Wood, Sarah (2015) Lost Film Found Film. Doctor of Philosophy (PhD) thesis, University of Kent,. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:48012)
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Abstract
Lost Film Found Film
the still and moving image, new stress is placed on the archival image as surviving evidence of and performer of history. Lost Film Found Film asks what the scope is for re-intervention by artists who engage with the documentary archival. What is found in their reappropriation? What is lost in the remix?
Through a discussion of key works by Jean-Luc Godard, Hito Steyerl,
Lost Film Found Film offers a definition and a description of what I
evolved in the aftermath of the Second World War, that deploys found
participation in wider historical and political events.
I argue that the Cinema of Aftermath comments on politics and is also
archival image in both its self-reflexive and wider cultural use.
the meaning and renews the formal possibilities of the documentary,
aestheticisation of archival image.
| Item Type: | Thesis (Doctor of Philosophy (PhD)) |
|---|---|
| Thesis advisor: | Cowie, Elizabeth |
| Thesis advisor: | Turner, Sarah |
| Uncontrolled keywords: | archive film found-footage aftermath experimental film documentary |
| Subjects: |
B Philosophy. Psychology. Religion > B Philosophy (General) B Philosophy. Psychology. Religion > BH Aesthetics |
| Divisions: | Faculties > Social Sciences > School of Psychology |
| Depositing User: | Users 1 not found. |
| Date Deposited: | 20 Apr 2015 15:00 UTC |
| Last Modified: | 29 May 2019 14:26 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/48012 (The current URI for this page, for reference purposes) |
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