Items where division is "Faculties > Humanities > School of Arts > History and Philosophy of Art"

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Number of items at this level: 61.

A

Amirkhani, Jordan Haleh (2015) 'I am Failure's Success': Francis Picabia and the Enactment of Refusal. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Blackburn, John and Thomas, Ben D. H. and Hopkinson, Martin (2012) John Blackburn: And God Cryed, Studio 3 Gallery, 24 September - 14 December 2012. John Blackburn: And God Cryed, 24 September - 14 December 2012, Studio 3 Gallery, Jarman Building, School of Arts, Canterbury.. Exhibition with exhibition catalogue. ISBN 978-1-902671-79-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Guerin, Frances (2017) Invisibility Adores and Abhors a Photograph: Jane and Louise Wilson’s Moving Image Installations. Journal of Visual Art Practice, 16 . ISSN 1470-2029. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2016) The Revellation and Resistance of Amateur Images at War: Thessaloniki in the Byron Metos collection. In: On the Margins of War. Museum of Byzantine Culture, Thessaloniki, Greece. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Hammer, Martin (2012) ‘After Camden Town: Sickert’s Legacy since 1930’. . Tate Article. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2015) Ambivalence and Ambiguity: David Sylvester on Henry Moore. . Tate Research Publication web site. ISBN 9781849763912. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2012) Continuity and Contradiction in the Art of Francis Bacon. In: Arya, Rina, ed. Francis Bacon: Critical and Theoretical Perspectives. Pater Lang, pp. 121-168. ISBN 9783034308892 (pbk); 9783035303896 (eBook) . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2010) Found in Translation: Chaim Soutine and English Art. Modernist Cultures, 5 (2). pp. 218-242. ISSN 1753-8629 . (doi:10.3366/E2041102210000195) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2012) Francis Bacon and Nazi Propaganda. Tate Publishing, 224 pp. ISBN 9781849760737. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2010) Francis Bacon and the Lefevre Gallery. Burlington Magazine, 152 (1286). pp. 307-312. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2012) Francis Bacon: Painting after Photography. In: British Art in the Cultural Field, 1939-69. Wiley-Blackwell, pp. 156-173. ISBN 9781118275849. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2014) The Growth and Form of Artistic Responses to D’Arcy Thompson. In: D'Arcy Thompson's On Growth and Form. Essays on Sculpture . Henry Moore Institute, Leeds, pp. 14-29. ISBN 9781905462452. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2014) The Independent Group take on Francis Bacon. Visual Culture in Britain, 15 (1). pp. 69-89. ISSN 1471-4787. E-ISSN 1941-8361. (doi:10.1080/14714787.2014.870369) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2013) Mainly Nourishment: Echoes of Sickert in the Work of Francis Bacon and Lucian Freud. Visual Culture in Britain, 14 (1). pp. 87-100. ISSN 1471-4787. (doi:10.1080/14714787.2013.750985) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin and Thomas, Ben D. H. (2015) My Generation: A Festival of British Art in the 1960s. University of Kent at Canterbury, GB, 60 pp. ISBN 9781902671901. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2015) 1965; Culture and Sculpture in Britain. In: Sculpture: 1965, 25-6 September 2015, Henry Moore Institute, Leeds. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2005) Bacon and Sutherland : Patterns of Affinity in British Culture of the 1940s. The Paul Mellon Centre for Studies in British Art . Yale University Press, 296 pp. ISBN 9780300107968. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2016) Crossing the border and closing the gap: David Hockney and abstraction. In: Generation Painting: Abstraction and British Art, 1955–65, 5 March 2016, Downing College, Cambridge. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2015) David Hockney’s Tired Indians and Rocky Mountains. In: UNSPECIFIED, 16 March 2015, National Gallery of Scotland, Edinburgh. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2016) Food for Artists: the exhibition as resource. In: Exhibiting Contemporary Art in Post-War Britain, 28-29th January 2016, Tate Britain. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2012) Francis Bacon: Back to Degas. . Tate Papers Issue 17. Article. (Full text available)
