Items where Subject is "B Philosophy. Psychology. Religion > BH Aesthetics"

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Adler, Gerald (2016) ARCHITECTURE IS CONCEALED UNTO ITSELF: HELMUTH PLESSNER AND HIS INFLUENCE ON TWENTIETH-CENTURY ARCHITECTS. Architecture Philosophy: The Journal of the International Society for the Philosophy of Architecture, . ISSN 2372-0883. (Submitted) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Archer, A and Ware, L (2017) Aesthetic Supererogation. Estetika: The Central European Journal of Aesthetics, LIV/X (1). pp. 102-116. ISSN 0014 –1291. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Bacon, Julie Louise (2012) Liquid Archive: On Ambivalence. Other. Monash University Museum of Art, Melbourne, Australia (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Baldwin, Thomas (2004) Deleuze’s Bacon. Radical Philosophy, 123 (1). pp. 29-40. ISSN 0300-211X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M. (2015) Directing Scenes & Senses: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester, 256 pp. ISBN 978-0-7190-9719-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M. (2014) Who’s watching? Me! – Theatrality, the Žižekian Subject and Spectatorship. In: Chow, Broderick and Mangold, Alex, eds. Žižek & Performance. Performance Philosophy . Palgrave Macmillan, Basingstoke and New York, pp. 48-60. ISBN 978-1-137-41090-0. E-ISBN 978-1-137-40319-3. (doi:https://doi.org/10.1057/9781137403193) (Full text available)

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Bothwell, Keith (2011) The architecture of the passively tempered environment. In: Lee, Sang, ed. Aesthetics of sustainable architecture. 010 Publishers, Rotterdam. ISBN 978-90-6450-752-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brittain-Catlin, Timothy (2002) Defeated by empiricism. Review of: 'Kant, art, and art history: moments of discipline' by Cheetham, Mark A.. Architectural Review, . p. 96. ISSN 0003-861X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brittain-Catlin, Timothy (2002) Nazi or what? Review of: 'Heidegger's philosophy of art' by Young, Julian. Architectural Review, . p. 95. ISSN 0003-861X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Deprez, Eleen and Maes, Hans R.V. (2016) Wat is een portret? Kunsttijdschrift Vlaanderen, (361). ISSN 1780-6461. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dillet, Benoît (2011) Review of Philippe Artières, Jean-François Bert, Frédéric Gros and Judith Revel (eds.), Cahier de L’Herne 95: Michel Foucault (L'Herne, 2011). Review of: Philippe Artières, Jean-François Bert, Frédéric Gros and Judith Revel (eds.), Cahier de L’Herne 95: Michel Foucault (Paris: L’Herne, 2011) by Artières, Philippe and Bert, Jean-François and Gros, Frédéric and Revel, Judith. Foucault Studies, 12 . pp. 200-205. ISSN 1832-5203. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Fontana-Giusti, Gordana (2008) Avant-Gard Film and Its Role in Understanding the Space of the City. In: Hallam, Julia and Kronenburg, Robert and Koeck, Richard and Roberts, Les, eds. Cities in Film: Architecture, Urban Space and the Moving Image. University of Liverpool, Liverpool. ISBN 978-0-9557884-1-3. (Full text available)

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Fontana-Giusti, Gordana (2013) Foucault for Architects. Other. Routledge, London (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Fontana-Giusti, Gordana (2010) Ignored by critics. Review of: Memorials incognito: the candle, the drain and the cabbage patch for Diana, Princess of Wales by Sully, Nicole. Architectural Research Quaterly, 14 (3). pp. 190-191. ISSN 1359-1355. (doi:https://doi.org/10.1017/S135913551000093X) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Fontana-Giusti, Gordana (2011) 'Walling and the city: the effects of walls and walling within the city space'. Journal of Architecture, 16 (3). pp. 309-345. ISSN 1360-2365. E-ISSN 1466-4410. (doi:https://doi.org/10.1080/13602365.2011.570056) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Frazier, Jessica (2014) Hinduism - Visual Art and Architecture. In: The Oxford Handbook of Religion and the Arts. Oxford Handbooks . Oxford University Press, Oxford, pp. 350-357. ISBN 978-0-19-517667-4. (doi:https://doi.org/10.1093/oxfordhb/9780195176674.013.024) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2002) Aesthetics and photography. Aldershot: Ashgate Press, 175 pp. ISBN 0-7546-0428-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2005) Andre Bazin’s ontology of film and the photographic image. Journal of Aesthetics and Art Criticism, 63 (4). pp. 339-350. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Friday, Jonathan (2001) Photography and the representation of vision. Journal of Aesthetics and Art Criticism, 59 (4). pp. 351-362. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Gough, A.Martin (2010) Fragmented academic identity: lessons from defining academic practice. In: Society for Research into Higher Education Annual Conference, 14-16 Dec.2010, Celtic Manor, Newport, South Wales. (Unpublished) (Full text available)

