1-137-40319-3. (doi:10.1057/9781137403193) (KAR id:54561)

Bothwell, Keith (2011) The architecture of the passively tempered environment. In: Lee, Sang, ed. Aesthetics of sustainable architecture. 010 Publishers, Rotterdam. ISBN 978-90-6450-752-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:28377)

Branca, Bernardino (2019) Edgar Wind Filosofo delle Immagini:La Biografia Intellettuale di un Discepolo di Aby Warburg. First. Filosofie . Mimesis Edizioni, Milano, Italy, 374 pp. ISBN 978-88-575-5634-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74385)

Brittain-Catlin, Timothy (2002) Defeated by empiricism. Review of: 'Kant, art, and art history: moments of discipline' by Cheetham, Mark A.. Architectural Review, . p. 96. ISSN 0003-861X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10665)

Brittain-Catlin, Timothy (2002) Nazi or what? Review of: 'Heidegger's philosophy of art' by Young, Julian. Architectural Review, . p. 95. ISSN 0003-861X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10666)

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Damianos, Alexander (2022) Geo-narrativity: Anthropocene, Aesthetics, Forensics. In: Wilkie, Alex and Seghal, Melanie, eds. More-than-human aesthetics: venturing beyond the bifurcation of nature. Bristol University Press. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:103706)

Declercq, Dieter (2021) Mobile Games and Netflix Binges: Why We Should Encourage Easy Entertainment in Hard Times. . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88065)

Declercq, Dieter (2021) Satire, Comedy and Mental Health. Coping with the Limits of Critique. Emerald (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82051)

Declercq, Dieter (2013) The philosophical and ethical significance of humour. The Simpsons as humorous ethical truth-telling. Ethical Perspectives, 20 (2). pp. 271-298. ISSN 1370-0049. E-ISSN 1783-1431. (KAR id:75355)

Deprez, Eleen, Maes, Hans R.V. (2016) Wat is een portret? Kunsttijdschrift Vlaanderen, (361). ISSN 1780-6461. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65251)

Dieter, Declercq (2016) Wink wink, nudge nudge? Visual indicators of communicative irony in comics. Postgraduate Journal of Aesthetics, . pp. 2-18. (KAR id:73069)

Dillet, Benoît (2011) Review of Philippe Artières, Jean-François Bert, Frédéric Gros and Judith Revel (eds.), Cahier de L’Herne 95: Michel Foucault (L'Herne, 2011). Review of: Philippe Artières, Jean-François Bert, Frédéric Gros and Judith Revel (eds.), Cahier de L’Herne 95: Michel Foucault (Paris: L’Herne, 2011) by Artières, Philippe and Bert, Jean-François and Gros, Frédéric and Revel, Judith. Foucault Studies, 12 . pp. 200-205. ISSN 1832-5203. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:39113)

Dillet, Benoît and Jugnon, Alain, eds. (2013) Technologiques. La Pharmacie de Bernard Stiegler. Cécile Defaut, Nantes, France, 444 pp. ISBN 978-2-35018-338-1. (KAR id:39109)

Dubourg, Edgar and Thouzeau, Valentin and Thomas, Beuchot and Bonard, Constant and Boyer, Pascal and Clasen, Mathias and Boon-Falleur, Melusine and Fiorio, Grégory and Fitouchi, Léo and Fisher, Maryanne L. and Gantman, Ana P. and Grant, Ania and Hye-Knudsen, Marc and Wylie, Jordan and Katiyar, Tanay and Kjeldgaard-Christiansen, Jens and Mercier, Marius and Mercier, Hugo and Morin, Olivier and Salmon, Catherine and Scrivner, Coltan and Sijilmassi, Amine and Singh, Manvir and Smith, Murray and Sobchuk, Oleg and Stubbersfield, Joseph Michael and Varnum, Michael E. W. and Verpooten, Jan and Zhong, Ying and Baumard, Nicolas (2024) The Cognitive Foundations of Fictional Stories. [Preprint] (doi:10.31219/osf.io/me6bz) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:104767)

