Items where Subject is "N Fine Arts > N Visual arts (General) For photography, see TR"

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Number of items at this level: 202.

A

Allain, Paul (2005) Grotowski’s ghosts. Contemporary Theatre Review . pp. 46-59. ISSN 1048 6801. (The full text of this publication is not available from this repository)

Allain, Paul (2006) Routledge companion to Theatre and Performance. Routledge, 244 pp. ISBN 0415 25721 2. (The full text of this publication is not available from this repository)

Allain, Paul (2002) The art of stillness - The theatre practice of Tadashi Suzuki. Palgrave, 214 pp. ISBN 0 -413 76960-7. (The full text of this publication is not available from this repository)

Allain, Paul (2006) Waking with one breath left. In: Attisani, Antonio, ed. Tracing Roads Across. EU funded. (The full text of this publication is not available from this repository)

Allain, Paul and Ziolkowski, Grzegorz (2005) Polish Theatre After 1989: Beyond Borders. Contemporary Theatre Review . (The full text of this publication is not available from this repository)

Anderson, Michael (1995) Dying Acts -Death in Ancient Greek and Modern Irish Tragic Drama - Macintosh,F. Review of: Dying Acts: Death in Ancient Greek and Modern Irish Tragic Drama. By Fiona Macintosh. Cork: Cork University Press, 1994. Pp. xx + 212. by Macintosh, Fiona. Theatre Research International, 20 (3). p. 282. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Anderson, Michael (1995) The Law of Writ and the Liberty + Elizabethan Theatre and the Commedian-Dellarte. Theatre Research International, 20 (3). pp. 189-199. ISSN 0307-8833. (The full text of this publication is not available from this repository)

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Bacon, Julie Louise (2013) Archival recollecting: the unstable realm of the visible. In: Gade, Rune and Borgreen, Gundhild, eds. Performing Archives/Archives of Performance. University of Copenhagen and Museum Tuscelanum Press, Copenhagen. ISBN 9788763537506. (In press) (Full text available)
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Bacon, Julie Louise (2012) Liquid Archive: On Ambivalence. Other. Monash University Museum of Art, Melbourne, Australia (Access to this publication is restricted)
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Bacon, Julie Louise (2012) The Possibility of Impossible Dialogues. Desert Equinox, 1-23 September 2012, Broken Hill, Australia. Land Art . (The full text of this publication is not available from this repository)

Bacon, Julie Louise (2012) Signal. In: Signal, 30 October - 02 November 2012, Quebec. (Access to this publication is restricted)
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Baker, James (2012) Mika Who... . Nottingham Contemporary Blog (Full text available)
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Baldwin, Thomas (2010) Ekphrasis and Related Issues in Diderot’s Salons. In: Fowler, James, ed. New Essays on Diderot. Cambridge University Press, pp. 234-247. ISBN 9780521769563. (The full text of this publication is not available from this repository)

Baldwin, Thomas (2009) '"Et tout le reste est littérature": Deleuze, Bacon and "Le Temps retrouvé"'. In: Watt, Adam, ed. 'Le Temps retrouvé': 80 ans après. Peter Lang, Oxford, pp. 267-278. ISBN 9783039118434. (The full text of this publication is not available from this repository)

Baldwin, Thomas (2012) Photography and Painting in Proust’s A la recherche du temps perdu. In: Baldwin, Thomas and Grigorian, Natasha and Rigaud-Drayton, Margaret, eds. Text and Image in Modern European Culture. Purdue University Press, pp. 76-87. ISBN 9781557536280. (The full text of this publication is not available from this repository)

Bann, Stephen (1994) History and its Images - Art and the International of the Past - HASKELL,F. Oxford Art Journal, 17 (1). pp. 98-102. ISSN 0142-6540. (The full text of this publication is not available from this repository)

Barbe, F.A. (2006) Chimaera. Chimaera, 2006-2006, UK Tour. Live Performance. (The full text of this publication is not available from this repository)

Barbe, F.A. (2003) Fine bone china. Fine Bone China, March 2003-September 2003, UK Tour. Live performance. (The full text of this publication is not available from this repository)

Barbe, F.A. (2003) Palpitation. Performance type: Other Palpitation, September 2003-September 2003, London/University of Kent, Canterbury. Live performance. (The full text of this publication is not available from this repository)

Barbe, F.A. (2006) The way of Butoh and contemporary choreography. University of Kent DVD, text. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2010) The Arbor. Artangel Media Feature film. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2006) Dartford Crossing. Film. (Unpublished) (The full text of this publication is not available from this repository)

Barnard, Clio H. (2006) Erith. DVD. (Unpublished) (The full text of this publication is not available from this repository)

Barnard, Clio H. (2002) Flood. Film. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2001) Lambeth Marsh. Film. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2008) Plotlands - a site specific performance work incorporating film. , Friday 4 July 2008, Whitstable Biennale. Mixed. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2004) Road race. Hopscotch Films Film. (The full text of this publication is not available from this repository)

Baugh, Christopher (2003) Our divine Shakespeare, fitly illustrated – staging Shakespeare, 1660-1900. In: Martineau, Jane, ed. Shakespeare in Art. Ferrara & London: Merrell, pp. 29-39. ISBN 1 85894 229 2. (The full text of this publication is not available from this repository)

Baugh, Christopher (2006) Scenography and technology, 1737-1843. In: Moody, Jane and O'Quinn, Daniel, eds. The Cambridge Companion to British Theatre 1737-1843. Cambridge University Press. (Unpublished) (The full text of this publication is not available from this repository)