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Gough, A.Martin (2011) Fragmented academic identity: lessons from defining academic practice. In: BERA annual conference, 6-8 September 2011, Institute of Education, University of London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Illingworth, Shona (2013) Amnesia Forum: Lesions in the Landscape 2. In: Lesions in the Landscape, 26th September 2013, City University, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Jordanous, Anna and Allington, Daniel and Dueck, Byron (2014) Online Networks and the Production of Value in Electronic Music. In: Digital Music Research Network Network One-Day Workshop (DMRN+9), 16 Dec 2014, Queen Mary's, London. (Unpublished) (Full text available)

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Kalonaris, Stefano and Jordanous, Anna (2018) Computational Music Aesthetics: a survey and some thoughts. In: 3rd Conference on Computational Simulation of Musical Creativity, 20-22 August 2018, Dublin, Ireland. (In press) (Full text available)

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Kavanagh, Declan (2016) Beyond Tolerance: Heteronormativity and Queer Theory. Maynooth Philosophical Papers: An Anthology of Current Research from the Department of Philosophy, NUI Maynooth, (8). pp. 73-82. ISSN 2009-7743. E-ISSN 2009-7751. (Full text available)

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Kavanagh, Declan (2017) Effeminate Years: Literature, Politics, and Aesthetics in Mid-Eighteenth-Century Britain. Transits: Literature, Thought & Culture, 1650–1850 . Bucknell University Press, Lewisburg, U.S.A, 268 pp. ISBN 978-1-61148-824-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kirchin, Simon T. (2013) Introduction: Thick and Thin Concepts. In: Thick Concepts. Mind Association Occasional Series . Oxford University Press, Oxford. ISBN 978-0-19-967234-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kirchin, Simon T. (2013) Thick Concepts and Thick Descriptions. In: Thick Concepts. Mind Association Occasional Series . Oxford University Press, Oxford, pp. 60-77. ISBN 978-0-19-967234-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Klee, Steve A. (2009) The Politics of Ambiguity. In: Spin[Freee]oza (Shop Windows and Balloons). SMART Project Space, Amsterdam, pp. 17-24. ISBN 978-90-806655-9-0. (Full text available)

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Klee, Steve A. (2013) Ranciere Against the Cuts: Activist Demands are Aesthetic. Third Text, 27 (2). pp. 177-188. ISSN 0952-8822. E-ISSN 1475-5297. (doi:https://doi.org/10.1080/09528822.2013.774189) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Korolija Fontana-Giusti, Gordana (2006) Cities, Water and Signification. In: Atanackovic-Jelicic, Jelena, ed. Waterfronts in the Danube Region. Department of Architecture, Faculty of Technical Sciences, Novi Sad, Serbia, Novi Sad, Serbia, pp. 94-104. ISBN 86-85211-74-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Korolija Fontana-Giusti, Gordana (2005) The Status of the Categories of the Virtual and the Real in Contemporary Architecture and Urban Design. In: CATH 2005 Conference "Ethics and Politics of Virtuality and Indexicality", 1 July 2005, University of Leed, Bradford site. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Korolija Fontana-Giusti, Gordana (2007) Urban Strolling as the Measure of Quality. Architectural Research Quaterly, 11 (3/4). pp. 255-264. ISSN 1359-1355. E-ISSN 1474-0516. (doi:https://doi.org/10.1017/S1359135500000750) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Korolija Fontana-Giusti, Gordana Water, Cities and Identity. In: Water and Civilisation Conference, UNESCO Paris, 1-4 December 2005, UNESCO Paris. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kunzelmann, Heide and Mayerhofer, Elisabeth (2014) Viennese Inertia: Cultural and Political Deceleration and Local Identity Construction. In: Hemelryk Donald, Stephanie and Lindner, Christoph, eds. Inert Cities. Globalization, Mobility and Suspension of Visual Culture. I.B.Tauris, London, pp. 129-152. ISBN 978-1-78076-972-1. E-ISBN 978-0-85773-612-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Lyons, S.N. (2016) Algernon Swinburne and Walter Pater: Victorian Aestheticism, Doubt, and Secularisation. Legenda, 300 pp. ISBN 978-1-909662-48-3. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Maes, Hans R.V. (2008) Art and Pornography. In: 6th European Congress of Analytic Philosophy (ECAP), August 2008, Krakow, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2011) Art or Porn: Clear Division or False Dilemma? Philosophy and Literature, 35 (1). pp. 51-64. ISSN 0190-0013. (doi:https://doi.org/10.1353/phl.2011.0003) (Full text available)

