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Number of items at this level: 151.

A

Amirkhani, Jordan Haleh (2015) 'I am Failure's Success': Francis Picabia and the Enactment of Refusal. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:48374)
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Blackburn, John and Thomas, Ben D. H. and Hopkinson, Martin (2012) John Blackburn: And God Cryed, Studio 3 Gallery, 24 September - 14 December 2012. John Blackburn: And God Cryed, 24 September - 14 December 2012, Studio 3 Gallery, Jarman Building, School of Arts, Canterbury.. Exhibition with exhibition catalogue. ISBN 978-1-902671-79-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31495)

Bowern, Sandra (2019) Theatre and theatricality in the work of David Hockney, 1961-1978. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:76453)
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Branca, Bernardino (2019) Edgar Wind Filosofo delle Immagini:La Biografia Intellettuale di un Discepolo di Aby Warburg. Filosofie . Mimesis Edizioni, Milano, Italy, 374 pp. ISBN 978-88-575-5634-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74385)

D

Deprez, Eleen, Maes, Hans R.V. (2016) Wat is een portret? Kunsttijdschrift Vlaanderen, (361). ISSN 1780-6461. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65251)

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Grindle, Nicholas and Thomas, Ben D. H. (2017) Curating connections in the art history curriculum. In: Developing the Higher Education Curriculum: Research-based Education in Practice. UCL Press, pp. 106-117. ISBN 978-1-78735-089-2. E-ISBN 978-1-78735-090-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64375)

Guerin, Frances (2018) Changing how we look at and think about the color grey. . online. (KAR id:70866)
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Guerin, Frances (2018) Invisibility Adores and Abhors a Photograph: Jane and Louise Wilson’s Moving Image Installations. Journal of Visual Art Practice, 17 (2-3). pp. 188-205. ISSN 1470-2029. (doi:10.1080/14702029.2018.1466453) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:55987)
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Guerin, Frances (2016) The Revellation and Resistance of Amateur Images at War: Thessaloniki in the Byron Metos collection. In: Museum of Byzantine Culture, Thessaloniki, ed. Representations of the Nazi Occupation: Photography, History, Memory. Museum of Byzantine Culture, Thessaloniki, Greece, pp. 62-80. ISBN 978-618-5251-02-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:55998)
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Hammer, Martin (2015) 1965; Culture and Sculpture in Britain. In: Sculpture: 1965, 25-6 September 2015, Henry Moore Institute, Leeds. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55941)

Hammer, Martin (2012) ‘After Camden Town: Sickert’s Legacy since 1930’. The Camden Town Group in Context, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31533)

Hammer, Martin (2015) Ambivalence and Ambiguity: David Sylvester on Henry Moore. In: Henry Moore: Sculptural Process and Public Identity. Tate Research Publication. ISBN 978-1-84976-391-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50280)

Hammer, Martin (2005) Bacon and Sutherland : Patterns of Affinity in British Culture of the 1940s. The Paul Mellon Centre for Studies in British Art . Yale University Press, 296 pp. ISBN 978-0-300-10796-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55903)

Hammer, Martin (2006) Clearing away the screens. In: Francis Bacon: Heads and Portraits. National Galleries of Scotland, Edinburgh, pp. 14-27. ISBN 978-1-903278-66-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56907)

Hammer, Martin (2012) Continuity and Contradiction in the Art of Francis Bacon. In: Arya, Rina, ed. Francis Bacon: Critical and Theoretical Perspectives. Pater Lang, pp. 121-168. ISBN 9783034308892 (pbk); 9783035303896 (eBook). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31368)

Hammer, Martin (2016) Crossing the border and closing the gap: David Hockney and abstraction. In: Generation Painting: Abstraction and British Art, 1955–65, 5 March 2016, Downing College, Cambridge. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55910)