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Fontana-Giusti, Gordana (2008) Avant-Gard Film and Its Role in Understanding the Space of the City. In: Hallam, Julia and Kronenburg, Robert and Koeck, Richard and Roberts, Les, eds. Cities in Film: Architecture, Urban Space and the Moving Image. University of Liverpool, Liverpool. ISBN 978-0-9557884-1-3. (KAR id:9609)

Fontana-Giusti, Gordana (2013) Foucault for Architects. Routledge, London, 181 pp. ISBN 978-0-415-69330-1 and 978-0-415-69331-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:34135)

Fontana-Giusti, Gordana (2010) Ignored by critics. Review of: Memorials incognito: the candle, the drain and the cabbage patch for Diana, Princess of Wales by Sully, Nicole. Architectural Research Quaterly, 14 (3). pp. 190-191. ISSN 1359-1355. (doi:10.1017/S135913551000093X) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:28266)

Fontana-Giusti, Gordana (2011) 'Walling and the city: the effects of walls and walling within the city space'. Journal of Architecture, 16 (3). pp. 309-345. ISSN 1360-2365. E-ISSN 1466-4410. (doi:10.1080/13602365.2011.570056) (KAR id:28258)

Frazier, Jessica (2014) Hinduism - Visual Art and Architecture. In: The Oxford Handbook of Religion and the Arts. First edition. Oxford Handbooks . Oxford University Press, Oxford, pp. 350-357. ISBN 978-0-19-517667-4. (doi:10.1093/oxfordhb/9780195176674.013.024) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59669)

Friday, Jonathan (2002) Aesthetics and photography. Aldershot: Ashgate Press, 175 pp. ISBN 0-7546-0428-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1185)

Friday, Jonathan (2005) Andre Bazin’s ontology of film and the photographic image. Journal of Aesthetics and Art Criticism, 63 (4). pp. 339-350. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1186)

Friday, Jonathan (2001) Photography and the representation of vision. Journal of Aesthetics and Art Criticism, 59 (4). pp. 351-362. ISSN 0021-8529. (doi:10.1111/0021-8529.00037) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1189)

Friend, Stacie, Nyhout, A., Smith, Murray, Ferguson, Heather J. (2024) Moral Understanding and Media: Meeting the Challenges of Interdisciplinary Research. Journal of Media Psychology, 36 (4). pp. 220-230. E-ISSN 1617-6383. (doi:10.1027/1864-1105/a000410) (KAR id:103144)

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Gough, A.Martin (2010) Fragmented academic identity: lessons from defining academic practice. In: Society for Research into Higher Education Annual Conference, 14-16 Dec.2010, Celtic Manor, Newport, South Wales. (Unpublished) (KAR id:26332)

Gough, A.Martin (2011) Fragmented academic identity: lessons from defining academic practice. In: BERA annual conference, 6-8 September 2011, Institute of Education, University of London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:28166)

Graham, Nicole (2020) Laughing With 'Horrible' People: Reaffirming Ethical Boundaries Through Laughter. In: Benko, Steven, ed. Ethics in Comedy: Essays on Crossing the Line. First edition. McFarland, Jefferson, pp. 210-222. ISBN 978-1-4766-7641-8. E-ISBN 978-1-4766-4097-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:87463)

Green, Michelle, Maes, Hans R.V. (2023) From model to sitter. Aesthetic Investigations, 6 (2). pp. 158-173. ISSN 2352-2704. (doi:10.58519/aesthinv.v6i2.16888) (KAR id:104846)

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Hammer, Martin (2019) Portraiture: Seeing-As and Seeing-In. In: Maes, Hans, ed. Portraits and Philosophy. First edition. Routledge Research in Aesthetics . Routledge, New York, pp. 239-255. ISBN 978-0-367-18940-2. E-ISBN 978-0-429-19937-0. (doi:10.4324/9780429199370) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80361)

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Illingworth, Shona (2013) Amnesia Forum: Lesions in the Landscape 2. In: Lesions in the Landscape, 26th September 2013, City University, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45264)

Irvin, Sherri, Nanay, Bence, Schellekens, Elisabeth, Smith, Murray (2019) Is Psychology Relevant to Aesthetics? Estetika: The Central European Journal of Aesthetics, . pp. 87-138. ISSN 2571-0915. E-ISSN 0014-1291. (KAR id:73454)