Baugh, Christopher (2004) Stage Design from Loutherbourg to Poel. In: Donohue, Joseph, ed. The Cambridge History of British Theatre, vol. II. Cambridge University Press, pp. 309-330. ISBN 0 521 65068 2. (The full text of this publication is not available from this repository)

Baugh, Christopher (2005) Theatre, Performance and Technology: the Development of Scenography in the Twentieth Century. Palgrave Macmillan, 272 pp. ISBN 1 4039 1696. (The full text of this publication is not available from this repository)

Behan, Tom (2008) Gillo Pontecorvo: Partisan Film-maker. Film International, vol. 6 (1). pp. 23-30. ISSN 1651-6826. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2006) Aesthetic art to aisthetic act. Theatre, media, intermedial performance. In: Kattenbelt, Chiel and Chapple, Freda, eds. Intermediality in Theatre and Performance. Amsterdam: Rodopi, pp. 103-116. ISBN 90-420-1629-9. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2007) Decreation inc.: William Forsythe’s equations of bodies before the name. Contemporary Theatre Review, 17 (1). pp. 15-27. ISSN 1048-6801 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2003) ElectrONic bodies. Corpo-realities in contemporary dance performance. Moving Bodies. Performance Research, 8 (4). 33 -41. ISSN 0-415-32133-6. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2002) körPERformance 1.0. Theorie und analyse von Körper- und Bewegungsdarstellungen im zeitgenössischen theater. München: ePodium ISBN 3-9807394-6-5. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2009) 'Portmeirion' (book review). Review of: Portmeirion by Gerry, Leslie and Llywelyn, Robin. World of Interiors, 2009 (July). p. 25. ISSN 0264-083X. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2003) Ackermann on Paper. Review of: Origins, Imitation, Conventions: Representation in the Visual Arts by Ackerman, James. Architectural Review . pp. 96-97. ISSN 0003-861X. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2004) Candid camera. World of Interiors . ISSN 0264-083X. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2002) Defeated by empiricism. Review of: 'Kant, art, and art history: moments of discipline' by Cheetham, Mark A.. Architectural Review . p. 96. ISSN 0003-861X. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2007) Domus 1929-1999 (review). Review of: 'Domus 1929-1999' by Fiell, Charlotte and Fiell, Peter. World of Interiors . p. 47. ISSN 0264-083X. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2003) Hitler and the Power of Aesthetics. . - Arts of Darkness - book review. Review of: Hitler and the Power of Aesthetics by Spotts, Frederick. Architectural Review . pp. 80-81. ISSN 0003-861X. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2007) Imagined interiors (review). Review of: Imagined interiors: representing the domestic interior since the renaissance by Aynsley, Jeremy and Grant, Charlotte. World of Interiors . p. 40. ISSN 0264-083X. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2001) Space in time. Review of: 'The architecture of image: existential sapce in cinema' by Pallasmaa, Juhani. Architectural Review . p. 96. ISSN 0003-861X. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2012) British Design 1948-2012. Review of: British Design 1948-2012 by UNSPECIFIED. World of Interiors, 2012 (April). p. 233. ISSN 0264-083X. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2013) 'Ecclesiology Abroad' (review). Review of: Ecclesiology Abroad: The British Empire and Beyond by Bremner, G.A.. Ecclesiology Today (47/48). pp. 142-143. ISSN 1460-4213. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2013) Put it there. World of Interiors, 2013 (Dec). pp. 130-137. ISSN 0264-083X. (The full text of this publication is not available from this repository)

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Cardwell, Sarah E. (2003) About time: theorizing adaptation, temporality, and tense. Literature Film Quarterly, 31 (2). pp. 82-92. ISSN 0090-4260. (The full text of this publication is not available from this repository)

Cardwell, Sarah E. (2002) Adaptation revisited: television and the classic novel. Manchester University Press, 232 pp. ISBN 0719060451. (The full text of this publication is not available from this repository)

Cardwell, Sarah E. (2005) Andrew Davies. Manchester University Press, 227 pp. ISBN 0719064910. (The full text of this publication is not available from this repository)

Cardwell, Sarah E. (2006) Time. Manchester University Press (Submitted) (The full text of this publication is not available from this repository)

Carver, Gavin P. (2001) Computer visualisation for the theatre. Focal Press ISBN 0240516176. (The full text of this publication is not available from this repository)

Carver, Gavin P. (2001) John Fox. In: Bull, John, ed. Dictionary of Literary Biography Vol 245 British and Irish Dramatists Since World War II. London: Bruccoli Clark Layman, pp. 157-166. (The full text of this publication is not available from this repository)

Carver, Gavin P. and Beardon, C (2003) New visions in performance. In: Carver, Gavin P., ed. New Visions in Performance. Swets & Zeitlinger, pp. 167-182. ISBN 9026519664. (The full text of this publication is not available from this repository)

Cinquegrani, Maurizio (2011) Empire and the City: Early Films of London. . Tate Britain Online article. (The full text of this publication is not available from this repository)

Connelly, Mark L. (2007) Bomber Harris: Raking through the ashes of the Strategic Air Campaign against Germany. In: Paris, Michael, ed. Repicturing the Second World War. Representations in Film and Television. Palgrave MacMillan, United Kingdom, pp. 162-176. ISBN 9780230002579. (The full text of this publication is not available from this repository)

Connelly, Mark L. (2003) The Charge of the Light Brigade. British Film Guides . I B Tauris, London, 128 pp. ISBN 9781860646126. (The full text of this publication is not available from this repository)