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Maes, Hans R.V. (2008) Challenging Partial Intentionalism. Journal of Visual Art Practice, 7 (1). pp. 85-94. ISSN 1470-2029. (doi:https://doi.org/10.1386/jvap.7.1.85_1) (Full text available)

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Maes, Hans R.V. (2017) Conversations on Art and Aesthetics. Oxford University Press, 200 pp. ISBN 978-0-19-968610-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2017) Conversations, Portraits, and Philosophy. In: 75th Annual Meeting of the American Society for Aesthetics, 15-18 Nov 2017, New Orleans, USA. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2011) Drawing the Line: Art versus Pornography. Philosophy Compass, 6 (6). pp. 385-397. ISSN 1747-9991. (doi:https://doi.org/10.1111/j.1747-9991.2011.00403.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2014) Erotic Art. Stanford Encyclopedia of Philosophy, . pp. 1-50. ISSN 1095-5054. (Full text available)

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Maes, Hans R.V. (2017) Falling in Lust: Sexiness, Feminism, and Pornography. In: Mikkola, Mari, ed. Beyond Speech: Pornography and Analytic Feminist Philosophy. Oxford University Press. ISBN 978-0-19-025790-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2017) Falling in Lust: Sexiness, Feminism, and Pornography. In: Aesthetics: A Reader in the Philosophy of the Arts. Routledge. ISBN 978-1-138-23588-5. E-ISBN 978-1-315-30367-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2015) Falling in Lust: The Ethics and Aesthetics of Sexiness. In: Philosophy Research Seminar at Uppsala University, 2015, Uppsala, Sweden. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2010) Intention, Interpretation, and Contemporary Visual Art. British Journal of Aesthetics, 50 (2). pp. 121-138. ISSN 0007-0904. (doi:https://doi.org/10.1093/aesthj/ayp051) (Full text available)

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Maes, Hans R.V. (2013) Introduction: Pornographic Art and the Aesthetics of Pornography. In: Pornographic Art and the Aesthetics of Pornography. Palgrave, pp. 1-24. ISBN 978-0-230-36820-0. E-ISBN 978-1-137-36793-8. (doi:https://doi.org/10.1057/9781137367938_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2010) Kunst of Pornografie? Karakter: Tijdschrift van Wetenschap, . pp. 15-16. ISSN 1379-0390. E-ISSN 1379-0390. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Maes, Hans R.V. (2010) Love, Friendship, and Casablanca. Hermeneia: Journal of Hermeneutics, Art Theory, and Criticism, (10). pp. 98-107. ISSN 1453-9047. E-ISSN 2069-8291. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) A New Philosophy of Photography? Critical Notice of Henri van Lier, Philosophy of Photography. Review of: Philosophy of Photography by UNSPECIFIED. History of Photography, 32 (4). pp. 380-383. ISSN 0308-7298. E-ISSN 2150-7295. (doi:https://doi.org/10.1080/03087290802323482) (Full text available)

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Maes, Hans R.V. (2014) Pornography. In: Encyclopedia of Aesthetics. Oxford University Press. ISBN 978-0-19-974710-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2017) Portraits of Philosophers and the Philosophy of Portraits. In: 6th Dubrovnik Conference on the Philosophy of Art, 18-22 Apr 2017. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2011) ¿Quién dice que la pornografía no puede ser arte? La Balsa de Medusa, . pp. 5-24. ISSN 0214-9982. (Full text available)