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Jordanous, Anna, Allington, Daniel, Dueck, Byron (2014) Online Networks and the Production of Value in Electronic Music. In: Digital Music Research Network Network One-Day Workshop (DMRN+9), 16 Dec 2014, Queen Mary's, London. (Unpublished) (KAR id:46258)

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Kalonaris, Stefano, Jordanous, Anna (2018) Computational Music Aesthetics: a survey and some thoughts. In: 3rd Conference on Computational Simulation of Musical Creativity, 20-22 August 2018, Dublin, Ireland. (KAR id:67600)

Kavanagh, Declan (2016) Beyond Tolerance: Heteronormativity and Queer Theory. Maynooth Philosophical Papers: An Anthology of Current Research from the Department of Philosophy, NUI Maynooth, (8). pp. 73-82. ISSN 2009-7743. E-ISSN 2009-7751. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:58317)

Kavanagh, Declan (2017) Effeminate Years: Literature, Politics, and Aesthetics in Mid-Eighteenth-Century Britain. First edition. Transits: Literature, Thought & Culture, 1650–1850 . Bucknell University Press, Lewisburg, Pennsylvania, USA, 268 pp. ISBN 978-1-61148-824-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58294)

Kirchin, Simon T. (2013) Introduction: Thick and Thin Concepts. In: Thick Concepts. Mind Association Occasional Series . Oxford University Press, Oxford. ISBN 978-0-19-967234-9. (doi:10.1093/acprof:oso/9780199672349.003.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:48683)

Kirchin, Simon T. (2022) Is Drag Morally Objectionable? . (Unpublished) (KAR id:95442)

Kirchin, Simon T. (2013) Thick Concepts and Thick Descriptions. In: Thick Concepts. Mind Association Occasional Series . Oxford University Press, Oxford, pp. 60-77. ISBN 978-0-19-967234-9. (doi:10.1093/acprof:oso/9780199672349.003.0004) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:48684)

Klee, Steve A. (2009) The Politics of Ambiguity. In: Spin[Freee]oza (Shop Windows and Balloons). SMART Project Space, Amsterdam, pp. 17-24. ISBN 978-90-806655-9-0. (KAR id:31590)

Klee, Steve A. (2013) Ranciere Against the Cuts: Activist Demands are Aesthetic. Third Text, 27 (2). pp. 177-188. ISSN 0952-8822. E-ISSN 1475-5297. (doi:10.1080/09528822.2013.774189) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31647)

Korolija Fontana-Giusti, Gordana (2006) Cities, Water and Signification. In: Atanackovic-Jelicic, Jelena, ed. Waterfronts in the Danube Region. Department of Architecture, Faculty of Technical Sciences, Novi Sad, Serbia, Novi Sad, Serbia, pp. 94-104. ISBN 86-85211-74-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9634)

Korolija Fontana-Giusti, Gordana (2005) The Status of the Categories of the Virtual and the Real in Contemporary Architecture and Urban Design. In: CATH 2005 Conference "Ethics and Politics of Virtuality and Indexicality", 1 July 2005, University of Leed, Bradford site. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10618)

Korolija Fontana-Giusti, Gordana (2007) Urban Strolling as the Measure of Quality. Architectural Research Quaterly, 11 (3/4). pp. 255-264. ISSN 1359-1355. E-ISSN 1474-0516. (doi:10.1017/S1359135500000750) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:10280)

Korolija Fontana-Giusti, Gordana Water, Cities and Identity. In: Water and Civilisation Conference, UNESCO Paris, 1-4 December 2005, UNESCO Paris. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10667)

Kunzelmann, Heide and Mayerhofer, Elisabeth (2014) Viennese Inertia: Cultural and Political Deceleration and Local Identity Construction. In: Hemelryk Donald, Stephanie and Lindner, Christoph, eds. Inert Cities. Globalization, Mobility and Suspension of Visual Culture. I.B.Tauris, London, pp. 129-152. ISBN 978-1-78076-972-1. E-ISBN 978-0-85773-612-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43382)