Connelly, Mark L. (2005) The Red Shoes. Turner Classic Movies British Film Guides . I B Tauris & Co Ltd, London, 96 pp. ISBN 9781845110710. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2003) Cinematic dream-work of Ingmar Bergman’s Wild Strawberries. In: Sabbadini, Andrea, ed. The Couch and the Silver Screen. Psychoanalytic Analytic Reflections on European Cinema. Brenner-Routledge, pp. 181-201. ISBN 1-58391-952-X. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2005) On Rear Window. In: Rutsky, R.L. and Geiger, Jeffrey, eds. Film Analysis: A Reader. W. W. Norton & Company, pp. 475-493. ISBN 0393979830. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2007) Possession, paranoia and the experience of art. In: Freud Museum Symposium: Observing Paranoia in Clinical Practice, Art and Anthropology, March 3rd, 10am - 5pm, 2007, Tavistock Clinic, London NW3. (Unpublished) (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2003) The lived nightmare: trauma, anxiety, and the ethical aesthetics of horror. In: Schneider, Steven Jay and Shaw, Daniel, eds. Dark Thoughts: Philosophic Reflections on Cinematic Horror. Lanham, MD: Scarecrow Press, pp. 25-46. ISBN 0-8108-4792-2. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2012) Citizenship, agency and subjectivity: art, documentary, and politics. Other. Manchester Univeristy Press, Manchester (Unpublished) (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2011) Documentary Space, Place, and Landscape. Media Fields Journal (3). pp. 1-21. ISSN 2159-7553. (Full text available)
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Cowie, Elizabeth (2011) Recording Reality, desiring the real. Visible Evidence . University of Minnesota press, Minnesota, USA, 296 pp. ISBN 9780816645497. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2012) Road Race. In: Corkish, Alan and Chell, Edward and Taylor, Andrew, eds. In the Company of Ghosts: The Poetics of the Motorway. Erbacce press, Liverpool, pp. 41-46. ISBN 9781907878428. (The full text of this publication is not available from this repository)

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Double, Oliver (2005) Getting the joke: the art of stand-up comedy. London: Methuen, 320 pp. ISBN 0-413-77476-7. (The full text of this publication is not available from this repository)

Double, Oliver (2007) Punk as popular theatre. New Theatre Quarterly, 23 (1). pp. 35-48. ISSN 0266-464X. (Full text available)
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Double, Oliver and Wilson, M. (2006) Brecht and early cabaret. In: Thomson, Peter, ed. Cambridge Companion to Brecht, 2nd Edition. Cambridge University Press. ISBN 9780521673846. (The full text of this publication is not available from this repository)

Double, Oliver and Wilson, M. (2004) Karl Valentin's illogical subversion: stand-up comedy and the alienation effect. New Theatre Quarterly, XX (3). pp. 203-215. ISSN 0-521-60328-5. (The full text of this publication is not available from this repository)

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Fontana-Giusti, Gordana (2010) Ignored by critics. Review of: Memorials incognito: the candle, the drain and the cabbage patch for Diana, Princess of Wales by Sully, Nicole. Architectural Research Quaterly, 14 (3). pp. 190-191. ISSN 1359-1355. (The full text of this publication is not available from this repository)

Fontana-Giusti, Gordana and Schumacher, Patrik (2004) Zaha Hadid: The Complete Works. Thames and Hudson Ltd London /Rizzoli New York, London, 448 pp. ISBN 9780500342008. (Access to this publication is restricted)
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Fontana-Giusti, Ranieri and Korolija Fontana-Giusti, Gordana (2006) Chan-Chan 2006 - Beach Lodge in LA Libertad Peru. www.arquitectum.com digital drawings. (Access to this publication is restricted)
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Friday, Jonathan (2002) Aesthetics and photography. Aldershot: Ashgate Press, 175 pp. ISBN 0754604284. (The full text of this publication is not available from this repository)

Friday, Jonathan (2005) Andre Bazin’s ontology of film and the photographic image. Journal of Aesthetics and Art Criticism, 63 (4). pp. 339-350. ISSN 0021-8529. (The full text of this publication is not available from this repository)

Friday, Jonathan (2001) Photography and the representation of vision. Journal of Aesthetics and Art Criticism, 59 (4). pp. 351-362. ISSN 0021-8529. (The full text of this publication is not available from this repository)

Friday, Jonathan (2005) Stillness becoming: Reflections on Bazin, Barthes, and Photographic Stillness. In: Green, David and Lowry, Joanna, eds. Stillness and Time: Photography and the Moving Image. Brighton: Photoworks. ISBN 1903796180. (The full text of this publication is not available from this repository)

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Garfield, Rachel (2009) A Particular Incoherence: the films of Vivienne Dick. In: O'Brian, Treasa, ed. Between Truth and Fiction: The Films of Vivienne Dick. Crawford Art Centre/Lux, London, pp. 39-48. ISBN 9780954856984. (Full text available)
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Grant, Catherine A. (2007) Directing cinema: The new auteurism. Manchester University Press (Submitted) (The full text of this publication is not available from this repository)

Grant, Catherine A. (2004) Home-Movies: The Curious Cinematic Collaboration of Anne-Marie Miéville and Jean-Luc Godard. In: Temple, Michael and Williams, James S and Witt, Michael, eds. For Ever Godard. London: Black Dog Publishing. ISBN 1 901033 69 4. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2002) Recognizing Billy Budd in Beau Travail: epistemology and hermeneutics of an auteurist “free” adaptation. Screen, 43 (1). pp. 57-73. ISSN 1460-2474. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2001) Secret Agents: Feminist Theories of Women’s Film Authorship. Feminist Theory, 2 (1). pp. 113-130. ISSN 1464-7001. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2003) Still moving images: Photographs of the disappeared in films about the Dirty War in Argentina. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities: Intersections of Photography and Narrative. Albuquerque: University of New Mexico Press, pp. 63-86. ISBN 0826328253. (The full text of this publication is not available from this repository)