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Maes, Hans R.V. (2017) Truly, Madly, Deeply: on what it is to love a work of art. The Philosophers' Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2008) Waarom geen voorbeeld nemen aan de grappenmaker? Een open vraag aan hedendaagse kunstenaars en kunstcritici. In: De Kraai van Walter. DeFKA. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Maes, Hans R.V. (2015) What is a Portrait? British Journal of Aesthetics, . pp. 303-322. ISSN 0007-0904. (doi:https://doi.org/10.1093/aesthj/ayv018) (Full text available)

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Maes, Hans R.V. (2012) Who Says Pornography Can't Be Art? In: Maes, Hans R.V. and Levinson, Jerrold, eds. Art and Pornography: Philosophical Essays. Oxford University Press, pp. 17-47. ISBN 978-0-19-960958-1. (Full text available)

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Maes, Hans R.V. (2018) “You Talking to Me?”. Debates in Aesthetics, . ISSN 2514-6637. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2012) The arts vs Art with a capital ‘A’: Interview with Noël Carroll. Esthetica, . ISSN 1875-3809. (Full text available)

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Maes, Hans R.V. and Deprez, Eleen (2013) Kunst of porno: duidelijk onderscheid of vals dilemma? Kunsttijdschrift Vlaanderen, (346). pp. 175-177. ISSN ISSN 1780-6461. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Maes, Hans R.V. and Levinson, Jerrold (2012) Introduction. In: Art & Pornography: Philosophical Essays. Oxford University Press. ISBN 978-0-19-960958-1. (doi:https://doi.org/10.1093/acprof:oso/9780199609581.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. and Puolakka, Kalle (2012) Arthur Danto: The Transfiguration of the Commonplace. In: 50 Key Texts in Art History. Routledge. ISBN 978-0-415-49770-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Mikuriya, Junko Theresa (2013) In the Dark Places of Photography. In: Green, David, ed. In the Spirit of Creation: Readings in Art, Magic and the Occult. Mandrake, Oxford. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Junko Theresa (2013) The Spell of Photography: A Philosophical History since Plato. I.B. Tauris, London ISBN NA. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Newall, M B (2016) The Crit: Toward a theory of the contemporary art school. In: Brisban, Chris and Thiessen, Myra, eds. Routledge Companion to Criticality in Art, Architecture and Design. Routledge. ISBN 978-1-317-22593-5. (Submitted) (Full text available)

Newall, Michael (2012) An Aesthetics of Transgressive Pornography. In: Maes, Hans R.V. and Levinson, Jerrold, eds. Art and Pornography: Philosophical Essays. Oxford University Press, Oxford, pp. 206-228. ISBN 978-0-19-960958-1. (Full text available)

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Newall, Michael (2012) Book review: Philosophical Perspectives on Depiction. Review of: Philosophical Perspectives on Depiction by Abell, C. Analysis, 72 (2). pp. 408-410. ISSN 2196-6753. (doi:https://doi.org/10.1093/analys/ans004) (Full text available)

Newall, Michael (2015) Is Seeing-in a Transparency Effect? British Journal of Aesthetics, 55 (2). pp. 131-156. ISSN 0007-0904. (doi:https://doi.org/10.1093/aesthj/ayu101) (Full text available)

Newall, Michael (2009) Pictorial Experience and Seeing. British Journal of Aesthetics, 49 (2). pp. 129-141. ISSN 0007-0904. (doi:https://doi.org/10.1093/aesthj/ayp002) (Full text available)

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Newall, Michael (2010) Pictorial Resemblance. Journal of Aesthetics and Art Criticism, 68 (2). pp. 91-103. ISSN 0021-8529. (doi:https://doi.org/10.1111/j.1540-6245.2010.01395.x) (Full text available)

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Newall, Michael (2005) Picturing pictures: reply to Dilworth. Journal of Aesthetics and Art Criticism, 60 (1). 70 -73. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Newall, Michael (2012) Seeing-in is a Transparency Effect (draft paper). . (Unpublished) (Full text available)