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Lyons, Sara (2015) Algernon Swinburne and Walter Pater: Victorian Aestheticism, Doubt and Secularisation. Legenda, 300 pp. ISBN 978-1-909662-48-3. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:55643)

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Maes, Hans R.V. (2020) The Aesthetics of Portraiture: An Annotated Reading List. . internet. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97830)

Maes, Hans R.V. (2021) "And Time Will Have His Fancy ..." On being moved by portraits of unknown people. In: Portraits and Philosophy. Routledge. E-ISBN 978-0-429-19937-0. (doi:10.4324/9780429199370-13) (KAR id:97780)

Maes, Hans R.V. (2008) Art and Pornography. In: 6th European Congress of Analytic Philosophy (ECAP), August 2008, Krakow, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9706)

Maes, Hans R.V. and Levinson, Jerrold, eds. (2012) Art and Pornography: Philosophical Essays. Oxford University Press, Oxford, 335 pp. ISBN 978-0-19-960958-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:50380)

Maes, Hans R.V. (2011) Art or Porn: Clear Division or False Dilemma? Philosophy and Literature, 35 (1). pp. 51-64. ISSN 0190-0013. (doi:10.1353/phl.2011.0003) (KAR id:31448)

Maes, Hans R.V. (2008) Challenging Partial Intentionalism. Journal of Visual Art Practice, 7 (1). pp. 85-94. ISSN 1470-2029. (doi:10.1386/jvap.7.1.85_1) (KAR id:31436)

Maes, Hans R.V. (2017) Conversations on Art and Aesthetics. Oxford University Press, 336 pp. ISBN 978-0-19-968610-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56981)

Maes, Hans R.V. (2022) Conversations on Art and Aesthetics: Volume 2. Oxford University Press (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97825)

Maes, Hans R.V. (2017) Conversations, Portraits, and Philosophy. In: 75th Annual Meeting of the American Society for Aesthetics, 15-18 Nov 2017, New Orleans, USA. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65243)

Maes, Hans R.V. (2022) De onvoltooid verleden tijd van Richard Linklater. Humbug: Onafhankelijk Filmmagazine, . (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:97828)

Maes, Hans R.V. (2011) Drawing the Line: Art versus Pornography. Philosophy Compass, 6 (6). pp. 385-397. ISSN 1747-9991. (doi:10.1111/j.1747-9991.2011.00403.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50382)

Maes, Hans R.V. (2014) Erotic Art. Stanford Encyclopedia of Philosophy, . pp. 1-50. ISSN 1095-5054. (KAR id:56968)

Maes, Hans R.V. (2022) Existential Aesthetics. Oxford University Press (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97826)

Maes, Hans R.V. (2017) Falling in Lust: Sexiness, Feminism, and Pornography. In: Mikkola, Mari, ed. Beyond Speech: Pornography and Analytic Feminist Philosophy. Oxford University Press. ISBN 978-0-19-025790-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56982)

Maes, Hans R.V. (2017) Falling in Lust: Sexiness, Feminism, and Pornography. In: Goldblatt, David and Brown, Lee B. and Patridge, Stephanie, eds. Aesthetics: A Reader in Philosophy of the Arts. 4th edition. Routledge. ISBN 978-1-138-23588-5. E-ISBN 978-1-315-30367-3. (doi:10.4324/9781315303673) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65242)

Maes, Hans R.V. (2015) Falling in Lust: The Ethics and Aesthetics of Sexiness. In: Philosophy Research Seminar at Uppsala University, 2015, Uppsala, Sweden. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57103)

Maes, Hans R.V. (2010) Intention, Interpretation, and Contemporary Visual Art. British Journal of Aesthetics, 50 (2). pp. 121-138. ISSN 0007-0904. (doi:10.1093/aesthj/ayp051) (KAR id:31439)

Maes, Hans R.V. (2013) Introduction: Pornographic Art and the Aesthetics of Pornography. In: Pornographic Art and the Aesthetics of Pornography. Palgrave, pp. 1-24. ISBN 978-0-230-36820-0. E-ISBN 978-1-137-36793-8. (doi:10.1057/9781137367938_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65237)

Maes, Hans R.V. (2010) Kunst of Pornografie? Karakter: Tijdschrift van Wetenschap, . pp. 15-16. ISSN 1379-0390. E-ISSN 1379-0390. (KAR id:56972)