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Hammer, Martin (2015) Francis Bacon’s ‘Crucifixion’: The presence of the Nazi past. In: UNSPECIFIED, 29 Oct 2015, Moderne Pinakothek, Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2005) Graham Sutherland. Graham Sutherland, 2005, Dulwich Picture Gallery and Djanogly Gallery, University of Nottingham. exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2005) Graham Sutherland: Landscapes, War Scenes, Portraits 1924-1950. Scala, 192 pp. ISBN 978-1857594041. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2013) Kenneth Clark and the Death of Painting. (20). Tate Research web site. ISSN 1753-9854. (Full text available)
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Hammer, Martin (2016) Making transatlantic sense of Hockney’s A Rake’s Progress. In: History of Art department research seminar, University of York, 11 Jan 2016, York. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2015) My Generation: A Festival of British Art in the 1960s. , Kent. exhibitions. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2007) The Naked Portrait 1900 to 2007. National Galleries of Scotland, Edinburgh, UK, 176 pp. ISBN 978-1903278956. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2007) The Naked Portrait. The Naked Portrait, Scottish National Portrait Gallery and Compton Verney. exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2015) The Silent Kingdom of Panting: Sickert and Hopper. In: Walter Sickert: The Document and the Documentary, 4 Dec 2015, Paul Mellon Centre, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2015) There is no such thing as British Art. . web site. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin and Lodder, Christina (2000) Constructing Modernity: the Art and Career of Naum Gabo. Yale University Press, 528 pp. ISBN 978-0300076882. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin and Lodder, Christina (2000) Gabo on Gabo: Texts and Interviews. Artists Bookworks, Forest Row, 295 pp. ISBN 978-0946311118. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Henry, Tom F. K. (2012) Archive. Italian Renaissance Documents Site. web publication. Located at: http://archive.casanovaumbria.eu. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Henry, Tom F. K. (2012) ‘“Gli gettò addosso il suo mantello”’ and ‘La casa di Luca Signorelli’, in ed. F. De Chirico, V. Garibaldi, T. Henry and F.F. Mancini, Luca Signorelli, exh. cat., Perugia (Galleria Nazionale), Orvieto (Museo dell’Opera del Duomo) and Città di Castello (Pinacoteca), 2012, pp. 143-151 (and cats. 8, 24, 26-29, 39, 53, 86 and 95-97). Silvana, Milan, 358 pp. ISBN no ISBN copy deposited at HPA. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Henry, Tom F. K. (2012) The Life and Art of Luca Signorelli. Yale University Press, New Haven & London, 352 pp. ISBN 9780300179262. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Henry, Tom F. K. and Joannides, Paul and González Mozo, Ana and Martín, Bruno (2012) Late Raphael. Museo Nacional del Prado and Musee du Louvre, Madrid and Paris, 382 pp. ISBN 9788484802372. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Kear, Jon (2013) A Judgment on Judgment: Milosevic On Trial. In: Rothermel, Dennis, ed. A Critique of Judgment on Film and Television. Palgrave, , pp. 142-163. ISBN 978-1-137-01418-4. (Full text available)
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Kear, Jon (2008) L'Origine del frammento ne Il capolavoro sconosciuto di Balzac. In: Cattani, Francesca and Meneghelli, Donata, eds. La Rappresentazione all specchio. Testo letterario e testo pittorico. Meltemi, Rome, pp. 55-68. ISBN 9788883536717. (Full text available)
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Kear, Jon (2009) Spectres of the Past, Inhabitations of the Present’: Jochen Gerz’s Public Monuments'. In: Lamberti, Eleanora and Fortunati, Vita, eds. Memories and Representations of War: The Case of World War I and World War II. Textxet Studies in Comparative Literature . Rodopi, Netherlands, pp. 33-49. ISBN 9789042025219. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Kear, Jon (2007) Une Chambre Mentale: Proust's Solitude. In: Hendrix, Harald, ed. Writers' Houses and the Making of Memory. Routledge, New York/Oxon, pp. 221-235. ISBN 9780415957427. (Full text available)