Hammer, Martin (2017) David Hockney’s Early Etchings: Going Transatlantic and Being British. Tate Pepers, (27). ISSN 1753-9854. E-ISSN 1753-9854. (KAR id:61795)
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Hammer, Martin (2015) David Hockney’s Tired Indians and Rocky Mountains. In: UNSPECIFIED, 16 March 2015, National Gallery of Scotland, Edinburgh. (Unpublished) (KAR id:55948)
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Hammer, Martin (2016) Food for Artists: the exhibition as resource. In: Exhibiting Contemporary Art in Post-War Britain, 28-29th January 2016, Tate Britain. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55939)

Hammer, Martin (2010) Found in Translation: Chaim Soutine and English Art. Modernist Cultures, 5 (2). pp. 218-242. ISSN 1753-8629. (doi:10.3366/E2041102210000195) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31362)

Hammer, Martin (2012) Francis Bacon and Nazi Propaganda. Tate Publishing, 224 pp. ISBN 978-1-84976-073-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31360)

Hammer, Martin (2010) Francis Bacon and the Lefevre Gallery. Burlington Magazine, 152 (1286). pp. 307-312. ISSN 0007-6287. (KAR id:31537)
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Hammer, Martin (2012) Francis Bacon: Back to Degas. Tate Papers, . (KAR id:31535)
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Hammer, Martin (2012) Francis Bacon: Painting after Photography. In: British Art in the Cultural Field, 1939-69. Wiley-Blackwell, pp. 156-173. ISBN 978-1-118-27584-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31364)

Hammer, Martin (2015) Francis Bacon’s ‘Crucifixion’: The presence of the Nazi past. In: UNSPECIFIED, 29 Oct 2015, Moderne Pinakothek, Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55947)

Hammer, Martin (2005) Graham Sutherland. Graham Sutherland, 2005, Dulwich Picture Gallery and Djanogly Gallery, University of Nottingham. exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55943)

Hammer, Martin (2005) Graham Sutherland: Landscapes, War Scenes, Portraits 1924-1950. Scala, 192 pp. ISBN 978-1-85759-404-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55907)

Hammer, Martin (2014) The Growth and Form of Artistic Responses to D’Arcy Thompson. In: D'Arcy Thompson's On Growth and Form. Essays on Sculpture . Henry Moore Institute, Leeds, pp. 14-29. ISBN 978-1-905462-45-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50200)

Hammer, Martin (2017) Hockney as Philosophical Painter. In: Stephens, Chris and Wilson, Andrew, eds. David Hockney. Tate Publishing, London, UK, pp. 208-213. ISBN 978-1-84976-443-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60480)

Hammer, Martin (2014) The Independent Group take on Francis Bacon. Visual Culture in Britain, 15 (1). pp. 69-89. ISSN 1471-4787. E-ISSN 1941-8361. (doi:10.1080/14714787.2014.870369) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41078)

Hammer, Martin (1999) The Irony of Egotism. In: John Coplans: A Self-Portrait 1984-99. Dean Gallery, Edinburgh, pp. 5-14. ISBN 978-0-903598-96-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56908)

Hammer, Martin (2013) Kenneth Clark and the Death of Painting. Tate Papers, (20). ISSN 1753-9854. (KAR id:50279)
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Hammer, Martin (2013) Mainly Nourishment: Echoes of Sickert in the Work of Francis Bacon and Lucian Freud. Visual Culture in Britain, 14 (1). pp. 87-100. ISSN 1471-4787. (doi:10.1080/14714787.2013.750985) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:33184)

Hammer, Martin (2016) Making transatlantic sense of Hockney’s A Rake’s Progress. In: History of Art department research seminar, University of York, 11 Jan 2016, York. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55946)

Hammer, Martin (2015) My Generation: A Festival of British Art in the 1960s. , Kent. exhibitions. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55945)

Hammer, Martin (2007) The Naked Portrait 1900 to 2007. National Galleries of Scotland, Edinburgh, UK, 176 pp. ISBN 978-1-903278-95-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55908)

Hammer, Martin (2007) The Naked Portrait. The Naked Portrait, Scottish National Portrait Gallery and Compton Verney. exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55944)