Maes, Hans R.V. (2010) Love, Friendship, and Casablanca. Hermeneia: Journal of Hermeneutics, Art Theory, and Criticism, (10). pp. 98-107. ISSN 1453-9047. E-ISSN 2069-8291. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65240)

Maes, Hans R.V. (2008) A New Philosophy of Photography? Critical Notice of Henri van Lier, Philosophy of Photography. Review of: Philosophy of Photography by UNSPECIFIED. History of Photography, 32 (4). pp. 380-383. ISSN 0308-7298. E-ISSN 2150-7295. (doi:10.1080/03087290802323482) (KAR id:56983)

Maes, Hans R.V., ed. (2013) Pornographic Art and the Aesthetics of Pornography. Palgrave, 306 pp. ISBN 978-0-230-36820-0. (KAR id:50381)

Maes, Hans R.V. (2014) Pornography. In: Encyclopedia of Aesthetics. Second edition. Oxford University Press. ISBN 978-0-19-974710-8. (doi:10.1215/23289252-2399893) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56970)

Maes, Hans R.V. (2020) Pornography and Melancholy. APA Newsletter Feminism and Philosophy, 20 (2). E-ISSN 2155-9708. (KAR id:97776)

Maes, Hans R.V. (2017) Portraits of Philosophers and the Philosophy of Portraits. In: 6th Dubrovnik Conference on the Philosophy of Art, 18-22 Apr 2017. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65245)

Maes, Hans R.V. (2011) ¿Quién dice que la pornografía no puede ser arte? La Balsa de Medusa, . pp. 5-24. ISSN 0214-9982. (KAR id:56971)

Maes, Hans R.V. (2021) A Trilogy of Melancholy: on the bittersweet in Before Sunrise, Before Sunset, Before Midnight. In: Before Sunrise, Before Sunset, Before Midnight: A Philosophical Exploration. Routledge. E-ISBN 978-0-429-26147-3. (doi:10.4324/9780429261473-4) (KAR id:97778)

Maes, Hans R.V. (2017) Truly, Madly, Deeply: on what it is to love a work of art. The Philosophers' Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65241)

Maes, Hans R.V. (2008) Waarom geen voorbeeld nemen aan de grappenmaker? Een open vraag aan hedendaagse kunstenaars en kunstcritici. In: De Kraai van Walter. DeFKA. (KAR id:56974)

Maes, Hans R.V. (2015) What is a Portrait? British Journal of Aesthetics, 55 (3). pp. 303-322. ISSN 0007-0904. E-ISSN 1468-2842. (doi:10.1093/aesthj/ayv018) (KAR id:56967)

Maes, Hans R.V. (2012) Who Says Pornography Can't Be Art? In: Maes, Hans R.V. and Levinson, Jerrold, eds. Art and Pornography: Philosophical Essays. Oxford University Press, pp. 17-47. ISBN 978-0-19-960958-1. (doi:10.1093/acprof:oso/9780199609581.003.0002) (KAR id:31445)

Maes, Hans R.V. (2019) “You Talking to Me?”. Debates in Aesthetics, 14 (1). ISSN 2514-6637. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65239)

Maes, Hans R.V. (2012) The arts vs Art with a capital ‘A’: Interview with Noël Carroll. Esthetica, . ISSN 1875-3809. (KAR id:56978)

Maes, Hans R.V. and Debaene, Aurélie Josephine and Anscomb, Claire Rebecca (2018) Portraits and Philosophy: A Conversation. , 29 March - 11 May 2018, Canterbury. Photographs. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97829)

Maes, Hans R.V., Deprez, Eleen (2013) Kunst of porno: duidelijk onderscheid of vals dilemma? Kunsttijdschrift Vlaanderen, (346). pp. 175-177. ISSN ISSN 1780-6461. (KAR id:56973)

Maes, Hans R.V. and Levinson, Jerrold (2012) Introduction. In: Art & Pornography: Philosophical Essays. Oxford University Press. ISBN 978-0-19-960958-1. (doi:10.1093/acprof:oso/9780199609581.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65238)