Grantley, Darryll (2004) English dramatic interludes 1300-1580: a reference guide. Cambridge University Press, 427 pp. ISBN 0-521-03591-0. (The full text of this publication is not available from this repository)

Grantley, Darryll (2008) London in English Drama 1500-1700. Cambridge University Press (The full text of this publication is not available from this repository)

Grantley, Darryll (2006) Morality and Interlude Drama. In: Brown, Peter, ed. A Companion to Medieval English Literature and Culture c.1350-c.1500. Blackwell, pp. 473-487. ISBN 9780631219736. (Submitted) (The full text of this publication is not available from this repository)

Grantley, Darryll (2003) Promise me my liberty: conventions of Roman Comedy and the representation of oppression and resistance in the Tudor Interlude July and Julian. EnterText, 3 (1). pp. 1-18. ISSN 1472 3085. (Full text available)
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Guerin, Frances (2005) A Culture of light: cinema and technology in 1920s Germany. University of Minnesota Press, Minneapolis, 314 pp. ISBN 0816642869. (The full text of this publication is not available from this repository)

Guerin, Frances (2012) Dislocations: videograms of a revolution and the search for images. In: Ginsberg, Terri and Mensch, Andrea, eds. A Companion to German Cinema. CNCZ - The Wiley-Blackwell Companions to National Cinemas . Wiley-Blackwell, New York, pp. 483-506. ISBN 9781405194365. (Full text available)
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Guerin, Frances (2012) A Generation Later and Still Unrepresentable? Fassbinder and the Red Army Fraction. In: A Companion to Rainer Werner Fassbinder. WBCF - Wiley-Blackwell Companions to Film Directors . Wiley-Blackwell, New York, pp. 441-460. ISBN 9781405191630. (Access to this publication is restricted)
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Guerin, Frances (2011) The Placement of Shadows: What’s inside William Kentridge’s Black Box/Chambre Noire? In: Rhodes, John David and Gorfinkel, Elena, eds. Taking Place: Location and the Moving Image. University of Minnesota Press, Minneapolis, pp. 233-254. ISBN 9780816665174 . (Access to this publication is restricted)
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Guerin, Frances (2002) Reframing the photographer and his photographs. Film and History, 32 (1). pp. 43-54. ISSN 1548-9922. (The full text of this publication is not available from this repository)

Guerin, Frances (2004) The energy of disappearing: problems of recycling Nazi amateur film footage. Screening the Past (17). 0-0. ISSN 1328-9756. (The full text of this publication is not available from this repository)

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Hammer, Martin (2012) ‘After Camden Town: Sickert’s Legacy since 1930’. . Tate Article. (The full text of this publication is not available from this repository)

Hammer, Martin (2012) Continuity and Contradiction in the Art of Francis Bacon. In: Arya, Rina, ed. Francis Bacon: Critical and Theoretical Perspectives. Pater Lang, pp. 121-168. ISBN 9783034308892 (pbk); 9783035303896 (eBook) . (The full text of this publication is not available from this repository)

Hammer, Martin (2010) Found in Translation: Chaim Soutine and English Art. Modernist Cultures, 5 (2). pp. 218-242. ISSN 1753-8629 . (The full text of this publication is not available from this repository)

Hammer, Martin (2012) Francis Bacon and Nazi Propaganda. Tate Publishing, 224 pp. ISBN 9781849760737. (The full text of this publication is not available from this repository)

Hammer, Martin (2010) Francis Bacon and the Lefevre Gallery. Burlington Magazine, 152 (1286). pp. 307-312. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Hammer, Martin (2012) Francis Bacon: Back to Degas. . Tate Papers Issue 17. Article. (The full text of this publication is not available from this repository)

Hammer, Martin (2012) Francis Bacon: Painting after Photography. In: British Art in the Cultural Field, 1939-69. Wiley-Blackwell, pp. 156-173. ISBN 9781118275849. (The full text of this publication is not available from this repository)

Hammer, Martin (2013) Mainly Nourishment: Echoes of Sickert in the Work of Francis Bacon and Lucian Freud. Visual Culture in Britain, 14 (1). pp. 87-100. ISSN 1471-4787. (The full text of this publication is not available from this repository)

Hatton, Peter and Lyon, Dawn and Strangleman, Tim and Crow, Graham and Hurkett, Jenny and Arundell, C. and Murray, Val and Pilling, Lynn (2011) Living & Working on Sheppey/ Back and Forth on High Street Blue Town. Living and Working on Sheppey & Back and Forth on High Street Blue Town, July 2009 to June 2011, Blue Town Heritage Centre, 69 High Street, Blue Town, Sheerness, ME2 1RW. Live Event, website and video. (Full text available)
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Hatton, Peter and Murray, Val and Pilling, Lynn (2009) Brown Fields Blue Skies. a) Brown Field Blue Skies - Residency & Performances b) Brown Field Blue Skies Exhibition, a) August 2007 - March 2008 b) March 4th to 12th June 2009 , a) Widnes Waterfront Development Site, Widnes, Cheshire b) ICIA (Institute of Contemporary Interdisciplinary Arts), University of Bath. Performance, Video, Website Intervention and Exhibition. (Full text available)
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Hatton, Peter and Murray, Val and Pilling, Lynn (2010) Spinning A Yarn. Spinning A Yarn, 15th October to 12th December 2010, Whitworth Art Gallery (Manchester University), Platt Hall Gallery of Costume (Manchester City Art Gallery) and Royal Mills. Installation, Video and Artist's Book. (Full text available)
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Henry, Tom F. K. (2012) Archive. Italian Renaissance Documents Site. web publication. Located at: http://archive.casanovaumbria.eu. (The full text of this publication is not available from this repository)