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Law, Jonathan (2014) Materialising the Unseen: The Multisensory Cinema of the Invisible Body. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Maes, Hans R.V. (2011) Depiction: Wat is een afbeelding? Een inleiding tot de hedendaagse afbeeldingstheorieën. Esthetica, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Maes, Hans R.V. (2011) Drawing the Line: Art versus Pornography. Philosophy Compass, 6 (6). pp. 385-397. ISSN 1747-9991. (doi:10.1111/j.1747-9991.2011.00403.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Junko Theresa (2013) In the Dark Places of Photography. In: Green, David, ed. In the Spirit of Creation: Readings in Art, Magic and the Occult. Mandrake, Oxford. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Junko Theresa (2013) The Spell of Photography: A Philosophical History since Plato. I.B. Tauris, London ISBN NA. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Newall, Michael (2012) An Aesthetics of Transgressive Pornography. In: Maes, Hans R.V. and Levinson, Jerrold, eds. Art and Pornography: Philosophical Essays. Oxford University Press, Oxford, pp. 206-228. ISBN 9780199609581. (Full text available)
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Newall, Michael (2009) Pictorial Experience and Seeing. British Journal of Aesthetics, 49 (2). pp. 129-141. ISSN 0007-0904. (doi:10.1093/aesthj/ayp002) (Full text available)
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Newall, Michael (2010) Pictorial Resemblance. Journal of Aesthetics and Art Criticism, 68 (2). pp. 91-103. ISSN 0021-8529. (doi:10.1111/j.1540-6245.2010.01395.x) (Full text available)
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Newall, Michael (2010) What is a Picture? : Depiction, Realism, Abstraction. Palgrave Macmillan, Basingstoke, 248 pp. ISBN 9780230276550. (Full text available)
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Newall, Michael (2012) Seeing-in is a Transparency Effect (draft paper). . (Unpublished) (Full text available)
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Pooke, Grant F. (2010) Contemporary British Art: An Introduction. Routledge, 304 pp. ISBN 9780415389747. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2007) Francis Klingender 1907-1955: A Marxist Art Historian Out of Time. Gill Vista Marx Press, London, 316 pp. ISBN 9780955723902. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. (2011) Sade, Entropy and the Neo-Baroque: Self Becoming in the Aesthetic of Michaȅl Aerts. . Deweer Gallery, Otegem, Belgium Text. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pooke, Grant F. and Callow, John and Powell, Jane (2011) The Art of Revolution: Illustrated by the Collection of the Marx Memorial Library. Evans Mitchell Books, 96 pp. ISBN 9781901268607. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Thomas, Ben D. H. (2012) Disegno: Superficial Line or Universal Design? In: MacCarthy, Ita, ed. Renaissance Keywords. Legenda Main . Oxford University Press/Legenda, Oxford, pp. 27-40. ISBN 9781907975295. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2012) In Defence of Marginal Anarchy: Edgar Wind and the Congress for Cultural Freedom. In: Art History and the Cold War. Ashgate. ISBN ???. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2012) John Evelyn's Project of Translation. Art in Print, . (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2010) Noble or Commercial? The Early History of Mezzotint in Britain. In: Hunter, Michael, ed. Printed Images In Early Modern Britain. Essays in Interpretation. Ashgate, Farnham and Burlington, pp. 279-296. ISBN 9780754666547. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2012) Paul Coldwell: Passing through... In: Coldwell, Paul, ed. Paul Coldwell: A Layered Practice - Graphic Works 1993-2012. Studio 3 Gallery, University of Kent at Canterbury. ISBN 9781902671819. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2016) Alfred Drury: The Artist as Curator. 19: Interdisciplinary Studies in the Long Nineteenth Century. 2016(22), . pp. 1-13. E-ISSN 1755-1560. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

This list was generated on Sat Jul 23 21:47:21 2016 BST.