Maes, Hans R.V. and Puolakka, Kalle (2012) Arthur Danto: The Transfiguration of the Commonplace. In: 50 Key Texts in Art History. Routledge. ISBN 978-0-415-49770-1. (KAR id:56975)

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Newall, M B (2018) The Crit: Toward a theory of the contemporary art school. In: Brisban, Chris and Thiessen, Myra, eds. Routledge Companion to Criticality in Art, Architecture and Design. First edition. Routledge. ISBN 978-1-317-22593-5. E-ISBN 978-1-315-62341-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60715)

Newall, Michael (2012) An Aesthetics of Transgressive Pornography. In: Maes, Hans R.V. and Levinson, Jerrold, eds. Art and Pornography: Philosophical Essays. Oxford University Press, Oxford, pp. 206-228. ISBN 978-0-19-960958-1. (doi:10.1093/acprof:oso/9780199609581.003.0011) (KAR id:31635)

Newall, Michael (2012) Book review: Philosophical Perspectives on Depiction. Review of: Philosophical Perspectives on Depiction by Abell, C. Analysis, 72 (2). pp. 408-410. ISSN 2196-6753. (doi:10.1093/analys/ans004) (KAR id:71402)

Newall, Michael (2019) Cries, Consensus and Criticality: Making Artists in the Contemporary Art School. In: Brisbin, Chris and Thiessen, Myra, eds. The Routledge Companion to Criticality in Art, Architecture and Design. First edition. Routledge, London and New York, pp. 14-31. ISBN 978-1-138-18923-2. E-ISBN 978-1-315-62341-2. (KAR id:75412)

Newall, Michael (2015) Is Seeing-in a Transparency Effect? British Journal of Aesthetics, 55 (2). pp. 131-156. ISSN 0007-0904. E-ISSN 1468-2842. (doi:10.1093/aesthj/ayu101) (KAR id:60714)

Newall, Michael (2009) Pictorial Experience and Seeing. British Journal of Aesthetics, 49 (2). pp. 129-141. ISSN 0007-0904. (doi:10.1093/aesthj/ayp002) (KAR id:31630)

Newall, Michael (2010) Pictorial Resemblance. Journal of Aesthetics and Art Criticism, 68 (2). pp. 91-103. ISSN 0021-8529. (doi:10.1111/j.1540-6245.2010.01395.x) (KAR id:31634)

Newall, Michael (2005) Picturing pictures: reply to Dilworth. Journal of Aesthetics and Art Criticism, 60 (1). 70 -73. ISSN 0021-8529. (doi:10.1111/j.0021-8529.2005.0182b.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1232)

Newall, Michael (2018) Pyke's Portraits of Philosophers. . blog post. (KAR id:71403)

Newall, Michael (2012) Seeing-in is a Transparency Effect (draft paper). . (Unpublished) (KAR id:31873)

Newall, Michael (2003) A restriction for pictures and some consequences for theories of depiction. Journal of Aesthetics and Art Criticism, 61 (4). pp. 381-394. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1230)

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Roesner, David P. (2012) "Musikalität als ästhetisches Dispositiv: Analogien und Transfers". In: Huber, Jorg and Nigro, Roberto and Bippus, Elke, eds. Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern. Edition Voldemeer (1). Springer, Zürich, Wien, New York. ISBN 978-3-7091-1503-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30245)

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Smith, Murray (2014) Against Nature? or, Confessions of a Darwinian Modernist. Royal Institute of Philosophy Supplement, 75 . pp. 151-182. ISSN 1358-2461. (doi:10.1017/S1358246114000174) (KAR id:57522)

Smith, Murray (1994) Altered States: Character and Emotional Response in the Cinema. Cinema Journal, 33 (4). pp. 34-56. ISSN 0009-7101. (KAR id:20046)

Smith, Murray (2009) Consciousness. In: Livingston, Paisley and Plantinga, Carl, eds. The Routledge Companion to Philosophy and Film. Routledge Philosophy Companions . Routledge, London and New York, pp. 39-51. ISBN 978-0-415-77166-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31406)