Henry, Tom F. K. (2012) The Life and Art of Luca Signorelli. Yale University Press, New Haven & London, 352 pp. ISBN 9780300179262. (Access to this publication is restricted)
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Henry, Tom F. K. and Joannides, Paul and González Mozo, Ana and Martín, Bruno (2012) Late Raphael. Museo Nacional del Prado and Musee du Louvre, Madrid and Paris, 382 pp. ISBN 9788484802372. (Access to this publication is restricted)
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Holmes, Su (2005) British television and film culture in the 1950s: coming to a TV near you! Intellect Books ISBN 1-84150-121-2. (The full text of this publication is not available from this repository)

Holmes, Su (2004) But this time you choose!: approaching the interactive audience of reality TV. International Journal of Cultural Studies, 7 (2). 213 -231. ISSN 1367-8779. (The full text of this publication is not available from this repository)

Holmes, Su (2005) It’s a woman!: the question of gender in Who Wants to be a Millionaire. Screen, 46 (2). 155 -173. ISSN 0036-9546. (The full text of this publication is not available from this repository)

Holmes, Su (2004) Reality goes pop!: reality TV, popular music and narratives of stardom in Pop Idol (UK). Television and New Media, 5 (2). pp. 147-172. ISSN 1527476403255833. (The full text of this publication is not available from this repository)

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Illingworth, Shona (2009) The Swimmer and the Forest. The Swimmer and the Forest, 3 December 2009 – 23 January 2010, Loughborough University, UK. single screen video plus a video, sound and text site specific art installation. (The full text of this publication is not available from this repository)

Illingworth, Shona and Conway, Martin A. (2011) Shona Illingworth - The Watch Man. Balnakiel. Film and Video Umbrella, London, UK, 172 pp. ISBN 9781904270348. (The full text of this publication is not available from this repository)

Illingworth, Shona and Nadeem, Henna (2012) The Choral Forest. The Choral Forest, Permanent installation , Great Ormond Street Hospital, Morgan Stanley Clinical Building. Sound composition and wall painting. (The full text of this publication is not available from this repository)

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Kear, Jon (2006) Cézanne's Cardplayers and the representation of the provençal peasantry. Art Bulletin . 0-0. (Submitted) (The full text of this publication is not available from this repository)

Kear, Jon (2002) In the spiral of time. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities. University of New Mexico Press, pp. 199-233. (The full text of this publication is not available from this repository)

Kear, Jon (2002) Le Sang Provençal. Journal of European Studies . pp. 32-45. (The full text of this publication is not available from this repository)

Kear, Jon (2004) Spectres of the past: Jochen Gerz’s public monuments. In: Lamberti, Eleonora, ed. Representing Cultural Memory. University of Bologna Press, pp. 122-146. (The full text of this publication is not available from this repository)

Kear, Jon (2003) The Spiral of Time: Memory, Temporality and Subjectivity in Chris Marker’s La Jetée’. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities: Intersections of Photography and Narrative. University of New Mexico Press, New Mexico USA, 0-0. ISBN 0826328253. (The full text of this publication is not available from this repository)

Klee, Steve A. (2009) The Politics of Ambiguity. In: Spin[Freee]oza (Shop Windows and Balloons). SMART Project Space, Amsterdam, pp. 17-24. ISBN 9789080665590. (Full text available)
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Klee, Steve A. (2013) Ranciere Against the Cuts: Activist Demands are Aesthetic. Third Text . ISSN 0952-8822. (In press) (The full text of this publication is not available from this repository)

Klee, Steve A. (2011) Training Ground; avoiding the trap of structural materialist film. In: Aernout Mik: Communitas. Stedelijk Museum Steidl, Gottingen Germany, pp. 149-158. ISBN 9783869302973. (Access to this publication is restricted)
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Klee, Steve A. (2008) Where We Were When We Bashed The Fash. Item format: Digital video. (The full text of this publication is not available from this repository)

Klevan, Andrew (2005) Film Performance – From Achievement to Appreciation. Wallflower Press, 144 pp. ISBN 190476424X. (The full text of this publication is not available from this repository)

Klevan, Andrew (2005) Guessing the unseen from the seen: Stanley Cavell and film interpretation. In: Goodman, Russell, ed. Contending With Stanley Cavell. Oxford University Press, pp. 118-139. ISBN 0-19-517568-9. (The full text of this publication is not available from this repository)

Klevan, Andrew (2005) Notes on teaching film style. In: Pye, Douglas and Gibbs, John, eds. Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, pp. 214-227. ISBN 0 7190 65259. (The full text of this publication is not available from this repository)

Klevan, Andrew (2003) The purpose of plot and the place of Joan Bennett in Fritz Lang’s The woman in the window. Cineaction (62). pp. 15-21. ISSN 0826-9866. (The full text of this publication is not available from this repository)

Korolija Fontana-Giusti, Gordana City, Public Spaces and Urban Choreography. In: CUMULUS Conference Utrecht, November 2004, Academy of Fine Arts Utrecht. (Unpublished) (The full text of this publication is not available from this repository)

Korolija Fontana-Giusti, Gordana (2005) The Status of the Categories of the Virtual and the Real in Contemporary Architecture and Urban Design. In: CATH 2005 Conference "Ethics and Politics of Virtuality and Indexicality" , 1 July 2005, University of Leed, Bradford site. (The full text of this publication is not available from this repository)