Hammer, Martin (2019) Portraiture: Seeing-As and Seeing-In. In: Maes, Hans, ed. Portraits and Philosophy. Routledge Research in Aesthetics . Routledge, New York, pp. 239-255. ISBN 978-0-367-18940-2. E-ISBN 978-0-429-19937-0. (doi:10.4324/9780429199370) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80361)

Hammer, Martin (2020) The Realism of Gabo's 1920 Manifesto. In: Naum Gabo: Constructions for Real Life. Tate Publishing, London and St Ives, pp. 33-36. ISBN 978-1-84976-724-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80362)

Hammer, Martin (2015) The Silent Kingdom of Panting: Sickert and Hopper. In: Walter Sickert: The Document and the Documentary, 4 Dec 2015, Paul Mellon Centre, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55940)

Hammer, Martin (2015) There is no such thing as British Art. British Art Studies, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55942)

Hammer, Martin, Lodder, Christina (2000) Constructing Modernity: the Art and Career of Naum Gabo. Yale University Press, 528 pp. ISBN 978-0-300-07688-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55904)

Hammer, Martin, Lodder, Christina (2000) Gabo on Gabo: Texts and Interviews. Artists Bookworks, Forest Row, 295 pp. ISBN 978-0-946311-11-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55906)

Hammer, Martin, Thomas, Ben D. H. (2015) My Generation: A Festival of British Art in the 1960s. University of Kent at Canterbury, GB, 60 pp. ISBN 978-1-902671-90-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50281)

Henry, Tom F. K. (2012) Archive. Italian Renaissance Documents Site. web publication. Located at: http://archive.casanovaumbria.eu. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31667)

Henry, Tom F. K. (2012) ‘“Gli gettò addosso il suo mantello”’ and ‘La casa di Luca Signorelli’, in ed. F. De Chirico, V. Garibaldi, T. Henry and F.F. Mancini, Luca Signorelli, exh. cat., Perugia (Galleria Nazionale), Orvieto (Museo dell’Opera del Duomo) and Città di Castello (Pinacoteca), 2012, pp. 143-151 (and cats. 8, 24, 26-29, 39, 53, 86 and 95-97). Silvana, Milan, 358 pp. ISBN no ISBN copy deposited at HPA. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31669)
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Henry, Tom F. K. (2016) Italian Renaissance Documents Site. internet publication/database. Located at: http://irds-project.org/. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:79832)

Henry, Tom F. K. (2012) The Life and Art of Luca Signorelli. Yale University Press, New Haven & London, 352 pp. ISBN 978-0-300-17926-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31666)
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Henry, Tom F. K., Joannides, Paul, González Mozo, Ana, Martín, Bruno (2012) Late Raphael. Museo Nacional del Prado and Musee du Louvre, Madrid and Paris, 382 pp. ISBN 978-84-8480-237-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31668)
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Kear, Jon (2013) A Judgment on Judgment: Milosevic On Trial. In: Rothermel, Dennis, ed. A Critique of Judgment on Film and Television. Palgrave, pp. 142-163. ISBN 978-1-137-01418-4. (KAR id:31661)
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Kear, Jon (2008) L'Origine del frammento ne Il capolavoro sconosciuto di Balzac. In: Cattani, Francesca and Meneghelli, Donata, eds. La Rappresentazione all specchio. Testo letterario e testo pittorico. Meltemi, Rome, pp. 55-68. ISBN 978-88-8353-671-7. (KAR id:31662)
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Kear, Jon (2009) Spectres of the Past, Inhabitations of the Present’: Jochen Gerz’s Public Monuments'. In: Lamberti, Eleanora and Fortunati, Vita, eds. Memories and Representations of War: The Case of World War I and World War II. Textxet Studies in Comparative Literature . Rodopi, Netherlands, pp. 33-49. ISBN 978-90-420-2521-9. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31510)
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Kear, Jon (2007) Une Chambre Mentale: Proust's Solitude. In: Hendrix, Harald, ed. Writers' Houses and the Making of Memory. Routledge, New York/Oxon, pp. 221-235. ISBN 978-0-415-95742-7. (KAR id:31663)
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Kear, Jon, Thomas, Ben D. H. (2010) In Elysium: Prints by James Barry. Studio 3 Gallery, University of Kent, Canterbury, UK, 63 pp. ISBN 978-1-902671-69-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64918)