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Newall, Michael (2003) A restriction for pictures and some consequences for theories of depiction. Journal of Aesthetics and Art Criticism, 61 (4). pp. 381-394. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Roesner, David P. (2012) "Musikalität als ästhetisches Dispositiv: Analogien und Transfers". In: Huber, Jorg and Nigro, Roberto and Bippus, Elke, eds. Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern. Edition Voldemeer (1). Springer, Zürich, Wien, New York. ISBN 978-3-7091-1503-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Smith, Murray (2014) Against Nature? or, Confessions of a Darwinian Modernist. Royal Institute of Philosophy Supplement, 75 . pp. 151-182. ISSN 1358-2461. (doi:https://doi.org/10.1017/S1358246114000174) (Full text available)

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Smith, Murray (2009) Consciousness. In: Livingston, Paisley and Plantinga, Carl, eds. The Routledge Companion to Philosophy and Film. Routledge Philosophy Companions . Routledge, London and New York, pp. 39-51. ISBN 978-0-415-77166-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2011) Just What Is It That Makes Tony Soprano Such an Appealing, Attractive Murderer? In: Jones, Ward and Vice, Samantha, eds. Ethics at the Cinema. Oxford University Press, Oxford, pp. 66-90. ISBN 9780195320398 (hbk); 9780195320404 (pbk). (doi:https://doi.org/10.1093/acprof:oso/9780195320398.003.0003) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2006) My Dinner with Noel; or, Can We Forget the Medium ? Film Studies: An International Review, 8 . pp. 140-148. ISSN 1469-0314. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Smith, Murray (1998) Regarding film spectatorship: A reply to Richard Allen. Journal of Aesthetics and Art Criticism, 56 (1). pp. 63-65. ISSN 0021-8529. (doi:https://doi.org/10.2307/431952) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2011) Triangulating Aesthetic Experience. In: Shimamura, Arthur P. and Palmer, Stephen E., eds. Aesthetic Science: Connecting Minds, Brains, and Experience. Oxford University Press, New York, pp. 80-102. ISBN 978-0-19-973214-2. (doi:https://doi.org/10.1093/acprof:oso/9780199732142.003.0026) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2007) Was macht es fur einen Unterschied ? Wissenschaft, Gefuhl und Film. In: Bartsch, Anne and Eder, Jens and Fahlenbrach, Kathrin, eds. Audiovisuelle Emotionen:Emotionsdarstellung und Emotionsvermittlung durch audiovisuelle Medienangebote. Herbert von Halem, Cologne, pp. 39-59. ISBN 978-3-938258-30-9. (Full text available)

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Trimingham, Melissa (2011) The Theatre of the Bauhaus: the Modern and Postmodern Stage of Oskar Schlemmer. Routledge Advances in Theatre and Performance Studies . Routledge, New York and London, 214 pp. ISBN 978-0-415-40398-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Trimingham, Melissa (2013) Touched by meaning: haptic effect in autism. In: Shaughnessy, Nicola, ed. Affective Performance and Cognitive Science: body, brain and being. Methuen. ISBN 978-1-4081-9315-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Vaage, Margrethe Bruun (2016) The Antihero in American Television. Routledge ISBN 978-1-138-88597-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Vaage, Margrethe Bruun (2015) On the Repulsive Rapist and the Difference between Morality in Fiction and Real Life. In: Zunshine, Lisa, ed. The Oxford Handbook of Cognitive Literary Studies. Oxford University Press. (doi:https://doi.org/10.1093/oxfordhb/9780199978069.013.0021) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Varakis, Angeliki (2018) Encountering the Heroic prosopeion in Fifth Century Theatre Performance. In: The Physicality of the Other: Masks from the Ancient Near East and the Eastern Mediterranean. Orientalische Religionen in der Antike. Mohr Siebeck ISBN 978-3-16-155513-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Ware, L and Archer, A (2018) Beyond the Call of Beauty: Everyday Aesthetic Demands Under Patriarchy. The Monist, 101 (1). pp. 114-127. ISSN 0026-9662. E-ISSN 2153-3601. (doi:https://doi.org/10.1093/monist/onx029) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Wood, Sarah (2015) Lost Film Found Film. Doctor of Philosophy (PhD) thesis, University of Kent,. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)