Korolija Fontana-Giusti, Gordana Mapping the Experience of the Walker: A Spatio-Dynamic Method of Designing a Responsive Environment for the 21st Century Pedestrian Culture. In: Walk 21 on line. (Full text available)
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Korolija Fontana-Giusti, Gordana and Mohammed, Abdul and Kueppers, Stefan and Robertson, Nick and Choudhary, Vineet and Purkayastha, Sharbari and Eno, Brian (2006) London Loves the Thames - Flows and Assemblages - Movie. Central Saint Martins College of Art and Design film. (Full text available)
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Laera, Margherita (2010) The Wedding at Cana. In: Greenaway, Peter, ed. Veronese - The Wedding at Cana. A vision by Peter Greenaway. Charta Art Books, Milan. ISBN 9788881587575. (The full text of this publication is not available from this repository)

Lowe, Dunstan (2009) Playing with Antiquity: Videogame Receptions of the Classical World. In: Lowe, Dunstan and Shahabudin, Kim, eds. Classics For All: Reworking Antiquity in Mass Cultural Media. Cambridge Scholars PRess, Newcastle Upon Tyne, pp. 62-88. ISBN 9781443801201. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2002) Exploitation in the Cinema of Franco and Klimovsky. In: Godsland, Shelley and White, Anne, eds. Cultura Popular. Studies in Spanish and Latin American Popular Culture. Peter Lang, UK, pp. 83-95. ISBN 3 906766 96 9. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2007) Transnational Reception of El espinazo del diablo (Guillermo del Toro, 2001. Hispanic Research Journal, 8 (1). pp. 39-51. ISSN 1468-2737. (Access to this publication is restricted)
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Lázaro-Reboll, Antonio (2009) “Perversa América Latina”: the reception of Latin American exploitation cinemas in Spanish subcultures. In: Ruetalo, Victoria and Tierney, Dolores, eds. Latsploitation, Exploitation Cinemas and Latin America. Routledge Advances in Film Studies . Routledge, London, pp. 37-54. ISBN 9780415993869. (The full text of this publication is not available from this repository)

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Marotti, Ferruccio and Tinti, Luisa and Allain, Paul (2005) Il Principe Costante di Jerzy Grotowski Riconstruzione, with subtitles in English. Centro Teatro Ateneo - University of Rome 'La Sapienza' DVD. (The full text of this publication is not available from this repository)

Mikuriya, Theresa and Lai, Linda (2004) Cryptoglyph: dialogues in many tongues in the hidden crevices of an open city. Philippe Charriol Foundation, 284 pp. ISBN 9889739119. (The full text of this publication is not available from this repository)

Mikuriya, Theresa and Lai, Linda (2004) Push: The quest for a voice, in search of a body. Interactive digital media installation. (The full text of this publication is not available from this repository)

Mikuriya, Theresa (2005) Theresa Mikuriya: photographs. Theresa Mikuriya: Photographs, 10 June 2005-26 June 2005, Seven Seven Contemporary Art, London. Number of pieces: 15. Photographs. (The full text of this publication is not available from this repository)

Misek, Richard (2010) Chromatic Cinema: A History of Screen Colour. Wiley-Blackwell, Chichester, West Sussex, 240 pp. ISBN 9781444332391. (The full text of this publication is not available from this repository)

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Neale, Steve (1992) The Big Romance or Something Wild - Romantic Comedy Today. Screen, 33 (3). pp. 284-299. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Newall, Michael (2003) A restriction for pictures and some consequences for theories of depiction. Journal of Aesthetics and Art Criticism, 61 (4). pp. 381-394. ISSN 0021-8529. (The full text of this publication is not available from this repository)

Newall, Michael (2005) Picturing pictures: reply to Dilworth. Journal of Aesthetics and Art Criticism, 60 (1). 70 -73. ISSN 0021-8529. (The full text of this publication is not available from this repository)

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Pearlman, A. (2007) Ernst Toller plays three. London: Oberon Books (Submitted) (The full text of this publication is not available from this repository)

Pearlman, A. (2007) Ernst Toller plays two. London: Oberon Books (Submitted) (The full text of this publication is not available from this repository)

Pitts, Virginia (2010) Beat. Pitts Productions HD. (Full text available)
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Pryor, Angus (2013) Plastic Propaganda In Amsterdam ( Working Title). Plastic Propaganda In Amsterdam, June 1st 2013, World trade Centre Amsterdam Strawinskylaan 1 1077 XW Amsterdam The Netherlands . Catalogue. (The full text of this publication is not available from this repository)

Pryor, Angus (2012) Post Conceptual Art Practice -Part Two. Post Conceptual Art Practice. Part Two, January to December 2012, Grange Tower Bridge Hotel. Exhibition. ISBN 9780955923081. (Full text available)
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Radosavljevic, Duška (2012) Sarah Kane's Illyria as the land of violent love: a Balkan reading of Blasted. Contemporary Theatre Review, 22 (4). pp. 499-511. ISSN 1048-6801 . (The full text of this publication is not available from this repository)

Ramsay, N. (1998) From England into Normandy: Medieval alabaster carvings. Apollo, 147 (435). pp. 50-51. ISSN 0003-6536. (The full text of this publication is not available from this repository)

Robinson, Philip E.J. (2003) Rousseau et l’estampe : mieux qu’un art visuel. In: Annales de la Société Jean-Jacques Rousseau. Droz, Geneva, pp. 301-312. ISBN 2 600 00815 2. (The full text of this publication is not available from this repository)