Kunzelmann, Heide and Mayerhofer, Elisabeth (2014) Viennese Inertia: Cultural and Political Deceleration and Local Identity Construction. In: Hemelryk Donald, Stephanie and Lindner, Christoph, eds. Inert Cities. Globalization, Mobility and Suspension of Visual Culture. I.B.Tauris, London, pp. 129-152. ISBN 978-1-78076-972-1. E-ISBN 978-0-85773-612-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43382)

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Law, Jonathan (2014) Materialising the Unseen: The Multisensory Cinema of the Invisible Body. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:48182)
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Lodder, Christina (2019) Sergei Tret’iakov – The Writer as Photographer. Russian Literature, 103-5 . pp. 95-117. ISSN 0304-3479. (doi:10.1016/j.ruslit.2019.04.004) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:74406)
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Maes, Hans R.V. (2011) Art and Morality. In: Art seminar at University of Antwerp, Antwerp, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56996)

Maes, Hans R.V. and Levinson, Jerrold, eds. (2012) Art and Pornography: Philosophical Essays. Oxford University Press, Oxford, 335 pp. ISBN 978-0-19-960958-1. (KAR id:50380)
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Maes, Hans R.V. (2010) Art or Porn: Clear Division or False Dilemma? In: London Aesthetics Forum, 2010. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56993)

Maes, Hans R.V. (2012) Art or Porn? In: ArtErotica 2012, 2012, Cork Street Gallery. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56997)

Maes, Hans R.V. (2013) Art or Pornography? Philosophical Reflections on a False Dilemma. In: Erotica, Pornography, and the Obscene in Europe. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57105)

Maes, Hans R.V. (2009) Art, Pornography, and Pornographic Art. In: Philosophy Research Seminar, 2009, Hong Kong, China. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56988)

Maes, Hans R.V. (2017) Conversations on Art and Aesthetics. Oxford University Press, 336 pp. ISBN 978-0-19-968610-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56981)

Maes, Hans R.V. (2017) Conversations, Portraits, and Philosophy. In: 75th Annual Meeting of the American Society for Aesthetics, 15-18 Nov 2017, New Orleans, USA. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65243)

Maes, Hans R.V. (2011) Depiction: Wat is een afbeelding? Een inleiding tot de hedendaagse afbeeldingstheorieën. Esthetica, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40768)

Maes, Hans R.V. (2011) Drawing the Line: Art versus Pornography. Philosophy Compass, 6 (6). pp. 385-397. ISSN 1747-9991. (doi:10.1111/j.1747-9991.2011.00403.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50382)

Maes, Hans R.V. (2011) Drawing the Line: Art vs Pornography. In: Pornography and Objectification: Aesthetics and the Erotic, 2011, Edinburgh. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56994)

Maes, Hans R.V. (2010) Elephants, Microscopes, and Free Beauty. In: Hoe Kants Kritik der Urteilskraft vertalen en interpreteren?, 2010, Ghent, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56991)

Maes, Hans R.V. (2014) Erotic Art. Stanford Encyclopedia of Philosophy, . pp. 1-50. ISSN 1095-5054. (KAR id:56968)
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Maes, Hans R.V. (2013) Erotische Kunst en Pornografie. In: Philosophy Research Seminar, Ghent University, Ghent, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56998)

Maes, Hans R.V. (2017) Falling in Lust: Sexiness, Feminism, and Pornography. In: Mikkola, Mari, ed. Beyond Speech: Pornography and Analytic Feminist Philosophy. Oxford University Press. ISBN 978-0-19-025790-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56982)

Maes, Hans R.V. (2017) Falling in Lust: Sexiness, Feminism, and Pornography. In: Aesthetics: A Reader in the Philosophy of the Arts. Routledge. ISBN 978-1-138-23588-5. E-ISBN 978-1-315-30367-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65242)