Smith, Murray (2022) Engaging Characters: Fiction, Emotion, and the Cinema. Revised and expanded 2nd edn. Oxford University Press, 304 pp. ISBN 978-0-19-887107-1. E-ISBN 978-0-19-191413-3. (doi:10.1093/oso/9780198871071.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:104887)

Smith, Murray (2024) Imagination and Creativity in Film. In: Oxford Handbook of Imagination and Creativity. Oxford University Press. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:107236)

Smith, Murray (2011) Just What Is It That Makes Tony Soprano Such an Appealing, Attractive Murderer? In: Jones, Ward and Vice, Samantha, eds. Ethics at the Cinema. Oxford University Press, Oxford, pp. 66-90. ISBN 9780195320398 (hbk); 9780195320404 (pbk). (doi:10.1093/acprof:oso/9780195320398.003.0003) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31407)

Smith, Murray (2006) My Dinner with Noel; or, Can We Forget the Medium ? Film Studies: An International Review, 8 . pp. 140-148. ISSN 1469-0314. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:12924)

Smith, Murray (1998) Regarding film spectatorship: A reply to Richard Allen. Journal of Aesthetics and Art Criticism, 56 (1). pp. 63-65. ISSN 0021-8529. (doi:10.2307/431952) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17153)

Smith, Murray (2011) Triangulating Aesthetic Experience. In: Shimamura, Arthur P. and Palmer, Stephen E., eds. Aesthetic Science: Connecting Minds, Brains, and Experience. Oxford University Press, New York, pp. 80-102. ISBN 978-0-19-973214-2. (doi:10.1093/acprof:oso/9780199732142.003.0026) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31449)

Smith, Murray (2022) Triangulation Revisited. Projections, 16 (1). pp. 11-24. ISSN 1934-9688. (doi:10.3167/proj.2022.160102) (KAR id:104493)

Smith, Murray (2007) Was macht es fur einen Unterschied ? Wissenschaft, Gefuhl und Film. In: Bartsch, Anne and Eder, Jens and Fahlenbrach, Kathrin, eds. Audiovisuelle Emotionen:Emotionsdarstellung und Emotionsvermittlung durch audiovisuelle Medienangebote. Herbert von Halem, Cologne, pp. 39-59. ISBN 978-3-938258-30-9. (KAR id:12940)

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Trimingham, Melissa (2011) The Theatre of the Bauhaus: the Modern and Postmodern Stage of Oskar Schlemmer. Routledge Advances in Theatre and Performance Studies . Routledge, New York and London, 214 pp. ISBN 978-0-415-40398-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26299)

Trimingham, Melissa (2013) Touched by meaning: haptic effect in autism. In: Shaughnessy, Nicola, ed. Affective Performance and Cognitive Science: body, brain and being. Methuen. ISBN 978-1-4081-9315-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31639)

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Vaage, Margrethe Bruun (2015) The Antihero in American Television. First Edition. Routledge Advances in Television Studies . Routledge ISBN 978-1-138-88597-4. E-ISBN 978-1-315-71516-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53110)

Vaage, Margrethe Bruun (2015) On the Repulsive Rapist and the Difference between Morality in Fiction and Real Life. In: Zunshine, Lisa, ed. The Oxford Handbook of Cognitive Literary Studies. Oxford University Press. (doi:10.1093/oxfordhb/9780199978069.013.0021) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:48006)

Van Brabandt, Petra, Maes, Hans R.V. (2021) Kunst of Pornografie: een filosofische verkenning. ASP Editions, 206 pp. ISBN 978-90-5718-943-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97822)

Varakis, Angeliki (2018) Encountering the Heroic prosopeion in Fifth Century Theatre Performance. In: The Physicality of the Other: Masks from the Ancient Near East and the Eastern Mediterranean. Orientalische Religionen in der Antike . Mohr Siebeck. ISBN 978-3-16-155513-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:61817)

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Ware, L, Archer, A (2018) Beyond the Call of Beauty: Everyday Aesthetic Demands Under Patriarchy. Monist, 101 (1). pp. 114-127. ISSN 0026-9662. (doi:10.1093/monist/onx029) (KAR id:62978)

Wood, Sarah (2015) Lost Film Found Film. Doctor of Philosophy (PhD) thesis, University of Kent,. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:48012)