Rowlandson, William (2006) The Journey into the text – reading Rulfo in Carlos Reygadas’ 2002 Film Japón. Modern Language Review, 101 (4). pp. 1025-1034. ISSN 00267937. (The full text of this publication is not available from this repository)

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Sayers, Sean (1989) Images of the French Revolution. Radical Philosophy (53). pp. 50-51. (The full text of this publication is not available from this repository)

Schaffner, Anna Katharina (2007) Sprachzerlegung in historischer Avantgardelyrik und konkreter Poesie. k wie konkret . ECA, Berlin, 250 pp. ISBN 9783940842022. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2004) Breathe body of lovely death: the disappearing subject in Susan Glaspell’s Auto/biographical Theatre. In: Gale, Maggie B. and Gardner, Viv, eds. Women, Theatre and Performance: Autobiography and Identity. Manchester University Press. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2007) Gertrude Stein. Writers and their work. Plymouth: Northcote House ISBN 0746309066. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2005) Truths and lies: towards a new methodology of performance applications. Research in Drama and Education . 0-0. ISSN 1356-9783. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola and Shaughnessy, Robert and Caines, Michael and Goring, Paul (2008) Margaret Woffington: lives of shakespearian actors part 1. Pickering & Chatto (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2005) On location. In: Hodgdon, Barbara and Worthen, W.B., eds. A Companion to Shakespeare and Performance. Blackwell, pp. 80-100. ISBN 1 4051 1104 6. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2006) Staging the media apparatus: the Shakespeare revolution will not be televised. In: Holland, Peter, ed. Shakespeare: Remembering Performance. Cambridge University Press. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2002) The Shakespeare effect: A history of Twentieth-Century performance. Palgrave, 221 pp. ISBN 0 333 77937 1. (The full text of this publication is not available from this repository)

Skillen, Tony J. (1994) Explanation and value in the Arts - Kemak,S, Gaskell,I. British Journal of Aesthetics, 34 (4). pp. 398-399. ISSN 0007-0904. (The full text of this publication is not available from this repository)

Smith, Murray (2003) A reasonable guide to horrible noise (Part 2) – listening to Lost Highway. In: Hojbjerg, Lennard and Schepelern, Peter, eds. Film Style and Story: A Tribute to Torben Groda. Copenhagen: Museum Tusculanum Press, University of Copenhagen, pp. 153-170. ISBN 87-7289-851-8. (The full text of this publication is not available from this repository)

Smith, Murray (2002) Trainspotting. BFI Modern Classics, 95 pp. ISBN 0851708706. (The full text of this publication is not available from this repository)

Smith, Murray (2005) Who’s afraid of Charles Darwin? The art of film in the age of evolution. In: Brutsch, Matthias, ed. Emotionalität und Film. Marburg: Schüren, pp. 287-310. ISBN 978-3894725129. (The full text of this publication is not available from this repository)

Smith, Murray (1995) Film Spectatorship and the Institution of Fiction. Journal of Aesthetics and Art Criticism, 53 (2). pp. 113-127. ISSN 0021-8529. (The full text of this publication is not available from this repository)

Stanfield, Peter (2005) American Like Chop Suey: Invocations of gangsters in Chinatown 1920-35. In: Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of the American Gangster Film. New York: Rutgers University Press, pp. 238-262. ISBN 0-8135-3557-3. (The full text of this publication is not available from this repository)

Stanfield, Peter (2005) Body & soul: jazz and blues in American film, 1927-63. Urbana: University of Illinois Press, 213 pp. ISBN 0252 029 941. (The full text of this publication is not available from this repository)

Stanfield, Peter (2010) Crossover: Sam Katzman’s Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ Calypso, Beatniks, Hot Rods, and Rock ’n’ Roll in 1950s Teenpix’. Popular Music, 29 (3). pp. 437-456. ISSN 0261-1430. (Full text available)
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Stanfield, Peter (2001) Hollywood, westerns and the 1930s: the lost trail. University of Exeter Press, 258 pp. ISBN 085989 6943. (The full text of this publication is not available from this repository)

Stanfield, Peter (2002) Horse opera: the strange history of the singing cowboy. Urbana: University of Illinois Press, 177 pp. ISBN 0252027337. (The full text of this publication is not available from this repository)

Stanfield, Peter (2011) “Punks! Topicality and the 1950s Gangster Bio-Pic Cycle”. In: Bolton, Kingsley and Olsson, Jan, eds. Media, Popular Culture and the American Century. National Library of Sweden, pp. 185-215. ISBN 9780861966981. (Full text available)
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Stähler, Axel (2000) "Perpetuall Monuments": Die Repräsentation von Architektur in der italienischen Festdokumentation (ca. 1515–1640) und der englischen court masque (1604–1640). Studien zur englischen Literatur, 12 . LIT, Muenster, 512 pp. ISBN 3825851427. (The full text of this publication is not available from this repository)

Stähler, Axel (2004) Court Festivals of the European Renaissance. Art, Politics and Performance, ed. J. R. Mulryne and Elizabeth Goldring. Aldershot: Ashgate Publishing, 2002. Review of: Court Festivals of the European Renaissance. Art, Politics and Performance by Mulryne, J. R. and Goldring, E.. Archiv für das Studium der neueren Sprachen und Literaturen, 156 . pp. 368-370. ISSN 0003-8970 . (The full text of this publication is not available from this repository)

Stähler, Axel (2001) Janus – “the Beginnings and Ends of Things”: The Entry of James I into London (1604). In: Lucko, Peter and Schlaeger, Juergen, eds. Anglistentag 2000, Berlin: Proceedings. Proceedings of the Conference of the German Association of University Teachers of English, 22. WVT Wissenschaftlicher Verlag Trier, Trier pp. 189-204. ISBN 3884764934. (The full text of this publication is not available from this repository)