Maes, Hans R.V. (2013) Falling in Lust: The Ethics and Aesthetics of Sexiness. In: Conference on Feminist Philosophy and Pornography, 2013, Berlin, Germany. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57001)

Maes, Hans R.V. (2015) Falling in Lust: The Ethics and Aesthetics of Sexiness. In: Philosophy Research Seminar at Uppsala University, 2015, Uppsala, Sweden. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57103)

Maes, Hans R.V. (2014) Falling in Lust: The Ethics and Aesthetics of Sexiness. In: IX Workshop on Aesthetic Experience: Mixed Feelings, Mixed Categories, 2014, San Sebastian, Spain. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57106)

Maes, Hans R.V. (2013) Falling in Lust: on Sexiness and Pornography. In: Philosophy Research Seminar, 2013, Leeds, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57002)

Maes, Hans R.V. (2009) Filosofie en Film. In: Denkbeelden: een filosofische filmreeks (cinema Zed), 2009, Leuven, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56986)

Maes, Hans R.V. (2009) Fotografie en Tijd. In: Workshop on Photography at St Lukas Hogeschool, 2009, Brussels, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56987)

Maes, Hans R.V. (2010) Intention, Interpretation, and Contemporary Visual Art. In: Philosophy Research Seminar at University of Murcia. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56989)

Maes, Hans R.V. (2013) Introduction: Pornographic Art and the Aesthetics of Pornography. In: Pornographic Art and the Aesthetics of Pornography. Palgrave, pp. 1-24. ISBN 978-0-230-36820-0. E-ISBN 978-1-137-36793-8. (doi:10.1057/9781137367938_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65237)

Maes, Hans R.V. (2010) Kunst of Pornografie? Karakter: Tijdschrift van Wetenschap, . pp. 15-16. ISSN 1379-0390. E-ISSN 1379-0390. (KAR id:56972)
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Maes, Hans R.V. (2010) Kunst of pornografie? In: EGO Salon, Dieren, The Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56992)

Maes, Hans R.V. (2010) Love, Friendship, and Casablanca. Hermeneia: Journal of Hermeneutics, Art Theory, and Criticism, (10). pp. 98-107. ISSN 1453-9047. E-ISSN 2069-8291. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65240)

Maes, Hans R.V. (2011) The Naked Truth: Panel on Pornography and Erotic Art. In: Crunch: Art and Music Festival, 2011, Hay-on-Wye. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56995)

Maes, Hans R.V. (2008) A New Philosophy of Photography? Critical Notice of Henri van Lier, Philosophy of Photography. Review of: Philosophy of Photography by UNSPECIFIED. History of Photography, 32 (4). pp. 380-383. ISSN 0308-7298. E-ISSN 2150-7295. (doi:10.1080/03087290802323482) (KAR id:56983)
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Maes, Hans R.V., ed. (2013) Pornographic Art and the Aesthetics of Pornography. Palgrave, 306 pp. ISBN 978-0-230-36820-0. (KAR id:50381)
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Maes, Hans R.V. (2016) Portraits of Philosophers and the Philosophy of Portraits. In: London Aesthetics Forum. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57104)

Maes, Hans R.V. (2016) Portraits of Philosophers and the Philosophy of Portraits. In: American Society for Aesthetics, Eastern Division Meeting, 2016, Philadelphia, USA. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57107)

Maes, Hans R.V. (2017) Portraits of Philosophers and the Philosophy of Portraits. In: 6th Dubrovnik Conference on the Philosophy of Art, 18-22 Apr 2017. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65245)

Maes, Hans R.V. (2011) Preface, Catalogue of "Transgression: Sexuality, Gender, and Censorship" (Beers.Lambert gallery). , London. Exhibition Catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56977)

Maes, Hans R.V. (2017) Truly, Madly, Deeply: on what it is to love a work of art. The Philosophers' Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65241)

Maes, Hans R.V. (2008) Waarom geen voorbeeld nemen aan de grappenmaker? Een open vraag aan hedendaagse kunstenaars en kunstcritici. In: De Kraai van Walter. DeFKA. (KAR id:56974)
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Maes, Hans R.V. (2019) Wat is Sexy? Een oefening in feministische filosofie. Letterwerk, 72 pp. ISBN 978-90-828942-3-3. (KAR id:77804)
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Maes, Hans R.V. (2013) What Analytic Philosophers of Art Can Learn From the Cultural History of Pornography. In: Annual Meeting of the Descartes Centre, Utrecht, The Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57000)

Maes, Hans R.V. (2015) What is a Portrait? British Journal of Aesthetics, 55 (3). pp. 303-322. ISSN 0007-0904. E-ISSN 1468-2842. (doi:10.1093/aesthj/ayv018) (KAR id:56967)
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Maes, Hans R.V. (2013) What's in a Name? Shunga, Erotic Art, and Pornography. In: Shunga & Philosophy (British Museum), 2013, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57003)

Maes, Hans R.V. (2010) Who Says Pornography Can't Be Art? In: Philosophy Research Seminar at University of Murcia, 2010, Murcia, Spain. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56990)

Maes, Hans R.V. (2013) Who Says Pornography Can't be Art? In: Edinburgh Philosophy Society, 2013, Edinburgh, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56999)

Maes, Hans R.V. (2019) “You Talking to Me?”. Debates in Aesthetics, 14 (1). ISSN 2514-6637. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65239)

Maes, Hans R.V. (2012) The arts vs Art with a capital ‘A’: Interview with Noël Carroll. Esthetica, . ISSN 1875-3809. (KAR id:56978)
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Maes, Hans R.V., Deprez, Eleen (2013) Kunst of porno: duidelijk onderscheid of vals dilemma? Kunsttijdschrift Vlaanderen, (346). pp. 175-177. ISSN ISSN 1780-6461. (KAR id:56973)
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Maes, Hans R.V. and Levinson, Jerrold (2012) Introduction. In: Art & Pornography: Philosophical Essays. Oxford University Press. ISBN 978-0-19-960958-1. (doi:10.1093/acprof:oso/9780199609581.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65238)

Maes, Hans R.V. and Puolakka, Kalle (2012) Arthur Danto: The Transfiguration of the Commonplace. In: 50 Key Texts in Art History. Routledge. ISBN 978-0-415-49770-1. (KAR id:56975)
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Maes, Hans R.V., Schaubroeck, Katrien (2011) Excuus-truus of ons-kent-ons-fons? De Standaard, . (KAR id:56984)
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Maes, Hans R.V., Schaubroeck, Katrien (2016) They Can’t Take That Away From Me: Art, Love, and Reasons. In: Colloquium on the Modalities of the Good, 2016, Prague. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57108)

Mikuriya, Junko Theresa (2013) In the Dark Places of Photography. In: Green, David, ed. In the Spirit of Creation: Readings in Art, Magic and the Occult. Mandrake, Oxford. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31629)

Mikuriya, Junko Theresa (2013) The Spell of Photography: A Philosophical History since Plato. I.B. Tauris, London ISBN NA. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31631)

Moser, Shelby (2017) Digitally Interactive Works and Video Games: A Philosophical Exploration. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:66616)
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Newall, M B (2018) The Crit: Toward a theory of the contemporary art school. In: Brisban, Chris and Thiessen, Myra, eds. Routledge Companion to Criticality in Art, Architecture and Design. Routledge. ISBN 978-1-317-22593-5. E-ISBN 978-1-315-62341-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60715)