Stähler, Axel (2003) The Arduous Path to the True Temple of Love. Research Opportunities in Renaissance Drama , 42 . pp. 34-61. ISSN 0098-647X. (Full text available)
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Stähler, Axel (1998) Between Tiger and Unicorn: 'The Temple of Love'(Inigo Jones). Journal of the Warburg and Courtauld Institutes , 61 . pp. 176-197. ISSN 0075-4390. (Full text available)
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Stähler, Axel (2003) Inigo Jones’s 'Tempe Restored' and Alessandro Piccolomini’s 'Della institution morale'. Seventeenth Century, 18 (2). pp. 180-210. ISSN 0268-117X. (Full text available)
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Stähler, Axel (2003) Zur Konstruktion einer zionistischen Ethik in Max Brods Romanen Rëubeni. Fürst der Juden und Zauberreich der Liebe. In: Konkel, Michael and Pontzen, Alexandra and Theissen, Henning, eds. Die Konstruktion des Jüdischen in Vergangenheit und Gegenwart. Studien zum Christentum und Judentum (9). Schoeningh, Paderborn, pp. 135-153. ISBN 3506723669. (Full text available)
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Swift, Ellen Victoria (2008) Decorated vessels: the function of decoration in late antiquity. In: Lavan, Luke A. and Swift, Ellen Victoria and Putzeys, Toon, eds. Objects in Context, Objects in Use: Material Spatiality in Late Antiquity. Late Antique Archaeology . Brill, pp. 385-412. ISBN 9789004165502. (The full text of this publication is not available from this repository)

Swift, Ellen Victoria (2009) Style and Function in Roman Decoration: Living with Objects and Interiors. Ashgate, Farnham, Surrey, 248 pp. ISBN 9780754665632. (The full text of this publication is not available from this repository)

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Thomas, Ben D. H. (2005) The academy of Bandinelli. Print Quarterly, XXII (1). pp. 3-14. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2001) The lantern of painting: Michelangelo, Daniele da Volterra and the paragone. Apollo, CLIV (474). pp. 46-53. (The full text of this publication is not available from this repository)

Trimingham, Melissa (2002) A Methodology for Practice as Research. Studies in Theatre & Performance, 22 (1). pp. 54-60. ISSN 1468-2761. (Full text available)
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Trimingham, Melissa (2004) Oskar Schlemmer’s Research Practice at the Dessau Bauhaus. Theatre Studies International, 29 (2). 128 -142. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Trimingham, Melissa (2004) Sehr geehrter Herr Schlemmer. Performance Research, 9 (1). 81 -98. ISSN 1352-8165. (The full text of this publication is not available from this repository)

Turner, Sarah E. (2007) All of tomorrow’s parties. Film. (Unpublished) (The full text of this publication is not available from this repository)

Turner, Sarah E. (2001) Cut. Film. (The full text of this publication is not available from this repository)

Turner, Sarah E. (2003) London birds can’t fly. Film. (The full text of this publication is not available from this repository)

Turner, Sarah E. (2008) Overheated Symphony. Birds Eye View film festival film. (The full text of this publication is not available from this repository)

Turner, Sarah E. (2013) Perestroika : Reconstructed. Arts council of England, Film London Film. 180 mins. Blu-ray/DVD.. (The full text of this publication is not available from this repository)

Turner, Sarah E. (2009) Perestroika. Arts council of England, Film London Film, 118 mins: hdcam / Blu-Ray / DVD. (The full text of this publication is not available from this repository)

Turner, Sarah E. (2011) This is not a pier. AHRC DVD and catalogue. (The full text of this publication is not available from this repository)

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Williams, J.S. (1999) The signs amongst us: Jean-Luc Godard's 'Histoire(s) du cinema'. Screen, 40 (3). pp. 306-315. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Wilson, Colette E. (2007) Paris and the Commune 1871-78: the politics of forgetting. Cultural HIstory of Modern War . Manchester University Press and Palgrave in the USA, Manchester and New York, 236 pp. ISBN 978 0 7190 7476 9. (Full text available)
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Wood, Aylish (2008) Encounter at the Interface: Distributed Attention and Digital Embodiments. Quarterly Review of Film and Video, 25 (3). pp. 219-229. ISSN 1050-9208. (Access to this publication is restricted)
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Wood, Aylish (2002) Technoscience in contemporary American films: beyond science fiction. Manchester University Press, 240 pp. ISBN 0719057736. (The full text of this publication is not available from this repository)

Wood, Aylish (2002) The timespaces of spectacular cinema: crossing the great divide of spectacle versus narrative. Screen, 43 (4). pp. 370-386. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Wood, Aylish (2005) Vectorial dynamics: transtextuality and complexity in the Matrix. In: Gillis, Stacy, ed. The Matrix. Wallflower Press. ISBN 1904764320. (The full text of this publication is not available from this repository)

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Zeitlyn, David (1997) Les mambila. In: Barbier, Jean-Paul and Willett, Frank and Eyo, Ekpo, eds. Arts du Nigeria. Collection du musée des Arts d'Afrique et d'Océanie. Réunion des musée nationaux, Paris, pp. 231-4. ISBN 978-2711835225 . (The full text of this publication is not available from this repository)

Zeitlyn, David (2005) Introduction. In: Swenson, Ingrid, ed. Joseph Chila and Samuel Finlak. Two Portrait Photographers in Cameroon. Peer, London, pp. 4-8. ISBN 978-0953977260. (Full text available)
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This list was generated on Wed Jul 30 13:47:35 2014 BST.