Newall, Michael (2012) An Aesthetics of Transgressive Pornography. In: Maes, Hans R.V. and Levinson, Jerrold, eds. Art and Pornography: Philosophical Essays. Oxford University Press, Oxford, pp. 206-228. ISBN 978-0-19-960958-1. (KAR id:31635)
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Newall, Michael (2019) Art and the Approval of Nature: Philosophical Reflections on Tom Roberts, Holiday Sketch at Coogee (1888). Curator: The Museum Journal, 62 (1). pp. 53-60. ISSN 0011-3069. (doi:10.1111/cura.12287​) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:74369)
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Newall, Michael (2012) Book review: Philosophical Perspectives on Depiction. Review of: Philosophical Perspectives on Depiction by Abell, C. Analysis, 72 (2). pp. 408-410. ISSN 2196-6753. (doi:10.1093/analys/ans004) (KAR id:71402)
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Newall, Michael (2015) Is Seeing-in a Transparency Effect? British Journal of Aesthetics, 55 (2). pp. 131-156. ISSN 0007-0904. E-ISSN 1468-2842. (doi:10.1093/aesthj/ayu101) (KAR id:60714)
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Newall, Michael (2009) Pictorial Experience and Seeing. British Journal of Aesthetics, 49 (2). pp. 129-141. ISSN 0007-0904. (doi:10.1093/aesthj/ayp002) (KAR id:31630)
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Newall, Michael (2010) Pictorial Resemblance. Journal of Aesthetics and Art Criticism, 68 (2). pp. 91-103. ISSN 0021-8529. (doi:10.1111/j.1540-6245.2010.01395.x) (KAR id:31634)
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Newall, Michael (2018) Pyke's Portraits of Philosophers. . blog post. (KAR id:71403)
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Newall, Michael (2012) Seeing-in is a Transparency Effect (draft paper). . (Unpublished) (KAR id:31873)
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Newall, Michael (2010) What is a Picture? : Depiction, Realism, Abstraction. Palgrave Macmillan, Basingstoke, 248 pp. ISBN 978-0-230-27655-0. (KAR id:31670)
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Pooke, Grant F. (2010) Contemporary British Art: An Introduction. Routledge, 304 pp. ISBN 978-0-415-38974-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31594)

Pooke, Grant F. (2007) Francis Klingender 1907-1955: A Marxist Art Historian Out of Time. Gill Vista Marx Press, London, 316 pp. ISBN 978-0-9557239-0-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31593)

Pooke, Grant F. (2011) Sade, Entropy and the Neo-Baroque: Self Becoming in the Aesthetic of Micha?l Aerts. . Deweer Gallery, Otegem, Belgium Text. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31597)

Pooke, Grant F., Callow, John, Powell, Jane (2011) The Art of Revolution: Illustrated by the Collection of the Marx Memorial Library. Evans Mitchell Books, 96 pp. ISBN 978-1-901268-60-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31595)

Pooke, Grant F. and Newall, Diana M., eds. (2012) Fifty Key Texts in Art History. Routledge Key Guides . Routledge, 288 pp. ISBN 978-0-415-48705-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31596)

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Shawa, Laila and Zurob, Hani (2013) Resilience & Light: Contemporary Palestinian Art. , 11 April - 18 May 2013, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61964)

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Read, Benedict and Drury, Jolyon and Landy, Brian and Winfrey, Jane and Matjyjaskiewicz, Krystyna and Thomas, Ben D. H., eds. (2013) Alfred Drury and the New Sculpture. Studio 3 Gallery, University of Kent (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65279)

Thomas, Ben D. H. (2013) Alfred Drury and the New Sculpture. , 30 Sep - 20 Dec 2013; 15 Jan - 13 Apr 2014, Studio 3 Gallery, University of Kent and The Stanley and Audrey Burton Gallery, University of Leeds. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65284)

Thomas, Ben D. H. (2016) Alfred Drury: The Artist as Curator. 19: Interdisciplinary Studies in the Long Nineteenth Century. 2016(22), . pp. 1-13. E-ISSN 1755-1560. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56151)

Thomas, Ben D. H. (2011) Ana Maria Pacheco: Shadows of the Wanderer. , 17 Jan - 17 May 2011, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65288)

Thomas, Ben D. H. (2012) Disegno: Superficial Line or Universal Design? In: MacCarthy, Ita, ed. Renaissance Keywords. Legenda Main . Oxford University Press/Legenda, Oxford, pp. 27-40. ISBN 978-1-907975-29-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31502)

Thomas, Ben D. H., ed. (2012) Double Take: The Art of Printmaking. Studio 3 Gallery ISBN 978-1-902671-75-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31501)

Thomas, Ben D. H. (2018) Drawing Together. Drawing Together, 30 Sep 2017 - 2 Jan 2018, The Courtauld Gallery, London. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64078)

Thomas, Ben D. H. (2017) Drawing Together. Paul Holberton Publishing, 48 pp. ISBN 978-1-911300-33-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64079)

Thomas, Ben D. H. (2016) Dungeness: Philip Hughes with Psiche Hughes. , 13 May - 10 June 2016, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61963)

Thomas, Ben D. H. (2016) Freedom and Exile: Edgar Wind and the Congress for Cultural Freedom. In: Crossing Continents: Exile and Expatriate Histories of Art. Routledge. ISBN ???. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31620)

Thomas, Ben D. H. (2017) Jim Dine and Pinocchio. Arabeschi, 10 (1.6). ISSN 2282-0876. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65133)

Thomas, Ben D. H. (2012) John Evelyn's Project of Translation. Art in Print, (2, 4). pp. 28-34. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31559)

Thomas, Ben D. H. (2014) Marcus Rees Roberts: Winter Journey. , 20 Jan - 11 Apr 2014, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65283)

Thomas, Ben D. H. (2010) Noble or Commercial? The Early History of Mezzotint in Britain. In: Hunter, Michael, ed. Printed Images In Early Modern Britain. Essays in Interpretation. Ashgate, Farnham and Burlington, pp. 279-296. ISBN 978-0-7546-6654-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31499)

Thomas, Ben D. H. (2015) Palindrome: The Sixties Art of Brian Rice and Richard Rome. , 19 Jan - 10 Apr 2015, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65281)

Thomas, Ben D. H. (2013) Paul Coldwell: A Layered Practice - Graphic Works 1992-2012. , 14 Jan - 5 Apr 2013; 14 Jun - 11 Jul 2013, Studio 3 Gallery, University of Kent and The Stephen Lawrence Gallery, University of Greenwich. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65286)

Thomas, Ben D. H. (2012) Paul Coldwell: Passing through... In: Coldwell, Paul, ed. Paul Coldwell: A Layered Practice - Graphic Works 1993-2012. Studio 3 Gallery, University of Kent at Canterbury. ISBN 978-1-902671-81-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31503)

Thomas, Ben D. H. (2017) Raphael and the Idea of Drawing. In: Raphael: The Drawings. Ashmolean, pp. 43-55. ISBN 978-1-910807-15-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61918)

Thomas, Ben D. H. (2017) Raphael's drawings: invention, disposition, and demonstration. In: Raffaels Zeichnungen, Internationales Symposium, 21-22 November 2017, Albertina, Vienna. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64907)

Thomas, Ben D. H. (2017) Raphael: Singular Acts of Drawing. In: Singular Acts: The Role of the Individual in the Transformation of Collective Culture, The Warburg Institute Second Postgraduate Symposium, 16 November 2017, The Warburg Institute, London. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64908)

Thomas, Ben D. H. and El Saqqa, Aser (2013) Resilience and Light: Contemporary Palestinian Art. , 11 Apr - 18 May 2013, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65285)

Thomas, Ben D. H. and Kear, Jon (2010) In Elysium: Prints by James Barry. In Elysium: Prints by James Barry, 4 October - 17 December 2010, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64919)

Thomas, Ben D. H., Whistler, Catherine (2016) Eloquence in Raphael Drawings. Artibus et Historiae, 74 . pp. 25-36. ISSN 0391-9064. (KAR id:59547)
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Whistler, Catherine and Thomas, Ben D.H. (2017) Raphael: The Drawings. Ashmolean Museum, 1 June - 3 September 2017, Oxford. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61919)

Windsor, Mark (2019) What is the Uncanny? The British Journal of Aesthetics, 59 (1). pp. 51-65. ISSN 0007-0904. (doi:10.1093/aesthj/ayy028) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:73541)
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Windsor, Mark (2016) What is the Uncanny? A Philosophical Enquiry. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:61811)
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This list was generated on Tue Jul 14 22:01:50 2020 BST.